#getting people on board won't be an issue

[prentissluvr]

guys i think i'm like... a conflict resolution god like. i can't even lie i'm so good at that shit... HAHAHA STOP THAT'S SUCH AN ODD THING TO SAY WHATTT

[steakout-05]

hello i think schools giving students more work during the holidays and having assessments due during the holidays should either be illegal or at least regulated in some way. like i don't think that's ok. that is the student's downtime to take a break from working. that is THEIR free time to relax that schools are taking up with more and more work to do after the term is finished and done. students are already overworked and burnt out as is, and their weekends are already taken up by either more work, jobs or extracurricular stuff. school can be incredibly strenuous on the workload they churn out when the students are actually going to school. a stack of homework can take hours per night, and simple assignments can take weeks to finish. people can't just keep doing that all the time, they need a stress-free break with no obligations to rest their minds. that is the reason the holidays are there. they're not an excuse for schools to cram in more and more work because "they'll have more time", students need a break otherwise their brains are literally going to stop working properly. let them take time off ffs.

(the same goes for teachers. teachers shouldn't be made to constantly work during the holidays, they deserve a break too. everyone deserves a break.)

[roseband]

The defunding of public colleges was also very racial. With Nixon’s education secretary complaining that there were too many diverse and poor students there. It’s suspicious that tuition was added just as numbers of black/hispanic students were growing

There’s an advertising push to show how “bad” public colleges are,

I’ve literally had coworkers say I went to a school “not as good as theirs” in earlier jobs right out of college (CCNY alumn), but nearly all of my adjunct professors in art/design/marketing/web design classess also taught at SVA, Pratt, and the New School. We also were literally at the same job, and at some I was higher paid, and had no loans cause well, I went to CUNY. So I had the same education as coworkers, even sometimes having the exact same professors and curriculum as them, be at the same job, but because someone spent a premium amount of money for the same thing, they’d look down on it. 

(also CUNY/SUNY are free for first undergrad degree for NYS residents making under 125k again and people don’t know about it!!!)

The vast majority of my coworkers in my (pretty visible and don’t want to self dox) apparel job are CUNY/SUNY grads (mostly SUNY FIT), and people still have the “if it costs more it must be better” brainrot when choosing schools

[medicinemane]

The problem with people who are "right" because they insist they're right, and the only way to be right is to simply perfectly follow their every dictation on the subject unquestioningly is this...

Ok, let's just take it as a given that you're right... the problem here is that if that's what's right I'm afraid I have to dig my heels into being wrong. If you are as righteous and just as you insist you are then I've got no choice but to be the villain because I can't stand what you're saying I'd have to do to be good

Shockingly I even think it's wrong, which is odd because we've already defined it that you're inherently and unassailably right... yet here we are

Worst part is there's a lot of these things where I'm not even full stop against it, I actually might be on their side if they could stop and address a couple of issues I consider kind of important... but they won't, because they're morally right and don't have time for addressing nonexistent issues I'm clearly just dreaming up

Undoubtedly right they are, the defect must surely be my own... and yet here we are. Vile and wicked as it might make me, I still can't just go along with you

[reiderwriter]

🫂 Transference 🫂

Pairing: Spencer Reid x virgin!Fem Reader

For the CM Kink Bingo Challenge 2024

Summary: He saves your life, and he keeps saving it every day, but Spencer won't let you love him until you finally beg him to. Is transference really that much of an issue?

Warnings: 18+ MINORS DNI, Mentions of Case details - reader is the unsub victim, mentions of rape and attempted rape, gunshot, death, kidnapping, imprisonment, parental neglect, abandonment, loss of virginity (positive), semi-public sex, bathroom sex, fingering, penetrative sex (p in v), missionary, praise kink (good girl), moaning kink (?), safe sex, slight cum play/ oral, aftercare.

A/N: I wrote a virgin reader fic for kinktober that people loved a lot (thank you all!), and I had a lot of requests for something similar, so please - enjoy!

Masterlist || Bingo Board

You'd met him at the library, as if the world wanted you to forever associate the comfort you found in between the pages of a worn book with the man that tried to end your life. At first, you'd thought it a coincidence, then he'd flashed a smile at you, and you'd believed it to be fate, drawn in by the charm he wore as a disguise. 

Your first date was sweet, flowers and dinner. Your second date was sweeter, and they kept on that way. Sugar dropped into your ears until you were floating on cloud nine, right as he turned his charm off. 

“Really?” He started one day, his tone accusing from the get-go. 

“What?” 

“You're really going to eye fuck that man in front of me?” His voice was loud enough to catch notice in the small café you'd joined him in for the morning, and all the life drained out of your face. 

“I'm not- what?”

“No, forget it,” he chuffed, taking another sip of his drink and turning away from you. 

You noticed it more and more from then on, how he would accuse you of small things like looking at other men, like you had the choice to ignore them when they were shop clerks, bus drivers and just fucking people living their lives. 

Your friends were even weirded out when you joked with them about it, telling them all about your silly boyfriend who ripped a poster off your wall because it had some actor or singer or something on it. It wasn't even that important to you, but as you laughed, you were greeted with silence, with sideways glances and concerning questions. 

It was all starting to crumble, and there was nothing you could do to stop it but cling on. 

The next thing was his pushiness. You'd been up front with him at the beginning of the relationship that you were a virgin, something that he was more than happy about. 

He'd said it was because he was a man of God, and he understood your commitment, which confused you as you weren't a virgin for religious reasons. But you brushed it off as everything else about him was so… gentlemanly? 

Until he started pushing his hands up your thighs when he kissed you. He tried multiple times to push his fingers into your underwear as you tried to pull back, each time apologizing immediately when you displayed more panicked displeasure. 

“I'm sorry, something must have… The devil got to me for a second there, Y/N, but I won't let him win.” He kissed the top of your head, and he walked you to your door before giving you another chaste kiss and leaving. 

They found the first body the next morning.

She was young, maybe 16 or 17. Beaten, raped, mutilated, and asphyxiated. They said he'd kept raping her body long after she'd taken her last breath. It took them two weeks to notify her parents because of the way he'd left her. 

You'd watched the news report the same week with your boyfriend, shocked and horrified at the news and cuddling closer to him for comfort. 

Each step you came closer to him, each time you allowed him to touch you, he took it as a sign of his ownership, his claim on you. Not a single other person could get in between him and his prize. Each time you rejected him, he killed another girl. 

By body five, they'd called in the BAU. 

“Did you hear they're bringing in the FBI to solve that Cathy Renaud case? It's all over the news. Apparently, the team is super special.” 

You'd brought up the words while cooking him breakfast. He didn't live with you, but any good girlfriend would feed their man, so he woke you up every day on his way to work to let you prepare him something. 

His whole attention was on his phone, though, as he nodded through your conversation, grunting and moaning at each word. 

It was only when you brought him his plate of pancakes that you realized that he was just as interested in the subject as you were. Because he was staring at the photos of the girl he mutilated the night before. 

You didn't want to think about everything that happened after that. After the plate fell to the floor and cracked, splintering into your foot and causing you your first injury in a long line. 

You didn't want to think about the things he showed you, the way he touched you, or at least tried to. You heaved and wretched and emptied your stomach every single time you thought about the restraints on your wrists, how he'd tried to rape you but couldn't bring himself to do it because you weren't young enough anymore. You weren't dead enough.  

Instead, every time you thought back to that week, you found yourself back at the end. You replayed the bullet lodging into his brain as a comfort, which told you more than you needed to know about your mental state. It was Spencer Reid who'd shot him. He'd been quick enough to realize that the man would never have been talked down, and he'd fired the shot as a mercy to you. He may have killed your boyfriend, putting him down like he was a sick animal, but you were the one put out of your misery. 

He didn't stop to watch the body hit the floor before falling to your side, the other agents clearing the room and checking the corpse. He'd helped you to your feet, drawn an arm around your waist and pushed your head into his chest so you didn't have to see the carnage on the way out, didn't have to deal with the camera flashes as the press scrambled for pictures of the monster's willing victim. 

“One step at a time, this isn't your fault. Just stick with me,” he said, moving you from the house to a waiting van as you clasped his vest desperately, needing the lifeline he'd thrown you. 

“Ma'am, ma'am. I'm a paramedic, I won't hurt you, I just need to take your vitals, make sure you're okay.” 

The voice was vague and in the distance, and you were so sure it wasn't directed at you that you simply let yourself wrap around the man who'd saved you when you got to the ambulance. Nothing else was around but his chest, his hand on your back, your legs wrapped around him as they finally gave out. 

“Ma'am… Please, you're injured-” 

“Y/N,” he spoke finally, and you grabbed him tighter, nails digging into the skin at his neck. 

“You're Y/N, right? We've been looking for you for a long time. I'm not going anywhere, I won't let anyone hurt you.” 

The words were enough to reassure you, pulling back slightly as the paramedics began working on you, but not enough for you to embrace their touch. You clambered away from the paramedic the moment you saw he was a man, close in build and coloring to the corpse in the building behind you. 

You screamed, you cried, you pounded at the doors as Spencer held to you him, letting the paramedics sedate you, rocking you to sleep on the step of the emergency vehicle.

He was by your bedside every time you woke up, too. It was funny seeing him there when you still didn't know his name. Your parents hadn't visited, too ashamed to be associated with the entire thing to even check in on you. 

He had himself assigned your emergency contact after six days of your parents not showing up. In all that time, he'd sat patiently by your side as you wailed and raged and went numb, and the cycle repeated itself in perpetuity. 

He was there, too, with a bag of clothes and a fresh start waiting for you when you were ready to be discharged. 

His team had since moved on to another criminal of the week, putting the lives lost behind them as they traipsed through more cases and corpses and killers. He was still there, though. Somehow. 

You were old enough to be able to discharge yourself from a hospital, old enough to not need a guardian to take care of you. Spencer stayed anyway, and you didn't bother asking why. 

“I don't want to leave the hospital,” you said, climbing back into the bed you'd forced yourself into for the last week. The same bed where the nurse had ran your rape kit even after you'd told her he'd never touched you like that, after you'd explained and denied and shouted to high hell that no-one had touched you like that and she sure as hell wasn't going to be the first. 

Spencer had put a stop to the traumatic experience when he'd returned with your coffee, always picking up something for you when he went out. 

The nurse had gripped and moaned and murmured an apology, and you knew you'd not been an easy patient, but you couldn't bring yourself to feel bad about it. 

That didn't mean you wanted to leave yet, though. 

“I can't leave, I have nowhere to live.”

“Y/N, you can't stay here forever.”

“Spencer, I can't go home. My apartment is a crime scene, I almost died there, and there are reporters posted there 247 waiting for me to come back. They think I'm evil, they-” 

“They think you're a victim,” he said calmly but firmly, cutting you off before you could spiral again. “Which you are. And you'll be a victim forever if you don't get out of that hospital bed and start moving on.” 

He dumped a bag on your bed, a bag you recognised as one of your own overnight bags from your apartment. He looked at you again, the question in his silence. 

Are you going to keep being his victim?

You huffed as you got out of your bed, throwing off the covers and standing in front of him. He didn't budge. 

“Well?” You asked, looking at him as he stood still, not moving even an inch. 

“Well, what?” He replied, eyebrows knitting. 

Instead of replying, you rolled your eyes and reached behind you to the ties in your hospital gown, opening it until you could pull it off your body before pulling out the clothes he'd left in the bag. 

You didn't glance at him again until you were fully naked, readying your underwear so you could pull it on. When you turned back to him, his gaze knocked the wind out of you. 

You'd stopped feeling like a woman the minute he'd carried out of that room. You were a child, a fragile doll, a specimen to be studied. For some of the nurses, you were an infection they could catch. 

Spencer Reid, against his better judgment, was looking at you like you were a woman. Like you were the object of his every desire. 

“S-Spencer…” you said suddenly feeling the shame and embarrassment of being naked suddenly in front of another person. You pulled the sweatshirt he'd packed you over your torso, covering all of your intimate areas as you stammered out your apology. 

“I- shit, I'm sorry-”

“I'll wait - I’ll wait outside. If you need anything you can… you can do whatever.” He said, dragging his eyes off of your body and letting them fall anywhere that you weren't. His eyes darted from the floor to the wall, to the air next to your head and finally to the door where he took himself out. 

You dressed in a hurry and followed him. 

“Spencer? Spencer, I'm ready,” you said, running down the hall to him and grabbing his arm, holding it for support and comfort, but mostly just to be close. 

Since waking up from that first sedation of many in those first few days, you hadn't been more than a few hours without having him hold you. 

His team had sent many warning looks watching you wrapped around him like a scared child, hiding behind him like a small, shaking dog. You hadn't seen a problem in it, truly clinging to him like a lifeline. 

After whatever the hell had just happened in your hospital room, though? Now you felt each solid ridge of him. You hadn't felt like a woman, sure  but you equally hadn't acknowledged Spencer as a man until then. A very attractive man. 

The stubble on his jaw only made it sharper. His gentle, curving eyes, cut at the corners by the start of laugh lines, his mouth straight and… and kissable. For the first time in months, definitely for the first time since you'd met your monster, maybe even for the first time ever, desire heated the depths of your stomach. 

Your breath hitched, and you held him tighter as he led you out of the ward and ushered you into your new life. 

“We're not going to your apartment. Your landlord released you from the lease for…obvious reasons after some persuading. Your parents-” 

“My parents?” You asked in disgusting, halting in the hall. For the first time since you'd left the room, he had to turn and look you in the eyes. He'd done his best to dampen the desire, but some part of you still recognised it, even as your logical brain fought to be heard. 

“Your parents agreed to fund three months in a new apartment. After which time, you will have a job and some stability, so you'll be able to pay for it yourself.”

You tried to argue and tried to talk back, but your tongue was thick. 

A new apartment. Living alone, being alone, for any amount of time, felt daunting. 

But Spencer took one more step towards the door and then another, and you had no choice but to walk with him, hand slipping down and grasping his like it was your lifeline. 

The drive to whatever new apartment your parents had leased for you was silent, and the storms in your head grew until they'd taken up so much space they erupted forth, darkening the actual skies. A crash of thunder rumbled somewhere in the distance just as he pulled into the building. Luckily for you, there was underground parking, so you didn't even need to contemplate letting the lightning hit you. 

There was one space left, and Spencer pulled his car in, flipping the engine off and getting out without another word. 

He led you up the stairs, then he led you to your floor, then he led you to your door and handed you the keys. 

You felt cold as you opened the doors, knowing you were about to confront items of boxes that had watched you be burned, cut, slapped, beaten.

There were no boxes behind the door. Everything had, to your shock, been unboxed and staged already. 

You recognised magnets on the fridge, stuffed animals on the bed when you made your way to your bedroom. Your toiletries were neatly tidied into your medicine cabinet, hell, even your bookshelves had your own dog-eared copies of books well past their prime. 

You had every comfort and joy without having to push yourself through the pain of thinking about where these items had last been kept. 

There were new things too. The couch was definitely second-hand, but it wasn't the one you'd brought at Goodwill the week after your college graduation. That one was stained red, no doubt, somewhere in a tip. There was bedding and sheets and blankets and plates and forks and knives - a whole household of items that someone had chosen. 

You turned back to Spencer and cried. You buried your face in his chest and wrapped yourself around him again as he held you. 

And then, realizing he'd been the one to orchestrate this, if not the one who had arranged everything himself, you pushed up on the balls of your feet, and you kissed him. 

For the few seconds it lasted, it was brilliance. The pressure on your lips after a second had your heart singing as he kissed you back, your hands balling into his shirt as you stepped closer and closer, needing to be wrapped around him, buried in safety and warmth. 

He pulled back and stepped out of your reach too quickly, the back of his hand reaching up to his mouth as if checking that it was still there, that he'd actually just been kissing you back. 

“Y/N, you don't…we can't do that.” 

“Do what?” You said, creeping forward, needing to feel him beside you again. 

“You're not… you don't feel about me the way you think you feel about me,” he said, pushing your hair behind your ear as you wrapped your arms around his waist again. 

“How do I feel?” 

“Grateful. Y/N, this is gratitude. I saved you, and so you think you are in love with me. It's called transference, and you will deeply, deeply regret this one day.” 

The urgency in his tone had you flinching, even if he was trying to talk to you as softly as possible. For a moment, you'd done as he'd asked and forgotten you were a victim. It was apparently something he himself would not forget anytime soon.

You stood around awkwardly for another minute or two. 

“What…what now?” You asked, avoiding the kiss and whatever lay in that direction.

“I'll walk you through the emergency contact numbers. The apartment building is pretty old, so there's a wall phone in the kitchen, but there are some modern amenities, too. The laundry room is on the first floor, next to the porters office. I'm in apartment 23 on the second floor, and-” 

“What?” Your entire body buzzed, hearing him speak, and you almost forgot to breathe, rushing to stand straight again.

“I… I live on the floor below,” he said, almost cautiously now that you'd thrown yourself at him. “I thought you might enjoy the company.”

He gave you a weak smile and you wanted to kiss him all over again, to press your lips again and again into the soft flesh of his skin, his lips, his nose, his cheeks, his neck, his chest. 

You wanted him to hold you. You stood by the sofa and let your grip on a cushion tighten to stop from throwing yourself at him again. One rejection was enough for the day. 

Not that you stopped in the weeks to come. 

Spencer had himself relegated to office work for the first month as you rode out the waves of your grief, sticking by his side for comfort.

Your friends came and went, but they wore the stench of ‘I told you so’ and ‘I saw that coming,’ and you suffocated on it after so long. 

Every day after he returned home, you arrived at him door and threw yourself into his open arms, sitting with him for hours. Most days, you read together, ignoring that the man flipped pages three times as fast as you did. Some nights, you watched shows or movies, making your way through three companions worth of “New Who” in a week.

Each time you came, he took care of your food, ordering or cooking simple pasta dishes for you. 

He told you about the time his coworker had taught him how to make the perfect pasta, berating him for putting oil in his pasta water, and damn near drawing his weapon while he made sure he salted it. 

You laughed together and ate together, and you forgot together. 

Your life was back to normal when you got your first job interview. It's nothing spectacular, but it was enough that it would pay the bills to the apartment whose lease is a ticking bomb counting down to 0. It was a normal office, where you would be doing normal work that you had absolutely done before. 

The interview was normal, the female employee that meets you first reassuring you that the company is safe, their employees vetted and supported. 

And the company makes feminine hygiene products anyway, so they don't attract too many men, or at least none like the monster you'd known. 

All in all, the interview went well. 

It went well all the way until you reached the bus stop. You felt eyes on you, watching your movements, but you couldn't see anyone else focusing on you particularly.

You felt the stares on the bus, and the stares when you got off the bus two stops early. You felt the stares walking around the block three times to throw whatever was following you around off your track. You felt the stares as you sat outside Spencer's apartment until 6:45pm, when he came home and found you there. Your interview had been at 1pm.

“Y/N, what's wrong?” He said, immediately holding you and guiding you into the apartment. 

Your anxiety and fear had settled into self-loathing and disappointment. You let him hold you quietly, rejecting food and conversation. 

You sat quietly with him on his sofa as he held a book in one hand, stroking your hair with another as you laid on his chest. 

The emotions of the day were overwhelming, consuming the part of your brain that had started being happy again for the first time. You grew angry at the sadness for seeping back in, and in an act of rebellion, you pushed back up and kissed Spencer once more. 

His brain was slower to react this time, even if his body wasn't. 

You straddled his hips as your lips joined his, melting together in a hot embrace. He dropped his book quickly, hand resting on your hip as the one that had been stroking your hair angled your jaw up so he could set the pace. 

All your emotions were swept away in a wave of desire as you slowly rubbed against him, butt shifting as you clumsily followed your arousal past your worldly knowledge. 

You couldn't even think about what was next because your tongue was clashing with Spencer's, and your brain was short circuiting. 

The second you let out your first whimper of pleasure, he pushed you away and stood up, crossing the room to put distance between you, just as he had a month beforr. 

“Y/N, you had a bad day, but this isn't… This isn't how you should make yourself feel better.” 

“Spencer-” 

“I told you about transference before, Y/N, you need to listen to me. I'm not… I'm not the one for you.” His voice shook as he ran his hands through his hair in stress, body tense in a way that informed you he was holding himself back. 

“Transference. Transference…” You sat upright on his couch and let all the logic rush back into your brain at once. 

“Y/N?” He asked, voice shaking as he watched you zone out of the conversation, almost afraid that he'd damaged you again. 

“Is there… Is there something wrong with transference?” You asked, voice impossibly calm as you still stared straight forward. 

He moved towards you again and knelt at the floor in front of you, clutching your hands in his. 

“Y/N, you don't really want me like that, you don't, you can't-”

“Love you?” You asked, your voice finally breaking, eyes finally meeting his.

It was as if you knocked the wind out of him. He sat there completely dumbstruck. 

“It might not be love, okay, I'll admit that. But you're… you're strong and smart, and you take care of me. And you're attractive, and you make me happy, which is something I didn't think I'd ever be again-” 

“Y/N, something happened to you today, and you threw yourself at me. You threw yourself at me when you moved into your apartment. You felt stressed, and you reacted, Y/N. You don't love me.”

You sat calmly listening to his words again, your body still aching for his touch, your heart still pounding in your chest. 

“Okay. Okay. So if I do…this when I'm not feeling vulnerable, then what? Then you'll believe me?” 

“Y/N…” he sighed in defeat, hand again raking through his hair. 

You grabbed your things and stood up off the couch, bending to press another kiss to his lips before you parted. 

He was shocked silent, but that didn't stop him from chasing your lips as you rose, rising to his knees and then his feet as you walked away from him.

“I'll see you tomorrow, Spencer. Get some sleep,” you said, letting yourself out or the apartment and carrying yourself, heavy and dejected, upstairs. 

If Spencer was anticipating seeing you again the next morning, he wasn't anticipating seeing you in his office.

“Spencer,” you called out as you walked into the bullpen, clipping your visitors badge into place again, making sure it wasn't crooked.

Immediately, he stood from his desk and rose to meet you, ignoring the looks from his coworkers as his hands landed on your arms, immediately checking on you. 

“Y/N, what are you doing here?” He whispered, checking for tears, or injuries, or something to show him your motive for seeking him out. 

You just smiled at him, brushing a hair behind your ear when you saw him hesitate making that same gesture. 

“I was summoned. They need my statement to corroborate your weapon discharge paperwork, and Agent Hotchner called earlier.” 

His hands dropped as he breathed a steady sigh of relief, trying to make his reaction smaller than he knew it was. He was afraid something had happened to you again, and he was so caught up in his relief, that he didn't notice you moving closer until your lips were on his cheek and you were waving him off as you ascended the stairs to Hotch's office with your escort. 

“Spencer,” Morgan's voice called from behind him, and he turned hesitantly. 

“What was that?” 

He felt the eyes on him, and he pushed all thoughts of you to the side in place of total rationality. 

“I explained transference to her but… she doesn't seem to - she doesn't care.” 

“Spencer the last time I saw that girl, she was practically the walking dead. She just smiled.” Morgan said, shaking his head. But Spencer was watching you, and not his friend, and really, he wasn't even listening.

“Spencer? Spencer?” Morgan said again, rising to get in the man's face some more until he finally looked at him again. 

“She thinks she's in love with me.” 

“How do you know she isn't?” 

You kept working on him, little by little, day by day, until Spencer's field work started again. 

A little part of you was sad that he wouldn't always be around every day anymore. But you'd got that job and got over yourself as you started going out more. You made friends at your office, and you went out and laughed and joked with old college roommates. You felt like a human being again, and to no one's surprise, you still wanted Spencer Reid. 

He left every Monday on a case, and by the time Wednesday rolled around, you missed him. Going out to drinks with some coworkers after clocking off certainly didn't sate your appetite for him. 

“Spencer,” you said, breathily into the phone when he picked up, throwing yourself onto your bed. 

“Y/N, what happened? Is everything alright? Do you need me to come back?”

“No, Spencer, I just-” you hiccupped and giggled before continuing. “I just missed you so much.” 

The silence on the line was suddenly so funny to you, and you giggled again. Feeling hot, you stripped down to your underwear and started talking again. 

“I miss cuddling up to you and crawling all over you. You're really soft, you know?” You sighed, hands trailing up and down your stomach lightly. 

“Y/N,” he said in a warning tone. 

“I miss your face. I'm switching to video call,” you announced and fumbled with your phone. 

“No, Y/N, wait-” he said, but pulling the phone away from his ears, he realized his protests were too late to matter as he took in your half-naked form. 

Though your face took up the majority of the view on the camera, he could see the soft trim of your lace bra poking into the camera, and the generous push of cleavage your angle facilitated to boot. 

Checking around him for people looking, he tucked himself into a corner and scowled back at you. 

“Y/N, this isn't a game. Turn the call off and go to bed.” 

“But I miss you,” you whined. 

“Y/N,” he hissed, eyes falling to your hands where you'd begun massaging your heavy breasts. 

“When are you coming home?” You asked, whining again like a petulant child as the alcohol flushed through your system, bringing all of your desires to the forefront. 

“Soon,” he said, not trusting himself to say more than a word. 

“Good. Because I miss you. Spencer, I- I think I want to have sex with you.” 

His eyes shut as he tried to remain calm even as your words rang in his ears from 1000 miles away.

“We'll talk soon, Y/N. Good night,” he closed, finally hanging up and covering his face in his hands. He made his way quickly to his motel room, threw his phone down on his bed, and ignored as best he could his throbbing cock in his pants and the three pictures you'd sent him since he hung up. 

He didn't resist for long. 

Three nights later, you found yourself at a bar, living life to the fullest. You'd taken back to society like a swan to water, and you weren't letting the stern words of Spencer Reid keep you down. Knocking back another shot, you smiled and cheered with your friends until you felt the eyes on you again. It was different this time, though, hotter, and closer. You turned to look at the door and saw Spencer Reid and the other people who'd saved your life walking to a booth. It was Spencer's eyes on you. 

You definitely did not believe in a higher power - how could you, after all - but you did believe that this was fate. 

You blew him a kiss as he watched you walk back to your table with another cocktail in hand, letting a man who'd been trying to flirt with you earlier follow you to your friends. 

When you went for your next drink, you found him at your side in a heartbeat. 

“I'm not checking up on you,” he said, even though he was. “I'm ordering a drink.” 

“Two drinks,” you said, shooting him a flirty smile as you pressed yourself against him again, chest to chest. 

“You're ordering two drinks, Spencer,” you whispered into his ears as his head dropped down to within an inch of your own. The air felt changed, but you refused to move to close the gap. You'd put in the work the last few times. You needed Spencer to be the one to take the chance this time. 

He ordered your drinks, and still you didn't move apart, huddled together as if you were whispering conspiracies to one another. 

When your drink was firmly in your hand, he grabbed your wrist and led you to a dark corner of the bar. You sipped your drink quickly, managing two swigs before he took it and placed both drinks down - right beside Penelope Garcia - and dragged you out into the hall. 

The bathrooms were empty when he pushed you inside, and your heart throbbed as his hands pushed you into a stall, lifted your legs to wrap around him, and then his lips finally crashed into yours. 

Transference or whatever else it was supposed to be, you didn't give one shit in that moment as his tongue coaxed your lips apart.

His hands didn't stay in place for long as he dragged them up and down your body, exploring every part he'd memorized from the pictures. Every curve or inch he'd previously held tenderly, gently, he now raked over with the hunger of arousal, pushing your short skirt up until it was past your hips and his fingers could sink into you instead. 

You were soaked before he even had one digit inside you, his thumb rubbing roughly against your clit as you turned to jelly in his hands. 

You'd masturbated before, sure, you were a grown woman. But the feeling of someone else's hands, someone else's hest, the knowledge that someone else desired you so badly that they'd drag you into a bar bathroom just to sate their lust? That was new, and it was exciting. 

His lips covered yours as your legs shook, silencing every moan, every whimper with his tongue. It was wild, messy, your tongues clashing wildly and messily as your hips rocked violently, trying to reach that high, but also trying to make this last past his fingers. 

It wasn't to be though as you shuddered around his three digits, your orgasm ripping through you silently, leaving you wide-eyed and wide mouthed. 

“We're done,” he said, gently kissing your cheek as be stood you up, letting you stretch out the soreness in your muscles. 

“For now?” 

“Forever, Y/N. This was a mistake.”

Your heart hit the ground, and he stomped on it, but the anger filling your gut pushed up and out before he could completely bow out. 

“No,” you ground out through gritted teeth. 

“Y/N, you aren't in love with me. You feel grateful that I saved you, you feel attracted to me because I'm older and you think I can protect you, and a little part of it is that you've always been attracted to men who are dangerous. You're not in love with me, so-” 

“You sound like him.”

Shocked, he paused, and his grip on your hips tightened until his nails were biting into your skin. 

“What?” 

“You're telling me how to feel, you're telling me what to do. You sound like him.” 

“Y/N, that is unfair-” 

“Unfair is denying that I'd know how I'm fucking feeling to let you wallow in self sacrifice, Spencer. Unfair is playing the martyr when we can both see that you want this as fucking badly as I do.” 

You didn't give him a second longer to react, but grabbed him by the wrist and, making sure your skirt was once again in place, pulled him back out of the bathroom and into the club. 

Stopping by Penelope, you put his drink in his hand and grabbed yours, downing it quickly. He followed your actions, taking a sip until you were done and slamming your drink back on the table. 

Then you kept him moving, pushing doors open, hailing a cab, and climbing in with him hot on your heels.

You kept your grip on him tight until you'd marched him to his apartment. Releasing him, you flattened your back against his door, letting him slowly unlock the door as you spoke to him again finally.

“Do it, Spencer. Be my first.” 

It was like he was a different man walking over that threshold. His hand were on your face, his tongue again fighting yours as you stumbled back into the apartment, crashing into the wall, then the coffee table, and then the couch. 

You cursed in anger hitting his closed bedroom door and pushed him away to open it yourself, but his arms wrapped around you from the back and he sucked bruises against your neck as his hands grabbed your breasts and squeezed them.

His cock was rigid in his pants, and your body ached for the unknown, the soon to come pleasure that he was to deliver. 

He pushed you down onto the bed quickly, and you rolled yourself over, pulling your own dress off as quickly as possible. 

“That's my job,” he moaned, meeting your lips again as his hands fell to your underwear once again. 

“You have a long to-do list, Spencer, I'm just helping,” you smirked as he kissed you again, your hands shakily working down each button of his shirt as you acted to tear it off of him. 

“We have all night,” he replied, fingers once again rubbing at your bundle of nerves, hips pushing up and into his hands. 

“No, Spencer. No, we don't. I need you now.” 

His mouth covered yours again as you finally, finally got his shirt off, letting him throw it to the floor as you started working on his belt. Your legs spread as he inched closer, sitting between your thighs comfortably as he waited with bated breath for you to finally touch his cock.  

You knew what dicks looked like, you knew what they were supposed to feel like, but you never realised you'd want to touch one so fucking badly until his sprung from his pants. 

He took your hand and spit in it before you wrapped your fingers around him and felt the heat of his cock pulsing against you. 

He was big, long more than girthy, and you wondered how thousands of years of women had managed to survive coupling if this was the weapon meant to numb them into horny submission. 

One stroke, and you were a mess, his fingers hooking into you as you flicked your wrist up and down. 

You watched his precum rise and swiped it up in one finger, tasting it as he groaned and started thrusting up, fucking your hand as he scissored his fingers inside of you. 

He stretched you out, readying you for his thick cock, and you gladly sat there, letting him use you and ready you all at once. 

When you were ready, he wrapped his arms around you again, lifting you onto the bed properly and laying you down softly in the sheets. Kneeling to roll on the condom he'd grabbed from his bedside table, you watched in curiosity as you tried to memorize every movement, every second of him sinking into you. 

The tears in your eyes were emotion just as much as pain, your heart hammering in your ears as he whispered praise into your ear, dropping confessions like bombs. 

“You're taking me so well, Y/N, that's good…” he moaned, pushing in one inch. 

“That's it, Y/N, just a little more. I love you, you can do it,” he said, sinking in two more. 

“You feel so good, Y/N, made just for me,” he said as he finally hit your limit. 

You knew the stretch wasn't the end, and he rested there for a second, letting you get used to him before you lost patience with him. 

“Spencer just, just push through,” you grit out, and he did, snapping his hips up just that.inch or two more and sending that spark of pain through you. 

In an instant, his lips were on yours, his fingers on your clit, flooding your nerves with pleasure as all you could think of was the pain. 

But when the pain faded, there was still him, and his cock neatly sheathed inside of you. 

His hips moved languidly at first, his entire body weight pushing down on you, lazily twisting and writhing as of this were just one of your cuddles on the couch. 

You whimpered, and he moved faster, and you learnt quickly that your noises and sighs to him were what his praise was to you - motivation.

You moaned, and he picked up his pace, moving faster as you whimpered a lustful ‘yes’ into his ear. 

“Good girl, good girl, Y/N, that's it. Good girl,” he repeated, unable to say more as you whimpered and cried under him, speech lost as he split you in half with his dick.

You grew louder, and his cock buried itself deeper, your moans dragged on longer and he picked up speed. 

He whispered that you were his perfect little slut, and you jolted in his arms, cumming on his cock and screaming his name. 

He kept pumping into you, careful to make sure the condom stayed in place as he finally bottomed out and let pleasure roll through him again.

Coming down from his high, your tongue pushed into his mouth, and you rolled him over, sitting yp on his dick as he watched. 

You rose off his cock, letting him stare in wonder as your own arousal dripped off of your skin, his cock coated in arousal, and spit from his fingers and, yes, a little bit of blood. 

You crawled back and peeled off the condom, tying It quickly and discarding it before you tasted his cum quickly. 

It was just a soft lick, but it had him declaring his love for you again, and you decided that there were very few things you wouldn't do to hear those words. 

As delightful as your lips felt, though, he quickly bundled you up and forced you to the bathroom, turning on the taps in the bath and placing you on the toilet before leaving. 

Even now, after everything, he was still taking care of you. Maybe especially now. 

You finished, and he came back. More stolen kisses and moans and a bath that turned into more later, and you found yourself bundled into his spare clothes and wrapped in his arms on his couch again. 

He clicked play on another episode of Doctor Who (you'd finally reached Donna, and he was excitedly introducing you to the new character), and you finally looked up at him again.

“I love you,” you said again, loudly this time, with no fear. 

Though his training told him the response he should give, Spencer just looked down at you again and gave in to his heart. 

“I love you, too.” 

You fell asleep quickly after that, head resting over his heart, the sound of the steady beats lulling you to sleep. 

[copperbadge]

Hey Sam! Since it's currently AO3 donation time, I'm wondering what your thoughts are on it? I'm asking because you've written RPF and it's one of many "anti-AO3/anti-AO3 donations" people's favourite things to bring up when they're complaining about AO3 getting so many donations that it continuously obtains an excess of its donation goal whenever donation time rolls around? (Wow, how many times can I say "donation" in an ask?) Sorry if this question bothers you! I don't mean to offend or annoy.

Hey anon! Sorry it took a while to get to this, I don't even know if the drive is still going on, but the question came in while I was traveling and I didn't really have the time for stuff that wasn't travel-related. In any case, let's dig in! (I am not offended, no worries.)

So really there are two issues here and as much as some people who are critical of AO3 want to conflate them, they are different. While some criticism of AO3 may be valid, rhetoric against AO3 tends to misinterpret both in separate ways.

First there's the issue of what AO3 hosts -- RPF, yes, but more broadly, varied content that some people find distasteful or think should be illegal, which is a misunderstanding of the purpose of the archive and more broadly a dangerous attitude towards the concept of freedom of expression.

Second, there's the issue of AO3 generally outpacing its fundraising goals while not allowing monetization, which is a misunderstanding of the legal status of AO3 and to an extent a misunderstanding of philanthropy as a whole.

The longer I watch debates about content go on, the more I come to the conclusion that I was fortunate to have a teacher who really wanted to instill in us an understanding of free speech not as a policy but as an ongoing dialogue. It's not only that freedom of expression "protects you from the government, not the Justin" as the meme goes, but also that freedom of expression is not a static thing. It's an ongoing process of identifying what we find harmful in society and what we want to do about it.

Should the freedom to shout "Fire!" in a crowded theater be restricted? Should the freedom to yell slurs at drag performers? Should the freedom to teach prepubescent kids about gender, sexuality, and/or safe sex? Should the freedom to wear a leather puppy hood at Pride? Who gets to say, and why?

I was nine when my teacher did a unit on freedom of speech and the intersection of "harm prevention" and "censorship", which is (and should be) a discussion, not a set of ironclad rules. This ambiguity has thus been with me for over thirty years, and I'm comfortable with the ambiguity, with the process; I'm not sure a lot of people critical of AO3's content truly are. Perhaps some can't be, especially those affected by hate speech, but RPF is not hate speech. It's just fiction. Or is fiction "just fiction"? This is a question society as a whole is grappling with, although fandom seems to be a little out ahead of society in terms of how explicitly we discuss it.

The idea that prose can incite violence or cause harm is both valid to examine (witness the rise of fascism on the radio in the 20s, on Facebook and Twitter in the past ten years; they're very similar processes) and a very slippery slope. Because again: who decides what harm is, and what causes it, and what we do about it? Our values align us with certain beliefs, but those are only our values, not universal truths. So AO3 is part of the ongoing question of harm and benefit both to society and individuals.

AO3 itself, however, has a fairly defined policy that it is not meant to police content; it is an archive, not a bookstore or a school board. AO3 refines its TOS and policies as necessary, but the goal is always open access and as much freedom of expression as possible, and if that's uncomfortable for some people then that's a discussion we have to have; ignoring it won't make it go away. But it has to be a discussion, it can't be a unilateral change to the archive's TOS or a series of snaps and clapbacks, and I don't see a lot of people ready to move beyond flinging insults. Perhaps because they were taught a much more binary view of freedom of expression than I was.

So, self-evidently, I support AO3 and I don't have a problem with RPF. Whether other people do is something we're going to have to get to grips with, and that's likely to be a process that is still going on when most of us are dust. I'd rather have a century of ambiguity than a wrong answer tomorrow, anyway.

But whether AO3 hosts RPF is truly a separate issue from its donation drives, because it's a criticism some people level at the site which exists whether it's fundraising or not. So people can criticize AO3's open policy and they can give it as a reason not to support the site, but it's just one aspect of the archive and the fundraising as a whole should be examined separately.

I think AO3's fundraisers are deeply misunderstood (sometimes on purpose) because even people who are anticapitalist get a little crazy when money gets involved, and this is, to fandom, a lot of money -- a few hundred thousand, reliably, every fundraiser. To me, a fundraiser that pulls in three hundred grand is almost quaint; my current nonprofit pulls in better than ten million a year and my previous employer had an endowment of several billion dollars. At my old job I didn't even bother researching people who couldn't give us a hundred grand.

On the other hand, AO3 is an extreme and astounding outlier in the nonprofit world, because basically it's the only one of its kind to work the way it does. It is entirely volunteer-run on the operational side (ie: tag wranglers, coders, lawyers, etc) and has no fundraising staff (gift officers, researchers, outreach officers) as far as I'm aware. To pull in three hundred grand from individual one-time donations, without any paid staff and without even a volunteer fundraising officer? That's insane. That doesn't happen. Except at AO3.

What people misunderstand, however, is the basic status of a nonprofit, which is a legal status, not simply a social one. (I'm adding in some corrections here since it gets complicated and the terminology can be important!) The Organization for Transformative Works, the parent of AO3, is a nonprofit, which indicates how it was incorporated as an organization; additionally it is registered federally as tax-exempt, which carries certain perks, like not paying sales tax, and certain duties, like making their financials transparent to a certain extent. (Religious nonprofits are exempt from the transparency requirement.) If you're interested in more about nonprofits and tax-exempt status a reader dropped a great article here.

Nonprofits, unlike for-profit companies, cannot pay a share of their income to stakeholders. Nonprofits don't have financial stakeholders, only donors. They can have employees and pay them a salary -- that's me, for example -- but if a nonprofit pulls in $10M in donations, my salary is paid from that, I don't get a percentage and nobody else does either. That's what it means to be a nonprofit -- the money above operational costs goes back into the organization. The donations we (and AO3) receive must be plowed under and used for outreach, server maintenance, further fundraising, services expansion, et cetera. You can see this in the 990 forms on Guidestar or ProPublica, or in their more accessible breakdowns on Charity Navigator. Nonprofits that do not put the majority of their income towards service provision tend to get audited and lose their nonprofit status. So nobody's getting paid from all that money, and the overage that isn't spent goes into what is basically a savings account in the name of the nonprofit. (I'm vastly simplifying but that's the gist.) Using that money for personal purposes is illegal. It's called "private inurement" and there's a good article here about it. The money belongs to the OTW as a concept, not to anyone in or of the OTW.

So the biggest misunderstanding that I see in people who are mad at AO3 fundraisers is that "they" are getting all this money (who "they" are is never clearly stated but I'm pretty sure people think @astolat has a special wifi router that runs on burning hundred dollar bills) while "we" can't monetize our fanfic. But "they" get nothing -- nobody even earns a salary from AO3 -- and you can easily prove that by looking at the 990 forms they file with the government, which are required to be made public. You can see the most recently available 990, from 2020, here at Guidestar. Page seven will show you the "highest compensated" employees, all of whom are earning zero dollars or nonmonetary perks (that's the three columns on the right).

Either AO3 is entirely volunteer-run or someone's Doing A Real Fraud. The money the OTW spends is documented (that's page 10 and 11 primarily) and while they may pay for, say, the travel and lodging expenses of a lawyer going to DC to defend a freedom-of-expression case, they don't pay the lawyer for their time, or give them a cut of the income.

Despite what you've read, the reason "we" can't monetize our fanfics on AO3 has nothing to do with the site being the product of volunteer handiwork or AO3 having it in their terms of service or it being considered gauche by some to do so; it's because

IT'S ILLEGAL.

I cannot say this loudly enough: It is against the law for a nonprofit to be used by its staff, volunteers, or beneficiaries to earn direct profit from the services provided by the nonprofit.

You can be paid to work at one, but you cannot side-hustle by selling your handmade friendship bracelets for personal gain on the nonprofit's website. If the nonprofit knowingly allows monetization of its services, it can lose nonprofit status, be fined, be hit with back taxes, and a lot of other unpleasant bullshit can go down, including prosecution of those involved for fraud. If you put a ko-fi link on your fanfic, you are breaking the law, and if AO3 allows it, they are too.

Okay, that was a sidebar, but in some ways not, because it gets to the heart of the real complaints about AO3 fundraising, which is that people in fandom are sick or unhoused or in some form of need and other people in fandom are giving to AO3, a fan site that is financially stable, instead of giving to peoples' gofundmes or dropping money in their Ko-Fi or Paypal. And while it is a legitimate grievance that there are people who are in such desperate need while we live in an era of unprecedented abundance, that's not AO3's fault. AO3 doesn't solicit actively, there's no unasked-for mailings or calls from a gift officer. They just put a banner up on their website, and people give. (Again, this is incredibly outlier behavior in the nonprofit world, I'd do a case study on it but the conclusion would just be "shit's real, yo.") You might as well be mad that people give to their local food bank instead of someone's ko-fi.

You cannot lay at AO3's feet the fact that people want to give to AO3 instead of to your fundraiser. That's a choice individuals have made, and while you can engage with them in terms of why they made the philanthropic choices they did, to blame an organization they supported rather than the person who made the choice to give is not only incorrect but futile, and unlikely to win anyone over to supporting you. We know from research that guilt is not a tremendous motivator of philanthropy.

It is also not necessarily a binary choice; just because AO3 gets a hundred grand in $5 donations doesn't mean most of the people giving don't also give $5 elsewhere. I support the OTW on occasion, and I also fundraise for UNICEF and the Chicago Parks Foundation and BAGLY and others, in addition to giving monthly to several nonprofits that I have longterm relationships with -- my alma mater, the animal rescue where I got the Cryptids, my shul. And I give, occasionally and anonymously, to fundraisers that pass through Radio Free Monday, which are mainly individuals in need, because I was once in need and now I pay it forward. These are the choices I have made. Nobody twisted my arm. I respond poorly to someone making the attempt to do so by attacking places I've given.

I think the upshot is, after all of this that I've written, that we cannot begin to come to grips with questions of institutional inequality in philanthropy, or freedom of expression and censorship, until people actually understand what's going on, and too few do. So all I can do is try and explain, and hopefully create a forum for people to learn and grow when it comes to charitable giving.

Archive Of Our Own and the Organization for Transformative Works are products of our community and as that community changes, we will necessarily continue to re-evaluate what aspects of it mean and how AO3/OTW express the community sentiment. I hope that the ongoing discussion of support for AO3 also leads to people learning more about their philanthropic options. But criticizing AO3 for fundraising by attacking it for fulfilling one of its stated purposes is silly, and attempting to guilt people into giving in the ways one thinks they should give rather than how they do give is just going to make one extremely unlikable.

As members of this community, we have to be a part of the push and pull, but it's difficult to do that competently in ignorance. So, I do my best to be knowledgeable and to educate my readers, and I hope others will do the same.

[uriekukistan]

JJK 261 ANALYSIS: What happened, how, why Yuuta made the choice he did, and a discussion of tragedy & major themes of JJK

MAJOR spoilers below the cut so please read at your risk.

i wanted to dissect what happened a bit, and address a few points i saw floating around since the leaks dropped. of course, these are all my interpretations, so feel free to disagree, i just had a lot of thoughts floating around that i wanted to put out for discussion.

I. Gojo was never coming back

first of all, i don't know how you guys expected him to survive bisection. i said this earlier in the day as my justification for why i didn't think gojo was coming back, prior to leaks, and i don't think i can say it any better now.

and this is just my interpretation of reverse curse technique, but if anything, yuuta in this chapter supports my theory. in the scene where he's on shoko's table and arata nitta says that he's used rct to keep the wounds from getting worse, but it might be too late for yuuta to recover. in that case, gojo wasn't coming back from being sliced in half. it's just not possible.

additionally, and this is another thing that i've said for a long time. he says right in episode 6 (i forgot the chapter) that his dream is to reset the jujutsu world raise up a generation of strong students that work together. that is why he became a teacher. this very clearly comes from his relationship with suguru, and it's one of gojo's clearest motivations from the beginning.

the problem is, in order to achieve this, he has to die. so long as satoru gojo is alive, he will have to carry the burden of being the strongest alone. his students won't have to work together, because gojo will just take care of everything. this is already in the works, with how many people have come together to stand against sukuna. if gojo lived and defeated sukuna on his own, this wouldn't have happened, and bringing him back would, again, reduce the need for his students work together.

unfortunately, gojo has been doomed by the narrative from the start, and his primary goal as a character basically requires his death to be realized in its entirety.

II. They're not heroes, they're jujutsu sorcerers.

yeah, i'm stealing megumi's line because it's true. he literally said it twice for a reason, and then yuuta said a repackaged version of it in this chapter ("we're about to fight history's strongest jujutsu sorcerer. if we can win by throwing away our humanity, we shouldn't even be arguing about this").

trust, all the characters are well aware of the ethical issues with taking gojo's body after he's dead, both with what it means for gojo, and with what it means for yuuta. but this isn't a story about heroism, this isn't a story about the power of friendship. if it was, yuuji would have saved junpei all the way back at the beginning of the series. it was pretty clear from the start that this wasn't going to be the typical shounen manga like that.

in fact, expecting it to be is unrealistic. it's unrealistic in real life too, if i'm being so honest. everyone wants to think they'd take the moral high road in this type of situation, but the reality is, when you're fighting tooth and nail against an opponent that is fighting dirty, you have to fight dirty too if you want to win, and i think that's what yuuta is trying to point out in this chapter.

this happens in real life wars which im not gonna get into examples because i dont want to start that kind of discourse, but like...it's so great to be idealistic and hope that virtue will triumph simply because it is virtuous, but i think if you take a look around, you'll realize it's true that good people do not get what they deserve simply because they're good (that's so megumi of me to say...). or if you think of it like a board game, if a player is cheating, it is infinitely harder to win without cheating yourself.

maybe this is a bit pessimistic of me to say, but you will not win a dirty fight without getting dirty yourself, and i think it's pretty clear that sukuna fights dirty.

additionally, it's shitty to see gojo be weaponized, and i understand that, but it plays into the themes about strength in jjk, which i will get into.

III. This was not an "ass pull."

i don't really have much to say to this. did you think yuuta wouldn't take kenjaku's technique? plus, kenjaku being eaten by rika is probably the only surefire way to ensure that they're dead and won't just hop to another body. i've already said why gojo wouldn't come back, but it makes sense that if yuuta were to copy kenjaku's technique, who else would he body hop into, if not gojo? there's already narrative evidence to support this action, from the guidelines of yuuta's technique, kenjaku's technique, and gojo's technique, to the character of yuuta okkotsu, which i want to do an analysis in a separate post for him, so i won't get into that right now.

idk...to me, all the threads connect, plus i felt like yuuta's return was foreshadowed pretty heavily in 259 & 260, with the mention of yuuta's plan that yuuji couldn't know, and then on the last page of 260, the comparison of sukuna and yuuta, so for me, i always thought that it was not actually gojo, but yuuta at the end of 260.

IV. Themes of JJK: The burden of being "the strongest," or even just strong

even many jjk fans see gojo as "the strongest," and nothing more, doing exactly what the narrative sets up as one of the chief problems of jjk. a lot of gojo's actions are spurred on by the burden he feels from being the strongest modern sorcerer. his entire character is built around this problem of the responsibility and burden that falls on someone who's considered to be "the best" at anything.

in fact, this is also a driving point for geto too, and the conflicts geto and gojo come into with each other, as well as geto's inevitable fall from grace. it all comes from this issue that's at the core of jujutsu society. gojo recognizes that, and, as i mentioned, that is why he became a teacher. so that no young sorcerers will feel the burden of being the strongest alone.

the problem is this is easier said than done. after gojo dies, this burden gets passed down to yuuta, and he feels that immense pressure, which is why he decides to do what he does. he says "haven’t we been pushing the burden of being a monster onto gojo-sensei alone? if gojo-sensei is gone, then who else will be the monster? If no one intends to become one, then I will!" and i think this really powerful evidence of the pressure and burden of being the strongest, and i think the word monster is really important here. the burden pushes people to be something they're not, a shadow of their true self.

it distorts morality, like with geto. it isolates people, like with gojo. it forces people to go to unspeakable lengths to uphold their burden, like with yuuta. it leads people with immense power to doubt themselves, like with megumi. it leads people to feel like a cog in the machine, not a human, like with yuuji.

this is sooo so important and a key theme of jjk, and this chapter in particular, and the driving force behind yuuta's actions.

V. Themes in JJK: Loneliness and Isolation

this one has, in my opinion, a bigger role in the story overall than just in this chapter.

as i mentioned before, gojo is lonely. the only person who could understand him was geto, and he turned away from him, and then died. he seems like a silly guy or whatever, but it's just a mask.

but geto also felt alone and isolated, and that's why he turned away. between gojo and geto, neither of them were able to put share the burden of carrying their strength alone, and it's what kept them apart and made their relationship so tragic.

arguably, and though he would never admit it, sukuna is also lonely, though it's buried deep within him and something he will likely never acknowledge, despite it, and his lack of understanding of love (arguably a symptom of his loneliness), are major reasons for the way he acts.

yuuta, though supported by maki, inumaki, and panda in a way that the previously mentioned characters are not, is still isolated. he alone carries the burden of his strength. he was also alone his whole life after rika died, and then again when he was shipped off to africa, away from his friends (yeah he had miguel, maybe i'm missing something, but i dont see them having that type of relationship.

not only that, but yuuta recognizes gojo's loneliness, and reaches out to tell him not to try to stand by himself once again, and gojo admits that's something he can't do, the reason being his relationship with geto.

even further, yuuji and megumi, the parallel to satosugu, are both deeply lonely, except for when they have each other. i mentioned in this analysis that the reason megumi can't just get up and keep going is because he's alone and has been for over a month. i want to get into this more in my next point.

VI. Where I think (hope) this leads for JJK

a satisfying ending for jjk, in my opinion, would be the resolution to this loneliness and burden of strength issue that has been present throughout the narrative. something like yuuji being able to save megumi and them being able to correct what went wrong with satosugu in their own relationship.

personally would like to see satosugu reach the ending they should have had through the itafushi parallels - let them save each other! but i do know gege said only one of them (the trio + gojo) will die, or only one will live....that was years ago maybe he changed his mind :D

we all want to see yuuji take down sukuna himself, but i think it would be a great resolution to see everyone take down sukuna as a team. no one person is alone, no one person has the burden of the strongest. i know i said this wasn't a "power of friendship" manga, and i stand by that, but i think this would be the perfect ending. yuuta throws his humanity away to do what he did in 261 because he felt like it was the only choice and it was something he alone could do, but yuuji represents unwavering humanity (literally his name), and i think to preserve that, they all need to share that burden. let them realize they need each other.

this is what gojo died for, and this is what he lived for. this is why he became a teacher in the first place- to raise a generation that can be strong together, that can support one another.

VII. "It's poorly written torture porn!" "There's no point if there's no happy ending!" etc

i said this in a separate post but tragedies have existed in literature since the 6th century BCE, 2600 years ago. many of the most popular stories throughout history have been tragedies, for example, orpheus & eurydice, romeo & juliet, even things like the fault in our stars and the titanic movie. here's a quick explanation of what it means for a story to be a tragedy (yeah it's from wikipedia but they want me to pay to access the original source and im not doing that for a jjk analysis)

one of things i like most about this definition is the use of the word "catharsis," which is to say that the expression of strong emotions is a way of bringing about renewal and relief. in literature, it's used to say that with the arousal and following release of negative emotions relieves suppressed emotions for the viewer. im not gonna get too personal with it, but i know i've experienced this with jjk.

additionally all of the aforementioned tragedies, they have a message, no matter how sad they are. orpheus & eurydice inspires perseverance and faith in the gods. even something like titanic has messages about everlasting love that overcomes all boundaries. jjk has its message too, and it's long underway. we just have to wait for it to reach its conclusion.

it's easy to lose sight of the bigger picture when we only get one chapter a week, and the fact that the pain is so dragged out is a bit tiring, i'll admit. but that doesn't mean it's bad. having negative emotions stirred by a story doesn't mean bad writing. i mean, i would hope you feel sad. i would hope you feel angry. i would be concerned if you didn't. but given that jjk is a tragedy, that just indicates good writing. especially these last two chapters, i've felt moved in a way nothing else has done for me in a long time.

as always, these are just my thoughts!!! im happy to hear from anyone what they think :D

[badlywritingmagazine]

Wanna help a by-and-for transfem journal?

Wanna get involved?

Thank you everyone for your interest so far! If you have a sec, I’ve written a quick post about a few ways you can help. 

Lili Elbe, painted by Szív királynő, serving “journal reader” realness Do you have trans female mates?

Let your girl friends know. Share it amongst your networks. 

Can you read? 

Wonderful. Subscribe to this substack to be notified when an issue is released. 

Can you think?

If you’re a trans woman and you have feelings about something, send it to us. If you’re developing an idea, come chat with us over email (or arrange a phone call) and let’s figure it out together. 

Do you sell books and zines? 

Wonderful. Email me. Stock it. Perfect. I can also send you a poster version of our invitation to submit to print out. 

Have you written?

If you’re a trans woman who writes about things relevant to our lives, send it to me. If it is online and you worry that it won’t stay up forever, it’s affecting your job and life prospects, or that it is a reflection of its time and not 100% wise anymore, send it to me and get it archived. Archiving is part of the goal here. We’re not uncurated, but that doesn’t mean you should shrug and let the internet, time, transmisogyny and linkrot eat your hard work. 

If you’re a trans woman with jobs and obligations and you don’t like having your essay ‘Why dickgirls should commit more assassinations’ or ‘transgender materialism: towards a de/coterminous understanding of post tipping point transmisogyny’ or whatever attached to your name then send it to me and get it re/published under a pseudonym.

If we get a large number of submissions like this we will publish it as a separate supplement, but else it will come as a section within WBM.

Do you know grants?

Rates for unfunded zines and pamphlets suck. We want to pay the women well. Let us know if you know of funds or grants you think we fall under. We’ll be sending off applications. 

Can you help us host a launch party in a major city?

We envision low-cost evening events with discussion, trans women, and piles and piles of essays to talk about. (Can we crash on your couch?) We’re based in the UK, but are happy to come anywhere Ryanair goes where there’s a willing audience. 

Got an idea I don’t have? 

Ultimately, I want to keep this dirt simple. Essays come in, paper goes out. No columns, shite graphics. Couple core editors. Schedules loose enough to spend half the year depressed and still get it out. Stolen printer paper. Something that won’t collapse after two years. Posterity. 

That said, if you have an idea (and maybe if you want to do it), email us. Think you know enough people to get this translated and shipped somewhere else? Can you translate and know of a non-English language transfeminist text that’s not got much attention in the anglosphere? Maybe we can submit an application for a grant and distribute your translation? Understand distribution better than me? Do you have the wherewithal to manage a personals board? Something else? Anything except an agony aunt section. I’ve called dibs on that one. 

Do you have agonies? Issues? Want bad advice?

Write to the agony aunt. writingbadlymag snail symbol gmail dot com.

Do you have something to say which won't make a whole essay but is still worth saying?

Write a letter to the editor. Same email.

Addendum: Can you help us set up a website?

Websites we think are beautiful are dirt simple. Low-tech Magazine has a beautiful low-energy website. Filmmaker Margot McEwan has a lovely fitting website. Any thoughts or suggestions should be sent to the same email.

(update: we're all set now! Check out badly.press!)

See a good stack cutter?

If you see a cheap paper stack cutter for cheap, let me know. :)

Thanks all!

Forthcoming posts: information for writers, extracts from the issue.

[reareaotaku]

Part 3 of Judd headcanons??????????????

More???????? Honestly I don't know what else to add tbh, so I kind of elaborated on her relationship with Leah & Nick too PT1, PT2

Leah is slowly getting annoyed with her brothers. She was cool with them liking you at first and even thought it was kind of cute, but now it's getting annoying. Sure, she sees why they like you, you're incredible, but that's the issue. You're incredible and you can do way better than anyone in her family. You deserve the best, and although she loves her brothers she knows they are anything but. Also they're taking up all your time that she once occupied

She has to get you back

^And now all of the Birch siblings are fighting for your attention

Leah's going to win almost every time though, because she's your best friend and was with you first

Nick and Judd still go at each others throat

If you're ever in trouble and need help, you can count on Judd to help you, even if he acts annoyed

You make him want to be a better person, which really angers him. You make him nicer, which people around him notice [Only his stupid father pointing it out]

Corruption Kink

He's obsessed with you and keeps a shrine

Judd acts like he's annoyed with your presence, but if you ever get up to leave he'll pull you back down with him

He just doesn't know how to tell you he loves you...

He'll let you sleep on his lap or his shoulder. He thinks it's kind of cute when you fall asleep on his shoulder. He likes to hear your breathing and he can even feel your heart beat echoing in his chest

Nick asks you for rides from school [Mainly because he doesn't want to ride with Judd], but he wants to spend more time with you. He's sad you see him as a little kid/Brother and wants to change your mind [He won't]

Whenever you hang out with Leah, it's usually away from her stupid brothers

^ If you were with her brothers, she makes sure to keep you preoccupied so they can't have a second of your time. Maybe she's selfish, but you're her friend not theirs

^ If Judd talks about asking you out, while Leah had once been on board, she no longer is, because then she won't have your attention like she used to. She had never thought that far ahead before, but now she's slowly seeing it happen before her eyes

Judd has taken you on raccoon dinners because he knows you think raccoons are cute

^ He plays up to your more affectionate side

^ Think of it as a manipulation tactic, but don't call him out on it

[brucewaynehater101]

Time traveling Tim AU, but he was never Robin:

In the first timeline, Jason never dies. For the plot's sake, let's just say Sheila was found out and arrested. Jason never runs away, but he does end up crashing at Dick's place for a while.

Jason eventually takes on a new mantle (not Red Hood).

A few weeks after this, Bruce sees a purple vigilante fluttering about. She thus becomes the third Robin.

That relationship isn't the best, so Steph eventually sheds the Robin mantle for a batgirl one (not sure how Cass fits in quite yet).

This is in time for Damian to pop up and become Robin.

All of that is background information that Tim keeps track of in the OG timeline. He never becomes part of the batfam.

When his mom dies and his dad is thrown into a coma, Tim does the fake uncle stuff. Tim's dad wakes up. They don't have a big blowup about Robin, but they also don't really know each other. They try, but it's intensely exhausting trying to navigate their grief, stress, lies, and lack of relationship with each other.

Tim goes out one night to hang with one of his friends.

He doesn't get his dad's call.

He comes home to his father murdered.

Batman puts Captain Boomerang away and doesn't look into Tim's established fake uncle. Since the uncle has already looked after Tim once, Bruce has his hands full with the other kids, and Tim is just a civilian, Bruce leaves him alone.

And Tim? He's fucking pissed. He was finally starting to get a relationship with his dad, and this guy took that away from him. Jail doesn't feel like enough.

Tim can't take him on like this, though. If Batman won't get him the justice Tim craves, the teen will just do it himself.

So Tim's uncle declares the teen is going abroad to get away from his grief as well as learn from an international boarding school. Tim manages Drake Industries remotely as he goes to Paris to train.

He gets much of the same training he did in his early Robin years, and that whole arc plays out. Tim isn't Robin, though. He kills.

He regrets it, he despises it, but he tries to convince himself it's necessary. If he's going to get revenge for his dad, he'll kill later anyways.

He, unfortunately, also catches the eye of Ra's. He accepts the man's offer to train and tries to becomes okay with killing.

Eventually, Tim leaves. He promises to return to Ra's at a later date after fulfilling his revenge.

When it comes down to it, when Boomerang is about to die from his own choices, Tim backs out. He becomes horrified with what he's allowed himself to become. His hands are stained red, and Tim doesn't believe he'll ever wash it off.

Batman finds out about Tim and tries to tell him he did good by letting Boomerang go (because their relationship is obviously different here. Bruce sees a kid used to killing refraining and not his son about to kill). Tim, so absorbed in his own guilt, flees.

He becomes obsessed with fixing his mistakes (which Tim... buddy... Maybe the issue is you getting so absorbed in your goals and losing sight of what matters/your morals). He accidentally slings his consciousness back to when he was nine.

He's nine, has the memories of an adult (he was about 19 by the time he got shot back), and thinks he needs to pay for his sins. Thus, he becomes an independent vigilante/informant. He drops information off with Batman or other heroes.

Most estimate his age to be between 25-30, and he's known for finding information, clues, and people when others can't. He is also known for vehemently being against murder (though, due to his time with LoA, he sometimes suggests cruel methods).

When Jason first goes missing, Tim instantly notifies Bruce.

Jason still dies.

Tim blames himself. By going back to the past, he's obviously condemned Jason to die. It's Tim's fault (butterfly effect sucks ass. Not Tim's fault, but guilt also sucks).

From Tim's time in LoA, he monitors them. He will thwart certain plans if he can get away with it without them noticing. He's also in their system.

This is how he learns about Jason.

His vigilante persona, known for finding even the impossible, brings evidence of Jason's existence to a grieving Bruce as well as proof of Damian.

[fandomsandfeminism]

So we have now surpassed the 96 hour "best case scenario" amount of oxygen point (if they had been alive and didnt just implode, they arent alive anymore), and I just keep thinking everything about this story, and really the story ABOUT the story, is fascinating.

Like, the situation itself has that incredible blend of tragedy voyeurism and schadenfreude that adds a level of absurdity. (The Logitech controller, the camping world lights, the fact that they probably didn't have their shoes). The way this story touches on issues of deregulation and tragedy tourism and billionaire hubris and a condemnation of wreckless start up mindsets. How much money has been spent looking for them, how much the tickets cost - the extreme absurdity of all of it.

But also the WAY this story has been covered. I keep seeing this compared to the horrific disaster in the Mediterranean this week which killed over 500 refugees and the disparity in the coverage and interest. And yeah, I think the issue is that the disaster in the Mediterranean is transparently horrific- it is a terrible tragedy, the result of systemic and complex geopolitical issues that are complex. So many people, and the weight of that is just so big. It's not funny. It's just awful.

The Ocean Gate Titan thing? It's a simple narrative that was obviously avoidable. It feels like a movie with REALLY obvious themes. It's been covered like a movie. It's been dragged out and every single possible update, the viral video of the tour of the sub, the possible noises detected by sonar, the whole side story about the billionaire step son going to the Blink 182 concert- the cast is so small and the level of abstraction away from normal people and their lives? Makes it feel completely unreal and so it can be consumed like the newest HBO miniseries.

Even now, we are getting updates on how they could stretch the oxygen out longer- like a fan theory prediction of the next episode. Like a headcanon for the season finale. (Oh God, do you think AO3 has fics yet?) Tiktokers making videos about plot holes (why not attach a tether to it?). Discourse over whether it's problematic to say one thing or another about it.

It reminds me of how it felt when the Ever Given got stuck in the Suez Canal, but with the added "oh my god, the OCEAN ate the rich" and Logitech Playstation controller jokes.

I'd put money on implosion. These men have been dead since Sunday. It's likely that we won't actually know for a long time though, if ever. But the way this story was covered is worth contemplating.

[russellsppttemplates]

I never knew anybody 'til I knew you (Lando Norris)

Your new job is allowing you to have new experiences, and your heart is not too mad about it either

Note: english is not my first language. After a long time in the books, I'm finally writing for Lando! This is my first long piece and I hope I did well enough!

Thank you so much to everyone who likes and reblogs, your feedback is appreciated 🤍 and I'm taking requests so if you have any ideas or concepts you want to share, feel free to do so as I'll try to get to them the best I can!

my masterlist

Tw: curse words, mentions alcohol consumption

Tag list: @myloverjk-blog

"I'm just saying, it's closer that way. We can go and get the packages ourselves and sort out any issues with them straight away", Lando reasoned, opening his text message app so he could continue what he wanted to do. "Okay, fine by me. He's got a point, Y/N", Max raised his hands in surrender, looking at you for your opinion.

Working for Quadrant hadn't been a goal you had set out to accomplish in the strict sense of it. You didn't see yourself working for a massive company where people were stuffed in offices where the only way they could know their colleagues' names was when they had online meetings that took far too long and discussed the baseline of the issues. So, when you saw the job offer for someone in the Graphic Design area of work, you looked up the company name and saw their work, fascinated with how the guys had grown this business from streaming online gaming. Later, as you progressed in the recruitment process, you came to learn that Lando and Max also had a more public presence than you had initially figured out, despite all of your friends' insistence that "you can't be that clueless, Y/N, how did you not know that Quadrant was Lando Norris'? I thought you applied because of that", they would say as you shrugged your shoulders, "in this economy, do you think I am that picky about a job? I have my preferences, sure, but I know what I'm worth and I saw the offer was actually quite okay!", you defended yourself.

You ended up getting the spot and, so far, you couldn't complain. Most of the time you worked with Callum, Max and Tara, since your work overlapped with theirs, and every now and again, like right now, Lando would also meet up with you.

"Are you sure it's fine if I go? Your parents know Max, but they haven't met me before. Are you sure they won't find it weird?", you spoke directly to Lando, thinking that his idea, as lovely and kind as it was, didn't account for the facts you were stating.

"Max is coming because he's from the team, and you're from the team, too, so you're coming with us as well", Lando said simply, not seeing the problem.

"But he's been your friend for so long now, I'm a Quadrant Team member", you attempted again, "they don't have to provide for and give a roof to a stranger, I'll find an hotel to spend the night", you offered, wanting to be clear about it.

"You're part of the team, too! Don't worry about that, okay?", Lando said, "besides, mum loves having a full house, she's definitely the host of the family", he smiled, checking the item on his list nd carrying on the meeting.

"When we're there, we'll be able to get our hands on the embroidered Originals collection", Max began, "hopefully they're perfect and we can start working on the website", he gestured as you turned your laptop so they both could see, "this is the concept I've come up with, since this isn't as flashy or as colourful as past collections", you showed them the mood board, looking for disapproval signs but being met with looks of surprise instead, "I know it's not usually what you go for, so I also have another idea here, if you just let m-", you were about to change when Lando slapped your hand away from the mouse and holding it in his, "I really like this one, especially these posts here, I think the ideas are great!", he noted as he set your hand down on the table, "okay, then I can keep working on this", you said, closing the other tab, "do you have something better than this?", Max asked, "seems as good to me!", he offered.

"This is just a draft, I'll invest more time in this and I'll have it ready for the end of the week. That way we can have it ready when the clothes arrive. I'll text Tara to ler her know", you smiled, grabbing your phone as the boys flickered through the ideas, pointing out the different details they liked and wanted to keep.

.

"I'm way too young for my life to be just this, so please drive safely, Max", you said, buckling your seatbelt and exaggerating your hold on the door handle, "if you weren't such a crucial part of this team, I'd make you reconsider your jokes", he teased back, reversing out of the parking space and initiating the trip.

Lando was already at his parents' house since they had a family gathering the day before, so you and Max were driving up to meet him, "they're really nice people, really chilled as well", Max began, "Adam and Cisca, that is. I can hear you thinking and I'm assuming that is what's going on in your head", he stated.

"I don't want to step on anyone's toes, and I don't want to embarrass anyone or myself even. Can you imagine Lando's parents finding out their son's company has questionable employees? They'll mark me off as some sort of strategy fool or think that I want to take this company down, and I don't!", you uttered out, sharing more than you meant to.

Impostor's Syndrome was a bitch, and it often showed up the moment things got progressively harder, and while you knew you were able to deal with it, the little voice still nagged you.

"Y/N, you're one of the most valuable people we have on the team, and I don't say that lightly. This is Lando's baby, and yes, he's the face of it and that counts for most of it, but the work behind it is just as important and with the numbers we're having, it all comes down to you. Since you joined us the designing aspect of it, - obviously, you wouldn't be the one responsible for accounting, duh -, the compliments have been non stop, it has improved the interactions, too!", he said honestly, "you have nothing to worry about, truly", he comforted, "it's this exit here", he mumbled, checking the GPS and turning on the blinker, slowing down the car as they entered the city.

You didn't have to wait long before he pulled up to a big house, the gravel sound quieting down until it came to a halt when Max stopped the car, "Lando said he'd meet us at the door, I really don't fancy being mistaken by a burglar", he joked, getting out of the car as you did the same, stretching your legs and taking in the sight.

"Max, Y/N! Did you have a good trip?", Lando made himself be heard and seen, walking up to you and grabbing the bags his friend was taking out of the car boot, "I'll take these", he offered, picking up your luggage as you pulled on your backpack, "thanks", you smiled, following him as he led the way into his parents' house.

"My parents are in the kitchen", the Formula One driver said, ushering you to the roomy space after he and Max dropped the bags by the stairs, "Max, dear! We haven't seen you in so long, how are you?", a beautiful woman said. Her hair was brown and her skin was tanned as she hugged Max and Lando, "this is Y/N, she is our graphic designer", he presented you, the older man hugging you and his wife doing the same, "I'm Adam, it's so nice to finally meet you", he smiled warmly, "likewise", you smiled back.

"You can call me Cisca, darling. We've heard so much about you, it's nice to finally put a face to the name", she winked at you as you didn't miss Lando elbowing his mother as he closed his eyes, sighing at her, "thank you for having me over, I hope it's not too much trouble", you thanked again, feeling more at ease at their genuine welcoming greetings.

Lando quickly scrambled an answer, seemingly not wanting his parents to talk, "of course it's fine, no trouble here! Let's get your things upstairs so we can settle in and work!", he clapped his hands, walking to the corridor and up the stairs with Max as you excused yourself.

"This is your room, you have the bathroom on the next door", he pointed on the corridor after he placed your bag and backpack down in the small sofa, "Max is in the office, it's just across the hall and I'm at the end of the hall, if you need anything", Lando offered.

"Thanks, again. Do you guys want to begin now? I just need to put on some fluffy socks and I'm good to go", you said, "yes! Is the dining room okay with your parents? The table is big enough to layout everyhting", Max chirped in, whistling at your room as he looked around, "she got an upgrade, good move!", he tapped his friend's back.

After Lando cleared it with his parents, he was quick to remove the table runner and flower vase from the dining room table, extending it to its biggest size so you had all the space you needed, "you can sit here, Y/N, it's usually where the room heats up faster", he pointed out the radiator, pulling up the chair next to your and typing on his iPad.

"So this is the video idea? I like it, we just need to find some background music for it", Max asserted, grabbing his phone to check the time, "we should get going to pick up the order", he uttered.

"Do you need all of us to go?", you asked, saying the changes in your laptop as you did,

"You can pull your the backseats of your car down, can't you, Max? That way we can bring more boxes, and you and me go", Lando reasoned, looking over at you, "do you mind staying here while we go get them?", he asked, not wanting you to feel uncomfortable.

"I'll be fine, you go", you smiled, opening your notebook and writing down some notes.

"Oh, darling, you could've turned the lights on. Soon enough you'll be like me and need glasses", Cisca said as she stood on by the door, flickering the lights on as your eyes got used to the brightness, "I already wear them, or I should more often anyway", you blushed, suddenly getting caught with your hand in the cookie jar, grabbing your case from your backpack and putting them on.

When Lando and Max left, you decided to work on the website graphics, checking how the campaign would work with the current layout, that you lost track of time.

"May I see what you're working on?", she asked, "it's okay if I may not, I don't want to intrude", she smiled as you pulled up the chair next to you, "I don't know much about these things, but I always get quite fascinated with this part", she said, sitting down and looking at the screen.

Already driving back home, Lando and Max talked about the plans once they arrived, "and that way Y/N can also finish the social media stuff, and maybe you'll have more time to actually make a move on her", he teased.

Lando scoffed, "I'm not trying to make a move on her", he defended himself, "I'm glad to know, because if those moves were what you had, it wouldn't surprise it that it didn't go very far", Max yelped as his friend took the opportunity of the straight road ahead to hit his thigh, "so that's what you talk about? Here I am thinking about business and you're meddling in my love life?".

"I never said it was love life, but since you've admitted it, it's saving me time. So, what are you planning? I could help since this seems to be stalled", Max tried again, holding his hands in protection of his body in case Lando hit him again.

"I wouldn't know where to begin, I mean, it will make things awkward if this goes south, right? I'd never be able to look at her again, much less work with her", Lando admitted, "She's very kept to herself as well, I highly doubt that she'll want to be involved with me in that way. Whoever I date or interact with has to deal with enormous amount of public eye and I wouldn't spring that up on her", Lando mumbled, taking the road exit on his left.

"So you've given this some thought, too. Here we are thinking you're coming to the meetings to help and now you're just blushing when we talk about Y/N", Max joked back as Lando shook his head.

"We're back!", Lando announced, walking inside the dining room while pushing the boxes with Max, "don't worry, mum, we're not scratching the floors", he said, sweetly kissing the side of her head, "are you planning to work for us?", he noticed she was sitting next to you, notebooks of the projects open and sheets and fabrics all over the table in front of you.

"Y/N was kindly showing me the project you're working on, for the launch, and it looks really nice!", she complimented, placing a hand on your shoulder and the other on your arm, "she's been showing me everything, I've probably stolen some valuable time from you, darling, I'm sorry", she slumped her shoulders slightly, "not at all, it's all under way, don't worry", you smiled, easing her worries, "I'll leave you guys to it, how about I make some tea?", she suggest as the three of you nodded.

"We have the boxes here, they're sorted by colours", Lando opened the first box, "these are only for the Originals collection, right?", you checked over, peaking at the blue hoodie he pulled out.

"The sizing is right, right?", Max wondered as Lando stretched it out, "Y/N, can you try these, please? We need to check if the model is good for guys and girls".

Getting up from your spot, you grabbed the vibrant blue piece, feeling its soft texture against your fingertips, "I have wider hips that average, I'm not sure I'm the greatest test model for that", you shrugged your shoulders, "keep that in mind". Taking off your sweater so your torso was covered in a strappy top, you pulled the new garment on, adjusting the strings around the neck so you could pull it all the way down, "Oh, it's so soft", you noticed, "and warm, too. And feels quite good actually, it's not too tight", fumbling with the ribbed material on the bottom as you checked yourself out on the windows now that it was dark outside.

Lando gulped as you did so. Oh, had Lando noticed your hips. To anyone else, it would be another feature of your body, but he was enamoured by them. Your body's curvy outline enticed him and he would be lying if he said that it wasn't the first thing he noticed at first glance when you arrived for you last interview, especially with the tapered pants you had been wearing.

"Looks nice. What do you think, mate?", Max turned to Lando, hoping to get an answer but finding him looking at you, "is there something wrong? I told you I'm not the best mo-".

"It's gorgeous, looks gorgeous", he breathed out just as his mother walked inside carrying a tray with tea and some biscuits, "Here's the tea, guys", she said, setting it on the table, "wow, that's a very nice piece!", she complimented.

"It is, isn't it, Cisca?", Max said, covering up her son as he kept looking at you as you tested the front pocket, not noticing his gaze on you.

"You also have a very beautiful model, you can't ignore that factor in the equation", she complimented you while you grabbed a mug, taking a sip of the warm liquid and hoping it hid your pink cheeks, "thank you", you whispered.

While Lando helped his father with dinner, Max convinced his mother to show you both family albums, and once you had the delicious food they prepared, you excused yourself so you could use the shower, wanting to wash the day of travelling away. Max and Cisca stayed in the living room while Lando helped his father prepare dessert, checking on the apple crumble in the oven so it could get golden brown and not burnt, "so, any life updates recently?", the older man asked.

Lando wasn't around as much as they both would've liked, so often times his visits also came along with news and updates, "not much, racing has been good, it's nice to have a break now, even if it's just two weeks", he offered, looking at the oven.

"And nothing else? I mean, no one special? Your mother is usually the blunt one, but I'm going to try it myself: Y/N is just a Quadrant Team Member?", Adam questioned, noticing his son's cheeks become redder.

"Is it that noticeable? I just hope she doesn't see it as much as you do", Lando groaned, rubbing his cheeks, "maybe you should hope she notices, you know? Maybe she'll admit she likes you, too. You never know", Adam patted his son's back, grabbing the gloves so he could take the tray out of the oven, "she seems like a really nice girl, kind, good work ethic, intelligent, and she's beautiful", he finished as his son sighed, grabbing the vanilla ice cream from the freezer, "she's all of that and so much more".

.

"Kygo is doing a set tonight", you heard Max say as you walked inside the living room, taking the spot on the sofa next to Lando since his mother had taken your previous spot when you went to use the bathroom, "I've been meaning to ask you guys if you wanted to go, actually. He texted me saying to tell him if we were planning on going", Lando stated.

"Go and enjoy being young, life is not all about work if you can't enjoy yourself", Cisca shared, "dad and I won't complain if you make noise when you get back", she winked.

"Would you like to go, Y/N? You can say no, that's fine, too", Lando turned to you. He knew Max would be down on a heartbeat, but he didn't want you to feel pressured to do something you didn't want to because you were at his parents' place as a guest.

"I'm good, I like his music, too. I've been wanting to see him live for a bit, actually", you smiled, thinking about how lucky you were to be able to have these experiences because of your job and friends.

Later that night, you're getting ready in your room, sitting on the carpeted floor and applying your make-up for the occasion. The dressier outfit you had brought with you consisted of a burnt red top and some pants as it had become the outfit you had felt the most comfortable and confident in to go out. The top complimented your chest and your midsection as your pants looked really good around your hips and butt, your legs elongated by the small heeled shoes you had spent years looking for. They were comfortable, pretty and functional, ticking all the boxes for what you needed for tonight.

"Y/N, can I come in?", your heard Lando knock on the door, welcoming himself when you said he could, "we are leaving in about ten minutes, if that's okay", he said, taking a good look at you as you fiddled with your earring, "yes, fine by me", you smiled looking back in the mirror propped on the bedside table and finally clasping it, looking back at him.

You took his breath away. It was as simple as that. Your hair had your natural curls he loved so much, your makeup complimented your naturally soft beautiful features and your outfit made you look incredible.

"You guys ready?", Max patted the door, propping himself on it as you grabbed your shoes, "I'll put them on downstairs", you said, carrying them in your right hand as you had your small purse on the left.

While you did the small, dainty tie on your shoes, Lando's eyes went straight for your chest, the slightly bent down position granting him an agonisingly teasing angle as he tried his best to look away, "you might want to be less obvious, you don't need to creep her out to get her to be yours", Max whispered in Lando's ear.

As soon as you arrived, Lando and Max walked with you to the VIP area, asking you what you wanted to drink before they went up to get it.

Lando looked great on his white shirt, the light coloured shirt looking great against his tanned skin as the relaxed fit complimented his back, prompting you to make sure you weren't drooling in public. You worked for his company, it would never be a good idea to get romantically involved with him, no matter how many times your heart leaped.

"A very weak Gin and Tonic for you, as requested", Max said as he pushed the cup towards you, carrying nother drink for himself, Lando sitting next to you on the booth and empty handed, "you're not drinking?", you asked, "I'm driving us all home today, I'm want to do it safely", he stated, tapping his hands on the table when he saw Kygo, signalling him to approach you.

"Hey Lando, Max", he smiled, "I'm Y/N, I work for Quadrant", you smiled, greeting him with a half hug as he introduced himself too, "my set is in a few minutes, you got here just in time. If you want to see it up close, Y/N, let me know and I'll make it happen", he winked at you.

The wink was not missed by Lando or Max. While Max wanted to laugh at his friend's jealous expression, threatening to send the norwegian DJ to a place that was less than nice and sunny, Lando couldn't believe his eyes. Yes, it was only fair that others, too, saw your beauty and noticed you, but to put themselves out like that, that was a different story. You didn't seem to bothered by all of it, sipping on your drink as you spoke to Max, pointing out different people you remember from Silverstone earlier that year.

"Kygo's starting, I want to dance!", you said, getting up and gesturing for the boys to join you. While you were used to having a lot less space to dance in, the welcomed freedom was appreciated as you playfully placed your pointer finger on Max's head, making him do a little spin, "now, no need to be jealous, Lando, you can twirl, too!", you yelled over the music blasting from the speakers, doing the same and sinking your finger on Lando's curls.

"I'm going to get another drink, want anything?", Max asked, excusing himself when you shook your head, "you know you can drink, I'm the designated driver", Lando offered, "I know, thank you for that. I just don't want to drink more", you smiled, recognising the next song, feeling brave and pulling Lando by his hand so he could dance with you.

I never knew anybody 'til I knew you

I never knew anybody 'til I knew you

And I know when it rains, oh, it pours

And I know I was born to be yours

Lando twirled you would face him, chest flush against his as his colourful eyes looked into yours intensely, "I know this is very forward, and very unlike me to be fair, but I need to get it out", he gulped as he spoke loudly in your ear, looking for any sign of discomfort from you, "I really like you, like, a lot. And I would like to know if you feel the same. Because Max and my parents seem to think you do, but all I know they're just saying so that I shut up about how much I love you and how much it would mean to me", he spoke loudly against your ear as the song played.

You were struck by his confession, not expecting it to ever happen, much less like this and in these circumstances.

"If you consider this a hostile work environment, I didn't want that, but I had to be honest with you", he gulped, "just say you don't feel the same and I'll drop the subject, okay? I might have to pretend to go somewhere else so I can be away from you a bit until things are not awkward, but don't worry, I won't drink because I'm driving and-", Lando belted out before you interrupted him, moving your face closer to his neck this time and speaking into his ear, "It's not hostile if it's consensual, right?", you smiled, a glint in your eye as his own widened, chuckling as he sang the the words in your ear, taking the opportunity to kiss your cheek near your earlobe.

"Took you two fucking long enough!", Max yelled as he approached you, tapping Lando's back in congratulations, "you know what this means, Y/N? I won't have to listen to him mope about how he thinks he was made for you and you were made for him, and that the universe would have to be playing a very bad joke of you two didn't end up together!".

"What makes you think I'll stop that? I just got the girl of my dreams, now I'll have the confirmations of all I've said! You'll just hear how amazing all of it is!", Lando smiled, hugging you close to him and kissing the top of your head.

[thequeenofuselessinformation]

So basically the entire character list of The ballad of songbirds and snakes is the exes from hell

1. Coriolanus Snow

-Mansplain Manipulate Manwhore

-Great hair and fashion sense

-Love bombs you

-Old money

-His (grand)mom hates you because her son can do no wrong so clearly you're the problem

-His favourite hobby is emotional and mental abuse

-Snitches on you when cheating at family board game night (he's deflecting that he's also cheating)

-Emotionally stagnant (narcissist with mommy and daddy issues)

2. Sejanus Plinth

-Loves you to bits, so does his mom (your waistline will never truly recover)

-Indecisive about where to grab dinner always

-New money and it shows in his insecurity

-Supportive asf

-Breaks up with you because he can't be with a non pacifist/vegan

-Daddy issues

-Condemns Shein hauls

-Identity crisis every other week, you'll have to talk him out of a buzz cut, jumping off the ledge or giving all his money to scammers (if you collect all the stamps you'll get a financial compensation from his dad on the wedding day)

3. Lucy Gray Baird

-Her Ex is a dick, will stalk and harass you

-Her family is a bunch of hippies, will make you eat with your hands, on the floor, while singing Kumbaya

-Sings you to sleep, braids your hair

-Almost poisoned you thrice cause she doesn't understand you shouldn't mix cleaning products together

-Old soul

-Thrifts, recycles

-Puts salt in your coffee after arguments

-Ghosts you after your make or break argument

4. Casca Highbottom

-Never asks about your day, his is always worse

-Drug addict in denial

-Weird beef with his old classmate's son (he never lets anything go)

-Dislikes people, which would be fine if you weren't included

-Always on some sardonic shit, probably a business major with a psych minor

-His pills take all the space in the shared bathroom, your makeup will be shoved in the far lowest drawer next to the TP

-His ancient ass coworkers hit on you at symposiums, he's too high off bathroom cocaine to stop them (or gets off, either way you're tired and want home)

5. Dr Gaul

-Devil Incarnate

-You somehow rizzed her up at a function and she's been showing up at your house ever since (you don't how but she has both the address and a key)

-Petting zoo type of owner

-She always smells like chemicals and latex

-Asks you unhinged "Would you rather" questions and refuses to drop it (makes your Would you love me if i were a worm ex cute by a long shot)

-Will perform experiments on you without your knowledge or consent

-Insists her pet snake shares your bed

-Freak in the streets and the sheets (the restraining order won't even go through cause she's in cahoots with half the Government)

-Definitely wanted for war crimes somewhere, the G in Geneva convention stands for Gaul

6. Lucky Flickerman

-A clown.

-His hair and skincare products take over the entire bathroom/vanity

-He can't dress to save his life, but he sure thinks he can

-Golden retriever boyfriend energy

-Steals your concealer, refuses to admit it

-Would you like to see a magic trick? What do you mean this is a serious fight, there's a quarter up your nose

-Impulsive buyer, has 13 snow globes of panem because they were on sale and looked shiny

-Even his pet thinks he's a dumbass

-Cries during movies

7. Tigris

-Yes she do the cooking, yes she do the cleaning

-Insecure about her appearance (critical, will cost you)

-Her family is a bunch of snobs

-Anything she touches turns into gold

-Her cousin can do no wrong, you have to accommodate everything for him or she'll die (and he never even visits, "just in case")

-Her grandmother is a package deal, I hope you like boomer propaganda and info commercials early on Sunday morning

-Empathetic asf

-Puts everyone's needs above hers (and unfortunately yours)

[thepersonperson]

Sukuna's Loneliness Part 1

(Thoughts on Sukuna's Dehumanization as of JJK 261.)

Part 2

Some things to keep in mind...

1) This analysis deals with topics of ableism, racism, and discrimination. (Very brief suicidal ideation mention.)

2) I will be mainly using the TCB scans because of their accessibility. 

3) There are a lot of links so you know I'm not making stuff up. The sources are both formal and informal. Please do research on some of the discussed topics to gain a better understanding of them.

(Click pictures for captions/citations.)

The Name Ryomen Sukuna

Before we start this needs to be made clear. Ryomen Sukuna is not a first and last name. Ryomen is a title. Sukuna is a name.

Ryomen uses the kanji 両面 which can be translated as "two-faced".

Sukuna uses the kanji 宿儺 which can be translated as "specter". Individually the kanji can be read as "lodging, inn" (宿, suku) and "exorcism" (儺, na).

Two-faced specter is not a nice name to put it lightly. It's such a mean spirited name that the JP fanbase suspects he was called something else before becoming The Disgraced One.

Normally I would assume his parents did not name him this, however, Sukuna himself had this to say about his birth.

In the original Japanese, Sukuna calls himself 忌み子 (Imigo) which can be translated as "Abominable Child", "Unwanted Child", or "Shunned Child." None of these translations in my opinion get across how severe Imigo is. It's closer to meaning "child who should've never been born". Like the child's very existence is an affront to god. (If you play Elden Ring the Omen are called Imigo in Japanese for this reason.)

You combine this fact with his name and it starts to paint a nasty picture. Sukuna straight up may not have a last name in part from what is implied to be disownment from birth.

Sukuna's Trauma

(Even if he won't acknowledge it as something that has deeply affected him.)

As a Basketball American (aka one of those people with a unique skeletal structure and muscles as Mr. Gojo Satoru would say), I consider myself a professional experiencer of discrimination. This means when a character has likely experienced something similar to me, I can sniff it out like a bloodhound. Though what Sukuna experiences is much closer to ableism than racism. (Discrimination across the board is pretty similar in a lot of ways you know.)

Sukuna is disabled—not as in he lacks an able body (my goodness he is too ablebodied), but as society is not built with any consideration for him. He’s a massive conjoined twin with 4 eyes and 4 arms and 2 mouths. If you know anything about being tall in Japan, it's that it’s a nightmare. Doorways, showers, bathrooms, and buildings are built for small people which leads to the very infrastructure causing problems for anyone big. But Sukuna’s size is just the start of those kinds of problems. He canonically wears women’s kimonos to accommodate his arms since they have larger sleeves. He often goes shirtless or wears a shawl simply because clothing isn’t made for him.

If you’ve known or read anything by people with mobility issues or missing limbs, a major complaint is clothing. For example someone with a missing leg can either pay for expensive customized pants, or they can purchase regular pants and tie off the extra pant leg. They can have trouble buying one shoe since they almost always come in pairs. (To rectify this sometimes they find a mirror twin called a Sole Mate who they share the extra shoe with.) 

Now if I’ve learned anything from people with mobility issues, it’s that ablebodied people are really fudging annoying and rude. They will grab mobility aids unprompted and even move people around in wheelchairs without permission. In this treatment, the ablebodied dehumanize the disabled and treat them like objects in their way.

Sukuna also experiences objectification in a similar manner. People see him as an obstacle to conquer, a means to test their strength, a helpless thing that needs curing, a test subject to study, and a symbol for their own use. All of these things are extremely dehumanizing and things disabled people may have to deal with.

We’ve got Yuji and co seeing him as a curse to exorcize.

Kashimo and others using Sukuna to test their strength.

Yorozu seeing Sukuna’s lack of interest in romantic/sexual love as a thing to be cured. (Your honor, he is aroace.)

Kenjaku using Sukuna as a test subject and insurance for The Plan.

Heian era society revering him as a god to use him in rituals for their benefit.

The last example is a very interesting form of discrimination. If you aren’t familiar with the term, there is one called benevolent prejudice. This is when discriminatory beliefs are flattering instead of malicious. (Examples: Black people are athletic, Asian people are smart, etc.)

Benevolent prejudice still results in negative outcomes for the group affected, but to me personally, some of them are kind of hilarious in isolation. Here are some of my favorites:

I’m pretty sure this is why Gojo apologizes so readily to Miguel and without resistance. He realizes “oh crap I’m doing to Miguel what everyone does to me”. 

And yes this belief had a negative outcome for Miguel—it’s likely the reason Gojo beat him so hard compared to other characters in the JJK 0 movie. (Remember Gege has direct involvement in the anime.) This is canonically a racially motivated beatdown, trauma response from the black ropes mimicking Toji notwithstanding.

On the ableism side of things this benevolent prejudice can manifest as turning people with deformities or atypical features into objects for worship, fetishization, or sacrifice.

As an aside, I suspect Uraume’s gender is ambiguous because they’re intersex. And boy howdy do intersex people experience dehumanization as objects of worship (fetishization and religious symbols) or as a problem that needs to be corrected (forced surgical procedures/mutilation and erasure). This, in my opinion, might be the reason Sukuna likes them more than anyone else. Uraume may not fully understand the isolation of strength, but they do get the dehumanizing way in which society treats them both.

My point here is that Sukuna experiences regular prejudice and the benevolent type. All of which are dehumanizing from every single angle, leaving him in a state of near constant objectification. (Uraume puts Sukuna on a pedestal as their master which is emotionally isolating but they still see him as an individual on his own merits.)

What constant systemic discrimination does to a motherfudger...

So now that we've established how Sukuna's dehumanization happened, I can rant about how this is probably a major reason behind his disconnect from his humanity and a source of his loneliness.

Gege has stated that Sukuna and other people don’t really know how to categorize his personhood. He's so strong he's more like a natural disaster than anything else.

Sukuna says things like this about himself.

"If I was a cursed spirit…"

"...that's the sort of human I was."

He doesn’t see himself as a human or a curse. At one point he did consider himself human but stopped. He sees himself as this third thing which is highly likely to be a “living creature” as Gojo would put it. 

Gojo also experienced benevolent prejudice that lead to his dehumanization and subsequent objectification (thanks JJK 261 for making me realize it was much worse than I assumed). And from birth too. I think this is why they’re able to connect so well during their fight. Especially since this prejudice leads to them becoming sinks for everyone's burdens while being scorned in the same breath. (It's like how people adore "my kind's" athletic/manual labor abilities but then don't want us in their neighborhoods.) The world isn't made for them but it's going to exploit the very thing it hates them for.

The difference between those two is probably the stares of disgust and day to day inconveniences from the extra parts. Gojo can effectively blend in with other humans if he really tries. Sukuna cannot. (Maybe that’s why he says this too.)

Sukuna to me, feels like a manifestation of this rage against constant systemic discrimination. You look at him funny? He kills you. You treat him like a thing that serves you? He kills you.

I know I'm projecting but hear me out!

I don't think Sukuna was aggressively abused by others for his appearance to get to this point by the way. It's more of a death by 1,000 cuts scenario. Someone crossing the street to avoid you, a flash of revulsion when they look at you, backhanded compliments, name-calling in whispers, gentle reminders you don't belong in infrastructure and accessibility to resources. On their own they feel like paper cuts, but if you experience them constantly without time to recover, one day you look down and realize there's a massive rotting gash.

Thankfully I have friends and spaces where I can exist without being subject to discrimination. I can treat these wounds and keep going relatively ok. When I was a child, I didn't have a proper outlet for that and it ate me alive. I flip flopped between wanting to magically wake up fully white or disappearing entirely and wanting everything to explode. Sometimes I wanted all of these thing at the same time. These old wounds reopen on occasion but I know how to deal with that now.

In Sukuna's behavior and attitude, I see that kind of hurt. And his coping strategy appears to be making everything explode since violence is all he knows. Maybe cannibalism wasn't the healthiest way to deal with this but you know it's Jujutsu Kaisen.

Speaking of cannibalism, the definition of a cannibal is an individual that eats members of their own species. Sukuna is regarded as a non-human by everyone around him in every instance except when he is called a cannibal. He’s not human enough to be a part of society but just human enough to be a cannibal. His status as a human changes in what makes it easiest to disregard him as an individual worthy of respect or consideration. (Think of how conservatives misgender gender non-conforming cis people and then turn around and misgender trans people for hypocritical reasons.) 

Sukuna’s acknowledgement of both Jogo and Gojo is bittersweet with this lens. Jogo is a curse fighting on behalf of curses’ humanity. He wants curses to live as humans after being born lowly and unwanted in a world that wants him erased. Gojo is a human forced into godhood by circumstances he couldn’t control. He’s someone who became isolated and rejected by others until he stopped seeing himself as a human. Sukuna has lived both of these experiences and connects with them in a way no one else can. 

Unfortunately, because Sukuna only knows how to love through violence, he kills them. (Great job, Sukuna, you did this to yourself. You could've had friends.)

I also suspect this is why Sukuna believes this.

This type of society is one in which Sukuna can exist. He can relentlessly pursue the strength through which he builds his self-esteem and be acknowledged as something. However, that is still isolating. And Sukuna is a human, which means he’s a social creature that needs companionship. (Not necessarily romantic or sexual mind you.)

I find Sukuna’s vague suicidal ideation and refusal to die extremely relatable for all these reasons. Much like Gojo, he seems to be convinced the world will never treat him the way he wants to be treated and wants out.

There’s also something to be said about the unique loneliness aromantic and asexual people experience from wanting deep and fulfilling relationships without romance or sex in a world that only values relationships with both of those things.

So why is Sukuna like that?

Despite knowing how much it sucks to be dehumanized, Sukuna still participates in dehumanization himself, referring to humans as insects/animals or things for him to play with. 

And in a Kenjaku parallel, food for him to enjoy as well.

I predict this attitude he has towards humans is the direct result of his dehumanization and objectification for his appearance and strength. It’s all one big unhealthy coping mechanism.

I think this is why Yuji ideologically pisses him off so much. Imagine truly believing all this isolation and suffering for innate characteristics made you stronger, only to find someone who experienced none of that starts rising to your level and shatters your entire world view.

Trauma isn’t something that makes people stronger, but Sukuna likely believes it does as a cope. In my last analysis I called Gojo a sopping-wet pathetic cat who pretends everything is ok. Sukuna is no different if you ask me.

[gothwineaunts]

I don't want to make you feel guilty about it but do you have any updates about Shiloh?

Don't worry, I've been wanting to tell y'all what's up with Shiloh for awhile now! I just want to start with the disclaimer that I don't really have what I'd call "news" on it. It's in limbo at the moment, but for good reason. When you sign on with Webtoon you agree to give them digital exclusivity for a period of time. This is so you can't go and post your series somewhere else, because ofc webtoon wants readers to only be able to read it on their app. This is all fine, like it's all above-board, normal stuff. But as a result there's a span of time where you cannot post the series anywhere else, even if the series is finished. I don't wanna get too specific, but a few years. You've probably heard about Let's Play, right? How Mongie left the platform? The reason she can't immediately start posting Let's Play somewhere else, is because of this same thing. She, like all the other webtoons that leave or are canceled, needs to wait until the term is up before she can continue elsewhere. The clock on this resets whenever you post a new episode. So it's not like episode 1 is okay to post somewhere else before episode 10 is, it's the whole series or nothing. So with all that said. Shiloh's almost to the end of this term, and past a certain point we felt it no longer made sense to try to post S3 as a webtoon original because the moment we post even one episode, we'd have to wait all these years over again if/when we left. There's also been some writing on the wall for a minute that webtoon isn't keen on renewing Shiloh after S3, so there was also a possibility we'd come back, just to be canceled. And honestly that's alright with us, we have thought for some time now that Shiloh is better suited to a longer monthly issue release rather than shorter weekly ones, just with the genre it is. And besides, we wouldn't be able to keep up with webtoon's mandated weekly schedule while we're working on Nevermore at the same time. So TLDR; when Shiloh comes back it won't be as a webtoon original. But I'm not sure what it'll look like yet. Could be on canvas. Could be on patreon as like a free/fastpass sort of route, potentially. We know we want people to be able to read it for free no matter what. But the details are all sort of a toss up at the moment, because we still have a little more time to wait before we can do anything anyway. I'm sorry if that's not a very satisfying answer! It's why I've been dragging my feet on a proper announcement, because I don't have any hard dates or plans for y'all yet. But we have not abandoned Shiloh! It's been in deep freeze, but intentionally. And with plans to return at some point. We won't be abandoning it, it's a huge passion project for us. <3

[wing-ed-thing]

Enemies to Lovers with Tobirama Senju

Tags: No Reader Pronouns

𓆃 It's actually surprisingly uncomplicated to go from an enemy to a lover with Tobirama, contrary to assumptions. And it's because he's an extremely logical person.

𓆃 Given that you end up proving yourself to be trustworthy, Tobirama is willing to take things of the past at face-value and weigh them against actions of the present.

𓆃 All clans, after all, were warring. And when peace was inevitably negotiated, there wasn't a single soul who had nothing to look past.

𓆃 Things might actually go smoother if you knew Tobirama prior to the foundation of the village. Seeing each other in passing on the field or even engaging on combat together would, at the very least, establish some familiarity between the two of you.

𓆃 Especially for the period, battlefield etiquette was an unspoken rule that almost everyone engaged in. And while you could expect an increase in underhanded tactics when things grew contentious, at the very least, you learned your opponent's name.

𓆃 And while Tobirama isn't one to throw out compliments to you during your altercations, the engagement itself is a testament to your strength and praise to your skill.

𓆃 He'll get oddly silent, his eyes never leaving you as he charges at you over and over with his blade. Although, this isn't to say that he's rash when it comes to you. Rather, it's the opposite.

𓆃 His gaze is dark and calculated, and his intense focus is a compliment in and of itself. It means he's taking you seriously.

𓆃 And once the village eventually comes together, building rapport with Tobirama only becomes easier, especially if your people are on board and cooperating with the effort or if you're an active participant in negotiations and/or leadership.

𓆃 It takes time, genuine interactions, and, of course, some amount of trust to break through Tobirama's hard exterior. He's fairly aloof and abrasive, but demonstrating your seriousness when it comes to the issues can gain you a powerful ally.

𓆃 Tobirama can also smell an act from a mile away, so sincerity is key to building a relationship. And no matter what your dynamic evolves into, it's one built on trust and honesty.

𓆃 It's extremely likely that Tobirama will fall first... and not know it, which leads to you noticing him around quite a bit, always finding an excuse to talk to you while also staying stand-offish and aloof.

𓆃 He tries to stay a logical as he can, but every so often his nerves will get the better of him, resulting in various fumbles or misspoken words.

𓆃 But don't be mistaken, if things start to go south with any agreements between your clans, Tobirama won't shy away from the issues and may speak with less tact than he should. But it's important to understand that his approach is logical.

𓆃 It's not something he necessarily holds against you, and he's not quick to hard assumptions, but he's also not turning a blind eye to anything that might concern him just because of his affection for you.

𓆃 After all, his family comes first.

𓆃 But given enough evidence, Tobirama is readily able to move forward on the grounds of mutual respect and understanding. He doesn't like to talk much about the past in the first place.

Thank you to all who liked, reblogged, followed, and supported. Your support means so much and is greatly appreciated.

Notes: I had to feed my Tobirama stans a little