#get a bad ending
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kensatou · 5 months ago
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i'll let phie-san say it:
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chloesimaginationthings · 2 months ago
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You know Henry’s final speech went hard in FNAF
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kingofdoma · 6 months ago
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best description of morgan spurlock's legacy ever
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time-woods · 1 year ago
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simon doodle in honor of fionna and cake dropping, sad old men gotta b my favorite species tbh
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yujateaandpi · 1 month ago
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*gestures incoherently* Stan unhappy. Fiddle unhappy. Maybe they happy… together?
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saragrosie · 4 months ago
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Sketching while streaming s5...
Jonathan Sims I will learn to draw you (this is my doing. I could draw him however I want and I choose to stick with an image of him in my brain that is difficult for me to draw. Masochism.)
Not s5 Mahtins below I enjoyed drawing cuz hes neat:
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(Edit: I yassified Martin in the do not separate cuz I wanted his hair fluffier)
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drgnflyteabox · 3 months ago
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can't get much better
pairing: ghost / simon riley x fem reader summary: simon is forced to take some time off - he makes the most of it. tags/warnings: very soft, pregnant sex, size difference, softdom!simon- he's a masculine man who doesn't let his lady lift a finger :'), oral (f), one (1) butthole kiss, dacryphilia, daddy kink (sigh), minor minor foot stuff, allusions to injuries and chronic pain, title from an adrianne lenker song w.c: 2.5k
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You try very hard not to think about it, but it's hard not to notice how massive he is.
Even shirtless, he somehow looks bigger, muscles flush with heat and exertion under the sun. He toils and breathes hard like an ox, working while you sit on the porch wrapped in his big flannel. Wearing his clothes is like being swaddled in a blanket straight out of the dryer, warm and nostalgic and syrupy with love. It leaves you feeling some type of tender. You're afraid of that feeling sometimes, of how soft it is and how soft it makes you. He could ask anything of you, and you'd yield like he was pressing his thumb into a bruised peach.
You have.
"How are you two?" Simon is so quiet when he wants to be. One would think he'd clomp like a horse with how big he is, but he can float like dust. It used to startle you, but you've been sinking deeper into the memory foam mattress of this life with him and it doesn't anymore.
"Tired, even though I'm not doing anything," you squint at him through the late afternoon sun. It haloes him like an angel.
"You're growing my baby in there, love. That's not nothing," his voice is rough, it always will be. But it's rough now like earth and soil rather than rough with pain and smoke the way he'd sounded when you met him.
You're feeling especially nostalgic, it seems, not like it's hard here. His hand is warm on your belly.
"I guess so," you let him pet you for a moment. Your stomach is swollen but not as big as it'll get, just enough to veto pants. A few months to go still. "How's your back?"
"Argh," Simon says, taking a heavy seat next to you. Dismissive and yet he groans a little when his muscles unclench. Classic.
You slowly reach up and nudge him until he's facing the field opposite to you, face toward the golden afternoon sun and his back to you. He's never asked you to do this, to take care of him, but it's your favourite thing in the world.
His back is always rock-hard no matter how many times you take your knuckles and fingers to it. Just a condition of a hard life lived for him, countless falls and impacts and pushing through injuries. There's a slight slant to his spine now that isn't there in the pictures he's shown you of his youth, but the stiffness is the same. You might've said he was born to be a soldier, had you not known him as a father. He could do both, but - you'd never say this out loud - you were privately grateful for this injury. It wouldn't take him out forever, but the recovery would be long. Long enough to get the homestead started, to get you pregnant.
Simon would never be completely still. This was compromise. Sweet compromise, a life started and time with him you could think back on the next time he shipped out. Making the most of things, he would always say. Making the time count.
"That feels good, love" he groans. Bending forward slowly, relaxing, he's like an aloof stallion finally accepting an apple from your hand. Acquiescing. Showing you his back. It's trust, and you savour it.
"I bet it does," you tease back, just a little. Your fingers are nimble and attuned to his specific aches and pains. "Are you hungry for dinner?"
"I'm hungry for something," he turns, slowly, hands reaching for your thickened waist. Huge, work-roughened hands. War-roughened hands, holding you like a delicate egg. Sometimes it feels like he's the only thing that holds you together; all your pieces, everywhere, until he's holding you.
Kissing him is a contact sport. It's his hands moving, cupping your breast and then your pussy through your panties, your own hands wrapping around his broad shoulders like he's the only thing keeping you from drowning. It's open-mouthed, breathing into each other. Impossibly, you get softer, melting like ice on a hot day. 
Before you can lean back on the bench, he stands and lifts you with him. He's still hot from the day, damp with sweat, pushing you into the house while kissing you still.
"Simon-" you start, with no goal in mind. "Please."
"I've got you, love," he murmurs. He always does. Before you know it, you're laid back onto the plush armchair in your living room. Simon knows this is the most comfortable place for your newly-aching body. Affection swells in your chest uncontrollably and comes out through your eyes leaking down your face. Sure, pregnancy makes people emotional - but you're still embarrassed, touched by how considerate he is.
"It's alright, shh," he thumbs the tears at the corner of your eyes. His cock tents his work pants, aroused by them. "Let me take care of you."
The next words he murmurs are into your cunt, right over your panties, tongue laving over the already-wet fabric. "Just need your daddy, don't you?" You clench in tandem with his words, hot all over, skin prickling. He pushes your dress up, bunching it right under your tits.
It's reminiscent of how you spent the first night with him, on the very first day you'd met. Hurried, his big head between your thighs and clothes hanging off you still while he made you fall apart.
He's fucking good at it, too. Pulls your panties to the side and builds up the pressure with which he sucks on your clit, softly and then harsher until you shake. You've been extra horny lately, always wet around him and always so swollen. The scrape of his five-o-clock shadow against the sensitive skin of your inner thigh is what tips you over, clamping his head tightly and shouting your orgasm into the heady summer air.
"That all it takes?" Simon grins, chin wet, fingers moving from your hips to your pussy to gently rub along your slit.
"Give me a second, please," it's humbling how quickly you come nowadays. Quick and intense. Fireworks.
You set your foot on his shoulder and he turns towards it, kissing your ankle. Patience is rare with him, something come about only since you confirmed your pregnancy. You miss being overwhelmed by him, miss the nights where he'd guide you over the edge one, two, three times in succession.
He pushes now, just a little, not waiting for your go-ahead but watching you intently. His fingers spread your cunt in a V and he puffs a breath on your sensitive clit. You jump. He grins again, leaning down to lick you, using one hand to hold both your legs under your knees and push them until they meet the soft bump of your belly.
"Hold them there," he says. It's spoken not to you, but to your hole, which he spears his tongue into. You obey as you're helpless to do, holding your legs up and giving him an unimpeded view. It's more than vulnerable, it's not only baring yourself to him completely but giving him the authority to do what he wants. What you need.
Simon eats you out like it's a kiss, slurping you down and letting you leak until the evidence of your weakness to him is all over you. Your legs are wet, and it drips down onto your other hole. He pushes a thumb into your cunt, dipping it in and out.
"Needed me, did'ya? Watched me all day," he's so smug, sometimes. His lips find your bare foot, kissing your sole. "Been wet like this all day?" His other hand finds the meat of your asscheek, spreading you open further, letting the split of you open to him. He leans down, kissing your inner thigh, then your other hole. You whine and clench your pussy around his thumb. 
"So needy," he murmurs, finally finally moving back to your clit. Flicks his tongue over it, something that might've been teasing before but is intense now. Your hands tighten against your legs, head thrown back.
"Oh please- Simon!" You shout again, abs drawing up, stars in your eyes. "Ahh- I'm-"
"I know, honey," his lips suction again around the hard little pebble of your clit, eating like a man starved. 
This is how he likes you. Losing control, coming apart, helplessly vocal against the onslaught of his tongue. No matter how many times you've done this, it never gets old. The release almost always makes you cry, especially intense like this. You're wet all over, face and cunt and legs. He is, too.
"You still with me, love?" He pets your flank like you're a horse.
"Yes," but that's not what he wants.
"Yes what?"
"Yes, daddy."
"Good girl," and fuck if that doesn't always fill you with warm fuzzy energy. Wipes your brain, keeps you soft and floaty.
He guides you up and out of the armchair, lifts you into his arms when your legs shake too much. That electric feeling is still coursing through you, tingles in your extremities as they come back to life.
The hand he strokes over you is half affectionate, half proprietary. You've been his since the first time he laid eyes on you.
He reminds you of it as he sets you down gently on the bed, your hair a halo around your head and hands reaching to his face where you pull him down for a kiss. Hands find his shirt, pulling it off you, and then the dress. Fingertips touch the headboard, your arms stretching up, making room for him. Slips your panties down your legs.
It's a lingering, indulgent kiss. Breathing each others air, gasping into his mouth, he puts his elbows by your head and lays as much weight down as he can without cramping your full belly. He's as vocal as you, groaning and rutting like a dog.
"Ready for me, sweet girl?" He leans out of the kiss, sitting back on his heels. You nod, desperate and pulsing between the legs again like you didn't just come twice.
"Daddy's gonna take care of you, don't you worry," he rearranges you like a doll, turning you to your side and getting between your legs. A pillow is tucked under your belly, and he tests your flexibility by holding your leg tight to the length of his body. Your hamstring burns a little with it.
A hand holds your knee, another to your waist. His jeans scrape against your sensitive skin.
You focus on little details. His scar, touching his eyebrow and splitting through his nose, ending down by his jaw. The knuckles on his fingers holding your knee, and how rough the pads of his fingers feel on your waist. This man has never had soft hands in his life. Those same hands capable of so much force, so much violence, the very same that hold you and guide you. A shepherd, you his lamb.
The weeping head of his cock kisses your hole, catching there and traveling up. He taps it against your clit until you're tensing, whining, needy again. Tears down your cheeks.
He steadies you, pets your waist, guides his cock inside and it feels like you can breathe again. His mouth laves hot kisses over your ankle, the sole of your foot again, reverent and controlling all at once. The stretch burns - it always does, and maybe always will. Simon is just so big, thick all around and the mushroom head of him could always bump your cervix if he's not careful.
He's careful now, but only just. You can sense his control fraying, his hips driving forward steadily but his thighs tensing and his grip getting meaner. This is your favourite part. Watching him sweat, breathe hard, taking his pleasure in you.
"Yeah-" he cuts himself off with a long, drawn out groan. Deep, from the bottom of his belly and out. "Already so full of me, aren't ya? Can't get full enough."
You plead with your sounds, words out of your grasp. Your hands clutch at the sheets but it isn't enough. He's solid, he's your anchor, but he's losing himself in your cunt and you're free falling.
"Play with your tits for me," he commands, pumping faster. You're reflexively tightening around him, clit jumping for attention, squeaking each time he lets himself in as deep as possible and touches the mouth of your cervix.
Sunlight slowly fades on the bed, the last golden rays escaping out the window as you're bathed in dusk. 
There's nothing to do but obey, hands finding your swollen breasts and squeezing. They've been sore and huge, like that week before you get your period only it's been a couple months. None of your bras fit anymore.
Simon appreciates it, he loves it. Has you cooking for him with your tits out, nipples peaked and pussy leaking. They bounce, now, stopped only by your hands pinching and twisting. It's insane - no one in the world could replicate the feeling. No artist, no musician. Electricity zips from your breasts down to your clit and shit - you might come just like this, untouched, just full of your man and fondling yourself.
"Fuck, I can feel you squeezing me. Fucking," he pants, leaning over you, bending your leg. "Pinching my dick, sweetheart. Your pussy's so fucking good."
The orgasm begins in your toes, tingling. Your muscles tighten, drawing up, up, towards your cunt, which is making obscene sounds around him.
Simon sees the signs, sees your eyes rolling and your body going taut. He abandons your leg in favour of rubbing your clit with two big fingers quickly, up and down.
"That's it, sweetheart, come all over my cock. Go on," his voice is a snarl, barely distinguishable as human, beastly. "Be good for daddy.”
It's like the crescendo of an orchestra, like a summer afternoon in august, like waking up without a clogged nose after being sick, it's - really fucking good. You're near sobbing, crying out his name, abandoning your tits to reach for him desperately. He meets you halfway, shuddering his own orgasm into you. The press of his hips against yours is better than buttered toast, the delicate press of his chest against yours as he lets your leg go is bliss.
"Si-imon," you slur, hands on his cheeks. He laughs and kisses your forehead.
"What's that, sweet girl?"
"I love you," you cry a little more then, feeling him pull out and lay next to you. You're boneless.
"I love you too," his arm reaches across you, pulling you into him. "Both of you." Hand on your belly again.
"That was insane," you pant. He barks a laugh against your hair. "I'm serious."
"I know you are, love," he kisses your forehead, petting your stomach. You can tell it's meaning, can feel the gratefulness behind the kiss. He's saying thank you, for staying with him, for making him a father. Your hand finds his, squeezing back a wordless reply. Of course, it says.
<3
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coddda · 5 months ago
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I wish we could have met in some other way.
Lawlight Week Day 2: Soulmates
If you saw me repost and re-edit this several times uh No you didn't </3
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If you know what every frame is from you get a free cookie. by the way
#death note#dn#light yagami#l lawliet#lawlight#oh god here we go#death note jdrama#death note 2015#death note 2006#death note musical#lctw#l change the world#dntm#lawlightweek2024#my art#collapses i am NEVER putting this much effort in one piece ever again /hj this was the Only one i had mostly prepared in advance#ironically the most painstaking part about making this entire thing was converting the images into an animated file#that wasn't either horrifically compressed or just. wouldn't loop. why do gifs have to look so BAD it's so inconvenient#and THEN i realized I had to forcibly Stitch the two animations together so they would actually be synced and it wouldn't look dumb#and the end result is STILL so compressed. because Tumblr. uhhh just don't click on it it'll look so scuffed LOL. anyways#this is what i get for watching Every Adaptation of Death Note. i am a death note multiverse truther#usually i'd have something clever to say in the tags but. this drained the life out of me just uh.#yeah. they're doomed in every universe. this is the only way they could've met. they are doomed by their own natures and the#circumstances that surround them. there is no universe where light tries to prevent L's death. and even in the cases where L Doesn't die#there is no universe where L can save light. there is no universe where he can truly “catch” Kira and make him see where he went wrong#(<- if you read LCTW you know. :) )#in every universe and adaptation L will call Light his first friend. in some universes they'll take that notion more seriously than others#no matter what one of them will die due to the other. its the only constant. it's the only way it can ever be. they are the others downfall
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veryberrybad · 5 months ago
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i NEED the sexy poll to be real in universe, it’ll never not be funny to me
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bacchuschucklefuck · 6 months ago
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summer of junior year 06/11
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baguantte · 6 days ago
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love just putting random drawings together and posting them
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chalkrub · 19 days ago
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reminiscing about childhood books after that ask - all due respect to cool sleek movie toothless....but to me, he will always be a mean little gremlin
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thepersonperson · 2 months ago
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Why the hell is JJK 270 called Dream's End?
JJK 270 being titled Dream’s End is so fudging ominous. That’s some Umineko type beat. I’m not sure if I should even judge this chapter as presented because of this. In fact, I'm holding off on posting the other analysis I had for today since I no longer am certain of what JJK 268–270 are.
There's two lines of thought I have:
1) Gege suffering from burnout and bad working conditions plus rushing has caused the writing to decline.
2) Gege still has a hidden ace saved for the final chapter and the weird writing is deliberate.
I'm going to humor Option 2, but only because the title of this chapter is called Dream's End.
(The most 'hear me out' discussion under the cut. Using TCB scans and leaks. Click images for captions/citations.)
[Small Update: Follow-up Discussion on why everyone feels OOC.]
Preface
"Without love it cannot be seen."
This is a phrase and philosophy I have borrowed from Umineko since I've started these JJK yapfests. It essentially boils down to 'discard your negative biases and try to examine things in good faith.'
JJK 268 & 269 have fudging tested that for me. I've been giving Gege and the characters a pretty hard time with the caveat of knowing how exploitative the manga industry is. I initially rejected the idea that these chapters were to be taken at anything other than face-value because of this. In fact, I cited the JJK 268 chapter title of Finale as a reason I've accepted things as is.
And with that same logic, I'm now doing the opposite... So hear me out! I've got some pretty good reasons to be doing this.
What's wrong with JJK 268–270?
There's a lot of things in these chapters that are fundamentally inconsistent with what's been established in throughout the manga. If we use Option 1 to explain these contradictions, these are last second retcons because Gege forgor.
Option 2? We're about to have the rug pulled the hell out from under us because the last 3 chapters have been delusions.
What first tipped me off to something possibly being wrong on purpose was the fate of the incarnated culling game players in JJK 270. Not too long ago it was established that the souls of non-sorcerers in vessels were unsavable.
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The souls are suppressed in a way that distorts them permanently or their consciousness is outright destroyed. They were gambling on Megumi's survival due to him being a sorcerer and Sukuna's incarnation method being unique. 99% of them will die and those who survive will likely be vegetables, so why is there a sudden gamble on their survival in JJK 270?
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It's such a neat and fine bow to tie this mess up that goes directly against existing lore. It's so ideal that it has me suspicious.
Brain damage from sorcery on non-sorcerers has been established as extremely taxing. I think about Gojo's Unlimited Void (UV) the most when it comes to this. Non-sorcerers were hit by it for 0.2 seconds and required medical intervention for 2 months to fully heal from it. Sukuna, the absolute strongest, tanked some of it and it affected him for the rest of the battle. ...And then we have Megumi who was under it for about 6 minutes and seems to have very little problems from it.
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This is bizarre. Someone who underwent the month long bath and UV without Reverse Curse Technique (RCT) should be struggling to even stand after waking up. Sukuna had RCT and the Gojo brain damage still took him out. This screams of inconsistent writing unless...this is a deliberate hint that something is amiss.
I want to draw attention to the panel Megumi's UV damage is addressed. Just about everyone has been seemingly waiting around in the same spot for him to wake up. It's a bit weird given that sorcerers don't usually do that. They usually get a move on asap. And after the destruction of Shinjuku and the Culling Game Players still running about, why would they take a breather to discuss their plans that worked?
But that's not what started bothering me about that panel after reading JJK 270. It's that characters who aren't in the room, start appearing without warning. Look who is behind Maki and to the left. It's Kusakabe. And to her and Yuta's right? Inumaki. So why is it that Hakari, Kiara, and Ino are in Kusakabe's place while Todo spawns where Inumaki is? (And Yuta is facing the wrong direction too.)
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That's pretty fudging weird right? You can chalk it up to Gege forgor but it doesn't stop there. Higuruma enters the discussion in a way that causes Yuji to pause.
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Why is Yuji surprised to see him? (And where the fudge did he come from?) Shouldn't he know of his survival by now? And why is he in a cast? Higuruma had learned RCT and fully restored his arms before leaving the battlefield. If he's conscious, then he should be able to heal himself fully no problems.
And that got me thinking... Why is Yuji still missing his fingers?
It was established that he kept his fingers unhealed to help with Yuta's plan. This means that if he won, he has no need to keep them missing. Yuji has fully regenerated missing chunks of his face, including his eye, and stomach. He has RCT just like Higuruma. But it doesn't end there either. Yuji's number of fingers on his left hand keeps changing.
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4 fingers, 3 fingers, dubious amount of fingers, 5 fingers. Once again, you can chalk it up to Gege forgor, but JJK 270 came out and the same problem started happening with Megumi's scars.
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The same mistake is made within the same set of panels and very big page. That's weird.
ONCE AGAIN, you can chalk it up to Gege forgor, but when these errors occur, like with Yuta mistakenly having his ring on in JJK 251, Gege will note the mistake outright. Gege has made no such comments for Yuji's fingers or the scars. This many “errors” in row when Gege has otherwise been careful with these features could indicate it really is on purpose. (Kind of like Sukuna's everchanging mask. The thing was just moving around and pulsing. That was deliberate not inconsistency.)
What does this mean?
I think it means what we are seeing isn't reality. After all, the most common way to tell if you're dreaming is being unable to count the number of fingers on your hands. Another way to tell is the distortion of faces.
Readers have noticed that something is wrong. The weird timeskips, the lack of lasting consequences, design inconsistencies, characters behaving like similes of themselves, death and pain being glossed over like it's nothing. It all feels so off. But it's still close enough to the original to be somewhat believable. ...Is that not what it's like to dream and not know you are dreaming?
Why is it that the chapter titled Dream's End ends with the hunt for a curse user whose ability is to distort the perception of reality?
Dreams and Delusions in JJK
We already know Gege weaves Buddhist symbolism and ideas heavily into JJK. I'm not an expert in Buddhism at all, so there's a lot of it that goes over my head. I decided to look into if dreams are significant in Buddhism and boy howdy are they. Quoted directly from the source:
"Dreams can be a message from a Bodhisattva, an ancestor, or a god, The intent of the dream may be to test the dreamer’s resolve: is he non-retreating (avaivartika) from Bodhi (enlightenment) even when sleeping? The purpose of the dream visit may be to communicate information vital to the dreamer’s well-being. The Buddha himself had five dreams of catastrophes, falling stars and worlds in collision just before his enlightenment. The dreams were sent to him not by a benevolent Dharma-protector, but by an malevolent sorcerer, intent on disrupting the Buddha’s samadhi and preventing his awakening."
In summary, (correct me if I'm wrong) dreams appear to be seen as another state of being just as valuable and impermanent as reality.
There's also this other bit I'll quote directly.
"The most common use of dreams in the literature of the Mahayana, or “Northern School” of Buddhism in China, Tibet, Japan, Korea, and Vietnam is to see dreams as a simile for sunyata, (emptiness) the hollow core at the heart of all component dharmas (things). For example, in the well-known Vajra (Diamond) Sutra, the Buddha taught that:
“All conditioned dharmas, are like a dream, like an illusion, like a bubble, like a shadow, like a dewdrop, like a lightening flash; you should contemplate them thus.”"
That's starting to sound like what Yuji's Domain does, right? He projects memories that did happen and mixes them with delusions and dreams. Sukuna and Megumi both experience this in full.
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It's incredibly suspicious that it hasn't been named yet. Yuji is the son of Kenjaku who has a domain based on the Womb Sutra/Realm...which is paired with the aforementioned Diamond Realm to encompass the entire Dharma. It's very likely this is what Yuji's domain is—a realm of dreams and reality combined as one.
Unreality Runs in the Family
When Sasaki Setsuko "wakes up" as the Culling Games begin, Kenjaku explains her situation with this:
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What follows is a sequence that cannot be described as a dream. It seems to be a blend of reality and hallucinations. But that's not anything strange, Sukuna does it too with Kashimo in reverse.
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As you can see, both the positions of the characters and even the backgrounds change suddenly from reality to ??? and from sequence to sequence. It's all incredibly dream like.
Another strange thing about this space is Kenjaku creating it as a part of an escape route Binding Vow. You know, the kind Sukuna uses for Malevolent Shrine.
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What I want to draw attention to here is this reality-dream state somewhat requires consent (in the loosest possible definition) to appear. The person entering this state has to desire it themself. We see this with Jogo and Gojo who are mutually interested in having a relationship of somekind with Sukuna. (Same with Kashimo.)
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(It's also very hard to tell if they are dead or still in the process of dying during this.)
This is where the delusions Yuji projects differ. They are forced onto others when he is near death or severely injured, seemingly as a defense mechanism.
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And would you look at that...the syntax is identical for Todo and Choso's Brother Yuji Delusions. "At that moment, a memory was born inside X's brain...of a past event that never happened." It's kind of like how Yuji replaces Gojo in Megumi's memory to reach him. It's also very strange that Sukuna, Choso, and Jogo go "What is this?" to this in-between space.
My point here is that Yuji having access to this space has been hinted at since the start of this manga and that it was inherited it by blood. (Totally Not Kenjaku showing up with Takaba Mr. Reality Warping CT in JJK 270 supports my case too I think.)
What does this mean for JJK 268–270?
The battle ended in JJK 268. Of that I'm certain. What I no longer know is if anyone survived.
A common complaint about Sukuna's death is his lack of an afterlife scene. Everything ended so abruptly. And then Megumi wakes up.
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It's so jarring in out of place. ...But that's how all scenes involving the space between dreams and reality begin. Sasaki Setsuko "wakes up" once and then again. Most of us have experienced those kind of dreams right? (They made a whole movie about it called Inception which is based on the movie Paprika.)
There's one other thing I need to draw attention to. Yuji's Domain shattered after Sukuna cast Domain Expansion (DE).
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When a sorcerer withdraws their domain voluntarily, it does not shatter. Gojo has demonstrated this for us in quite clearly.
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When a domain is broken by force, it will shatter and shards will scatter. When a domain is withdrawn, no shards are left behind. Yuta uses these facts as a part of his plan. In JJK 252, it's revealed by Kusakabe that Yuta shatters his own domain on purpose to trick Sukuna into thinking he won.
What this means is that some kind of violent action needs to be taken to shatter a domain. Yuji's domain is massive and his attacks only targeted Sukuna. What could've shattered his domain all at once? He's not had the time to practice shattering parts of it like Yuta.
Gojo has shown us what a uniform domain shattering looks like—it happens when Malevolent Shrine activates. (Please note that the sfx used for Sukuna breaking Gojo's domain is カシャア. It's the same one used for Yuji's domain shattering.)
I'm proposing that we've been in unreality since the end of JJK 266. Sukuna and Yuji are both severely injured, on the verge of death, and have a connection with each other. These are all conditions that trigger the space between dreams and reality.
And I must remind you that Yuji first triggers this event with Todo after a severe head injury. Right before Sukuna casts his domain, they do this to each other.
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Everything that has come after has been perfect for Yuji to a unbelievable degree. Everyone whose death was uncertain is alive and the living are getting exactly what they wanted. The effort behind it and the logistics are all missing. And yes a rushed ending can explain that, but that too can be part of the ruse.
Another massive complaint is that mourning has not occurred. Not for Gojo or Choso despite how much Yuji cherished them. It's like they're being willfully forgotten by the cast despite being crucial to their success in Shinjuku. It feels out of character, especially since Yuji is of the few that showed concern for them no matter what.
But if this is a delusion on the brink of death designed to bring happiness, why would Yuji think of the dead? He's always been so avoidant with it. When his grandpa is dying and trying to talk about his parents, Yuji tells him to shut up. When Nanami dies, he thinks of him then and then never again directly leading up to his talk with Sukuna. When Megumi tries to discuss Nobara's fate, Yuji ends the conversation as quickly as possible.
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The only people in this world are the ones who may or may not be dead. He saw Yuta in Gojo's corpse. The only way that can happen is if Gojo is dead. Yuji has no choice but to believe it. Choso burned away before his eyes. Yuji has no choice but to believe it. He went through some of Megumi's memories and saw Tsumiki's corpse. Yuji has no choice but to believe it.
And since Tsumiki is the only person Yuji wasn't close with, she's the only death that has been outright acknowledged. But not for too long! That would make Megumi sad.
Another complaint is that Sukuna really didn't kill anyone in the final battle outside of those two and Kashimo. The dudebros call it Disney Kaisen. But the fairytale-like idea that everyone is ok? Todo was the one who put that idea in Yuji's head.
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And Yuji has always been one to fall to story-like logic when things look like they're finally wrapping up.
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"And then everything will be just fine." (Yuji before the worst possible outcome for both him and Megumi happens.)
This is similar to the line Gakuganji uses in JJK 270. "Everything is fine." This line is the whole reason I sat down and wrote this all out without stopping. I know Gakuganji. He'd never say that. This man has been in a state of worry over Jujutsu Society since his first appearance. He doesn't even fully believe in Gojo's cause as someone who values tradition. He's a stickler for details and will do everything in his power to ensure stability. For him to toss Sukuna and Tengen's remains in a shrine and call it a day? Who is that? He's changed but not that much.
And so I compared the raws.
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It is very much the same 大丈夫 (Daijoubu). These are Yuji's words.
What I'm proposing is that JJK 267–270 are Yuji's delusions of the happiest possible ending. It's a picture perfect little end where all the trauma and death has no effect on the living and people move on like nothing happened. I don't know if this means he's dead or if Megumi's dead or if they're all dead. But what I'm seeing now? I don't think it's real.
Reexamining JJK 269
CW: Brief discussion of suicide.
Even if this turns out to be a part of the smokescreen, I'm always going to hate JJK 269. But I do want to give it some grace under the assumption this chapter titled Examination (which can also be translated as Reflection) is about Yuji's guilt. Both him and Megumi's tbh. I think their feelings for each other and their situations are driving these delusions. That's one thing about this space that's real—the feelings behind them.
Yuji has a lot of guilt surrounding his existence after ingesting Sukuna, Megumi does too. Straight up Yuji has been seeking death over it since JJK 9.
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He struggles to forgive himself for being the centerpiece to violence he had little to no control over. The only thing that upsets him more than that is knowing that his death will break Megumi's heart. He doesn't want Megumi to feel any guilt for it whatsoever.
The kicker is, Megumi already knows Yuji is planning to die. And he wants to do everything to rid him of that guilt. Up until they connect inside of Yuji's domain, they were unaware they shared the same goal for each other.
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And that's what JJK 269 is. It's a very cold and harsh breakdown that allows them to forgive themselves. Blame is passed around and ultimately pinned on a combination of Gojo and Kenjaku. (It's really weird Sukuna isn't blamed either, but that's not the point of this for now.)
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Kusakabe's comment is especially harsh. Telling Yuji point blank he should've died and that both sides on the issue were valid? He may have believed that to an extent, but he made a point of not telling it to his face. Why have a whole chapter discussing how kind he is only to turn around and do this?
If this is all a delusion, a manifestation of Yuji's guilt and trying to absolve himself of it for Megumi's sake, that makes sense. This version of Kusakabe is what Yuji feels guilt over the most—Everyone's lives being better if he died.
In the same breath Kusakabe tells them to solely blame the adults. It's very reminiscent of Nanami telling Yuji that being a child is not a sin.
It should also be noted that every single time Megumi tries to apologize for being possessed, he's stopped. Maki tears into Yuta without checking in on him, but she asks if Megumi is ok and tells him to not blame himself. JJK 270 is full of this too. He tries to apologize to Tsumiki at her grave and Shoko tells him not to sweat it. He tries to apologize to Hana and she hits on him instead.
This delusion is crafted out of love. It allows Megumi to live in a world where he can move on from the guilt surrounding his possession and saving Yuji. It's all Yuji has ever wanted for him. And now that Yuji knows Megumi wants him to forgive himself, he has no choice but to do that too.
It's a perfect ending for Megumi that's too good to be true.
It must be a dream...
There's another thing I can't reconcile about JJK 269 unless it's a delusion—Todo's explanation for Yuta's plan. It's another one of those glaring contradictions.
In JJK 269 Todo claims Boogie Woogie can't target Maki. But in JJK 259? Todo makes plans with Mei Mei knowing that it works with her.
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Either Todo lied...or Yuji never fully knew the plan and that Boogie Woogie could target Maki. Otherwise she would be dead. Her surviving Sukuna's flames would be impossible.
I've already talked about how Yuji believing those who may or may not be dead are alive is Todo's doing. He's always been the one to save Yuji from his breakdowns. But let's talk about his speech in Shibuya.
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"Looking for meaning or logic in death...can at times defile the memories of those we've lost!"
Everyone who has read these past 3 chapters has really felt the defiling of Gojo's memory. And it was all in service to a strange logic that helped them cope with all this death. Acknowledging how massive Gojo's sacrifice was would riddle both Yuji and Megumi with immense guilt, so it's best to ignore it for Megumi's sake. (And perhaps that's why Yuji replaces Gojo in that memory.)
"What have you been entrusted with? You don't need to answer right now. However... Until you find your answer, never stop moving."
In a way, JJK 269 is an answer to the question Todo proposed. Yuji was entrusted with saving Megumi. Saving Megumi requires Megumi and Yuji forgiving themselves. And Yuji won't stop moving until it's done. All these time jumps and rushed developments are Yuji moving Megumi forward. He's getting that happy ending even if it's to the detriment of everything else.
What about Sukuna?
When Sukuna respects his opponents and they have a connection, he gives others these dreams before they pass. He's been very impressed by Megumi since JJK 9. It's not out of the ballpark for him to allow Megumi to die satisfied in the way Gojo did. Yuji also seems to understand that Sukuna was manipulated by others just as much as he was. I think that's why Sukuna is spared of the blame for the most part.
I don't think Sukuna won. He's probably dead. But he did warn Yuji not to underestimate him. I think the worst absolute last fudge you to Yuji he could give is this happy ending dream before ripping it all away as he dies.
In Conclusion...
I'm not sure that we're going to get that happy ending. Reggie Star warned us not too long ago.
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"...it all comes down to a sorcerer's lies."
Reggie is a lot like Sukuna here, outwitted by modern sorcerers and dying to someone he loathes. Sukuna is good at tricking people. He let Gojo think he won before tearing it all away. Yuta did the exact same thing to him. Or did he?
"Can you do me a favor? After all, you've killed me. Let fate toy with you, become a clown, then die."
If the last 3 chapters are delusions...Megumi will be playing the part of a clown.
Gege said the manga would end with either 1/4 or 3/4 of Yuji, Megumi, Nobara, and Gojo surviving. This of course, could be changed throughout its development, but Gege said the manga is ending in its original vision. There's a real chance that it's only Yuji or Nobara surviving.
Remember, Gege is a troll first and foremost. Somehow Gojo was revived, but in the worst way possible (Yujo). Somehow Gojo did tell Megumi about Toji, but in the worst way possible (dead man's final letter).
Gege also said this about the final chapter:
"I am working hard to create a final chapter that will (hopefully) satisfy as many people as possible who have supported Jujutsu Kaisen. So everyone, please bear with me!"
I can't think of a better way to appease everyone than by making the last 3 chapters nothing more than dream.
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quiddie · 14 days ago
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Just had a friend show me a conversation in a fan discord about Suvi as a Black American woman in the context of the fallout from the election. And honestly? Yeah. The blueprint is simple: Black women are expected to put their own priorities and emotions on hold to show up for everyone else's battles and hold endless space for everyone's feelings while simultaneously weathering attacks on our character (oh she's so angry/aggressive/violent/rude) and authority (she's a woke hire/affirmative action quota/nepobaby) without complaint. We're expected to save the day under nigh-impossible circumstance, and with fewer resources and support that is AT BEST, conditional.
So yeah, relistening to Suvi's speech in The Witness hurts now. Because that's exactly the feeling I'm wrestling with, and what I see mirrored in the Black women around me. We are exhausted and angry and sad. Those voter percentages are a betrayal of "we" that was promised by other marginalized groups when speaking of the interconnectedness of our liberation. And the unexamined expectation that we immediately rise from the depths of our despair to prepare for the next fight is a cruelty. Suvi isn't real, but if this helps lend empathy toward actual Black women in the world, then I'm glad.
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cherryfennec · 4 months ago
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Summer Times
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Hi! I'm finally back from my two week abroad trip!
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sometimes i stalk fancy bakery instagram and
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