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Suddenly a jump! And the gypsy girl danced. Indescribable. Soul. Pure Soul. Feeling made flesh. The floorboards vibrated with unprecedented brutality and incredible precision. La Capitana was a gross product of Nature. Like all gypsies, She must have been born dancing. It was before school, before the academy. All that she knows, She must have known from birth. Promptly, the viewer feels subjugated, upset, dominated by the face of La Capitana, by her fierce hip movements, by the bravery of her pirouettes and the force of her broken turns, whose animal ardor ran parallel with the astonishing accuracy with which she executed them. The raging battery of her heels and the unsteady play of her arms now aroused, excited, then collapsing, surrendered, abandoned, dead, gently moved by the shoulders, are still recorded in our memories like indelible plaques. what caused us to look at her dance was her nerve, which twisted her in dramatic contortions, her blood, her violence, her wild impetuosity as a caste dancer.
Sebastià Gasch, art critic, 1929.
Regarded as "the most accomplished Flamenco dancer of all time," Carmen Amaya was the first female to master the complex footwork typically reserved for top male dancers.
Amaya was born into a poverty-stricken family in Barcelona in 1913. From the tender age of 4, she began to accompany her guitarist father at night, performing in pubs where they danced and sang to earn a living by gathering the coins that patrons would toss onto the floor. Progressively, she moved from pubs to performing in minor theatres. Her fame grew, and she soon found herself in the company of Hollywood celebrities. In 1941, she graced the stage at Carnegie Hall in New York and was invited to perform at the White House by Franklin D. Roosevelt. Amaya's life was tragically cut short due to kidney failure in 1963 at the age of 50.
This footage shows her dancing in 1944 when she was around 30 years old.
#gasch#sebastia gasch#quote#flamenco#dance#spanish#gypsy#carmen amaya#amaya#dancer#spanish dance#flamenco music#culture#femme#soul#energy#movement#arts#society#spanish history
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Toxic by Britney Spears
#bg3#bg3 fanart#enver gortash#baldurs gate gortash#bg3 gortash#dark urge#baldurs gate 3#gortash x durge#tw blood#tw injury#tw knife#evil assholes#my art#oc gasche#I can’t even explain myself#durgetash
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Bon, n'étant pas très mobile, difficile de créer des posts avec de nouvelles photos. Je reviens donc à mon projet de présenter l'intégralité de mes photos, projet interrompu à l'année 2017. Je vais donc essayer de clore cette année 2017.
Ici le MusVerre à Sars-Poteries (Nord)
Marta Klonowska : "Philip IV als Jäger"
Jaromir Rybak : "Fruit Paradise"
Keiko Mukaide : "Shironui"
Josepha Gasch-Muche : "27.2.03"
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Joan Crous : "Cenae 9"
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#souvenirs#nord#musverre#verre#sars-poteries#art contemporain#transparence#reflet#marta klonowska#chien#jaromir rybak#keiko mukaide#josepha gasch-muche#joan crous
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#okay i'm normal now i promise please let me out of the cage!!!#from Petite histoire des duchesses de Bretagne by Étienne Gasche
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Rammstein, Waldbühne, Berlin, Germany, 11-07-2016 © Fred Gasch
#they are beautiful ❤️#till's arms 😍#till is love 🖤#till lindemann#paul landers#oliver riedel#richard kruspe#rammstein#rammstein 2016
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Pauline Baynes at Mottisfont
I think Pauline Baynes was channelling Hieronymus Bosch and the medieval doom painting tradition with this illustration from The Lion, the Witch and the Wardrobe. Good thing that her husband Otto Gasch, quote, was ‘completely tolerant of his wife’s obsession to draw’. This is what women have historically had to deal with - and she was still brilliant!
Pauline Baynes, illustration for The Lion, the Witch and the Wardrobe, exhibition, Mottisfont.
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Ficha de jogo FC Subingen-FC Basel | FC Basileia #ÚltimasNotícias #Suiça
Hot News O telegrama: FC Subingen – FC Basel 1893 0:8 (0:5)Campo esportivo posterior. – 4.537 espectadores. –SR Stefan Horisberger.Torque: 4. Colunas (Elfmeter) 0:1. 10. Ajeti (Coleções) 0:2. 14. Barry (Traoré). 34.Barry 0:4. 39.Barry 0:5. 53. Ajeti (Soticek) 0:6. 74. Fink (Soticek) 0:7. 87. Soticek (Beney) 0:8. FCS: Schwaller; Brunner, Dubach, Gasche, Siegenthaler (69. Künzler); Stepwieser,…
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More DIVISIONARY bullshit. These signs are from TheGallery.org.uk, partnered with orgs like Clear Channel and Bloomberg philanthropy.
Board of Directors and Trustees
Dalwardin Babu
Jan Boud
Shirley Rodrigues
Laia Gasch
Stephanie Flanders (Chair)
Ben Lee
Richard Kitson OBE
Desirée Clarke Noble
Helen Marriage MBE
Medea Manaz
Nephertiti Schandorf
Anthony James Heaton OBE
#STRAIGHT WHITE MEN BILLBOARDS IN UK SPONSIRED BY ARTICHOKE THE GALLERY#BOARD OF TRUSTEES INCLUDES AN OBE AND MBE#PARTNERS INCLUDE CLEAR CHANNEL AND BLOOMBERG PHILANTHROPY#KEIR STARMER#DIVISIONARY TACTICS
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Creo que me rompiste el corazón, no pidas perdón, no digas nada.
Blue Saint Pablo ft Gasch -No digas nada
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PodCast Pensar Agro especialistas do Imea sobre os desafios para o produtor
O podcast Pensar Agro desta semana, apresentado pelo presidente do Instituto do Agronegócio (IA), Isan Rezende, traz uma análise detalhada dos últimos índices do agronegócio, focando na colheita de soja em Mato Grosso. Os convidados, Cleiton Gauer, Superintendente, e Vanessa Gasch, Gestora de Desenvolvimento Regional do Instituto Mato-grossense de Economia Agropecuária (IMEA), discutem os dados…
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Durge
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𝘛𝘩𝘦 𝘚𝘶𝘯𝘧𝘭𝘰𝘸𝘦𝘳𝘴!🌻
In the last days of July, Vincent van Gogh shot himself in the chest in a field near Dr. Gasche's office and died in his bed two days later. His last words on his deathbed were: "Sorrow is eternal."The fight between Vincent the monk and Vincent the madman ended with the sad and bloody victory of the madman. But this is only the appearance of the story. In fact, what is left of Van Gogh and can be seen in all his paintings after 1885 does not have the slightest sign of madness or even depression. His paintings are the legacy of his inner monk.Van Gogh was right when he said that sadness is eternal. However, he himself offers us a solution that he learned from the Buddhist monks-painters: one can always take refuge from the troubles of the times with the pleasure of watching a sunflower.
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Walter Gasch (1886 - 1962) - Atlantis. 1927. Mineral paints on canvas and on plywood.
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I think there is nothing more revealing than what the names of a person's groupchats are hahahah do I have enough influence to start a thing? Let's find out lmao reblog and put your recent groupchat names in the tags
#the teapot#chaos all june#The Reverse Ursula Movement#The Tight Five (*terms and conditions apply)#DREAM TEAM GASCH#Dad Joke Coven
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Till ❤️ Waldbühne, Berlin, Germany, 11-07-2016 © Fred Gasch for Stormbringer.at
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