#god I love this and am so excited!!!!

[tumblmon]

And!!!! We have a card back thanks to my wonderful husband @simplyfroggy !!! Tell them thank you!!!

[poorly-drawn-mdzs]

Expertise can't help you here.

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[vanyafresita]

IMAGINE YOURSELF.

TELL ME OF YOURSELF.

WHAT IS IT YOU WANT?

and here is some close ups from the still frames with no filters !

[yuwuta]

JJK OLYMPICS OHHH YOURE A GENIUS

head spinning w sooooooo many athlete aus rn….. 

satoru honestly isn’t half as cocky as the media makes him out to be but he could be because you bring up world champion men’s freestyle swim times and it’s his name on the scoreboard ten times before someone else shows up. he’s faster than himself by fifteen seconds all around, he’s earned a bit of cockiness. mentioned in the last post that whenever he’s at a competition and he finishes a race, he looks at the camera and signs a little infinity sign and then blows a kiss to you. some bitter old coach always calls him out on it, and gets him fined for unsportsmanlike conduct, and he’s happy to pay the fees if it means getting a message home to you, but eventually you two come up with a new code; and at his next race, he places gold, turns to the camera, crosses his middle finger over his pointer finger and smiles. when he’s in his post-race interview, he makes sure to explain that he does it for you with the widest smile on his face.

megumi nepotism baby but not in the same sport. toji was a multi gold medalist back in his heyday for shooting, so it’s not really a surprise to anybody that megumi has scary good aim, but he takes to archery instead of shooting. actually the idea of megumi being an emo little kid and throwing rocks at a tree when his dad pissed him off his hilarious, and even funnier is toji watching him, slightly amused and a little scared because megumi is maybe six and hitting the exact same spot every single time. he grows to be very blase about it—it’s more of a release/hobby for him that he happens to be really good at, and well, now good enough to earn a few olympic medals. megumi is not a fan of having his dad ruffle his hair on international television after he’s won, but he supposes it can’t be helped.

i don’t know where to put yuuta…. tennis…. tempting….. him in his little white shorts…. little grunts after he serves…. cries….. a complete 180 in his personality when he’s playing vs doing anything else. so charming and sweet and kinda shy when he’s being interviewed, and the second he steps on the court his eyes are so cold it’s scary…. need him… extremely nerdy about his rackets, and shoes, and clothes, and rambles to you about aerodynamics and posture and torque whenever you ask him to teach you, and you always have to shutup him up with a kiss and remind him that yeah you sort of want to learn to play tennis for him, but mostly you came bc he looks hot doing it. once he got asked in an interview if he ever thinks about you while he’s playing and his response was very concise, “no, never. it would be a big distraction,” and did not realize the implications of his heavily televised words. 

also…. not to make this post 40% yuuta but we could pull from canon a bit and make his sport fencing. he doesn’t excel because he’s the strongest, it’s because he’s learned to treat the sword as an extension of himself and a good strategist… also because i like the image of him pulling the helmet/mask off and shaking his hair out………..

don’t even know where to put yuuji…. volleyball? basketball? track and field??? the irony of him easily being the most athletic but canonically does not want to play sports 😭 but i can see him playing a sport because someone scouts him and it turns out to be a way to make steady money to support himself and his grandpa :( by the time he’s qualified and made it to the olympics, wasuke is doing much better (thanks to yuuji having landed some preemptive sponsorships and being able to afford better medical care), but not so well enough that he can travel across the world to watch yuuji play. wasuke tells you that you should travel and be with yuuji, but yuuji is so touched by the idea that you would stay with his grandpa and be by his side when he’s away :(( he wins gold, of course, and he doesn’t even wait until the closing ceremony—which, he’d mentioned in all of his interviews, so nobody can be too upset. he’s on record saying, “i’m excited to play, but i’m even happier to be going home. my girlfriend and my grandpa are watching me and i miss them!” several times— he’s on the first flight home with flowers, and tears in his eyes. puts his gold medal on his grandpa’s neck as a thank you, and spends probably thirty minutes straight hugging you and kissing you and honestly don’t put it past him to propose now that he’s got nike ambassador money 

nanami started judo as a way to relieve the stress of his overbearing job, and someone at the gym/training center notices he seems to be a natural despite being a beginner. he starts to draw a crowd, which annoys him at first because the point of judo was discipline and release from having to deal with too many people at his office job, but nanami supposes he can’t be too mad when you introduce yourself as a talent scout and offer him professional training. there’s irony in him accepting your offer, because it was definitely not based in professionalism at all… quitting his job as a salaryman to become a professional athlete in his mid-twenties was not on his bingo chart, but if it means he will have met you, then so be it. you’re with him all the way, through his training, competitions, world championships, qualifiers, all the way until he’s on the podium. you’re the first to congratulate him, but he interjects by telling you he’s quitting. you ask him why—he just won at the olympics for crying out loud, but nanami just shakes his head, puts down his flowers and his medal so his hands are free to hold your face and tell you, “it would be unethical to kiss my manager, so i am quitting.” (later, when everything is said and done, and you two are cuddling, you mention to him that he could just hire a new manager, and not quit his new career, to which he blushes because yeah… that’s probably more rational, but rational was not in his train of thought at the time)

[theoldkyokodied]

Uploading all my Tomgreg art at once from the past few week before season 4 hits, who knows in what kind of mental state i'm gonna be once it does :')

[aherosoup]

and I can tell you about the little things,

so you don’t think about the big things for a while

[shorthaltsjester]

there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.

i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of “my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.

i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).

trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.

[thatfaerieprincess]

WATCHED C3e99 DOWNFALL PART 1 AND UHHH I HAVENT DRAWN FAN ART IN YEARS BUT THE MUSE REALLY SPOKE TO ME THIS TIME

Step 2 figure out how the Emissary actually looks

[everysongineverykey]

please think about how toriel exists as a purposeful venture by toby fox to create a "mom" character who isn't just there to write letters to the protagonist offscreen and act as motivation for them even though we barely know her and actually reacts realistically when innocent children leave her safe home to go on a dangerous adventure because of the inherent and rarely-explored grief and tragedy that come with being such a character in a video game, to be powerless to do anything but watch as both your children sacrifice themselves for a cause they ABSOLUTELY should not have to die for at their age, because that's your only role in the narrative, and you're the "mom," just there to make them pie, and whenever you find another child they always ALWAYS leave you in the same way and die and you feel like you keep losing second and third and fourth etc etc chances. if only you could redeem yourself. if you can save even a single child, that will make it okay, right? that will mean there is hope for you. this time will be different, you'll see. you'll destroy the exit to the ruins. you'll never let asriel and chara your dear fallen wards go again.

moreover, please think about how in deltarune chapter 3, toriel will almost certainly be a major part of the adventure. she will get to accompany her beloved child as they explore a strange, daunting new world, bond with them, learn more about their delightful new friend, FINALLY she will not have to simply stand there in the shadows. the tragedy of the nameless mother who never gets to look after her child in video games as they fight has been explored thoroughly, and now we can delve into something both delightful and potentially even MORE heartbreaking: the mother who HAS to watch her child fight.

on an unrelated note, y'know how the game over screen in chapter 2 has whatever companion you're with begging kris to wake up get up as they lie there, ostensibly dead?

...yeah. think about that for a second as well.

[underwaterbanshee]

I am obsessed with Tula. The last five minutes of tonight's episode just cemented for me that everything about her comes down to the fact she never got to mourn Geoffrey.

Even if she did bust a cap in him. Even if he did have it coming. She never was allowed to let him go.

She went from being annoyed and concerned about her husband's dangerous behavior regarding the Blue and monsters to becoming a single mother of two children and living entirely for them--

--just as her sister meets and marries a man who is a lot like Geoffrey.

It's so clear that Tula wants Thorn to be nothing like Geoffrey for Viola. Hearing that he completely supports Viola's ambitions has to just eat her up with jealousy and grief.

This family is so fucking good at saying things without saying them and Viola does not want to be trapped the way she thinks Tula is trapped.

And her mom is trying to get her to marry again? Every male stoat Ava points out to Tula is just another pale image of Geoffrey. Even Bennett. Especially Bennett.

Of course Tula fundamentally lies to her children. It's constant. Everything is so focused on making sure they are physically and emotionally safe.

So what's going to happen when Lila can finally see that the mother she trusts so much is hiding something fundamental? And will she forgive her?

[starry-bi-sky]

Out of Context Danny Phantom Memes for a fic i haven't posted (yet)

[poorly-drawn-mdzs]

WAKE UP!

[First] Prev <–-> Next

[kate-bot]

MY NOISE SHIRT IS HERE!!!!!!!AGRHGRHGR IM SO HAPPY WITH HOW IT TURNED OUT!!!

oh and if you want one too you can get one here!!!!!:D

the print quality is actually so good too . save me theodore...........

[kuromi-hoemie]

being like 5’2” - 5’4” is so attractive to me like omg ur head fits right under my chin and right in my tits ♡⁠ let me hold you. i love being a tall girl

[raineandsky]

Could you do a story where a guard of a Supermax prison befriends a supervillain, because he treats him like a genuine human being instead of an animal; and later, all the power-dampeners suddenly fail; and all these villains just revolt against the guards; but supervillain makes sure he’s safe since he was always kind to him?

Love Ur writing!!

aaaaaaa this was such a fun idea - im absolutely in love with this lil dynamic!! hope you enjoy reading as much as i did writing it :D

-

tw blood, death

Animals. That’s all the agency ever saw the villains as. Animals they could poke and push and test and break into nothing.

So when the jail’s power-dampeners fail, the villains are more than happy to make like the tigers are out of their cage.

The villain to the supervillain’s right is burning the lock on his cell door. The villain on his left has fazed straight through hers. The supervillain steps up to the iron bars across his own cell to look beyond.

VIllains are flooding the corridor, breaking for the stairs one by one. “You,” he snaps as someone passes, and they thankfully slow down. “Open the door.”

Escape might be tantalising, if the villain’s quick glance to the stairs is anything to go by, but no villain ignores a supervillain. They rest their hands against the door for a moment, their brow knitted in concentration for a moment, before the lock clunks open.

They pull the door outward as the supervillain steps into the corridor, waiting impatiently. “Thank you,” the supervillain says shortly.

The villain wastes no time continuing their great escape, chasing the tails of the other villains. Golden light flashes against the walls of the stairwell like fireworks, panicked shouting drifting from above, dull thumping as inevitable bodies hit the floor. The superhero strolls up the steps to take in the carnage the villains are wreaking on the pristine agency.

Gunfire showers the corridor in the light of heaven itself. Agency guards are backed up against the one exit. Most of the villains have already pushed past them into the room beyond, but those who haven’t are springing on them from all directions with fire or ice or electricity or nothing but hatred.

He can see someone familiar through the chaos, the eye of the storm. His gun sprays death, his face twisted into a mix of anger and fear, his eyes set on the villain currently making her way towards him with palms of steaming water.

Almost all of the villains have passed through. Most guards are either lying in a puddle of crimson blood or following the flock into the next room. There’s two of them—his Favourite, and someone he couldn’t care less about.

The villain’s water flicks from her fingers and sprays the guard, earning a pained cry and a cringe away from her. His attention falls to the scalding cutting through his skin, and in one fatal move the villain swipes the gun from his hands.

The supervillain doesn’t have time to intervene. The other guard swings his weapon to the villain, and with a flash of golden light she drops to the ground. The gun clatters to the floor with her.

The two of them heave a breath like they’re free, and the supervillain sees his chance. He sweeps up the gun from the floor, shouldering his Favourite out of the way, before turning it on the other guard and opening fire. The force of the bullets shove the guard into the wall behind him, and his descent to the floor is accompanied by a nauseating streak of red.

The supervillain turns his gaze to the last guard, his Favourite, the one who helped him from the day he got here. The one who saw past the animals and saw a person.

The guard returns his gaze with abject horror, defenceless, trapped. His eyes are wide, his back pressed into the wall, his mouth working in a desperate attempt at what is probably a beg for mercy.

The supervillain doesn’t waste time. He doesn’t have any. He grabs the guard’s arm, earning a startled squeak, tucking the gun under his arm. He can see the burns left on the man’s arm from the villain’s attack; small but undoubtedly painful. He lays a hand over them and the guard hisses and pulls in his grip, whether in pain or fear of pain he can’t tell.

His hand is cool—he can tell from the way the guard relaxes in his hold after a moment. The supervillain holds down a pleased smile. “That’s it,” he says smoothly. “Is that better?”

He lets go and the guard tips his gaze to his skin, unblemished and unharmed. Like the water never touched him at all. His mouth opens. Closes. His brow creases.

“Your power…” he tries after a moment, confused, “they never figured it out. They thought you’d have something violent.”

The supervillain throws him a smile, unhidden this time. “They never expected a healer at the head of evil, did they?”

The supervillain drags him along, following the path of bloodshed like a map. Some villains are still loitering—one of them slinks up to the pair with a grin. They inspect the guard closely for a moment before running the edge of their knife across his jaw in thought. He tries to shrink away but the supervillain’s grip on him holds fast.

“Oh, isn’t this one pretty?” the villain purrs. They give the blade a flick for emphasis, and the guard flinches as the edge cuts a crimson line into his cheek. “Can’t wait to show the agency what happens to good little boys like him.”

“No one touches him, understand?” the supervillain snaps coldly. “He’s with us.”

The villain scowls, clearly unsatisfied with his answer. “Oh, we keepin’ pets now, boss?”

“We don’t keep pets, [Villain].” His gaze turns to the guard for a moment, a touch softer, almost thankful. “They’re not animals.”