#give me this man
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husband!nanami who touches you like he knows you, like heâs memorized every little thing that makes you fall apart. because he has. he knows your body like the back of his hand. his fingers sink into you slow, deep, pressing right against that spot that makes your breath hitch and your thighs trembling around his hand.
he watches you, eyes dark, focused, taking in every little reaction, every flutter of your lashes, every quiet gasp. âthere we go,â he murmurs, voice smooth and steady as if he isnât painfully hard just from feeling you clench around him. his thumb circles your clit, unhurried but firm until youâre arching into him âyeah? feels good?â he whispers, dipping down to kiss you slow, deep, swallowing every little sound as he works you right over the edge.
#donât ever let me around a man like nanami#i will fuck the shit outta him#i need him so fucking bad#GIVE ME THIS MAN#i need it raw slow and deep amen#18+ mdni#mdni#mdni blog#smut#writers on tumblr#jjk#jjk smut#jjk x reader#jjk x you#jjk fanfic#jjk nanami#nanami kento#nanami x reader#jujutsu nanami#nanami smut#nanami x you#jujutsu kaisen nanami#nanami x y/n#jjk kento#kento x y/n#kento x reader#kento smut#jujutsu kento#iâm actually going insane#someone sedate me
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đš: ekilateral.art on IG
OH MY GOD!?? Iâm sorry?! Raw. Next question. Luluđ«đ«
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Like I said, Iâm a man of many talents. Among them, I give excellent platonic snuggles, and I know when not to ask.
- Xander Hawthorne
#give me this man#our sweet baby#the grandest game#the inheritance games#tig#xander hawthorne#alexander hawthorne#xander blackwood hawthorne
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Now writing for homicipher spookies. Just played it yesterday and now I'm obsessed especially with Mr crawling. Possibly might make art who knows
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Just saw a picture of my man in a suit. HOLY FUCK I NEED TO SHIFT SOON OMFGâ
#shifting#reality shifting#shifting realities#IâM FUCKING GROWLING#GIVE ME THIS MAN#HEIDBEJEN#I WANT TO SEE HIM SO BAD#LITERALLY GONNA POUNCE ON HIM WHEN I SHIFT
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iâve never wanted anything this badlyđ JISUNG IN GLASSESđ©JISUNG IN GLASSES WITH HIS FOREHEAD OUTđ«đ«đ«đ«đ«đ«đ
donât worry guys ILL take care of this oneđŒ
(me actually rn)

#GIVE ME THIS MAN#park jisung#nct jisung#heâs so sexy#need him carnally#come home the kids miss you jwi#heâs driving me crazy#MEN IN GLASSES
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GIVE ME A SHAHMEER SIKANDAR !!!!!!
#shahmeer sikandar#give me this man#pakistani drama#desi tumblr#desiblr#desi blr#desi girl#spilled thoughts#desi core#fictional characters
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My bestie soul sister sent me this and Iâm foaming at the mouth for him PLEASE DIANA đđ
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That should be me holdin yo handđźâđšđźâđš
NORMAN REEDUS SMEXY SCENE BELOW DNI IF THATS NOT WHAT U WANNA SEE IM NOT UR MOM

âŹïž
âŹïž
âŹïž
your welcome đ
#norman reedus#smut#18+ mdni#smexy#super smexy#norman fucking reedus#Lordddd#give me this man#please#need that#i need him#norman
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a Zaunite jayvik au Iâm thinking about writingâŠ
#jayvik#jayce talis#viktor arcane#jayce x viktor#arcane#galaxy draws#listen this is a guarantee with me#you give me a hot man I will find ways to make him hotter#i do it for my people
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challenged myself to make simpler redesigns that match the show constraints because I often create very complex designs and I wanted to see if I could make something I liked without going too over the top!! pretty happy with these [:
if you have any questions about my design choices ask away!!
part 2 with ten gazillion background characters including sunburst, luna, and twilight's canterlot friends!
#mlp#my little pony#mlp redesigns#mlp designs#mane 6 redesign#twilight sparkle#pinkie pie#rarity#rainbow dash#fluttershy#applejack#man. I love ponies right now#I REFRAINED FROM GIVING THEM SHINY COLOURFUL HOOVES ARE YOU PROUD OF ME.. DGHJSHK#hi 4000 followers. look at my horses
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Physically? I am sitting in my bedroom. Mentally? Spiritually? I AM DEAD ON THE FLOOR!!!!! THESE TWO HAVE KILLED ME!!!!
(Another drawing! This was originally attempt #1 at drawing stan, and then fiddleford just showed up. Kinda feels like them five minutes after the above acting like nothing happened though, so it works sdjkgkjfshj)
#HEALED FIDDLEFORD HAS ME BOUNCING OFF THE FUCKING WALLS!!!!!!! GIVE THE MAN A BRIGHT HAPPY FUTURE!!! FUCK!!!!!#I don't know how i'm coming off right now#when i say that i've been super manic about them for the past week I really mean it#guys Idk but I think I might be fiddlestans number one fan#I liked this pairing before book of bill and after reading it it only solidified things#IT IS SO MUCH MORE THAN A CRACK SHIP TO ME!!!!!!!!#fiddlestan#gravity falls#anyway this is supposed to be them the next summer#stan is working the shack to tutor soos for tourist season#fiddleford has changed while the twins were on the stan o war#STAN DOESN'T KNOW HOW TO FEEL AT FIRST and they have a lot of shit to work through from their past before they can start making out dksjds#sketchbook#traditional art#pencil drawing#traditional drawing#stanley pines#fiddleford mcgucket#gravity falls fanart
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This was so good I need to go lock myself away for approximately 6 business days to process it.
Preferably in cult!Joel's bedroom.
I am unwell.
Please read this, all of you.
pairing: cult leader!joel miller x virgin!female reader
rating: explicit (18+ MDNI)
word count: 8.6k
summary:
You think youâre as good as dead when a band of raiders find you. In what you think are your final moments, an angel appears.
His name is Joel Miller, and he is here to deliver you from evil.
author's note: a huge thank you to my fellow cultist @atinylittlepain for listening to me scream about this. without them, we'd probably be on version 5 of this story. and to everyone who has been excited about this, i hope you enjoy!
warnings: DARK CONTENT - DEAD DOVE DO NOT EAT, dub-con: power dynamics, dub-con: cult mentality, age difference - 60M and 27F, explicit sexual content (18+ minors do not interact), no use of y/n, dual POV, post-outbreak, canon divergence, canon typical violence (knife wounds, gun shot wounds, numerous mentions of blood), minor character death(s), blood cult ceremonies, religious themes, possessive behavior, emotional manipulation, loss of virginity, oral sex - f receiving, vaginal fingering, unprotected p in v, cum play, dirty talk, pet names, praise, joel really has a loose screw ok? if there are any tags missing, please let me know!
ïżœïżœI donât think you should go out there by yourself,â you say, watching as your dad inspects his gun. He looks up at you with a pained expression.
âI gotta see where we should head next. I donât want to lead you out in the wrong direction, accidentally get you in a bad spot,â he says. âIâll be fine, buttercup.â
Thereâs a heaviness that settles in your stomach at his words. He sounds confident enough, but his eyes tell a different story, expose his fear. He stands with a sigh, a wince of pain washing over his face.
âMaybe I shouldââ
âNo,â he interrupts. âIâm going. I wonât be gone long, okay? We canât stay here forever. Who knows whatâs out there in the forest.â
Thatâs exactly what youâre afraid of. At least inside the rotted cabin you stumbled across you could pretend you were safe. The forest is alive in a way youâve never experienced growing up in a QZ surrounded with barbed wire and steel. You hear the snap of twigs and the howl of wolves, or the flutter of wings and the call of birds, and sometimes you think you feel the weight of eyes watching you if you venture out too far in your exploration.
âWeâve made it this far. We got out of Denver and that was half the battle,â your dad says. âYou got your knife, right? And enough rations.â
You nod, swallowing around the lump in your throat. He kisses your forehead, dry lips lingering on your skin. You have an aching feeling this is a goodbye, some sinking intuition that heâs making a mistake that you canât correct.
âBe back soon. I love you.â
Joelâs been keeping an eye on the people in the woods for the last three days. There was chatter on one of the radio stations that the Denver QZ was facing an uprising and he knows that once those walls come down, the survivors that venture out are bound to stumble across his town.
The cabin door opens and the man steps out, venturing into the forest. Joel waits to see if his female companion follows, but the door remains shut. He longs to see you, the girl whoâs image has been burned into his brain since his first glimpse, but he has a duty to fulfill first.
He walks quickly and quietly through the forest, sure feet catching up with the man less than a mile from where heâd started. Joel clears his throat.Â
The man turns, fumbling with a gun that he clearly has no experience using, pointing it at Joel with shaking hands and shouting, âMove and Iâll shoot!âÂ
âYou lost?â Joel asks, holding his hands up and keeping his face trained in a mask of concern. âLookinâ for somethinâ?â
After a pause, the man seeming to have concluded that Joel isn't a threat, he says, âMy daughter and IâŠwe escaped the Denver QZ."
"That must've been difficult."Â
"We....we're running out of food," he continues, dropping his arms, limbs hanging heavy at his sides. "I-I don't know what else to do, man."
Gun no longer pointed at his face, Joel approaches the man, stopping when he's within arms reach. Up close, he can see the dismal state the guy is in -- sunken cheeks and bloodshot eyes, tattered clothing hanging on a thin frame. Joel places a hand on his bony shoulder.
"I can help you," he says. The man looks up, a brief glimmer of hope flashing in his eyes. Joel watches the slow realization, the way his brain catches up to what's just happened, a choked noise spilling from his dry lips.Â
Joel tugs his knife from the man's gut and steps back, watching as he collapses to the ground. Desperate hands smear the blooming red stain across his abdomen. Joel circles the man, positioning himself at his back, and pulls him close with a hand slapped over his mouth.
"I'll take good care of her," he whispers before dragging his knife across his neck in one clean slice. The man twitches once before growing limp and Joel releases him, body hitting the forest floor with a dull thud. Not one to waste, Joel gathers anything of use from his person.Â
Something catches the light against his neck. Curious, Joel tugs the bloodstained neck of his t-shirt to the side, finding a silver chain. He pulls, revealing the length of it.Â
A cross.
The clasp snaps with a sharp tug and Joel stuffs it in his pocket. Standing and shouldering his bag once more, he begins his walk back towards the cabin.
You're running as fast as your legs will carry you, lungs and limbs burning with the effort. You made the mistake of not listening to your dad when he'd told you stay where you were, to stay hidden, that he'd come back. Your nerves had gotten the best of you and you decided that you would catch up with him, but you didn't know which direction he'd gone. You figured you would travel a little ways and see if you could find him and if you didn't do so quickly, you'd rush back to the cabin and wait, just as he told you.
That's when the men saw you, two large figures with rifles that reminded you of FEDRA soldiers slung across their backs.Â
You duck behind a thick tree to catch your breath. You can hear voices calling out through the forest above the rush of blood in your ears, taunting tones carrying through the air.
"C'mon out, pretty girl!"Â
You chance a peek out from your hiding spot, only catching a brief glimpse of one man through the trees.Â
"Where ya hidin', sweet thing?"Â
His voice sounds far away and that gives you the courage to move forward, a tentative dash for another tree.Â
âI might be nicer to ya if you just come on out, but if I have to hunt ya downâŠwellâŠyou know what a hunter does to its prey, donâtcha?â
You press your hand over your mouth, muffling the cry that claws its way up your throat. You start to run again, faster, not caring if he can hear you so long as you're able to maintain that distance, hoping that if you can outrun them for long enough, he'll just give up and then maybe you can find your--
You crash into something, the world sliding out from under you and the breath rushing from your lungs as you land on your back with a pained shout. A hand wraps around your ankle, pulling you across the rough ground before you have the chance to recover.Â
"Gotcha," a man says, the voice different from the one that had been taunting you before. A figure stands over you, a foot on either side of your hips, looking down at you with a sinister smile. "Pretty little prize, huh?"
You twist your body, scrambling away from him. He laughs, following after you with unhurried strides.
âNow, donât play hard to get,â he admonishes. A hand wraps around your ankle and he drags you toward him, kicking and screaming. Your foot connects with some fleshy part of him and he curses.Â
âYou little fuckinâ cunt,â he hisses, dropping your foot. He kicks you, heavy boot colliding with soft flesh and bone, a sharp pain blossoming in your side, shooting down to your very marrow. You curl in on yourself, wounded prey trying to protect its most vulnerable parts.
A shot rings out, the sound startling in the relative quiet of the forest. You sit up, sudden movement making you light headed, and it takes you a long moment to register the scene before you.
The man that had been chasing you, the one that had caught you, the one that had hurt you on the surface but planned to do far worse, lies on the ground, eyes wide open but unseeing. Above him stands your savior, an older man with gray streaked dark curls and tan skin, broad shoulders and hard brown eyes. He reminds you of a painting you saw once in a book your dad owned, long before the outbreak.
âDeath On A Pale Horse,â he explained when you showed him the painting that caught your eye. âBased on the Book of Revelations. You remember that one, right?âÂ
âYeah.â
âThis one,â â he pointed to the central figure, a dark creature on a white horse â âis Death. And this oneâ â he pointed to a figure on the right that rides a dark brown horse, the dark colors making him blend among the horrors breaking from the sky behind him â âwould be famine. You can see the emaciated man below him.â
âWhat about the other two?â You asked.
âThe one of the red horse would be war.â
You pointed to the remaining figure, a man with dark curls and a determined expression. âAnd the white horse?â
Your dad paused. âConquest. Pestilence. The Antichrist. The first horseman of the apocalypse.â
The man before you today looks like that figure on the white horse and despite his choice to rescue you from one horror, you fear he may be something far worse.
The man kneels and you flinch away from him. He sighs and says, âI ainât goinâ to hurt you.â
âWho are you?â You ask, voice weak, throat on fire.Â
âMy name is Joel,â he says. âI want to help you.â
âHow do I know you werenât with those other guys?â Your eyes grow wide and you rush to stand on shaky legs. âWait, thereâs anotherââ
âHe wonât be an issue,â Joel assures you, wrapping a steadying arm around your waist. âCâmon.â
âI canâtââ
âMen like those two ainât the only things in the forest to worry about, and Iâm afraid we canât sit around and find out. That gun shot could send a horde runninâ.â
âWait!â You snap, pulling out of his grasp. He holds his hands up, as if in surrender, or maybe like heâs approaching a wounded animal. Youâre not sure which. âMy dad is out there. H-he went to figure out where to go from here. We were in a cabinâŠâ Your voice trails off. âI told him I would wait for him.â
Joelâs eyes are soft as he says, âWe need to get ourselves to safety. I can send someone out to look for your dad first thing in the morninâ.â
âSend someone?â
âThereâs a group of us, down in the valley. Survivors, like you.â
âReally?â Relief washes over you, eclipsing even the ache in your belly and the burn in your throat and the pain in your muscles. âHow far?â
âWith the state youâre in, probably about a two hour hike.â
You donât have much choice but to go with him, do you?
âOkay.â
âWhereâre you cominâ from?â Joel asks, glancing over his shoulder at you. Youâve been following quietly behind him, head down and eyes fixed on the ground.Â
âDenver,â is all you offer in response. He knew that much already. He wants to know more.
Maybe he has to give more first.
ââM from Texas, originally. Was in a QZ in Boston for a while before makinâ my way out here.â
âWhyâd you come out here?â You ask.
âHad a friend once tell me, âSave who you can saveâ,â he says.Â
âWhat does that mean?â You ask.
âYouâll see.â
Joel had mentioned survivors, but you're shocked to discover that just past a wooden sign proclaiming WELCOME TO CRESTONE in chipped yellow paint, a whole town is tucked away, surrounded by a wooden gate that opens for you as you approach. You feel the weight of curious eyes as you walk through a town square, Joel's palm between your shoulder blades steering you towards a more residential area until you reach a two story adobe home.
Once inside, youâre led upstairs to a sparsely decorated bedroom, a large bed in the center with a faded quilt tucked around the mattress with precision and a dresser against one wall covered in yellowed wallpaper. Joel gestures for you to sit, kneeling on the wood floor in front of you to work on the laces of your sneakers.
âWhatââ
âYou need rest,â he says, removing your shoes. He looks up at you, brown eyes full of concern. Your stomach flips.
âButââ
âNo,â he says sternly. He stands and walks to the side of the bed, tugging the quilt free and folding it down. âI have duties to return to, but youâll be safe here.â
You donât have it in you to continue arguing. You havenât seen a comfortable bed in more than two days and the exhaustion catches up to you in one fell swoop, eyes halfway to shut as you crawl into the space Joelâs made for you between the sheets. He pulls the covers over you, the warmth of a hand smoothing across your cheek the last thing you feel before falling asleep.
You wake to the sun high in the sky, streaming through the open window of a room that you don't recognize. You push yourself to sitting, your ribs protesting the movement and your head pulsing just behind your eyes. Your mouth is unbearably dry, so much so that you start coughing, further aggravating your bruised ribs.
"There's water on the nightstand," a voice says, startling you.
You look to your left, finding a young girl sitting in a wooden chair by your bed. Her dark hair is pulled back from her face, wayward pieces falling across pale skin. Her sharp brown eyes watch you with an intensity that makes your skin crawl.
âIâm Ellie,â she says. You mumble your own name.
âDid Joel save you?â Ellie asks.Â
âUhââ
âHe must have. Thatâs what he does,â she continues, cutting you off.Â
âEllie!â A familiar deep voice calls out. Her eyes go wide and she scrambles from her seat, rushing for the door. Heavy footsteps climb the stairs, Joel appearing in the open doorway. He looks at her with a stern expression, mouth pressed in a thin line. âThought I told you not to come up here.â
The look on her face isnât fear, like her reaction would have led you to believe. No, she looks up at Joel with reverence as she says, âSorry. Wanted to see her.â
Joel nods. âHead to the mess hall. Iâll bring her down shortly.â
Ellie casts a lingering look in your direction before disappearing through the doorway.Â
âSorry about her,â Joel says. He takes a seat on the edge of the mattress. âHowâre you feelinâ?â
âCould be better,â you say honestly. âHow long was I asleep for?â
âA little more than a day.â
Your eyes go wide. âMy dadââ
âWeâve sent out a search party. No luck yet, Iâm afraid,â he says. You curl into yourself a bit at the news, shoulders tight with worry. He reaches forward and places a hand on top of your own where it rests on the sheets. âYou should get some food. I brought you some new clothes, too. Iâll let you get dressed and we can go down to the mess hall.â
He leaves the room before you respond and you drag the pile of clothes closer to you, finding a neatly folded t-shirt, jeans, underwear, and socks. It takes you a long moment to work your way out of your dirty clothes, your movements slow to not aggravate your injuries. You keep your bra on, pulling the clean shirt over your head, followed by the jeans. You're thrilled to be wearing something that's not caked with dirt and sweat.
You're working on putting your socks on when there's a knock at the door, Joel entering when you call out for him to come in. He smiles at you.
"There, that's better," he says. "C'mon. Let's get down to dinner."
You follow him out of the room and down the stairs. The first floor of the home has a kitchen that opens up to a living and dining area, the space filled with worn mismatched furniture. The walls are wood paneled and there's a massive stone fireplace with elk antlers mounted above it.
The sun is setting as you step outside and get your first real look at the town as its bathed in gold. Narrow residential streets give way to wider roads once you reach the town center, where commercial buildings are pressed together advertising long forgotten businesses, their windows dark.Â
"That's the butcher up there," Joel says, pointing to one of the wooden buildings. "He gets the meat from the traps prepped for us." He points to another building with a sign that says RESTAURANT. "That's the bakery."
"A butcher and a bakery?" You ask. "Do you have electricity here?"
"Sure do. Solar panels, just outside the gate."
You continue walking through the town until you come up on a large white building, people entering and exiting through a set of thick double doors. The shadow of a cross remains above the door, perhaps scorched by the sun where a crucifix once sat. People welcome Joel as he enters, heads turning in their curiosity. You press a little closer to Joel's side.
The large room is bursting with noise and activity -- a flurry of conversations, the clink of cutlery, and laughter. You've not seen anything like it before, the mentality in the QZ not conducive to camaraderie. You can count on one hand the number of people you would have considered friends within those walls, and even that was a stretch. You and Joel join a line of people retrieving plates of food from a single window.Â
"How long has all of this been here?" You ask, gesturing to the room. He looks around proudly.
"Ellie and I came across this town on accident after we went through hell leavin' Boston. The folks here set up their own quarantine zone and with bigger fish to fry, FEDRA sort of left âem alone. They were kind enough to take us in," he says. "After that, more people started showin' up lookin' for safety. Lots of people who escaped the QZs or had been on their own for a while and were tired of runnin'."
"Ellie says you save people," you comment, taking a step forward as the line moves. "What's that mean?"
"Every flock needs a shepherd."
Youâre at the front of the line now, standing in front of the window. A woman appears, her face lighting up when she sees Joel.
âJoel! How are you?â She asks, leaning onto the ledge. Behind her you can see people moving quickly and efficiently around a stainless steel kitchen, large pots of food simmering on the stovetop.Â
âWell enough,â he says. He places a hand on your shoulder. âWe have a new guest. Make her plate nice and full for me?â
âOf course.âÂ
She gathers a plate from a precarious stack, loading it with a heaping pile of food ranging from mashed potatoes and stew to colorful vegetables that you havenât seen in ages, not since before the outbreak when you were seven and your dad would make dinner rather than pass you a ration package. Youâre speechless as she hands you the plate with a kind smile, a mumbled thank you the best you can manage to show your gratitude.
Joel is handed a plate as well and you follow him to a table where Ellie sits next to a man with white hair, her plate already empty in front of her. The man looks up at Joel as you approach, his expression closed off and wary.Â
âMichael,â Joel says in greeting, jaw ticking. You take a seat beside Ellie, who to your surprise moves closer to you, arm brushing yours. âYou botherinâ Ellie?â
The man, Michael, shakes his head. âNo, sir. We were just having a little talk.â
âWhat about?â Joel sits on the opposite side of the table. He rips his bread roll in half.Â
âJust some concerns I was having.â
âYou bring your concerns to me. Not to her.â
The two men stare at each other, the tension thick and impossible to ignore. Finally, Michael gets up, leaving the table without another word. Ellieâs shoulderâs lose their tension and Joel catches her eye, the two of them seeming to have an entire conversation in just a look.
The moment passes and Joelâs features relax, a smile tilting the corners of his lips as he returns his attention to you and gestures to your plate.
âDig in,â he says.
Joel walks you back to his home after dinner, the sky now dark. Ellieâs already closed herself in her room by the time the two of you return, having left the mess hall before you had finished eating.Â
âTired again?â Joel asks when you yawn, mouth open wide as you stretch your arms above your head.Â
Your expression is sheepish as you say, âA little bit.â
âThatâs to be expected,â he assures you. âYou fought a hard fight. Itâs okay to relax now. Iâve got you.â
âThank you.â Your fingers tangle in the hem of the t-shirt heâd given you earlier. âI donât know if Iâve said that already.â
âYouâre welcome. Come on, letâs get you back upstairs. You can use the shower and get to bed.â
âOh my god, a shower sounds amazing.â
He shows you the bathroom and helps you get the water running. Once he shows you where to find a towel, you smile gratefully before shutting the door on him.
Dismissed, Joel makes his way to Ellieâs room, knocking on the door. She answers quickly, opening up only enough for him to see her face.
âYeah?â She asks.
âCan I come in?âÂ
She rolls her eyes but opens the door further, allowing him inside. Her room is smaller than his but far more decorated, pages ripped out of old magazines and comic books tacked to the wall. She takes a seat on her single bed, folding her legs beneath her.
âWhat did Michael talk to you about?â He asks. She shrugs her shoulders. Joel bites back a sigh. Sometimes he forgets what it was like to reason with a teenage girl. âEllie.â
âHe saidâ â she pauses, scratching at her wrist in the way that she will when sheâs anxious â âhe said that you were full of shit. That your fucked up ceremony isnât helping any of them.â
Joelâs teeth grind together. âThat all?â
âCalled me a stupid kid for following what you say,â she mumbles. âSaid everyone in town was stupid for believing you.â
âThank you for tellinâ me,â he says. Rage burns in his veins as he turns to leave.Â
âWhat are you gonna do?â Ellie asks as he reaches the door.
âIâm goinâ to teach him a lesson.â
He pulls the door shut behind him, tilting his head against the wood with a sigh. The click of a latch down the hall precedes your quiet, âJoel?â
Joel turns to face you, surprised to find you standing just outside the bathroom door with a towel tucked around your body. Water glistens on your skin in the low light, drawing his eyes down your neck and across your chest. He clears his throat.
âEverythinâ alright?â He asks.Â
âYeah, everything is fine,â you murmur. âIâŠcould I get some new clothes?â
âOf course, shouldâa given you some before you showered. Sorry about that.âÂ
Joel walks past you, entering his bedroom and approaching the dresser. He tugs the top drawer open, full of clothing heâd gathered while youâd been asleep for more than a day. He piles together another t-shirt, sleep pants, and underwear, setting them on the bed for you.Â
Youâre standing in the doorway when he finishes and he fights the urge to go to you, to pull you close, to run his wretched hands over your body like heâs wanted to since he first saw you in the forest.Â
He doesnât, though. Not yet. You still have much to learn.
âHere you go,â he says. âSome more stuff in the drawers for you if you need it.â
Joel leaves you to get ready for bed, shutting the door behind him. He heads downstairs to grab what heâll need, essentials shoved in a bag thrown over his shoulder before venturing off into the night.
Only a few lights continue to illuminate windows as Joel walks through the residential area. The house he approaches at the end of a street is already dark, quiet beyond the wood door that he knocks on three times. The door opens slowly, Michael appearing in the small space.Â
âWhat?â He grunts.
âCome take a walk,â Joel says. Michael rolls his eyes, moving to shut the door but Joelâs boot blocks his effort. âI ainât askinâ, Michael.â
âOh, yeah? What are you going to do?â He challenges. Joel throws his weight against the door, catching Michael by surprise enough for him to step into the house.
Joel throws an elbow into the manâs gut, making him double over with a groan. He circles behind him, kicking the back of his knee to send him to the ground. He pulls a length of chain from his pocket, looping it around Michaelâs neck and pulling the ends.
Michael struggles, clawing at the garotte and thrashing wildly, but Joel holds strong. He tightens his grip further until Michaelâs fight becomes sluggish, lack of oxygen finally causing him to go limp.
Joel releases the chain and Michaelâs body slumps to the ground. He removes his backpack, digging through the contents until he finds a rusted pair of handcuffs that he uses to bind Michaelâs arms behind his back. Next, he places a strip of duct tape over his mouth.
When he wakes, Joel will lead him out past the gate. He will find an unassuming home that rests outside the boundary of Crestone. He will open the hidden doors of the cellar, the ones covered in a layer of leaves and grass. From the darkness he will hear the echo of desperate groans and the rattle of chains and the angry attempts to break free from bindings. He will lead Michael down the dirt steps, the smell of rot and fear and death clawing at his olfactory nerves.Â
He will place a burlap bag over a struggling Michaelâs head and the man will beg and plead in words muffled by tape. Then, Joel will offer him for judgment.
A hand on you shoulder shakes you awake, the room still mostly dark when you manage to open your eyes. You groan, pulling the quilt up over your head.
âCâmon, we gotta get to breakfast,â Ellie says. The cover gets yanked down and she gives you a mischievous grin.Â
âWhereâs Joel?â You ask, sitting up slowly. She shrugs.
âProbably there already.â
You swing your legs over the side of the bed and stand, stretching your arms up. You grab the same jeans and socks from the day before, changing into them quickly and sitting down on the floor to pull your sneakers on. Ellie watches you, her foot tapping impatiently.
âYou can go without me if youâre in a rush,â you offer. She shakes her head.
âIâm fine,â she says quickly. âYou ready?â
âSure.â
You follow her out of the house, her clipped pace difficult to keep up with due to your lingering pain. As the sun starts to rise and you pass by more of the houses, you notice something peculiar about some of them.
âWhatâs that?â You ask, pausing in front of one the houses. Thereâs a streak of what looks like dark red paint across the top of the door. Ellie doubles back and stands beside you.
âProtection,â she says.Â
âFrom what?âÂ
She shifts her weight from foot to foot, uncomfortable with your line of questioning. Rather than answer, she walks away, leaving you to catch up to her or be left behind.
As the two of you start to walk through the square, thereâs a rush of people around you. Shouting can be heard up ahead as a crowd comes into view, gathered around the front of the mess hall building. People press in close together, craning their necks to see over each other and catch a glimpse of whatever spectacle has their attention.
Ellie pushes through the crowd and you follow close on her heels until she manages to break through the other side of the wall of people. You catch glimpses of something writhing on the ground, something animal but not quite, something failed and fetid and foul. Another peek affords you a view of an arm littered with bite marks shaped by blunt teeth, deep gouges into their skin that shine red with blood and fester with disease.
Joel appears, stepping around the side of the building. The whispers cease, the crunch of Joelâs boots and pained groans the only noise to be heard in the stale air.
His dark eyes scan the crowd. People shrink back from his gaze, pressing closer to each other for relief. He reaches down, curling his fingers into the burlap material and yanking it off to reveal a man, familiar and yet not recognizable. Unseeing eyes, ashen skin, and dark red veins now the hallmark characteristics of the man you now remember as the one who had been talking to Ellie in the dining hall.
Joel draws a gun from his back, aiming it at Michaelâs head. âLet this be a lesson,â he says, pulling the trigger.
The shot rings out, making you jump. The agonized sounds come to abrupt halt and his body goes limp, eyes still open as blood blooms on the ground around him.Â
âNo blood spilled. No blood saved,â Joel says. You look up from the horrible scene and meet his hard gaze. You step back, turning and shoving your way through the crowd.
Then, you run.
Youâre frantically shoving clothing into your bag when a door slams downstairs and heavy footsteps climb the stairs at a quick pace. You can feel the burn of Joel's eyes on your back, his presence in the room thick and cloying as you refuse to turn around, even when he murmurs your name.
He moves closer, a hand on your shoulder prompting you to turn to break the connection. He holds his hands up in surrender, taking a step back as he says, "Let me explain."
"Explain? Explain?! How the fuck do you explain that?!" You snap.Â
"If you'll just listen--"
"There's nothing you could possibly say that will--"
"Ellie is immune!" He shouts. Your words die on the tip of your tongue, lost to ether as you stare at Joel.Â
"W-what do you mean? Immune?" You ask.Â
He takes a deep breath. "I told you what my friend said. 'Save who you can save'. The first person I saved was Ellie."
"I helped her out of Boston, kept her safe, nearly lost my life if it meant keepin' her alive," He continues. "That's what I offer here."
"So you think you're....what? Some kind of god? That you can grant immunity?"
He huffs a laugh, the noise devoid of any humor. "God abandoned his worst experiment in their time of need. There is no god anymore, just the poor creatures he left behind. Someone had to take up the mantle."
"But how?"
"The ceremony," he says.Â
"Thatâs not a fucking answer, Joel!â You shout. âWhat fucking ceremony?!â
âBlood spilled for blood saved. You canât make it in this world without givinâ your everythinâ first.â He lifts the bottom of his shirt, just enough to reveal a jagged scar to the right of his belly button, shiny scar tissue disrupting smooth tan skin. âI did this for Ellie. Now everyone else has to do it for themselves.â
âI donâtâŠI donât understand.â You take a small step closer to inspect the wound, raising your hand and reaching out with a tentative touch. Joel inhales sharply as you run your fingers across the puckered flesh.Â
His hand wraps around your wrist, pulling your hand up and holding it against his chest. âItâll be easier to show you, okay? Thereâs a ceremony in a couple days.â
âI donâtââ
âYouâre just afraid because this is somethinâ new, but I promise you that you got nothinâ to be scared of. Iâll take care of you.â He lifts a hand to your face, tilting your chin with his thumb. âI just need you to trust me.â
His eyes are honest, earnest, pleading with you to believe him and the longer you search them, the more truth you seem to find. He will take care of you. You just know it.
âOkay.â
Dinner is served early on the day of the ceremony, the room buzzing with excited conversation. You havenât seen Joel much the last few days, just passing glimpses, and Ellie says itâs because he has a lot to prepare for. Tonight thereâs a woman at his side wearing a white dress that flows to the floor, black hair braided down her back. She smiles at Joel, hanging on every word you canât hear. It makes your stomach clench in a weird way when her hand curls around his bicep and her head leans against his shoulder.
âThatâs Marcy. Sheâs volunteered for the ceremony,â Ellie says. Sheâs sitting across from you, a smirk on her lips. âSâwhy sheâs been hanging around Joel the last few days. Joelâs gotta prepare her.â
âOh,â is all you manage to reply, picking at the vegetables on your plate. âWhat doesâŠwhat does he do? To prepare her.â
She shrugs. âDunno.â
You glance at the pair. Joel leans in close to the woman, whispering into her ear. Your fingernails dig into the meat of your palm, your hands curled into tight fists beneath the table. He stands, a hand on the womanâs shoulder as he calls the people to attention, voices fading until silence envelops the room.Â
âTonight,â Joel says, âanother is to be saved. And we will all bear witness to the gift of deliverance that only self-sacrifice can grant.â
Itâs only a few words, but the power in them is palpable as you glance around the room at the entire town watching him with rapt attention. His eyes meet yours.
âSave who you can save,â he intones. A chill runs down your spine.
âSave who you can save,â the town echoes back.Â
The sun is already low on the horizon, twilight casting a soft glow on the scene. You stand at the back of the crowd, watching as Joel leads Marcy onto a raised wooden platform. Another man joins them, passing something wrapped in cloth into Joelâs outstretched hands.Â
âThe thing about the world today,â Joel says, unwrapping the cloth to reveal a large knife, âis that there ainât a single guarantee.â He looks out over the crowd. âExcept here, within these walls. Why? Because here youâll make the greatest sacrifice and earn the greatest reward.â
He begins to pace the length of the platform, knife in hand. âGivinâ your blood in exchange for your safety? That doesnât sound so bad, right?â The people around you nod their heads in agreement. âYouâve seen what that sacrifice can do. I did it for Ellie. I did it for myself. And tonightââ he places a hand on Marcyâs shoulder ââanother has made the choice to earn that gift of protection.â
A cheer erupts, spreading through the crowd through shouts and applause. You find yourself joining them, clapping your hands together as you continue to watch Joel.Â
âMarcy,â Joel says. âWhat brings you here today?â
âNo blood spilled, no blood saved,â she recites dutifully.Â
âAre you afraid?â He asks.
âNo,â she says.
âWhy?â
âBecause I trust in your protection.â
Joel smiles at her, beaming with pride, and that knot in your stomach from earlier returns with a vengeance. You want him to look at you like that.
He stands in front of her, blocking her from view with his body. A hush falls over the crowd and from the silence erupts an anguished scream. You flinch, the sound piercing and painful and petrifying, though it seems to have taken nobody else by surprise.
Another scream as he jerks his arm back, the knife in his hand now stained with red that slides down the blade, dripping to the wood beneath his feet. He steps to the side and you can see the woman now, her hands pressed to her belly. Crimson blooms beneath her hands, marring her pretty white dress and leaching the color and vitality from her face. She drops to her knees and so does Joel, who wraps an arm around her shoulders and gently guides her until sheâs lying on her back. He holds her hand and smooths her hair from her face as she just repeats, âThank you.â
Slowly, the strength in her voice fades. Her arm goes limp in his grasp, dropping to the floor with a dull thud as her eyes flutter shut. Joel whistles sharply, three men rushing up the platform and lifting the girl into their arms, careful not to jostle her too much. Joel remains kneeling, his head turning to scan the crowd.
âWe are born covered in blood,â he says. âIt gives you protection from the outside world when youâre wrenched from the womb. And it will protect you now as it is wrenched from you.â
He steps off the platform and walks past the crowd, heading for the residential street. Everyone shuffles forward, moving en masse like sheep following their shepherd or cattle to the slaughter. Youâre led to one of the smaller homes and you watch as Joel smooths the flat of the blade across his hand, gathering blood in his palm.Â
He places his palm on the door, smearing the blood across the faded blue paint. When heâs done, he turns to face the crowd.
âMarcy has earned her protection. Those of you among us that have not yet made your sacrifice, may you return home this eveninâ and realize that each passinâ day is a wasted opportunity for your salvation.â His serious expression softens as he smiles. âNo blood spilled.â
âNo blood saved,â the crowd says.
To your surprise, the words fall easily from your lips.
Joel shuts the door quietly behind him. Heâs just finished checking on Marcy and was pleased to find that her wound has been dressed and sheâs recovering well. At the kitchen sink he runs the water as hot as he can tolerate and scrubs his hands clean.
He can hear faint footsteps upstairs, the sound of your pacing back and forth in his bedroom. Heâs pleased that you stayed through the entire ceremony, didnât run away filled with fear or disgust like you had watching him make an example out of Michael.Â
Thereâs hope for you yet.
Joel dries his hands on a towel and heads upstairs. He glances at Ellieâs room out of habit, though he knows itâs empty. She likes to help out after the ceremony, usually sticking beside the town nurse, Shelly, as she monitors the person who participated in the ceremony over night.Â
The door to his bedroom is shut but he can see that the light is on, the glow of it seeping out from the gap beneath the door. He knocks, three sharp raps of his knuckles, and waits.
You pull the door open, and Joel is once again struck by how much he wants you, how much heâs craved you since the first time he saw you. You look up at him with wide eyes but he doesnât sense any fear as you pull the door open further and step back to let him enter.
âYou doinâ okay?â He asks, shutting the door quietly behind him. Youâre standing with your arms wrapped around yourself, nodding quietly. Joel moves closer, tentatively reaching out to tilt your chin up so that heâs looking into your eyes. âTalk to me.â
âIâŠ.,â your voice trails off. You take a breath. âI want that protection.â
He was hoping you would say that. Relief floods through him.
âI canât do that,â he says. Your brows pinch together, hurt flashing across your features. âI wonât have your blood on my hands.â
âButââ
âListen to meââ his hands frame your face, thumbs smoothing over the high points of your cheeks ââyouâre meant for somethinâ different here.â
âSomething different?â You repeat. You shake your head slightly. âI donât understand.â
âFrom the moment I saw you, I knew I couldnât let you lose a drop,â he whispers. âYou donât need to bleed, sweetheart. Not like them. Iâll protect you myself.â
Your mouth drops open the slightest bit, drawing Joelâs gaze. He slides his thumb across your bottom lip, mesmerized by the softness of it. Thereâs not much about his life the last twenty or so years that he would call soft.
There was his brother, Tommy, even though they couldnât see eye to eye and had to part ways. His daughter, Sarah, before the outbreak. She took care of him, made sure he took his vitamins and packed his lunch and didnât miss a parent-teacher conference. She was light and joy, his heart outside of his body, and she was ripped from his grasp.
There was Tess, who was not a soft person but was a soft place to land among the carnage. Bill, ornery though he was, and Frank, arguably his better half. They were a breath of normalcy, even when Bill had a gun trained on him. Ellie, once she quit being a pain in the ass and wormed her way into his heart with her promise to follow him wherever he went.
And now there was you.
âWill you let me do that?â Joel asks. âProtect you?â
You lift your hands, delicate fingers wrapping around his wrists. He wonders if you can feel the rapid beat of his heart, his pulse pounding beneath your grip. Finally, after a long moment, you whisper, âYes.â
Joel captures your lips with his, swallowing your gasp of surprise. Youâre tentative, a bit clumsy with your movements as you kiss back and he pulls away, leaning his forehead to yours.
âI-Iâm sorry,â you murmur. âIâve neverââ
âDonât worry, baby, Iâll take care of you.â
âDonât worry, baby, Iâll take care of you.â
While his words donât stop your pulse from racing, they do calm your nerves the slightest bit. Itâs not that youâve never been interested in sex, there was just never a good opportunity. Going through puberty in an apocalypse where a militant government faction monitors your every move in exchange for basic necessities wasnât exactly conducive to forming intimate relationships.Â
While youâre lost in your thoughts, Joel moves you backwards until your legs hit the mattress and he urges you to sit down. He kneels in front of you, working on the laces of your sneakers, removing them and setting them to the side. He looks up at you as he removes your socks and youâre not sure if you're supposed to find the sight of him kneeling at your feet as sexy as you do, but a rush of warmth rolls through you all the same.
He runs his palms up your legs, across your thighs, until his fingertips find the waist of your jeans, popping the button of the fly and pulling the zipper down.Â
âLift your hips a bit, sweetheart,â he says, working the denim down and off your legs, tossing them aside. His hands return to your thighs, goosebumps erupting along their path to your hips.Â
âNo oneâs touched you here?â He asks, here being the soft skin of your inner thigh that his thumbs sweep across. You shake your head. He moves higher, a featherlight touch over the elastic of your underwear that makes you gasp. âWhat about here?â
âN-no,â you manage to whisper. He smiles at you, the same proud smile heâd given Marcy that you were so desperate to have for yourself.Â
âGood girl,â he murmurs. He kisses the inside of your knee quickly before sitting up higher, reaching up to lift your shirt up, tugging it over your head and dropping it onto the growing pile of your clothing.
âLie back for me,â Joel commands. You shift up the mattress and follow his instruction, bringing your arms up to cover your exposed breasts. He makes a dissatisfied click with his tongue, pulling your arms away as he crawls up the mattress to settle between your legs.
âNone of that,â he admonishes, planting your hands by your head. He kisses your lips again, butterflies erupting in your stomach when his tongue tangles with yours, hot and demanding. He palms one of your breasts, hands rough on the delicate skin. âThis is mine, do you understand?â
Joel brings his mouth to your breast, tongue swirling over your stiff nipple. You cry out, the foreign sensation making more heat rush through you, leaving you throbbing between your thighs. He looks up at you through his lashes as he sucks your nipple between his lips, releasing it with a lewd pop.
âMine to touch,â he says, leaning on one arm to trail his fingers down your stomach. âMine to kiss.â His lips trace the same heated path. âMine to protect.â
When he reaches your underwear, he pulls back. âLook at that,â he murmurs, thumb rubbing across the gusset, making you whimper and squirm. âYouâve soaked your panties, sweetheart.â
Your face feels hot with embarrassment. ââM sorry,â you mumble.
âSorry? Ainât nothinâ you need to be sorry about,â he says with a chuckle. He sits up, working your only remaining barrier between you down your legs. He spreads your legs with his hands on your thighs. âGoddamn, you look so pretty, baby.â
âReally?â You ask. His answering grin is wolfish.Â
âSo pretty,â he repeats. He settles on his belly, face so close to your pussy you can feel the warmth of his breath against your heated flesh. âGotta get you ready.â
Your response to the question is cut off with a high pitched moan as Joel runs his tongue through your folds, circling your clit with broad strokes. You try to close your legs against the sensation but his strong hands keep your thighs pinned down near the mattress.
He groans as he sets a slow and measured pace, alternating attention to your clit with dipping his tongue inside of you, dragging your essence from the source. Your hands clench in the sheets, chasing and retreating from the overwhelming sensation in equal measure.
Thereâs a blunt pressure that turns into a slight pinch as Joel slips a finger into your tight heat. Your head tilts back with a high keening noise and youâre panting, desperate for breath as he moves his hand in tandem with his tongue.
One finger becomes two that thrust and curl and part inside of you, stretching you in unfamiliar ways. It feels good, and all you want is more, more, more.
Joelâs hand moves quickly and he sucks on your clit, swirling his tongue around the sensitive bundle of nerves until that flood of relief that youâve only accomplished a handful of times on your own washes over you, your back arching sharply off the mattress as you shout his name like a prayer to the heavens.
His motions slow to a stop and he leaves the bed. You hear the clink of a belt and the rustle of clothing being removed before his weight returns between your legs, a new heat to be felt against your flushed skin with his clothes no longer in the way. With shaky hands you reach up to touch him, starting at his shoulders.
You trail your hands across his warm tan skin, down his hard chest and softer belly. That scar, the one that frightened you before, leaves you breathless as you run your fingers over it now. Heâs so strong, so powerful, and he wants you. Wants to protect you so that you donât know that same pain.
âJoel,â you whisper. He leans forward, hands on the mattress beside your head. He kisses you, slow and all encompassing. You can feel the hard length of his sliding through the mess heâs made of you and you gasp.
âLet me make one thing clear,â he says, face serious, âthere ainât any goinâ back from this. Youâre mine. You got that?â
âI trust you,â you reply. Your response earns you a deep groan from the man, a kiss to your forehead that precedes the blunt head of his cock pressing to your soaked entrance.
His cock is thicker, much thicker, than his fingers were and you whine at the intrusion. His shushes you, peppering your face with soothing kisses.Â
âI donât thinkââ
âYouâre doinâ so good, sweetheart, I know you can handle it,â Joel says. âTake a deep breath, just a little more.â
Tension gives way, a sharp pinch that turns into an ache as Joel presses his hips firmly against yours. He kisses your neck and trails his nose across your sweat damp skin, holding still as you adjust to his girth.
You shift your hips the slightest bit and Joelâs moan echoes your gasp. âTell me I can move,â he begs, another desperate kiss pressed to your lips. âPlease, baby.â
Thereâs something heady about the power you have in this brief moment, a man like Joel begging you for something when heâs used to having everything. You nod and thatâs all the encouragement he needs to draw back slowly, that fullness leaving you inch by inch, before thrusting sharply.
Itâs unlike any experience youâve had before â the way his body moves with yours, the flex of his muscles above you, the intense look in his eyes each time he presses inside of you.
âMade for me,â he murmurs. âMine.â
âYours,â you agree, moaning as each drag of his cock presses against a tender spot inside of you that has your stomach tightening rapidly.
His effort doubles, hips slamming hard enough to make the headboard bang against the wall. You dig your nails into his back, watch the clench of his jaw against the sting, and moan his name as you succumb to the feeling of free falling into bliss, clenching around his cock.
âThatâs it, sweetheart, fuck,â he growls, hips stilling against yours as warmth pulses inside of you, his mouth dropped open on a groan of your name.
Joel takes a moment to catch his breath before withdrawing from you. He reaches his hand between your legs, pressing his fingers into your swollen pussy as you gasp.
He holds those fingers up, the light catching on the red staining them.
Perhaps youâd spilled blood for your safety after all.
You wake to the early morning light filtering through the window, a noticeable ache between your legs as you begin to stir. Youâre naked, having fallen asleep in Joelâs arms last night, his lips caressing your neck until youâd drifted off and dreamt of blood and wolves. You stretch your limbs, encountering only cold sheets as you do.
As you sit up, you realize the sound of rushing water is the shower and surmise that Joel must be in there. With stiff movements you leave the warmth of the bed and approach the dresser, tugging open the top drawer to find clothing for the day.
Youâre reaching for underwear when your fingers catch on something cold, metal in a sea of fabric. You pull on the object, unearthing it from its hiding spot and holding it up for inspection.
A cross, hanging from a silver chain. A chain you would tangle your fingers in as a child, a cross that a thumb would rub across as a deep, familiar voice muttered prayers.
The shower turns off and you take one last look at the crucifix before setting it back into the dark corner youâd unearthed it from.
Then, you shut the drawer.Â
Joel Miller masterlist
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#paige you're killing me#never stop#give me this man#no blood spilled#no blood saved#joel miller x reader#joel miller fic#joel miller smut#joel miller x female reader#cult leader!joel miller#cw age gap#dark content#cw dubcon
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hot people fw with spideypool AND poolverine btwbtw
#spideypool#poolverine#marvel#deadpool and wolverine#deadpool has two hands LOUDER#spideypool will always be in my heart amen#deadpool#wolverine#spiderman#inside you there are two wolves#poolverine makes me feel like im cheating on my wife#BUT WHAT ABOUT BOTH!??@?@&@#beat the system#comicverse spideypool and movieverse poolverine just make sense#but marvel ANDREW GARFIELD IS RIGHT THERE#give us the spideypool movie we deserve please#and add my man hugh jackman just because#mej's favs
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if you were at your worst, if youâre a villain or a screwup or whatever, there is a goth man dressed as a giant bat who keeps coming after you, bothering you. he sabotages your journey of self destruction over and over. ur ready to give up but he wonât let you. you think, today he wonât come. today he will give up on me too. he never does.
#batman#bruce wayne#brucellosis wayne#the man that you are#he is so ready to hang up that cape#people who say that batman cannot exist without being batman has forgotten smth#batman exists for as long as crime exists#but this man is a straight up father and he wants to sleep and he wants to hang out with his friends and he wants to play with his dog#his world is no longer that small dark place the batman was born from#justice exists as long as there is right and wrong#batman will never retire#but he prays every night that when he goes out this time harvey dent will be a lawyer again and harley will be married and happy#that joker wonât show up and mr freeze will ask him for help in saving his wife and poison ivy will partner with the WE botany department#let me help you please let me help you#and if you wonât accept my help today donât worry iâll be back tomorrow#dc#brucie wayne#this is a message you YOU that no matter how bad you think you are batman will never give up on you
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first ever playthrough of stardew valley is going great so far
#mine#stardew valley#stardew valley fanart#leah stardew valley#shane stardew valley#why does this man want me so bad#leah bby girl pls give me a chance#update: im dating leah now lets goooo#update update: me and leah are married now <3
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