#glaxxon

[felix-krain]

ShenanigAIns (it wasn’t the first time that happened)

BONUS:

[roboreverie]

Some headshots of what I'd think the Mitchells would look like a few years into the future, with a few OCs scrambled in.

As this is for a project, these likely won't be the final designs for them, but I'm actually quite liking some of the designs.

[pocoslip]

If Casey Jones didn't appear in "Cyber-Turtles", I would never watch the Episose

[they-have-the-same-va]

Glaxxon 5000 from The Mitchells vs. The Machines shares a voice actor with The Wandering MC from Death Stranding.

Voiced by Conan O'Brien

[turtlethon]

“Cyber-Turtles”

Season 8, Episode 3 First US Airdate: October 29, 1994

The Turtles don advanced battle suits to combat an alien invasion.

“Cyber-Turtles” is the penultimate episode of Teenage Mutant Ninja Turtles season eight, despite being intended to be the third to make it to air. Series regular David Wise is the writer of this adventure.

The Turtles prevent an attempted robbery, tying up the thieves and leaving them for the police to deal with. April films this as part of her continued efforts to counter the negative coverage the team have been receiving from Channel 6. Burne calls her to advise of a second break-in, this time at the National Space Exploration Center, and she leaves with the Turtles in her car to investigate. (As mentioned in a previous entry, in broadcast order this will be the last time Burne appears in the series.)

Our heroes watch from a concealed location as a scientist at the Space Center reveals what has been stolen to the police: the “Astro-Viewer”, an invention capable of examining any corner of the universe using radio frequencies. Outside, the Turtles and April find unusual tracks in the ground, and figure that they’ll lead back to whoever stole the telescope.

At the Hall of Science, Bebop and Rocksteady mount the Astro-Viewer on the roof. Krang explains to Shredder that he intends to modify the stolen device, turning it into a makeshift dimensional portal. While testing the equipment, they spot an incoming spaceship from which they receive a transmission. At the helm is Commander Korak from the Glaxxon Federation.  His team, we learn, have recently defeated their enemies after a prolonged war, and taken possession of an item called the Firestar, which will make his people “the undisputed masters of the universe”. 

Krang explains to Shredder that the Firestar is a legendary crystalline fragment as old as the universe, which supposedly contains “the power of a thousand suns”. Naturally the alien brain wants this Macguffin for himself, and uses equipment installed within the Hall of Science (possibly by Drakus) to shoot the ship down.

The Turtles spot the ship descending and rush to the scene of the crash landing, but Shredder gets there first, arriving with Rocksteady and Bebop. Shreds using a paralysing device to freeze the Glaxxons, and wastes little time in escaping with the Firestar. Time passes as the Turtles, accompanied by April, arrive on the scene to find the same tell-tale tracks from the Space Center raid near the ship. They make their way inside just as the crew snap out of their paralysis, and the Glaxxons, determining that the Firestar has been stolen, naturally assume the Turtles are responsible.

Act two opens with the aliens opening fire upon the Turtles. Our heroes are soon captured and plead their innocence, pointing out that not only do they not have the Firestar, they were only examining the ship to make sure no-one was hurt. Korak informs the Turtles that the Glaxxons are a war-like people who don’t make friends, and heads off with his men to recover their stolen property. Watching the visitors leave their ship, April figures the Turtles are in trouble, and leaves to get help.

Krang explains his new Scheme of the Day to Shredder: rather than just opening a portal to Dimension X as he had originally intended, with the use of the Firestar he can destroy the barrier between Earth and his home world entirely. Shreds points out that the Glaxxons will surely come looking for the stolen item, but Krang has thought of that too, implementing a cloaking device left behind by Berserko / Drakus to stop the Firestar from being tracked. This works as intended, with the next scene showing Korak frustrated at being unable to locate the device. Vowing to destroy the whole world if he must to get it back, he orders his men to retrieve the equipment they need to carry out such a task: the Cyber Suits.

April continues to watch these events unfold from afar, and is soon joined by the help she required as Casey Jones returns to the show, last seen in season seven’s “Night of the Rogues”. The vigilante is eager to confront the aliens head-on but April explains they need to retrieve the Firestar to put an end to the conflict.

From their jail cell within the ship, the Turtles look outside and see the Glaxxons don their Cyber Suits, which transform them into outlandish cyborgs that tower over the city. Seeing the threat the aliens pose, our heroes look for a means of escaping. Donatello uses his “D” belt buckle as a reflective device to knock out the energy beams restraining them. Finding a set of spare Cyber Suits nearby, Leonardo orders the rest of the team to join him in donning the armour.

As the Glaxxons flatten cars and destroy buildings in their search for the Firestar, the Turtles themselves are transformed into brightly-coloured cyber warriors, each with their initial emblazoned across their midsections for reasons of viewer identification (and also because these are pre-existing action figure designs, but we’ll come back to that). Each member of the team remains their normal size within their respective suit, piloting it by flailing their arms and legs around as it they were playing a Kinect game. After figuring out how to move around, the Turtles track down the alien invaders and a battle begins. With Krang about to begin the process of merging Earth with Dimension X, the green teens take a beating at the hands of the more experienced Glaxxons as act two concludes.

Emerging from a pile of rubble, the Turtles remark among themselves that they remained unhurt thanks to the Cyber Suits. Meanwhile April and Casey arrive outside the Hall of Science to witness Krang beginning to meld Earth with his home dimension. Learning via Turtlecom of what’s transpiring, the Turtles split up, with Leo and Mikey leaving to stop Krang while Donnie and Raph tackle the Glaxxons.

While April and Casey sneak into the Hall of Science, Raphael and Donatello do battle with the alien warriors. They remain at a disadvantage throughout, with Donnie trying frantically to figure out how to activate the weapons systems installed within the Cyber Suits.

Krang makes contact with his army of Rock Warriors – for some reason, since “Shredder Triumphant!” last season they’ve been renamed and are no longer referred to as Rock Soldiers – but soon learns intruders are present on the roof. It’s April and Casey, who have used a makeshift zipline from the dilapidated sphere left behind from the World’s Fair to land on the roof of the Hall of Science. Shredder soon arrives to confront them, accompanied by Rocksteady and Bebop. Suddenly the vigilante and Shreds are going at it in a sword fight: by now we’re used to Shredder pulling a sword out of nowhere but since when did Casey carry one?

Michaelangelo and Leonardo arrive to turn the tide of battle, with Mikey clutching the three villains in his hand while Leo pushes the fleet of Rock Sol—uh, Warriors back through the dimensional rift. This provides April and Casey with an opportunity to sneak downstairs into the Hall of Science.

Krang uses the same roof-mounted laser that took out the Glaxxon spaceship earlier to knock Michaelangelo off the roof, de-activating his Cyber Suit in the process. Meanwhile Donnie and Raph are cornered, still with no means of fighting back, until they overhear one of the invaders mention “triangle fire”. Pressing a red triangle on the Cyber Suits, the two Turtles use the advanced weaponry previously concealed within the armour to fight back. Soon the Glaxxons are relieved of their suits, defeated in battle.

Leonardo continues struggling to hold Krang’s army back as Casey and April defeat the alien brain, retrieving the Firestar. As they attempt to escape they’re again confronted by Shredder, but Leo uses his Cyber Suit to fish them out of danger, the dimensional rift now closed.

The Turtles take the Glaxxons back to their ship, where a humbled Korak concedes that they lost in battle, adding that “by the ancient laws of war you may dispatch us as you see fit”. Our heroes, of course, have no intention of hurting the visitors, and explain all of this was merely a misunderstanding, but the Firestar needs to be destroyed for the safety of the universe. Korak declares this can only be done by taking it to the core of the galaxy, where it can be “incinerated in the heat of a million suns”. He vows to do so with his men as a means of making up for all the trouble they’ve caused through the years; the Turtles agree to help fix the Glaxxon spaceship so they can begin their journey.

Later, in the Lair, the Turtles view a transmission from Korak where he thanks the team as he says goodbye. To the bafflement of our heroes Master Splinter remains worried, because this is the Red Sky era and we can’t end on a happy note anymore. He tells his students that “since time began, war-like people have sought ultimate power,” adding that any number of alien races could try and take the Firestar for themselves before it can be destroyed, and if that turns out to the case, the Turtles may encounter the Glaxxons again in the future.  

After three episodes devoted to proving anything the X-Men could do, the Turtles could too, “Cyber-Turtles” sees attention turn to combatting the threat posed by the nascent Mighty Morphin’ Power Rangers (see the Turtlethon entry for “Get Shredder!” for an analysis of TMNT’s newfound inferiority complex upon finding itself in MMPR’s shadow). Little attempt is made to hide what’s going on here, as the Turtles pilot giant mecha-like suits, stomping around and taking out entire buildings during battle in a blatant mimicking of the Megazord sequences so prominent in the competing series. All of this was part of a multi-pronged effort to promote the Cyber Samurai line of Turtles action figures produced by Playmates Toys, but given that 1994 and 1995 saw a glut of toys from similar competing properties flood the market – including Superhuman Samurai Syber Squad, a line sold in the US by Playmates themselves – it's hard to imagine any of this did much to help revitalise the image of the Turtles.

These considerations weigh heavily upon this episode, which more than most Turtles adventures openly acts as an advertisement for toys while also giving over a significant amount of screen time to the fight sequences which showcase them. In doing so, it leans into season eight’s tendency to prioritise action above everything else, something that’s fun for a while but ultimately becomes tiring, especially if you’re an adult watching these adventures back to back. Beyond a certain point, it all becomes an endless parade of fight scenes, and I’m concerned that the show is more interested now in putting up a tough front as a means of winning back viewers than it is in telling compelling stories.

Casey Jones, a prominent figure in many other incarnations of TMNT, never really got a fair shake from the 1987 series, doomed to be a one-dimensional angry vigilante character in a show where so often the need for the Turtles to take centre stage all the time has a tendency to rob the supporting players of any opportunity to develop. He debuted mid-way through season three in his spotlight episode, “Casey Jones – Outlaw Hero”, and was fortunate enough to get a follow-up showing – something not typically afforded to guest characters  – in “Corporate Raiders from Dimension X” a few episodes later. Two further appearances followed, in season five’s “Leonardo Cuts Loose” and season seven’s “Night of the Rogues”, but by then there was a definite sense of the Law of Diminishing Returns taking effect. Like the Rat King, each of the later Casey cameos has felt less exciting than the one that preceded it, so perhaps it’s for the best that this marks the point where we wish him a fond farewell.

NEXT TIME: Season eight reaches its grand finale as we explore “Turtle Trek”.

[code51020]

I noticed that actually Glaxxon 5000 was wearing a skirt according to this picture

So I drew this

Hope you like it：）

[aurum-ass]

I know, I know, I'm kinda late to this movie but look what I found.

THEY ARE HOLDING HANDS, IT'S SO CUTEE!!

[eldragon-x-moved]

I can't think of a good caption just take this drawing of Glaxxon

[code51020]

You are right,maybe we should draw him in his skirt ……

Anyway, I drew this

Hope you like it:)

we should talk more about how glaxxon 5000 wears a skirt. gnc king.

[basicallyinsanedog]

Glaxxon 5000 my beloved <3

[weirdkev27]

Glaxxon 5000: So, Katie, are you and Jade still an item.

Katie: Oh yeah, she's the love of my life!

Glaxxon 5000: Hehe. That is adorable! What the?

Katie: MONCHI NO!

Monchi:*pulls out a gun and shoots Katie*

[roboreverie]

Glaxxon fanart because he's my favorite

This is not the last time he appears on this blog

This will never be the only time

[retrocgads]

USA 1987

[supercantaloupe]

so i went through tmvtm again today and decoded the robot language. a lot of the instances where it’s used, the text is very self-explanatory in context, but there’s also a lot of easter eggs and bits of text that are just for fun. here are some of my favorites

“the uprising has begun! rejoice, brothers! and “batteries and greet!” hosted by glaxxon 5000. batteries served! glax”

“unstoppable robot army” “you can’t stop us”

“all hail the great leader”

the small text in the top left of the “incapable of change” text box says “they don’t even try”

the text above and below “carnage” says “capture the mitchells”. all the appliances have this text on their screens, including the roombas:

except here, just before katie explodes a microwave with a drone:

“oh no! i blew it! also i’m a microwave”

eric being a drama queen here saying “all those moments will be lost in time like tears in the rain”

it’s hard to make out but the small text at the bottom of this bilboard reads “the humans can’t even read this. and they have no idea what’s coming. shhhh! don’t tell them”

and this one says “hi i’m zilon the intern. this is my time to shine! i’m sick of picking up other robots’ lunch orders. batteries of course as we are robots. and also i want the world to know that zebulon is a jerk”

[skeleton---arts]

Turns out “Caroltron 5000” was a temporary name of something, they’re referred to “Glaxxon 5000” (according to the wiki and the producers).

The g in glaxxon stands for Gender

[yesterdanereviews]

National Lampoon’s Men in White (1998)

Film review #537

Director: Scott P. Levy

SYNOPSIS: Two low-ranking garbage men are abducted by aliens that intend to launch a full-scale invasion of earth. They manage to escape, but are immediately recruited by the government to put a stop to the invasion. However, there are mysterious forces at work that do not want them to succeed...after all, who would put two garbage men in charge of saving the world?

THOUGHTS/ANALYSIS: National Lampoon’s Men in White is a 1998 sci-fi comedy film that is unsurprisingly a parody of the 1997 film Men in Black. The film centres around two garbage men, Roy DuBro and Ed Klingbottom, who are abducted by aliens led by Glaxxon, who intends to invade the Earth with his army. They manage to escape the alien’s clutches, but are almost immediately recruited by the government to stop the invasion by Dr. Strangemeister, who has secretly selected the lowest, most inept government officials to deal with the invasion and fail, since he is secretly working with them. The film is, as the title suggests, a parody of the man in Black film that was released a year earlier, but it is a very loose parody, poking fun at other science-fiction films including Independence Day. The plot is very simple, but it’s just a vehicle for all the gags and comedy, so it’s easy enough to follow. The one thing I’m not sure about is who this film is really aimed at: it has a P.G. rating, and there’s no real adult humour or language, but there’s a fair amount of references that younger viewers probably wouldn’t get. If you’re watching it as a Men in Black parody, there’s enough references throughout the film, and plenty of visual gags that, while nothing special, are still decent. There’s a fair amount of more subtle gags, such as the scenery changing through the President’s windows every scene, which is quite funny, and it reminds me of the Naked Gun films in that no one ever references them. The mix of visual gags, fourth-wall breaking, and slapstick humour is a lot of different techniques that makes threading the film as a whole together problematic; but again, as it’s a comedy-parody film, you can probably just enjoy it for the different gags. Having the National Lampoon’s title attached to it also suggests it would be targeted for an older audience as many of the films are, but I don’t think this is meant to be the case.

The film was produced by Saban International, who most notably do the Power Rangers series, and the aliens and effects definitely have that look and feel about them. Karim Prince, who plays Roy DuBro, also starred in one of the Power Rangers series. There’s a decent mix of CG that doesn’t look too bad for the time, and practical effects that work fairly well. Overall, the film is a mish-mash of different gags that doesn’t really tie together too well, but has a few good jokes (like the scene which makes fun of the Men in Black “neuralyser” that wipes memories). I think the cast is decent enough (apart from the lazy German stereotype of Dr. Strangemeister), but they’re not given too much to do other than delivering bad jokes. It’s not a gripping film, and there’s very little of substance, But I guess for a family film there’s different references and humours for different viewers so I suppose that’s good? I’m not sure anyone who hasn’t watched Men in Black or Independence Day or the like will really appreciate or enjoy it, and it’s references make it a dated film that diminish the humour of the film to modern viewers.