#genuinely if/when they remake black and white for the switch it might literally be the first game i ever preorder. im desperate

[milftrickster]

Oh to be 7 years old again, sticking my brand new copy of pokemon black that i had just been given for my birthday into my dsi for the first time. I want to go back

[weekendwarriorblog]

The Weekend Warrior 12/18/20 – GREENLAND, FATALE, MONSTER HUNTER, EDUCATION, BREACH, SKYLIN3S and More

We’re getting so close to the end of what has been a fairly grueling year for movie lovers, especially those of us who enjoy watching movies in theaters. I personally was watching upwards of ten movies a week in theaters, but since March, I’ve only seen two, and that’s because movie theaters were shut down and then kept shut down since mid-March. Meanwhile, I can literally get on a train and see a movie in Jersey City without any problems, and there have been no cases traced to someone watching a movie in a theater either. Meanwhile, Cuomo and DiBlasio keep shutting everything down in New York City despite claiming that they were going to stick with the zones or hot spots… nope, the entire city may be closed down after Christmas.

But enough moaning…  There’s some good stuff debuting this week and some of them even are in theaters. I’m gonna start with three movies from three of my favorite filmmakers, all of whom know how to make fun, mainstream studio films.

Oh, and before you get to that, also check out my advance review of next week’s Soul from Pixar Animation!

Director Paul W.S. Anderson and partner Mila Jovovich reunite for a brand-new video game adaptation, MONSTER HUNTER (Screen Gems), based on the Capcom game in which the characters… you guessed it… hunt monsters. In this one, Jovovich plays Captain Artemis a soldier who while investigating the disappearance of a battalion ends up in another dimension known as the New World where she encounters (dum dum dum!) monsters and fights them with a new ally, played by Tony Jaa.

Listen, I’ll be the first to confess that I find Anderson’s movies to be a bit of a guilty pleasure. While he has made some fun movies like Alien vs. Predator and Event Horizon, he’s sometimes faltered like his attempt at a Three Musketeers movie and of course, Pompeii. Undaunted by the number of video game movies he’s already made, he takes on yet another one, and he definitely seems to be having quite a bit of fun while making this one.

Monster Hunter begins with a preamble set in the “New World” where we see a ship and characters straight out of the game being attacked by a giant monster. We’re then back in our “Old” World where Jovovich’s character is leading a small platoon in search of a missing group of soldiers. They’re hit by a huge sandstorm, and next thing they know, they’ve been transported through a portal to another dimension where they’re attacked by a giant horned creature (a bit like a mutated Triceratops) that burrows under the ground and starts killing them off one-by-one.

Listen, I make no bones about the fact that I’m a full-on giant monster stan whether it’s Godzilla, Pacific Rim, whatever, so I was probably already fully onboard before I saw the great job Anderson and his team did to make these monsters feel like they have real weight and scale. There are definitely elements to the movie that reminded me of Paul Verhoeven’s Starship Troopers – a movie I genuinely love -- but it did a better job of it than another movie out this week (see below).

Another reason Monster Hunter works at all is that not only is Anderson familiar with the mechanics of the video game but also understands that a movie like this requires some degree of humor to be taken seriously, ironically. Much of that comes from the attempts to communicate between Jovovich and Jaa, and that does get a little tiring after a while, but it offers some laughs once the action settles down, which isn’t often. Jovovich is still a kick-ass action heroine as always, and it’s almost shocking that her and Anderson have been doing this stuff for 18 years since teaming up for the very first Resident Evil.

The great thing about Monster Hunter is that it’s almost non-stop action for a good portion of the movie, rarely slowing down, and it just gets better when Ron Perlman enters the mix, although he feels somewhat underused in the crazy last act where they face creatures that look a lot like the Game of Thrones dragon. There is also some notable silliness that in fact is something from the game.

Monster Hunter is definitely not the kind of movie I recommend to everyone – fans of the OTHER Paul Anderson would turn their noses up at the suggestion --  but if you’re a fan of giant monsters and some of Anderson’s earlier work, you’ll probably already know whether or not this will be for you. Either way, it’s the kind of entertainment we just haven’t seen much of in 2020. Monster Hunter will open in theaters including IMAX on Friday.

Director Deon Taylor reunites with his The Intruder leading man, Michael Ealy, for the psychological thriller FATALE (Lionsgate), in which Ealy plays Derek, a very successful sports agent who has an unfortunate one-night stand while in Vegas with a woman, played by Oscar-winner Hilary Swank. When Derek returns to L.A., a break-in at his home brings out the police, including Swank’s Val, who happens to be a well-regarded police detective, and she will not be ignored, Derek!

I went into this presuming it was Taylor’s version of updating the erotic thriller Fatal Attraction, and I was partially right, except that Swank’s Val is much more dangerous in this case because as a police detective, she has a lot more power over Derek once she realizes he’s married. There are elements to this movie that definitely give it a twist like the fact that Derek and his wife Tracy (Damaris Lewis) are already having marital problems before his affair, or the fact that Val has been trying to get custody of her daughter from her politician husband (Carter Haywood). There’s also Derek’s best friend and business partner Rafe (Mike Colter) and ex-con cousin Tyrin (Tyrin Turner) that add to the mix once people around Derek start dying.

I’ve always said that Taylor is a better director than a writer, but I was surprised that this thriller was written by David Loughery, who also wrote last year’s fairly decent The Intruder. Ealy is just fine as always here, but Swank’s attempt to play a bad guy just doesn’t work as well as she did in The Hunt. Having so many different subplots and characters just confuses matters and takes away from the actual thriller.  There may be a couple unexpected twists but none that really shake you up like some of the ones in Fatal Attraction. Sure, maybe it’s unfair to call it that, even though we’ve seen quite a few genre-switched remakes/twists like What Men Want and Little, and this isn’t that at all.

On the other hand, there is an interesting sublayer to the Val-Derek dynamic that makes you think of the way black men far less rich and successful than Derek are treated by white police, so the movie may be inadvertently (?) be building on the “Black Lives Matter” movement without intentionally trying. Still, I liked Taylor’s last movie Black and Blue much more.

Other than that, Fatale never really goes anywhere and never quite delivers on the promising concept in the same way some might be hoping based on Taylor’s previous work.

Director Ric Roman Waugh and actor Gerard Butler reunite after making last year’s Angel Has Fallen, this time for the disaster film GREENLAND (STXFilms). Sadly, this one is going straight to PVOD in the USA rather than being given a chance in theaters, which is a shame, since it’s a big screen disaster film about a string of comets heading towards earth and one man named John Garrity (Butler) who is trying to protect and save his family.

I’ll freely admit that I’ve been a big fan of Waugh’s since his earlier film Felon – and for the sake of transparency, I do consider him a friend, so I’m glad to see him doing bigger studio films, especially since he continually proves the quality of his work and focus on characters can be retained even for this kind of movie.  Some going into Greenland might be expecting something like San Andreas or The Day After Tomorrow, but thankfully, and I definitely credit Waugh for this, it’s actually is a disaster flick that never loses sight of the humans at its core.

Butler is actually a decent actor when given half a chance, but obviously, his shift to starring in action movies means that he has to work a bit harder to show that he’s more than just a bulky buff action hero.  In this case, he creates quite a fallible and grounded hero whose marriage has been trouble, because he cheated on his wife. Morena Baccarin is also quite good as his wife Allison, really adding to the tension when she gets separated, first from Jack and then their son.  Young Roger Dale Floyd, who I was dubious of as their kid at least as the film began, really steps up and also delivers on making the audience feel that there is real danger and stakes. Just as you think the movie is about to head fully into Roland Emmerich land – lots of comet destruction -- Waugh pulls out another terrific veteran in Scott Glenn who adds even more weight and gravitas to the film.

Greenland is definitely a bit of a leap for Waugh in terms of visual FX from previous films. On top of the destruction caused by the comets, there is also a good amount of time where the skies are burning in bright orange. But it’s all background to following Jack and his family going through the ordeal of trying to escape and survive the inevitable “extinction event” when the largest chunk of the comet hits earth.

As far as disaster flix go, Greenland is one of the better ones, since it goes out of its way to make everything feel real, as if it was a well-made documentary or based on a true story, one that hopefully will never come true.

Note: I’ll also have an interview with Ric Roman Waugh over at Below the Line very soon.

Next up is Steve McQueen’s EDUCATION (Amazon Prime Video), the last installment of his “Small Axe Anthology” of films. This one stars Kenyah Sandy as 12-year-old Kingsley Smith, a boy who can’t read so he’s sent to a special school in Barnet where the teachers aren’t really teaching the kids and they’re running amok. Kingsley’s parents don’t realize what’s going on until a group of caring West Indian women pull together to speak up against the lack of education their kids are getting.

It’s the shortest of the series at just over an hour, and while it’s not my favorite, it’s still very good, and it also feels like it could be a very personal film to McQueen, maybe more than the other four movies. First of all, he found this great young actor to play the lead role -- as most of McQueen’s work, the entire cast is great, including Nicole Ackles -- but he also is exploring something that while some parents may be able to relate to, the segregation and racism that permeated the British school system in those days might not be something that many Americans or younger Brits were aware of. I also wasn’t aware of the cultural bias in IQ tests that sent trouble kids like Kingsley into this other school system where they would never learn anything despite the selling point that it has less students so the teachers can focus on helping them more. That clearly doesn’t turn out to be the case with Kingsley and the school to which he commutes.

Education definitely feels more informational than something meant to entertain like Lovers Rock, but it’s a fine addition to the “Small Axe Anthology” that shows how well McQueen and his team have been able to make each chapter feel different in terms of look and tone from others.

Streaming this week on Netflix is George C. Wolfe’s adaptation of August Wilson’s MA RAINEY’S BLACK BOTTOM, which I already reviewed. It stars Viola Davis as the title character, a famous blues singer in the ‘20s who has come to Chicago to record an album and she has to deal with an ambitious trumpet player, played by the late Chadwick Boseman, who has his own career aspirations that puts him at odds with Davis’ character. As with Denzel’s adaptation of August Wilson’s Fences, it’s a strong period drama.  Also, as mentioned last week, you can also now watch the related doc Giving Voice, which follows the journey of six student actors on their way to the August Wilson Monologue Competition.

If you’re looking for something to keep the kiddies quiet, check out Taylor Meacham’s TO GERARD, an animated short now on Peacock from DreamWorks Animation. It’s a wonderful animated short about a guy working in a mailroom who witnessed a magic show when he was a child that influenced his entire life and how he passes that love of magic onto a young girl he encounters.

Directed by Jennifer Trainer, the Director of Development of MASS MoCa in North Adams, Massachusetts, the doc MUSEUM TOWN (Kino Lorber/Kino Marquee) is an amazing documentation of the development of a former factory in the Berkshires area of Mass. being turned into one of the largest contemporary art museums in the world.  

North Adams was a factory town where most of the city worked at the Sprague Electronics that was left quite dilapidated and destitute after the factory closed. Years later, the warehouse that was eventually turned into MASS MoCA.

Much of the film covers artist Nick Cave – no, not THAT Nick Cave – as he’s working on his installation, but it also goes back to when David Byrne brought his installation “Desire” there in 1996. Not that it all goes without problems. While opening MoCA would help the community by giving jobs, there’s some political wrangling from the state’s then-conservative Governor, and of course, the people living in North Adams aren’t quite prepared for it to be turned into an arts community.

Still, there are some amazing enormous installations that are impressive and the director even got Meryl Streep – yes, THAT one – to narrate. I’m not really a contemporary art kinda guy but Trainer has done a good job making it easier for people like me to understand why a trip to MASS MoCA in North Adams might be a worthy sojourn.

Speaking of art, I’m hoping to get to Chinese artist and activist Ai Weiwei’s new doc COCKROACH, which will be playing at Alamo on Demand starting Friday with a watch party with Ai Weiwei happening on Saturday at 3:30PM. In this one Ai Weiwei films the Hong Kong protests of February 2019, covering street demonstrations, police suppression and violence and things like the siege on Hong Kong Polytechnic University including interviews with the participants. Will try to catch this and add something later this week if possible.

Let’s get to some sci-fi, shall we? It’s a little odd to see a few movies that very well could fall into Paul WS Anderson’s genre purview, especially going up against an actual Anderson movie, but there ya go.

The best of the three is the John Suits*-directed BREACH (Saban Films), starring Bruce Willis, Cody Kearsley from Riverdale, Rachel Nichols and Thomas Jane. It’s set in the year 2242 when the earth is dying and the last shuttle, the USS Hercules, is putting its 300,000 passengers into cryogenic sleep for the long trip to New Earth…. Yes, a bit like Passengers. Willis and Kearsley are essentially janitors who along with a few dozen others have been kept awake to service the craft, but they soon learn that something else has “breached” the spaceship and is killing them off one-by-one. (*Okay, funny little factoid: Suits also directed the “Diehard is Back” commercial for Diehard batteries.)

I’m sure you’re immediately saying, “Hey Ed, that sounds a lot like Alien or John Carpenter’s The Thing. You realize that, right?” Sure, I do, and while I don’t think Breach is likely to stand the test of time in terms of sci-fi horror, as those have, it offers more than enough entertainment that you might not regret it if someone forces you to watch it… even in a movie theater! (Dum dum dum!)

I wasn’t familiar with Kearsley before this movie, but he does a good job holding the fort as , and I have to say that Willis definitely seems to be present and not phoning it in, as he has been in some other recent VOD release. In fact, I’ll say that Willis is kind of pulling from the “Classic Bruce” we all loved in the ‘80s and ‘90s, plus he has a bigger role in the movie then others, so that should be a great selling point right there for any doubters.

Eventually, we learn that all the mayhem has been caused by a virus, and soon, the surviving crew are facing infected zombie-like people (kinda like Resident Evil) who have been thawed out from cryo. We also learn that this virus is trying to kill as many humans as possible as the shuttle is sent on a crash course into New Earth (a bit like Greenland—see how it all ties together?)

Sure, there’s an element to Breach that does feel semi-derivative of other space movies, but Suits does a decent job keeping the fun quotient on par with other Bruce Willis movies, and that’s partially why Breach is actually quite enjoyable.

Filmmaker Liam O’Donnell returns to the helm for the threequel SKYLIN3S (Vertical), the third chapter in the low-budget alien invasion movie Skyline from 2010. A lot has happened since that movie, mostly in the sequel Beyond Skyline, which of course, I haven’t seen. Thankfully, there’s a recap as the third movie now follows Rose Corley (Lindsey Morgan), a young woman with powers believed to be the hero that can save earth while fighting back against the alien Harvesters. She also has a brother Trent (Jeremy Fitzgerald), who seems to be an alien “pilot” himself, and with a crew of soldiers, she’s sent on a mission to Cobalt 1 to take the fight to the aliens. Sounds familiar, doesn’t it? (Honestly, I was so confused by some of this, I do not recommend watching without having seen the previous movie.)

I wasn’t that big a fan of the original movie (written and produced by O’Donnell), but he has turned this ersatz sci-fi franchise into a full-on space opera that takes its cues (translation: spuriously rips offs) from so many other science fiction movies from Starship Troopers to District 9 to the Aliens and Predator movies. Surprise, surprise, O’Donnell worked with Skyline directors Colin and Greg Strause on Aliens Vs. Predator: Requiem, also not a great sequel. Even with Morgan being a decent female lead, it’s still very much your typical macho action movie of humans fighting aliens movie with a bit of awkward martial arts thrown into the mix. The movie is also ultra-serious almost to a level that makes it hard to snicker, and some might scratch their heads about the choice of a blooper reel during the end credits.

One thing where O’Donnell does sort of succeed is in the mix of practical and on-set visual FX to the point where you may not be sure what you’re watching, plus the environments created are generally effective quality sci-fi. It’s really in the last half hour or so when the visual FX budget starts being more obvious, but it also leads to a number of very silly and cheesy visuals, particularly involving the aliens. You can’t help but feel that you’re watching a particularly low-budget episode of any season of Doctor Who.

Ultimately, Skylines isn’t great, coming across like the Riddick sequels compared to the original movie. In this case, the first movie of this franchise wasn’t even close to as good as Pitch Black was, so why bother?

Lastly (as far as sci-fi goes), we have Martin Owen’s MAX CLOUD (Well GO USA) (aka The Intergalactic Adventures of Max Cloud), which might sound familiar to anyone who has seen any of the Jumanji movies or cheesy ‘90s films like Masters of the Universe and for whatever reason, wished they’d make movies that bad. Set in 1990, this is about a young gamer named Sarah Noble (Isabelle Allen) who finds herself transported into her favorite side scroller gang to join the adventures of its hero, Captain Max Cloud (Scott Adkins … uh oh) and his crew to take on the evil Revengor (John Hannah). In order to stay alive in the game, Sarah’s friend Cowboy (Franz Drameh) must keep the console game on and get Sarah’s character Jake, the ship’s cook played by Elliot James Langridge, through the game’s mission alive.

It did not take me very long while watching this to realize I was about to sit through a very terrible movie, but to be fair, I’ve long ago learned to go into any movie starring Adkins with some trepidation. My instincts weren’t wrong, because between the lousy writing, awful acting and cheesy score that quickly gets on your nerves, Max Cloud never once gets you thinking, “This could have been a good movie.”

There are a few other characters including Tommy Flanagan’s Brock Donnelly, your typical bounty hunter type, and there’s another baddie named Shee, played by…um.. what? Yes, kids, apparently Lashana Lynch, who is set to be the next 007 in next year’s No Time To Die got herself cast in a very bad D-grade movie before her big break. Whoops. At least the movie gives Adkins another chance to show off his martial arts moves, but they feel just as out of place here  as they do in Skylines.

I can’t even say that the filmmakers or this cast were even trying their best or giving it their all, because it doesn’t really seem like that at all. Other than some decent visual FX to create a side-scrolling fight sequence late in the movie, it's actually pretty awful, a bad faux video game movie that should have had its plug pulled.

Shawn Linden’s HUNTER HUNTER (IFC Midnight) is about a family of fur trappers led by Devon Sawa’s Joseph Mersault, along with wife Anne (Camille Sullivan) and daughter Renée (Summer H. Howell), a family trying to make ends meet until their traps start being poached by a giant rogue wolf. Joseph leaves his family behind to track the wolf but while he’s gone, Anne and their daughter find a badly injured man named Lou (Nick Stahl) who may know something more about this wolf.

I wasn’t sure what to expect of this film, mainly since there already was a werewolf movie earlier in the year this year called The Wolf of Snow Hollow, and while this is very different, it’s also somewhat stiff in comparison. About 15 minutes into the movie, Joseph and the two women are separated, and it cuts between them. It’s about 45 minutes into the movie before Nick Stahl’s character shows up, but by then, you probably have a good idea what’s going to happen.

Linden and his cast do a great job creating tension with the help of the music and sound design, but things go along for some time without much happening. Otherwise, Camille Sullivan gives a stronger performance than anyone else, a performance almost too good for this movie, but Sawa is also quite good. Admittedly it’s a little strange seeing him all grown-up having seen Final Destination WAY too many times.  On the other hand, I’ve never really been a fan of Stahl, and he really isn’t great when he finally shows up as the mysterious stranger.

There are some unexpectedly silly moments like when we actually see the wolf for the first time – it looks pretty cool, actually – and Anne just screams at it. There are a couple other characters who aren’t particularly interesting – wolf fodder, if you will – but it just takes its sweet time getting to the inevitable twist that you may have seen coming an hour earlier. The last act is pretty grueling to get through as Lou shows his true colors. Part of me wishes the movie didn’t go where it seemed to be going, because it because it feels sudden and much out of character with the rest of the movie.

Hunter Hunter isn’t a terrible movie, and it could have been far, far worse in the wrong hands or with the wrong cast. I’m definitely kinda mixed on it, since it’s still a genre film that erroneously plays down its genre potential until the very last 10 minutes, and that alone might annoy anyone watching it.

Some of the movies I just didn’t have time to get to this week:

Paint (Gravitas Ventures) Tiger Within (Gravitas Ventures) Sister of the Groom (Saban/Paramount) The Last Sermon (Gravitas Ventures) Climate of the Hunter (Dark Star Pictures) The Rescue (CMC Pictures) Shalom Taiwan (Outsider Pictures) Goodbye Dragon Inn (Metrograph Pictures)

By the way, if you read this week’s column and have bothered to read this far down, feel free to drop me some thoughts at Edward dot Douglas at Gmail dot Com or drop me a note or tweet on Twitter. I love hearing from readers … honest!

[attract-mode-collective]

Yes, It’s Basically Persona But With The Golden Girls (I think)

With Persona 5 finally here, it’s perhaps worth also knowing about The Golden Girls Take Manhattan DX, which is yet another early contender for Attract Mode’s 2017 Game Of The Year.

Yup, 摩尼遊戯TOKOYO, the previously mentioned GOTY candidate (which recently started making the rounds, thanks to obscurevideogames) has competition! Though it remains to be seen if The Golden Girls Take Manhattan DX, which is the handiwork of grawly, will be finished later this year. Here’s another taste…

Though I’d also love to see his take on Puyo Puyo but with The Golden Girls and Rosanne (outside of a Little Caesars)…

So what else has been going on? Well, by far the most exciting bits of intel over the past few is The Flying Luna Clipper related! First there’s this awesome write-up, courtesy of Victor Navarro Remesal. Which Victor shared among his various circles, and the following was revealed to him: images from a calendar circa 2004, the same year that the supposed sequel was produced!

… Basically The Flying Luna Clipper 2 might actually exist! One that features the snow man with sashimi on his head and the Flying Luna Clipper surfing while playing the guitar.

In other news, April 1st has come and gone, perhaps the most annoying time of the year. Though there was at least one April Fools gag I genuinely dug, because I knew right off the back that it was a joke. Which was Takeshi’s Challenge VR, with the best part being the comparison images, between the Famicom original and the remake. Which mendelpalace was kind enough to compile already…

Then there’s Crazy Galaxy, which is the worst kind of April Fools gag, cuz I wished it was real. japanesenintendo has all the details, though if you’re like me, it’ll piss you off if you too have long wanted to see a spin off title starring Ashley from WarioWare...

And here we have something that I thought was an April 1 joke at first, but turns out, it’s not! That being this special, commemorative PaRappa menu that I first spotted over at miki800. Though I’ll never get a chance to actually eat a PJ Berri donut, so I’m still bummed out…

JC’s the one from I discovered that there’s a new Mega Drive/Genesis game coming out later this year. Not that anyone needs a reminder, but once again, we’re talking about the year 2017…

Oliver recently highlighted a discovery over at his end, one that he made sure to know that I was aware of, given my interest in the VHS format; it’s a surprisingly literal translation of the events detailed in Super Mario World, but reconfigured for an interactive VHS tape that it “controlled” via a fake telephone for little kids…

Oliver also passed along word, via Twitter, that we finally have the behind the scenes look at Dong Dong Never Die that all of us (okay, maybe just me and like four other people) have been patiently waiting for…

Back to obscurevideogames real quick, as well Takeshi’s Challenge; some snazzy looking ads from back in the day, which I’m going to just look at instead of watching Hollywood’s take on Ghost In The Shell (I may also re-watch my fave Beat Takashi flick, Sonatine, and the best anime to live action adaptation ever, Speed Racer)…

Speaking of movies, my soul brother when it comes B movies, Matt Rzepecky, recently turned me onto the Walk of Life Project, which states that Walk of Life by Dire Straights is the perfect song to end any movie. Including WarGames…

And back to the subject of old video game print ads; which do you prefer, this one featuring the backside of a person, for Real Sound….

... or this one featuring the backside of people, for Mother?

lunaticobscurity recently shared this photo, from urbex-exploration...

… which reminded him of Smash TV...

How about yourself? For me, Shadow of the Colossus instantly came to mind.

Please enjoy this reminder of why Fighters Megamix is such an amazing game (via lvrllnd)…

Speaking of AM2’s love letter to itself in the form of a fighting game that’s nothing like Smash Bros, for those unfamiliar with it, here we have the first legit mind-blowing revelation from Sonic The Hedgeblog…

“In Sonic The Fighters each characters’ 2P colors are just black and white versions of their normal selves. In Fighters Megamix on the Saturn however, Bean gets his own special extra colors. These colors, and the switch from a neckerchief to bow-tie, make him look like his original inspiration - Bin from Dynamite Dux, a 1988 Sega arcade game.”

On that note, now’s as good a time as any to present other recent fave entries. Including this reminder of his “appearance” in Illbleed, as Zodick the Hellhog…

Eggman going for the gold in Mario & Sonic at the Rio Olympic Games…

An image of former president and CEO of Sega of America, Tom Kalinske, from the pages of Next Generation Magazine. Am pretty sure I still have the issue, which is about Sega’s attempt at pitting the Saturn against the PlayStation…

This gif from a Japanese commercial for Sonic Heroes that I dig, due to the tears of sadness from the young boy, as he watches Sonic, Tails, & Knuckles depart after a full day of fun…

Plus the recent discovery of an unreleased arcade game, which would have featured two color swapped clones posing as his brothers…

Now, I had originally planned on presenting a generous helping of Supper Mario Broth as a follow up to so many choice cuts from the Hedgeblog, but Tumblr feels otherwise. Turns out, in addition to YouTube embeds, there’s apparently a limit to just regular ol’ jpegs as well!

So instead, here’s just one last bit of Mario for today, a mash-up with Fury Road from somewhere else (vice-s-assistant to be exact)…

This week’s piece of fan art that deserves some extra attention is this ode to Chrono Trigger by @touxi (via sixteen-bit)…

I love it whenever National Console Support discovers a box of old junk that they then try to unload, which in this instance is a box full of Darius Burst Another Chronicle iPhone cases. These are for the iPhone 3G/3GS btw…

And finally, remember the Averaging Gradius clip from last week? Well, here’s a video that showed up alongside, a recommendation from YouTube that’s actually appropriate: it’s the Vic Viper with a f*ckton of Options…