#girlfriend but. i can actually show you visual evidence now look at that!!!!!!!!
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theinfinitedivides · 1 year ago
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corporate is asking you to describe this picture. what is going on in this picture
i uh. well.
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yua-nism · 2 years ago
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An analysis of Momochi: from a student interested in psychology
The main thing I’ll be talking about here is the way he treats his s/o and the members of Veronica, though there’s more emphasis on the former. Hope you guys enjoy this wall of text I wrote at school during my free time.
TW: mentions of suicide, abuse, toxic relationships
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First up, the way he treats his s/o might be due to how his parents interacted, or how he was treated. In this scenario, the most possible situation at hand is:
Parents’ toxic relationship ---> Momochi ---> (Projection) S/O
+ Research has shown that one’s parents’ relationship will affect the child’s love life. For example, Person A’s parents squabble and fight every day, one blaming the other and the one silently accepting (no retaliation). Communication is non-existent. Growing up, Person A finds themselves in the same situation despite constantly telling themselves not to be like their parents. This has happened quite a lot.
+ I believe that Momochi’s mother was on the receiving end of the abuse, considering she was implied to have committed suicide. If we also take into consideration Awauta and Gurensinjyu, this is the most possible situation.
Now, Momochi’s growth environment caused him to project his mother onto his S/O, regardless of whether he’s aware that his actions are bad. To let everyone understand easier, here’s another example: a mother gets scolded by her superiors at work, and in turn scolds her child at home, while saying it’s “education”. This is a type of unconscious self-defense mechanism. To summarize,
a loop of “Repression” (emotions) + “Rationalize” (thoughts) + “Addiction” (behavior).
Repression: The environment he grew up in caused him to grew up neglected and unloved. He IS angry, and he should be, but he couldn’t find a way to let out those negative emotions, so he repressed them. They are still present, however.
Rationalize: His thoughts and fears, especially matters regarding his girlfriend and Veronica (fear of abandonment). He unconsciously rationalizes those fears and convinces himself that he is in the right, and he is the superior one.
Addiction: Momochi’s behavior towards his S/O. Because of the two factors above, he feels a sense of satisfaction when he sees his girlfriend in pain because of him specifically. This is especially evident whenever he chokes his S/O in his drama tracks.
Summary:
Momochi’s repressed negative emotions from how he was raised, combined with his fears and thoughts, make him the person he is right now. A toxic loop, but to him, it is still love nonetheless. He does truly love his girlfriend (I used up all my strength just to write these 6 words), but because of environmental and psychological factors, his idea of love is twisted and incredibly unusual.
No one taught him how to love someone properly, and nor do I think he loves himself either. He puts on a facade of superiority to hide his insecurities. Here’s his mindset in a nutshell:
“I don’t know how to love, so I’ll show her love in my own way. This is so she’ll never leave my side. I’m scared, but I don’t know any other way to make her stay with me.”
“The members of Veronica are all rich and good-looking. I can only surpass them with my skills. I’m scared of losing my only worth because they all surpass me in terms of background and looks.”
Anyways, that’s all. I hope this Momochi guy goes to superhell. Actually, superhell is too good for him, he should be stuck in between the limbo of heaven and hell so he suffers forever. That’s it. And to everyone who read this till the end, seek help. Thank you.
Source(s):
How Psychology Works: Applied Psychology Visually Explained——Penguin Random House
你背负了谁的伤:从家庭的原生三角关系,疗愈代际伤害——冯以量
心里防卫——洪培芸
爱情创伤来自童年创伤——黄惠萱
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lv-iceprince · 6 months ago
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@daemontargaryennn
hello my awesome buddy! i really didn't think i'd be coming back this soon so thank you so much for letting me do this for you. i just love how this one turned out, and guess what? i love you more <3
this is so so so long i'm sorry!
also since i could easily ship you with half of the industry i decided to give you a boyfriend and a girlfriend so you can choose which one your heart desires! sending so much love your way and yeah! love love love love!!
and you're a hottie so of course you bring in all the icons and have an ex.
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~your company~ starship entertainment
~group name~ mireu (which means dragon, basically be fancy and really roll that 'r' )
~group type~ co-ed
~members~ 11 (six girls and five guys)
~debut date~ 14th of May, 2020
~pre debut days~
I don't know how to even write this without glamourizing you. But seriously each small thing that you possess resembles a fictional character or at least someone who has had a lot of time to develop a stage persona. Even as a trainee.
You came in seeming like a stone cold, confident aspiring idol who is for the time being so preoccupied with becoming an idol. This wasn't entirely accurate, you actually had so much respect for your fellow trainees and had wanted to reach out and be their friends but you were worried that it wasn't the right time to be striving for connections with other.
The disappointment at this revelation lingered for a small moment before you realised that you actually drew people in from being yourself, yes you were mysterious but you also had charm and there were a good handful of trainees who wanted to know you.
It took some time adjusting to the trainee life, you desired time to figure out where you were going and what you wanted to achieve but that wasn't ever really possible. You were thrown into the deep end and adapted to the realities of being an idol, but you figured out a way to go about things and you actually found that you enjoyed it in some way. You liked knowing that each day you were getting closer and closer to a chance at having the career you had envisioned for yourself.
You were also the hardworking trainee, like you didn't ever have time to rest because you were juggling learning Korean on top of some studies and your training. But this insane schedule left you with the best time management and coping skills that one could ever have. As soon as you were proud of your achievements everything else fell into place. You were able to perform at your best now your confidence was there. You felt like you were finally able to show everybody who you were and what you were going to bring to the table once you became an idol.
Though you were popular, you were shocked to find that you debuted with members who you hadn't ever interacted with, but you were willing to at least try. It was a bit stilted and slow on your part, you didn't want to admit it at the time but the 10 other new idols looked so threatening, and you had seen them perform they weren't a joke. What you didn't realise was that you were looking into a mirror, you were on the exact same level as them and you were capable enough to be a member of Mireu. And what shocked you back then was when they all came up to you and greeted you with beaming smiles.
~about you~
Starship struck gold with your group, despite this only becoming evident later on, your entire group was a turning point in the companies reputation. Even if their idea was fairly experimental it birthed such a unique group that were currently rivalling SM in terms of style, visuals and KQ in dynamic performance and creative stage shows. It's a dream scenario, having a one of a kind group under their belt but it was true. Mireu quickly became the calling card of all k-pop stans who wanted to stand out.
Since Mireu has 11 members all of your roles aren't 100% set in stone, you all take on certain roles when needed. When navigating Mireu the rule of thumb is the members positions are a general idea of what each idol is capable of.
Being one of the producers you have a significant influence in the overall sound of the group, honestly, the hyperpop almost vocaloid sound of your earlier songs has to do with you. Eventually the overall style became a combination of street and urban pop but you still add your flair to some of the songs. This is actually important to mention because this also is a big part of your reputation as an idol, you're the gleefully experimental one and even if your style can seem a bit out of pocket you are still just so endearing! It really is a case of your music reflecting your personality, so people really see you as the idol they would love to hang out with.
Even though you are fairly popular, you fit into the archetype of being the reserved quiet with multiple layers to them. It may seem cliché but no one will ever really know what goes on in your mind until you have your moment during a group vlog or challenge video. Then all became clear, you went from 'no one is on their level' to 'they're just one of us'. This isn't meant to fuel your ego but you're the really quirky cool one, you have this way of standing out in a crowd even if you feel like you're performing at an average level. Most of this comes from your clothing but the rest of it comes from you being fairly experienced in a variety of areas. You always have a skill that you can whip out or an analogy that will help everyone regardless of the situation.
In some ways you are the voice of reason until you decide to take a back seat and be as chaotic as your younger members. Also I don't know where to put this but you have a very good relationship with the guys in your group. I mean, you do get along with all of them, seeing them as your second family, you really just seem to connect with the boys. Both you and the oldest guy in the group take turns parenting, he is also the person you co-produce with along with three other members. So you can probably assume that the group's music and choreography is so exceptional.
I mean this lovingly. Deep down even though you seem so cool and removed from yourself when you perform you are pretty much the groups lovable nerd who is almost always spending time tucked away in their room watching anime or playing video games. Your stage persona is so different and unique and in some ways it's actually quite iconic. Your style fits in with the groups theme, but it also brings enough attention for you to stand out.
Again I don't know where to put this but something that is just a you thing is the collabs you do whenever your group has a comeback. Honestly no one expects it of you but you always have the sweetest most wholesome collab ideas. Fun dances and challenges or just tiktoks of you hanging out with other idols. It's actually amazing how many idols you know, you may seem like a homebody who only socialises with their own group but during your comebacks you're collaborating with most of the industry.
A small but vital thing to mention is that you are one of the members that brings in the international stans.
This is the perfect point to leave this part of the ship, you are something that the industry rarely has, you fit the lineup of artists like Hongjoong, Soyeon and Woozi. The producers who you just have to respect. Mireu values all of its members, each on can be labelled a visual, each one has an interesting backstory and personality, and you go along with that. No matter how much you stand out you also know for a fact that you belong in your group and that each time you go live, you're communicating with fans who idolise you for every single good trait you possess.
~your position/s~ visual, producer, sub-rapper and dancer
~debut song~ crush(ed) culture in the style of something ain't right by xg
~other songs include~
bom chicka bom bom boom in the style of armageddon by aespa
i know you want me in the the style of supernatural by newjeans
taste (you've got me on your lips) in the style of brought the heat back by enhypen
~debut album~ Something Like That
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~stage outfits~
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~Relationships~
~best friend~ doyoung (nct)
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He is the other half to your partially chaotic dad friend trope. Some days he is your voice of reason but what matters more is that he is your friend each day of every year. He isn't a cheesy guy so he mightn't be as sentimental as most people but he would happily say that you were his best friend.
Both of you seem to have this personality that keeps unfolding as you grow and as you go about your idol lives. Amongst all of this awkward charm and personality you find that you and Doyoung have so much in common. This results in a conversation where you just nod or sign what you want to do and there is this mutual understanding about what the hell you want to do that day.
He isn't a boring friend by all means, both of you are just relaxed enough to relax around each other. You're both quite intense when it comes to performing and being successful in your ventures as an idol but you are so chill. But no matter how chill he is he can't help but get shy around you for some reason.
I guess he doesn't want to seem kind of lame around you, but that's impossible you can see how hard he grinds and how charming he is.
OH AND OH MY GOD YOU ARE THE TWO HOT BEST FRIENDS, YOUR VISUALS WORK TOGETHER SO WELL?!?!? In short all of your fans have a tendency to get petty if they don't see you hanging out with each other. Yes it's parasocial but they really want to see how two cool friends interact with each other.
He will always be there to offer you advice, especially when it comes to figuring ways to rest or improve your vocals. This is his way of returning the favour since you listen to his cute rants about some of the other members not taking him seriously some days.
Some friends have matching jewellery or phone cases, but you two took it one step further and have not just matching denim jackets but matching hats. How else can you show your devotion to your bud. And if you happen to get married soon Doyoung would be your best man at a drop of one of those hats.
~friends~ yunho (ateez), ningning (aespa), ryujin (itzy), changmin (the boyz), hyunsuk (treasure), yoshi (treasure), lily (nmixx) and gabi (blackswan).
~boyfriend~ mingyu (seventeen)
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Before getting into the lore behind you and Mingyu's relationship I want to preface this by saying this whole relationship began because homeboy had a man crush while denying it was more than a man crush. He really thought he was getting excited for his surface level friend, each time he saw you back stage, his hug was just him being polite. He was sorely mistaken.
While he was still trying to figure out whether she sky was blue and if he was starting to crush on the hottest dad friend ever you were totally checking him out. All this to say that you were totally crushing on him the entire time you had known him.
Both of you had passes each other occasionally, always exchanging a polite word and a nod of recognition but it was ISAC that brought the two of you together. In the rush to fit all the idols into some type of competition the decision was made to sit Mireu and Seventeen together and get them to compete in some of the same competitions.
This was a whole mistake, 11 + 13= disaster. Both groups had way too much energy to contain and everyone was bouncing off each other. Amongst the loud chaos that rang back to the audience, Mingyu was stuck by your side. Always trying to break the silence with a joke or a conversation to take your mind off of the nerves you felt from competing. However, what he didn't realise was that he was adding to the butterflies you felt, honestly it was hard to contain yourself. BUT it was even harder to not get possessive over Mingyu. You were absolutely thriving with all the attention he was giving you.
The tension between you was growing ever thicker but all everyone could see was him guiding you and being the gentleman he was, constantly making sure you didn't get lost and that you were always within reach in case he needed to come over and help you.
It was a nerve wracking thing being the first to ask him out, though you were hoping he held the same feelings for you, there was always the potential that such a handsome guy was taken or that he just wasn't interested at all. The dancer in you had experienced a chronic case of changing the subject and dancing around the issue entirely until you decided to sit him down and come clean.
Oddly enough it was a few weeks after his Sticky performance, that dance was still plaguing you and like any sane person you just had to shoot your shot, especially since he refused to dance it in front of you no matter how nicely you asked.
Your conversation was gentle but you completely took him out of his delusions and oh my god he was so glad you did that. Once you came clean, he started to smile and giggle like a maniac, he was flattered? No it was more than that, he really wanted to say yes.
It was that sunny day on his couch that you had your first kiss, and while he still wouldn't give in and give you a private show he reassured you between each soft kiss that he would gladly do anything else, starting with your first date as a couple.
~girlfriend~ chuu (soloist)
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You know the sentiment that everybody has somebody? This is something that Chuu truly believed in yet she was so caught off guard when her heart literally skipped a beat. What made the entire situation that bit more confusing to her was the fact that you were literally just out here existing.
Chuu had always been captured by a certain type of person, someone who is just so open to their deepest desires, someone who is self aware and someone who is almost as quirky and bright as her. Though she hardly ever denies love she really loves the idea of falling for someone who is as excited by life as she is.
In short Chuu knows exactly what she wants, but it's about finding the right person. She mystifies herself with her crushes since she only really falls when she feels like she fully understands them. This moment of realisation for her came after you had made the finishing touches on your album.
She had stumbled across Mireu's music and was always captivated by your covers and remakes of songs, and since you both had such a unique style clothes wise and music wise. So started her attempts to try and get the two of you to collaborate, it started with her mentioning your music to her company and when that didn't seem to work she took to publicly announcing how much she admired you and how you were the first idol she wanted to collaborate with.
Once the two of you met, one song turned into another and another until you both had an album that you were excited to promote together. She was planning on keeping everything professional between the two, that was until you had your first stage together. You were so into performing so maybe it was a bit of stretch but Chuu really believed that you had something special, you supported each other with so much grace and poise. The bright poppy concept brought out the innocence in both of your hearts, from there it was destiny that you would eventually date.
Your relationship is the embodiment of kindness and love, honestly it's actually a little bit sickening how romantic you both are when you're together. Wait, you don't even have to be in the same room for people to witness just how in love you both are. Loving life and loving Chuu is the same thing, she is your life, and while I want to say she feels the exact same way I can't.
It turns out you are more special to her than life itself, no words can express how she feels about you. In proper Chuu fashion she can only really jump around excited or sing out how she feels. You drown her in a wave of feels and she just help but squeal at how excited she is to wake up knowing she is dating you.
Both of you know deep down that you are meant to be, both of you possess an inkling that you will be together forever and that one day you'll get married. Be careful, Chuu is ready to propose every single time you hug her, kiss her, smile, cheer her on and more.
~ex~ hanse (victon)
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Your relationship was built on the whole notion that you matched each others energy. There was something untamed in both of you, something raw that lusted after each other, this was especially true for Hanse. At the time he had met you he had remained pretty lowkey, flying under the radar in many parts of his life, especially when it came to romance. That was until you met.
There wasn't anything wrong about your relationship, it was more that it was extremely passionate and moved way too quickly for both of you. It was a real Now by Troublemaker type of relationship. You took the role of the sexy unique one and he was the guy who was fully dedicated to you in a way that resulted in him shooing away any jealousy he felt when you were in the presence of another man.
You had always had a thing for bad boys or guys that seemed out of pocket and threatening and Hanse was the closest thing you had to that at the time. It was a very unpredictable relationship but that's actually where this unmistakable sense of comfort came from.
Neither of you expected to end things, but you did for the record end it on relatively good terms. Both of you were mature enough to come to the conclusion that being together was limiting the potential that both of you had to live the life you wanted. You both had to be more career focused and you needed to grow and figure things out.
That being said, both of you are thankful that you got to date especially since he was your first boyfriend. This was 100% a relationship where you walked out with a lot more self love and happiness.
~crushing on you~ lily (nmixx)
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Crushing on your friend was hard, but what was harder was knowing that she lost out on being your best best friend. She was really trying to win you over but Doyoung had to swoop in and steal the show with his semi awkward charm. She was jokingly petty about it but she got over it.
Mainly because she actually had a huge crush on you and it would be weird if she was your best friend, in her mind it surely had to be more. Lily was just so sentimental over you. You saw her crazy moments, her goofy moments, her sad moments, her happy moments, she just wanted to share everything with you. Not to mention you had such similar personalities and interests, it was hard to dismiss the idea that you might just be her soulmate.
She didn't even hide her crush on you, it's just that you seriously didn't notice it because you were preoccupied and looking elsewhere. Even now you never seemed to see her crush for what it was, regardless she is such a good sport.
Her love for you is so pure and genuine and she is still one of your good friends, however, her crush on you is a longstanding one, she can't forget how you make her heart flutter plus each time you are around her it fuels her romantic ideals.
If you happened to find out about her crush on you she would ask that you don't pity her and apologise for not noticing because seriously she is fine with it. And she isn't lying again she really is the most understanding person ever.
She mightn't be your best friend but she is the friend that you can't live without.
~other idols crushing on you~ belle (kiss of life), sehyoon (a.c.e), jeno (nct), jini (soloist), jiwoong (zerobaseone), wooyoung (ateez), nayeon (twice) and hui (pentagon).
~extra info~
you're the social media savvy idol, but you have so many viral moments on your twitch channel where you do a daily sit down and game stream
for one of your comebacks you created a limited edition clothing brand but since you loved it so much you actually kept the brand open. it houses the more progressive unisex fits that has that little dash of punkish gyaru that you love so much
you're up there with one of the artists that has a huge list of producing credits under their belt, you've even created songs for artists such as key, boynextdoor, enhypen and xg.
you were also the first of your group members to have public relationships which started when you started dating hanse.
~scandals~
netizens discovered some of your old social media accounts and started to heavily critique the way you expressed yourself (basic stuff that didn't actually mean you were in the wrong).
people were so convinced that you were dating two of your female members at the same time, and that the other didn't know about it. they really thought you were two-timing even though you were never in a relationship with anyone in your group.
honestly you have the silliest, baseless scandals including the time where you shared your favourite anime and the characters you kinned in a way and people used that as an excuse to claim that you were a horrible person and that you had to have a past of bullying people or some ish.
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uppermocns-moved · 4 years ago
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𝘢𝘰𝘵 + 𝘸𝘩𝘢𝘵 𝘵𝘩𝘦𝘺'𝘳𝘦 𝘭𝘪𝘬𝘦 𝘪𝘯 𝘣𝘦𝘥
eren, armin, levi, jean
𝗰𝗼𝗻𝘁𝗲𝗻𝘁 𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀 – nsfw (minors don’t like/reblog/respond), mentions of hard kinks, female reader. shifts in and out of canonverse/modernverse so use your imagination! 
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𝘦𝘳𝘦𝘯 𝘫𝘢𝘦𝘨𝘦𝘳 
always dominant. can be hard or soft dom depending on the mood.
into harder kinks (with heavy communication and consent): somno, breeding, impact play, breath play, free use, etc.
super high sex drive and usually always horny. when he’s bored, he’ll jerk off to pictures you’ve sent him and porn you’ve made together (he’s not camera shy), but never let himself cum, just lazily edge.
he edges for days at a time – not only goes it feel so fucking good, but it gives him thicker loads to pump inside you later.
obsessed with cumming inside you. he’ll fuck load after load as deep as he can inside you, watch in awe as it leaks out of you, then use his fingers to push it back in. he’s not shy about his possessiveness and this is just a further reminder that you’re his.
secretly doesn’t mind when you scratch up his back – he loves looking in the mirror and seeing visual evidence of how good he made you feel.
also secretly loves when you give him hickies in obvious spots. he does absolutely nothing to hide them, he loves reminding everyone of his place. it’s a nonverbal way of saying “i’m taken, fuck off”
wouldn’t care if he broke his neck from you riding his face. he welcomes it, actually.
heavily into bdsm (emphasis on the s&m), and dom/sub dynamics. while he loves perfect little subs that’ll treat him like some sort of god, he adores when you get bratty and talk back. makes things a lot more fun.
loves embarrassing you.
“my god, baby, can fuckin’ hear how wet you are.” “soaking your panties and i didn’t even fuckin’ touch you. what’s got you so wet, sweetheart? thinking of my cock?” “that felt good, didn’t it? don’t hide from me, pumpkin, let me see your pretty face.”
threesomes. foursomes. you name it. while eren’s possessive over you, he doesn’t mind sharing with his friends (if you consent, of course). he loves knowing how worked up everyone gets over his girlfriend, loves fucking you in front of them to show everyone how wrapped around his finger you are.
safeword! mean and rough is what eren does best. even while he’s slapping you around and calling you dummy, or an eager little slut for his cock, he’ll still check in with you and make sure you’re still feeling good and enjoying yourself. he may like hurting you, but he never wants to actually hurt you. never forgets aftercare, either, you’re still his precious angel that he loves more than anyone.
he’s incredibly vocal – dirty talk, moaning, growling, cursing, degradation.
if you’re too tired to go all the way, he loves mutual masturbation, or jerking himself off while you talk dirty in his ear. always wants to hear what you want him to do to you.
big fan of including toys, usually always fucking you with your magic wand on your clit.
sex without the power dynamics is still very intense and passionate. lots of making out, scratching his back and pulling him closer, deep thrusts, curses, eren telling you he loves you, kissing your forehead while you cum.
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𝘢𝘳𝘮𝘪𝘯 𝘢𝘳𝘭𝘦𝘳𝘵
doesn’t really involve himself in strict power dynamics. he’s very versatile and the role he assumes depends on the mood.
prefers biting over spanking and choking you with his fingers over wrapping a hand around your throat (but he will do both).
loves eating pussy and will tease you by gently kissing you through your panties. definitely bites your inner thighs. whispers to you from between your legs and tells you how good you taste. makes you cum over and over, each time moaning into your core and tightening his grip on your thighs to keep you right where he wants you. he only stops when you’re crying and twitching, physically unable to cum one more time.
loves when you’re rough and press his face into your pussy or pull his hair to guide his mouth where you want it. you can hurt him a little. as a treat.
loves when you grab him by the chin and pull him up for a desperate kiss after he eats you out for hours.
goes heavy on the body worship, especially when you wear pretty lil outfits for him.
memorized your body and knows it better than you do. he knows when you’re close, you can’t hide from him.
his possessive side comes out hardcore during sex – armin doesn’t share. he’ll bite marks into your flesh and use his sweet, soft-spoken voice to get into your head. he wants to be the only thought in your mind, the source of all your pleasure.
“mine. you’re all mine. not fuckin’ sharing you.”
if you want him to, he can be fucking mean. he contrasts his harsh words with gentle touches, or tells you sweet things while patting your cheek just a little too rough. it’s almost scary how effortlessly he can change his demeanor to someone entirely different.
loves when you come by to “help” him study (lazily jerk him off while he does his required reading and assignments).
actually just loves when you jerk him off for that matter, especially when he gets to rut into your fist until he’s overstimulated and making a mess of your hand.
easily excitable – just gotta kiss him with tongue all soft and slow and he’ll get all flustered poking against your leg
obsessed with having his mouth on your tits – sucking them, licking them, letting his hand palm and grope at the one not receiving attention.
eye contact is a massive turn on and makes everything feel so much more intimate. he’ll gently grab your chin and redirect your sight, or give your inner thigh a little nip to make you open your eyes again. “focus on me, sweet girl.”
armin’s weaknesses are praise and heavy personal attention. sometimes he’s stressed out and just needs you to take care of him. he’ll sit between your legs, back pressed to your front, and let you stroke him until he’s overstimulated or so pent-up from denial. it makes him dizzy when you whisper praise in his ear, telling him how pretty he looks and how good he’s being for you.
“you wanna cum for me, pretty boy? that feel good? you like when i touch you like this, don’t you? such a good boy for me, armin.”
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𝘭𝘦𝘷𝘪 𝘢𝘤𝘬𝘦𝘳𝘮𝘢𝘯
no defined power dynamic/roles – you do whatever the mood calls for. sometimes he’s pounding you into next week, sometimes you’re denying him orgasms for two hours straight until his voice cracks when he begs.
that being said, levi is a natural brat-tamer and can be a hard dom when he’s agitated and needs to blow off steam. his job is literally to keep brats in check – he doesn’t tolerate insubordination or backtalk (sometimes you test that out though). 
restraining your arms behind your back with his belt, spanking you until you can’t sit, reprimanding slaps, filthy degradation, punishing thrusts. he can be mean. 
“soaking through your panties and i didn’t even touch you. pathetic.” “i wasn’t fucking asking. knees, now.” 
he’s a masochist and loves when you scratch up his back, wrap a hand around his throat, bite him, pull his hair, etc.
borderline sadistic in the way that he will make you cum twenty times before he even considers letting up. he’s relentless. 
loves watching you get yourself off, or make out with you while you get each other off 
gets weak when you pull him in by the shirt collar
holds your hands :)
quickies are usually the only option due to your chaotic schedules. you get at least five minutes alone together, you don’t take it for granted. 
slow morning sex is his favorite – the sun is barely peeking over the horizon and you don’t have to worry about the outside world yet. it’s just the two of you and you can really take your time. 
starts off kind of shy about being vocal and you need to ease him into it
after he finishes, he’ll take a moment to caress and admire your pretty face and kiss your forehead, then make a teasing comment about how you’re sweaty. 
gets a little carried away and accidentally rips all the buttons off your shirt
giving you head is a form of stress relief for him, he really just loves pleasuring you 
takes incredible care of you afterwards – acts as a crutch when your legs are too shaky, gets you water, wipes away messes with a damp cloth, even runs you a bath if you have that much time.
“tch. don’t say i never do anything for you, brat.”
likes when you give him hickies in spots that his uniform will cover. it’s a secret that only the two of you are in on.
levi gets a little publicly affectionate when you return to your duties after having sex – still incredibly reserved, but he’ll ruffle your hair and look at you with the fondest eyes. maybe give your hand a squeeze if nobody’s looking.
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𝘫𝘦𝘢𝘯 𝘬𝘪𝘳𝘴𝘵𝘦𝘪𝘯
naturally dominant. typically a softer dom unless you provoke him, then he has no issue roughing you up and fucking you into a drooling mess.
so big and strong and loves any position that demonstrates that – fucking you against the wall with your legs wrapped tight around his hips, stand-and-carry, having you on top and bouncing you like you weigh nothing. 
loves when you dig your nails into his back
slightly prefers ass over tits but is overall a leg/thigh kind of guy. includes feet. i’m so sorry.
stockings/thigh high socks/fishnets/garters absolutely knock him out 
great stamina while you’re fucking but almost instantly falls asleep when you’re done. or just wants to cuddle. 
mildly into somnophilia (receiving – loves being woken up with blowjobs)
praises you heavily while you’re riding him
“that’s it, just like that. good girl. good fucking girl.” 
can get a little too romantic when he’s really close and not thinking clearly
“gonna make me cum, angel, love this pussy so fucking much. love you so fucking much.” 
prefers cumming inside you but he’s really just happy to be included 
he gets a little goofy during quickies and does things like bite your asscheek before eating you out. 
secretly loves when you tie his wrists to the headboard and use him however you want. overstimulation is one of his favorite things, especially when it’s your hand forcing orgasm after orgasm from him. 
generally into rope-play but also really likes using his hands and sheer strength alone
bite his bottom lip or gently touch his upper thigh and he’s instantly hard
he’s a hopeless romantic! masturbating alone isn’t the same! he likes dirty-talking on the phone with you when you’re not together, or he just waits until you are. 
will break the headboard and dent the wall if he gets carried away
loves shower sex after stressful days
gets hard from making out – especially if you’re half-dressed on his lap and grinding against his bulge. sometimes he can feel you all warm and throbbing through your panties and he almost blacks out. 
worships your pussy but he will actually start writing his vows the moment you take him down your throat. 
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request your fav here. more of my writing. 
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astranva · 5 years ago
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Dream With Me
Word Count: 3.8k
Warnings: Some explicit language? Not really though.
Category: Pure fluff!
Summary: One thing Harry loves about his girlfriend is her ability to make up the most interesting bedtime stories for him every night. How does it make her feel when he narrates one of her own to the world?
Or
The one where Y/N makes up bedtime stories for Harry and he records one for the world to listen to.
        When you tour the world, sing and prance on stages, write, model, play the guitar and piano, get interviewed, have people follow you everywhere, it’s safe to say that the best time to relax and let loose is when you sleep.
Harry enjoyed staying home with his girlfriend more than anything. Relaxed, chill days were his favorite; days when she’d be on the couch reading or on her laptop playing whatever video game she decided to try with people from online, he’d be lounging lazily beside her, his breath steady and calm when she’d run her fingers through his hair momentarily or when he’d be subconsciously playing with hers.
Days when their apartment would smell like pastries after she’d try baking something she saw on the television, or when it would smell like her favorite homecooked meal that Harry’s eyes would almost glimmer with happiness when she’d sneak and steal from the food he was cooking, watching her closing her eyes and a smile making its way to her face the moment she does, and he’d know that he has done a good job this time, again.
Harry loved the domestic life as much as he loved his job as an artist and entertainer. The euphoria he got the moment the crowd sang back to him, is one that he felt he achieved as well when he was with his girlfriend of 2 years when she’d be dancing to his songs in his clothes. The happiness he felt when someone would hug him and tell him that he means so much to them, is one he feels within just her smile in mornings or the soft, random kisses she’d give him. The bashfulness that would engulf him when someone would tell him that he’s good looking, was one that he felt when his girlfriend would tease him by wolf-whistling when he’d show her a new outfit or suit or just going anywhere really.
Don’t even get him started on how he feels with every single “I love you” she promises him because he was sure there would be no feeling close to what he feels when he hears those words from her, and especially her.
But there was something else about her, too, that nobody could give him but her – her stories.
Touring the world and doing what he does is hectic, of course, it is. It can be stressful, pressuring, and just plain tiring. So when he goes back home later than her after her job, and he goes straight into her arms, she knows he’s going to need a story to sleep better.
He’d nuzzle his head in her neck, smelling the scent of her shampoo with a whiff of her bodywash, his arms around her waist, hers around his neck, her hands moving to gently and lightly scratch his scalp.
“How was your day?” Harry would mumble, closing his eyes and letting her softly sway them in their place.
“Was alright,” she’d answer softly, “How was yours?”
And the sigh he’d release would be enough of an answer – tiring.
“Take a quick shower, yeah? Are you hungry?” She’d pull back to look at him, a soft smile on her lips as she asks him.
Harry would shake his head, “No, still feel too full from lunch.”
“Let me grab you an apple though. Lunch was a long time ago.” She’d pat his chest, “Go. How do we feel tonight? Do we feel like rescuing dwarfs or ending capitalism?” She’d grin, and it would instantly make him grin.
“Anything is fine. Just want to sleep with you beside me.”
On some days, they’d lie on their bed and she’d make up a story about how there were 3 dwarfs who lived in a mansion with everything miniature-sized and would climb each other and wear a coat and a fedora whilst outside. Why? “You can’t tell me you never wanted to try that, Harry!”
Then on other days, she’d tell a story about a boy named Harry with a rapidly growing fish in his backpack. Ring any bell? She remembers starting that series a long time ago with him, adding twists, comedy, and metaphors along the way until Harry decided to surprise her one day with an idea for his music video;
“Hey, baby, remember the fish in my backpack? We’re using that in Adore You! See you soon! Love you xx” he had texted.
Other days she’d make him think with the most random questions and assumptions.
“History is biased, Harry. When will the world stop considering Christopher Columbus a discoverer and instead take accountability for what he did to the natives of the land? What if Christopher never happened?”
And he’d be looking at her as she talked, one of her hands playing with his hair while the other moved all over the place for emphasis and to show how absolutely wonderful and amusing that mess of her mind was.
Some days, she’d be too tired. Drained from a day at her work, she’d be lazily playing with hair as her story was told in some sort of slurs.
“And then-And then they held hands, got on their horses and- no, they got on their skateboards,” she’d chuckle sleepily, “And they ran away. They didn’t have children because they didn’t want children and figured that the world was too ugly for that right now, so they adopted a blind dog and a deaf cat, and lived happily ever after.” She’d be out the moment she finishes, and Harry would be smiling at that and his heart thumping with love for her and love for how hard she has been trying to keep the ritual of a bedtime story alive, even when she was too sleepy and tired. It could be a 1-minute story and he’d feel better, and lighter.
It was one day when Harry went back home, turmoil evident and clear on his face. She noticed how tense his body was, how he clenched his jaw and saw him rubbing his temple as he took off his cardigan and was proven right when she put her laptop on the couch beside her and Harry took a breath before letting her know what happened;
“Fucking paparazzi. Do they think that’s an actual job?”
That day, he had showered and changed into one of her oversized hoodies (he was sure it used to belong to him) and shorts before joining her in their living room to find a tuna club sandwich waiting for him with a small cup of orange juice, his girlfriend under a blanket which she had retrieved when he was showering.
He told her all about the drama he faced that day over his tuna sandwich, giving her “thank you!”s every single time she agreed with him on how annoying they were.
“I get that people are different and that the economy is shit and everybody’s doing anything to get money but trying to trip me so they could get a photo? Why?” He rhetorically asked, shrugging.
“I agree, like,” her eyebrows furrowed as one of her arms reached out as if she was talking to somebody else but him, “Treat people with kindness, you assholes!”
And then there was a pause before Harry began to giggle, all the way to a loud laugh and struggling to catch his breath. She joined him, choosing to tackle him in a hug, hugging his head close to her chest before kissing his forehead, “Nobody is allowed to make you mad, you hear me, Styles? Now finish up, I think I know what to say tonight.”
She had taken a seat on Harry’s piano right after she uttered her last word, Harry turning his body around as he watched her with excitement and amusement. She cleared her throat, “This next song is dedicated to my mans,” Harry laughed, taking his phone in his hand and recording her as a keepsake, “It’s a song I worked very hard on. Stayed up all day and night.” She played offkey notes on the piano, “Harry, love,” she said slowly as she turned her head around to look at him, laughing when she found him recording her with the biggest grin on his face, “This one is for you.”
He had taught her how to play the Happy Birthday theme song on the piano when she joined him on tour once and began laughing when he heard her playing exactly that but with her own lyrics.
“Y/N makes me good stories, Y/N makes me good stories, Y/N makes me good stories,” she pressed the wrong key, letting out a tiny “oop” before continuing, “And she will make me sleep better toooonight.”
After, what she called a “skit”, they both brushed their teeth, did their night-time skincare routine, and were finally in bed.
Taking their usual position, Harry was on his side, looking at her with one arm draped around her waist. She was on her side, looking at him, one hand playing with his hair.
“Let’s try something different,” she suggested softly. “Close your eyes.”
Harry smiled at her, squinting teasingly which caused her to chuckle softly.
“Close your eyes, you baboon.”
So he did.
“Follow my instructions. Take a deep breath in,” she instructed, watching and hearing him follow her, “And then out. In.” He did as was said, “And out.”
Harry felt like almost sleeping from just how soft and gentle she was being, with the couple of deep breaths that he took, it felt like he could really feel how soothing the setting was; his hair played with, on clean sheets that smelled like the vanilla detergent they both loved mixed with her own scent, her presence beside him. It felt like heaven.
“Have you ever wondered what happens when you sleep?” She rhetorically asked, “Where you go, and what you feel; the places that you seek. When you start to drift away, your mind becomes a book,” she paused, “That writes itself then fades away before you wake to look.”
Harry almost swooned at what she said, embracing the calmness her words, voice, and overall presence radiated.
“Tonight, we’re going to think about anything you’d like.”
His mind instantly flashed to a scene that he had been dreaming and thinking too much about. The beach, him and his Y/N, wet with water and laughing before 3 kids were squealing and running around them. Call him a sap, but he saw a future with her and he loved kids.
“But let’s visualize some scenes. Clear your mind, love.” The hand which played with his hair stopped momentarily before he felt her knuckles softly caressing his temple and down to his cheek, making his reflexively smile which instantly put a smile on her face. “Let’s head to places more celestial.” She whispered.
“Imagine you’re there beneath the stars, which when you pause to think about it, actually, you are.” A sweet, gentle kiss followed her statement on his nose, watching him scrunch it with a wide smile and a hot face with a blush.
“You are, too.” He whispered, inching closer to her.
“Hush.” She said jokingly but blushed, before continuing the story which she had actually been thinking about for a while but saved for the right time.
She went on, describing sceneries for him and watching his lips tug into smiles as he listened to her, his face showing her different emotions despite having his eyes closed.
“Travel with me to moonlit valleys, blanketed with heather, the kind of landscape you and I could dream about forever.”
Harry was sure that if he wasn’t so sleepy, he’d be grabbing his journal to jot down everything she was saying and make it into a song, but he couldn’t cut their moment short. He didn’t have the heart to.
His Y/N continued, letting him relax more and more with every word she said.
He probably smiled the widest and felt like his heart would beat its way out of chest when she spelled out the word “love” to him, pecking different parts on his face with a kiss as she did.
“L,” she pecked his nose, “O,” she pecked one of his eyes and giggled when his face scrunched up in surprise, “V,” she pecked his temple, “E,” she pecked his cheek, “Love.” She kissed him softly and quickly.
And when she told him to think of “the ones he cherishes the most”, Harry couldn’t help but let out a low sigh of contentment as he imagined a garden with his family, friends and in between them, right under a spotlight, stood his Y/N in a flowy white floral dress, smiling so lovingly at him.
That night, Y/N watched Harry’s body get more relaxed by the minute, breath getting steadier until she realized that he had fallen asleep, his arm limp on her waist and his leg draped over hers.
“Goodnight.” She whispered.
He woke up before her the following morning, with a smile that proved that he, in fact, had a good and peaceful night's sleep. When he woke up, he realized that she was spooning him; one of her arms holding him tight, her leg over him, her head leaning against the back of his as he held her hand which was draped on his stomach.
Harry had to pause and reflect. Yesterday’s bedtime stories were probably one of her best and he was sure that if his Y/N decided to take that to the next level and write it down and read it to help ease those with a difficulty sleeping or anxiety, she would be helping out more people than she would imagine.
He stayed in his place for a while, scrolling through his phone and watching the previous night’s video without sound so that he wouldn’t disturb her. He watched how she laughed in that video, how domestically free and shamelessly herself she was, how she effortlessly managed to carry the weight of that day’s burdens off of his shoulders and throw it away.
Y/N woke up not long after and Harry felt it when he heard her let out a groan before she stretched, him instantly turning around to see her. “Good morning, beastie.” He joked as he always did to her in the morning.
“Morning, beauty.” She replied sleepily with a smile. “How was your sleep?”
“I’m certain that you’re a magician, Y/N. I’m sure of it.”
“Oh shoot. Caught.” She teased, wrapping herself around him by climbing and lying on top of him, feeling his arms wrap around her. “But really, how was it?”
“It was amazing. What was that last night?” He asked gently.
“What? You didn’t like it?”
“Like-Y/N, I loved it. That was some therapeutic shit right there.” His chest vibrated with chuckles, “Seriously. I think I want you to record that.”
Her eyebrows rose up and as did her head as she looked at him, “Really?”
“Yes!” He nodded eagerly.
“Wait, I have to show you something now that you mentioned it.” She grinned before climbing off of him and getting out of bed and walking towards her bedside table, mumbling about how she could’ve “shifted closer and gotten it without having to get out of bed.” She opened her drawer, taking out the notebook Mitch had gifted her for some reason last Christmas. It was a medium-sized notebook which had koalas on it with the title being “I’m 100% koalafied to become president!”
She sat beside Harry, who sat up and looked at her with both confusion and excitement as she shuffled through the pages.
“Here,” she stopped at one page, “That’s like, an outline? I don’t know what you call it. But I decided I’d write a bedtime story for you and that’s what I read to you yesterday.” She looked like a kid who had just won first place at a spelling-bee competition as she gave Harry her notebook.
His eyes fell on the title, “Dream with me.” He said softly.
“It’s cliché I know, forget about it.” She said bashfully, waving her hands around.
“No, it’s not,” Harry shook his head, “I did dream with you. Darling, this is incredible.”
“Yeah?”
“Yes!” Harry laughed excitedly, putting the notebook aside, “Write more, will you?” He asked softly as he opened his arms, letting her move to place herself on his lap and wrap her arms around him.
“Don’t treat me as if I’m a professional. You’re overfeeding my ego.” She joked.
“And why not? You are the best bedtime storyteller I have ever seen.” He said lowly.
“You think too highly of me, Harry.”
“Not too high,” He shook his head with a smug smile, “Just enough to appreciate how bloody talented you are.”
And that began a new ritual. It then became usual for Harry to find his girlfriend perched up anywhere, her koala notebook supported on a cushion on her lap as she wrote away stories which she told him every night, deciding on the perfect ones according to different times and moods.
One day, an idea popped in her head.
Due to the pandemic and how they were both staying safe and going out only when absolutely necessary, Y/N knew how chaotic and sad the world was. She knew some chaos needed to happen, knew that some chaos was revolutionary which is why she decided against staying home and silent and was with Harry during the BLM protests, knowing that something had to be done and that something wasn’t to sit and mope.
But everyone deserved the breather. Everyone deserved to let out a breath and to catch a good night's sleep.
It was when she stumbled upon a video on YouTube that was a 39-minute video of just Harry talking with rain in the background and she saw the comments from fans that she gasped and almost sprinted to Harry.
Harry, sitting in his recording and music room, was sat on a chair with his guitar, strumming and humming when his girlfriend barged in and began to ramble. “I’m sorry I didn’t knock but it’s so important! There are so many people we can help, or like, you can, and it’s super easy, you already have the equipment and ev-“
“Y/N!” His eyes widened as he called for her and put his guitar aside, “Honey, calm down. It’s okay. Let’s talk. Come here.” He held his arm out.
She blushed and began laughing quietly at herself as she seated herself on his lap, brushing back her hair. “Sorry, sorry, too excited.”
Harry smiled, “And I absolutely love it but I’m having just a liiittle bit of hard time understanding.”
She laughed before taking a deep breath and straightening her posture, “Alright. You know how awful everything has been? How-How busy and noisy the world has been for a while?” She asked and Harry nodded, “Well do you know that your fans have a video of you on YouTube with many interviews in there because they love your voice? And they added rain and everything, reduced noise.”
“Oh, wow.” He tried to conceal his blush by laughing.
“I know! You know how good your voice is so why don’t you give the world a little something?”
Harry furrowed his eyebrows, “I sing?”
“No, they know that. They have your songs and covers and everything but you talking?” She raised an eyebrow at him with a suggestive smile.
“Baby, I really don’t think I’m getting anything.”
“Read them something! A bedtime story.” She suggested with an excited smile and a gleeful tone.
“Like you do to me?” He asked, wanting to understand better.
“Yeah, exactly like that. You can upload it on your website or see if any app is willing to partner, whatever you want.”
“Do you think people would like that?” Harry asked again, wrapping his arms tighter around her to bring her closer as he looked up at her.
Y/N smiled and gently cupped his face, “They’ll absolutely adore it.”
Harry hummed, in thought. “Yeah well, I can’t do that on my own.”
She nodded, “You have connections. Jeff has connections, you can find a part-“
“No, love, I mean I can’t do it without you.” He grinned up at her, watching as her face then showed confusion, “Not without your beautiful, absolutely wonderful stories.”
Her eyes widened, her head tilted. “What? No. These are for you. Told you I’m no professional, Harry. I’m sure there are faaar better people.”
Harry rolled his eyes, “Nonsense. We do this together or we let people have trouble sleeping.”
“You manipulative piece of shit.” She shook her head with a smile, leaning her head back, Harry chuckling.
“Dream with me.” He said after a moment, “I can read Dream With Me.”
She looked at him for a moment, her smile widening before she nodded, leaning down to capture his lips in a kiss. “I love you.”
Remember what I said about the indescribable feeling he got when she said those three words? It was there.
And she felt it, too, when he replied with a promise of his – “I love you, too. So much.”
---
Harry had contacted Jeff, who had contacted some people before finally landing on a partnership with Calm. There were two conditions in this work;
Harry would record from his home.
He would be reading his girlfriend’s story.
Now imagine owning a company of that sort as Calm and having Harry Styles contact you with these two conditions. Yes.
It took a couple of days. In the comfort of their own home, Harry and Y/N had him record then they would tweak some stuff then they would listen and try again. They were aware that music would be added, and Y/N was way too excited to listen to the final product.
In his denim hat, black t-shirt, striped cream-colored pants, using his Vans as slippers – which Y/N always cringed at and told him that it would ruin his shoes – and the script in his hand, Y/N stood on the side, admiring. He had allowed his scruff to grow, which she definitely wasn’t complaining about. A bracelet she made him when they were only friends years ago on his wrist, its colors washed out from when he’d shower or swim with it. Headphones were on his head, but she knew he could hear her if she said anything.
When she took her phone out to take a picture, Harry’s eyes moved to her before moving back to the script with a smile.
“Maybe all the memories that we’ve gathered here tonight are all dreams now remembered or wishes in plain sight. No matter what, they’re with us now, for this night and forever. And every time we close our eyes, they’re yours and mine to treasure. Goodnight, and sleep well.”
Harry then turned to look at her, eyes gleaming with happiness and calmness, as her hands were clutched together against her chest, watching and listening.
“I love you.” He added.
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yourinstagram: Goodnight❤
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itsclydebitches · 3 years ago
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YYH Recaps: Episode 4 “Requirements for Lovers”
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Hello, everyone! It's been quite a while, huh? Ah, the endless cycle of wanting to write and yet, astoundingly, not writing. I know it well.
Good ol' writer's block has skedaddled for a time though, so let's make good use of that and dive into Episode Four: "Requirements for Lovers." 
Ohhh, YYH getting spicy with its titles 😏
Actually wait, I shouldn't be making dumb jokes just yet. First I want to acknowledge a slight change to future recaps: YYH, RWBY, and anything else I might try my hand at. Namely, a lack of pictures moving forward. A few weeks ago — months? I honestly can't keep track — tumblr implemented a new limitation where no post can have more than ten images in it. It's a move that, while I'm sure has its justifications, makes sharing analyses of visually-based media all the more difficult. I'll be doing my best moving forward to describe scenes as needed, as well as combining connected images together to stretch out my limit, but I'm not going to pretend that it'll be the same as getting the visual play-by-play we’re used to. 
Tumblr certainly is a website, huh?  
Anyway, we open on Yusuke once again lamenting the difficulty of hatching a spirit beast that doesn't immediately devour him from the head down. On the one hand this is an admittedly easy way to reset the story over the course of this arc — the storytelling equivalent of waking your character up each morning — yet I cannot deny that if I were undergoing a resurrection test, it would consume my every thought too. Can't really blame Yusuke for endlessly bringing the conflict up when the conflict is this deadly.
Well, deadly for a ghost, anyway.
Specifically, he's worried about how embarrassing it would be to get eaten by something that came out of an egg this tiny. I'm torn between reminding a fictional character that things grow — a pissed off chicken could kick my ass and it started out in an egg too — and just shaking my head over the absurdity of worrying about embarrassment when, you know, you would cease to exist. It's not even a matter of, "What if I die and then I'm embarrassed about it in the afterlife :( " Yusuke is already IN the afterlife. He's got nowhere to go but oblivion!
Luckily, Botan takes a more practical approach to these worries, pointing out that he'll be just fine provided he does some good deeds. Yusuke starts a rant about how do-gooders are only ever out for themselves.
Yusuke, you dumb-dumb, you're a do-gooder now. What was all that help for Kuwabara, hmm? As said, these early episodes exist in a semi-reset loop, where Yusuke needs to stew in his main character flaws for a while before any real growth starts to stick. Those flaws being, primarily, "I'm a pessimist" and "also I hate myself."
Case in point, Botan accuses him of always seeing the glass as half empty. Which, while true enough (outside of his confidence in fighting, anyway), by now we've got a pretty good sense of where Yusuke developed this attitude. He affirms this by talking about how Koenma's got him by the balls, "just another idiot abusing his power!" With an alcoholic mother and those teachers from last episode, it's no wonder Yusuke thinks this way. Mr. Takenaka's interest and Keiko's care aren't enough to combat the rest of Yusuke's experience, not when Takenaka is an outlier and Keiko is Yusuke's peer. Her desire to keep him on the right track reads only as an inevitability at best (the downside of having a perfect childhood friend), or a legitimate annoyance at worst. Or, as we'll continue to see in this episode, a way for them to flirt.
Is it any wonder Yusuke would sneer at Koenma's offer then, expecting the worst? The fact that Yusuke is still undergoing the challenge at all, no matter what he says, speaks volumes to me.
However, Botan is less than comfortable with his criticisms. She panics a bit at Yusuke insulting the (junior) ruler of the underworld so blithely. That, and the fact that he's carelessly tossing his egg around.
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(Yes we’re using precious picture space for memes are you SURPRISED?) 
Anyway, Botan isn't just concerned for the sake of concern. She cautions Yusuke against speaking too freely because there may be investigators checking in on his progress. No sooner does he ask what those investigators look like than one appears.
Thunder! Lighting! An energy so intense that Yusuke is briefly blinded! It is, as he says, quite the entrance. What kind of being could possibly be at the heart of such an astounding show?
Why, this teeny-tiny cutie, of course.
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Remember, few appearances in YYH coincide with the character's true self. Would you ever assume this is the all-powerful investigator who holds Yusuke's future in her hands? Of course not. That's the point.
The investigator introduces herself as Sayaka and immediately demonstrates that she has no more patience for Yusuke's attitude than Botan does. "These damn kids," he mutters and my brain briefly blue screens because Yusuke. You're fourteen.
Plus, Sayaka and Botan clearly have some sort of eternal youth situation going on, so there's that too.
Sayaka is, in a word, fantastic. She pulls no punches with Yusuke, teleporting away from him with what can only be described as a shit-eating smile, all while refusing to tell him what exactly she's investigating. “I’m sorry, but that’s a secret!” However, Keiko is clearly at the forefront of her interest. She refers to her as Yusuke's "girlfriend."
Botan is more than happy to point Keiko out — because of course they're still following her around! — and pulls a Et tu, Brute? on Yususke, leading Sayaka right to her. Like most of the Underworld, Sayaka is rather shocked that the pretty, popular, scholarly girl is supposedly into the delinquent. It's the power of childhood friendship, you fools! Specifically, Sayaka references the "positive markings" that Keiko has accumulated, but the audience already knows by now that such markings are suspect at best. Yusuke himself is proof of that. So if his terrible marks don't preclude him from being a young kid's savior, should we really view Keiko's as proof of superiority?
I mean, Keiko is fantastic, but that's not really the point here.
Starting her own investigation into Yusuke's life, Sayaka begins with one hell of a bombshell: "There's no point in doing [the resurrection] if the people closest to you don't care." WOW. Not only is that a harsh assessment, it's one I don't think I can personally get behind. The offer to restore Yusuke to life is built on the acknowledgment that their system is flawed (even if there's no work to change or dismantle that system): they thought he was worthless, his sacrificial death seems to have proven them wrong, and now they want further evidence, in the form of this trial, that Yusuke is a good person at heart. The whole point of this challenge is to give him a second chance, with testimonies like Mr. Takenaka's emphasizing that Yusuke has always been capable of more, so long as he applies himself. This, as we'll see throughout the series, applies to relationships too. The Yusuke with one friend he play-fights with, a distant mother, and a school worth of kids who are terrified of his very name is not the future Yusuke they expect him to become, so... why base his resurrection on what he's already (not) accomplished? Granted, the show is very unclear about what, if anything, Sayaka will do if she decides that Yusuke doesn't have a life worth going back to (even if I have my own theory discussed at the end), but the fact that this is suddenly a factor at all seems grossly unfair, not entirely unlike Kuwabara's rigged promise. We as the audience know that people love Yusuke. Yusuke himself is beginning to acknowledge that. But if this fourteen year old delinquent truly had no one that wanted him back from the dead... isn't that all the more reason to allow a resurrection and give him the chance to build a life where he would be missed? 
This stupid shonen got me thinking too much istg. 
Yusuke, ever the self-deprecating pessimist, bypasses all of the above thoughts and jumps straight to, "It's clear if [Keiko] had any sense she'd want me gone." I'd find that attitude incredibly sad if I wasn't distracted by how cute Botan and Sayaka are, sitting on the oar together. The spirit girls who fly together, thrive together! 
Botan starts teasing Yusuke about having a crush, which just feeds his temper and Sayaka's confusion. Deciding that she needs to gather more info, they follow along for an average day of school because these earlier episodes are, apparently, ghost-stalk Keiko hours. 
We see her reading aloud in class from Heart of Darkness (not the easiest book for some middle schoolers), scoring a point during volleyball practice, refusing to let one girl cheat off her homework, but happily helping another who runs up with a question. So she's pretty, athletic, and academically successful, the trifecta for any good love interest. Sayaka is impressed not just with her "nearly perfect" scores, but also the maturity that Keiko demonstrates, such as maintaining her morals about cheating while remaining compassionate. 
Actually, I really love the contrast this provides for us, the viewer. Meaning, Keiko is shown to be at her least mature when in Yusuke's presence. Not that her responses aren't justified, but watching her dramatically snatch gum from his mouth, slap him across the face, or pull crazed expressions as she yells at him is a far cry from this calm, poised, soft-spoken Keiko. It's a way to visually show us that she's comfortable in his presence, despite the suspect humor attached. Not that the Keiko we see at school is faking or anything — she is legitimately that kind and articulate — but we see that being with Yusuke allows her to relax in a way she doesn't with others. School!Keiko is, as Sayaka says, pretty much perfect, 24/7. Yusuke's Keiko is a little rougher around the edges, in a way that implies a multifaceted personality shining through. 
However, the only conclusion our trio draws is that, given Keiko's accomplishments, any attraction must be one-sided.
Poor Yusuke lol. 
In a plot move that is so ridiculously contrived, just as Yusuke is grappling with the accusation that Keiko couldn't possibly like him back, a "handsome boy" arrives to ask Keiko out. He says that he couldn't bear it when she stopped reading Heart of Darkness because he's fallen in love with her voice. "Will you be my girlfriend?" 
Please excuse me while I lose my shit over how ridiculous this is. I legitimately straight up cackled when I watched this scene. 
Luckily for Mr. Absurd, Keiko takes him seriously — and lets him down easy. She says she can't be his girlfriend and when he presses the "Why?", asking if she already likes someone else, Keiko confirms that she does. This is done through a shot of her feet. Not a POV shot given the angle, but close enough that it feels like we're stepping into Keiko's shoes (haha), shyly staring down at the floor in embarrassment and regret. 
Rejection complete? The guy screams. 
I mean he screams. 
I mean this nobody we're never gonna see again unhinges his jaw and lets out an unholy shriek the likes of which makes me shriek in utter GLEE. 
It's insane. It's wonderful. I'm going to use one of my coveted image spots to show you his face: 
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Look at that and tell me this show isn't amazing. 
Okay, I'm focusing again. As Keiko runs off Botan and Sayaka start dragging Yusuke, teasing him about how Keiko chose him over that "charming handsome boy." 
...Please scroll up and look at that image again. I find YYH's definition of "charming" and "handsome" to be hilariously wrong. 
Yusuke, as per usual, throws himself into damage control, claiming that Keiko didn't say who she liked, so really it could be anyone. They're not buying it. “'I like Keiko' is written all over your face!” Botan crows. Meanwhile, Sayaka is scribbling in her little investigator's journal that feelings on both side are severely misunderstood. "Suggest serious counseling." 
Fantastic idea, Sayaka. I'd personally suggest counseling for the whole dying/best friend getting resurrected thing... but relationship woes work too! 
We cut to later when school is out and Keiko has gone over to Yusuke's. To say that Atsuko has done a poor job of keeping the house clean lately would be a serious understatement. 
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Keiko points out the old food and broken glass specifically, cluing us in that this isn't just a messy environment, but a dangerous one as well. This is proven when she accidentally knocks a stack of books over and a used bowl falls onto Yusuke's face. What's interesting is that Keiko says that things are "back to normal" now, though I'm not sure if that's in reference to the state of the house, or just the note Atsuko left behind, asking Keiko to take care of Yusuke while she's out. I'm inclined towards thinking it's just the note, partly because of Keiko's shock when she first arrives, because the house wasn't shown to be in this state prior to Yusuke's death (first image above), and because the note is accompanied by a great voiceover that makes Atsuko sound quite sloshed when she left. That's what's normal, the drinking and carefree attitude, not the state of her home. If we buy that reading, it allows for another fantastic look into Atsuko's mental state. If she's already an alcoholic, the trauma of her son's death and the following revelation that he's coming back might make her struggle in other ways. Like finding cleaning to be an impossible task. 
She's depressed. It doesn't excuse the state she's left Yusuke in and, as previously acknowledged, YYH is definitely not a show interested in this nuance, but I still find it fun to take what little we've gotten and run with it. 
However, Keiko is firmly on team "WTF Atsuko." She hurries to make sure Yusuke wasn't hurt by the falling bowl, bemoans him being "covered in garbage," and says that leaving him in this state should be considered a felony. Knowing it's far beyond her power to fix Atsuko's failings, Keiko swears to come here after school every day until Yusuke regains his body. It's as she's cleaning him of the dust that's gathered that Keiko becomes entranced with Yusuke’s features. Particularly his lips. The soft lighting returns, their theme song swells, and Keiko gets thiiiis close to kissing Yusuke for the first time. 
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Which is a little weird, right? I mean, we know why Yusuke is freaking out. Beyond the embarrassment of a middle schooler receiving his first kiss while two ghost girls eagerly watch on, he's made a hobby of denouncing his interest in Keiko to anyone who will listen. But for the average viewer — for Keiko herself — don't we care the he's, you know, dead? Or if not technically dead, very unconscious? Don't get me wrong, I fully understand the appeal of this situation in a generalized, cultural sense (with the side disclaimer that I'm reading a Japanese product through an American lens). Sleeping Beauty exists for a reason and there's definitely an element of that here: a gender-reversed setup where Keiko’s kills may break the "curse" of Yusuke's untimely death. Even his in-between state of being mirrors the "death like sleep" of the fairy tale. But when you strip away those Disney-esque thoughts, we're left with a girl about to kiss an unresponsive body, not as a common gesture of care (the parent who kisses their child while they sleep), but as a first time, romantic milestone. 
It's a little weird lol. 
But embrace the romance! As well as its inevitable interruption. Just as Keiko is about to land a peck, the neighborhood watch committee announces a heat and fire warning, startling Keiko out of her thoughts about Yusuke's "beautiful face." (There's another gender reversal for ya.) She gasps at her almost-action, conveniently remembers that her mom wanted her to do some shopping, and hightails it out of there before embarrassment can really kill them both. 
So she runs off for food... in a sweater? The outfit is cute and all, but I wonder what the animators were thinking, putting Keiko in a puffy pullover during an episode all about a heat wave. 
It's about at this point that the plot goes from cute romance to absolutely buck wild. The fires the neighborhood watch committee mentioned are not, in fact, due to the overwhelming heat, but an arsonist that's going around tossing molotov cocktails through open windows. Why is he doing such a thing? I don't know. Arsonists be doing arson, I guess. The important bit is that Yusuke's place is his next target, considering that Atsuko forgot to lock the windows when she went out. Within seconds all that garbage is set ablaze, quite obviously putting Yusuke's resurrection chances at an all time low. 
"Wake up, stupid!" he shouts at his unconscious body. Mood, Yusuke. That's me every morning. 
So this is a full scale emergency now and everyone is scrambling trying to think of something to do. Yusuke comes up with the idea to possess himself like he did Kuwabara — nice attempt at a loophole there — but since it would technically count as his resurrection, no dice. Botan decides to go get Kuwabara himself, even though he's too far away to do anything. It's still worth a shot. Sayaka, meanwhile, watches all this unfold with a somewhat clinical detachment. She's not quite indifferent and she's definitely not cruel... she’s just not as emotionally invested in this as the other two. Which not only re-emphasizes her purpose here, as an observer judging Yusuke, but also highlights the bond Botan is forming with him. As mentioned before in regards to her hanging out with Yusuke rather than ferrying souls, Botan is well past someone assisting Yusuke simply because it's a part of her job. He's her friend. 
We get some shots of the growing fire which includes a hazy texture to the animation I quite like and then we cut to Keiko several blocks away, shopping bag in hand. Word of the new fire spreads, with one bystander mentioning that it's the twelfth today. 
"This is eerie.” 
“Yeah, I can’t help feeling we’re under attack.”
That's because you are! Someone stop that man! 
Sadly, I don't think the arsonist is mentioned again, let alone captured. We'll just have to relegate that to my incredibly niche fic wishlist. 
Keiko also overhears that the latest fire is on fourth avenue, which of course is where Yusuke lives. Recognizing that he might be in trouble, she takes off at a run. 
Meanwhile, Botan finds Kuwabara practicing his kicks against a Yusuke dummy. Amazing resemblance, right? 
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Watching for the purpose of recapping, I'm picking up on a lot of details in the animation I quite enjoy. I don't think anyone would claim that YYH, at this point in time, has the most impressive or flashy animation (the fight scenes later are another matter entirely), but there's a clear love for the product that shines through. The scared expression on Kuwabara's dummy. His unexpectedly dainty kick, complete with pointed toes. Botan's more translucent coloring to emphasize her supernatural status compared to Kuwabara. There are a lot of nice touches despite the overall simplicity. 
Plus, you can't forget the lovely irony of Kuwabara fighting a defenseless "Yusuke" while the real guy actually lies defenseless amidst a fire. We already know that despite his tough talk, Kuwabara would be horrified to learn that his friend rival had died (again) in such a manner. 
Capitalizing on that transparency, Botan runs a hand through Kuwabara's back to catch his attention. He gets his "tickle feeling" and instinctively looks around towards Yusuke's house, seeing the smoke. "Something tells me I should go that way." Gotta love a guy who drops everything to chase a vague, supernaturally induced hunch. 
As Kuwabara leaves we cut back to Keiko arriving at the house, staring in horror at the blaze. We get an audio flashback to her talk with Yusuke where she promised to take care of his body until he got back. So she tries to run in, only for a couple of the onlookers to snag her, quite correctly keeping her from undergoing a suicide mission. We learn later that Keiko absolutely would have died without Yusuke's sacrifice, so her "You cowards!" is born more of emotion than justified accusations. It's not cowardly to look at the raging inferno in a small apartment and realize that recklessly running in will only result in two dead teens, not one. 
I mean, the flames are already right there, licking the door. Even if Keiko somehow managed to avoid burns, the smoke alone would do her in. Still, Keiko tries to mitigate the damage by dumping a bucket of water over her head. As a kid I remember thinking this was the smartest thing ever. Utterly inspired. Keep that in the back of your mind, kid Clyde, for future reference. As an adult... I have no idea whether this would actually help or not lol. Any firefighters doubling as YYH fans? 
Recklessness and iffy precautions aside, I can't express how much I appreciate the story giving Keiko things to do. Yusuke recognizes that she's the only one with the maturity and open-mindedness to believe in his resurrection. She's the one picking up Atsuko's slack regarding his day-to-day needs. She never hesitates for a moment, heroically throwing herself into this blaze for Yusuke's benefit. Yeah, a lot of that still falls into the emotional/domestic sphere — what we expect of the love interest in a 90s anime — but too often action stories don't have a clue what to do with their non-action characters, not even when it comes to just supporting the fighters. They're simply... there. Keiko, however, isn't window dressing. Whether it's helping Botan survive an upcoming, supernatural plague, or cheering the team on at the Dark Tournament, Keiko is an important part of the story, despite lacking the fighting prowess of the rest of the cast. 
Just as important, this episode establishes a core equality between her and Yusuke. We just watched Keiko reject a (presumably) accomplished guy for him, telling the audience that these surface differences — academics, power levels, popularity, looks — don't matter to them. Yusuke is not Keiko's lesser just because he doesn't have the same scores in Sayaka's book and Keiko won't become Yusuke's lesser just because she doesn't have spiritual power like he does. The only important thing here is that they love each other and they're both willing to sacrifice everything for the other. In the span of about ten minutes, Keiko nearly gives up her life for Yusuke and, in turn, Yusuke gives up his resurrection for her. The level of care they show towards one another is balanced, despite those differences. 
They’re a good ship, y'all. Even if this recapping's got me noticing Yusuke/Kuwabara potential lol. 
To get back to the plot, a drenched Keiko charges into the fire, yelling Yusuke's name for the drama of it because we all know he can't respond. Despite the audience (hopefully) recognizing Keiko and Yusuke's equality, that memo hasn't reached Yusuke yet. "You're a lot more important to this world than I am!" he yells, hammering home that despite everything — knowing he instinctively saved a child, watching his loved ones grieve for him, helping Kuwabara just because he can — Yusuke still, deep down, believes that he doesn't deserve to come back; that he doesn't measure up to those around him. The self-sacrificial nature this insecurity produces shocks Sayaka. She points out that if Keiko doesn't save his body, he's not coming back. "What's the point of being alive if Keiko has to get killed for it?" 
Keiko means more to Yusuke than the rest of his living existence. Jot that down in your notebook, Sayaka! 
Kuwabara arrives and runs into one of his friends who informs him that Keiko just went inside. “Yusuke’s girl? The one we saved from those thugs?”
BOY does that tell us a lot about their rivalry! I mean yeah, we've already established several times over that Kuwabara — just like Yusuke himself — is not the cruel street thug he'd like to present himself as. If these characters actually wanted to hurt each other outside of a martial arts challenge, don't you think Kuwabara would capitalize on the "Yusuke's girl" bit? Everyone seems to know that they have feelings for each other, but Kuwabara never once wields that as ammunition against Yusuke. There are no taunts about him not being good enough. Or rather, I should clarify there are no serious taunts — Kuwabara is well known for his teasing. There's also no attempt to steal Keiko out from under him, the common treatment of the love interest as a "prize" that many stories fall into. Indeed, later this episode YYH will deconstruct this a bit. Yusuke sees Kuwabara grab Keiko's hand and yells that he better not be getting "fresh" with her. But it's purely Yusuke's worries shining through. The audience gets a crystal clear picture of the situation and knows, categorically, that Kuwabara has only the most innocent of intentions in holding Keiko's hand. 
(Well, running from the police isn't innocent, but...) 
I keep getting sidetracked. Plot! Keiko makes it to Yusuke's room and finds that he is already on fire. She then proceeds to try and put it out by patting it with her hands. I take back what I said about Keiko's smarts in this scene. Now we know where that supposed recklessness comes from though. Apparently they're both immune to fire! Nothing to worry about here, folks. 
JK she's actually in danger, despite the animation choices. By this point everyone, including Keiko, realizes that there's no way out: the fire has blocked the door. Sayaka then reveals that there is one way to save her. If Yusuke throws his egg into the fire, the energy of the spirit beast will release and guide her to safety. The catch? Hatch the egg early and it won't complete its intended function of guiding him back to his body. This beast is gonna guide one person and that is it. 
Cue Yusuke's near immediate decision to sacrifice his life for Keiko's. Granted, it's not precisely one life for another. Yusuke's resurrection was always contingent upon the beast not devouring him whole — something Koenma claims would have happened at the end of the episode — meaning that it's not technically a fair trade. Yusuke might have sacrificed Keiko's life for his own... only to fail to get that life back anyway. (There's a tragedy for ya.) To say nothing of how Yusuke is currently dead and has been for at least a couple of days, whereas Keiko very much is not. There's some sort of philosophical discussion there about potential being pit against current reality. 
BUT that's not the point! The emotional point is that he sacrificed his life for hers — the potential of his resurrection, the potential of that life he might have led — all technicalities aside. And I, for one, think that's very neat of him. 
A blue light shines as the egg's energy is released, providing a lovely contrast to the fire surrounding them. A path forms to the door and Keiko, recognizing Yusuke's presence, follows it. "We'll make it, Yusuke," Keiko says, which is one hell of a sucker-punch now that we know she's just carrying a corpse. Unbeknownst to Keiko, Yusuke is very much not making it. That's the only reason why she is. 
Kuwabara appears to help them the rest of the way which is also a pretty awesome thing considering that, from everyone else's perspective, the fire is still raging and blocking the door. Despite his spiritual awareness, Kuwabara gives no indication that he noticed this strange light, or Yusuke's hand in the rescue. Which basically means he lunged into a bunch of deadly fire for Keiko and doesn't question how in the world he isn't burned. 
Keiko's hands are fine, Kuwabara's whole body is fine... fire immunity must run in the friend group! 
Yusuke has another rare moment of vulnerability — "They're both okay" — and I cackle happily at the "both" because see. You love Kuwabara too, Yusuke! All this bluster about hating him and finding him annoying. The second he rushed into that fire you were crawling up the walls. 
Except then that happiness gives way to something that sounds a little more shocked. Devastated. "Well, I sure am... relieved..." Kudos to Cook's voice acting. You can hear the exact moment Yusuke realizes what he's done. Not that he regrets it, but the consequences are finally sinking in. He's relieved that they're safe, yes, but now he's never going to be able to rejoin them. 
As Yusuke has an(other) existential crisis, Kuwabara peels back the blanket Keiko had wrapped Yusuke in, revealing his face. “What are you doing with Yusuke’s body?! Are you some type of sick grave robber?” he shouts. God I love when a story actually keeps track of who knows what. Kuwabara, for all his recent involvement in the plot, doesn't actually know what's going on. From his perspective Yusuke died, he made a scene at the wake, he saved "his girl" from a bunch of thugs, lost a huge chunk of time only to wake up with her randomly hugging him (then slapping him), participated in a bet with his awful teacher and had a couple weird, Yusuke related dreams while studying, and has felt the presence of ghosts perhaps a little more frequently than usual. Now he's trying to help save Keiko from a fire only for her to reveal she risked her own life for Yusuke's body. Of course he's freaking out! What's she doing with that? 
What's utterly fantastic though is that Kuwabara takes all of five seconds to process this and then enters immediate Ride or Die mode for Keiko. She's been hoarding Yusuke's body for undetermined reasons? Well, who is he to judge? The important thing here is that people are arrested for keeping bodies, so they've gotta skedaddle before the firefighters show up. 
Hence, hand-holding and avoiding arrest. 
As Yusuke starts threatening Kuwabara not to get "fresh" with her, Botan sadly reminds him that he no longer has a say in who Keiko does or does not fall in love with. The switch in tone is jarring. Whereas before Botan would have teased him mercilessly for the crush, now she knows that nothing can come of that — and it would be cruel not to remind Yusuke of that too. 
"Oh no. I didn't think..." Yusuke whispers, further establishing that he knew the risks of using his egg, but hadn't allowed them to sink in yet. Now they have. 
He gives a fake little laugh with, "Just when it was getting good" and I cry at the development in the span of just four episodes. Despite what I said at the beginning about the show resetting each week, there has been a lot of change thus far. Yusuke wants to live now! He wants to be there for Keiko! He looks down on his tiny family and screams at the unfairness of it all! They're talking about how they can't wait for him to come back and now that's never gonna happen!!
It hurts, friends. It hurts a whole lot. 
During this conversation between Keiko, Atsuko, and Kuwabara, we see that a couple of hours have passed (it's nighttime now, the fire is out) and Atsuko is apologizing for putting them all in danger like that. And by that I mean yes, she does technically apologize with an "I'm sorry" and everything, but it's also a one sentence apology pit against... well, near death for the three people standing (and sitting) before her. Atsuko seems just as concerned by Keiko losing her hair as she does Keiko nearly burning to death and she kneels by Yusuke's wheelchair, baby-talking to him about how he forgives her, right? I love Atsuko, she's great, but objectively speaking she is not a good mother. Not right now, anyway. 
Oh yeah, and just to reiterate that: Keiko's hands are fine after patting down Yusuke's on-fire body, but her hair, which I'm pretty sure never catches, has to be cut short. Ah, anime logic. Funny thing is, YYH isn't the only story to take the love interest and give her a cool, short cut thanks to a traumatic event. Anyone read Ranma 1/2? 
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During this conversation we also learn that, sometime between the fire and now, Keiko filled Kuwabara in on everything that's happening with Yusuke. Makes sense. He kneels beside the wheelchair, joining the others in telling Yusuke that they'll wait patiently for his return. Yusuke, above them, continues yelling about how they're waiting on a dead man. 
“It can’t be helped. He made this decision on his own." 
Except it can, in fact, be helped!
Just as all hope is truly lost, Koenma appears and announces that Yusuke will be returned to life. Why? Because sacrificing his egg for Keiko is a better indicator of his worth than the egg itself could have been. Despite feeding on his negative outlook and heading towards biting Yusuke's head off — something the animation backs up by showing us teeth during the fire
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— Yusuke's act demonstrates a tendency towards being a "decent human being" that is "so rare." Wow. That's depressing. Still, yay that Yusuke has those qualities! And this, to my mind, helps explain Sayaka's presence. Koenma recognized that judging Yusuke couldn't be left to the egg alone and indeed, Sayaka took note of his worth before he ever threw the egg into the fire. First it was questioning why someone as amazing as Keiko would go for him, then it was solidified through the shock of Yusuke announcing that coming back to life was meaningless if she wasn't in it. Even if Keiko had somehow, miraculously escaped the fire before Yusuke's sacrifice, I bet Sayaka's report would have tipped him in resurrection's favor anyway. 
Everyone is, of course, overjoyed and my heart swells at the intense gratitude Yusuke displays. My favorite part though is when Koenma cryptically says that “Your added experience with death could make you very useful" (a nod towards future events that goes right over Yusuke's head) and his response to this is a yelled, "YOU THINK I'M USEFUL?" This poor kid. The God of everything ever is chucking out revelations left and right, about resurrections and spirit beasts, but the only thing that really penetrates is the realization that someone thinks he's useful. Talk about relatable. 
You know, I've been thinking about why this moment works so well. I mean, there are a lot of other stories where undermining the consequences our hero faces — either with humor, or by erasing them completely — can feel like the audience was cheated. I think YYH dodged that with a couple of crucial factors. First, Yusuke's consequence isn't something new that he's now avoided, it's just a permanent extension of something he was already dealing with. We did get to watch him inhabit the space between life and death, grappling with whether he'd ever be able to return. The story didn't deny us that growth, it just confirmed something we all instinctively knew: this tale won't end here with Yusuke permanently going to some afterlife. Second, the Deus ex Machina fix doesn't happen too soon. Yeah, it's only a couple of minutes in a single episode, but we (and Yusuke) still get to sit with that outcome for a while, soaking it in before its removal. Finally, there's no doubt that Yusuke earned this reprieve. Koenma's timing might be sudden and (if you're not genre savvy) unexpected, but looking back at the series as a whole thus far, we're able to agree absolutely that Yusuke deserves this. Far from feeling like we were cheated, this solution invites just as much celebration as we're seeing on screen, for the simple reason that we can buy into Koenma's reasoning. We know now that Yusuke is a good person. We saw him selflessly sacrifice his future for Keiko. We agree that he deserves a second chance. 
Thus, the episode ends with Yusuke flying up to fill the screen in his joy, a far better, final shot than Harry Potter and The Prison of Azkaban managed 😰
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And that's it for Episode 4, folks! See you later for Episode 5 💕
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faakeid · 4 years ago
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fab nygmobblepot moments that remind you of kd uwu
OMGGGG AHDAHDUIADHAD
I want to use this moment to be sorry to everyone that follows me but keeps seeing my blog full of Nygmobs/Smaylor instead of kaisoo. I usually don’t get attached to otps like this and it happened in an unexpected way for me. But it’s here and I need to compensate for all the years I didn’t watch Gotham and had no idea about Nygmobs spamming everyone and making my heart warm.
But in general, nygmobblepot isn’t a vision of ideal relationship. Both Edward and Oswald (their surnames Cobblepot and Nygma were the ones who originated this name) are stupid and do stupid shit to each other during most of the series. So, a lot of moments related with the actors counterpart (Robin is the actor who plays Oswald and Cory who plays Ed) reminds me of kaisoo more. But a warning here! Although they have a HUGE chemistry on and off screen, they’re mostly friends. Robin is married for almost ten years so it doesn’t mean their closeness is romantic or sexual. But still, some details remind me of kd.
Similarities with nygmobs:
Height difference: it applies to Smaylor as well because it’s their height but it’s really visible in the series. Cory is a bit taller than JI I think and Robin is like 1.65 but KS is not that taller (I can’t believe he’s 1.73 at all, sorry). But, again, this factor is evident during the series and in some moments and it’s cute.
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(the way he moves his feet to reach Ed’s head ;_;)
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(when they hug, Oswald barely reaches his shoulders [their hugs are the equivalent to kisses in Gotham])
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the closest gif I could find where we can see kd’s height difference without me stealing other people’s gifs.
Penguin reference? That’s pretty obvious. Of course I didn’t start shipping nygmobs because one of them is small and has the Penguin nickname but it made so much easier for me to read some of their fics with kd as characters because they fit the profile so much! And also, I believe KD would totally fit the “murder husbands” couple if someone did a fanfic where they just kill everyone. The closest I remember of a fanfic with this criteria is Juice Pouche where Kyungsoo is a vampire and he protects Jongin and Jongin is kind of badass as well. But the kd fandom needs more fics like this. There’s also “(Before the night is over) come see me” where KS is also a vampire and JI a young werewolf but it focuses more on their relationship than a murder husbands idea Gotham shows so well. 
How they met: Gotham’s history has a lot of differences if you compare with other universes, so keep that in mind. In Gotham, Ed works with GCPD but doesn’t feel like himself with the good side. Oswald is the character that spices things up and is a rage of death and destruction and manipulation. But Oswald is infatuated with Jim Gordon (so isn’t the first time it’s implied Penguin is gay) but he goes to the police department to see him. Ed sees him and wants to talk to him no matter the cost. And he does that... And things don’t end that friendly for him because Oswald thinks he’s a weirdo and asks him to fuck off, basically. It reminded me of kd’s first meeting where KS was the one admiring JI all along but JI get frightned. But, during their second meeting, they bond and become friends. For Nygmobs it takes more time for their second meeting but they end up developing and being in good terms :’)
Their personas, sort of: Ed is the tall one, younger and logic. Oswald is the oldest, smaller and that thinks with his heart. I love how JI could show the more logic side of himself during the last few years and, again, while reading Nygmobs fics using kd names, it was easy to fit the profile for me (that was during the time I wasn’t too deep into nygmobs and I didn’t knok them that well. KS looks cold and deatached and that’s why many people got impressed when he said, during Knowing Bros that he would choose love over friendship. He doesn’t play the part but, considering all the context, it fits him pretty well and reading this description of Oswald made me so familiar because it fits KD well. Ofc I don’t know their private lives and whatever but it’s just the impression I had as a viewer and random person;
Drama issue: when I say drama here, it’s related with how people percieve the two OTPs and how different people visualize LGBT relationship in media. Nygmobblepot had a lot of drama involved because they’re the fucking Riddler and Penguin, two of the most famous Batman villains. People saw them in different sorts of media before and others idolize those characters because of videogames and comics. So, when Oswald mentioned expressedly that he was in love with Edward, it caused an uproar in the fandom. People accused the producers and Robin of messing with the comic canon because the fucking Penguin became gay??? Robin was outspoken about the homophobia behind those statements since he’s a gay man himself but yeah, the drama existed. Part of the people invovled with the series rooted for Nygmobblepot, including some writers and the actors (Cory was the one with ambiguous messages about the nature of their relationship but it’s not even close what happened with other series like Supergirl, Supernatural and Sherlock). But it was aired by FOX, a right wing channel and, as you may imagine, they didn’t become canon per se. Actually, after Oswald said he was in love with Ed and planned on confessing to him, the writers presented a clone of Ed’s ex girlfriend with no explanation and purpose, only to separate them for most part of the series future. After that, some people seemed to have FORGOTTEN Oswald was once in love with Edward, rationalizing many things that are hard to explain with a “bro explanation”, they had a scene where the characters would have evolved even more but it was CUTTED and CHANGED and execs added the sentence “we’re brothers” to make EXPLICIT that Nygmobblepot’s relationship wouldn’t be interpreted as a romance at the end of the series (but, honestly, the actors went for the romance path anyway, the deleted scenes and the final episode can’t convince me otherwise).
What’s related with KD, may you ask? I think you’re familiar with all the drama KD faced since 2016 and how many stuff exploded during that time. How many parts are involved into creating a certain image and shifting it to be appealing and “friendly” is similar with what happens with idols. It’s no secret now about many scandals of bullying and other issues that are considered problematic and how they need to be pushed under the rug for companies so idols can make money and be profitable. Especially for male idols, it’s important that they are viewed as desirable and an object of the fans affections. That’s why he needs to be handsome and kind and look like a person that doesn’t exist. If an idol is openly gay, this person isn’t viewed by the major public with the same interest because they can’t fit the fantasy. That’s why scandals involving idols being gay need to be forgotten and deleted from people’s minds, otherwise that celebrity is ostracized. Although we tend to see the Ocident as “progressive”, there’s similar things happening in that industry. If a celebrity is openly LGBT, they don’t receive certain roles or opportunities because of it. There’s still a huge stigma that needs to be broken and we, as a society, are so far way from it. But recognizing those differences exist it’s a step forward.
Similarities with Smaylor
For me, one of the reasons Nygmobblepot works so well is because of the actors. They portrait a good chemistry because of their friendship off screen and some non verbal signs they display around each other are amazing. Those are things that remind me more of KD as we see them in a lot of moments. So, I wanted space to show those comparisons below:
Mutual admiration: it’s something both Smaylor and KD display a LOT and is extrememly outspoken. I really love watching their old interviews because the affection and admiration is so genuine it makes me drawn to them despite not being romantically involved.
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(full gifset)
(there are more moments than these but I don’t want to steal gifs and there’s not much on the gif research and that sucks. Same with KD’s).
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Stares and touches: Robin was the responsible for the deep stares and Cory for the random touches. There’s so many gifs of it that is hilarious. It’s like JI divided himself in two cells because we know he’s more known for both >.<
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(Cory was touching Robin all the way during this interview rip)
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(the gifset!!!)
You’re pretty moment: Robin, like KS, is the one that mentions about Cory/JI’s physical attributes. They have a moment pretty similar and, for KD its famous among shippers:
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(gif link)
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(actually, Robin called Cory dashingly handsome but its okay)
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Cory lost it
There’s another series of gifsets with Robin calling Cory handsome LMAOO
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:))))
Synchronization: for specialists in body language, it’s a factor that shows two people are close. That’s because of the mirror neurons we have that makes us copy movements, actions or words that someone we have empathy/we are close with do or say. Both kd and smaylor do this and it’s really soft.
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(one of the classics)
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(classic 2)
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whole gifset (i love this interview so much)
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(gif)
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The fact the actors came up with their OTP names: people tend to forget that KD’s real otp name (according with Jongin) is dika. Cory also came up with Nygmobblepot name and Smaylor too <3
So, meanwhile Nygmobs has thropies that work a lot with KD AUs, Smaylor has healthy dynamics seen in public appearances KD made. Like I said above, there’s a huge polemic about shipping Smaylor romantically because Robin is married. On social media, is visible he loves his husband and it’s pretty cute to see. Cory himself mentioned that their relationship was sort of a platonic friendship (whatever that means) but it’s really genuine in terms of affections and display of admiration, something KD has as well.
Probably someone will question that it may changed the way I see KD or if now I ship them as bros. Nothing about that changed. With KD, although there are some similar details, there are internal AND external factors that made me support them in a romantic perspective in the first place. And it didn’t change. 
But both of them (Nygmobs too) make me feel that I’m testimoning something genuine, which is really hard in both kpop and media universes. In one side, we have a LOT of fanservice. And, in the other, it’s mostly a work interaction with lots of queerbating. Yes, Gotham has queerbating aspects in it but it’s not full of queerbating, if it makes sense. The message the actors and some writers wanted to convey are there and really display a romantic direction with character evolution and growth. And, considering the way media is nowadays, it’s nice to see.
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Top 5 Dumbest Things in The Final Season
I’ve played TWDG a lot, and I can confidently say that The Final Season is my favorite installment, and I’d argue that it’s the best of the series in terms of visuals, controls, characters, and storyline... but that doesn’t mean it’s a perfect game by any means. In fact, there are a lot of issues and inconsistencies you could pick out within the story and the arcs of our characters.
But today I don’t wanna tackle the big problems. The issues on today’s list aren’t a big deal and won’t ruin the experience of the game-- they’re minor and just really, really dumb. They’re things that you probably wouldn’t even notice during your first or second playthrough of the game. Honestly, most of these probably could be easily explained with “shhhh, don’t think about it.” 
But I’m thinkin’ about them because they’re dumb. So, here's my Top 5 dumbest things in TFS. Do note that these Top 5′s are all in good fun, and they’re my opinion. Obviously. 
[also, most of the screenshots used here are from @pi-creates​-- if you haven’t checked out Pi’s blog, I highly recommend you do! :D]
5. Doors make no sense. 
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The doors in this game are dumb and make little sense. And you might be scoffing like, “Really? Doors?” and to that I say, “YES DOORS OKAY!”
If you’re like me, you like to look at everything in hopes of finding interesting details and maybe an easter egg. If you look at the all the doors after breaking out of the dorm in ep1, they all have different locks which... why? 
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Wait, shouldn’t Clem be able to open this one...? The lock is right there on the outside. 
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Why are they different? Also, why are the dorms lockable from the outside? Like, okay, I get it-- ya gotta lock up the troubled youth so that they don’t escape. Fine. Cool, I can accept that... except does this mean that someone had to go around and unlock all the dorms every morning before the apocalypse? What if you forgot a door and a handful got stuck in there for the day? What happens if you lock all these children in their rooms and a fire starts??
And don’t you look at me and try to be like “Pfft, there’s not gonna be a fire--” excuse me?? With Aasim hanging around, and Mitch for that matter, you’re gonna tell me that the odds of fire happening are 0%?
Well, y’know, fine. If there’s a fire, then the kids can just escape through the windows... oh wait--
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Weeeeeell fuck the troubled youth, I guess. 
But the dorm doors aren’t even the dumbest doors here-- no, no. That would be the god damn basement door that apparently locks from both sides because game’s gotta game and I guess Marlon has the key?? This dumb door makes no sense. 
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Again! I feel like this is a safety hazard?? Sure hope no one gets locked down there, otherwise, you’re fucked I guess?? because there’s no way to unlock or open it from the inside?? After Brody dies and Clem’s looking for a way out, you’d think that she should be able to just open the door at the top of the stairs now that she’s inside but nooooo-- game’s gotta game. 
Ugh, dumb doors!
4. Abel’s magic shotgun
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Did you guys know that Abel actually has a special shotgun? A magical shotgun, if you will?
It’s true, he does. He uses a shotgun that, when he fires it, the buckshot curves around to hit the target when the plot demands it.
It’s true! And it’s dumb!
I know this, because if you yell for Violet to shoot Lilly in ep2, Abel will throw AJ to the grab, pull the shotgun out of nowhere, and fire at both her and Louis.... but somehow--
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--only Louis manages to get hit.
Soooo.... I guess the buckshot swerves around and above Violet to ONLY hit Louis? Like, I know she ducks a bit but I still feel like something should’ve nicked her as well?? At least?? Like, are lesbians immune to shotguns and that’s why nothing hit Violet?? Am I only learning this now??
Not only that, but it only got Louis in the arm?? H-how??
But that’s not all!
After Louis and Violet flee the scene, Clementine and AJ are on the run with Lilly and Abel shooting BEHIND them... sooo...
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If Abel was behind them.... how is it that AJ’s shot in the FRONT of his stomach??
Like, I guess Abel could’ve been at an angle when he shot but they only ever show him behind them soo?? Do I just not know how shotguns work? Do they curve to hit people in their front rather than shooting straight forward?? Because what??
On top of that, how is AJ not dead?? I know, I know, protagonist powers and whatnot but?? the boy took a shotgun to the belly?? other characters have survived lesser things??
But y’know, the dumbest part about this is the fact that I can’t take Abel’s magic shotgun for myself after the Ericson crew capture him. I could’ve just finished off every delta member if the shots curve and travel to hit their targets.
Or maybe Abel’s the only one who can harness its power.
Either way, Abel’s dumb shotgun is dumb.
3.You can’t hug Louis and Violet during their romance routes. 
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Sigh.... Why?
Y’all know that I’m a clouis shipper, and now lemme tell you a fun story that isn’t actually that fun-- Do you remember when the trailer dropped for ep3? And we got some teaser screenshots, with one of them being a shot of Clementine and Louis hugging? Well, I was excited for a plethora of reasons, and that hug? 
I could not wait for this hug.
Then I got through my first run of ep3 and... no hug? Wait, no hug? Why not? I thought--
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Oh. Oh, it turns out... it turns out you can only hug Louis if you don’t romance him. 
Ummmm. Huh. Wha- why?? Do you know how dumb that is?? What dingus who worked on this episode forgot to implement the hug option for the romance route?? Rather, what dingus thought it was a good idea to only give the Louis romance two options outside of doing nothing-- Slap Louis, or kiss him?? Where’s my hug?? Why is Clementine not allowed to comfort her boyfriend with a hug when he’s clearly anxious about everything that’s about to go down?
Look, the smooch is great and all BUT it’s not what Louis needs in this moment, ya dingus. 
I’m sure if I asked Kent for answers about this, he’d do one of two things-- go into a long winded essay about how the lack of hug and slapping him totally makes sense within the context of Louis’ character arc and route because of this and that and this subtle detail here... or he’d give a shrug and say “I dunno, reasons??”
Ugh, okay, well maybe they let you have the choice in Violet’s romance route--
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...Why??
Again, if I choose to romance Violet, why am I not allowed to comfort my girlfriend with a hug before we do this rescue mission?? Sure, I can reassure her that I’m not going anywhere, which is definitely a better option for a love interest than, oh I don’t know, slapping. But the HUG!
They could’ve implemented the hug option into the romance routes but they didn’t and that’s incredibly dumb. 
2. Magic tree is magic. 
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Know what I don’t like? The dream theory. Y’know, the theory that the overly happy ending we got at the end of TFS was all just a dream in AJ’s head to cope with the devastation of the real ending-- the one where Clementine died.  
Now, I can already hear you scoffing at me once more like, “Dream theories are dumb, CJ.” and this time, I do agree with you. 
However, there’s actually some compelling evidence that could subtly point at this theory, such as the backward graffiti in the dorms that was present in Clementine’s nightmare, or the fact that Clementine is, y’know, alive despite being seconds away from death in the barn...
Oh, and then there’s this fucking magic tree. 
Oh, you know... the tree that magically grows in in ep4! The one with the tire swing! 
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Episode 3 vs Episode 4
This tree is dumb and makes no sense. What, did they just... plant a tree there? Did they push the tree up that was on the ground and use some magical wood glue to fix it?? Clementine said that Willy helped her with the tire swing so like... is Willy some sort of tree whisperer?? 
Or is this just further evidence of the dream theory where AJ’s lamenting the fact that Clementine never got to push him on the tire swing back at the train station and now she never will because she’s fucking dead??
I don’t wanna think about it. In fact, I’m pretty sure that’s what the devs would tell me-- “Shhhh... don’t think about it.” 
This tree is dumb! 
1. What even is the greenhouse??
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So.... the green house. It’s dumb. And inconsistent, both in the story and actual location of it. 
First of all, as you can see in the concept image above, it should be within the walls of Ericson, yeah? And if you’re like, “Well, it’s CONCEPT art so it might not be totally accurate CJ.” and I say, “Fair enough, let’s look that the actual in-game map the characters use then.”
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Look at that-- still within the walls of Ericson, though in a different location than the concept art. Make sense? Sooo....
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Where the hell is it?
Because it’s not within Ericson’s walls. No, no--
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It is WAAAAY the hell out here! You can see the bell tower in the distance so like... huh? Where are we?? This is a long as walk to the greenhouse! 
Oh, and if the weird inconsistent locations weren’t dumb enough, there are different conflicting stories surrounding it, as well! 
First, Marlon says that they had it functional with lots of vegetables, but then it became over grown so they don’t go out there anymore. Then, if you go fishing with Violet and Brody, Vi will tell you she worked in the greenhouse the day the twins were killed last year, which... doesn’t add up? Especially when we actually go there in ep2 and see that Ms. Martin died and became a walker inside, but she died a while ago?? 
Also, how did Ms. Martin get tied up like that? Did she get bit, barricade the doors-- wait, that doesn’t work because how did she barricade the science lab from the inside when there’s a shelf in front of the door?? In fact, shouldn’t the walkers that are inside be students that died?? 
“Sshhhh... don’t think about it.”
Ugh, nothing adds up about this greenhouse and that makes it the dumbest thing in TFS.
---
Honorable Mentions
AJ magically teleporting behind Marlon with the gun. Because plot.
The dumb padlock on the gate Louis/Violet/Tenn climb over in ep4 that they could’ve easily broken
Louis’ jacket that somehow holds Chairles
The padding on Violet’s boot that’s rendered useless because they put it on the leg she doesn’t use to kick walkers away
---
Those are my Top 5 dumbest things in TFS, do you agree or disagree? Do you have anything from this game that’s dumber than what I have listed? Let me know! 
Next week’s T5F Top 5 Characters in ANF Who Would’ve Made Better Love Interests Than Kate
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babi-correia · 4 years ago
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You’re My Sunshine
From Anon:
Hey girl! Would you mind doing another Jay Halstead pr maybe Jesse Lee Soffer imagine/one shot*? Maybe being the hidden girlfriend? Thanks hun!
Words: 2147 Warnings: Kidnapping, torture, canonical violence Pairing: Jay Halstead x Officer!Reader A/N: This ask has two viable one shots, actually. I did this one now, but I’ll probably pick up the JLS sometime in the future. Hope you like it, hun!
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Deep down, both of you knew this day would come. The day when Voight barked out to bring a uniform up for an undercover stint, and the Intelligence member brought you up. 
Jay tries to interfere and go with Adam as he goes to get one of the officers down at the lobby, but Voight quickly shuts him down, remembering him that Adam knew the suspect's type better than Jay. His jaw clenches and his hands close into fists as Adam goes down the stairs, already knowing you are going to be the one he brings up. 
The two of you have been dating for a few months, and Jay liked having you to himself. By hiding your relationship, not only are the two of you not in the public eye for dating each other - the last thing you need is someone calling you a badge bunny and saying you're sleeping with Jay to climb the hierarchy - but you are also out of the line of immediate danger that comes with dating a law enforcement agent, inevitably becoming a target.
At first, Jay wasn't very keen on the idea of you: a new cop with shiny eyes and hope in the world; he knew you would be shattered by the job, and he didn't want to watch it. But then he started warming up to you. He couldn't pin down what you had done exactly, if it was how you refused to drop your kindness with Platt, or how you could offer an input that he hadn't seen, or how you would charge in, gun in hand with unwavering intent when someone's life was at risk... it was probably how you didn't try to take pity in him or treat him like a baby when you saw him having a particularly nasty flashback that made him freeze in the middle of the locker room. You had just grabbed his hands in yours and gently coaxed him out, giving him the visual help of the "Chicago Police Department" badge on your vest - you would never know how much it meant to him. 
He had seen your determination falter over the time, but he always tried to make you get back up on the positivity horse; secretly, it kept him going too, the idea that someone could see so much good in the world and still believe in the best possible outcome. It was something rare and precious, in your line of work. 
So, when Adam comes back to the bullpen with you in tow, Jay feels like punching him. He feels like going out on a solo manhunt and face the consequences of it, if it means that you won't be brought into this case. But he watches you walk into Voight's office and nod after the Sergeant explains what he called you up for. He knows that you would never refuse the opportunity to help other people - that's why you had become an officer in the first place.
He sits in his chair, resigned, as he watches you and Voight leave the office. 
"So, officer (Y/L/N) will go undercover as an immigrant that needs help getting the rest of her family inside, no matter the cost." Voight says, pointing at the board. The pictures of 7 women are pinned in, their faces stuck in an eery, eternal smile, unknowing of the atrocities that committed against them. All they wanted was to give their families a better life.
Jay meets you in the locker room after he makes sure that no one saw the two of you entering, and crosses his arms. 
"There's no chance I'm talking you out of this, is there?" He asks, his voice small and defeated. You turn back, already wearing your civilian clothes, and give him a reassuring smile as you lay your hands atop his forearms. 
"I'm a good cop, and this will be over quickly." You say, lightly rubbing his arms. "It has to be done, they can't keep killing these women."
"What if something happens?" He asks, his brows furrowed - you don't quite grasp the seriousness and danger of this, and it worries him deeply. "It's more dangerous than you think."
"Jay... I've been a cop in Chicago for a while. A beat cop. I'm cussed at and thrown things at for existing. There, I'm going to be a girl that they're going to underestimate. The only way this can go wrong is if they figure out I'm a cop, and that's a risk every undercover takes, and that you have also taken several times." You grab his face. "It's going to be ok."
-
Unintentionally, you had jinxed yourself in your conversation with Jay. Not in a thousand years would you have thought that the measly drug dealer you arrested a couple weeks ago would be involved with a human trafficking ring, and when he saw you, you knew it was over. He shouted to everyone how you were a "pig", how you were there to arrest them all. You had stood your ground, unwavering, claiming you had never seen him before in your life and had no idea what he was blabbering about, but no one bought it. They ganged up on you and you knew that resistance was futile and would only hurt you further.
And now, 3 days later, here you are. Bruised, bloody, sweaty, laying on the cement floor of an abandoned warehouse somewhere by the river, in between torture sessions. The big boss doesn't know who you work for - all he knows is that you're with law enforcement. He's too paranoid and knows that CPD isn't the only one after him, and even though he knows you're CPD, he has no idea if you're working directly for them or if you've been "scouted" by a bigger agency. 
Your mind rarely leaves your memories of Jay, trying to isolate and disassociate yourself from the prodding metal and angry fists connecting with the several different parts of your body. A small part of you hangs on to hope that Jay and the rest of Intelligence are coming for you, but the bigger part tells you that they either won't make it in time, or that they think you're already dead. 
The footsteps in the hallway drag you out of your thoughts and you raise bloodshot eyes to glare at the grunt in front of you. He hastily pulls you up by one arm and drags you into another room, different from the one you had been beaten in. There's a hook hanging from the ceiling, but there's also a chair and some blades arranged neatly by the chair. The thing that jumps at you is the camera standing in the corner of the room, hooked to a computer, and aimed at the hook and chair. The grunt stands with you by the door as the boss walks into the room, walking with his usual swagger towards the camera.
"Since I don't know who my little toy is working for, here's what is going on: to whom it may concern, this bitch is at my mercy, and either her employer comes forward, or I'm going to kill her." He says darkly as the grunt drags you into further inside, near the hook. 
You put on your best brave face as he hangs you in the hook by the bindings on your wrists. Your shoulders scream at you but you refuse to show pain. The boss sits on the chair next to you and the grunt leaves, making it just the two of you in the room. He grabs a small, yet sharp blade from the assortment and turns to you, smirking darkly. 
"So, I'll ask you again. Who are you working for?" 
"Your mom." You spit at him, biting your tongue to not cry out when the blade cuts across the skin in your stomach.
-
The mug in Jay's hand hits the floor the second he sees the screen of his computer taken over by a video of a dark, grimy room, with you hanging from a hook and a slimy-looking guy in a suit passing around you with a large blade in hand. 
He knew to fear something bad when they stopped getting the daily debriefs from you, but part of him had been influenced by you into thinking it was the best-case scenario: maybe you had gone deep to the point of not being able to contact them, but were about to resurface with enough evidence to nail every single interferent in the trafficking ring. He feels his heart sink to his stomach and his legs threaten to give out as his gaze fixates on the screen. Your face is bloody and bruised, along with the rest of your body, but your expression is one of stubbornness; whatever the guy is asking of you, you're not complying. 
"This would all be over much quicker if you told me who you're working for." The guy snarks, and your expression remains unchanging.
"We both know you're going to kill me either way, just get it over with. Besides, I already told you I'm working for your mom." His fist connects with your ribs and you give out a pained chuckle. Jay's fists close up as anger begins to boil and cloud his head. "Or maybe for Brutus over there. Maybe you're his Ceasar, and he's waiting for the right chance to stab you in the back thirty times. Now seems like a good time, Brutus."
Voight bolts out of his office, vest on one hand, and a post-it note on the other. 
"A contact of mine got me an address. Let's role." He barks out sternly. Jay bolts out behind him and the whole team gets in the armory, putting on their vests and grabbing their choice of weapon before getting into the cars and driving towards the address Voight's contact had given him. 
Jay checks his three guns yet again: one Glock 19 in his hip holster, one Glock 17 in his thigh holster, and an AK-47 in his hand. He knows every moment from breach is going to count, and the longer they take to get to you, the worse the outcome can be. 
The car comes to a stop and he turns off the security in the AK, rolling his shoulders as he steps out of the car and stealths towards one of the entrances. He peeks through a window, seeing two grunts. He gestures what he saw towards the rest of the team and prepares for breach, kicking in the door when Voight says so. 
He feels the adrenaline coursing through his veins and doesn't stop until he's passed the guarded area. The hallways are silent and he strains his ears, trying to pick up something, anything that will guide him to you. 
In the room, you're still dangling from the ceiling when the loud noises snap the guy from yet another monologue about how it would be easier for you to just give up and blah blah blah. Honestly, you had started to tune out the moment he opened his mouth, already knowing some variation of what was about to leave his lips.
"Go check out whatever that was!" He barks at the grunt, making you focus on the door as the other man exits through it. Before you realize what's happening, a shot rings out and the grunt falls back into the room, making the boss jump in fright. You see Jay slowly stepping over the body, AK steadily trained on the suited guy standing by your legs. 
"If you move another inch, I'm blowing your brains out." Jay growls out as the other man tries to reach for the gun on the chair. "My finger is feeling very, very trigger-happy, and I just need you to give me a reason to give it what it wants."
You feel tears prickling at your eyes, both of joy and of pent up frustration and fear, flinching when you see the man moving towards his gun and Jay delivering a clean shot to his chest, dropping him to the floor instantly. 
The AK hits the floor with a clatter before Jay rushes to you, unhooking you and lowering you to the floor before wrapping you in a bear hug. You feel yourself starting to sob as you hide your face on his neck, relishing in the feeling of being wrapped by Jay and his scent surrounding you. 
"I would die happy if I died like this." You mutter into his neck, feeling him chuckle as he pulls away.
"You're not dying anytime soon, I'll waltz in and save you every time." Jay says, retrieving his AK and slinging it over his chest before he picks you up. "Let's get you home, yeah?"
"Sounds good to me."
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petri808 · 4 years ago
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1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33-Epilogue
As the star witnesses in Touka Shiromajyo’s murder trial, both Natsu and Lucy weren’t allowed to sit through the trial. It was fine with them, considering just the idea of testifying was becoming more than Lucy could handle. She’d made a lot of progress with Natsu and the therapists help, but facing the woman who tried to kill her... in the flesh? Knowing Touka, she’ll be staring them down from the defense table with some stupid smug grin. It made Lucy’s skin crawl just thinking about it. Frankly, it wasn’t fair that they were having to go through this in the first place because the prosecutor offered Touka a deal. If she was remorseful and plead guilty to attempted murder and stalking, they would recommend only an in-house psychiatric treatment at a hospital versus jail time. But she’d refused the deal. As far as Touka was concerned this was all Natsu and Lucy’s fault for driving her to commit the act.
The defense really had very little they could do to argue against the facts of the case. Gajeel and his team did an excellent job tracing all the events of stalking from the beginning, so their best chances were to show Touka was completely mentally unstable, suffering from a disorder that made her incapable of knowing right from wrong or gain sympathy by attacking Natsu and Lucy’s roles. It wouldn’t get her off completely, but it might mitigate or shave time off her sentence.
The prosecution began by carefully laying out the timeline of events. In a stalking case that spanned years, this would be crucial as they moved through all the evidence to show when and the possible why’s that would establish Touka’s motives for kidnapping Lucy. It showed the buildup, the prosecutor pointed out, like an old coal train that slowly moved forward inch by inch, picking up momentum until it had reached its top speed, and unless someone pulled the breaks, there was no stopping it now. In order to provide a visual for the jury, they created a long board with all the points plotted out to use during the duration of their case. They kept it facing the jurors the entire time, a strategy to keep them focused on it.
In keeping with the strategy, witnesses and evidence were also presented in chronological order starting with Natsu, Gray, and a few other former students of Meguro Nihon. Both Natsu and Gray both testified that they didn’t remember or even interacted with Touka. The others were there as former club mates of the woman who testified they remembered her making comments about Natsu back then, but they also testified that they never saw or heard of him interacting with Touka.
“So, is it your testimony miss Fumiko that as far as you remember, there was never any interactions between the two?”
“Yes. Back then Touka and I were good friends, well at least I thought we were. I know she had a crush on him,” the woman blushed, “so did I, but Natsu was out of our league. Neither of us ever tried to approach him.”
“Thank you, miss Fumiko.”
The defense attorney then stood up to cross-examine the woman. “Miss Fumiko. How do you know that Ms. Shiromajyo never tried to talk to Mr. Dragneel? Isn’t it possible that she may have done so when you weren’t around?”
“Maybe... but I’m pretty sure Touka would have said something, if not before, after of what the outcome was. And I never saw her distraught about him.”
“Judge,” the defense objected. “Move to strike miss Fumiko’s testimony. It’s impossible for her to know the operation of another’s mind.”
“Objection!” The prosecutor fired back! “Miss Fumiko is just stating an observation.”
“Sustained,” the judge sided with the prosecution.
Undeterred the defense attorney pressed on. “Alright then, miss Fumiko. Did you ever observe Ms. Shiromajyo behave in any manner that concerned you?”
“I don’t understand...”
“Did Ms. Shiromajyo do anything that appeared as if she was obsessed with Mr. Dragneel?”
“No.”
“No further questions.”
The prosecutor stood back up. “Redirect your honor, I’d like to clarify what this witness understood ‘obsessed’ to mean.”
“Go ahead,” the judge granted.
“Miss Fumiko, how often would Ms. Shiromajyo talk about Mr. Dragneel?”
“Oh, daily! She kept a journal and would write things in it about what he did, what he wore, clippings from the school newspaper if he was in it, stuff like that. Sometimes we’d both talk about it, especially when he did something really cool.”
“I see. So, you actually saw the contents of the journal?”
“Yes. I remember it had a pink cover, and there were doodles and hearts with their names in it.”
“Daily chronicles, could that have been seen as obsessive miss Fumiko?”
“Objection!” The defense attorney decried.
But before the judge could respond, the prosecutor waived his hand with a smirk. “That’s okay. I’m done with this witness.”
“You’re free to leave Miss Fumiko,” the judge instructed the witness.
For the first three days of the trial, witness and evidence covered the time leading up to the Main event. Lisanna and Bixlow testified about their experience with Touka, along with two other college students who had a class with Natsu and had been approached by the woman. The manager and an employee of the movie theater testified about the assault incident in their establishment. The person Touka had tried to pay to kill Lisanna testified about that event. The doctor that performed the plastic surgeries was brought in to cover all the work she’d had done to transform herself, and other witnesses were brought in to testify about behaviors they’d witnessed showing her growing obsession. As the lead investigator, Gajeel testified about the police evidence, the methods they used to obtain what, how, etc. The defense attorney did his best to undermine Gajeel’s credibility due to his personal relationship to Lucy’s best friend. But the burly detective had been ready for it and proved to be undeniably unshakable in that regard. Nothing the man did through the investigation could be deemed biased.
Finally on day four, it was Lucy’s turn to testify. As they waited her turn in a soundproof side room, Natsu did his best to keep her calm. “Remember the affirmations,” he held her hands in his, staring up as he kneeled in front of her. “If you need a moment to breathe or you need a moment to calm down, signal the prosecutor.”
Lucy nodded. “Okay.”
“I’ll be sitting in the gallery with Levy during your testimony because the judge is allowing it. Just look at me, keep your eyes on me the whole time. Don’t look at Touka.”
“Natsu— I-I can’t do this...”
“Yes, you can, you can do this. Just remember what we talked about. She can’t hurt you anymore, so don’t give her any more power to.”
Tears pooled in Lucy’s eyes. “I’m scared, Natsu.”
He leaned up, cradled her face in his palms, and kissed Lucy’s forehead. “It’s okay to be scared, but you’re stronger then you know. We survived because you’re strong, Luce, remember that.”
“O-Okay.”
A woman from the prosecutor’s office walked Lucy to the stand while Natsu and Levy went and sat in the gallery. It was a win for them that the judges allowed there to be a psychiatrist present as well during her testimony, just in case a panic attack was triggered. The defense of course had fought the motion, citing the inflammatory appearance to the jury, but the judge overruled them. Lucy did her best not to look in the direction of the defense and kept her eyes glued on Natsu as a grounding point.
It wasn’t always easy. Her body was visibly shaking the entire time along with tears trickling down her face through the hardest portions. They’d warned Lucy that her time on the stand could take at least two days, more if the defense’s cross-examinations stretched out. She prayed they wouldn’t. Lucy knew they would try to trip her up but hoped they wouldn’t push it too far because as the victim, badgering would actually be counter effective for the defense. That first day the prosecutor took her through the beginning, how she’d met Natsu, when Touka entered the picture, the day at the cafe. Having to bare her life like this to the public was humiliating even if some of it wasn’t a big deal. Like meeting Natsu, their whole story about meeting on the train, was it really relevant? According to the prosecution, it was meant to establish that Natsu was a single male when they met, and not as the defense asserted, in a relationship with Touka.
Lucy took the jurors through the weeks and months, how at first Touka seemed harmless, including the conversations she’d had with the woman as she tried to convince Lucy not to date Natsu. She was forced to explain what caused her to reject Touka’s beliefs in deciding to date Natsu, how hearing about the woman through the eyes of others like Gray changed her mind. Next, they covered the escalating behaviors, being followed and approached by Touka everywhere they went. Lucy spoke of her growing fears, and the creepy feeling of being watched along with corroborating dated photo evidence from her phone of pictures she’d taken of Touka during some of the following incidents. By the end of the first day of testimony, they managed to reach the movie theater incident without many objections by the defense attorney. Lucy didn’t know if that meant he planned to leave her alone or was simply waiting to reserve his cross for later. The unknown left her even more anxious and that night, Lucy struggled to get a decent night’s sleep.
“I hate her even more,” Lucy snapped. “Why couldn’t she just take the damn deal so we could all move on?!”
Natsu pulled his girlfriend close. “I don’t think we’ll ever know the answer to that. All we can do, is our best to move forward.”
“I know...” Lucy sighed.
“Look on the bright side.”
“There’s a bright side?!”
Natsu chuckled. Lucy might be angry at the moment, but it was better she was letting it out instead of holding her emotions in. “You did really great on the stand today.” He kissed her lips. “I’m very proud of you Luce.”
That made Lucy blush, and her anger fade a little. “Thanks. But the hardest part will be tomorrow.”
“And you’ll do fine tomorrow too, just do what you did today. Stick to the truth, ignore the defense side, and just stare at your handsome boyfriend.”
“Pfft,” Lucy snorted a laugh, but he was right, and his humor was a pleasant medicine to take in. “You’re such a weirdo. But thank you. I don’t think I could do this without you.”
“Forever, right?” Natsu kissed her again. “Imma stick by you no matter what.” He smiled and cuddled her against him, “now go to sleep.”
And she did try her best to get enough sleep. Lucy even took extra melatonin to assist, but she still ended up waking up in a cold sweat from a nightmare. Even though the prosecutor had gone over her testimony more than once in preparation, the idea of reliving the kidnapping left a sinking feeling in her stomach when faced against the defendant. Whereas day one she’d done well to avoid it, Lucy made the mistake of looking at Touka as soon as she’d sat down on the witness stand. Strangely, instead of fear, seeing the smug look on the woman’s face made her angry instead. So, Lucy steeled back her resolve to get this whole damn nightmare over with.
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legionofpotatoes · 4 years ago
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alright here’s ma thoughts on that flick I mentioned
we hatewatched a*my of the dead because we were CONVINCED “zombies in las vegas” would be an impossible concept to screw up, but in so assuming we obviously invoked a holy wager with the universe and got reminded, once again, that hoping for improvement from someone who’s dependably put out bad art is never a wise choice 😐
but we were honestly kinda roped in by the marketing??? and expected a goofy fast-paced flick with the odd traditional undead metaphor thrown in, framing some sort of relationship drama maybe or hell even nothing at all! we’d have taken pure indulgent storytelling, idk italian job with zombies in las vegas, I don’t know fucking anything but??? whatever this was???? spoilers below for it is time for One Of My Rants
I mean the main reason I really want to write all this and complain. this film here probably has the most unappealing cinematography I have ever experienced in my life and that is saying something. who the fuck signed off on that CONSTANT shallow-ass depth of field that imprisons your eyeline and turns every shot into bokeh paste???? and I mean every shot almost!!!! I promise if you think I am overreacting just throw a dart at the seek bar and watch twenty seconds from wherever it lands. it is horrifying to look at. at least it gave my girlfriend a good visual shorthand for what it’s like when I lose my glasses
why was sean spicer in this movie. did they pay him to be here. was sean spicer paid hollywood money for his scene in this film because fuck everyone who was involved in that decision
the legitimately baffling hints at the extraterrestrial origins of the infection that went absolutely nowhere and had no dramatic or plot-level bearing. we love to see the franchise sprouts fellas
yet another big budget waste of everything hiroyuki sanada has to offer. and bautista too I guess? I like him but man was this an odd career move
what was the crux of his conflict/resolution with his daughter btw. I understand it was rooted in miscommunication over their forms of grief irt mom but uhh… it was all rather clunky and didn’t land for me. I tried I really tried to buy in but something was wrong fundamentally with the groundwork there, it did not click and their catharsis felt unearned. I know there’s massive amounts of tragic baggage being projected there from the author so I’m not slapping any judgment down really;
but again it would be an easy thing to wave off if they just had a vibrant cast of lovable simpletons with good chemistry and the kinetic sense of plotting the trailers promised (and this premise never discounts good drama, either). but instead it was just two and a half (!) hours of meandering into situations the filmmaking instincts had no idea how to flow in and out of
to wit. I know talking about “bad pacing” is associated with armchair bullshit but consider the example of the scene were dieter does an out of nowhere little dance after childishly screaming but then still-killing a zombie, with the film framing this as a micro character triumph, and not a second later the bg soundtrack instantly fades into an orchestral score dramatizing a nearby mcguffin reveal, completely 180 degreeing the tone without a semblance of deft insert shot stitching or even I dont know a fucking jump cut maybe. now imagine this whiplash for 2.5 hrs uninterrupted
I will keep complaining about the length yeah because this was not a story requiring this much real estate to be told. Uhh in my humble and personal opinion, of course
[man sees zombie tiger] “this is crossing the line!” you can in fact write dialogue that is not utter nonsense that falls apart once you drill down its single fickle layer of referential meta winking. what line are you talking about. you have rules in this insane situation you’re in? total nitpick moment I know but it got burned in my brain for some reason. like a microcosm of the mismanaged dramatic instincts paired with weird writing that dots this movie. I am sure the director calls this either satire or genre deconstruction. I am SO sure
tumblr domino meme that goes from “dude getting sucked off while driving” to “entire las vegas literally nuked”
tig notaro is always great to see but once you know she’s been filmed as a separate greenscreen plate months after photography wrapped - cause she had to apparently replace some abusive asshole but that’s a whole other pig not worth fucking - it becomes impossible to unsee her odd detachment from everyone else in the movie lmao. it doesn’t really “ruin” anything on its lonesome but it is hard to unsee
why. was. sean. spicer. in. this. movie
a very simple key ingredient missing from fully turning lip service sympathy for main uruk hai dude into actual empathy that would generate meaningful conflict with hero family would be to spend a bit more time articulating what he internally wanted the most. because he was obviously trying to do something here with pointed agenda. a family, to have kids, build a caste system, save his wife’s head, return to his planet??? all of these could represent the bigger context in his psychology that spurred his vengeance but none of them are dramatically emphasized long enough for you to cheer him on. I’m not asking too much I promise. Articulating interiority of a mute character is pretty doable with deft cinema language, just gotta linger and hold a shot here and there for a few seconds, frame as his POV, donezo. I know this is also one of those like. “who cares” moments but the movie does, very evidently so, in making this guy an actual character. you can kinda piece it together and create a framework of sympathy for him, sure, but then again he ultimately becomes a foil to be killed and not defeated, so. Ehh whatever
quarantine zone stuff was not a wildly childish covid allegory quarantine zone stuff was not a wildly childish covid allegory quarantine zone stuff was n
the rooftop helicopter fakout at the end was such an ass-backwards, manufactured moment of what could be a simple setup/payoff it just pissed me off??? you gain nothing by giving sad dad five seconds of pointless crisis that flips right back to previous status quo ANYWAY, except for a weaksauce waste of runtime, which could be used instead to get inside notaro’s head and actually SHOW the remorse form as she took off, literally maybe even a frown playing on her face as she’s headed for safety right before we cut back to drax and the kid. just a simple-ass, minimal, momentary setup for what is the most basic filmmaking trick of creating macro catharsis moments. Just???? g o d if you can’t even land that shit why are you even doing any of this
that lil run final pam did was very very charming and super choreographed in a way that was the tiiiniest bit overdone
the whole intro with the simul-backstories and posing with family photos was just… oddly motivated. what was the goal? “here’s what we’re fighting for” vignettes? why? it’s not a functional setup in that vein. what was all that
also I am sorry if this is insensitive but the reasons most characters end up articulating to justify going back into the hell that destroyed their lives makes them sound seriously insane
I dont like complaining about CGI (honestly) but so much of it in modern movies can achieve higher fidelity if the animation is simply subdued. Do not overengineer and over-apply 2D cell methodologies and kinematics to each tiny twitch and movement in a hyper 3D model and I promise you. it will look a thousand times more natural. look at thanos in those last two movies. your rendering and detail are absolutely perfect with the tiger you just have to let stuff sit instead of constantly simulating swaying hair strands and firing off all facial muscles at once. great moment at one point where makeup zombie horse and CG zombie tiger are both in one shot together and just by unnecessary amounts of movement alone you can tell who doesn’t belong. again; detail, rendering, compositing, lighting, all picture-perfect; but y’all just gotta let the animation breathe sometimes, and chill it out
plot holes don’t really matter to me but it was kinda funny how lilly decided not to mention the enormous wrinkle in intel pertaining to an actual territorial tribe of intelligent zombies that require human offerings to let you pass, just so that reveal could play out in real time through the joyous punishment of the cartoonishly misogynistic dude
total chad move for mister uruk hai and final pam to rule from a rusted swimming pool complex
the ending with vanderohe oh my god. with the. cash stacks at the airport register. and specifically them working in his favor. that is literally something you do to get arrested under suspicion of theft. it was almost played for laughs and I respect that. coulda been goofier. make these movies goofy ya dorks
anyway, weird, weird movie. bad marketing. message unclear (something something sins of the father???), baffling editing instincts, literal worst-looking cinematography I ever laid eyes upon. Confidently dying on that last hill
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365days365movies · 4 years ago
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May 7, 2021: TRON (1982)
Starting to leave lo-fi sci-fi with this one.
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Can I just say, I am VERY excited for this one. Mostly because it’s hard to get more ‘80s than this movie, specifically in terms of computers. I’ll explain. Y’know Jurassic Park? Yeah, the same movie I’ve brought up far, FAR too many times this month. Is...is that my favorite sci-fi movie? Shit, it might be? I’ve read the books, I’ve seen the movie COUNTLESS times...I’m pretty sure it is! Huh. Go figure. Anyway, where was I?
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Oh, right! Remember the most irritating character in the movie? This is, in my opinion, older sister Lex Murphy. In the book, for the record, she’s a VERY different character. She’s the youngest sibling amongst the two, and she’s a sports nerd who hates dinosaurs. And she’s also the most annoying character in the book, so at least they kept that consistent. However, you may be saying to yourself: “Jesus, this dude really loves Jurassic Park. Even in the intro for Tron, he’s talking about it. Why the hell does he keep bringing it up?”
Well, allow me to explain. When I was 9 years old, I was super into two things: dinosaurs and reading. You may think that I wasn’t very popular in school as a result. And the truth won’t surprise you. Anyway, on January 3rd, 2001, it was a cold morning in the supermarket when
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...OK, lemme get to the point. IT’S A UNIX SYSTEM!
See, this moment when Lex hacks into the computer to reactivate the locks (a task given to Tim in the book, but whatever) does two things. One, it makes Lex relevant in a film and story where she’s almost entirely unneeded. And two, it established something in the minds of movie-watchers everywhere: a completely misguided idea of what computer programming is.
And this is just one of MANY examples of Hollywood weirdly representing computers to the public. This was kind of a trend throughout the ‘80s and ‘90s, as computers were beginning to become available to the public. Examples are:
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WarGames (1983), dir. John Badham
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Terminator 2: Judgment Day (1991), dir. James Cameron
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Revenge of the Nerds (1984), dir. Jeff Kanew
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Weird Science (1985), dir, John Hughes
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Captain America: The Winter Soldier (2014), dir. Russo Bros
That last one isn’t a great example, and it’s not even within the right time period. I just love Arnim Zola, and he NEEDS TO RETURN to the MCU. Goddamn it, I want this guy back, complete with his full robot body! COME ON FIEGE, LOOK AT THIS GUY! That last one may or may not be my fanart for the character with my own design NEVERTHEGODDAMNLESS!
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Look, all you gotta do is connect the various machinations of Arnim Zola to the foundations of AIM, which is easy given their link in the comics. Zola and his fellow Paperclip scientists helped fund Aldrich Killian’s AIM, and the project to give Zola his sick-ass robot body eventually wound up being a part of the project that would create the hovering robotic chair used by this guy.
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THIS IS ALL I’VE EVER WANTED PLEASE
...Ahem.
Anyway, the weird-ass ways that Hollywood’s represented computers, hacking, and all other associated things can be traced back to 1982, when the first film to use mostly computer generated imagery for its setting was created. This was, of course, Disney’s TRON. And while I haven’t seen it before...I’ve see its sequel in theaters?
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On a related note, Tron Legacy might be a mediocre film with a mediocre soundtrack, but GODDAMN DO IT LOVE THE FUCKING VISUALS. It’s genuinely my favorite aesthetic. That whole “outlined in light” thing? Goooooooh, BABY, how I love it.
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Style over substance, but OH THE FUCKING STYLE
Anyway, despite that, I’m looking forward to seeing where the whole thing came from. I dig that style, too. Is there a name for those aesthetics? Let me know, so I can devote my life to it forever. Anyway, shall we get started?
SPOILERS AHEAD!!!
Recap
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So, we start this movie off with a BANG, jumping into an arcade where two kids are playing none other than Lightcycle, and jumping into said Lightcycles to meet one of the drivers, Sark (David Warner). A sadistic program, he takes great pleasure in executing programs in Lightcycle races.
One of these programs, in fact, is being brought into imprisonment now, to be set against Sark in a race. The program, Crom (Peter Jurasik), speaks with fellow prisoner Ram (Dan Shor), where we get some idea of the lore of this place. Many programs believe in “the Users”, god-like figures who they believe created them and tell them what to do. However, the mysterious Master Control Program is rounding up the programs that believe in Users, taking over their functions or executing them. Diggin’ the lore so far.
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In the real world, we meet Kevin Flynn (Jeff Bridges), a computer programmer commanding his own program, Clu (also Bridges), and...look, I’m not sure what they’re doing, but OHHH. IT’S A UNIX SYSTEM, BABY. The beautiful bullshit that this movie uses to denote computer activity and programming, it’s...MMMMMMMMMCHEF’SKISS, it’s so FUCKING GOOD!
Anyway, Clu’s apparently being sent to find some information, but he’s caught by Master Control. Jeff Bridges shows off some pretty over-the-top acting, but it’s charming as hell. Clu’s interrogated by Master Control Program (also Warner), and killed, or “derezzed”. This frustrates Flynn, but why?
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Well, we get a clue from MCPs concentration with Ed Dillinger (David Warner), who arrives at his office in the COOLEST FUCKING HELICOPTER I HAVE EVER SEEN. I will never make enough money to have this helicopter, but maybe one day I can do it to a car, holy shit. Anyway, Dillinger lands and enters the ENCOM building, where he speaks with his computer table, which contains MCP.
Is this a thing with computer programmers? Do they, like, physically talk to their programs, and the programs talk back? Is this a thing that happens? Are the conversations interesting? Are IT people literally computer-whisperers? I gotta talk to my friends in computer sciences and IT about this.
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Apparently, Flynn’s been snooping around their servers for a specific file, and they’re trying to stop him from getting that file. Meanwhile, in an office in the building, a man named Alan Bradley (Bruce Boxleitner) is blocked out of the system in an attempt to flush out Flynn’s location. Bradley’s summoned to the office for what seems like a routine interview, but is actually more of an investigation. Doesn’t go anywhere.
On a side note, by the way, it would appear that MCP is somewhat in control of Dillinger. Although, how and why is unknown. In any case, he’s attempting to amass power. Additionally, the fact that he’s directly speaking to one of the Users is...interesting. And on a second side note, Bradley is preparing something, a security program called “Tron”. That might come up later.
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MEANWHILE, elsewhere in the building, a group of scientists are conducting an experiment to digitize solid matter and transport it into computers. It succeeds with an orange, much to their delight and celebration. One of these scientists is Lora Baines (Cindy Morgan), Flynn’s ex-girlfriend and Alan’s current girlfriend. They go to the arcade to reconvene with Flynn, much to Alan’s irritation.
Flynn not only owns the place, he’s also a game whiz, brilliant computer programmer, and recently fired ex-employee of ENCOM. He’s also been sneaking into the ENCOM system, and he details exactly why he’s moving against them. While working for ENCOM, he had started writing programs for some very complex video games, which could’ve have made him quite a bit of money. But Dillinger stole his files, and uses it to climb up the ranks to Senior Executive of ENCOM, while Flynn lounges in relative poverty. He’s planning on getting into the system to get evidence of Dillinger’s wrongdoing.
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The trio plots to take down Dillinger and get the evidence together, breaking into ENCOM that night. Meanwhile, Dillinger’s meeting with Walter Gibbs (Barnard Hughes), a co-founder of the company, and one of the other scientists who made the digitizing machine. Dillinger says YOUR TIME IS OVER OLD MAN, and brushes off his concerns about he’s handing the company.
He’s not the only one with issues, as MCP decides to take over FOR Dillinger. Apparently, Dillinger’s talents are stealing data and creating Cybernet/HAL 9000. Good job, buddy. But that may end, when Alan goes to finish and install his program, Tron, which will hopefully take MCP down. Meanwhile, Lora and Flynn go to the basement with the digitizing machine. At the computer terminal, MCP decides to stop Flynn by...well, you know where this is headed.
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Yup! Flynn’s brought into the computer by Lora’s machine, and is digitized and put into the game grid. And since we’ll be spending a lot of time there, I think I need to acknowledge something: I really love how this movie looks. The CGI is rudimentary, but it’s used surprisingly well. Consider that this is also made in an era where this is the kind of imagery that computers could literally generate at the time, and you’ve got a pretty great movie in-context.
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Flynn, now in those spiffy program duds, is sent by the MCP to compete in the Game Grid, under Sark’s supervision and tutelage. He’s thrown into the brig with the other imprisoned programs, where he learns more about this world. Once brought into the throes of the Game Grid, he’s told that those who believe in the Users are to be trained poorly, ensuring their inevitable death. Meanwhile, those who renounce their belief will be spared. And of all the programs who still believe in the Users, there is none quite as powerful...as Tron (Bruce Boxleitner again).
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We see Tron’s badass skills in Ultimate Frisbee. And OK, it’s not Ultimate Frisbee, but you throw discs that contain all of your essence and all of the things you’ve learned in your time there. You basically pour your entire essence and being into the disc as you throw it. So, really, it is Ultimate Frisbee, according to that one dude who’s REALLY into Ultimate Frisbee.
Flynn is commanded to play one of these games, and he winds fairly easily. However, when he defeats his opponent, he’s almost about to die. However, Flynn refuses to finish him off, leading Sark to do so instead. And Sark is tempted to kill Flynn as well, but he holds off at the last moment.
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Flynn finally gets to meet Tron, where he feigns being a program that knows of his User, Alan. Of course, Tron looks exactly like Alan, which is why Flynn blurts out his name. But as they’re discussing this, Flynn, Tron, and fellow prisoner Ram are sent to compete in the Lightcycles. And, yes, I’m now looking for a game like this on my phone, because GODDAMN to I love Lightcycles. Can’t WAIT for the Disney World ride, oh my GOOOOD. 
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So, our guys get in the Lightcycles, and they outmaneuver Sark’s guys. They’re actually able to escape the arena and the Game Grid, making it outside the citadel. They encounter a, uh, bitstream, and soak up some energy before moving on. On the way, though, they’re nearly killed by Sark’s guys in tanks, and Tron is separated from Flynn an the unconscious Ram.
Flynn and Ram finds a place to rest and hide, and Flynn discovers that, as a User, he actually has the ability to somewhat manipulate the reality within the computer, and he makes a version of MCPs ships, the Recognizers, which resemble the villains in Flynn’s game that Dillinger stole. Now realizing that Flynn is a user, Ram asks him to help Tron, before dying and disappearing into pure code. Whoof.
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Tron, meanwhile, ends up finding an input/output program named Yori (Cindy Morgan), who helps him in his escape. She takes him through the city, where we see some interesting designs for control programs, almost like a Hunger Games Panem sort of deal.
Flynn has trouble driving his ship, as he meets a “bit”, a small bit of data that only answers in yes or no. He, too, ends up in the city, and you start to notice that this film has a really heavy influence in our cyberpunk concepts and fashions today. Honestly, I really dig this whole thing. Kevin uses his programming powers to disguise himself as one of Sark’s guards, while Yori and Tron find their way through the main citadel of the guards.
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They make their way through to the access tower, where they ask the program Dumont (Barnard Hughes again) to let them access the interface that will allow them to speak with the Users, specifically Alan. Reluctantly, Dumont agrees to let Tron through, where he goes to the access port. Which, for the record, looks awesome. He goes to speak with Alan, and he does that one pose. Y’know, the famous Tron pose that’s on the poster?
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Yeah, that’s the good stuff. Anyway, he gets information written onto his disc that’ll allow him to kill MCP. Neat. And unfortunately, that’s exactly when Sark and his guys show up, taking Dumont away as Tron and Yori escape. Yori gets them onto a Solar Sailer, a device that will transport them to the central computer. Tron fends off some of Sark’s guys with video game noise kicks, and the Solar Sailer arrives to take them away.
Sark chases after them, but the pair manage to outrun his very cool-looking ship. MCP threatens to destroy Sark for his failure, but he promises that he’ll be able to get them. On the ship, Tron looks down at the side to see Flynn hanging on. Turns out that he was one of the guards that attacked the two. Tron pulls him up onto the ship, and Flynn reveals that he is, in fact, a user. He also reveals that Users aren’t exactly the gods that programs believe them to be.
Anyway, how’s Dumont doing?
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Ah.
Well, the Recognizers find Tron, Yori, and Flynn, and chase after them on the light beam the Solar Sailer is on. However, with his User powers, Flynn manages to get the Sailer onto a different beam, while pulses on the original beam destroy the Recognizers.
Doesn’t end up mattering much, though, as Sark finally catches up and intercepts the group. The Solar Sailer is destroyed, and Yori and Flynn are thrown in the brig with Dumont, who’s still alive! Can’t say quite as much for Tron, apparently. But, again, I can only assume that Ton is still alive. We’ll see, though. Sark denies Flynn’s identity as a User for some reason (I mean, MCP told you who he was, but OK), and he sentences them all to death. Outside the ship, of course, is Tron, who’s hiding and waiting for the right time to strike. And that is when we finally see him.
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Glorious. Absolutely goddamn glorious. MCP is taking the remaining programs that believe in Users, Dumont included, and incorporating them into his mass. Meanwhile, Sark has found Tron, and the two are fighting with a classic game of Ultimate Frisbee. Tron nearly defeats Sark entirely, but MCP revives him, and gives him the power to take out Tron. He grows gigantic, and it looks genuinely really convincing.
Flynn prepares to take out MCP once and for all, and kisses Yori just beforehand, which is weird as shit. He jumps into the program, and controls it just long enough for Tron to throw his disc at it and land the finishing blow. And with that, MCP is ended, and the threat of take over is gone! The I/O towers light up, and the Video Warriors have won! Don’t ask me what that means, I study birds.
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And with ALL OF THAT DONE, Flynn gets the proof he needs from a print-out that, to be honest, I feel like he could’ve just typed up himself. It doesn’t look like that much. But, still, MCP is gone, Dillinger’s screwed, and Flynn now gets a cool-looking helicopter of his own, as the new CEO of ENCOM. And from there, he will become a deadbeat dad that abandons his kid to live in computers forever. Or something like that, it’s been a while since I’ve seen Tron Legacy.
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And that’s Tron, a goofy movie of its time, but one that’s a lot of fun all the same. And with some effects that, to be honest...I actually really liked! But more on that...IN THE REVIEW! See you there!
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mcheang · 5 years ago
Text
Social codes
I should think this counts under crack fic. Although this wasn’t based off an episode, I realize this reminds me of Big Time Secret. Takes place during Chat Blanc right after Marinette dumps Adrien.
Adrien’s warning surprises Marinette but she flees to the subway and escapes the akuma. Adrien follows her downstairs and transforms out of sight, he cataclysms the butterfly.
Adrien texts Marinette, who was about to transform, that the butterfly has been handled by Chat Noir. Marinette does not reply or respond to any of his calls.
Heartbroken, Adrien gets Alya to help him learn why Marinette broke up with him. Nino is currently with Adrien.
Alya agrees to help because she is so surprised and curious. Why would Marinette break up with her dream boy? (Not to mention after all the work Alya invested in their relationship, and having to listen to Marinette moan about her love life, Alya feels kind of cheated that all that would be for nothing.)
Alya leaves their phone call open as she interrogates a sobbing Marinette.
“The *sniff* the other day, Mr Agreste came to the bakery. *sob* He said I was ruining the Gabriel Agreste brand image and that I had to break up with Adrien or...or he would pull Adrien out of school!” she falls back into sobbing.
Adrien is stunned. Their BFFs are furious.
When Marinette explains that she couldn’t tell Adrien because he would confront his dad and get pulled from school, she begs Alya to keep it from Adrien.
Alya guiltily turns off her phone.
Adrien is stunned and very pale.
Nino is sympathetic and sorry for his friends, but also angry at Gabriel. Banning him from the house and refusing to let Adrien have a birthday party is one thing. But blackmailing his son’s innocent Girlfriend to break up with Adrien is another.
Nino gets reakumatized into Bubbler via his glasses. He doesn’t have a weapon. Bubbles just appear when he visualizes them.
Bubbler orders the bubbles to go after the adults again.
When he goes to Marinette to tell her the problem has been solved, Marinette’s alarm is derailed and she asked who told him that.
“Did Alya tell you that? Ugh! Does she tell you everything I told her? What happened to the girl code?”
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Bubbler realized he messed up. He decides to send a ranting Marinette in a bubble to go join Adrien. Hopefully his bro can cool his angry ex-Girlfriend down.
Too bad Chat Noir was present when his Best Friend got akumatized. (The Bubbler left Adrien alone, with the promise that he’s Adrien’s wingman and will ensure Adrien and Marinette will get the happily ever after his bro keeps talking about.)
Marinette turns into Ladybug and summons a lucky charm. A magnet. She uses it to stick to a metal pole till Chat frees her. They both hide and wait to discharge.
Ladybug’s anger has cooled and her sadness has returned. Chat asks her what is wrong but she is unsure whether she should tell him.
Chat: I’m always here for you Milady. You know I would never betray your secrets.
At that Marinette sobs again. “I have to break up with my Boyfriend because his father won’t allow it. And it’s not fair because I haven’t done anything wrong!”
Children crying snaps Marinette out of her funk and she pulls herself together.
Fight yada yada yada. Timers prevent Chat from further talk with Ladybug.
When Nino is deakumatized, he comes across Marinette confronting Alya and she is furious to know Alya pulled a 3-way conversation on her. Does privacy mean nothing to the journalist?
Nino just got rescued and now his Girlfriend looks like she wants to murder him. Where’s an akuma when you actually want one?
“What’s next? Does Adrien tell you my secrets too?” This is to Nino.
Nino is freaking out and starts babbling. (Hell hath no fury like a Marinette). “No, no, dudette. Adrien has never spilled any secrets. He only asked me for advice. You know, like about Kagami and how to get you to accept expensive gifts, you know like that charm bracelet...”
Alya shuts Nino up who realizes belatedly he should have kept his mouth closed, but not before he reveals that Adrien told embarrassing moments on their dates that Marinette had wished confidential.
Marinette is mortified. “You know, breaking up with Adrien doesn’t feel so bad now because right now I can’t face any of you.”
Marinette runs up to her room to cry into her pillow, feeling betrayed and mortified. Nino is left to face the wrath of Alya.
Nino’s brain: meep
Later, Nino facechats Adrien and warns him that things got messed up.
“I’ve got good news for you. Marinette’s not breaking down now over your break up.”
Adrien perked up, “Did she find a loophole?” If anyone could find a way, it was his Lady.
Nino winced. “It’s more like she feels better about breaking up with you after you broke the Boyfriend code?”
Adrien was confused and cursed his homeschooling. “The what?”
“Yeah, Marinette’s not happy about some of the stuff you told me about. Apparently they were supposed to be just between the two of you.”
Adrien is confused before Nino’s earlier words settled in. Marinette was happy about breaking up with him? Why? Adrien was panicked. “Can’t Alya help us?”
Nino sulked, “Can’t. She’s mad at me because I broke the Boyfriend code too, and now Marinette’s mad at her for breaking the Best Friend code.”
Adrien was confused. Too many codes. “Slow down and break it down for me please.”
After Nino does so, Adrien regrets Chat’s words to Ladybug. He did betray his princess’ secrets. Adrien starts sobbing dramatically into his pillow.
Plagg rolls his eyes. Kids these days. He eats his cheese and offers some as consolation to the inconsolable Adrien.
The next day, the girls ignored Nino’s hopeful smile and Adrien’s kitten eyes. Alya just got back into Marinette’s good graces by giving her those pens with invisible ink that only show up in blue light.
Nino makes it up to Alya by proclaiming he got her an interview with Chat Noir. (Thank you Adrien!) Nino just assumes Adrien has connections and uses them. I mean Marinette got Alya that private interview with Ladybug...
Adrien is in a funk and it clearly affects his work and studies. When Gabriel threatens to pull him out of school, Adrien retorts that is his threat for everything, so what is the next threat once that carries out?
Gabriel doesn’t want to deal with teenage drama and instructs Nathalie to handle it.
Nathalie figures out Adrien is depressed that Marinette has broken up with him and this leads him to not care about anything else.
The evidence was obvious: she found Adrien staring dreamily at a shrine he dedicated to his Girlfriend. As well as stuffing his face full of the bakery’s pastries (courtesy of his friends who also unknowingly bring Plagg yummy cheese danishes) to try to deal with his heartache. Adrien doesn’t even get up early anymore.
Nathalie gets Gabriel to allow them to date but Adrien still isn’t happy because Marinette won’t even look at him anymore, and he blames it all on them. (Marinette refuses to look at Adrien so she won’t get her heart broken or she still feels some lingering mortification and betrayal.)
Nathalie sighs. Dealing with Dramatic Duusu is actually simpler than dealing with Adrien for once.
Nathalie brings the tablet with Gabriel’s face on it to apologize to Marinette so they can actually get decent work done. But Tom still forbids them to enter. Gabriel has to apologize in public to Marinette outside the bakery, admitting his wrongdoing.
This situation is actually more awkward for Nathalie.
Marinette is stunned by what just happened that she actually breaks her rule and calls Adrien.
He picks up immediately.
“How did you get your dad to agree to let us date?”
Adrien himself was baffled. He had been too depressed to pay attention to anything except akuma attacks since that was the only time Marinette would talk to him. “I have no idea. Maybe he had a change of heart?”
Marinette’s brain: unlikely
Adrien’s brain: Hello my love. You are as beautiful as ever, your radiance outshines the sun...
Adrien: does this mean you’re willing to talk to me again?
Marinette: I don’t know. Are you live-streaming our video conversation right now?
Cue Adrien begging for forgiveness.
Adrien: Apologies, Princess! I swear by all the Camembert in the world to never let one word between the two of us slip through without your explicit permission....(yeah, Plagg is going to hold him to that.)
Marinette: (laughing) Sheesh, you are such a dork.
Adrien: (kitten eyes activate) but I’m your dork.
Marinette: you are so lucky you’re cute.
Adrien: cute? Marinette, I am a model. I am not cute. I am beautiful.
Marinette laughs. “Ok, fine. Beautiful Adrien. How about you make it up to me? You can treat me to dinner.”
Adrien’s face lights up. “I’ll come over right now.”
“...Adrien...it’s only 2 heures.”
Adrien pouts. “But I miss my princess so much.”
Marinette giggles and admits, “I’ve missed you too, my prince. But I have work to do. You can come pick me up at 6.”
Adrien nods eagerly, looking more like a puppy than a cat. “Very well. See you then, Princess. I love you.”
“I love you too.” And you can just hear the sincere emotion in Marinette’s words.
End call.
Adrien sighs and falls back into his bed. His lady still loves him. She forgives him.
Plagg hovers over the teenager, cheese in his paws. “You are embarrassing.”
“I don’t really care right now.” Adrien sighs.
Eventually he gets down to planning the most romantic date yet.
Nathalie comes home to find Adrien focused since...well, since Marinette dumped him. She informs Adrien that she already booked a private booth for them at the Eiffel Tower Restaurant: Le Jules Verne.
Adrien happily thanks Nathalie and goes off to prepare his wardrobe. Thank God! It had been a disgrace to the brand to see Adrien walk outside with bed hair, shadowed eyes, rumpled clothes, and a distinct odour of stinky cheese. Gabriel about had a stroke at the sight of his Son in such a state.
The evening had been a success. Adrien had romanced Marinette that the night had ended in a very long makeout session that poor Gorilla had to wait through. Good thing he could just play Miraculous Crush.
All was right in Adrien’s world again. All breaches in codes had been forgiven. (Chat had been presentable for the interview in the hopes that a happy Alya would be a helpful Alya. It was a vain hope since Alya was wary of risking Marinette’s anger so soon after the former was forgiven.) Marinette was his Girlfriend again. And Plagg got to try restaurant-quality cheese too.
One week later, Gabriel questioned why Marinette seems to be a constant presence in his house when Adrien has Chinese right now.
Nathalie gives a helpless shrug. “Your Son claims it was our fault Marinette ended their relationship and he had been deprived of his girlfriend’s presence for long enough. He drags her everywhere now. To photo shoots and fencing practise where she and Adrien’s bodyguard play some app games. When Adrien has piano rehearsal and Chinese class, I’ve seen Marinette playing video games quietly in the background.”
“And this doesn’t interfere with his concentration?”
“Surprisingly, no. Adrien only gets distracted when she leaves the room.”
“And doesn’t Miss Dupain-Cheng have work at her family’s bakery.”
“Your Son has paid off his friends to work her shift...using your credit card, I might add.”
Gabriel is alarmed. Has his perfect son turned into a thief? “When did I give him that!?”
“When you told me to let Adrien know that Le Jules Verne was on your tab.”
Gabriel regrets breaking them up so much.
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capesandshapes · 4 years ago
Text
The Last Resort: Chapter 7 (Adrienette)
Summary: After an akuma attack goes wrong, Adrien finally learns Ladybug’s secret identity and finds himself falling even deeper in love with his friend. He thinks he’s finally gotten lucky when she declares to him that she’s currently in the business of falling love with anyone but her previous crush… until that crush turns out to be him. Now Adrien has to somehow convince the girl of his dreams to fall back in love with him, while keeping his own identity a secret from her. Well, if there was one thing his father taught him, it was how to multitask.
Chapter Summary:
Luka struggles with Marinette's heart song, Adrien gets caught spying, Marinette and Alya fight, and Chat Noir attempts to explain the unexplainable. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Da, da, CLUNK . 
Adrien never considered himself to be a mean person, but if anything was a relief to his ears, then it had to be that. Sure, Luka was nice, and smart, and caring-- maybe in another life, Adrien would be okay with the idea of the blue-haired young man taking his lady’s hand. But in this life, he couldn’t help but feel relieved at every uneven beat, every shrill harmony. Luka was trying to capture Marinette’s heart song, but it wasn’t pretty. 
And to be honest, so long as she was with Luka, Adrien didn’t want it to be. 
Laying on his back and staring at the sky, Adrien had found himself listening to the date taking place across the park more than he cared to. Initially, he had written it off as not wanting to listen to the romantic adventures of his best friend and his girlfriend, but after the two had sunk into a loving yet quiet embrace, Adrien had kept listening. With every nervous giggle from Marinette’s lips Adrien tensed, his body only relaxing when Luka insisted on trying to form a song once more, calmed by the fact that Luka could never quite pin down the exact sound of her heart. 
Sure, he got close but, Adrien was certain that not even Marinette knew what notes her heart was playing. 
The downside was, neither did he. 
“One step closer, and a thousand steps back,” Adrien murmured to himself. 
“Cheer up, sunshine,” Alya had clearly overheard him, “it doesn’t look like things are going all that great anyway.” Noting his eyebrow raise, Alya continued, leaning over into his field of vision. “She’s been texting me for the last hour, and she has no idea what she’s doing. Luka keeps looking over at her and, while I can tell that he wants to do something, she can’t.” 
Adrien grimaced. 
Alya snorted in response as another ding came in, waving her phone in the air. “He chose to sit on the side of the fountain thinking it might be nice and all, it’s not and her back is getting wet. He offered her his coat, but she doesn’t know if taking it officially makes this a date or not. Now she’s getting cold and asking me what will happen if she takes his coat.” 
Adrien bit back a grin, shaking his head at the girl. Only Marinette… Leave it to her to freeze to death while fretting about the possibilities.  
Another ding, Adrien found himself sitting up to get a good look at the pair as Alya read off her phone, but the color left his face almost immediately as he did so. Alya’s words didn’t hit him; he focused instead on how close the two were, Marinette’s legs practically on top of Luka’s as she sat beside him, her head resting softly on his shoulder. It wasn’t too much unlike the way she was with Adrien the other night. 
Adrien almost let himself fall backward, almost. Before he could, the girl’s eyes drifted downwards again, typing out another hasty text as Luka began to strum his guitar once more. Alya let off an audible gasp as her phone rang, earning her not only Adrien’s attention but the far less nosy Nino’s as well.  
“She thinks he wants to kiss her?” Alya’s voice rang out as more of a question that a statement as the girl looked up to her friend, her eyes scanning the duo for visual cues. 
“What?” Adrien blinked. 
“She…She needs air?” Alya squinted at her phone just as Marinette finished typing again, the black-haired girl’s eyes scanning the horizon as her friend read her message not so far away. “Oh girl, no .” 
“What?” Adrien repeated, tearing his eyes away from the scene. Beside him, Nino was leaning into Alya’s shoulder to read her screen, the pale looks on his friend’s face sending Adrien’s stomach into knots. 
“You need to go, dude,” Nino replied before Alya could, practically crawling over his girlfriend to reach for his friend and grab his shoulders, “like now.” 
“Now? What do you mean--?” Adrien looked to his friend then back to Marinette, almost immediately realizing what exactly was going on. Marinette had gotten up from the fountain, talking to Luka in exaggerated gestures as she began to walk, her eyes still searching. The look on her face reassured him of her purpose; she was looking for Alya. 
Adrien didn’t know it was physically possible for a person to actually pop onto their feet, nor for his heart to beat as fast as it could. A million different excuses rang through his head, but not a single one of them seemed plausible. Telling the truth, as preferable as that seemed, didn’t seem like enough in this situation. 
And so, when Marinette’s eyes finally found their way on the horizon, landing on his mop of blond hair… 
He ran.
“I just don’t understand why you would do that--” Marinette’s voice cracked. 
“Why would you invite me to watch your date? ” Alya’s tone was tense. 
Adrien sighed, leaning against the trunk of a not so far off tree as he listened to the two, his heart beating in his ears as the feelings of guilt and disappointment rose in him. If he were a hero, a real hero, he would have come to break it up by now instead of leaving Nino. But instead, he waited, his forehead touching the rough bark of a tree trunk as he wished that he were anywhere but there, having done anything but this.  
“It’s not your fault,” a soft voice rang from his pocket. 
“It kind of is,” Adrien argued. “If I had any sense, I would have just gone home. If I were any faster, Marinette wouldn’t have seen me and then...” 
“Yeah, you’re in the wrong. Yeah, you did something bad,” Plagg’s voice carried out of the pocket, and Adrien could feel the Kwami stretch within it as if waking up from a long nap. With his tone of voice, Adrien didn’t doubt that Plagg had been sleeping. “But Glasses did too, even if she thought it might help her friend. She probably got so tired of watching this back and forth that she just…” 
“I’m the reason there’s a back and forth,” Adrien sighed, watching the two girls point fingers. “I’m the reason this is happening.” 
“Friends fight . It happens, Adrien.” 
But it didn’t feel like just that. Both girls were teetering near the edge of tears, Marinette unable to comprehend what was going on and Luka, too far away from it all to hear a thing, sitting alone looking anxiously for Marinette. It felt like, in a moment, Adrien had caused the whole world to implode. 
And then it happened. 
“Well, I’m sorry, Marinette!” Alya’s voice reached hysterics, the girl teething with rage. Adrien’s eyes flew closed, the sound of her stomping feet warning of the tidal wave to come. “I’m so sorry that I care about you! I’m so sorry that I’m tired of watching this back and forth and thought that maybe bringing him here would do something, that you two would open your eyes! But more than that…” Adrien cringed in anticipation, “I’m sorry that you can’t grow up, face the facts, and take in what’s happening right in front of you!” 
“This is going too far; someone needs to stop them,” Adrien mumbled under his breath, pressing his head harder into the bark.  
Ragged breaths hit the air, Adrien wasn’t sure if they were his or hers. “I’m sorry that you think it’s okay to hurt people to make a point!” 
“Hurt people? Marinette, you’re the only person hurting someone, yourself,” Alya spat. 
Both girls deflated at the statement, their eyes impossibly wide as wordlessness settled in around them. Another noise ripped through the air, a voiceless sob, Adrien couldn’t quite identify where it came from. Nino shifted beside Alya, his hand wrapping around her arm but receiving no response. 
“Marinette…” Alya began. 
“I’m going to find Adrien,” Marinette decided. “I don’t know what I’ll say to him or Luka, but you just…” Marinette shook her head to herself. 
Somehow, from the squirming in his pocket, Adrien could tell she wouldn’t find him. Mentally cursing himself as his mind went through a thousand unlikely scenarios, scenes that would more likely play out with his father than Marinette, Adrien whispered the transformation words. In a second, Chat Noir stood where Adrien once did. 
*****
“Adrien?” Marinette’s voice called out at half volume, stress evident on her face. He felt terrible. If he had any sense, he would have revealed himself by now, but that fear, the fear of rejection or disappointment if Adrien were to show up at that moment; that fear kept him grounded. Instead, he listened to her, calling mournfully in the air as Luka, unaware of what was going on, also began to look worryingly for her. Still, her voice called out, “Adrien,” as if that was the only thing that mattered.  
What was she thinking then? He had no idea. Was he the one who was just a friend? He hoped not, but the alternative of being less than that was frightening as well. From her point of view, there were likely too many people to be mad at. 
“I can’t hide…” Adrien sighed, unsure if it was the feelings of guilt or the tiredness of his legs that was compelling him to do the right thing. “I need to face the music.” 
Of course, no sooner had he decided to face it then that music changed tones entirely. 
“Chat?” Marinette’s voice asked before he could finish saying his transformation words, the girl having finally peaked around his tree.  
He jumped back immediately, hitting the back of his head against the tree as Marinette came into view, her eyebrows knit with worry and a bit of something else… 
Mortification. “You too? Should I be looking for Theo and Nathaniel too? Has Alya somehow managed to bring every guy who’s ever liked me to this?” Her eyes widened as she took in his guilty face, the girl beginning to delve into rambles. “Are you all coordinated? Did everyone come here to see this? Marinette’s first date, screening at five? Oh god, you didn’t run into Adrien, did you?” She tensed, looking to either side of her as if actually looking for Theo and Nathaniel. “Is this some plot? Some sign from the universe that I’m meant to be alone?” 
“Um, no, this is--” 
Marinette sighed, letting her head fall as she continued, “Luka’s going to be so mad. Well, not mad-- Luka doesn’t get mad, not really. But, ugh, I’m screwing this up, I’m screwing everything up-- And now here you are and everyone else when I only wanted Alya.” 
Comfort, comforting; that was obviously what she was looking for here. Hesitantly, Adrien wrapped his arms around her, giving her a firm squeeze as he tried to find the right words to say to her. "If it’s any consolation, I don’t think anyone else wanted to be here.” Those weren’t the right words. 
Marinette stiffened, pulling away from him with an odd look on her face. Said look only disappeared when his ears fell, seemingly placated by the idea that Chat knew that wasn’t the right thing to say. “Adrien,” she repeated. 
“Yes?” He replied instinctually, his eyes immediately widening at having said it. At least two years of having kept a secret identity, and this was how he was going down-- 
“Where is Adrien?” Oh, thank god. “Have you seen him?” 
“Adrien, who?” He asked, attempting a joking tone. Honestly, how he even made it a year, he wasn’t sure-- Marinette looked sufficiently unimpressed, her arms crossed and her foot-stomping as she glared at him. “Oh, the Agreste guy. Big, famous model? Stunningly handsome? Honestly? I think I saw him go home.” 
Marinette’s face fell. 
“-- But who knows, maybe he’ll come back!” 
Her face did not rise. Noting the proximity between the two of them, the girl having lingered in front of him despite pulling away, she took a step back. “This is hard.” 
“ Excuse me? ” 
“Love, you idiot,” she grimaced. “Love is hard; all of it is hard. I have no idea what I’m doing anymore.” She shook her head, “I have no idea what’s happening, no idea what I’m supposed to do, and no idea why all of a sudden, Adrien Agreste wanted to go on a date with me .” Her nose wrinkled at the memory, and he wasn’t sure if it was a good or bad thing. “And now Luka’s waiting there with his lips puckered, Adrien’s run off and I don’t even know what he thinks of me, and Alya’s upset with me even though I feel like I have a little bit more of a right to be upset here. Not to mention you--” 
“Don’t mention me,” this was going down as one of his worst ideas. 
“I have no idea what I’m doing,” Marinette admitted, taking the steps forward towards him, only to let her head fall against her shoulder. “I mean, how does any of this work? Is this how love is? If so, why do people want it so badly.” 
“Hey, no one knows what they’re doing,” he tried, his unsure hands reaching for her shoulders. She eased into his touch, letting his hands sit on her shoulders with no resistance. Touching her was different as Chat Noir; she seemed more within his reach this way than when he was Adrien Agreste. “I mean, love, right?” He asked with a shrug, “no one gets it.” 
“Nino and Alya,” she began.  
His hands tightened around her shoulders, pushing her further into his chest to stop her. “They don’t get it either.” 
She sighed, allowing her hands to reach up to him, her warm skin pressing against his chest as she pulled away. Their eyes met, his breath hitched. “Chat Noir, why do people do this to themselves?” 
“Because it’s worth it,” he muttered. “You’re worth it.” 
“Chat, I…” She blinked. 
Once. 
Twice. 
Again. 
Whatever she was going to say was lost to not only him, but the world as well. Eyes so wide that her lids formed perfect circles and skin turning white, Adrien didn’t have the chance to question her before Marinette’s mouth fell open, yelling that awful word, “Akuma!” 
In a second, she had tackled him out of harm’s way, the masked hero gazing up disoriented as his back hit the ground. Marinette landed on top of him with a small thump, her hands pushing onto his chest to sit up as she looked over her shoulder rather than at him. 
“Alya.” 
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hlvrai-loving · 4 years ago
Text
Tricks, Treats, And a Falling Out
"Spooky scary skeletons~" Josh softly hums, dabbing a bit of white face paint onto his cheeks. He wouldn't be doing his whole face, of course, but what little he did put would serve as a nice nod to the Batter's monochrome appearance.
"... send shivers down your spiiine~" Then again... monochrome is black, white, and gray, right? There's probably another word for just the two opposing shades...
His phone buzzed on the countertop, a message reminding him to bring water and to be ready in five. Well, what luck it was that he was already dressed, wasn't it? As for water... Josh decided to bring his backpack for any refreshments he'd inevitably end up carrying, starting with a few bottles filled to the brim with cold water.
With most of his costume ready in advance, Joshua placed the cap on his head and checked in on his room, just to ensure he hadn't forgotten anything.
And it was then that his eyes fell on the aluminum bat.
Things... Stakes, you could call them, seemed to be mounting these days. Whatever the hell happened with the eyes and... that man... they wouldn't stop just for the sake of a holiday. He'd kept himself from bringing it to school, of course, but... trick or treating would be different. Even with his friends and Tiff around, he wouldn't be safe... Even if he'd hate to admit it, Joshua knew it'd be better safe than sorry.
And so went the bat into the bag, for later protection.
After that little debate with himself, Josh made his way to the device, explaining to CB and his "friends on the other side" that he'd be unavailable for the night and that he wished for them to take care and keep an eye out. And with that, another buzz of his phone let him know the time had come.
Tossing the bag onto his back, the teen hit the lights and left the room.
Upon opening the front door, he was greeted to the sight of Allen, a jumpy tune coming from his person as the visualizer displayed on his jacket danced. "Yo yo yoooo~! Wassup Dorkman? Ready to purify?" He let out, causing Josh to giggle.
"Yeah yeah, just about. What is going on theeere?" He questioned, referring to the animated clothing. Al grinned, glancing down at it.
"Awe, this ol' thing? Just a little something foster Pops helped me out with. It's connected to the music on my phone and lights up to the beat. Hook in a few speakers here and there and you've got the KING OF DUBSTEP, BUDDY! Heh, same thing's going on with the glasses, but, uh, can't really see shit when it's going off so I'm only turning that on when I really don't need to use my eyes anyways."
"Ghdfff!! What!! You're telling me you just invented a new kind of jacket like it was nothing??"
Al shrugged. ""Invented" is too strong a word for something like this. I'd rather call it "pushing the limits of reality". Much more humble."
J laughed softly. "H-humble my ass, you douche! God damn it, Al."
"Mweh mweh, can we getta move on? The girls are waiting for us a little ways down the road."
"Ey, don't you tell me what to do!"
"Oi, you talking back ta me? Ya givin' me liiip?" The pale teen made sure to pop the "p" as best as he could. Josh couldn't help but smile, shutting and locking the door behind him as he made his way out.
"Wouldn't dream of it, Al."
The night air hung cold, Autumn managing to chill even this town it seemed. As far as Joshua knew, this was the first time he could recall actually shivering upon heading outside. Allen seemed to notice this, lightly hitting his arm.
"Cold cuz you haven't been out in months, ey Joshie?"
"Oh shut it, I'm not cold. Just... It's a bit chillier than I remember."
"Yeah yeah, Mr "I wear a blanket while cruising the space-web"!"
"Shut uuuupp! I do nooot!"
"Do toooo! I saw you when I visited!"
The teen lightly punched his friend's arm right back. "Hush it, would you? Now, where're the girls?" He pondered, resulting in Allen taking him by the wrist and leading him forward as a new song started.
"Riiiight over here, Dorkman."
And sure enough, there they were. Clera was gushing over Tiff's modern take on the stitched together monstrosity, while Tiff was doing her damndest to deny that it was really anything to be impressed over. Upon seeing the boys arrive, Clera quickly made her way over, excited as ever. Her black top and adjoining skirt were riddled with hearts and flowery patterns, which shimmered ever so slightly in the light of the street lamps.
"Joshie!! Hiiii! Your costume looks great!" She chirped out, her contagious enthusiasm causing even Joshua's woes to fade onto his mind's abyss for a little bit longer.
He smiled. "Hahah, it's really nothing. Especially not compared to yours! Did you make it yourself, Cler?"
Her eyes lit up at his kind words, fingers trailing the lace hem of the skirt. "Ehehee! You know it! I sketched it out then I coloured it and me and dad had to go out to get the right fabrics for it, then we went ahead and made it proper! I had to buy the shoes though."
"Wow... How long'd that take you?"
"Around a month!" She giggled.
"Jesus, just a month? Where'd you find the time to make it?" Allen butted in, rather surprised.
She shrugged. "Ooh, but mine's nothing compared to Tiff's!! Give it a looook! Doesn't she look great?" She cheered, the other girl bashfully turning away.
"Cler, mine's not that gooood! Stoooop!" She pleaded, looking away. And, true, it wasn't much. Just a leather jacket, an electric blue shirt, some torn black jeans, and the more "monsterful" additions the studs, makeup, and spray dye gave. It was for the most part the bare minimum one would need to say they were in costume, but... it was still a costume nonetheless.
May as well praise the effort.
"Yeah, hah, she looks amazing, Cler." Josh smiled. Allen, on the other hand...
"Well... It's not exactly creative, is it?" He grinned, earning an annoyed glare from Tiff and an unamused pout from Clera.
"Sooo? She still did her best! I think it looks incredible!" The petite witch told, reassuringly holding her girlfriend's arm.
"Yeah, at least I'm not a walking light show. How was that creative?" Tiff retorted.
"Ey ey, excuse my goddamn French, but did you just diss the drip, Tiffy?"
"That is not "drip"! That's a jacket that lights up! You may as well have gone as a lamp!"
"Oh ho ho! Is that whatcha think?? Well, listen here-"
"Guys!" Joshua interjected. Evidently, it seemed something may have happened between the two beforehand to cause such tension... "Let's just... wh-why don't we just get started, huh? We're, uh, h-here to trick or treat, aren't we? S-so, heh..."
At Tiff's side, Clera uncomfortably shifted. The taller teen let out a sigh. "Fine fine. Might as well... My folks want me to be home at 11, so we're better off not wasting time."
"We won't. I promise you, we'll have more than enough time to get all the candy we could ever need before 11." Josh gave a small smile as Tiff coldly stared down at him.
"Yeah yeah..." She muttered, heading to the house nearest to them with Clera. Before he could follow, Josh pulled Allen aside.
"What was that about?" He asked.
"What'dya mean?"
"Al, don't play dumb with me. Did you and Tiff have a fight or something? You looked like you were both on the verge of throwing hands or something!"
Allen shrugged, clearly uninterested in providing an actual response. "Dunno... Didn't you just say a second ago that we have to start? Shouldn't we join 'em before they hit up too many houses?"
Joshua sighed, figuring Al would just keep denying it if he continued. "Fine, but I'm not dropping the subject."
"Oh, you will." The pale boy reassured, patting Joshua's shoulder as he passed him by. He frowned slightly. Later, he would get to the bottom of this, but for now?... For now, he supposed he had no choice but to follow his friend and truly start their night of candy hunting.
With a quick glance at the emptiness behind him, Joshua made his way forward to their first house of the night.
~~~~~~~
"Never thought I'd see the day." Al smirked, tearing open a chocolate bar. "Figured full-sized treats were but a legend these days!"
"Dude, aren't you supposed to, like, look through those?" Tiff regarded, dismissively running her fingers through her hair.
"Pfft, why? Not like anyone would bother tampering with these." He sneered, messily devouring the entire confection as the girl turned away in disgust.
The group had decided to take a short break, hydrating and taking a short sit on a park bench. They'd amassed quite an impressive stash of sugary goodness, as well as more than a few snide remarks surrounding their age, but the latter wasn't important at the moment.
Instead, Joshua's attention was focused solely on the empty playground ahead, the swings swaying softly in the gentle breeze. Seemed like only yesterday, he was still having fun in a set just like this. He and his friends would play for hours, making up silly games with whatever imaginary rules their minds could come up with. Running around, getting scrapes and bruises and thinking it was the end of the world, as if that was the worst they would ever get hurt...
He sat back against the bench, feeling more tired than ever. Things... were practically unrecognizable now than how they were when he was a kid. The idea of play and fun forever being within his reach had withered into nothing years ago, and the fears he had then couldn't hold a candle to whatever monsters kept him up on particularly stressful nights. It was all surreal... Unfamiliar, yet...
Josh shook his head slightly, he'd worry about all of that when the time came. It always did in the end. Might as well deny that bridge when he inevitably came to it, right?
"Joshie, hey..." Clera lightly nudged him, tearing the boy from his thoughts. He gave her a glance, and she happily showed him a chocolate witch someone placed in her bag. "It's a me!"
Joshua couldn't help but laugh. Once again, Cler unknowingly saves the day. "It sure is. Could do with a lot more hearts though, huh?"
"Ehehe! You know it!" She placed it back into her bag, lightly swinging her legs. "... So, Joshie?"
"Yeah?"
"What do you do all day when you're not at school?"
"... Ah, I..." He began playing with his fingers. "... Just... c-coding, mostly. Nothing m-much else, why?"
"Mmm... We don't get to see you much anymore."
"... R-right, I... I'm real sorry about that, I just-"
"I even had good ideas on what we could do together." She continued, her head down. "Better than the mall and a movie, i-if that's why. I can come up with better ones too if you don't like them."
"... Clera, you... I haven't stopped hanging with you guys because I didn't like it, I'm just... I'm going through a lot right now. Things that I... I can't explain to you correctly. I hardly-"
She cut him off, fidgeting slightly. "Because I wouldn't understand, right?"
He fell silent for a few brief moments, "I... C-Clera, it's more than th-that... I'm... It's a f-family matter... You know, p-personal. I haven't told a-anyone."
The girl remained unresponsive for a few moments, staring down at her feet. Then, she only answered with a quiet "Oh."
"... Hey, we... we've still got a few more houses to go before 11. Why don't we get back to it, huh?" He forced a gentle smile. "Maybe someone will give you more chocowitches..."
Clera gazed up at him with sad eyes, but nodded regardless, picking up her candy bag, standing from her seat, and brushing off her skirt. Josh went ahead and informed the other two that they were ready to head off once more.
And unseen from a nearby rooftop, a skeleton sang out a few notes of blue as it watched them leave.
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superman86to99 · 5 years ago
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Adventures of Superman #505 (October 1993)
REIGN OF THE SUPERMAN! The Reign is over, and Superman does what we’d all do after being dead for several weeks and coming back to life: no, not visiting your parents, making out with Lois Lane.
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Or more than making out, since the next page starts with a caption that says “Later...” and lets us know that they both had to take a shower. (NOTE: Check Don Sparrow’s section below for artist Tom Grummett’s definitive take on what happened in that scene.)
Their post-resurrection bliss comes to a stop when they remember a little detail: Clark Kent is still presumed dead. How are they gonna explain his return without making the extremely smart residents of Metropolis suspect that Superman and the guy who looks like Superman but with glasses are actually the same person? Superman’s mind immediately goes into “wacky bullshit excuse” mode and he starts spitballing ideas, like claiming Clark lost his memory, or was carried by underwater currents, or was abducted by aliens. Honestly, I’m pretty sure that last one would work, since there have been THREE major alien invasions in the past few years, but Lois thinks no one would be dumb enough to fall for that sort of thing. Really, Lois? No one?
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At this point, Superman picks up some supervillain activity with his super hearing, so he gets dressed and goes there (though it would have been pretty intimidating for the criminals if she’d shown up in that shower rug). A bank uptown has been taken over by Loophole, a S.T.A.R. Labs accountant who stole a gizmo that allows him to phase through walls. When Superman shows up to arrest him and his henchmen (are they all villainous accountants?), Loophole literally puts his first through Superman’s chest, instantly killing him. RIP Superman, again.
Nah, Supes just swats Loophole away and breaks the gizmo, causing him to get his crotch area stuck inside a vault door. Now he has to change his supervillain name to “DickVault”.
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(I freaking love Maggie Sawyer, btw.)
After that, Superman goes to one of the areas trashed by his fight with Doomsday and helps clean up the junk that’s still laying around there. It’s then that he finally reunites with his best friend and most valued ally: Bibbo Bibbowski. (Jimmy Olsen’s there, too, unfortunately.)
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Bibbo also introduces Superman to the dog he named in honor of his home planet, Krypto -- and it’s Krypto who provides the most significant moment in this issue. The little mutt starts barking at some debris from a destroyed building, leading Superman to examine it with his X-Ray vision and find some kids underneath.
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Turns out the kids had been trapped there since the Doomsday fight, leading some random passerby (fine, Jimmy) to wonder if Clark could be stuck in a similar situation. Superman and Lois look at each other... giving Superman an idea and providing the premise for next week’s issue.
Character-Watch:
First appearance of Loophole (real name Deke Dickinson, C.P.A.), who would become a running joke in Karl Kesel’s Superman and Superboy comics. While his phasing powers are tech based, he also has the metahuman ability to somehow convince attractive women to be his girlfriends/henchwomen despite being a balding little dweeb. In this issue he’s dating a blonde named Sheila (who wears a mask, so maybe she’s actually hideous), but I’m pretty sure he had other girlfriends in future issues.
Plotline-Watch:
As I said... holy shit, five years ago: no one draws Supes coming back to Lois after an extended absence like Tom Grummett. This scene is almost a remake of the one from that issue when Superman comes back from his time traveling jaunt. There’s also a callback to Man of Steel #25, when Lois hears a tap on her window and thinks it’s Superman, but it’s just some dumb bird. This time she gets it the other way around:
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Don Sparrow says: “There’s a cute visual callback to the last time Superman returned after a long absence on page 18, when Superman is reunited with Jimmy. It’s a near identical pose to Action #643, where Superman returned from exile in space (and in that moment, infected Jimmy with Eradicator-based space sickness, womp womp).” I think he’s instinctively throwing Jimmy up in the air, hoping the cold of space will kill him. Unfortunately, both murder attempts were unsuccessful.
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As seen above, Maggie Sawyer wasn’t too convinced that “Fabio” here was Superman at first. That changes when he calls her “Captain” even though she was recently promoted to Inspector, and she’s like “only a dead man wouldn’t know all the precise ranks for the local authorities!”
The surviving non-Supermen are seen arriving at S.T.A.R. Labs for medical care after the Engine City showdown. Don again: “There are some mild continuity issues stemming from Superman #82, which perhaps wasn’t completely finished being drawn while Tom Grummett worked on this one, as Steel’s costume is almost entirely intact, when we last saw it a week ago, it was in tatters. Ditto the Eradicator, who was a wizened husk, and now is apparently a scorched Ivan Drago.” Let’s assume Supergirl worked her clothes-shifting magic on Steel’s armor and the Eradicator’s, uh, hair.
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There’s a short scene where Superboy is visited by his reporter pal Tana Moon, who tells him she quit WGBS and is leaving Metropolis. Awww. Goodbye, Tana. Or should I say... aloha?
Meanwhile, Lex Luthor Jr. has a scene with Dr. Happersen where he says he intends to control or destroy anyone who wears the “S” symbol. Basically, if he can’t date them, they should be dead. He also instructs Happersen to help Cadmus’ Director Westfield get in contact with disgraced genetician Dabney Donovan. Get ready for a whole lot of clone-related shenanigans in the near future.
And now, more Don Sparrow-related shenanigans after the jump!
Art-Watch (by @donsparrow​):
This issue is another favourite of mine, but I suppose all these issues around the Death and Return are faves when I really think about it.  My copy of this issue had the holographic fireworks cover, and it’s a good one.  I like that Superman and the Daily Planet are in natural colour, rather than holograms.  The cover credit goes Karl Kesel, Tom Grummett and Doug Hazlewood, so I’m not sure what the breakdown was (or if that’s just a handwritten cover credit, just in case?
The story opens with one of my favourite sequences ever, with Lois waking up on her couch, having fallen asleep following the events in Coast City.  I love the detail as she opens the curtain, we see her engagement ring, indicating she knows her real fiancée has returned.  This sequence is followed up by two pages of splashes of the passionate reunion of the best couple in comics.  All beautifully rendered as they float, locked in a passionate, sunrise kiss.  Just lovely (so lovely that I am willing to overlook a small colouring error, as Lois has black hair instead of reddish brown for one panel).  [Max: I can confirm that they fixed that in the collections.]
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What follows is a very cute scene, and one of some debate among Superman fans.  There’s no overt evidence of what happened, all we get is a cryptic caption reading “later…”.   Again, I give credit for the subtlety of the writers, as they depict this scene in a way that can be read either way:  maybe Clark and Lois made love, and the “later” we are seeing is afterglow, or maybe Lois had a shower since she just woke up after sleeping in her clothes. Then, after calling his parents while Lois showered, Clark had a shower himself.  I feel like today’s writers wouldn’t feel the need to be so subtle, and might lose the sweetness of this scene.  
In previous posts, I’ve talked about my friendship with artist Tom Grummett, and how as a boy, I would wear him out with all my dumb fanboy questions.  Once I got older, and our relationship became a little more collegial (just a little closer to collegial, since I in no way consider myself anywhere near his level of skill or success) I would really try not to geek out too much when we would visit.  But the one question I had to ask was about this scene, and what their intention, or interpretation of it was, as I was always curious.  Once I had explained to him which issue it was (the guy has drawn hundreds, so they might not all spring to mind immediately!) he admitted that his assumption was indeed that they had sex.  So there you have it!  [Max: Hot damn! Another Superman ‘86 to ‘99 exclusive, folks!]
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However you wish to read this scene, the choreography, and facial expressions as they horse around is really sweet and fun, and such a nice, light tone compared to the do-or-die pace the books had been for the last two years or so.   Their easy joking, and back and forth banter really do a great job of showing them as a real couple.
It’s a very nice pose on Supergirl as she lifts off, simultaneously spurning Superboy’s romantic complaints.
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I quite like the design on Loophole, and his gang.  Loophole himself kinda harkens back to the silver age villains of the Flash as Loophole has a unique hairline, is an older man, with a pretty average build, which was rare for villains in the 90s. His gimmick is pretty cool, too, though we immediately see its vulnerability.
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The tearful reunion of the now-sober Bibbo and Superman is also a great moment—if anyone rose to the challenge of living up to Superman’s example in his absence, it was Bibbo.  I discuss the scene in more detail in the observations later, but the image of Superman whipping away the debris on page 20 is a great visual, with the dust clouds creating great motion and urgency.
On the whole, a great first issue for the return to the never-ending battle, even if it brings us closer to Grummett’s last issue on this title (for a while).
STRAY OBSERVATIONS:
Could Superman referring to the Death and Return storyline as a dream, while stepping out of the shower be a reference to Dallas, and their famous about-face after an unpopular season, where Bobby Ewing emerged from the shower, alive and well, dismissing a yearlong storyline as a dream?
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A coy semi-reference to perhaps my favourite line in the first Reeve Superman film on page 8, where Supergirl says “Easy steel, we’ve got you, then later adding, “ok, you got me”.  
A little more issue-to-issue dissonance with Superboy reversing himself from the end of Superman #82, where he said clearly that Kal-El was Superman, with Superboy pointing out that legally, he’s Superman and not Kal. [Max: I think he’s talking strictly in the legal sense, since he helps Superman deal with the legal problem on the next issue and all.]
For all the times that Superman has used his heat vision on guns (as he does on page 11), we’ve never seen rounds get burned off, firing on their own because of the heat.  There might be an idea there.    
An odd sorta-cameo by Erik Larsen’s Savage Dragon, who Superman apparently defeats in the waterfront district. An eagle-eyed reader asked Larsen about it in issue #6 of Dragon’s own book, and he nixed any proper crossover rumours, saying it was just a shout-out from Larsen’s buddy Karl Kesel.  Eventually they’d meet in Superman/Savage Dragon: Chicago, a so-so crossover in 2002.
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A slightly bawdy joke from one of the Loophole gang, on page 14, as the moll of Deke Dickson calls Loophole a “weiner”.  
GODWATCH: A stirring moment when Superman detects the faintest of life-signs, thanks to would-be super-pup, Krypto, and responds “God willing” when someone asks if anyone is alive in that wreckage.  The love and concern in Superman’s eyes when he says he’d “rather die” himself than let little ones perish is a tear-jerker moment for sure.  Bonus points for the cuteness of Superman heaping praise on Krypto, with the line “if that dog could fly, I’d put a cape on him…”
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Question:  Does Jimmy know? He comes up with the solution to the Clark problem very conveniently.  Maybe he’s smarter than we (and by we, I mean Max) give him credit for? [Max: It was all Krypto! Okay, I’ll concede that maybe Jimmy is as smart as a dog.]
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