#gaming things that make you rage

[cardo-de-comer]

and yet he is not the blind one

[dykedvonte]

I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.

I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?

The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.

[mitskiluvr]

watched the persona 5 proof of justice ova from years ago and was getting acid reflux with how queer everything was... what do you mean its just 20 minutes of joker mourning his boyfriend. that's the entire ova.

[toxintouch]

I am headcanoning Mhin's monster transformation as being related to their emotions (as in: transformation can be triggered by very strong emotions) SO HARD lately.

It would add an extra layer to Vere constantly trying to piss them off that just ⋆˗ˋˏ Makes Sense ˎˊ˗⋆ to me.

Vere is intrigued by the MC, describing them as "not quite human, not quite monster".

Is it safe to assume that Vere felt similarly intrigued by Mhin? That he picked up on that, smelled it on Mhin when they first met, only to have Mhin stab him on sight? And now Vere is constantly pushing at their raw nerves to try and get a Monstrous reaction out of Mhin... It would add an extra layer to their dynamic that I love to consider.

Alternate theory: The transformation is more werewolf-esque and it's related to something that can be astronomically observed. & that's how Mhin started up their stargazing hobby?? But it's kinda cuter if they just enjoy that for it's own sake, amiright?

P.S. if ur wondering how Vere knows about the emotions trigger he knows bc he can Do That Thing

[revvethasmythh]

So I went and watched all the possible endings, and it confirmed something I had been thinking, which is that the redemption ending choice is, perhaps, the most immediately regretful one--but that they all come with some form of regret. In the redemption ending, Rook has to knowingly deny themselves the catharsis of retribution (should they desire it, which, at least for me it felt difficult not to) in order to offer Solas one last, painful chance to do the right thing. That willful denial of your own catharsis feels like an immediate regret. Giving Solas the opportunity to pursue atonement might very well be the best choice all around, but it is also incredibly painful to offer that to someone who has done so many terrible things (not a small amount to you personally). Why does he deserve another chance? Especially when so many dead (including a beloved mentor) lie in his wake? Which, I suppose, is the point: he doesn't. But you offer it anyway and it SUCKS ASS, because how could it not?

I don't know how this plays with other story choices (a sacrificed Davrin or a Harding who embraced her anger, for example), but within the context of my own choices, I can imagine an immediate satisfaction to either tricking or fighting him--especially the trick ending, where you can actively name drop Varric--but it feels like the sort of thing that would feel worse as more time passes. Once you've calmed down and are able to ask yourself if that's what the people you've lost really wanted. Varric, in Regret Superhell, didn't want vengeance. He just wanted his friend to walk a better path. And Harding always believed there was another chance for anyone, so long as you kept reaching a hand out for them--even when it sucked ass. So the redemption ending feels like a sort of indignance, an instant regret for not doing worse, for not getting comeuppance, for being forced to eschew satisfaction (related: I wonder if the Inquisitor feels those things as well coming out of this ending, considering how long they've lived under the shadow of Solas' actions). Conversely, the other two endings feel like an immediate satisfaction, because you got to trick the trickster with all the wits Varric taught you, or because you finally got to punch him in the face and it felt really good. But I feel like those endings would come with a creeping regret, something that sneaks up on you later, especially when remembering the fallen and what they would have wanted you to do. Ultimately, because of that, it feels like no ending is devoid of regret. Which I suppose, is rather thematic.

[vaguely-concerned]

I don't know what I love more, the fact that as rook you can make a statement in NO uncertain terms that you are NOT responsible one way or the other for the theological implications of the shit you're discovering in the 'regrets of the dread wolf' memories. not my jurisdiction. quite simply none of my business. not my chantry circus not my chantry monkeys. irrelevant to the matter at hand here we'll kill that god if we get to him he can get in line. or if the best thing about it is seeing the lone little 'lucanis approves' that pops up right after choosing it. corvid with a knife about to commit deicide keeping it real and sensibly, pragmatically, wilfully agnostic with me here in this magical lighthouse today

[necrotic-nephilim]

for the recent ask game, i’m really curious about your take on 7 + 8 :P

for the choose violence ask game!

7. what character did you begin to hate not because of canon but because how the fandom acts about them?

i'll be so honest: Jason Todd. i know there's a lot of argument of "who has the worst fans" and i think that question is flawed and impossible to answer, but i will say Jason fans irked me so deeply. because i read mostly 90s era Batfam, i admittedly didn't have a lot of exposure to Jason for a while, expect for his New-52 runs i'd read years ago. and since i never liked him based on those runs, i could not understand *what* his fans liked about him, or where they got some of their headcanons/ideas from. i've never been more baffled. it ranges from "oh i don't agree but you do you, i guess?" to "what character are you talking about i am BAFFLED". and it soured me on Jason for so long that i actually hate read *most* of his pre-Flashpoint appearances just to understand what on earth people liked about him. and now i can say, i love him dearly, but i can also say, i still don't know what character his fans are talking about sometimes. and i hate the fanon version of Jason who feels almost, Deadpool-ified? with this self-aware slapstick humor but a sad soft interior but also sassy and will kill a man it's just. it feels very hollow to me and it has made me almost tempted to block his character tag more than once over the years bc sometimes certain takes make it difficult to even like him. i just have to tune it out or yell about it for hours.

8. common fandom opinion that everyone is wrong about

i'm going to get particularly saucy with this one: that Dick Grayson has Eldest Daughter Syndrome. or more generally, that he was parentified. not a single ounce of Dick's backstory indicates him as being parentified. to be parentified you have to be a child taking care of other children either emotionally or physically because your parents are not fulfilling that role. and Dick was *never* a child at the time that another child was under Bruce's care. he has been an adult for the entirety he has known every other Batkid. and even then, the *only* one he was something you could akin to being a parent figure to was Damian, and Dick *chose* that. Dick was a grown-ass man in his late 20s who had the facilities and capacity to make the decision to be Damian's primary caretaker. he's never been parental toward any of the other Batkids, nor has Bruce ever forced upon him the role of having to raise them. did Bruce do a sort of questionable job with Dick? yeah. but i would argue Bruce did the best job with Dick of all the Batkids, and even if he was shitty with Dick, he couldn't parentify Dick bc there was no one for Dick to be parenting. and Dick wasn't parenting Bruce either. they just had a normal relationship of loving and caring for each other.

as for Eldest Daughter Syndrome i just.. i Do Not Like calling any male character "female coded" or "female rage coded" or "eldest daughter coded" because they're *not*. especially not in *this* medium. these are male characters, created by men, written by men 90% of the time, and written to be *male power fantasies*. nothing about Dick or Jason or any Batboy is female-coded bc they exist to be badass men. just because they show emotion and have complex relationships with Bruce doesn't make them suddenly women. Dick shows his anger in a very destructive, stereotypically "masculine" way. even if we strip it of gender, Dick doesn't exhibit most traits of Eldest Daughter Syndrome. he easily makes relationships with people his age, he has no issues telling Bruce no, he did not have caretaking responsibilities forced onto him by Bruce, he's not even really hyperindependent. Dick has a support system outside of the Bats, the fandom just ignores it. does Dick force caretaking responsibilities onto himself sometimes? can he be an overachiever? absolutely. but these are internal complexes that just come with making a character a superhero, it's a complex they all have. if i have to hear one more fan call him Eldest Daughter Syndrome-core or say he's a victim of parentification, i think I'll explode a little bit.

[letmetellyouaboutmyfeels]

As someone who watched last night’s episode, you had the right idea to stop.

Why’s it so bad

Because Tim Minear is a power-drunk hack.

[iggyfing]

gremlin mentioned mods for ori, but all the ones i could find were just either "make the game even harder for the ultimate challenge run" or "shader/graphics overhaul". so i looked for cheat codes, but the infinite double jump is only accessible on a 100% save file. finally i found smth about debug mode so i did that and there's an invincibility toggle.

further into that awful spike area it really does look like they expect me to have the dash ability already. how tho? i was railroaded here.

but man. even with invincibility the platforming is still frustrating. right now i'm in the ginso tree. had to put it down bc the controls were janking again and launching my bash attacks in the wrong directions. even so i'll take frustrating puzzle platforming over frustrating dying every two seconds and making no progress.

[scarefox]

Alles auf Anfang - YouTube Deutschland - Folge 01

[phoenixiancrystallist]

Month 7, day 21

Dargon :)

[james-stark-the-writer]

just finished Phoenix Wright: Ace Attorney, and it is a game written by cowards for cowards.

the final twist genuinely ruins the game. it's so stupid as a narrative decision. i hate it so much. it almost makes me understand what the people yelling about The Last Jedi being too subservient to its themes were yelling about (OBVIOUSLY not the ones that were being bigoted and loud and wrong about it, but just the ones who had actual issues with its narrative directions/execution). genuinely, the twist takes what could have been an extremely solid 8.5, maybe a 9/10 game down to a 4/10 game with nothing of interest to say deluding itself into thinking it's saying anything of worth by thoughtlessly repeating patterns as if that's supposed to generate meaning without any real effort of actually committing to that meaning, or seeing the world as anything beyond its basic binary worldview of Good and Bad.

putting that twist in fundamentally cuts the legs out from any actual, interesting and substantive critique it could have leveled at the legal system and our feelings about people on trial and their perceived guilt or innocence, and it just ends up reinforcing it as a power of good that Will Ultimately Prevail In The Search For Truth, as if that is even remotely a thing any legal system is concerned with, especially the one in the game that mostly just stumbles into The Right Choices because it's a game controlled by the player. it's frankly ideologically incoherent to the point of saying nothing because its critique is unfocused and toothless. best it can muster is "maybe some people are corrupt and lying, but if You take Advantage of The System, you can beat them" as if malicious compliance is supposed to change the system. fuck off.

ran out of tags but. i'm serious about this lol, i really hate it as a narrative and ideological choice. the game threatens to say something bold and interesting and then just pulls the rug out from underneath you. it sucks. it's very much like 12 Angry Men in that way, i think, except at least that movie Knows what it's saying and that its basic premise is its ideological downfall, this just doesn't really feel like it says anything much interesting or coherent, ultimately, because the criticism either drowns in the length and comedic nature of it, or just ultimately isn't focused and pointed and nuanced enough to actually say something meaningful. like ik someone's gonna do a "kid's game" thing but hello, kid's shit has always been nuanced and just bc it's "for kids" doesn't mean it has to abide by some binary ass morality that flattens all its interesting critique, especially when you're constantly led, structurally, to the more interesting and nuanced narrative choice only to have a twist completely ruin it and making it all feel like a waste of your time. plenty of things are nuanced and interesting and "for kids" without deflating their themes and messages by writing a stupid twist that undercuts the interesting parts of its arguments.

[vaguely-concerned]

few things bring me as much joy as my rook's expressive capacity for sudden withering disdain. (he's looking at illario here, of course lmao.) he's so hey i'm just a little guy...🥺 coded most of the time and then someone says something dumb enough that the mask cracks for a moment and every line of him says 'that is the stupidest fucking thing anyone has ever said to me and I'm aggrieved to even have had to hear it'. rye is mostly very kind but there IS a bastard lurking in his head waiting to be let out as well. not just solas but solas too I suppose. two bastards in rye ingellvar's head they keep each other company and are trying to strangle each other as we speak 😌.

(vs. him looking over at lucanis a moment later during the same line delivery. since lucanis was actively into viago once I cannot imagine that getting to watch rye crack and be kind of mean to people who've earned it when too sorely tried is like. entirely without allure to him fhskjadf. witnessing illario pulling the old ingratiating 'rooook reason with him would you~ I'm the cousin with the charisma stats' routine and This being rook's response probably opened some as of yet ill-understood '...I think I hauve covid' corners of lucanis' soul. tfw your buddy has your back so completely (dawning erotic implications))

[bannedfromtheaters]

and what if the porch scene becomes not a memory, but everything Ellie wishes she had told Joel, but didn't, bc she couldn't even fathom a world where he'd be gone. what then?? WHAT THEN?!??!?????

[gemstarstarlight]

IDK if you've seen Crown of Candy yet, but it's treatment of Not-Christianity is much better even if ultimately still negatively-oriented. It's more centered around the historical institution with Not-God being more of a force than a sapient being, and the pagan representation turns out to be sinister so it's consistent in not endorsing any strain of divinity in particular. Ravening War likewise does some interesting stuff with church-drama that doesn't cast genuine faith in a bad light.

I have watched both of those and I agree with you! It’s definitely a bit better because of all of that. It’s also more my genre anyway, which made it more fun.

It’s so tricky because there’s truth in both Comida and Fantasy High’s depiction of religion. I’ve met the Bobby Dawns and read up on the Belisabeth Brassicas. I understand that God can feel distant, like a force and nothing more. I am so angry and grieved at the damage the church has done to people. Any time there is a grasp for power or a putting down of others or another goddamned cult I want to just cry because this isn’t what it’s supposed to be and it’s horrible to just watch. Also I do believe that as much as possible there shouldn’t be an endorsement of one religion over another in entertainment, so not endorsing any particular religion in Dimension 20 is good.

But I feel such a connection with characters like Sir Morris Brie. Because I’m a Bible-believing Bulbian. I’ve studied my god and I’ve also met him. And he’s not like Helio at all. He loves me. Has always loved me. Has always wanted what was best for me. Has grieved with me when I’ve lost everything in little ways over and over again. Has been my father and friend when I haven’t been able to trust one and didn’t know how to have the other. And I’ve been able to trust the Bible over and over again even if I haven’t always agreed or understood.

And it’s just never represented. D&D has always felt like the closest thing to representation for me, as a Bible-believing queer person. And Dimension 20 (again, understandably, it sounds like Ally’s experience was awful and part of healing has been leaving) rarely if ever portrays someone with genuine faith in a Christian-esque god. Or if they do, it’s portrayed as toxic or ill-informed. And that sucks, frankly.

I get it, I truly do. No one gets more irritated than I do at bigoted ignorant Christians and I will fully doxx myself by saying I have been to the American South and I would NEVER live there willingly because of the culture.

But I tend to listen to the more neutral Dimension 20 campaigns. It took me so long to try A Crown of Candy. Because I don’t just respect my religion; I love my God. And I hate to see the slander, especially because some of it is true and even more especially because some of it is not.

[rinasaurusrex]

how to bring up to your dungeon master that your character might be better if she got railed