#georgia bold italic

[glittergroovy]

Ptolemaea • Ethel Cain

[the-forest-library]

September 2024 Reads

Never Date a Roommate - Paula Ottoni

Love and Other Conspiracies - Mallory Marlowe

My Salty Mary - Cynthia Hand, Brodi Ashton, & Jodi Meadows

In the Orbit of You - Ashley Schumacher

The Beast's Heart - Leife Shallcross

At First Spite - Olivia Dade

The Wall - Marlen Haushofer

The Book Swap - Tessa Bickers

Someone You Can Build a Nest In - John Wiswell

A Daughter of Fair Verona - Christina Dodd

Given Our History - Kristyn J. Miller

Fall for Him - Andie Burke

I'll Have What He's Having - Adib Khorram

Lips Like Sugar - Jess K. Hardy

The Grandest Game - Jennifer Lynn Barnes

Such Charming Liars - Karen M. McManus

The Champions - Kara Thomas

Jupiter Rising - Gary D. Schmidt

Splinter & Ash - Marieke Nijkamp

Knight Owl - Christopher Denise

Young Hag and the Witches' Quest - Isabel Greenberg

Mismatched - Anne Camlin

The Truths We Hold - Kamala Harris

The Third Gilmore Girl - Kelly Bishop

The Striker and the Clock - Georgia Cloepfil

But Everyone Feels This Way - Paige Layle

Ambition Monster - Jennifer Romolini

Body Work - Melissa Febos

Rage - Lester Fabian Brathwaite

The Joy of Connections - Ruth Westheimer

Everyday Dharma - Sunned Gupta

Over Work - Brigid Schulte

Nothing to Fear - Julie McFadden

100 Ways to Change Your Life - Liz Moody

More, Please - Emma Specter

How to Piss Off Men - Kyle Prue

Shitty Craft Club - Sam Reece

Simply Julia - Julia Turshen

Bold = Highly Recommend

Italics = Worth It

Crossed Out = Nope

Thoughts:  I'll be thinking about The Wall by Marlen Haushofer for quite some time. It's a feminist, dystopian, survivalist tale with some truly harrowing moments.

Goodreads Goal: 334/400

2017 Reads | 2018 Reads | 2019 Reads | 2020 Reads | 2021 Reads | 2022 Reads | 2023 Reads | 2024 Reads

[batboyblog]

Time Line of Trump Trials:

October 2, 2023: New York State Civil Law Suit

| | | | | | | | | | | | |

January 4, 2024: Federal case against Trump over 2020 election interference

| |

January 15, 2024: Second civil case against Trump over Rape and defamation of E. Jean Carroll

| |

January 29, 2024: Class action lawsuit for fraud and racketeering

| | | | | March 4, 2024: Georgia 2020 election interference and RICO case | | |

March 25, 2024: New York State prosecution in the Hush Money case

| | | | | | | |

May 20, 2024: Federal trail in the classified documents case

dates in bold represent set trial dates, dates in italic represent the prosecutions requested trial date that have not been set by a Judge so are subject to change

[freifraufischer]

Significant WAG AA Scores under the 2022-24 Code of Points

This is not a complete list, it's a rough attempt to show where people stand. I have only included domestic meets if I have no other choice to reflect that gymnast but you should take them with a huge heaping of salt. I included a number of juniors who are Paris eligible.

Italics indicate a domestic competition subject to overscoring. Bold are scores from 2023

1 Simone Biles (USA) - 59.100 at 2023 US Classic

2 Rebeca Andrade (BRA) - 57.332 at 2022 Worlds QF

3 Melanie de Jesus dos Santos (FRA) - 56.200 at 2023 US Classic

4 Jordan Chiles (USA) - 55.833 at 2022 Worlds TF

5 Shilese Jones (USA) - 55.766 at 2022 Worlds QF

6 Jessica Gadirova (GBR) - 55.566 at 2023 Euros QF

- Jessica Gadirova (GBR) - 55.199 at 2022 Worlds AA

7 Jade Carey (USA) - 55.132 at 2022 Worlds QF

8 Alice Kinsella (GBR) - 55.065 at 2022 Worlds AA

9 Georgia Godwin (AUS) - 55.066 at 2023 Australian Champs

10 Qiu Qiyuan (CHN) - 54.932 at 2023 Asian Championships

11 Zsofia Kovacs (HUN) - 54.899 at 2023 Euros

12 Ellie Black (CAN) - 54.732 at 2022 Worlds AA

13 Alice D’Amato (ITA) - 54.500 at 2023 Euros

14 Ou Yushan (CHN) - 54.498 at the 2023 University Games

15 Leanne Wong (USA) - 54.100 at 2023 US Classic

16 Joscelyn Roberson (USA) - 54.050 at 2023 US Classic

17 Tiana Sumanasekera (USA) - 53.900 at 2023 Pan Am Champs

18 Helen Kevric (GER) - 53.900 at 2023 EYOF*

19 Hezly Rivera (USA) - 53.350 at 2023 US Winter Cup

20 Sakaguchi Ayaka (JPN) - 53.165 at 2023 University Games

21 Luo Huan (CHN) - 53.765 at 2023 University Games

22 Kaylia Nemour (ALG) - 53.731 at 2023 African Champs

23 Kieryn Finnell (USA) - 52.800 at 2023 US Classic

- Alice Kinsella (GBR) - 52.531 at 2023 Euros QF

24 Yamaguchi Sara (JPN) - 52.065 at 2023 Jr. Worlds QF*

25 Nakamura Haruka (JPN) - 51.765 at 2023 Jr. Worlds AA*

26 Ruby Pass (AUS) - 50.464 at 2023 Oceania Champs

*A junior score delivered under the FIG rules for juniors including a cap on skills at E and without some bonuses such as D dismount. It should be assumed these gymnasts would have higher AA scores if competing as seniors. US junior scoring is not subject to the same FIG rules as international scoring.

[maacsatara]

Typography: Understanding Fonts and Text - The Art and Science of Visual Communication

Typography, the art and science of arranging type, is a fundamental aspect of visual communication. It's more than just choosing a font; it's about understanding how typefaces, spacing, and layout contribute to readability, aesthetics, and the overall message. From books and websites to posters and logos, typography plays a crucial role in how we consume and interpret information. To delve deeper into this fascinating field, consider enrolling in a graphic design institute in Pune.

**The Basics of Typography**

1. **Typeface vs. Font:** While often used interchangeably, these terms have distinct meanings. A typeface is the overall design of a set of characters, while a font refers to a specific weight, style, or size within that typeface (e.g., Arial Bold, Times New Roman Italic).

2. **Classification of Typefaces:** Typefaces are broadly categorized into families, each with distinct characteristics:

    * **Serif:** Typefaces with small decorative strokes at the end of letterforms (e.g., Times New Roman, Georgia). They convey tradition, formality, and readability.

    * **Sans-serif:** Typefaces without serifs, offering a clean, modern look (e.g., Arial, Helvetica). They convey simplicity, clarity, and contemporary aesthetics.

    * **Script:** Typefaces that mimic handwriting, often used for decorative purposes (e.g., Brush Script, Lucida Calligraphy). They convey elegance, creativity, and personality.

    * **Display:** Decorative typefaces designed to catch attention, often used for headlines and posters (e.g., Impact, Cooper Black). They convey boldness, uniqueness, and visual impact.

3. **Anatomy of Type:** Understanding the anatomy of letterforms is crucial for effective typography. Key elements include:

    * **Baseline:** The invisible line on which characters sit.

    * **X-height:** The height of lowercase letters (excluding ascenders and descenders).

    * **Ascender:** The part of a lowercase letter that extends above the x-height.

    * **Descender:** The part of a lowercase letter that extends below the baseline.

    * **Kerning:** The spacing between individual characters.

    * **Tracking:** The overall spacing between letters in a word or line of text.

    * **Leading:** The vertical spacing between lines of text.

**The Role of Typography**

Typography serves multiple purposes in visual communication:

* **Readability:** Choosing legible typefaces and optimizing spacing ensures that text is easy to read and understand.

* **Aesthetics:** Typography contributes to the overall visual appeal and style of a design.

* **Hierarchy:** Using different typefaces, sizes, and weights creates visual hierarchy, guiding the reader's eye and emphasizing key information.

* **Brand Identity:** Typography plays a crucial role in establishing brand recognition and conveying brand personality.

* **Emotional Impact:** Different typefaces evoke different emotions and associations, influencing how the message is perceived.

**Typography in Different Media**

Typography adapts to different media and contexts:

* **Print Design:** Considerations include paper type, printing techniques, and the physical format of the publication.

* **Web Design:** Factors like screen resolution, responsive design, and web accessibility influence typeface choices and layout.

* **Mobile Design:** Typography needs to be optimized for smaller screens and touch interactions.

* **Environmental Design:** Signage, wayfinding, and public displays require clear and legible typography for effective communication.

**Best Practices for Effective Typography**

* **Choose Legible Typefaces:** Prioritize readability over decorative styles, especially for large amounts of text.

* **Optimize Spacing:** Adjust kerning, tracking, and leading to create comfortable reading rhythms and visual balance.

* **Create Contrast:** Use different typefaces, sizes, and weights to establish visual hierarchy and emphasize key elements.

* **Limit the Number of Typefaces:** Using too many typefaces can create a cluttered and confusing design.

* **Consider the Context:** Choose typefaces that align with the tone, purpose, and audience of the communication.

* **Test and Refine:** Experiment with different typographic choices and gather feedback to ensure effective communication.

**The Future of Typography**

Typography continues to evolve with advancements in technology and design trends. We can expect to see:

* **Variable Fonts:** Fonts that offer a wide range of styles and variations within a single file, providing greater flexibility and creativity.

* **Responsive Typography:** Typefaces that adapt to different screen sizes and orientations, ensuring optimal readability on any device.

* **Interactive Typography:** Typography that responds to user interactions, creating dynamic and engaging experiences.

* **AI-Powered Typography:** Tools that automate typographic choices and optimize layouts for specific purposes.

**Conclusion**

Typography is a powerful tool for visual communication, shaping how we read, interpret, and engage with information. By understanding the fundamentals of typefaces, spacing, and layout, designers can create effective and aesthetically pleasing designs that communicate their message clearly and resonate with their audience.  A graphic design institute can equip aspiring designers with the skills and knowledge to master the art of typography. As technology advances and design trends evolve, typography will continue to play a crucial role in how we interact with the world around us.

[devoqdesign]

Typography as a UI/UX Element: Mastering Font Psychology and Hierarchy in Elementor Design

In the realm of web design, typography is far more than just words on a screen. It's a powerful UI/UX element that can make or break your website's effectiveness. When wielded skillfully, typography can guide users, evoke emotions, and create a memorable brand experience. This is especially true when working with a versatile page builder like Elementor, which offers extensive typographic controls. In this post, we'll delve into the psychology of fonts and the art of typographic hierarchy, providing you with the knowledge to elevate your Elementor designs.

The Psychology of Fonts: More Than Meets the Eye

Every font tells a story and evokes certain emotions. Understanding font psychology is crucial for creating designs that resonate with your target audience.

Serif Fonts: Tradition and Credibility

Serif fonts, characterized by their small lines at the ends of characters, are often associated with tradition, reliability, and respectability. They're excellent choices for brands that want to convey a sense of heritage or academic authority.

In Elementor, you might use a serif font like Georgia or Times New Roman for:

Law firm websites

Academic institutions

Traditional financial services

Sans-Serif Fonts: Modern and Clean

Sans-serif fonts, lacking the small lines of their serif counterparts, are perceived as modern, clean, and straightforward. They're popular in digital interfaces due to their readability on screens.

When designing in Elementor, consider sans-serif fonts like Arial or Roboto for:

Tech startups

Contemporary fashion brands

Minimalist design agencies

Script Fonts: Elegance and Creativity

Script fonts mimic handwriting and calligraphy, evoking feelings of elegance, creativity, and personal touch. However, they should be used sparingly due to potential readability issues.

In Elementor, script fonts like Brush Script or Lobster can be effective for:

Wedding-related websites

High-end restaurants

Artistic portfolios

Display Fonts: Unique and Attention-Grabbing

Display fonts are designed to capture attention and are often used for headlines or short phrases. They can be playful, bold, or decorative, depending on the specific font.

When working in Elementor, you might use display fonts for:

Event posters

Music festival websites

Children's products

Remember, Elementor allows you to easily import custom fonts, expanding your typographic palette beyond the standard web-safe options.

Mastering Typographic Hierarchy in Elementor

Typographic hierarchy is the practice of organizing type in a way that emphasizes the most important information and guides the reader through the content. In Elementor, you have precise control over various typographic elements, allowing you to create clear and effective hierarchies.

1. Size Matters

The most straightforward way to establish hierarchy is through font size. Larger text naturally draws the eye first. In Elementor, you can easily adjust font sizes for different elements:

Use large, bold fonts for main headings (H1)

Gradually decrease size for subheadings (H2, H3, etc.)

Keep body text at a comfortable reading size (typically 16-18px for web)

2. Weight and Style

Font weight (boldness) and style (italic, underline) can also indicate importance:

Use bold text for key points or calls-to-action

Apply italics for emphasis or quotes

Underline sparingly, as it can be confused with hyperlinks

Elementor's Typography controls allow you to fine-tune these aspects for each text element.

3. Color and Contrast

Color can be used to highlight important information and create visual interest:

Use a contrasting color for headings to make them stand out

Ensure sufficient contrast between text and background for readability

Consider using color to group related information

Elementor's color picker and global color swatches make it easy to maintain consistency across your design.

4. Spacing and Layout

The arrangement of text on the page also contributes to hierarchy:

Use white space to separate different sections

Align related content for easy scanning

Consider line height and letter spacing for optimal readability

Elementor's advanced positioning and spacing controls give you pixel-perfect control over your layout.

Practical Tips for Implementing Typography in Elementor

Now that we've covered the fundamentals, let's look at some practical tips for implementing effective typography in your Elementor designs:

Limit Your Font Choices: Stick to 2-3 fonts maximum to maintain consistency. Elementor's Global Fonts feature helps you apply this consistently across your site.

Use Responsive Typography: Elementor allows you to set different font sizes for desktop, tablet, and mobile. Use this to ensure readability across all devices.

Leverage Custom CSS: For advanced typographic effects, you can use Elementor's Custom CSS option to apply specific styles to your text elements.

Create a Type Scale: Establish a consistent scale for your font sizes. Elementor's Global Settings can help you maintain this scale across your site.

Consider Readability: Always prioritize readability over aesthetics. Use Elementor's preview mode to check how your typography looks on different devices.

Use Elementor's Theme Style: This feature allows you to set global typography styles, ensuring consistency across your entire site.

Experiment with Elementor's Text Path Widget: For creative typographic effects, try the Text Path widget to curve text along a custom path.

Conclusion: 

Typography is a fundamental aspect of UI/UX design, capable of influencing user perception, guiding navigation, and enhancing overall user experience. With Elementor's robust typography controls, you have the power to create designs that are not only visually appealing but also psychologically impactful and highly usable.

Remember, great typography is often invisible – it does its job so well that users don't even notice it. They simply enjoy a smooth, intuitive experience navigating your website. By mastering font psychology and typographic hierarchy in Elementor, you're not just arranging text; you're crafting experiences, guiding users, and bringing your brand's voice to life.

So the next time you're designing in Elementor, take a moment to consider your typography. Are your font choices reflecting your brand personality? Is your typographic hierarchy guiding users effectively? With the knowledge and tools at your disposal, you have the power to transform simple text into a powerful UI/UX element that elevates your entire design.

Visit my Upwork project catalog :  Elementor Developer

[grafiniodizainopaslaugos]

Vizualinė harmonija: šriftų reikšmė dizaino kūrinyje

Tipografija yra neatsiejama dizaino dalis, kuri lemia ne tik teksto skaitymo patogumą, bet ir viso projekto estetinį poveikį. Šriftai, kaip pagrindinė tipografijos dalis, turi unikalią galią perduoti informaciją, nuotaiką ir net prekės ženklo vertybes. Šiame straipsnyje aptarsime, kaip skirtingi šriftai gali paveikti dizaino estetiką ir kaip pasirinkti tinkamą šriftą jūsų projektui.

Šrifto charakteris ir asmenybė Kiekvienas šriftas turi savo charakterį ir asmenybę, kurią jis perteikia skaitytojui. Pavyzdžiui, serifiniai šriftai, tokie kaip „Times New Roman“ ar „Georgia“, paprastai siejami su tradicijomis, patikimumu ir autoritetu. Tuo tarpu sans-serifiniai šriftai, kaip „Arial“ ar „Helvetica“, dažniausiai perteikia modernumą, švarumą ir paprastumą. Rankraštiniai šriftai gali suteikti dizainui asmeniškumo, kūrybiškumo ir elegancijos, o monospace šriftai – technologiškumo ir funkcionalumo jausmą.

Emocinis poveikis Šriftai gali sukelti įvairias emocijas ir nuotaikas. Pavyzdžiui, apvalesni, draugiškesni šriftai dažnai perteikia šilumą ir prieinamumą, o kampuotesni šriftai – tvirtumą ir profesionalumą. Didesni šriftai su plačiais tarpais gali atrodyti prabangiai, o mažesni ir tankesni šriftai gali sukurti įtampos ar intensyvumo jausmą. Šrifto pasirinkimas yra svarbus kuriant nuotaiką, kuri atitinka jūsų dizaino tikslus ir auditoriją.

Skaitymo patogumas Nepaisant estetikos, svarbu nepamiršti šrifto funkcionalumo – kaip lengvai tekstas bus skaitomas. Skaitant ilgus tekstus, svarbu pasirinkti šriftą, kuris būtų lengvai skaitomas tiek ekrane, tiek spausdintame formate. Paprastai serifiniai šriftai yra laikomi lengviau skaitomais spausdintuose tekstuose, tuo tarpu sans-serifiniai – ekrane. Tačiau šrifto dydis, tarpai tarp raidžių ir eilučių taip pat turi didelę reikšmę skaitomumui.

Šrifto derinimas Vieno šrifto pasirinkimas dažnai nėra pakankamas, ypač sudėtingesniuose projektuose, kur reikia derinti kelis šriftus. Svarbu, kad šriftai tarpusavyje derėtų, o jų kontrastas būtų harmoningas. Pavyzdžiui, galite derinti serifinius ir sans-serifinius šriftus, kad sukurtumėte subtilų, tačiau pastebimą skirtumą tarp antraščių ir pagrindinio teksto. Taip pat svarbu atsižvelgti į šrifto svorį (bold, regular) ir stilių (italic), kad išlaikytumėte nuoseklumą ir aiškumą.

Šrifto įtaka prekės ženklui Šriftai yra viena iš pagrindinių prekės ženklo tapatybės dalių. Tinkamai parinktas šriftas gali padėti sustiprinti prekės ženklo žinutę, išskirti jį iš konkurentų ir sukurti emocinį ryšį su auditorija. Pavyzdžiui, įmonė, kuri siekia perteikti inovatyvumą ir šiuolaikiškumą, gali pasirinkti modernų sans-serifinį šriftą, o įmonė, kuri siekia išlaikyti tradicijas ir patikimumą, gali rinktis klasikinį serifinį šriftą. Išvada apie šią grafinio dizaino paslaugą Tipografija yra daugiau nei tik teksto išdėstymas – tai galingas dizaino įrankis, kuris gali padaryti didelę įtaką bendrai projekto estetikos sėkmei. Pasirinkdami tinkamą šriftą, galite ne tik užtikrinti, kad tekstas bus lengvai skaitomas, bet ir perteikti norimą žinutę bei emociją. Kuriant dizainą, svarbu atsižvelgti į šrifto charakterį, jo emocinį poveikį, skaitomumą ir derinimą, kad sukurtumėte harmoningą ir estetiškai patrauklų rezultatą.

[gatsgraffiti]

Font, Display Font, Groovy font, Fancy Font,

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Read more here ==>> font style

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[glittergroovy]

[cardswecut]

graphics kit georgia bold italic, georgia bold

[the-forest-library]

October 2024 Reads

The Rom-Commers - Katherine Center

The Ex Vows - Jessica Joyce

How to Hide in Plain Sight - Emma Noyes

Triple Sec - T.J. Alexander

The Merriest Misters - Timothy Janovsky

Most Wonderful - Georgia Clark

The Situationship - Abby Jimenez

Straight - Chuck Tingle

Sorcery and Small Magics - Maiga Doocy

Lake of Souls - Ann Leckie

The Wood at Midwinter - Susanna Clarke

The Agency for Scandal - Laura Wood

Knight Owl and Early Bird - Christopher Denise

The Bakery Dragon - Devin Elle Kurtz

The Millicent Quibb School for Etiquette for Young Ladies of Mad Science - Kate McKinnon

Bye Forever, I Guess - Jodi Meadows

Mabel Wants a Friend - Ariel Bernstein

Into the Uncut Grass - Trevor Noah

Scaredy Squirrel - Melanie Watt

Scaredy Squirrel Makes a Friend - Melanie Watt

Scaredy Squirrel at the Beach - Melanie Watt

Scaredy Squirrel at Night - Melanie Watt

Scaredy Squirrel Has a Birthday Party - Melanie Watt

Scaredy Squirrel Goes Camping - Melanie Watt

CatStronauts: Moon Mission - Drew Brockington

Fangirl, Vol 4 - Rainbow Rowell, Gabi Nam

An Age of License - Lucy Knisley

Going Into Town - Roz Chast

You Can Only Yell at Me for One Thing at a Time - Row Chast

Impossible People - Julia Wertz

Cattitude - Katie Abey

oh no - Alex Norris

Milk & Mocha - Melani Sie

Lovely One - Ketanji Brown Jackson

It Gets Better...Except When It Gets Worse - Nicole Maines

What in the World?! - Leanne Morgan

Democracy in Retrograde - Sami Sage & Emily Amick

Abortion - Jessica Valenti

Anxiety Rx - Russell Kennedy

Still Distracted After All These Years - Kathleen G. Nadeau

You Deserve Good Gelato - Kacie Rose

Big Vegan Flavor - Nisha Vora

Bold = Highly Recommend

Italics = Worth It

Crossed Out = Nope

Thoughts: The Rom-Commers is a standout contemporary romance - really fun. I think Emily Henry fans would like it. I also really enjoyed Bye Forever, I Guess - a middle school You've Got Mail.

Goodreads Goal: 369/400 

2017 Reads | 2018 Reads | 2019 Reads | 2020 Reads | 2021 Reads| 2022 Reads | 2023 Reads | 2024 Reads

[backedagainstthewall]

💖

Send a 💖 and I’ll tell you what a relationship would be like with my character:

How likely they are to enter a relationship with them:

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10

Would they…

Make the first move? Yes | No Say “I love you” first? Yes | No Cheat on them? Yes | No Be the jealous type? Yes | No Plan the dates? Yes | No Initiate the first kiss? Yes | No Remember anniversaries? Yes | No

BOLD WHAT APPLIES: Their Relationship Is:

friends to lovers | rivals to lovers | enemies to lovers | still just enemies | mutual pining | star crossed lovers | old married couple | perpetual honeymoon phase | stable and boring | stable but not boring | secret lovers | best friends hiding their feelings | and they were roommates | friends with benefits | coworkers avoiding HR | one-sided affection | weird sexual tension | it’s complicated | toxic relationship | a secret affair | an actual dumpster fire | other

PUBLIC Displays of Affection:

hand holding | kiss on the hand | kiss on the cheek | kiss on the forehead | kiss on the lips | cuddling | hugging | affectionate messages or comments | pet names | pictures together | no displays of affection

PRIVATE Displays of Affection:

hand holding | kiss on the hand | kiss on the cheek | kiss on the forehead | kiss on the lips | cuddling | hugging | affectionate messages or comments | pet names | pictures together | no displays of affection

Do they stay together?

yes, this is endgame | yes but someone is gonna die tragically | something is keeping them apart | they part ways as friends | they part ways as enemies | they’re on-again-off-again | they have a super messy breakup | it was just a fling | other

BONUS What terrible pet names would they give each other?

James will have a lot of nicknames relating to Abby's red hair and short height, and probably use the ironic "Amazon" for her. And he'd probably use something Georgia-related, Peaches or Peach or Miss Georgia. I don't think he'd settle on anything. I really am not sure what Abby would say.

--------------------------------------------------------

(Well, they ARE married in one verse, so they automatically get a 10 on that one. I used italics for a few things that may or may not be accurate. James will plan some dates but Abby's probably going to have to do most of it. And she'd have to make the first move since he started as her instructor and that would be awkward, and he's already not great at making initial moves.)

[dannyblmovie]

.tabs { position: relative; margin: 40px auto; width: 100%; height: 450px } .tabs input { position: absolute; z-index: 1000; width: 120px; height: 40px; left: 0px; top: 0px; opacity: 0; -ms-filter:"progid:DXImageTransform.Microsoft.Alpha(Opacity=0)"; filter: alpha(opacity=0); cursor: pointer; } .tabs input#tab-2{ left: 120px; } .tabs input#tab-3{ left: 240px; } .tabs input#tab-4{ left: 360px; } .tabs label { background: #5ba4a4; background: -moz-linear-gradient(top, #5ba4a4 0%, #4e8c8a 100%); background: -webkit-gradient(linear, left top, left bottom, color-stop(0%,#5ba4a4), color-stop(100%,#4e8c8a)); background: -webkit-linear-gradient(top, #5ba4a4 0%,#4e8c8a 100%); background: -o-linear-gradient(top, #5ba4a4 0%,#4e8c8a 100%); background: -ms-linear-gradient(top, #5ba4a4 0%,#4e8c8a 100%); background: linear-gradient(top, #5ba4a4 0%,#4e8c8a 100%); font-size: 15px; line-height: 40px; height: 40px; position: relative; padding: 0 20px; float: left; display: block; width: 80px; color: #385c5b; letter-spacing: 1px; text-transform: uppercase; font-weight: bold; text-align: center; text-shadow: 1px 1px 1px rgba(255,255,255,0.3); border-radius: 3px 3px 0 0; box-shadow: 2px 0 2px rgba(0,0,0,0.1), -2px 0 2px rgba(0,0,0,0.1); } .tabs label:after { content: ''; background: #fff; position: absolute; bottom: -2px; left: 0; width: 100%; height: 2px; display: block; } .tabs input:hover + label { background: #5ba4a4; } .tabs label:first-of-type { z-index: 4; box-shadow: 2px 0 2px rgba(0,0,0,0.1); } .tab-label-2 { z-index: 3; } .tab-label-3 { z-index: 2; } .tab-label-4 { z-index: 1; } .tabs input:checked + label { background: #fff; z-index: 6; } .clear-shadow { clear: both; } .content { background: #fff; position: relative; width: 100%; height: 370px; z-index: 5; box-shadow: 0 -2px 3px -2px rgba(0,0,0,0.2), 0 2px 2px rgba(0,0,0,0.1); border-radius: 0 3px 3px 3px; } .content div { position: absolute; top: 0; left: 0; padding: 10px 40px; z-index: 1; opacity: 0; -webkit-transition: opacity linear 0.1s; -moz-transition: opacity linear 0.1s; -o-transition: opacity linear 0.1s; -ms-transition: opacity linear 0.1s; transition: opacity linear 0.1s; } .tabs input.tab-selector-1:checked ~ .content .content-1, .tabs input.tab-selector-2:checked ~ .content .content-2, .tabs input.tab-selector-3:checked ~ .content .content-3, .tabs input.tab-selector-4:checked ~ .content .content-4 { z-index: 100; -ms-filter:"progid:DXImageTransform.Microsoft.Alpha(Opacity=100)"; filter: alpha(opacity=100); opacity: 1; -webkit-transition: opacity ease-out 0.2s 0.1s; -moz-transition: opacity ease-out 0.2s 0.1s; -o-transition: opacity ease-out 0.2s 0.1s; -ms-transition: opacity ease-out 0.2s 0.1s; transition: opacity ease-out 0.2s 0.1s; } .content div h2, .content div h3{ color: #398080; } .content div p { font-size: 14px; line-height: 22px; font-style: italic; text-align: left; margin: 0; color: #777; padding-left: 15px; font-family: Cambria, Georgia, serif; border-left: 8px solid rgba(63,148,148, 0.1); }

OKRU VK NETU

[btvs]

oh yeah true whaaat?! wow, georgia is great btw!! underrated 'default' microsoft typography. i use it pretty often. it looks nice in italics and standard. i do sometimes bold for emphasis. i like that the numbers are asymmetrical it's quirky and gives vintage vibes. it has a lot of characters for a serif which is a genre of type i find boring as all get out. oh god i'm such a nerd *hides* or at least a snob when it comes to type haha :) it used to be my default font on instant messenger way back when or typing up documents and i'm tired of times/calibri or whatever default they got. i hate default type. at least georgia has some vibe to it that i can deal with. there's a lot of alternatives to times for serif/sans serif like caliber but people don't know others exist or don't think like me.

you are so real i understand you i use georgia for my professional documents i just think it looks awesome and unpopular opinion i looove using it paired with verdana as a header UGH it’s the perfect serif-non serif combo it just pops .. chefs kiss

[oliviagardner4]

Typeface Booklet Rationale

In the past 6 weeks, I have learnt about the importance of runts, widows and orphans when typing in text and how making sure I don’t have them can affect the viewers experience. I love challenging myself to learn new things so being forced to use InDesign over 6 weeks really helped me become confident in using it. I also learnt how to use duotone in photoshop during this class which I now use almost religiously in my introduction to design class (DESN 511) and I trialed it in my typeface booklet before taking it out after reviewing my booklet earlier on in the process. 

When doing my typeface research at the beginning of this project, I was looking at both San Serif and Serif typefaces but eventually decided on the Serif style Cardea typeface. I thought that the Serif typefaces I had found fitted around my pepeha especially with me coming from a Pakeha background. Serif fonts were commonly used in 19th century across Europe and the United Kingdom, so this is why I thought the Cardea typeface was very fitting. Some of the fonts in the typeface gave an old English style to it and slowly transitioned into a more modern, bold style which could signify my New Zealand roots as well as it is a much newer and younger country. I love the fact that the Cardea typeface has specific rigid angles and organic feel of the italic fonts within this typeface and how they aren't smooth like the classic serif typefaces already made. 

In the making of my typeface booklet, I had finished my booklet by week 5 but I wasn't happy with a few of my page layouts. I thought they lacked interest and I hadn't made the most use out of the colours I had chosen and how I wanted to portray the typeface so I redid them! I wanted my booklet to present the Cardea font to the viewer as fun and more than just another boring serif font. There are plenty of common serif fonts used every day like times new roman and Georgia. And most of the time these fonts are seen as old, formal or very structured. When I was researching different typefaces and looking at previous serif-style type specimen booklets, the majority of the colour palettes consisted of black, white and neutral tones. By using the pink, green and blue that I picked out, I hope that I was able to bring a new and more youthful approach to Cardea and serif typefaces in general. 

[devoqdesign]

Typography in the Digital Age: Selecting and Pairing Fonts for Optimal Readability

Typography is a fundamental aspect of design, playing a crucial role in how information is presented and consumed. In the digital age, where users encounter text on various devices and screens, selecting and pairing fonts for optimal readability has become more important than ever. Good typography ensures that content is not only visually appealing but also easy to read, accessible, and engaging.

This comprehensive guide will explore the principles of typography in the digital age, including how to select and pair fonts, the importance of readability, and best practices for creating effective typographic designs.

The Importance of Typography in the Digital Age

Typography is more than just the selection of fonts; it is about how text is arranged, how it interacts with other design elements, and how it influences the user experience. In the digital age, typography serves several critical functions:

Enhancing Readability: The primary goal of typography is to ensure that text is easy to read. This involves selecting fonts that are legible at various sizes, ensuring proper spacing, and creating a hierarchy that guides the reader's eye through the content.

Establishing Brand Identity: Typography is a powerful tool for branding. The fonts used in a digital design can convey a brand’s personality, values, and tone of voice. For example, a modern sans-serif font might communicate innovation and simplicity, while a classic serif font might convey tradition and reliability.

Improving User Experience: Good typography contributes to a positive user experience by making content accessible and enjoyable to read. It reduces cognitive load, helping users to process information quickly and efficiently.

Creating Visual Appeal: Typography plays a key role in the visual aesthetics of a design. The choice of fonts, along with their arrangement and spacing, can create a pleasing visual balance and harmony that draws users in and keeps them engaged.

Supporting Accessibility: In the digital age, accessibility is a major consideration. Typography choices can significantly impact the readability of content for users with visual impairments or reading difficulties. Selecting accessible fonts and ensuring proper contrast and spacing are essential for inclusive design.

Selecting Fonts for Digital Design

Selecting the right fonts for digital design involves several considerations, including legibility, scalability, and the overall tone of the design. Here are some key factors to consider when choosing fonts for digital projects:

Legibility: Legibility refers to how easily individual characters can be distinguished from one another. In digital design, legibility is crucial because users often read text on small screens or in varying lighting conditions. Sans-serif fonts, such as Arial, Helvetica, and Roboto, are generally considered more legible on screens, especially at smaller sizes. However, some serif fonts, like Georgia and Merriweather, are also highly legible and can be used effectively in digital designs.

Scalability: Fonts in digital design must be scalable, meaning they should look good and remain legible at different sizes. This is important for responsive design, where text may need to be resized to fit various screen dimensions. Scalable fonts, such as those designed specifically for digital use, like Verdana or Open Sans, are optimized for readability at both large and small sizes.

Font Weight and Variations: The availability of different font weights and variations (e.g., regular, bold, italic) is important for creating a typographic hierarchy and adding emphasis to certain elements. A good digital font should offer a range of weights and styles to provide flexibility in design.

Compatibility Across Devices: Fonts should be compatible across various devices and platforms. This means considering how a font will render on different operating systems, browsers, and screen resolutions. Web-safe fonts, such as Arial, Times New Roman, and Courier, are universally supported and can be used to ensure consistency across devices.

Tone and Personality: The font you choose should align with the overall tone and personality of your design. For example, a playful, creative website might benefit from a whimsical or decorative font, while a corporate site might require a more formal and traditional font. Understanding the emotional impact of different fonts can help you make choices that reinforce the message you want to convey.

Pairing Fonts for Digital Design

Pairing fonts effectively is both an art and a science. The goal is to create a harmonious combination that enhances readability while adding visual interest. Here are some tips for pairing fonts in digital design:

Contrast is Key: One of the most important principles of font pairing is contrast. Fonts with contrasting styles (e.g., a serif paired with a sans-serif) can create a dynamic and visually appealing design. For example, pairing the serif font Merriweather with the sans-serif font Open Sans can create a balanced and readable design that feels modern yet classic.

Establish a Hierarchy: When pairing fonts, it’s important to establish a clear typographic hierarchy that guides the reader’s eye through the content. This typically involves using one font for headings and another for body text. The heading font should be more prominent, while the body font should be highly legible. For example, using a bold sans-serif font like Montserrat for headings and a more subdued serif font like Georgia for body text can create a strong hierarchy.

Limit the Number of Fonts: While it can be tempting to use multiple fonts, it’s generally best to limit the number of fonts in a design to two or three. Too many fonts can create visual clutter and make the design feel disjointed. By sticking to a few well-chosen fonts, you can create a cohesive and harmonious design.

Match Font Moods: When pairing fonts, consider the mood or personality of each font. Fonts with similar moods tend to pair well together. For example, a playful script font like Pacifico might pair well with a friendly sans-serif like Lato. Both fonts convey a casual, approachable vibe, making them a good match.

Use a Superfamily: A superfamily is a collection of related fonts that are designed to work together harmoniously. These families often include a range of styles, such as serif and sans-serif versions of the same font. Using a superfamily, such as the Roboto or Lucida families, can simplify the process of font pairing while ensuring consistency across the design.

Best Practices for Digital Typography

To create effective and readable typography in digital design, it’s important to follow best practices that prioritize user experience and accessibility:

Use Appropriate Font Sizes: In digital design, font size is crucial for readability. Body text should typically be between 16px and 18px on desktop screens, with larger sizes used for headings and smaller sizes for captions and labels. On mobile devices, slightly larger font sizes may be necessary to ensure readability.

Optimize Line Length: The ideal line length for readability is typically between 50 and 75 characters per line. Lines that are too short or too long can make text difficult to read. In responsive design, it’s important to adjust line length based on screen size to maintain optimal readability.

Ensure Adequate Line Spacing: Line spacing (also known as leading) should be set to provide enough space between lines of text, making it easier for users to read. A good rule of thumb is to set line spacing to 1.5 times the font size. This creates a comfortable reading experience and prevents text from feeling cramped.

Maintain Sufficient Contrast: Text should have sufficient contrast with the background to ensure readability, especially for users with visual impairments. The Web Content Accessibility Guidelines (WCAG) recommend a minimum contrast ratio of 4.5:1 for normal text and 3:1 for large text.

Avoid All Caps for Long Text: While all caps can be effective for short headings or labels, they are generally harder to read in longer blocks of text. This is because all caps reduce the distinctiveness of letter shapes, making it more difficult for the eye to recognize words quickly.

Conclusion

Leveraging data analytics in UI/UX design is no longer optional – it's a necessity for creating successful web and mobile applications in today's competitive digital landscape. By incorporating data-driven insights into your design process, you can make more informed decisions, create more user-centric products, and continuously improve the user experience.

As you embark on your data-driven design journey, remember that the goal is to enhance the human-centered aspects of design, not to replace them. Use data analytics as a powerful tool to validate your creative intuitions, uncover new opportunities, and ultimately create digital experiences that truly resonate with your users.

Devoq Design is a premier UI/UX design agency with a strong presence in both Dubbo and Orange. As a leading UI/UX design agency in Dubbo, Devoq Design is dedicated to crafting visually engaging and user-friendly digital experiences that cater to the specific needs of local businesses. Similarly, as a top UI/UX design agency in Orange, Devoq Design excels in delivering innovative design solutions that enhance user interaction and satisfaction. With a team of skilled designers committed to excellence, Devoq Design ensures that each project is customized to meet the unique requirements of their diverse clientele, driving growth and success in both cities.