#go over some basics such as pronouns & verb formation & sentence structure & so on
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transsexualraskolnikov · 10 months ago
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at 12 years old i knew the very basics of english. we’re talking a1 going on a2 level here – it was enough for scoring straight A’s at school but not much to really get you around is what i’m saying. and as a 12-year-old improving my language skills wasn’t exactly my priority, y’know.
but the thing was, i loved to draw and i loved cartoons. and in 2012 there was no place more fitting for that very thing that your good old deviantart. now i don’t know if the website has ever worked in different languages but it has definitely never worked in slovak or czech (the languages i spoke fluently at the time). so i was basically left stumbling through that wild west of sparkle dogs and emo ponies with nothing but my mspaint pictures and english skills that didn’t even entail the knowledge of the difference between ‘know’ and ‘now’. and somehow, not only did i go and make cringy public posts that were barely readable, i also went and interacted with other people completely in english with the blind confidence only a 12-year-old can possess.
by around 15 i got on tumblr and in a desperate search of community ended up watching supernatural, no subtitles no dub, genuinely barely understanding a thing for 5 whole seasons. did i stop though? well, the show had monsters and pretty men. i didn’t really care for much else.
and i got examples like these to talk of for days. as a teenager at one point i became too pretentious for my own good and decided to read english classics in their original forms (no translations). yeah, i ended up actually understanding about 1/5 of like every 300 pages but, hey, i did it anyway. then there was that time i became obsessed with a random swedish person i found on ig and religiously stalked their ask.fm (does anyone remember that site? no? just me? okay) where they mostly (and obviously) answered stuff in swedish. uncomfortably eager to know every last detail of them, i translated every sentence they wrote until i essentially began to remember some words and genuinely do so to this day. to the point i can form very basic limited sentences. it’s not much at all, but it’s still pretty cool considering i never actually sat down to learn the language. my newest hyperfixation includes a certain russian video game – which means i’m doing nothing but looking up fanart for it, most of it with cool quotes except in russian. and let me tell you, i never actually thought i was capable of learning, let alone being able to read, azbuka but here we are anyway.
and, well, what i’m really trying to say is that being weird about stuff goes a long way in language learning. i’ve gone the traditional route as well – with german for instance and it has always ended up in flames each and every single time
and i know it’s easier done with english, considering it’s availability and, well, everything being in english, but i always tell the kids i tutor this: find a thing you really like, but i mean really REALLY like. then find an adjacent thing to it, maybe an online community, or a specific book about it, a movie, a website, anything that’s in your target language and which you cannot get in another language (at least another language you speak). and then go and read/watch/consume that thing. don’t understand a word? good. consume another one, catch a word, a phrase here and there. do it until you make out a sentence, a paragraph, a dialogue. before you know it, you’ll have gotten way further than you would have ever guessed.
Wanted to write stories, wrote a bunch, learned how to write. In that order.
Wanted to crochet toys, crocheted a bunch, learned to crochet. In that order.
Want to learn a language... try to learn that language... struggle and quit.
What's the "do" that comes before the "learn" in languages?
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bakugouscentedcaramel · 5 years ago
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Ah yes, the time has come.
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It's time to get your pen and paper because class is in session!
There's plenty of things I could talk about and I pretty much covered the basics down below, but I'm more than willing to help y'all out with anything specific!
I have to preface that I'm not an English major by any means nor do I have any experience writing professionally, the things listed below are purely based on my opinions and submissions I have received.
Writing is forever a learning process, there really isn't a right way of writing but there are definitely some things that will hinder your readers. Here is a list that I compiled both with my own experiences as well as some user submitted issues when it comes to reading works:
•Big blocks of text
° Typos/wrong word usage
•Using the same words
°Too spaced out/not indented where needed
• Dialogue runs into normal sentences
° Speakers/POVs change without notice
• Inconsistencies, either in general or story inconsistencies
°Lack of description/Too much description
• Bland/Artificial actions/dialogue
° Misuse of punctuation/lack thereof
• Capitalization errors
° Long winded sentences
• Using italics for actions
° Confusing formating
• Changing in Tenses
° Using wrong tags/falsely advertising (ex. Reader x Blank should have Y/N, not an OC/Authors name)
• Author notes/comics/pictures in middle of fic
° "~This is a transition~"
• Forcing a character to be OOC for sake of story
° Filler characters
• Not sticking to a specific genre/jumpy moods
Now don't be intimidated by this list! Some of these are pretty self explanatory so I won't go into a few of them. There are plenty of ways to avoid these and in some cases it is perfectly fine to use any of the above. 
Let's start off with the basics!
Sentence structure is the backbone of writing, but it's a very flexible rule. Obviously you have your subject, verb, object and whatnot, but the true art lies in word choice and length.
When it comes to sentences, size does matter. If your sentences are too short they will seem choppy and unfinished, whereas if they are long they will seem winded and unnatural. The biggest tool you can use to find out if a sentence is too short/long is by reading it aloud! If you run out of breath it's too long but if you finish abruptly it's too short.
Word choice is my favorite weapon to work with, I could describe a blue jay as a normal bird or as a mythical animal just by picking the right words!
"The blue jay flew across the field while it sang it's melody."
Or
"A creature with wings made of clouds swooped across the field whilst roaring out a devilish tune."
Word choice can easily convey tone/feeling so it's definitely an important element to writing! If you ever have trouble finding that perfect word try googling for synonyms! Also this website might help you find that one word that you just can't think of!
Grammar is also a very important part of writing. Using the right words and punctuation can be difficult sometimes but there are some easy fixes!
Spelling is an easy fix, if you forgot/don't know how to spell a word consulting a dictionary or Google is a surefire way of solving your problem. You can even find synonyms if you feel like you've used a word too much. 
Punctuation on the other can be a big more difficult, however. 
Here's a couple of sentences that helped me learn basic punctuation:
A comma splice walks into a bar, it has a drink then leaves. Commas are a means of sewing two sentences together to form a compound sentence. These are mainly used to list out things and to add fluidity to your works so they don't sound as choppy.
A question mark walks into a bar? Question marks are pretty self explanatory. They either raise a question or form uncertainty.
Two quotation marks "walk" into a bar. Quotations are used for both dialogue and metaphors. I personally love using them for sarcasm!
A gerund and an infinitive walk into a bar, drinking to drink. This one is a tougher one that I personally never learned from any of my classes. A gerund is basically a word that can act as a verb or a noun which would be "drinking". An infinitive is the base of a verb, in this case it's "drink".
The bar was walked into by a passive voice. A passive voice is when you emphasize the action and object of a sentence rather than the subject. You can find that a passive voice tends to use past tense where as an active voice uses present/future tense.
Three intransitives walk into a bar. They sit. They drink. They leave. An intransitive verb is an action verb, expressing a doable activity like arrive, go, lie, sneeze, sit, die, etc.
Some other things that I commonly see are the wrong usages of words. For example:
They: a group of individuals/pronoun "Yeah, they said he'd be here thirty minutes ago."
Their: a possessive pronoun "Leave their stuff alone!'
There: location "What's that over there?"
Then: event/action "Val went to the mall then skittered to the park."
Your: possessive "Your self esteem is lower than the Mariana's Trench!"
You're: a conjunctive "you are"
Affect: caused by actions "The fallen french fry really affected Val's mood."
Effect: caused by events "Climate change has a negative effect on my Cheerios."
Peaked: a summit "Val has peaked at 10:19pm"
Piqued: stimulate interest/curiosity "You have piqued Val's interest by mentioning food."
Do time: "Val is fixin' to do time if she keeps slacking."
Due time: "Val will come with hydration in due time."
Per say: not a thing
Per se: by/in itself "She didn't write this late at night, per se…"
There are different tools you can use to spice up your writings, from metaphors to innuendos, all the way to zeugmas! Let's go over the basic definitions of these bad boys.
Metaphor: a figure of speech that is not literally applicable. "The darkness surrounded us like a shroud." Obviously the darkness can't physically shroud anyone.
Innuendo: a sentence with a hidden meaning "Is that a gator in your pants or are you just happy to see me~" 
Zeugma: a sentence containing words that can be used literally and figuratively, like a love child of the two above. "Val and her coupon expired last week." This implies that not only did my Colgate coupon expire, but I died as well.
Paragraphs are a necessity when it comes to writing. Big blocks of text are an eyestrain to readers and it's easy to lose your place, even if it's only 150 words. It's always best to use Tab or at least 5 spaces when indenting. A paragraph should only be 5-7 sentences long, this is so it's not just multiple blocks of text
When to add a new paragraph:
° A new person comes in
• New idea/context
° Setting changes
• New person is speaking
° Time changes
• The "camera" moves
° Tone shifts
• 5-7 sentences has been reached
Paragraphs help you organize your work in a way and they make it easier for your readers' eyes!
POVs are also very important. First person and third person are by far the most common ones so I'll only touch on these two. It's very important to write a story in one strict POV as to not confuse the readers. You can however jump perspectives like Heroes of Olmpyus by Rick Rodian, as long as the ready can easily tell who is telling the story.
First person is a story that is told from first-hand experience. It's the same as if I told y'all the story on how I almost chopped off my thumb in woodshop class back in middle school. First person tends to use a lot of I's and my's
Third person is a story that is told from a narrators' point of view. Such as "Once upon a time" type of stories. I's and my's should only be used in dialogue
Dialogue is probably one of the most important features of any fic/story. Dialogue can push plots forward as well as add life to a character. Here's a simple exchanged:
"Hiya 'Splodey," Val chirped.
Katuski smirked, "M'dumbass."
Dialogue should always come with a pair of quotation marks. Commas and periods generally go inside the quotation marks whereas dashes, colons, and semicolons almost always go outside the quotation marks. Question marks and exclamation marks however can go either inside or outside, it goes by a case by case basis. Always indent whenever a different speaker is talking, running quotes into each other is a no-go because it causes confusion and eyestrain.
You have to be wary of using simple dialogue exchanges though, if they seem off try saying them out loud! Dialogue is one of my favorite things to write because you can weave personality into them, not to mention you can always hear people talking to get a better idea on how to write dialogue.
For example, I have a southern dialect, meaning I sound different than someone from the north! I use words like "y'all", "fixin'", "finna", "ain't" and have a different vocabulary than that of my northern friends. This means that the characters you're portraying should have their own way of speaking! This will not only add flavor to your dialogue but it also adds to their personalities/backgrounds.
Describing things can be just as valuable as dialogue, but it is a bit more complex. Sure we've all heard of the "show, don't tell" rule. Which is a good rule to follow, however too much showing is just as bad as telling. Again, reading out your work is a great way to tell if you're focusing too much on one thing. Another thing to keep in mind is importance, such as do we really need to know that the grass outside was bluegrass? Which in certain situations it would be! For example:
The grass around the disheveled house was brown and straw-like, with the exception of a ring of grass. Bluegrass. Which wasn't even native to this location.
This paints a pretty good spooky picture in the readers' mind and even adds the element suspense by the implied uncertainty.
I've only covered a small portion of writing so if y'all have any questions or need any help feel free to slide into my DMs or send in an ask! I love getting questions about writing and I'm always willing to help a fellow writer!
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wilstudies · 5 years ago
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Get a grade 9 in a language GCSE!
Please note:
1. These tips are almost entirely applicable to any AQA language at GCSE. 2. Modern Foreign Languages at GCSE Level is anywhere from A2 to B1 (dependant on the tier and grade) on the CEFR scale, but, there is no official equivalent.
In November 2018, whilst in Year 10, my teacher saw that I was excelling in French, with my extensive knowledge of tenses and idioms. So, she proposed that I’d do the January mocks, alongside Year 11, despite not knowing more than half of the subject content. Then we’d see where I’d go from there.
I followed the AQA exam board, higher paper. Specification. You can find the Kerboodle textbook I used, here.  
Here’s what I did:
Throughout the year, I was also studying the Year 10 content (Theme 1 - Identity and culture) in class.
In my own time, each month I’d cover one or two units, completing the more challenging activities on each page of the textbook. Luckily, each unit was only 4 double-page spreads long.
In January I completed my mocks. This was the first time I had ever sat in an exam hall, so it was really daunting to be doing it with a bunch of kids who were older than me, even though I knew I had enough knowledge. Overall, I got a secure grade 8, in my mocks, despite not knowing half of the course content.
I also did “pre-exam mocks”, two weeks before each exam. These consisted of specimen papers which are notoriously harder, so my results looked almost exactly the same as past papers, which was upsetting as I couldn’t see that I’d actually improved. But practice is practice!
MY ACTUAL GCSE RESULT: 
With a lot of work. I managed to achieve a grade 9 (the top mark, higher than an A*), which was insane. I’m so, so proud of myself, and grateful for all of the teachers that supported me!!!
^Edit from 25/08/2019.
LISTENING
In my opinion, listening is based purely on practice and knowing the exam technique that works for you.
To practice: 
frenchpod101 intermediate listening comprehension
Going through every specimen track and listening activity I could find - pausing it after each sentence, saying it once in French, then translating it into English. I’d do this in the shower, on the way to school, wherever.
Know your vocab!
My exam technique:
In the 5 minutes reading time: underline keywords and themes in the questions. This time goes very quickly, but I’d also try to jot down a few synonyms in the French section too.
Multiple choice questions: the process of elimination; key vocab; negative and positive tonality and opinion words - watch out for negative structures!
Completing the sentences: note down words said in French or translate each sentence into English in your head, then remember it when it comes to writing it down.
French section: fill each sentence with key French words that you hear. Don’t worry about accents, unless it helps you determine the word.
Remember each track plays twice.
READING
The January Mock: I didn’t know much of the course content, so I struggled with the translation. I also circled and placed a question mark near any words I didn’t know, as it was a mock and my teacher would be able to note down any translations for me. I think what boosted my grade, to a 9 for this paper, was knowledge of grammar.
T/F/NM questions are usually a gamble. Just look for explicit information and know your negative formations.
Texts change their minds often: look out for counter-arguments and opposing exclamations
Use the method of elimination for multiple choice: rule out if there’s no mention. Be wary that a text can mention an option, but say it wasn’t that.
Texts often refer to things mentioned prior.
If you know a certain type of texts are your kryptonite (it was the classical stories with dialogue, for me), then download as many of that genre as you can. Understand the way speech and dialogue works, and the structure, before you tackle the vocab.
Many say skim read and don’t read the whole thing, but I found it easier to translate big chunks in my head as I went along and lightly annotate each text, which just comes with practice.
WRITING
Top tip: don’t go any more than 10% over word limits!!!!!!! Teachers say they have to mark all of it - no they don’t. If you do double the word limit, your last few bullet points could come after the cut-off point, cutting off access to half of the marks!!! 
90 WORD - 99 words maximum! About 20-25 words per bullet point.
150 WORD - 165 words maximum! About 75 words per bullet point.
Which brings me to mention, that you must cover every bullet point: those are your content marks, which cover about half the marks of each question.
90 WORD Question (16 marks)
Content - 10 marks: Making sure your writing covers each bullet point enough.
Quality of Language - 6 marks: Using interesting vocabulary, such as “malheureusement”.
Stick to about one page.
If you’re giving an opinion, great, just stop there. If you explain it too much, you risk going over your word limit.
150 WORD Question (32 marks)
Content - 15 marks: Every. Bullet. Point. Detailed.
Range of Language - 12 marks: get in those adjectives, idioms and grammatical structures!
Accuracy - 5 marks: correct basic tense conjugations (present, past, future simple/future proche)
In order to hit all of these I came up with a mnemonic checklist, and it scored me full marks in a specimen paper I did for my teacher! And I made it into a cute phone background, so I’d start to remember it, I still can now, hehe! You can find it here. If that doesn’t work, then download it here.
SPEAKING
Know your question words! (x)
For the roleplay and photocard, my teacher printed off me a load of practice cards in bulk and annotated two or three every day, using the planning techniques mentioned below.
Roleplay - 2 minutes; can be any theme. 
When planning, try to avoid writing out answers, but just keywords and gaps for you to fill in with pronouns or articles etc.
Keep it brief, one sentence per bullet point, but cover each part of each bullet point. 
Photo card - 3 minutes (aim to speak for at least 2). 
Plan with a small spider-diagram of nouns, opinions, anecdotes etc. for each known question. 
Use one or two prepped anecdotes for the prepared questions - e.g. where you went last year, who with, what you did. 
For the unknown questions, keep it short and sweet and fill up any time with opinions and reasoning.
General conversation - 5-7 minutes. 
Lie and make up stories! Be creative and use the words and structures you know.
I was a little extra and I prepared every theme as flashcards. You can’t get away with only revising your chosen theme! 
I made flashcards that could cover several types of questions: I had bullet points of topics and keywords on one side and a sample paragraph on the other. 
Pretty sure I made about 80 flashcards oops.
I also went through the mark scheme and see which areas I could secure marks in and which areas I needed to improve.
VOCAB
Learning vocab is SO important!
I started by making spreadsheets of jumbled word lists from the specification and doing a colour-coded match up. 
You can access a pdf of all of the vocab grids here. There might be the odd word missing due to copy-pasting errors, but if so, don’t stress, just look it up in a dictionary and note it down - sorry in advance!!!
Then with the vocab that I had to look up in a dictionary, I added to a Quizlet and wrestled it into my noggin. 
You can find the Quizlet here.
Remember that:
sauf - except
puisque - since
presque - almost
GRAMMAR
To me, learning tenses was like learning formulae for maths. So find a way to learn rules like that, if it’s easier for you.
e.g. Conditional Tense = subject + (future/conditional stem + imperfect ending)*
*note that future stems are the same as conditional stems.
Know your DRMRSPVANDERTRAMP verbs, and their past participles. These verbs go with ÊTRE and always agree with the subject.
Know your auxiliary and irregular verbs.
MUST KNOW: avoir, être, aller, faire, vouloir
HELPFUL: devoir, pouvoir, vivre, boire, voir, dire, savoir
OTHERS: mettre, prendre, venir, écrire, lire, recevoir
I learnt these by making flashcards, and then brain dumping them on paper over and over again until they stuck - my teacher thought I was insane, madly scribbling away.
Memorise some key structures that can be used in writing and speaking. 
If you want 7+ structures, find them here.
MISC TIPS
Always write notes about improvements and errors in practice papers and mocks.
Find a native french internet friend.
In my opinion, music, movies and TV shows aren’t great for revision. However, if you begin to understand them, they are a great confidence boost.
I highly recommend the Skam France series, which you can find with and without les sous-titres (subtitles) here.
And here’s my french music playlist on Spotify.
MORE ASSISTANCE
I’m happy to offer my assistance to anybody who needs it, pop me a dm or an ask if you think others will find it useful too. 
Here’s some ways I could help:
Finding some resources about a certain topic (videos, worksheets, mindmaps) - I have them all backed up hehe
Sending you some of my past answers
Sending you pdf of my general conversation/irregular verb table flashcards
Marking practice answers
Talking to you in french
Etc. etc.
Thank you for reading! Please reblog to help any others that might find this useful. If any of the links are faulty, please pop me a dm, and I’ll get them sorted asap!! 🥐
-Wil x
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ber39james · 7 years ago
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7 Brilliant Tips on How to Proofread Emails
That typo or grammar goof you just made in an email might make a bad impression. It could signal that you lack attention to detail. At worst, it could make you seem less intelligent, conscientious, and trustworthy.
Although email typos happen to everyone, they happen less frequently to those who take a little extra time to proofread. Here’s a foolproof step-by-step guide to getting it right before you hit send.
1 Get your contact’s name right.
Did you spell your contact’s first and last name correctly? It’s important. And, if you doubt that, think of the last time you got an email from someone who got your name wrong. At the very least, you probably groaned or rolled your eyes. We get annoyed when people misspell our names because we assume they don’t care enough about us to pay attention to that basic detail.
If you’re uncertain about the spelling of your contact’s name, do a little research to see if you can come up with it via Google or social media. If all else fails, use a generic greeting like “Hi there” that doesn’t use a first name.
Here’s a tip: Make sure you’ve spelled business and website names correctly, too. It’s even a good idea to double-check how the name is formatted. Is it Buzzfeed, Buzz Feed, or BuzzFeed? (Hint: It’s the last one.) Little details do matter.
2 Check your tone.
Does your email sound cold or terse? It might. Often, what sounds fine in our heads doesn’t come across well in text. When you don’t stop to review and proofread your email before you send it, you risk being misinterpreted.
The trick here is to apply some empathy. Clear your head and imagine you’re receiving your email rather than sending it. Does anything you’ve written sound negative or even hostile? There’s a big difference between “I’m looking forward to chatting with you” and “I’ll be expecting your call.” One is friendly and positive; the other sounds as though you’re saying “You’d better call or else.”
3 Make sure you’ll be understood.
Make sure your recipient has enough details to understand what you’ve written. Remember that you and your recipient may not have all the same information—the things you understand aren’t necessarily things your recipient will know. Reread your email with this in mind and fill in the blanks as needed.
Here’s a tip: If you find yourself giving too much background information, take a step back and rethink your strategy. You may want to start with a simple “just the facts” approach that leads into a more involved discussion. For instance, instead of breaking down a multi-step plan in a long, complex introductory email, you might first write a quick summary and ask your contact whether they’d like you to share more details.
4 Check for clarity.
Make sure what you’ve written reads smoothly and conveys your precise meaning. Look for unclear pronoun references.
Scan your emails for words like it or they and then make sure your text conveys what those words refer to. If not, rewrite to replace those pronouns with something concrete.
When we hold it directly after the keynote, it always has good attendance.
Hold what after the keynote? What has good attendance?
When we hold the copywriting workshop directly after the keynote, the workshop always has good attendance.
Better. But we can rewrite to simplify the sentence and avoid repeating the word workshop.
The copywriting workshop always has good attendance when we hold it directly after the keynote.
Keep your sentences simple and direct. Emails written at a third-grade reading level have significantly better response rates. Long, complex sentences and big words can make your text more challenging to read for a busy person who’s rushing through emails. Do consider your audience, however. If you’re writing to a doctor of sociology to ask for an interview, go ahead and use lush language and more complex structure. Otherwise, make “simple is better” your default.
5 Watch out for wordiness.
Part of simplifying your text involves streamlining it. Eliminate filler words and phrases. Get rid of adverbs and use stronger verbs. (Instead of incredibly happy, try overjoyed, thrilled, or ecstatic. Instead of ran swiftly, how about dashed or sprinted?)
Consider George Orwell’s six rules of writing:
Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
Never use a long word where a short one will do.
If it is possible to cut a word out, always cut it out.
Never use the passive where you can use the active.
Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.
Break any of these rules sooner than say anything outright barbarous.*
*About Orwell’s rule #6, see our rule #2.
Here’s a tip: Grammarly Premium will help you find overused words and filler words. As you become more aware of your use of filler words, you’ll automatically use them less often. Win!
6 Proofread carefully.
Up to this point, we’ve been talking about proofreading in the broader terms of a developmental edit. Now, it’s time to get down to the nitty gritty and proofread line-by-line. Have you spelled everything correctly? Did you use the proper homonyms? (Did you type “There going to the festival” when you meant to type They’re?) Is your punctuation on point?
An app like Grammarly will help you catch and fix your errors. But keep in mind that it’s a tool to enhance your proofreading ability, not replace the need for proofreading altogether. The advantage of using a proofreading app is that every mistake the app catches will teach you something about your writing and ultimately make you a better writer.
7 Sit on it.
Some emails need a while to simmer, especially if they’re sensitive. Let’s say you have to write an email to report the inappropriate conduct of a coworker, or you have to draft a performance review for someone whose performance hasn’t exactly been stellar. Emotion can make you write things you’ll later regret.
Draft your email in your word processor rather than your email client so you’re not tempted to send it impulsively before you’ve given it a thorough review. If you’re able to hold off for a bit, sit on that email for a day before sending it. When you reread your email in the light of a new day, you’ll often find things to revise, especially in terms of tone and clarity.
Here’s a tip: When it’s critical to deliver an error-free email that won’t be misunderstood, it may be helpful to have someone else (particularly someone impartial) look over your draft.
At the very least, make sure the unsend feature is enabled in your email client. (Here’s how to do it in Gmail.) The few seconds of time it will buy after you’ve hit Send will occasionally rescue you from being owned outright by a glaring typo. I once received an email with the subject line “This learning toy made my child crap with glee!”
I’m pretty sure that’s not what the sender meant.
The post 7 Brilliant Tips on How to Proofread Emails appeared first on Grammarly Blog.
from Grammarly Blog https://www.grammarly.com/blog/how-to-proofread-emails/
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structurecheck-blog · 8 years ago
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New Post has been published on http://www.sentencestructure.org/4-types-of-sentences-did-you-know-about-them/
4 Types of Sentences: Did You Know about Them?
It is a rule of thumb that if you aren’t very familiar withEnglish language, you may struggle to structure your sentences in an effective way that will guarantee feedback from your audience. It is one of the core aspects of English language that it should never be taken for granted no matter what. This implies that your failure to be aware of these sentences and the contexts that they should be used at all times can cause you more harm than good. In a recent research study carried out by experts, it was discovered that most people have poorly structured sentences due to lack of proper knowledge on the various types of sentences and sentence structure practice.
Are you among the people being mentioned above? Do you know that your lack of knowledge about the various types of sentences and how they are used can make your audience to have a wrong impression about you? There is no need to worry again as this post will be showing you everything that you need to know regarding these sentences. This will help to ensure that your sentence structure is always perfect the way that it ought to be.
Difficulties of English Grammar and Sentence Structure Formation
When it comes to speaking flawless English in public and trying to get the needed feedback, there are lots of people who are still struggling. They are facing different challenges that have hindered how they effectively communicate to their target audiences over the course of time. Some of these difficulties will be highlighted and briefly explained below.
Lack of knowledge of sentence formation
You need to understand the various types of sentences that can enable you to be fluent in your communication process. There are various types with each of them being expected to be used under specific circumstances. This is the major challenge that is being faced by speakers and writers in recent times. Lack of proper understanding of the rules guiding sentence formation can really hinder effective communication among people.
Too complex statements
Sometimes you may not be lacking the knowledge of how to structure your sentence properly. However, you may have problems trying to over impress your audience by making use of words that are too complex to understand. This will not only end up confusing your target audience as you may also find it difficult to comprehend what you are saying or writing.
It is always important that you learn how you can always keep it short and simple. It may interest you to know that even the advanced writers and pros do fall victims of this mistake. In the end, they send out the wrong messages to their audiences. In a nutshell, don’t speak or write something that you aren’t sure of if you really want to get the needed feedback from your target audience.
Lack of constant practice
Except you are a native speaker of English language, it is very important that you practice. Most writers and speakers don’t practice what they have learned and as such, they keep making basic errors every now and then.
The importance of practicing on a consistent basis is that it helps you to be used to the rules that are guiding proper sentence formation. You will always find it difficult structuring your sentences the right ways when you lack the culture of practicing simple rules that you must have learned.
The 4 Types of Sentences
There are four types of sentences, and you can use fragment corrector for them. They are required to be made use of in different circumstances. They will be highlighted below so that you can understand them properly in terms of knowing how to effectively use them whenever required.
Declarative sentences – these are sentences that pass simple information across to an audience. They are usually ended with a simple full stop. For example; John has finally returned from the United States.
Sentences or statements – do issue commands. For instance; Take it to her without delay.
Exclamatory sentences – these are sentences that are emotional in nature. The emotions could be positive or negative. For instance; This is the worst day of his life! It is important to point that these types of sentences are used sparingly in write – ups. This is because using them excessively may make your message lose focus.
Interrogatory sentences – these are sentences that are meant to ask questions. They always end with a question mark. For instance; where did she go?
The Main Parts of Speech Every Simple Sentence Should Include
The parts of speech are eight in total and they form a core aspect of every sentence that you make. The secret is to learn them very well and know how to make use of them wherever it becomes necessary. These parts of speech will be listed below.
Noun – This is either the name of a person, place, animal or something.
Pronoun –This is used in place of a noun. She (Mary) is coming
Adjective – This is used to describe more about a noun. For instance; John is fair in complexion.
Verb – It usually displays action. It is the most vital aspect of any sentence.
Adverb – It tells you more about a verb
Preposition – They are words that specify location
Conjunction – This has the function of joining clauses together
Interjection – These are words that display emotions
Top 5 Websites That Will Help You to Learn Common English Grammar
Most people lack the needed knowledge on how they can easily fast track their learning process of English language. This isn’t difficult as there are websites that can help you out with this. Some of these will be listed below.
grammarbook.com
learnenglish.britishcouncil.org
ef.com
englishclub.com
perfect-english-grammar.com
In conclusion of the above, it can be seen that when it comes to sentence structuring, your knowledge of the types of sentences is very important. It can also be observed that background knowledge of the different parts of speech is very vital in your formation of sentences that will be flawless.
Are you struggling to make proper use of the 4 Types of Sentences? You can be an authority with the help of a professional sentence structure program.
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