#god i can't even remember how i tagged these posts

[smileybasics]

Defending @lil-liaa

I usually don’t post in this blog cause i have other ones but i don’t think this is being fair, me and Lia have been moots for a year and I have seen all her work over the years, I don't know a more creative person than her and I have been with her while she makes her moodboards by call and it is simply impressive the hours she invests in doing it, today I She wrote so devastated and we made a call talking, she has worked on this for so long, I remember how excited she was when she reached 1k, what I mean is that her community and her blog are very important to her, these people are accusing her because three Posts are similar to those of other blogs and that seems stupid to me since you have not even seen her other posts to know if she really makes an effort or not, Lia has made collages, dividers, banners, and a lot of other things, to she is really passionate about digital art and the only time she left her blog was because of the loss of a loved one and the truth is I don't care how many people are going to believe me after this post I just want them to leave her alone, here I am attaching some evidence...

This doesn’t even have so much in common just a three pics, in case you don’t know how moodboards are made, 2 or more colors are taken as a base and the images that best match the tones are searched on Pinterest, not only what she "copied" are just two photos but she also made a divider and a collage

Here’s just pinterest pics (proofs that are from pinterest in keep reading) and again i saw a lot of rude comments towards her that so unfair and hurt feelings cause considering how long Lia has been on her blog it's like invalidating all her hard work!!

In this post she even clarify that the divider isn’t made by her but the collage it is, also it’s just 2 pics that are similar!

This pictures are from pinterest, everyone can use it!

People bullying her

This doesn't just happen on the internet, but in real life, one of Lia's moots simply republished the post where they accused her of copying, she asked him/her why he/her did it so quickly, If they were supposed to be moots, if someone betrays you so quickly without questioning anything, they were never your friend and instead of responding privately she/him made a post just to make her/him moots laugh and the comments are gross, my god it's disgusting, this is directly bullying, if you are a thinking person and if you have ever had some kind of link you should try to talk something privately instead of calling the crazy girl and tagging all your moots so they can laugh, the worst thing is that you can tell that this girl only wants interaction because when she and Lia were chatting she threatened Lia with blocking her but then when Lia blocked her she made another post like "she blocked me" it's like, besides being a treacherous rat you can't have the decency to talk to her about it, Lia has been so nice to everyone but after all, this is where you can see who the ones who truly supported her are, and not the fake friends.

I'm not going to censor his/her username, he deserves it, tumblr is as much as real life, the importance of moots is like friends in real life, because if you want you can just harass someone and all your friends will laugh without question anything.

Also, Lia has a tutorial of a lot of things that she made! If she knows how to do it, why would she steal or copy from other blogs?

She has tutorials of gifs, texts, banners, etc, if she really stole and copy, why she knows how to do it by herself?, and if she knows how to do it by herself she doesn’t even need to stole!

LIKE SHE DIDN’T CARE?! Sorry but this is so wrong, i can tell that, SHE CARES, all these people who are making posts mocking her and calling her crazy because according to them she "copied" three measly posts, when if I were in her place and all my years of work were at stake I would also act like a crazy person because it's worth it, here it is demonstrated clearly her hypocrisy, if Lia wants to defend all her hard work or defend herself from bullying by blocking you she is crazy but if she makes a post explaining everything it seems like she doesn't care, this frustrates me so much

Here more evidence of Lia’s drafts

Just a few of her drafts

And last but not least I want to give credit to Lia's great work these years, so you can see that there is a true artist behind all this nonsense controversy, here are some of her moodboards, my personal favorites that I can't imagine how much time it would have taken

Extra: “Lia we know it’s you” Don’t acuse me of being Lia, i’m just a real friend

Evidence: Contact of Lia and me

Hi guys, it's come to my attention that someone in the moodboard community known as lil-liaa has been copying / taking heavy "inspo" from other creators like @y-unjins and @iluvrei view more for more info + evidence + my opinions on the whole situation

before i start, i'm not trying to run lil-liaa off the platform nor am i trying to stur up drama, this is just to bring light to the situation as not many people know and many people (including myself) defended her when this first happened, i also want liia to realize that what she's doing isn't right and that she shouldn't just brush off "accusations" like these when there is evidence.

proofs

you can see the similarities as lil-liaa used 3 of the exact same pics as iluvrei's including one edited by the original creator without adding credits to the post.

2nd

here you can instantly tell that the moodboard was copied (lil-liaas on the right being an exact replica of y-unjins), only changing 2 pics excluding the idol change and

3rd / last

lastly, you can see how one lia used the exact same divider (+ didnt give creds), two she uses the same images not only in the moodboard but also in her gif (same pics from y-unjins moodboard including the png)

now, lil-liaa was sent multiple anonymous ask from last year and one recently accusing her of stealing moodboards, although a lot of people defended her last year including me due to the ask having no sorts of proof of moodboards being stolen and no one else speaking on it but now the recent ask she has received included proof and her response to it was very (in my opinion) rude and just sounded like she didn't care.

in my opinion, i don't believe this was just a draft she had premade and i don't believe she somehow got the same exact photos from y-unjins moodboard recommended, i believe since this isnt the first accusation and now there's proof of this i believe she has been copying moodboards since last year when she was accused. i don't believe lil-liaa cares about this, the fact she's stealing from other creators and when she gets called out for it she pushes it off with the same excuses

tags

@miujo @rkkuri @lvioung @ciestial @aeraras @sugarish @gyareii @i-kyujin @daddldee @i-mmaculatus @haerinism @chaeryeos @bloomqi @h-yeoni @p-oisn @bitchey @yeritos @yonkiibums @y-vna @y-urios @fairytopea @shuaver @yeoniis

[ruegarding]

for context, @rosabell14 is referring to tags on this post.

ok we're going off-road w this one

generally speaking, i like the concept of "some things aren't meant to be controlled," which annabeth says to percy after he controls the poison. this is said and then immediately forgotten abt, however, this could be another angle of change, a reoccurring theme in hoo, as well as a continued theme from pjo.

obviously, from pjo, the change is addressed w the myths, the theme of yielding, and w the conclusion of the story:

hoo continues this concept of change w the percy-jason switch, the greek-roman conflict, the idea of what an identity is and how to change it, etc. there's a lot of individual character work w this idea, but there's less of a mythological concept attached to it. gaea is a static and flatly written antagonist, octavian becomes incredibly flat as a character and his development into this sort of fanatical antagonist that is never explored, there's a lot of teeth-gritting abt how the gods are gods and they never change and everyone just has to accept it, the myths aren't challenged in the same way they were in pjo, etc. there's a few major exceptions, i'll get to that.

this is a glaring issue i have w hoo. it wouldn't be as bad as a standalone, but hoo makes the entirety of the previous series meaningless. in tlo, percy asks for kids to get claimed and be trained so when (or if) they have to go on dangerous quests/fight monsters/etc they're both older and more experienced. this is the conclusion to the war and how the status quo is changed (disability accommodations expanded to reach more ppl and work more effectively).

hoo, however, does not do this. camp jupiter infamously has a child army while the adults are retired, all of the new characters are younger than percy (who is still 16), and only two of them have spent a long period of time training, although hazel's isn't formal/in a camp (and piper doesn't even learn how to fight until book four ffs). this sort of immediately bastardizes pjo in a way that is never acknowledge by the series and makes it, and anything after it, a failure as a continuation of pjo.

and that's where this theme could've come in. when bob is remembering who he is, him and percy have this back-and-forth abt identity. percy relates to bob bc he, too, just had his memory erased and that vulnerability exploited (annabeth's perspective in this conversation is very different bc she doesn't have this same experience nor does she understand percy's feelings abt it. a good way to build tension using different povs, but, once again, doesn't get fully utilized). in the conclusion that conversation, there's an interesting moment:

this is that idea again, "some things aren't meant to be controlled," like fate, like identity. titans are meant to "be the same...forever." and here percy is, not only as the catalyst for change by throwing bob into the river lethe, but also by encouraging him to commit to this change once bob should know better. this was percy's role in the previous series, as well, where he constantly challenges the perspective of other characters to be more quote human unquote.

afterwards, annabeth has a similar moment w damasen:

i also think these are very funny to have side-by-side, just as character analysis, bc percy is very much both insecure and empathetic like u can choose ur future, it's up to u, etc, whereas annabeth is like i am right, listen to me.

anyway, both of these moments repeat the idea from pjo/tlo: immortals can't change. but they are changing. and they will change. the rules of the world are malleable (i also think hazel's monologue abt seeing the minotaur as a victim would be another aspect of this to explore). what abt traditions? what abt camp jupiter's child army? how should these change? going back to the og thought, tho, what shouldn't change? what are the "some things" that aren't meant to be controlled? how do you balance traditions and reform (great opportunity to use octavian btw!)? why can't a god be human, act human? why are the ancient rules important? that's an important discussion to have if we're growing this universe.

i don't particularly like that hoo immediately reverts back w the premise of the story, like i was talking abt earlier, nor do i think these characters were introduced or used well in canon, but using these characters, these moments, these conversations, rick could've salvaged this mess by embracing change isn't a static thing. he doesn't, tho, so it's all lost potential.

separately, something i've always liked abt the akhlys fight is that percy wins the literal, physical fight against her, but loses the metaphorical fight. he gets to walk away, but he walks away miserable. and this is bc the gods aren't ppl, they're physical representations of concepts. and percy has this thought abt tartarus and gaea while in tartarus, and i believe it's brought up in boo, but it's barely relevant. it's something i wish was explored more.

now onto specific characters. i talk abt my general idea here, ie this moment in tartarus is forcing percy and annabeth to confront their worst-case scenarios.

for annabeth, i've repeatedly gone on record to say i hate the way annabeth is written in hoo, here is an example, ie her fatal flaw does not come thru in her character (i also think she and percy switched characterizations from pjo to hoo, but...). separate issue is that annabeth's character revolves around percy a lot. so there are two issues i would focus on, largely bc she's not written well and doesn't have established unique conflicts. like,

this is a big revelation at the end of hoh, that she has to "step back" and she can't "protect everyone she love[s]." except it doesn't make any sense. tlo ended w annabeth telling percy to give luke her knife which luke uses to kill himself. not to mention, thalia's sacrifice on hbh. ALSO. percy accepting the prophecy and "taking the brunt of the danger"! and finally. annabeth has been at camp for 7-8 years. 1) she should have relationships w these ppl and 2) she should care that some of the ogs died in the previous war (which would also require rick to figure out who died lol). but the point is, this isn't a new conflict for annabeth!

the thought she had in moa abt having to accept she's not always the best person for the job:

this is not built up nor is it delivered on, but would be interesting, given that she demanded to be on the quest and if there was an actual power struggle instead of writing her as the de facto leader. this would be a better conflict than accepting that "she couldn't protect everyone she loved" when she has historically not been able to protect everyone she loved.

anyway, back on topic.

first, this moment exists to challenge her perception of percy, which is important to challenge bc she quite frankly has an unhealthy attachment to him. other ppl have said this better than i, so here's a post abt codependency and p*rcabeth and here's another one i rbed a while ago.

tldr; rick treats annabeth's abandonment issues/possessiveness/codependency as like. cute, peak romance. and he's been doing this since pjo, right, like annabeth's abandonment issues and possessiveness didn't matter when it was thalia joining the hunters,—bc there's no romance trope here w thalia—but gods forbid percy speak to rachel.

and this doesn't change in hoo. in fact, it's worse. like,

i'm going to [statement redacted] rick for this. what part of this is cute??? i'm killing it with fire.

so anyway, i want to treat annabeth's possessiveness/etc as an actual, consistent, character flaw, that she can grow out of, even. maybe even connect it to her hubris or her rsd. explore her feelings abt luke now that we have her pov to do it in. the fallout from this moment w akhlys is a great way to begin delving into that bc it's a shocking moment for her.

second, and going back to the theme of change, annabeth is different from percy in the sense that she has a different relationship to the gods than him (which i'm comparing bc i think rick (and fandom) has a hard time giving these two consistent and separate personalities/beliefs post pjo). the two times she has rebelled against the gods directly were bc of percy's influence (again, this is percy's role in pjo), 1) in the zoo truck, a scene that only takes place bc percy challenged her view of the poseidon-athena rivalry and their place in it, and 2) w hera where the first words out of annabeth's mouth are literally "percy is right."

i find this interesting especially bc her fatal flaw is hubris, which is common in mythology and frequently ends up fatal bc ppl challenge the gods. so, annabeth using the gods and these stories to keep her hubris in check makes complete sense.

and it seems like this is the same approach she's using w percy:

percy is directly challenging a god for power, and more than that, he's challenging a domain he's not supposed to have control of at all.

very interesting! does not get explored. such is common for hoo.

for percy, this scene is part of a long-running conversation of his powers (which is a huge part of his disability coding!!!!!). and it doesn't go anywhere.

percy has established anger issues and implied emotional dysregulation. this has been a thing since the beginning, literally chapter one of tlt! punishing percy for this when he's clearly not getting the support he needs is. a choice. also there's the issue that hoo kinda. erases this aspect of percy's character until the confrontation w akhlys, which is a separate but related issue.

there really should've been more buildup to this outburst (eg: in son percy punches a shelf in the library and immediately feels guilty bc he scares frank and hazel. percy is in an incredibly stressful situation; this should've happened more), but that would mean rick would treat it and the disability conversation seriously (which falls flat after son) and do less teeth-gritting abt the whole gods thing.

so, to go back on my "using the different povs to build tension was wildly underutilized" train, a featured part of almost everyone's pov is that percy is very kind, and gentle, and forgiving. i discuss a moment w frank being impressed w percy's selflessness here and he also says that he would follow percy anywhere, jason says percy is "a nice guy" after like 2 days, nico has his whole thing, hazel says "percy was a child of poseidon’s better nature," going on to describe him as gentle, etc.

and all of this praise goes nowhere and kinda just becomes percy is so awesome...and then turns into everything is percy's fault in boo...it's bad writing.

but it's an interesting opportunity to play w perspective. percy in pjo is dehumanized in that he is both villainized and idolized, and obviously hoo is continuing the trend w idolization. rick sets up a great plotline w this in moa:

and this doesn't go anywhere bc apparently percy's problem is that he needs to learn to step back. which. part of this is bc rick recycled plotlines from percy and gave them to other characters, which means that percy cannot be in character anymore without making themlook bad (the recycled plotlines i'm talking abt are the idolization, imposter syndrome, wanting to step back but constantly pushed into the spotlight, being seen as different/elevated status bc of ur parentage, struggling to connect to who your parent is, even the dehumanization as a weapon is straight out of percy's writing in pjo). this is a big problem w hoo in general ie characters becoming ooc by necessity (see: bad writing). the other part to blame is that rick is literally trying to redo tlo what w the whole "you are not the hero." it's all the same from pjo except written worse. it's a running theme of hoo (and a bonus). bad writing all the way down!

ANYWAY. so pjo ends w percy at an elevated status bc he 1) survived an unsurvivable prophecy, 2) was offered godhood, and 3) turned down godhood to improve the lives of the demigods while all the demigods watched. and he has the curse of achilles but. we all know how that went. the point is, all of this puts percy on a pedestal. i like to think it's the biggest reason hera kidnapped percy: if he said no, if he refused, she would've lost the support of almost all the demigods at chb (also the metaphor for the audience lol). i think making percy go on the quest, or at least to new rome, is the only good bit of world building rick did between books.

the problem is, rick is kinda all over the place w how percy is perceived and misses both the point of percy's character (callback to what i said abt his disability) and the world building of the previous series (what happened to power-scaling, narrative consequence, etc fr). that's what creates the flip-flopping "percy is perfect" and "everything is percy's fault," and neither are particularly good reads.

going back to annabeth, i don't think she's an exception in idolizing percy. she has no reason to see percy's vindictive side bc he works hard to hide it. even w crusty, annabeth is preoccupied. annabeth is smart, she's not omniscient. instead, there's the famous "percy is too nice" from som. i also like to think this is why she keeps trying to talk to percy abt luke as if luke is a good person who didn't try to kill percy. she doesn't understand that percy would hate luke for betraying him bc why would he? percy is a good person.

(for the record, i think the exceptions are: 1) grover, who chooses not to bring it up w the exception of his nemesis comment in tlt, 2) rachel, who made a painting where percy's "expression in the picture was fierce—disturbing, even—so it was hard to tell if I was the good guy or the bad guy" and simply said that's how he looked, and 3) arguably nico—considering percy has attacked him before—but i do think "very [dangerous]. to his enemies." does a good job of capturing that, it just doesn't go anywhere).

so, to condense all of this, ppl are idolizing percy in terms of both strength and morals and percy feels stifled by this knowing that he is not as strong or good as ppl think (and also by the fault that he was demonized prior and has corresponding low self-esteem bc of that lol). keep this in mind, i'm changing the topic.

in botl, percy's torture scene is used primarily to set up how powerful he is. he can cause an eruption that necessitates the evacuation of thousands of ppl and wake the biggest threat in greek mythos, but he would never know that if he wasn't back into a corner. bc that's not who he is. he shies away from power and titles. he wins his fights w strategy and very rarely relies on his powers to overpower his opponents.

just to clarify, i categorize percy's powers in two sorts of ways: involuntary and voluntary. involuntary is like speaking to sea creatures, healing in water, things that don't require a lot of energy/effort/focus. he's not scared of this. he's wary of the voluntary, powerful explosions, the things that set him apart from his peers. that's what i'm referring to in this section.

so, percy has to come to terms w the fact that he 1) blew up a mountain, 2) survived blowing up a mountain, and 3) woke typhon. and what does he say immediately after that?

he immediately deflects! he wasn't in control, it wasn't him that's powerful, it was an accident, and besides, he can't do it again bc he almost died. and what's even more interesting is the only time he uses his powers after this (in botl) is when grover asks him to stop the fire in the woods.

so, what lesson did percy actually take from mt saint helens? that he's dangerous. very interesting to use this teaching moment and have the protagonist come to the quote wrong unquote conclusion.

in hoh, we don't have a purpose for the torture scene. there's no significance to confronting how powerful percy is. percy is not addressing his self-sacrificing tendencies nor his propensity for bottling his emotions up. there's no questioning of p*rcabeth's relationship. there's no questioning of the gods. it's a cool scene w no narrative purpose.

so, take two. what is percy supposed to be learning from akhlys? how do we relate this to percy taking the wrong lesson from mt st helens?

at the end of botl, nico comes up w the river styx plan and percy takes almost a full year to agree to it. how much further ahead in the war would they have been if percy had accepted the curse sooner? how many fights could percy have won faster if he used his powers? if he trained his powers? if he trusted his powers?

there's a really interesting comparison w phorcys and akhyls where percy doesn't attempt to fight phorcys bc he assumes he won't be able to overpower him,

but w akhyls he tries anyway,

bc he's backed against a corner. and he succeeds.

percy is a character who very much embodies duality. i've talked abt this before wrt his loyalty being both his greatest strength and greatest weakness and how it clashes w his desire for freedom, but it's true for almost every trait. he's honest and manipulative. he's ruthless and merciful. he's kind and violent. he's looked up to and looked down upon. he's the saint and the scapegoat. etc etc. and percy responds to this by frequently trying to deny his quote worse unquote traits until they eventually bubble up and explode out of him. this is part of why juno calls him a loose-canon (which btw, i love. everyone has been treating him as a loose canon and no one on this side has the balls to say it until then, seven books in).

all this to say, *ethan voice* it's abt balance! this moment should've been abt percy confronting his unfair treatment! the idolization from his peers! the demonization of his flaws/disability!

thanks for coming to my tedtalk.

[kingofthering]

november-december 2024

(With a little delay because of you-know-what but here we go. Big thank you to all the authors who used their time in 2024 to produce things that made me have a good time, you're the best.)

ao3

rosquez

you look like someone I remember by @vanillow

I'm of the opinion that you can rarely go wrong with a time travel fic (and the options are endless) and of course Maddie didn't disappoint with that one. For a fic that's like, 50% Explicit, it sure still managed to give me feelings.

postscript by @kingofthecotas

Sometimes all you need is something soft and sweet and very domestic.

Lex Ferenda by @tartquez

I know I technically already recced the Bicameral series last time but we got a bunch of beautiful additions since then, so. Go binge it all is my advice.

learning to fly by @moonshynecybin

Go tell Callie that this is great and that we all need the rest 🫶 One good argument to read this? The enigma that Valentino is but in a good way, not a mean way (for once). And never fucked pre divorce Rosquez insane concept, come on.

#FF0000 by @le-chevalier-au-lion

First of all, the title of this fic is brilliant. Second of all, jealous Valentino in this context is a thing of beauty. Valentino's sensations (and how his feelings translate in his body) were so beautifully described and the vibe in this made me feel like I was with them at the club, ready to cut the tension emanating from Valentino's body with scissors.

the flight of a one-winger dove by @vanillow

Soulmates AU. Dialogue that just hit like that. Another Maddie masterpiece, if you will.

the laughter, the plunge by @yekoc

Fun fact : my reblog of the tumblr post of this fic was the last post I was able to reblog before my account had to take a forced holiday. But what matters here is how this fic made me feel : proud of Marc, hot, with a squeezed heart at the end (in a good way).

dovquez

here and now, undaunted by @le-chevalier-au-lion

It's Dovquez and it's soft and domestic and the banter works so well and is very them. 10/10.

nearly, nearly, nearly by @le-chevalier-au-lion

!!! This had me deceased. I was right there with them all along and the tension is so delicious.

others

the greatest thing we've lost (santi/marc) by @le-chevalier-au-lion

You know when you have to pause every 2 sentences to process everything being written because it's a lot but in a good way? Yeah.

Coterie (casey/dovi) by @tartquez

That moment when you fall in love with a side pairing even more than the main pairing of a universe (me with Casey & Dovi in Bicameral). It's just, they work so well together and I adore being in Casey's head in this and his internal monologue is interesting and the dialogues between Casey & Dovi always make me wanna scream. And they're obviously hot together but that's a detail at this point.

somewhat so outlandish (pecco/enea) by @vanillow

Swear to god the writers of this fandom turn me into a real empath because you can't imagine how much I was feeling for Pecco by the end of this. The dialogue is, as usual, chef's kiss.

these are the games of weekend (santi/vale) by @lestelledreams

Underexploited pairing as evidenced by Elle. Young Vale is always a delight and this works beautifully.

cannot dream of returning to dust (marcnaia) by @le-chevalier-au-lion

My tags on the tumblr post said "#‘oh’ in italics#like!!!!#‘They’re both very good at miserable. In opposite directions.´ !!!!#oh so much more" so, I will leave you with that.

get quiet (casey/vale) by @vanillow

I feel like I could enjoy any fic involving Casey right now but also, this was a very needed and mandatory fic after Casey's ranch visit. Their dialogue in this, the scenes on the porch, the way Valentino is written, the progression of their physical proximity, yes baby.

tumblr

rosquez

time travel au by @tartquez

black widow marc + agent vale by @tartquez

lies by @astronicht

eternal sunshine of the spotless mind au thoughts by @moonshynecybin

gladiator marc by @vanillow

on vale re: marc's diplopia by @yekoc

dovquez

I wonder what's it's like to be so beautiful by @lastlatebraker

forehead kiss by @lestelledreams

model marc / designer dovi by @lastlatebraker

[lemonemenom]

just stumbled across your page and i love your art and your art style (it's actually what i want my art style to evolve into eventually so i hope you don't mind if i take some inspo from your art) and you seem like such a cool funny person and i can't wait to get to know you!!

(also i LOVE siat, i recc to literally everybody and i love so much that you create art based on it)

ooooooh do you have an art tag? art blog? pls respond to this post i want to stalk.

hahahaha my style is a travesty if you want it you can have it, it was an accident.

how to lemoemeonomart;

have no attention span. art has to be finished in one sitting or it gets discarded so goTTA GO FAST. STRAIGHT LINES. FLAT COLOURS. MINIMALISM. SPEED.

have no money. use free programs and cheap equipment that have 0 good brushes and no pressure sensitivity. aborb that into your artstyle by way of compensation so now even though now you COULD have pressure sensitivity on the wacom tablet you won in a raffle, you dont know HOW to pressure sensitivity and at this point your too scared to learn.

Do a degree in animation that includes life drawing, where most of the drawing time is between 15-120 seconds. MORE SPEED. MORE MINIMALISM.

btw i now use medibang cause im used to it. 99% of the time im using the below brush at different sizes or the paint bucket

but yeah, god speed, feel free to trace or copy my shit, it doesn't bother me. (tag me though if you remember to cause i love to sticky beak)

[dreamcrow]

@dreamcrow followers and/or mutuals only: d0/uxie. discuss

[sskk-manifesto]

What a good episode. Maaaaaan

[medicinemane]

Honestly a lot of the time, it's not even about people having to agree with me, it's about needing to know that they actually heard and listened to what I had to say even if it didn't persuade them

Just... some basic indication that there's enough respect to give a shit about what I said, and also to make sure that they disagree because they actually disagree and not cause they just didn't bother listening

It's all I really ask

[synonymroll648]

my dude you are like. the god of gender. you scream some song lyrics and it confirms your gender. i live in awe of you. save some gender realizations for the rest of us please.

LMFAOOOOOOOOOOO we envy each other's gender-related powers <3

you are the guide that's like 'idk what's up w/ my gender really but i've done enough experimenting that i might be able to help you figure shit out' and then you give us a tour of Transmasc Territory within Transgenderism 'Topia (u is dead for the sake of alliteration) and we're like whoaaaaa ok and then i'm the final boss that gives you an 'official' gender certificate for doing some bonkers thing that shouldn't affirm your gender but does for some reason. you list the side quests and i give an award for picking the 'correct' one at random. or something cooler idk

[rev-velvet]

I need to go eat ice immediately to calm down cause Kaisei (one out of the three new jp boys) is 'bout to make me act unwise oh my word

[kingsofeverything]

1686

[blueberryexistence]

my love for the way i loved you is growing everday

[highprofilerichkid]

OFMDs, while I find your pathetic clownery to be even more intolerable than the rank vitriol of my Stucky fandom nemeses, I have to put my personal aggravation aside to offer you, along with my MSR besties, my most sincere congratulations on achieving what is objectively the funniest possible outcome for this round. You eliminated THE top two unquestioned juggernaut patron ships of this entire cursed website in their first matchups, and I honestly couldn't have asked for a better outcome. I cannot stand those fucking pirates but god bless. Love and peace on planet Tumblr ✌️

AO3 Top Relationships Bracket- Round 2 Side 1

This poll is a celebration of fandom history; we're aware that there are certain issues with many of the listed pairings and sources, but they are a part of that history. Please do not take this as an endorsement, and refrain from harassment.

[korattata]

the curse of knowing things about animals is so so heavy

[miinos]

wah

[anachronistic-falsehood]

the crippling existential dread is getting to me

[osaemu]

GOJO SATORU: ❛❛ ONE MORE CHANCE? (IT WON'T BE THE LAST) ❜❜

.ೃ࿐ you hate your ex, but nobody else can fuck you half as well — so maybe you'll give him one more chance.

contents: fem!reader. implied unprotected sex, dirty talk (?), lil' bit of praise, lil' bit of degradation, oral (fem. receiving), couch sex, gojo covers your mouth at one point, cursing, lil' bit of teasing/mocking (?). sorta toxic but whatevs we love a toxic king! 2000+ words.

author's note: got lazy in the middle of writing this loll

"he's just so fucking annoying," you groan, swirling the drink in your hand. the ice clinks against the side of the glass as you lift the cup to your lips, sipping the whiskey and wincing at the way it burns the back of your throat. you lean back in the plush couch in your friend's living room and sigh. "i don't know why i ever dated him."

your friend nods in agreement, eyes fixed on her phone for another second before she turns it towards you. "look what he posted on his instagram."

on your friend's screen is an instagram story, and the tag shows that it's from your ex-boyfriend — satoru gojo. tired of his insensitivity and annoying nature, you had dumped him two weeks ago, and god, you'd never had such a petty ex in your life.

after you broke up with him, he blocked you from all his socials and got all his friends to do the same. so, since he practically knew everyone, you lost a hundred followers.

and apparently, he's out fucking some other girl right now.

the story on your friend's phone is a picture of a smirking satoru with his arm wrapped around some girl with a red plastic cup in her hand. they're bathed in overhead red lights, and you can barely make out a familiar dark-haired boy in the back — another one of satoru's fuckboy friends.

"he's such a manwhore," your friend says with an eyeroll. "d'you want to stay the night?"

you shake your head, setting down the now-empty glass on a coaster. "it's alright, i wouldn't want to intrude," you say with a rueful smile.

your friend eyes you suspiciously for another second before leaning back in her own seat and closing her eyes. "stay safe, it's pretty late."

you nod and toss your things into your bag before stepping out the door, closing it gently behind you. as you get in your car and drive back to your house, thoughts of satoru fill your head. 

you don't recognize the girl under satoru's arm, but she's pretty — too pretty for him. sure, satoru was conventionally attractive, with his ocean-blue eyes and flawless physique, but still. 

satoru was a shitty boyfriend, and now he's an even shittier ex. when you two dated, his spoiled brattiness and constant sorry, i forgot's drove you insane. he couldn't even remember your birthday. it was a miracle that you tolerated him for that long — until your one-year anniversary, which obviously slipped his mind.

"you're so insensitive," you groan, dragging a hand down your face. satoru suppresses a sigh, blue eyes looking everywhere but at you. "and— satoru, are you even listening to me?"

you're quiet for three seconds before he responds, and naturally, it was with a "huh? yeah, what is it?"

every time. every single time.

"it's over," you mutter, shaking your head frustratedly. "we're over, satoru."

"fine," he responds after a moment. "i never really liked you anyways."

"fuck you."

if you didn't give a fuck about that white-haired bastard anymore, why did the memory of your breakup still sting?

you try to tell yourself that it doesn't matter. maybe it was for the best — he was out with some pretty girl, so why couldn't you go out and sleep with some hot guy? 

you make up your mind right as you step into your house, and thirty minutes later, you're in a tight dress and four-inch heels. and it's almost funny how easy it is to doll up when you don't have a horny boyfriend trying to fuck you every two seconds.

right before you step out the door, you eye yourself in the mirror and can't help but admire the way your dress hugs your waist, accentuating your curves. that smug manwhore didn't know what he was missing out on — so why not show him?

you pull out your phone and take a picture of yourself, snapping a couple before deciding on one and posting it on your story. you knew he'd see it — you intentionally let his burner stay unblocked, and coincidentally, he didn't block you either. 

just as you push open your door, you realize that your phone's on death's door — just over five percent remaining. so you plug it into your charger, kicking your feet impatiently as you wait for it to charge to a reasonable amount.

some part of you wants to chicken out, to stay home and spend the night watching a classic romcom. but the other part of you, the part that can't ignore the fact that you haven't had sex in two weeks, urges you to go out and get laid.

so twenty minutes later, when your phone finally hits forty percent, you practically throw open the door and rush out and find yourself face-to-face with the guy who's somewhere between belly conklin and andy bernard on your most-disliked list. satoru gojo.

"what the fuck are you doing here?" you snap, wrapping your arms around yourself as the cold night air touches your bare skin. satoru eyes you up and down, and suddenly, you're very aware of just how exposed you are. "satoru, answer the damn question."

"where are you going?" he asks, eyes narrowing when they settle on your dress's deep neckline. 

"none of your business," you reply shortly, biting the inside of your cheek. unfortunately, satoru looks good. just like in his instagram story, he has one button undone in his collar, and his hair is rumpled and perfect all at the same time. "answer the fuckin' question."

"saw your story," satoru replies, slipping his hands into his pocket. "you going out on a date or something?"

the question catches you off guard, and your irritated expression drops for a moment. strangely enough, satoru doesn't have his usual smug expression on his face — he looks conflicted. he never looks conflicted.

"doesn't matter," you respond, walking around him and relishing the way your heels clack on the concrete ground. without turning around, you ask, "so, what about my story made you come over?"

you're not sure why you're baiting him. maybe it's the slight chance that he would beg to get you back, maybe it's the tightness in your chest and pussy, or maybe you just want the satisfaction of seeing satoru squirm.

whatever it is, it lets satoru take you by the wrist and drag you back inside. you suppose that if you can get dick at home, then there's no point in going all the way to the club. and it's not like you're gonna get back together over one night — this would be purely physical. he wanted you, and you wouldn't mind him.

"fuck, right there, sweetheart," satoru groans, pushing your legs impossibly farther apart as his tongue laps at your pussy. the two of you barely made it to the couch in your living room before satoru pushed you down, a mischievous smile on his lips. one thing turned to another, and soon enough he was on his knees in front of you and eatung you out like a starving man.

"you're such a loser," you mutter, threading your fingers through his hair as his tongue makes you see stars. he really was — who shows up to their ex's place after getting dumped? a laugh bubbles out of satoru's lips while his mouth is still on your pussy and it makes you shiver. satoru looks up at you, an amused gleam in his eyes.

"s' that so?" satoru mumbles, pressing his lips to your inner thigh with a smirk. "then why'd you let me in, huh?"

"why would i go out when i can just get fucked at home?" you say dryly, a smile growing on your lips. "since you made the effort of coming all the way here."

"my pleasure," satoru scoffs sarcastically, getting up and joining you on the couch as he tugs you into his lap. "so i'm the pathetic loser here, yeah?"

you nod, letting satoru unzip the back of your dress with one hand. he laughs and shakes his head. "you're the one who let me in, baby."

"yeah, well, you showed up."

"you coulda slammed the door in my face."

"maybe i should've," you mutter, not liking the way he's grinning at you. "you gonna fuck me or what?"

"aw, you're desperate. how cute," he replies without missing a beat. it's been a while since you got to banter with satoru like this, and some part of you misses it. sure, he's disgustingly cocky, but at least he has the dick to back it up. and it's fun, too — you like the chase, and clearly, he does too.

"not really," you say with a shrug. that's a lie — the only reason you let him in was to get fucked, and contrary to the excuses falling from your mouth, you were getting impatient. not that he needed to know that.

"fine. have it your way, brat." satoru smiles cheekily and bounces his leg up and down, making you grit your teeth as you struggle to focus.

you make a face at satoru, crossing your arms. "what are you—"

"waiting."

"for what?"

"for you to beg."

your mouth falls open, and you glare at satoru, hating the way he's smugly grinning at you. this isn't the first time he's asked you to beg for him to fuck you — back when the two of you were dating, he had no problem edging you the whole night and practically making you cry for him.

"not this again," you groan, letting out a drawn-out sigh. "just fuck me already, satoru. or i'll go get someone else to."

satoru clicks his tongue, smiling lazily. "we both know you won't do that."

again, he's right, and god, you hate him for it. "just shut up and fuck me."

"alright, since you asked so nicely," satoru drawls, running his tongue over his teeth. he studies you intently, white hair falling into his eyes. before you can ask what he's looking at, he has you pinned against the couch cushions, face down and ass up. 

"good girl, stayin' nice and quiet for me," satoru groans, hand clasped over your mouth as he pounds into you from behind. "you always talked too much. never knew when to shut that damn mouth."

you moan against his hand, unable to think about anything else but satoru and his dick. that's the only reason the two of you stayed together for as long as you did — because the sex was irreplaceable. and after two weeks without getting fucked, you seriously consider throwing all pride out the window and begging for him back.

"shit, you're so fuckin' tight," satoru says with a rough laugh. "have you really not fucked with anyone else since you dumped me?" 

you shake your head, eyes pressed shut as satoru continues sloppily thrusting into you. there's a coil in your chest that's threatening to burst, and the whines slipping out of your lips increase in both pitch and volume.

at this point, you can hardly remember why you broke up with satoru — or maybe, he's just not giving you a chance to remember. his pace is relentless and mind-numbing, and shit, maybe it's for the best.

when he finally lets you cum, it's the best feeling you've had in what feels like forever. the edges of your vision go white, and satoru removes his hand from your mouth, letting out the lewd, muffled sounds that you've been suppressing all this time. not long after, satoru cums too, and it's sloppy, messy, and all over you. 

satoru collapses on top of your back, hot breaths slipping out of his mouth and brushing against your cheek. "took me so good, baby," he groans, pressing his lips to your neck and laughing breathily. "we should do this again sometime."

you shouldn't like this. you should be shoving him out your door, but his mischievous smile is irresistible. and even though you know this time probably won't end any different than the rest, you decide to give satoru one more chance.

"yeah, same time tomorrow?"

"anythin' for you."