#gives him ailments
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02511213942 · 1 year ago
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neil josten chronic pain indulgence :)
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fox-guardian · 1 month ago
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[ID: Drawings featuring a very sick Curly from Mouthwashing and also Jimmy. The first drawing shows him wrapped in a blanket, sweating and holding a steaming mug with a red and puffy face and teary eyes. He is unshaven and his hair is a mess. He is labelled "ill".
The second image is a comic showing Curly on a couch under a blanket with Jimmy in a nearby chair reading a newspaper.
Curly: uuuu.... my head huuuurts.... mmmmhuuuu.... Jimmy, lowering the paper: (all caps) Oh my god what the fuck do you want. Curly: no no it's fine I'm jus' complaining, I can take care of myse- Jimmy, standing up and leaning over to him, properly yelling: (all caps) I said what do you want, I'll get it for you. Curly, ducking and holding his head: oooowwww
The third image shows Curly on the couch again with his arm hanging off the edge, face still puffy and teary, with Jimmy on the floor next to him, leaning against the couch and looking at a thermometer.
Jimmy: You're lucky to have me here, you know. Curly: thangs jibby.... Jimmy: Yeah, yeah.
end ID]
~~~~
i'm sick so i'm making it curly's problem. feat jimmy.
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rottingchapel · 6 months ago
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NEW FRANCO DISABILITY CONFIRMATION ON THE RED BARRELS INSTAGRAM PAGE. POPS OPEN A BOTTLE OF CHAMPAGNE LIKE ITS NEW YEARS EVE AND SPRAYS IT ALL OVER MY FOLLOWERS
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detective-piplup · 10 months ago
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aug h .
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meek-shall-inherit · 2 months ago
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i can project my eating disorder onto whatever character i want
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dravidious · 1 day ago
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You're more amazing than file names
You're more amazing than Deific Artorius
#asks#final superboss of tales of berseria#when you beat the postgame dungeon it powers up the final boss and doubles his level and gives him stats to match#and also makes him resistant to all elements and thus immune to every status ailment and stat-lowering effect#my first attempt was a complete and thorough failure#but on my second i unequipped all status ailment artes from me and my party#and also told eleanor to stop killing herself#i was really scared of his 3000 focus and immunity to ailments making it really hard to get souls#but it turns out once you ignore ailments and focus entirely on stun 3000 focus isn't too hard to break through#he also blocks SO MUCH#he recovers from stagger really fast so he blocks ALL THE TIME so comboing him is super frustrating#you can charge up a guard break but even after breaking his guard he'll just immediately block the next attack#solution: use big flashy multi-hit attacks that keep going for like 3 full seconds#the break charge lasts for the entire attack so even when he recovers from stagger and blocks MID ATTACK you just break his guard again lol#and all the while your party members are taking advantage and piling on damage#also rokurou's really good against him#his break soul gives him a free guard break charge for his next attack which really keeps up the pressure#and his weakness of his break soul being a counterattack isn't a weakness because artorius has a bunch of big telegraphed attacks#also he's immune to stagger while attacking. so add that to his growing list of bullshit#but rokurou don't care! he just counters and teleports behind him and hits him with a big long unblockable attack!#and ALSO artorius has 1 weakness: he's human. and rokurou's 3rd break soul is effective against humans#and THAT triggers a weak-point combo which ignores all his resistances!#so combo that break soul into a mystic arte chain and rip him to shreds!#eizen has a mystic arte that hits human so he can do basically the same thing#i (and eleanor) still died quite a few times but managed to cast enough revives to keep it going#somewhere around 25-ish minutes later he was DEAD! HAHA!#finally calling this playthrough complete. got all the important items and mastered all the equipment skills. and killed god. of course
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the-silver-tree-knights · 1 month ago
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Still feeling off? Or are you getting used to this form?
"I can't say I feel completely right but,"
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"I don't feel physically ill at least."
*For the moment.*
[M!A, Flavor Returned; 15/16]
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i-am-moss-the-boss · 10 months ago
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Sharing miseries and personal mishaps with your characters is all fun and games (and can be a very potent method to inject realism in your writing!) until you get some silly affliction that does nothing for the narrative and is therefore a useless addition.
For example, I got the idea for one of my characters to be shot on the shoulder because I pulled a scapula muscle so hard I damn near dislocated my upper rib and I was processing that agony for weeks. One of my lieutenants limps a bit on the same side that I have a bad knee (that causes me to walk oddly on bad days) and I worked it into the story because he was injured during his service in the Napoleonic Wars. My captain, who is in his fifties and has lived a hard life on the open ocean, moves a bit more slowly and gingerly because that's how I feel with my spinal disability that impacts my daily life. All reflections of my own very real, very lived experiences--that make sense narratively, and are therefore worthwhile inclusions!
BUT I can’t curse anyone with my chronic sinusitis! What are those guys (that I invented) even there for if I can’t “woe! rebound congestion be upon ye” one of them?
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silversoulstardust · 2 years ago
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this might just be an anime but what dr kureha said is actually a really good advice for people who are heading to nursing/medical school
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bitacrytic · 1 year ago
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Am I the only one who is terrified of the idea of giving the god of mischief the power to travel through time???????
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soft-serve-soymilk · 11 months ago
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You Have No Name patch update for the week: Erk has Fuchs Dystrophy ✨
#lowkey obsessed with giving my head children ailments and disorders ✨ nobody here is healthyyyyy#just pav things#Anyways this is my way of reconciling the fact I’ve always seen Erk with grey-ish eyes :3#motherfucker can’t see half the time and honestly good for him 👍#That makes for 4 head children with bad eyesight :> (Inigo and Daisy and Dism (very mildly) too)#I’m reading about Lymphoma and seeing that Idyllia is in palliative care I’m wondering if I should incorporate that into her backstory too#I mean… she’s sick enough to be IN a hospice (ignoring the fact her sister is holeing her up in there on purpose 😋)#Like I’ve done me/cfs for so long (practically since Idyllia was born) but I’m just wondering if there’s something more fitting for her :3#Especially since she would fall into the same camp as Archie for having Version 1 inhibition#And we know what Version 1 inhibition also induces in people *cough* potentially fatal diseases *cough*#Anyways that’s a very depressing fun fact here’s some actual fun facts about my viscomm duo#Child Cynthia barely looks like her teenage counterpart! She got much louder and fatter 💖#Her natural hair colour is a sandy brown~#Inigo’s room has a section of the wall dedicated solely to photos and polaroids of him and his friends :3#Good luck finding any of Archie though before he rejoins the party in Arc 4 adjkshsj#It’s definitely one of the ways he’s hypocritical! Calls Idyllia out for trying to forget and assume a different persona#And yet Minty himself cannot bear to look at any photographs from his time with Archie… clinging only to his PERCEPTION of reality 😌😋#But that’s also how you can tell he means it when he says that he always treated Dism like a friend ^^
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empoleon · 2 years ago
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are you always so restless (yes you are, is that hard?)
rated t, one shot, 4233 words
also available to read here
Wolfwood purposefully ignores the tickle in the back of his throat. It’s nothing, but on the off chance that it is something, it’s likely caused by the ever present sand dunes that are really starting to make his eyes hurt.
But again, it’s nothing. He squints for a moment as he glances up at the sky, almost stopping to wonder if this is some sort of cruel joke—there is absolutely no way the sun was this hot a few hours ago. 
‘The sun shall not smite thee by day, nor the moon by night.’ He recalls a specific passage and almost trips over a large rock, struggling to regain his footing.
What a load of shit, Wolfwood grunts. 
It’s nothing. 
 .
 Meryl is talking about something with Roberto—reports, news articles, perhaps including that they need to charge the Jeep again soon—Wolfwood mostly tunes it out. 
He catches her glance at him a few times, something akin to worry knitting her brows, but it’s gone within minutes. 
They’re all waiting for Vash to come back with their canteens, having elected him to be the one to fill them this time.
It’s been almost half an hour though, and Wolfwood isn’t sure how much longer he’ll be able to stand without—
A sneeze rips through him once, then twice, and he has to steady himself by grabbing the Punisher. 
A deafening silence follows.
“Not a single word—” Wolfwood starts to threaten, but he’s cut off by the one voice he doesn’t want to hear.
“I’m back!”
Vash is trotting towards them—a feat in its own right, with how uneven the sand below their feet can be—arms filled with their supplies and none the wiser to anything that happened moments before his arrival. 
Or so Wolfwood thinks.
 .
 “You know,” Roberto starts, “it’s probably those Worms you keep eating, Undertaker.”
The ride in the Jeep had been peaceful until that exact moment. 
Wolfwood grunts and crosses his arms. “Haven’t you heard of allergies? I’m fine, old man.”
Meryl is staring straight ahead as she drives, but her eyes flicker back at him from the rear view mirror. “He may have a point, you know.”
She drives over a particularly rough patch of sand, sending the Jeep into a steady shake. It makes Wolfwood’s slowly persistent headache feel even worse than he thought was possible. 
“Not you too, shorty,” he grumbles, reaching to steady himself by grabbing his seat. This is really starting to grate on his nerves. “I keep tellin’ ya, I’m fine—”
Meryl steps on the breaks right as a giant sandworm launches out of the sand a mere few feet away from the vehicle. The action causes Wolfwood to lurch forward, hands weakly stopping his face from ramming into the headrest of the car seat in front of him. 
Vash, sitting across from him, doesn’t even have a chance to react—he does faceplant into the uncomfortable leather of the car seat and whines, rubbing at his eyes. 
“Meryl, I can drive for a while, if you want—”
“No,” is heard from both Roberto and Meryl at once. Vash frowns. 
“Well, maybe we should stop for the evening? If the Worms are becoming active—”
“The next town isn’t that far off,” Wolfwood finally speaks once he’s certain that things aren’t moving in his vision. He can’t remember the last time he ever felt so dizzy. “I’d rather sleep in a bed.”
Vash glances between him and Meryl. Wolfwood’s tone really didn’t leave much room for any arguments.
“Okay, I’ll try to drive… better,” she starts the Jeep again and grips the steering wheel. “We should be there by nightfall.
Roberto huffs a laugh. “Better buckle up.”
Meryl starts in on that, arguing with him while they continue to travel. Vash remains oddly silent, casting a few curious glances at Wolfwood.
“Nick?”
His voice is quiet, almost a whisper amongst the chatter within the vehicle. He turns to look at Vash, brows furrowing as he mouths ‘what?’
And then Vash, the absolute bastard that he is, gives him a grin that physically hurts Wolfwood to look at and pats his lap, as if he’s volunteering a secret service that only he can provide. 
Technically, he is, but Wolfwood is not about to try and unpack those thoughts. His head hurts enough as is. 
He settles for what he hopes is a very scathing look, because seriously, there is no way he’s about to rest his head on Vash’s lap.
Meryl swerves the Jeep to the left, presumably avoiding another sandworm, muttering a faint apology that does nothing to help Wolfwood’s throbbing head. 
A warm hand carefully touches his shoulder, and suddenly all he can see and feel is Vash. 
“Just for a little while,” is all he says while gently tugging on Wolfwood’s arm. “You know I don’t bite,” he adds after a moment, light and teasing.
He wants to say something witty in return, but merely hums a tired reply instead—just this once. 
Maybe awkwardly laying down would help. Vash’s lap is simply an added perk.
 .
 When Wolfwood comes to, he immediately notices three things: 
The first being that they’re still in the Jeep and it’s definitely gotten darker out. That nearby town must’ve been further off than he thought. 
The second is something that he is actively trying to fight—there is an overabundance of saliva in his mouth. That never ends well, in his experience.
And the third—Vash’s hand is in his hair, carefully playing with a few strands of it. 
He wants to say something, because this is oddly intimate, considering everything, and there is a lot to consider whenever it comes to Vash.
The jeep makes a slow turn and Wolfwood can feel his stomach rolling with the movement. Shit. He swallows and settles on grimacing for now.
“How is he?”
Meryl’s voice is filled with concern, and if Wolfwood knew he wouldn’t be sick, he’d speak up and mock the reporter for being such a softie. Vash must be rubbing off on her. 
Vash’s fingers untangle from Wolfwood’s hair and move to his forehead, resting there for a moment. 
“He definitely has a fever,” Vash murmurs. He traces along Wolfwood’s brow line. “I wish he had said something sooner.”
“That’s rich coming from you, kid,” Roberto comments. He earns a glare from Meryl and he shrugs. 
It is, Wolfwood thinks. He feels Vash move his hand back to his hair, choosing to not say anything else to Roberto’s comment. 
Wolfwood tries to focus on Vash’s hand, willfully ignoring the growing unease he feels deep in his stomach. 
A comfortable—or rather, a tolerable silence falls upon the Jeep, save for the radio in the background. The voice he hears singing sounds familiar. 
Except it’s not quite singing—humming?
Vash is definitely humming. It’s sort of like a soft rumble, one that Wolfwood can feel, but not quite feel, hear and not hear—it doesn’t make much sense. Even with his eyes closed, it’s as though there’s a soft glow accompanying the noise. 
It’s extremely pleasant, along with Vash’s fingers in his hair and he prays it can last a little while longer. 
Truly, God must have it out for him, because the next thing he remembers is bolting upright and gasping for air as he starts to dry heave. 
 .
 The motel bedroom has seen better days, probably. Having one grown man practically falling apart in the bed and the other teetering around nervously surely isn’t anything new. 
Wolfwood could do without Vash’s nervous energy, though. 
“Blondie,” he struggles to speak and it comes out strained. “Stop. Moving.”
Vash freezes by the side of the bed. “Wolfwood?”
“Going to burn a hole in the carpet,” he mumbles, and that finally gets Vash to smile, even if it doesn’t quite reach his eyes.
“How are you feeling?” 
Like shit. “’M fine,” he says instead, because it’s easier. 
Vash kneels beside the bed and rests his head on his prosthetic. “You sound awful.”
“Thanks,” Wolfwood says, resisting the urge to roll his eyes. “Where—”
“Down the hall,” Vash answers him before he can finish asking. “Roberto paid for the rooms, he said something about you owing him cigarettes, though.” 
Wolfwood snorts, but it turns into a wet cough. “He owes me—”
Vash ignores the comment. “I chose to stay with you since I can’t catch… whatever it is you have.”
There is an unspoken acknowledgment there in the way Vash words it—he knows what caused it, but won’t say as much.
“It’s just a bug,” Wolfwood argues, because again, that’s easier. “I doubt I’m contagious, hell, this is nothing—”
“You threw up blood,” Vash tells him, a deep frown forming on his face. “It certainly isn’t nothing.”
Well, shit. “Spikey—”
“Don’t, Nick,” Vash’s voice is entirely too soft now. “Just—don’t, okay?”
Wolfwood sighs and closes his eyes. “Okay,” he gives a small nod of his head and winces, regretting the movement. 
“You should rest,” Vash says after a moment. He still doesn’t move from where he’s sitting on the floor. 
It’s annoying when Vash gets like this, even more so when Wolfwood can’t do much to fix things. 
So he does what his fever-ridden brain thinks is right and stretches out an arm to pat the empty space on the bed next to him.
It’s a start.
 .
 “Did I throw up on you?” Wolfwood asks after they have lied together in a shared silence for roughly a half hour. It feels out of place to speak almost, like he should have simply let the quiet air continue to fill the room. 
But unfortunately, Wolfwood has to know. He isn’t going to sleep until then. 
Vash pulls a face, and even in the dark of the room Wolfwood can tell he’s wincing. “Yeah, but it’s okay, I caught most of it.”
“What?” Wolfwood sounds horrified. “Like, with your hands?”
“Kind of? I mean most of it landed on my lap, so,” Vash shrugs a shoulder. “Meryl was worried about the Jeep getting dirty—”
Wolfwood slaps a hand to his forehead and groans. “That’s disgusting, she can fucking pay for a cleaning if the damn thing needs it.”
“Hmm, you know,” Vash sounds a bit too thoughtful when he speaks, “we’d probably save a few double dollars if we cleaned it ourselves…” 
“You’d make a sick priest work?” Wolfwood feigns shock, moving to press his wrist over his eyes. “That’s just cruel, needle-noggin.”
“And here I thought you lived for charitable acts,” Vash slowly starts to sit up, but he’s stopped by a warm hand encircling his wrist. “What?”
Wolfwood, seemingly about to speak, instead starts to cough again.
Vash waits, because he has the patience of a saint—a real one, at that, Wolfwood decides, not some shitty uncanonized one—simply sitting next to him. He moves his wrist out of Wolfwood’s grasp and decides to hold his hand. 
When Wolfwood catches his breath, he clears his throat to try again.
“Don’t… go,” he says—he asks, but it’s a very weak attempt. 
“To the other bed, you mean?” Vash quirks an eyebrow. 
Apparently Wolfwood didn’t catch the fact that the room did have two beds. 
He tries to ease his hand out of Vash’s grasp and fails, miserably, all the while Vash, still being the absolute bastard that he truly is, laughs.
 .
 Vash helps him to the bathroom twice when he starts to feel nauseous again. Nothing happens at first—once he does throw up Vash is quick to kneel beside him, but hesitates to reach out. 
Wolfwood spits into the toilet and lets his head rest on the cool porcelain. It’s soothing. 
The hand that eventually starts to rub his back is an added bonus, also cool to the touch, and it makes Wolfwood shiver. 
“Sorry,” Vash murmurs, prosthetic hand faltering to settle near Wolfwood’s shoulder. “You okay?”
The feeling is so featherlight and Wolfwood partially wonders if Vash can feel the heat emanating off of his bare skin. 
“Yeah,” he replies after a moment, “’M good.”
He can hear Vash sigh and the hand on his shoulder is gone.
“Think you can stand?” 
Of course, he wants to say, it’s not like I’m—
“Nick?”
Oh. That tone of voice made sense to him now. He should have realized sooner. Irritation made sense, but this? This is—
Vash is scared for him.
Wolfwood pulls his face away from the ceramic bowl. “Help me up, blondie.”
 “You know, if you wanted a hug you simply could have asked me,” Vash’s face is pressed near Wolfwood’s shoulder, more so on the pillow than anything, unable to pull back as he’s being held there by the other man.
He easily carried Wolfwood out of the bathroom and back to the bed in the motel room, but once he stopped near the side of the mattress to help him lie back down, Wolfwood didn’t release his hold around Vash’s shoulders. 
Which now led to Vash standing—or rather, half bent over—awkwardly embracing Wolfwood.
It’s not as though he doesn’t want to, but this position is starting to make his lower back twinge with pain.
“Nick, come on,” Vash tries to pull away, “at least let me get comfortable.”
“This is comfortable,” Wolfwood says into the fabric of Vash’s shirt, to which he hears a quiet groan.
“You are such a pain in the ass, you know that?” There is no bite in Vash’s words, but he says it so suddenly and so seriously that it causes Wolfwood to laugh and ease up his grip.
“Hey, it takes one to know one,” he quips.
Vash ultimately decides that he’s right and goes limp, letting his full weight rest on top of Wolfwood, who immediately protests.
“Okay, okay! Get off me already, you idiot,” he pushes Vash to the side of the bed with a huff. 
“Now will you rest?” Vash asks again. 
He probably should, but the thought of having to lay there in silence with his own thoughts is starting to make him feel nauseous again.
“Talk to me,” Wolfwood turns to his side and is met with Vash giving him a questioning look, eyes softly illuminated in the dark. “I’ll fall asleep faster if you speak.”
“Rude,” he mutters, “is my voice that boring to you?”
“Oh, absolutely, spikey,” Wolfwood exhales through his nose slowly. It helps, a little. “You could tell me a story.”
Vash shifts on the bed slightly. “A story?”
“Used to do it back at the orphanage,” is all Wolfwood says at first, and he knows Vash is waiting for him to continue. “When the kids were sick. It was comforting.”
He doesn’t open up about it much—distant memories still too fresh and constantly present in his mind.
“I’m not sure if I can provide that kind of comfort,” Vash sounds uncertain, and it hurts, because that is simply not true—not true at all.
“Well, you won’t know unless you try, yeah?”
 .
 “When I was… huh, I’m actually not sure how old I was,” Vash pauses to consider it. “Definitely half a century ago, I think. Maybe a bit more—”
“I’m gonna start callin’ you grandpa,” Wolfwood decides. “Grandpa Stampede—”
Vash reaches over and pulls his cheek, earning an annoyed swat at his hand. “Shush, let grandpa finish his story, all right? Now where was I…”
The story is a strange one. Vash describes visiting half-empty towns in his youth, stopping to help when help is needed. A true hero’s tale, if Wolfwood ever heard one. 
It doesn’t have a happy ending. 
“There was this family,” Vash is staring at the ceiling, the too-bright cerulean glow of his eyes faint. “They let us stay for a few days during a bad sandstorm. It was a little cramped, but Brad and I didn’t mind. We were—we were grateful, really.
“Not many families would do that for someone they… didn’t know,” Vash chooses his words carefully, “despite us having helped out the Plant that was ill.”
Not many families would do that for someone like Vash. For someone like him.
“They had a little boy, I’m not sure how old he was, but he couldn’t have been more than five years old. 
“He was sick. Some illness that Brad had to explain to me. I asked him if—if it was similar to how my sisters…”
Wolfwood swallows. “Blondie, you don’t have to—”
“I was so naive. I really thought—”
“Vash,” Wolfwood is slowly moving to sit up this time, “stop.”
“I couldn’t help him,” Vash doesn’t bother to look at Wolfwood, knowing full well he can see the tears trailing down his cheeks. “I couldn’t help—humans. And I wanted to so badly. I haven’t tried to do that ever since—”
“Today in the jeep,” Wolfwood is leaning over him now, both arms caging his head on the pillow while he peers down at his face. Vash blinks up at him, frozen.
“In the jeep,” he repeats himself, “I heard you singing earlier.”
Vash lets out a breath he had been holding. “I’m sorry.”
Wolfwood can’t help his sigh of annoyance. “I’m not mad, needle-noggin, but why did you… why?”
Why me?
“I don’t know,” and Vash is being honest, for once, about it. “I wasn’t really thinking too hard about it.”
“Obviously,” he drawls, and Vash snorts wetly. “That’s not—not what I meant, though. Why after all this time?”
Why try again?
Vash closes his eyes. “Because I love you.”
He hesitantly peeks one eye open, possibly expecting the worst after such an admission. Wolfwood is a lot closer now, a mere few inches away from his face. 
“We should do it properly, then,” he insists, resting his forehead carefully against Vash’s own. 
“Nick…”
Vash brings his hands up to cup his face, flesh and metal thumbs stroking along Wolfwood’s jawline. 
He wants to cry. He is crying—he never did stop, and Wolfwood simply remains there through it all, basking in the ethereal glow that Vash’s body emits. 
“’M not going anywhere, spikey, you hear me?” 
“Yeah, yeah,” Vash’s laugh is warbled. “I hear you.”
 .
 “You’re still burning up,” Vash presses his lips to Wolfwood’s forehead. 
“Can’t help that,” Wolfwood mutters, eyes closed, “you’re the one who’s a furnace.”
Vash hums in agreement. “I did offer to sleep in the other bed.”
Wolfwood doesn’t argue with that, but he does reach under the covers to grab hold of Vash’s arm. 
“I’m not, don’t worry,” Vash teases. He feels the hand on his arm loosen, ever so slightly, but never completely lets go.
“Sleep, Nick,” he loses track of how many times he’s asked the man beside him to rest. The night isn’t going to last forever and they’ll have to leave tomorrow morning. 
Again, silence. It stretches on for some time and Vash waits. 
Then, “Spikey? Could you… one more time?”
“Could I do what?” He hears a huff of annoyance and smiles. 
“Pain in the ass,” he echoes the insult from earlier. “You just want to hear me say it.”
“It’s nice when we’re honest with each other, right?” 
Vash moves under the covers, one arm holding it up as an invitation. 
Honesty. Definitely not one of Wolfwood’s stronger attributes, but for Vash he can try. 
He scoots closer, opting to curl one arm around Vash’s waist, face pressing into his neck. 
“One more time. Please,” he whispers against the thrum of Vash’s pulse. This is about as honest as he can get, given the current circumstances. 
Vash pulls the blanket up to his shoulder, careful and precise. He angles his head in a way to place a kiss to the crown of Wolfwood’s hair, replying with a soft ‘okay,’ and then he starts to sing.
 .
 “Should we wake them?” Meryl’s voice is quiet when she speaks. “They both look… peaceful, surprisingly.”
Roberto leans against the doorframe. “Probably the only peace we’ll be getting today—you heard the innkeeper this morning.”
Bounty hunters were already on the move again, hot on their trail. Nothing new. 
“He deserves it,” and whether Meryl is referring to Vash or Wolfwood, no one can be certain. 
“Fine,” Roberto steps out the door and into the hallway. “Come on then, newbie, let’s leave them to it.”
The floor creaks and the door is closed softly with an audible click. 
“I know you’re awake, needle-noggin,” Wolfwood’s voice is muffled by equal parts blanket and Vash’s shirt. 
Sunlight is shining into the inn room now and onto the bed. It feels good, better—definitely not as torturous as it was the other day.  
“What gave me away?” Vash asks, disbelieving. His face is still partially buried in dark strands of hair. “I was perfectly still!”
“Well, the squeeze to my ass, for starters,” Wolfwood points out. “You can stop now, by the way.”
Vash does nothing to remove his hand from the area. In fact, he keeps it there for good measure. 
“When the door opened it startled me—”
“Right, and you’re still recovering from that?”
“You know me so well, Nick,” Vash croons.
Wolfwood doesn’t dignify that with a response, choosing to slowly untangle himself from Vash’s wandering hands and steadily sit upright. The blanket pools near his waist, and only then does he realize how damp it feels.
“Shit, guess I sweated out the worst of it,” he says. “Sorry if any of that got on ya—”
Vash sits up so unnaturally fast, moving to place a hand on Wolfwood’s chest. His skin is warm, but not too warm, and his heart is steadily beating underneath his fingertips. 
He feels so relieved until he sees Wolfwood’s shit-eating grin.
“Couldn’t resist feelin’ me up after all, could you?” He laughs as Vash feels himself start to boil, deftly retracting his hand with an eye roll. 
“I’m not—”
“While I’m flattered you like my tits,” Wolfwood catches his hand with ease and brings it up to his lips, “I really should be thanking you for putting up with my sorry ass last night, so,” he presses a kiss to Vash’s knuckles. 
Vash’s mouth twitches humorously. “Surely that’s not all?”
Wolfwood releases his hand and leans closer, a mere hair’s breadth away from Vash’s face. 
“Definitely not all,” he murmurs, placing a kiss to the corner of Vash’s mouth and nothing more, waiting for permission.
His stubble tickles and it makes laughter bubble up in Vash’s throat. When he tilts his head back Wolfwood aims for his throat, peppering even more kisses across his skin. 
He works back up towards Vash’s jaw, lingering there, and Vash finally meets him halfway while cupping his face to bring their lips together. 
It’s chaste and it has Wolfwood feeling light, airy, much like the sudden, soft-white downy feathers that curl outward from Vash’s temples. 
Huh. That’s new. 
Wolfwood should probably comment on that, but Vash is tentatively licking at his bottom lip, and really, all it takes is that one movement for him to open his mouth further and let Vash have him. 
But there’s a hand tapping on his shoulder entirely too soon, causing him to pause and take a breath. 
Vash is giving him a well-practiced apologetic look. “You taste like vomit.”
Wolfwood doesn’t miss a beat. “You have feathers growing out of your head.”
That gets a rile out of Vash, immediately reaching for his hair with an indignant squawk. Wolfwood’s cackle is downright wicked, but a welcomed sound.
 .
 Now all Wolfwood needs are three things:
His shirt, a smoke, and some food. Preferably in that order, but he can make do with what he gets.
The shirt, his beloved white, button down—Vash had used it to clean up the Jeep.
“You’re kidding me, right?” he stares at the blonde when he steps out of the bathroom, the taste of vomit now a thing of the past. 
“Ah, no, sorry Nick,” Vash grins sheepishly. “I had to use something!” 
“You—damn it, needle-noggin,” he stalks over to the bed where Vash is still lounging. “All right, fork it over.”
He holds out his hand in front of Vash and waits. 
Vash’s gaze flickers between his hand and face before shrugging and clasping Wolfwood’s hand into his own, giving it a firm shake. 
He even has the audacity to smile at him.
Wolfwood squeezes Vash’s hand hard—prosthetic be damned—as his mouth sets into a scowl. “Your wallet,” he clarifies.
“Oh! Sure,” Vash lets go of his hand and reaches for his jacket, fumbling around inside the pockets. “Why do you…?”  
“You’re paying for a new shirt,” Wolfwood informs him. “Nicest one I can find—most expensive I can find.”
It doesn’t faze Vash in the slightest. 
“Think you can bring me back a box of donuts too, while you’re at it?”
(Meryl sneezes later that evening when they stop at a local diner before heading off. 
Roberto is quick to leave the table, muttering something about how he’s ‘too old to be dealing with this shit.’
Wolfwood follows in suit, pausing only to blow Vash a two-finger kiss and an offhanded remark of ‘good luck!’
Somehow, Vash becomes the designated caretaker anytime one of them falls ill now—he doesn’t mind.
Meryl, however, has a long list of complaints that fall on deaf ears—she is stuck with Vash until further notice.)
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subarus-gentle-butterfly · 2 years ago
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what was miu’s father like?
TRIGGER WARNING: Mentions of alcohol, drug use, abuse, the not so pretty symptoms of bipolar. If you are uncomfortable with any of these topics, please do not read or interact. I am not responsible if you choose to ignore these warnings and cause yourself mental harm. I will be tagging each of these triggers in the tags of this post as well.
Mikuo tried his best in the beginning. He really did, and he was ecstatic to have a baby girl. Up until Miu turned around 6 or 7, that's when things got worse. Mikuo became unhappy in his failing relationship with her mother, the product becoming Miu's younger brother, Goro.
Miu was too young to understand the reality of what was happening between her parents and to realize that things were not normal. She loved having a brother, though, which her dad was happy to hear about back then. Mikuo never felt bad about cheating on Chisato(Miu's mom) and having a child with someone else, which is where things start to change. His true colours start to show a few years afterwards.
Mikuo was young and still had a lot of growing to do, and was trying his best to provide for his small family, but most of Miu's memories of her dad from this time would be him sleeping a lot and being angry and raising his voice at her over small things. Chisato was gone for a while and came back into the picture, but she was still heavily hooked onto drugs and alcohol, and she became obsessed with Miu to the point where Miu started to feel like she had to be the mom in their relationship. Mikuo didn't like this, but he knew Miu wanted a whole family, so he tried his best to keep her mom with him in the picture, but he was still very unhappy.
He had been diagnosed with bipolar disorder and anger issues, and was unmedicated for a long time, and when he was medicated, he wouldn't always take them. This is where things took a turn for the worse. His mania and depressive swings would get more extreme. He stopped playing with Miu asmuch and started to only find enjoyment in sex and money.
Over the years, he had steadily gotten to the point where he found a good job, one with great benefits and one that paid well. One that could keep him and the family afloat enough so they would be able to survive and at least look like a normal happy family. He was at this job for a long time, and he had moved up in ranks and was generally well liked within the company. This made him feel a bit more satisfied, and he really tried his best to be a good father, despite his misgivings.
Mikuo was then suddenly fired from his job over something that he wasn't responsible for, and he kind of exploded at that point. He became more cynical and angry and he genuinely couldn't find any happiness anymore other than alcohol. He took a lot of it out on Miu and Chisato.
Mikuo had no other outlet to vent his frustrations on. He had lost his insurance coverage which helped cover the costs of his medication for his bipolar disorder, and due to his drinking, it amplified the not so great sides of the illness. He turned into a total jerk, a horrible father, and an even worse person.
When he found another job that didn't quite treat him the best or pay him the best, he felt a little better, and was actually kind of happy when Goro was sent to live with them. He was excited to have a son and was happy to see his daughter getting along with him, but it wasn't enough to keep him happy or satisfied. He tried to shape up a bit, but never really thought about the gravity of his actions towards Miu and her mom. Goro saw bits and pieces, and really clung onto Miu afterwards.
Mikuo was still very unhappy with everything going wrong in his life, and continued to get upset and angry easily, often screaming at his kids to shut up when they were just playing together. He didn't really think about anyone else's feelings but his own. Instead of trying to understand or listen to his children when they wanted to tell him how they felt or if something was wrong, he was busy wallowing in self-pity, drowning in his sorrow and frustrations.
After Goro was taken away, he started to feel more hatred towards his life and how boring it was. He continued to take out his stress on Miu and Chisato, and started to see less colour in the world, he couldn't feel joy anymore and the only hint of pleasure he could ever feel was the amusement of seeing others more miserable than he was. He turned into a sick and sadistic man who found enjoyment in hurting the people who loved/depended on him. He couldn't understand what he was doing was wrong anymore, and he never wanted to be sober anymore. He had also started to get into drugs at some point but he wasn't so hooked on them like Chisato was.
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not-someones-shadow · 7 days ago
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List of disorders and mental illnesses Vanitas has
Depression
Social anxiety
PTSD
BPD
Generalized anxiety disorder
Insomnia
ADHD
Autism
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tahbhie · 3 months ago
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Creating Emotionally Devastating Scenes.
Crafting a scene that earns the total sympathy of your readers can be challenging, but it's not impossible. Most emotionally devastating scenes fail at two things, but when these are done right, the results can be powerful.
⚪ The Important Concepts for Writing an Emotionally Devastating Scene
1. The Build-Up,
2. Breaking the Dam.
Before I explain these concepts, let me share a case study.
⚫ Case Study
I wrote a story about a young orphan named Jackie and her younger brother. Their village was burned down, leaving them as the only survivors.
For the next few chapters, readers followed their painful journey and their struggle to survive. The younger brother had a heart problem, and Jackie vowed to become a cardiologist to save him.
She was very ambitious about it, but at the time, it was very ironic. Later in the story, when they encountered a tragic living condition with a family, the brother died while telling his sister how much he missed their parents.
When her brother was fighting for his life, she was sent out of the room, only to be let in again to see his cold, lifeless body.
⚪ Explanation of Concepts
1. The Build-Up
The build-up is extremely important when you aim to convey strong emotions. Here's a secret: if you plan for a scene with strong emotions, start leaving breadcrumbs from the very beginning of the story.
Take the previous case study. I carefully built up their journey so people could easily relate and feel the pain of the older sister during her brother's sudden death.
You need to give the situation enough reason to feel utterly hopeless and devastating. Gradually cultivate the tension until it's ready to let loose.
⚫ Understanding the Use of Breadcrumbs.
Breadcrumbs in stories ensure you utilize the time you have to build up certain emotions around your characters.
At the beginning of my story, Jackie’s fate was already pitiable, but she survived every hurdle. This gave the readers enough to feel for her while still leaning away from the outcome. When I built enough, I introduced her brother's sudden death.
Hence, leave your breadcrumbs while leaning away from the outcome.
⚪ How to Properly Leave Breadcrumbs
When building up your story, consider these elements:
☞⁠ Character Relatability: The characters need to be realistic to draw readers into the story. This helps readers invest themselves in your story.
☞⁠ Realistic Emotional Pain: Just as characters need to be relatable, their emotions need to be realistic and not appear forced.
☞⁠ Create a Strong Emotional Attachment: Give them something they care about or that has the power to ruin their lives in any way. It could be something that makes them happy or something their happiness relies on. When it's time, snatch it away without remorse.
☞⁠ Have a Backstage Struggle: This struggle keeps readers occupied, so they won't see the outcome coming. For example, Jackie’s constant struggle to find food and shelter keeps readers engaged while the impending tragedy looms in the background.
☞⁠ Attach Believable Elements: For a realistic character, emotion, and struggle, attach believable elements. It could be death, ailments, sickness, disorder, disappointment, failure, etc.
Now that we've covered the build-up, let's move on to the next crucial part.
2. Breaking the Dam
This is when you make your readers feel the strong emotions alongside your characters. All the tension you’ve been building up is released, making all emotions come into play.
☞⁠ Break Your Strong Attachment: Cut off your strong attachment from your character when they least expect it or at a point when they couldn't use more struggles (i.e when they are helpless).
This will not only evoke readers’ emotions but also pique their curiosity as they wonder how the character will survive the situation.
☞⁠ Description of Sensory Details to Invoke Emotions: The advice of "show, don't tell" will be really helpful here. It's crucial to ensure that the final execution matches the build-up.
A well-crafted build-up can fall flat if the emotional release isn't handled effectively. To avoid this, blend the climax seamlessly into the narrative, making it feel natural and impactful.
Reblog to save for reference! 💜
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rpvlix · 1 year ago
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//hardest part of trying to imagine human Kenny scenarios is that he can't just stab ppl that piss him off in the real world :(
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