#gary gibbs

[j4nusz]

Team Big Wazowski

Inspiration :

[mikheleworld]

[speedygal]

probie to acting director my beloved 🥹

Season 2, episode 1. Sub Rosa.

Season 21, episode 7. A thousand yards.

[justarandomgirly]

Why does almost every show have a hot middle aged guy?

[djkerr]

The key art for season 19 of NCIS and behind the scenes images of the photoshoot.

📷 @aspictures via IG

[todayinhiphophistory]

Today in Hip Hop History:

Freddie Gibbs was born June 14, 1982

[tweetingukpolitics]

[n-evermores]

“Besides, you’re still in love with your old girlfriend.”

Let’s talk about this trope. I see this often with older male characters, and my only question is why? It’s so tiring and honestly, a little silly. And this is not me trying to diminish real feelings that teenagers can have. Many people marry their high school sweethearts and live long happy lives together. But you also grow together and build a life with one another. It’s very different.

If my math is correct, Joy and Parker dated when they were 15/16 years old. They went their separate ways their junior year of high school so they were probably 16 when they broke up. Our brains don’t fully develop until we’re about 26. Parker and Joy, even at 21, would be very different people from who they were at 16, and even more so at 26. They’re like 60 now. It’s safe to say they are strangers at this point.

This trope is so unhealthy to me, and usually painted as romantic by writers. Him not able to have a healthy long lasting relationships with women because he’s still obsessed with his high school girlfriend is not romantic. One could argue it's toxic. Honestly he needs therapy because this has to be some form of trauma. Yet, the writers love using women for male pain, and this isn’t any different. You’ll never see them write a female character incapable of having an adult relationship because they can’t get over their old flame, because they don’t use men as plot devices like they do with women.

It’s like when ALL of Gibbs’ relationships and marriages failed because he couldn’t move past Shannon. I totally understand this for him because they built a life together and had a child, (but it’s still unhealthy) As we get older the way we love changes. We mature and so does the way we love and how we love matures with us. There’s no reason Viv had to compete with a ghost from his teenage years. It’s downright silly and kind of unrealistic if we’re being honest.

I love Joy as a character and I love the actress. I feel like the writers need an excuse to prevent Parker from being happy just as they did with Gibbs. And I hate that. A part of me wishes they used Joy’s actress as Viv (I wasn’t too fond of the actress they used. Perhaps it was the way she was written or portrayed, but I’m not a fan), and just gave us a slow burn of him getting back with his ex wife of many years. I feel like that’s the direction they were originally going in until they retconned it with the Joy plot line.

And when Constance broke up with Parker, I felt sad for him, and then suddenly she hits us with the “you’re still in love with your old girlfriend” line, and I just eye rolled so hard. Like why? It’s so stupid. It pulled me out of the story and I love Parker, I do, but it kind of ruins his character for me just a little. It’s just weird. Like you were a child when you loved her, you haven’t seen her since you were 16. Move on, my guy. Move on. I just know a man wrote this into his story, that or I want to know who’s 14 year old child went into the writing room and suggested it. Because it’s silly.

Also just to reiterate that they usually don’t do this with women: Joy herself is a good example. When Parker asked if she was over him, we never saw her response. Clearly, that conversation didn't go in his favor because nothing came from it. Most likely, she rejected him. However they did allow Jimmy to fall in love again and be in a healthy happy relationship after his wife died, but Parker can't get over a girl he dated at 16? It's just a badly written plot and a trope that needs to die. It's not romantic, its not cute. I'm not sitting at my tv and going, “awww, he's stuck in his past which is preventing him from having healthy long lasting relationship, so sweet and romantic.” Yuck no.

Also please note this is not me hating on Parker. He is one of my favorite fictional characters ever. I adore him. This is just me complaining about NCIS writers. I love the show to pieces, but when it comes to characters like Parker and Gibbs, they love to throw these toxic tropes at us. One of those tropes being unbridled anger = masculinity (hello old wounds.) Anyway. Rant over ha ha.

TL;DR: Unless you have an unhealthy obsession, real people don't stay in love with the person they dated at 16, especially after 40-something years. That person would be so far from your mind. It's unrealistic and I wish writers would stop using this trope to prevent characters from happiness or having any healthy long-lasting relationships.

[bertruce]

"the Bermuda Triangle" | fanfic

NCIS. Hollis Mann and Alden Parker.

Note: English isn't my native language.

gif - @mcrsdin

*** Director Leon Vance met her on the second floor of NCIS headquarters, right at the top of the stairs. It felt just like the day they first met all those years ago.

The difference was that now DiNozzo wasn't boring into her back with a surprised look, and McGee wasn't jumping up the stairs two at a time to warn Jethro of her arrival.

Today there was no one to warn.

Hollis closed her eyes for a moment, allowing herself a brief moment of weakness, took a deep breath, and finally smiled at Vance after saying hello.

He was as friendly as ever, looking at her attentively and inquisitively, waiting for something.

"I'm here at your request, Leon," Hollis reminded him when the director still didn't respond with anything but the same inquisitive, studying looks.

"You know, in case... you haven't noticed the change..." Vance began, raising his eyebrows expressively and gesturing slightly toward the common room downstairs.

"Jethro's in Alaska. I know,” Hollis replied evenly, almost casually, though the corner of her lips twitched treacherously.

Vance seemed to breathe a sigh of relief, grinned at some unspoken thoughts, and gestured broadly toward his office. However, the curiosity in his dark eyes was so intense that she felt she didn’t need it, and Hollis almost regretted responding to the director's request and agreeing to help.

She wasn't ready to talk about Jethro—or, for that matter, about how four lonely years in Hawaii had turned out to be much happier for her than the last two weeks in Alaska. And yet again she was only trying to help - to someone who didn't even know how to ask for help.

Unlike Jethro, Vance was at least the very picture of kindness. He filled her in on the details of the stalled investigation at length, making no secret of his team's failures or attempting to downplay them, saying only:

" We did well enough without Gibbs, Hollis, but we did stumble somewhere along the line."

She nodded silently, reserving the right to ignore any mention of Jethro in the future. Just as Jethro had ignored her for nearly three weeks while she tried to save his ass.

But what else could you expect from a man who first calls to warn her that she might be the target of a psychopath hunting him, only to ignore her calls when that psychopath actually shows up on her doorstep?

Save yourself, Hollis. Not for nothing does your resume include twenty years of military service, a stint in the Defense Department, and deployments to "hot spots". You'll figure it out... somehow.

The wound under her shoulder blade, which had healed but still ached, responded unpleasantly. She had to close her eyes again, take a slow, deep breath, and exhale raggedly and longingly.

"Are you okay?" Vance asked, and his quiet voice sounded genuinely concerned.

"Rough flight," Hollis answered shortly, sipping her cold coffee and looking down at the papers on the table again. Well, there wasn’t much required of her today: to act as a liaison between NCIS and the DoD, provide access to classified files, and ensure there were no leaks. Even though McGee was now the only one left from the old field team, Hollis had no qualms about NCIS.

Moreover, the DoD was full of moles—and downright idiots—as Vance had learned from his experience. Deep down, Hollis was glad that, of all the DoD investigators he knew, Vance trusted her.

She took another long look at the investigation summary, finished her coffee in one gulp, and, feeling the familiar excitement rising in her soul, she summed it up:

“I’m in.”

“Of course. But...” Vance made a sly, fox-like face. “No calls to the Secretary of Defense or... who else is on speed dial?”

Hollis couldn't help but smile, even though she knew exactly what scene Vance was remembering: her first conversation with Jethro in six years. Here, in this office.

She had actually had to call the Secretary of Defense to end the jurisdictional dispute.

And honestly, Hollis still didn't understand why Jethro had let his personal side get the better of his work side that day, especially in front of witnesses. And while they had managed to talk and seemingly settle things, he had looked at her like a wild wolf again during the next mission and was unhappy with her interference, which didn't stop him from trusting her with his back when it came to a shootout.

Yes, she had always had his back, and he had left her alone with a mad killer.

Hollis shook off the sad thoughts, allowed the smile she had intended for Vance to warm a little, and then slammed the file closed as she got up from her desk.

"I'd be happy to call the Secretary if I had to. But I don't see anyone brave enough to fight me for jurisdiction."

The door swung open just as Hollis finished speaking, and a loud, righteously angry male voice filled the room.

"What the hell, Leon?! We agreed! If my team made a mistake, we'll fix it. Not some office rat from the DoD!"

Hollis frowned, showing what she thought of this type of work communication, but ultimately decided that her calm, impassive expression would be much better - she was not about to get involved in another pointless argument and fighting for the right to lead the investigation. For once, she was quite content to be an invited guest.

Besides, Hollis understood that the unknown special agent's anger was not directed at her personally, but primarily at his own impotence. The team failed, the investigation was stuck, like a cart bogged down in mud, and new body was added to the morgue this morning...

The new team leader, a burly, gray-haired man, continued to talk to Vance, but Hollis remained silent. She only noted that the special agent who had replaced Jethro seemed no different from him in his usual behavior and also had no regard for work ethic. Well, she had been there, she knew.

"Alden Parker," Vance finally said in a businesslike tone, taking advantage of the pause to turn his entire body away from his irate subordinate and toward Hollis.

Parker turned after him, slower and slower with each passing second, as if he had just noticed the presence of a third party. Hmm, not very attentive for a special agent.

And then, without waiting for Vance to introduce her, he blurted out, "Hollis Mann."

"You two know each other??" Vance was surprised.

"No, we don't" Hollis replied confidently. Of course, she knew in absentia who exactly had taken Jethro's place, but Alden Parker was not Leroy Jethro Gibbs, and that was enough.

"I saw your picture in the file McGee sent," Parker's tone was no longer angry. Already calm, if slightly surprised Parker explained and with a sweeping gesture pushed his thick blond hair off his forehead.

"In the Gibbs Bermuda Triangle?" Vance clarified, and his eyes sparkled with amused curiosity again.

Hollis snorted softly and rolled her eyes - she had nothing to lose. She knew all too well about the "ex-love" file, and the talk that was going around NCIS about her and Jethro - she had witnessed it herself more than once. "The fourth ex-wife", "Gibbs' whisperer" and other, sometimes pleasant, sometimes not so, epithets.

"The Bermuda Triangle"? - Parker asked, puzzled, and switched to a businesslike tone. - Nope. The files on Sharif and Pars.

"Why do you need the files on Sharif and Pars?" - Vance was surprised. "They're old cases. They're both dead.

"Not exactly," Parker winced and leaned his hand wearily on the edge of the table.

"Do you think they might have followers?" Hollis asked cautiously, stepping towards him.

— Maybe... After the bio-attack in Alexandria, the explosion near the Admiralty and yesterday's attempt on McGee's life, we decided to reopen old cases related to terrorism. It seems that we need to look for someone who would want to harm Gibbs or his entourage.

Hollis raised her eyebrows in surprise, looked at Vance, and asked again, raising her voice expressively:

— Yesterday's attempt on McGee? You were going to tell me about that?

— Tim is fine, — Vance waved his hand, and his tone made her hope that McGee really was fine. Which could not be said about the victims in Alexandria.

But Hollis clung much more to the word "yesterday" — the man who had stalked her and Jethro had been lying in the Anchorage morgue for three days and, of course, could not have attempted to kill McGee.

"What makes you think it's about Gibbs?" Hollis asked, turning to Parker and gesturing for him and Vance to sit down; the conversation was going to be long.

"After McGee went to the hospital, we needed more staff, and we accepted Fornell's help." Parker paused, looking at Hollis, silently asking if she knew who he was talking about, and when he received a curt nod, he finally continued, "Fornell's noticed a pattern in the attacks that have happened in Washington over the past month: each one is a copy of one or another of Gibbs's old cases. Ari, Sharif, Dearing, Parsa..."

"Mishnev," Hollis finished, and grabbed the back of her chair, standing there, staring out the window that was behind Vance.

Sergei Mishnev killed Diane (Fornell's wife and one of Jethro's ex-wives). In the end, the bastard got what he deserved, but as strange as it may sound, it was Mishneve who caused Hollis’s seemingly happy marriage to falter and crumble.

She shouldn’t have stayed in Jethro’s basement that night, shouldn’t have drunk the stale, flavorless bourbon from dusty cans, and shouldn’t have gone up to the kitchen for another bottle. And even though nothing had happened between her and Jethro for which she could ask her husband’s forgiveness — just a midnight conversation that was more silent than spoken — she knew when she left Jethro’s house that morning that if she had to choose a man to put herself in the line of fire for him, her first choice would have been Jethro, not the man who had put a ring on her finger and shared his life with her for three years. And so she was right to get a divorce.

Then Mishnev, despite Jethro’s alarm, didn't make no attempt to target her or anyone else but Diane. But years have passed, and Jethro again has another enemy: not a second, not a third, not even a tenth.

“I’d like to believe it’s one terrorist,” Parker continued. “But it’s possible that a cell or network was activated.”

“Gibbs crossed paths with many terrorists,” Vance agreed, turning to Hollis and asking, “Has anything suspicious come through the DoD channel?”

“Give me one minute. I got back from leave a day ago,” Hollis replied, pulling her tablet out of her bag to check the reports.

She knew she had to tell Vance about her trip to Alaska, about her encounter with Jethro and the body in the Anchorage morgue, and how even if the world went to hell, Jethro wasn’t going back to Washington to stop the apocalypse someone wanted for his soul.

Because he was “tired,” because he had “put the past behind him,” because “you’ll figure it out on your own.” He hadn’t even come to Ducky’s funeral. What the hell else was there to talk about?

“Okay,” Hollis gave herself a few more seconds to collect her thoughts, cleared her throat quietly, and pulled up the Anchorage photos on her tablet. “Whoever’s behind this, let’s get these bastards.”

Vance chuckled approvingly, settling back into his director’s chair. Parker stood up from the table and reached for the half-empty coffee pot.

“How about something to eat first? How about Hawaiian manapua with sweet potato? I have a whole box downstairs.” He added, slightly sheepishly, but with a bright smile, “It don’t seem to be very popular with the team. They like desserts more.”

“Hollis had lived in Hawaii” Vance said.

“And there, manapua with sweet potatoes is not popular with anyone. Except perhaps with tourists.”

“You just haven’t had the real thing. I know a restaurant in Alexandria. We’ll close the case, and then we can have dinner there.”

“I’m all for it,” Vance interjected, laying out the paperwork he and Hollis had recently been reviewing on the table.

“Don’t be cheeky, Leon. I didn’t ask you out,” Parker chuckled.

“A date?” Vance played along.

"Shut up, Leon," Hollis said back. Suddenly, she felt a smile forming at the corners of her lips."

gif - @weatherlysexual

[jazzdailyblog]

Exploring the Intimate Soundscapes of "Hotel Hello" by Gary Burton & Steve Swallow

Introduction: Gary Burton and Steve Swallow’s collaborative effort, “Hotel Hello,” stands as a testament to their musical synergy and innovative approach to jazz. Recorded in 1974 and released the following year on ECM Records, this album showcases the duo’s unique blend of vibraphone and bass, creating an intimate and introspective musical experience. Throughout the album, Burton seamlessly…

[bungitonthen]

16/11/23

boredom - the buzzcocks

london lady - the stranglers

gatecrasher - the gorillas

neat neat neat - the damned

capaldi's cafe - deaf school

bad time - the vibrators

I don't care - the boys

away from the numbers - the jam

(1977: the year punk broke)

seventeen ... anarchy in the uk ... bodies ... pretty vacant ... new york ... EMI - the sex pistols (never mind the bollocks here's the sex pistols)

the modern dance - pere ubu

bamba in dub - the revolutionaries

no bones for the dogs - joe gibbs & the professionals

being boiled - the human league

are friends electric? - tubeway army

a question of degree - wire

(jon savage's 1977-1979: symbols clashing everywhere)

[mikheleworld]

[fyeahamycarlson]

Amy Carlson and Timothy Gibbs, Another World Bloopers

[ncisfranchise-source]

NCIS: Origins (Oct. 14, CBS)

NCIS fans may have spent 19 seasons getting to know Mark Harmon’s character Leroy Jethro Gibbs, but the version of the special agent they’ll meet in his prequel series NCIS: Origins is very much his own man. Narrated by Harmon, who also serves as an executive producer, Origins shines a spotlight on a young, grieving Gibbs' (Austin Stowell) early days at NIS Camp Pendleton under team leader Mike Franks (Kyle Schmid) after a devastating experience changes his life forever. “The Gibbs that we find in our show — it's not the guy that the fans are used to,” Stowell tells EW. “This is someone who's going through a lot of pain. He's suffered a tremendous tragedy just four months before we pick up this show, and there's a lot of newness in his life. There's lots of firsts going on right now.” —E.T.

NCIS (Oct. 14, CBS)

It’s been six months since Jessica Knight (Katrina Law) accepted the REACT chief job in California, and her departure has since created what showrunner Steve Binder calls a “chain reaction” with the crew: Timothy McGee (Sean Murray) vies for a deputy director position, and Nick Torres (Wilmer Valderrama) returns to his undercover roots. “The team kind of separates, so picture Parker [Gary Cole] walking into the bullpen and the kids aren't home,” says Binder. It’s not long before a case leads Parker out west, though, reuniting him with Jessica — who may or may not be mulling whether she made a mistake for leaving boyfriend Jimmy (Brian Dietzen) behind. “Under the worst circumstances possible will these two have the talk,” quips Binder. All in all, expect heavy hitting episodes filled with romance, “fun and unusual” pairings, and mystery. Like, who the hell is Lily (Sunnie Pelant)? “I wouldn't be so sure that Parker knows who she is either,” teases Binder. “We don't always remember the scars of our youth.” —Jessica Wang

[djkerr]

Gary Cole on the latest Off Duty: An NCIS Rewatch podcast episode.

The new star of NCIS guests in this season finale of Off Duty. Gary Cole talks with Michael and Cote about the seemingly impossible task of filling Mark Harmon's shoes on NCIS, the difference between Alden Parker and Gibbs, and the beautiful last Gibbs scene that was shot in Alaska.

[full video here]

Thanks, @justtopostmyfic-blog for your expert sleuthing!

(Released 11/12/2024)