#gas attack

[theworldatwar]

During the early stages of WW2 there was a real fear in Britain that Germany would use gas during their air raids. Here, British soldiers from the RAMC (Royal Army Medical Corps) undergo anti-gas suit training - England 1940

[savage-kult-of-gorthaur]

GRIM AFTERMATH OF A GAS ATTACK -- "WAR IS A BLACK HOLE TO AVOID."

PIC(S) INFO: Spotlight on a. WWI-themed art piece titled "Dressing the Wounded During a Gas Attack," pastels on paper/artwork by English artist & occultist, Austin Osman Spare, c. 1919.

Resolution at 765x1023 & 715x960.

IMAGE OVERVIEW: "A wounded British infantryman has his left leg dressed by a man of the Royal Army Medical Corps. Both men wear gas masks as a gas attack is in progress. The wounded man sits beside a bomb damaged tree stump, the RAMC man sitting at his feet with his back to the viewer. The foreground is littered with medical kit, debris and the hand of a dead soldier encroaches into the composition. A shell violently explodes in the background."

-- IMPERIAL WAR MUSEUM (IWM Art Collection)

Sources: www.iwm.org.uk/collections/item/object/25090 & Pinterest.

[joslincox]

Middle School: Biology Immune - The Captain's Evil Plan scene

[kurdistania]

Echoes of Halabja: A poem of Tragedy and Triumph

Echoes of Halabja: A poem of Tragedy and Triumph — A poem by Me

In fair land of Kurdistan Where we lay our scene There lies a city Called Halabja serene

But on a day of woe A tyrant's wrath did reign And in his fury Thousands did he slay

A city so proud Woke up under a deadly cloud With poison gas so vile It silenced every other sound

The screams of the dying The cries of despair As they suffocated Unable to bear

Families torn apart With cries of fear and pain As their loved ones fell Like leaves in a hurricane

But we still remember We honour the dead The unforgotten victims Forever in our hearts etched

But in the end The tyrant finally fell And they were free once more To build their own story to tell

Now the serene city still stands A testament to their might A reminder of their struggle And a reminder of their fight

For freedom, and for liberation In fair Kurdistan, a new generation Will live in peace, and never more Experience the terrors of that fateful day of yore

We remember those who fell And the ones who went Their courage shone Even in their descent They fought with might Until the very last scent

Mountains tall and rivers wide A land where culture and history collide Upon the plains of Kurdistan Lies Halabja, Serene and grand

[violent-violetsringdingdong]

Posted for the first time on ao3!!

It an original coz I’m still to nervous to post any fics so yeah. ‼️Heavy trigger warning as well‼️ read the tags!!!

[tenth-sentence]

He had been at the fringe, so he had managed to get away, though others had fallen and died.

"Incarnations of Immortality: And Eternity" - Piers Anthony

[im-totally-not-an-alien-2]

There weren't a lot of Rogues that Damian approved of. Some were correct in their assessment, like Poison Ivy , who pointed out that people were destroying the planet, but she went about changing things in all the wrong ways.

But this one, a practical phantom, had caught his interest. None of his family have managed to catch him, and aside from attacking people found abusing animals or other civilians, he had committed no violent crimes.

No, this person's MO was to break into abandoned homes, factories, businesses, and "areas of notice" to turn them into animal sanctuaries overnight. That or he would build odd structures in random places for stray animals or homeless people to crawl into for safety and warmth.No one knew how he did it as it seemed many of these structures were fused together to build them in the absence of nails or adhesives.

Whats more is that these creations were large and incredibly durable, making them a nightmare to remove or take apart.

As an artist himself, he didn't exactly see the abstract formations as an eyesore, but was instead intrigued by them, regardless of what he told the others.

Honestly, he thinks father is after this person not for justice but for the need to know.

Especially after one of the largest of these installations popped up inside Wayne Enterprises own lobby without a trace or hint of how it got there.

As Danny is rummaging through a heap of scraps disguised as a homeless man, he wonders what he should make next and where to put it

[andy-clutterbuck]

Rick's leather sling | requested by EVERYONE

[gazkamurocho]

Kiryu and Majima's reunion in Infinite Wealth (He won't let go)

[ghostbsuter]

"And then– I kicked ass and got crowned for it!" Danny sobs, the air around them filled with fear gas, Tim trying everything he can think of to console his little brother.

It's interesting to witness the way danny reacts to the gas with his biology–

Not now, Tim. Crying brother first.

"How about riding back to my apartment, hm? I'll get some takeout, and we watch movies." The mask makes it difficult, nothing he couldn't handle however.

The sobs don't decrease and Tim feels like sobbing himself now.

In a swoop, he's cradling danny, walking to his bike and driving off.

So much for getting to know your long estranged little brother.

[lostchildonaisle3]

cod ghosts if it was good (written by me)

[chainera]

Neptune and X meet

This is how I hope it’s gonna go

[randomfoggytiger]

The Scully Family Actors' Thoughts on Their Characters

Found some incredible tidbits.

All quotes taken from this October 1995 interview (which was written before Melissa Scully's death.)

THE CONCEPTION OF BEYOND THE SEA AND ONE BREATH

The conception for “Beyond the Sea” originated with a desire on the part of scripters Glen Morgan and James Wong to write a “Scully episode” with the goal that such a story would both highlight Gillian Anderson’s acting ability, and humanize the dour Scully. They believed the best way to achieve that was to tie the episode’s X-File case to her in a personal way: by introducing her parents and having her father die before the teaser ended, and then linking her need to speak once more with her father to a psychic prisoner on death row.

Morgan recalled that, “In the pilot, Scully mentioned that her parents didn’t want her to become an FBI agent. We found that interesting. So many people want their own lives, and yet need their parents to accept that life, and we thought it seemed to be a common phenomenon around us. So we put it into the story and hoped it would connect with people. And we thought maybe Scully’s parents lived in Washington. And if they live in Washington, what could her father do? It was kind of obvious to us he was in the government and we put him in the military. Then we thought, ‘OK, he has to be a higher rank, a Navy captain’s kind of neat. And we just worked backwards from that.”

“Melissa was someone who had to understand Scully and yet be different to challenge Mulder’s actions,” said Morgan. “Who better than a mother or a sister? Considering where Mulder was at that time, we thought it would be interesting to see Mulder’s reaction to a believer of ‘positive’ ideas. So, again, it was a character that was created from the needs of Mulder and Scully’s characters.

CAPTAIN SCULLY, DON DAVIS

“The character is very similar to Briggs on Twin Peaks,” Davis noted. “William is a military man who, although he loved his child deeply, was unable to verbalize that love until it was too late. ...this was a guy who was at the top of his field and the way he showed his love to his family was to give his children an example to follow and to provide them with great security. That’s kind of where I started off from with the character.”

Although William had died, on The X-Files anything can happen, and he reappeared in “One Breath” to deliver to the comatose Scully the paternal message she had longed for in “Beyond the Sea”. Davi[s] said that director Bob Goodwin’s concern was that his monologue would not “become maudlin. He wanted me to be on the verge of being overcome, but he didn’t want it to happen. He wanted the character to be strong, to be very much the man that had fathered Dana. So what I tried to do was to show a man holding himself in, a man who was filled with emotion but who, as a military man, controlled the emotion. We did a few takes and each time Bob was bringing me down.”

MAGGIE SCULLY, SHEILA LARKIN

Scully’s mother Margaret was portrayed by actress Sheila Larken, and in the X-Files world, where almost everyone has a hidden agenda, Larken’s maternal warmth and sincerity was a bright spot within all the bleakness.

Larken was reluctant to take on the role of Margaret Scully.... Her hesitation stemmed, she said, from her own father’s death the year before from a heart attack.

“It wasn’t really something I really wanted to do or pull up,” she said. “But I did it anyway. I never thought the part would repeat. My interpretation when I did that scene at the funeral was of a woman so involved with her own pain, she couldn’t even react to what her daughter was asking her. And they allowed that, even though the daughter was the lead in the show.”

Larken saw Margaret as “a military wife, married before I graduated college, someone who never gets to finish her college degree or find a career for herself, but mainly gets enmeshed in her family. You know, the Everymother. Part of her emergence in becoming self-sufficient was during the course of this show with Dana. I think Margaret is ever-evolving. ”

Larken’s favorite scene came in “Ascension, ” when Margaret and Mulder meet at a park and talk about the missing Scully. “You explore a scene and try to find what you’re thinking, and what you’re not thinking, and that one just jelled together. There were just so many little itsy-bitsy things that came together and they came together on camera.” She found working with Anderson and Duchovny to be a particular treat. “Their depth is multi-layered. A lot of times you work with actors, and when you look into their eyes, they’re a blank. You’re working alone. But when you get to work with Gillian and David, whatever you send is received and vice versa.”

Larken said that as Margaret she usually does not draw on her own experience as a mother, because “it’s almost too vulnerable to let in. ” She did admit to an exception: “There’s one scene where being a parent did work. In ‘One Breath’ where Margaret says to pull the plug on her daughter, Mulder doesn’t want her to do it. He moved away on me, and I called him his first name. I just went, ‘Fox!’ I could hear that ‘mother’ voice. And David stopped cold, he stopped in his tracks. It was like the voice of every mother; in that sense, the mother did come through.”

MELISSA SCULLY, MELINDA MCGRAW

Coincidentally, McGraw said, she brought up the idea of making Melissa a psychic, and found Morgan and Wong had already had the same thought.

McGraw felt that Melissa “was the black sheep in this family, probably a very difficult teenager, in trouble, very curious. She experimented, I’m sure, with drugs and boys, was very political and was always a bit left of center and always pretty conscious of developing her psychic ability.”

Morgan and Wong had also played around with making Melissa a girlfriend for Mulder, and although that idea was jettisoned, McGraw said she felt the element of attraction was still there, “Certainly from Melissa’s side. We had talked about that, and I think that for various reasons it wasn’t to be. Mulder had just had a romance the week before (in “3 “).

McGraw felt that in the end, it was a good idea that the relationship “didn’t go that far, because that left grounds for something later. I think they wrote Melissa in a neat way, because she wasn’t all pure and light. She had this dark side to her, and this slightly jealous side, of being jealous of Dana.” But, she concluded, there is also a “total love. The bond of sibling love is so intense. It’s an age-old dramatic theme, and it’s one of the greatest loves that human beings have. It’s undeniably bigger than any other connection, because you’ve shared not only the same parents, but the same actual physical experience of being born to that mother.”

CHARLIE SCULLY, a Note

Since McGraw's vision lined up neatly with Morgan and Wong's, I find it interesting that she (indirectly) groups Charlie Scully with the rest of the "normal" Scullys-- as if he, too, were a "God and country" man like Capt. Scully, Maggie, Bill, and Scully herself.

CASTING

Director David Nutter cast Don Davis, familiar to genre viewers as Major Briggs in Twin Peaks, as William Scully, and Sheila Larken as Margaret Scully. “Scully needed to have a father and mother both of real strong qualities and charisma and three dimensions,” he said. “I felt that Don David and Sheila Larken would bring the required weird to the parts.”

Nutter had worked with Davis previously on several shows, including Broken Badges, and called him personally to ask him if he would accept the role of William Scully, despite its brevity.

David Nutter had met Larken when he auditioned her for his 1985 film Cease FIRE, and although he didn’t cast her, she made an impression on the director.

Larken’s husband, X-Files’ co-executive producer Bob Goodwin, mentioned her at one point to Nutter, and Nutter immediately thought of her for Margaret. “She was perfect. She was the one, and I hired her.”

The arrival of Scully’s sister Melissa, in ‘One Breath’ was an unexpected one. Scully’s two brothers, of whom she spoke in ‘Roland,’ were glimpsed in “Beyond the Sea” and were seen as children in a flashback of ‘ One Breath.’ Yet the sibling who turned up in that latter episode was a previously unheard of sister, Melissa, played by Melinda McGraw. 

"Most importantly, we [Morgan and Wong] wanted to write a good part of Melinda McGraw, with whom we shared a frustrating time on The Commish.”

TRIVIA

In between “Beyond the Sea” and “One Breath” Davi[s] made an uncredited, off screen appearance as a dialogue coach for “Miracle Man.” As a native of the Ozark Mountains region, and a former theater professor, he lent his expertise to the guest cast to help them properly pronounce Southern accents.

The New York native [Sheila] had left acting several years ago and had obtained a master’s degree in clinical social work. But after moving to Washington state with her husband, X-Files’ co-executive producer Bob Goodwin, she found herself busy with acting offers.

McGraw enjoyed playing a softer role after several years as a police detective. “It was really great for me to play a different character,” she said.

LASTLY, AN ANECDOTE

From the compiler:

I once had the opportunity to ask what Glen Morgan thought about Chris Carter killing off Melissa Scully.... He told me that most networks have what’s called “character payments”. If a character that a writer created returns in another episode, they get a couple hundred bucks. This doesn’t happen on FOX, so there goes any cash for the Lone Gunmen, Skinner, Tooms, Scully’s Ma…etc. “If we did get character payments, I would have been more bummed that they killed Melissa...."

Thanks for reading~

Enjoy!

[pokemon-cards-hourly]

[thejasontoddarchives]

Jason (about Bruce):

Robin War #1 (2015)

Bruce:

Batman #428 (1988)

Batman #650 (2005)

Batman and Red Hood (2011-) #20

Red Hood and the Outlaws (2016-) #25

Batman (2016-) #136

Batman (2016-) #137

Babygirl. Sweetheart. Apple of my eye. That is the most irrational, illogical, delusional man you’ll probably ever meet.

[hyvyinjie]

𓂃ﾟ ⋆ ﾟ ☂︎ 𝒎𝒐𝒏𝒂𝒙𝒊𝒂༄˖°

ᴄᴀᴍᴀʀᴀᴅᴇʀɪᴇ | ᴛʜɪꜱ ꜱɪᴅᴇ ᴏꜰ ᴘᴀʀᴀᴅɪꜱᴇ

ᴍ! ᴍᴜʟᴛɪ-ꜰᴀɴᴅᴏᴍ! x ɢɴ! ʀᴇᴀᴅᴇʀ

⋆｡ ✧° ☁︎ come be lonely with me ✧˖°.

𝓉𝒽𝑒𝓎 𝓈𝒶𝓎 𝓁𝑜𝓃𝑒𝓁𝒾𝓃𝑒𝓈𝓈 𝒾𝓈 𝒶𝓃 𝑜𝓁𝒹 𝒻𝓇𝒾𝑒𝓃𝒹, a shadow that lingers long after the sun has set.

how curious that something so jagged and raw can be the only companion that remains.

'are you okay? '

a query like a wisp of smoke from a forgotten altar; bewitchingly deciptive, answered by a mirrored gilded lie—a guise that conceals the soul’s deepest lament, like a siren's song cloaking hidden depths.

are you okay?

of course you are.

even as the cold rain—an icy deluge that seeps into your very marrow pours. the unyielding cascade chilling you to the bone.

of course you're okay.

in a reality alive with fleeting visages and laughter like the songs of ancient bards, why does the heart still bear the burden of solitude?

people flit like restless shades, phantoms that never truly pierce the essence of your soul, leaving behind the bittersweet ache of a connection unformed.

it feels like a movie, doesn’t it?

a grand performance where you are but a spectator, watching your own life unfold on a stage where you aren’t the protagonist in your own tale.

'it'll get better!' they chirp, voices bright as the sun, yet their words seem hollow, echoing in the cavern of your heart.

but did they ever consider if it was advice you truly crave?

of course.

...not.

what you seek is a stillness, a presence that holds space for your unspoken truths.

someone who listens, even in silence.

someone like a scroll of old; their pages turned with unguarded ease, revealing tales laid bare for you to read.

'i love you.'

'i care about you.'

such phrases, tossed around like autumn leaves slowly losing their weight in the wind.

just because they slip from the tongue, do they resonate with the mind? the heart? the soul?

perhaps they do—but will one act on them when the tempest of need rages the fiercest?

the brutal truth is, the chance that words blossom into action is as rare as finding a rose in a desert.

yet, when one hurls, 'I hate you.' you feel the sting of authenticity in those words, a far more potent rawness louder than any hollow praise of love.

drip.

drip.

drip.

Is it really the rain that falls, or are those the tears you didn't know you were shedding?—

wait—you’re..crying?

the hand that reaches to brush your cheek feels like a mirage, a distant echo of touch, as if you are caressing a specter, even while knowing it is real.

'why the tears?'

ask that question, and though you don’t have the words, the tears continue to flow, a silent rebellion against a world that insists you should stay strong.

even more perplexing is the emptiness that accompanies your sorrow.

why does even crying feel so void of meaning?

"guess we're both hiding in the rain."

the effort to engage, especially with a stranger—feels monumental, leaving you unmoved, eyes cast downward, heavy with the weight of unspoken words.

everything feels exhausting.

yet, it’s clear he stands with you. and regardless of the umbrella in his hand, he never once offered shelter to himself or to you.

amidst the howling winds of a titanic uproar; a mere shadow of the inner maelstrom that echoed the battles of gods—you both stood, steadfast warriors against the squall’s wrath.

his gaze is drawn upwards, rapt in the skies as if searching for answers among the clouds—while yours remains tethered to the ground, too heavy to lift.

thunder rumbles, a low growl in the distance.

but it feels..strangely comforting now.

the stranger offers no more than his initial greeting—was it even a greeting?—and the silence stretches between you like a vast ocean.

you are two strays, wandering adrift in a deluge.

lonely together.

♡ ˚ · . 良い一日をお過ごしください、愛 !