#fuzzclub
Explore tagged Tumblr posts
Text
A concert without cellphones , the Great magician #robbenford
0 notes
Text
#datashock#prettylightning#bureaub#fuzzclub#krautrock#spacerock#psychrock#desertrock#artyfartygallery#neukaputt#klubgenau#kulturamtkĂśln
0 notes
Text
New Video: JOVM Mainstays Elephant Stone Share Breezy and Nostalgia-Inducing "Another Year Gone"
New Video: JOVM Mainstays Elephant Stone Share Breezy and Nostalgia-Inducing "Another Year Gone" @elephantstonehq @FuzzClub @NoExitPR @girlieaction @delkin03 @littlecloudrec1 @wally_kempton
2023 has been a busy year for MontrĂŠal-based JOVM mainstays Elephant Stone: Earlier this year they released Dawn, Day, Dusk, which featured âGodstar,â and âThe Imajinary, Nameless Everybody In The World.â Those two tracks saw the band continuing their narrative journey through crating material that deftly balanced human complexity with introspective themes paired with an evolving sound. TheyâŚ
View On WordPress
#Another Year Gone#Elephant Stone#Elephant Stone Back Into the Dream#Elephant Stone Godstar#Elephant Stone History Repeating#Elephant Stone Lost In A Dream#Elephant Stone The Imajinary Nameless Everybody In The World#Elephant Stone The Spark#MontrĂŠal QC#music#music video#New Video#psych pop#TV Eye#video#Video Review: Another Year Gone
2 notes
¡
View notes
Text
ICYMI: Beans, Boots N Cats - @beans_band @FuzzClub @themurlocs @SSanctity #beansband #fuzzclub #BootsNCats - Boots N Cats http://dlvr.it/T3lxrs
0 notes
Text
ICYMI: Beans, Boots N Cats - @beans_band @FuzzClub @themurlocs @SSanctity #beansband #fuzzclub #BootsNCats - Boots N Cats http://dlvr.it/T3fmqr
0 notes
Text
[LOOK] The Vacant Lots (@THEVACANTLOTS) âAmnesiaâ Video @FuzzClub
youtube
View On WordPress
0 notes
Photo
Quelques photos du concert de @10000russos lundi soir au @supersonicclub ! Ăa fait très plaisir de retrouver les concerts en club ! #10000russos #fuzzclub #livephotography #supersonic #paris #porto (Ă Supersonic) https://www.instagram.com/p/CU-GfSdIWRK/?utm_medium=tumblr
0 notes
Photo
We are so psyched to announce our @fuzzclubrecords session will be released as a vinyl EP (1000 copies) Â on 2/15. Â Tracks include: 1. Weâve Come So Far 2. Drill It Up 3. Never Coming Back 4. Punch Back 5. Ocean 6. Chrome Shadow. Â Presale link is here:
https://tinyurl.com/y8sjgb69
You can check out the first video for Punch Back here:
https://tinyurl.com/yd4uqgbt
Full details on @selftitledmag:
http://www.self-titledmag.com/2019/01/16/a-place-to-bury-strangers-fuzz-club-session/
13 notes
¡
View notes
Photo
Our friend Dave, on the right, died in a Motorcycle accident on Monday This was the last photo I took of Throw Down Bones at Label Mates Festival earlier this year. Their music propelled me through a really dark time in 2015-16 Recently we had spoken often, making plans for photoshoots and talking each other through the ups and downs of life in 2019 as often lonely 30 something creatives. Iâm glad for the time we had together. Thank you for the friendship and the dancing David. Love and condolences to all who were close and that love you
1 note
¡
View note
Photo
. đżđđ đđđđđđđđđđđ đđđđđđ Dos meses de gira por toda EU para presentar su nuevo disco "Montage Images of lust & Fear | Atentos a la oferta de Entrada + Poster. DiseĂąado por @olyadyer đLas ĂLTIMAS Entradas en OFERTA 17⏠+ PĂłster . #independientes #underground #postpunk #nochesdemadrid #theundergroundyouth #theundergroundyouthband #liveontour #spain #madrid #eutour #fuzzclub #elborrachobookings #malasaĂąamola #madridisgreat #guitars #junioenmadrid #guiadeconciertos (en Sala El Sol. C/ Jardines, 3. Madrid) https://www.instagram.com/p/Bwu9VvtAj-c/?igshid=1502m72yx2r88
#independientes#underground#postpunk#nochesdemadrid#theundergroundyouth#theundergroundyouthband#liveontour#spain#madrid#eutour#fuzzclub#elborrachobookings#malasaĂąamola#madridisgreat#guitars#junioenmadrid#guiadeconciertos
1 note
¡
View note
Photo
The Gluts ⢠Ungrateful Heart ⢠2021 Fuzz Club Records ⢠1st press on Oxblood with Black Splatter Vinyl ⢠Fuzz Club Membership exclusive ⢠Limited to 500 hand-numbered copies. . . . . . #thegluts #ungratefulheart #fuzzclub #fuzzclubrecords #Vinyl #Vinylcollector #vinylcollection #Vinyladdict #vinyllovers #vinylmaniac #recordoftheday #albumoftheday #instavinyl #vinyligclub #vinyljunkie #vinyloftheday #vinylporn #vinylrecords #recordscollection #vinylcollective #vinylcollectionpost #vinylcommunity #nowspinning #vinyls #vinylgram #vinyllove #coloredvinylclub (presso Milan, Italy) https://www.instagram.com/p/CUxkOQgMcsm/?utm_medium=tumblr
#thegluts#ungratefulheart#fuzzclub#fuzzclubrecords#vinyl#vinylcollector#vinylcollection#vinyladdict#vinyllovers#vinylmaniac#recordoftheday#albumoftheday#instavinyl#vinyligclub#vinyljunkie#vinyloftheday#vinylporn#vinylrecords#recordscollection#vinylcollective#vinylcollectionpost#vinylcommunity#nowspinning#vinyls#vinylgram#vinyllove#coloredvinylclub
0 notes
Text
New Video: ORB Shares Trippy Motorik Groove-Driven "You Do"
New Video: ORB Shares Trippy Motorik Groove-Driven "You Do" @FuzzClub @forcefieldpr
The members of Geelong, Australia-based outfit ORB â Zak Olsen (vocals, guitar, bass), David Gravolin (guitar, bass) and Jamie Harner (drums) â have had a lengthy career, starting in earnest with a lengthy stint in their first band as teenagers, The Frowning Clouds. Since starting ORB, the Aussie trio have released two albums, 2017âs Neutrality and 2018âs The Space Between, which they supportedâŚ
View On WordPress
#Baby Blue#Fuzz Club#Geelong Australia#Leah Senior#music#music video#New Video#ORB Can&039;t Do That#ORB Morph#ORB Neutrality#ORB The Space Between#ORB You Do#psych rock#The Frowning Clouds#The Murlocs#video#Video Review#Video Review: ORB You Do#Video Review: You Do
0 notes
Text
Beans, Boots N Cats - @beans_band @FuzzClub @themurlocs @SSanctity #beansband #fuzzclub #BootsNCats - Boots N Cats http://dlvr.it/T3bjhW
0 notes
Text
Beans, Boots N Cats - @beans_band @FuzzClub @themurlocs @SSanctity #beansband #fuzzclub #BootsNCats - Boots N Cats http://dlvr.it/T3bjdN
0 notes
Text
Tales Of Murder And Dust: Fragile Absolutes. We Feature, We Love.
https://open.spotify.com/album/6DMVg3nHhAadARNNw1dfpl?si=iuFBfCgKQhGEiYq-M2alqw
Ă
rhus based, Tales Of Murder And Dust are freshly out with their 3rd full-length LP, Fragile Absolutes. Itâs the result of a long gestation and steady evolution of both the line-up and context of the group.
âItâs been the most difficult process weâve ever hadâ is bandied around like a mantra in the organization. Why though? Tomad seems to have at times in their 12-year career, everything going for them in spades, but if you pull up specific moments of dormancy â a heck of a lot of forces working against them. Like plate tectonics or glacial migration â slow building pressures ripping them apart that the human sensory array could only detect with seemingly topographic charts.Â
After 2016âs âThe Flow In Betweenâ saw the band signing to English neo-psych magnate, Fuzzclub Records, they parted ways with founding member Kristoffer Vilsgaard, who shared lead vocal and songwriting duties with Christian Sinding Soendergaard. Vilsgaard left the operation amicably and still remains active in their now extensive âextended familyâ. Around the same time, TOMAD saw a drastic line-up shift in virtually every position except drums. Fellow ZRN (formerly Zeroine, a âsideâ collab between Ess Beck and Soendergaard) and real-life partner, Ess Beck moved in on keys and auxiliary guitar, Rasmus Aaen Jensen entered on bass, and the slimmer, leaner line-up headed to USA for their very chaotic inaugural tour â plagued by missed connections, transportation break-downs and hellish drive times.
  âIt was our first time in the states, and instead of being able to soak it all in, we got into a van and drove 35 hours straight to a gigâ remarks Jakob Korsgaard (drums). âI kinda feel like it doesnât even count, that tour â it was just so chaotic at timesâ. Â
The Flow In Between sold well internationally for them, and the EU bookings were steady, yet it seemed always to this writer that it was getting increasingly difficult to see them here in Aarhus or let-alone find their records in one of the many physical shops. In fact, I ordered my copy of âFuzz Club Sessionsâ from England (the 2018 Ltd edition live-in-studio EP, first to feature the re-vamped TOMAD line-up), and it took weeks to get here (You can fly direct from AAR to Stanstead though for less than the price of a beer and be wheels down in 1.5 hours). Something was rotten somewhere.
The difference between The Flow In Between and Fragile Absolutes is significant in almost every way. All plusses though if youâve gotten this far. WHEN one was able to catch TOMAD in this constellation between records, I always had the feeling there was something Ăźber-special about their sound. It was like something was gestating, brewingâŚfermenting even. ZRN seemingly would cycle through a period as well, ESS and Christian seemed to dichotomize the sound picture. TOMAD at times would be more punky or gothic, while ZRN would move into territory that was more ambient, improvisatory and even post-modernist âclassicalâ. It seemed like the two groups had a significant impact on each other â which makes sense with the personnel being partly the same, but yet able to morph under a different moniker and (for lack of a better term) âpower dynamic shiftâ. At any rate â TOMAD was evolving and peeling away from the âPsychâ or âShoegazeâ pigeonholes that seemed to be applied by the lesser astute of my colleagues over the decade. Â
With the departure Of Vilsgaard as co-lead, That left Soendergaard in full creative control of the group. This is one of the important dynamic shifts that lead to the content and feel of âFragile Absolutesâ. Far from being a 3-legged cat however â Soendergaards growth as an atmospheric composer and arranger in a more widescreen cinematic format was amplified. With the departure of Vilsgaard, also left the final leanings of TOMAD being justifiably a âPsychâ outfit. The darker hues of something weightier and more substantial began covering the band like strangler vines around the once verdant trees of the woods.
âFragile Absolutesâ was recorded in several different locations â initial basic tracking began a few years ago in Aarhusâs Tapetown studios. Tapetownâs penchant for recording âAlternativeâ and âIndieâ genres served as a template for a slightly more bombastic base coat to several of the numbers. For whatever reason, TOMAD decided to complete the recording in various settings where they could hack away at it. A cabin on the west coast of Jutland is mentioned (the closest thing Denmark has to an artic desert), and various bits and pieces here and there. Iâm sure all of this adds to the mystery surrounding the record, but the end result and finished âproductâ is a record that is produced by the band with an air of achieving perfection in whatever it is they first set out to do.
Knowing the genesis and long gestation of the record â I see this as a re-birth for the band. They might not notice it. A heap of things in the bandâs own personal life have also necessitated the change. Some members became parents themselves, geographical and logistical strife caused periods of inactivity and even as I write, a global pandemic has altered the way the band has to plan live bookings. I hate to say something as pedestrian as: âyou gotta roll with the punchesâ, but this record existing at all, let alone being the masterpiece that I truly deem it to be, is no small feat.Â
The Review
In my 2016 review of âThe Flow In Betweenâ I ended up calling it âProbably the greatest record to come out of Jutlandâ. Before we get going on the breakdown â Iâll have to amend that bold statement from 4 years ago and relegate âTFIBâ to âProbably the best record to come out of Jutland as of 2015â. Fragile Absolutes has frogged its way into #1 for me. Shucks â Iâm even going to have to one-up myself here. Itâs my favorite Danish album, ever. Thereâs a LOT of great albums out of my adopted home country too. Laban 4 comes to mindâŚ.
âFragile Absolutesâ kicks off with the wallop of the monastic meets Viking cinema âDistancesâ. Itâs evident that they are picking up in context where some of âThe Flow In Betweenâ leaves off (see: âSistersâ). Thereâs a heavier texture of orchestration underneath which basically weaves it way through the record. There are shimmering jangly bits layered with piano, synths and whatever the hell else they used bathed in subtle sustained feedback. This continues into the slightly dirgy title track âFragile Absolutesâ. The monotonic guitar lines giving way to almost plainsong layered choirs underpinned by some subtle tinkling on the ivories and a chugging and building rhythm section that leads into orchestral stabs at a climax and finally a resolution.
âCrippled Figurinesâ treads on more familiar territory in a sense. The Percussion is sidelined, instead being inferred by a gently strummed acoustic guitar set in counterpoint by the ever- present drone and simple right-handed synth melody, comfortingly recalling something that wouldnât be out of place on a late 80s Depeche Mode album. All this mood is closer in reality to say, an early Fever Ray track rather than a gothic synth-pop piece and retaining the best integral bits of each.
With âFlawed Beliefsâ weâre back to the structure of the opening gambit of the record â the ever-present drone met by delicate flights of neatly layered butterfly kisses from unidentified hands. âFlawed Beliefsâ builds again upon a simple but effective passage, subtly and organically changing shape to a cacophony of doom until disappearing.
âWear Your Skinâ again pairs the dulcet tones of fluttering sprinkles of what sounds like hammer dulcimer with a tightly layered cauldron of foreboding flares in the lower register. You wouldnât be wrong for hearing traces of Cocteau Twins or even âPornographyâ-era Cure, hence why some folks canât resist attaching a âGothâ accreditation to TOMAD on this album cycle. Iâm not sure Goth is such a dirty word anymore â Iâve dabbled myself and in these Isolation times â I donât think anyone should blame me. âDeconstructed and Dissolvedâ follows this mood perfectly, plunging the listener further down the k-hole of the world in flames while simultaneously being frozen in the wasteland that our collective esoterism has created.
âEntropyâ and âConsoling Wordsâ again bring us back to the now familiar overall vibe of the record. Infinite layers of aurally pleasing yet disturbing symphonic drones paired with a slowly plodding and ever-present funeral march of backbone.
Youâd be forgiven for being lulled into a sense of not knowing where the album begins or ends at this point in the record â but the whole affair is masterfully shuttered with the somewhat surprisingly delicate and bare âRemnantsâ â where for the first time, a simple piano and vocal are to the fore of the mix. There is something heartbreakingly haunting about Soendergaardâs vocals on the closing number â finally pushed into the theoretical spotlight, yet still fragile and nearly incomprehensible. Itâs a perfect ending to the constant wash of dark matter and symphonic pummeling of the previous 8 tracks.
âFragile Absolutesâ as a whole, is damaging in its epic-ness. I know âepicâ is thrown around a lot in somewhat ironic terms by suited frat boys on TV, but I honestly canât think of another term for what this LP puts you through. From the invocational wallop of the opening numbers and the adagios and lulls of the moodier tracks, itâs quite an emotional roller coaster. Everyone I know who has heard any of these tracks all drop references to âSoundtrackâ, âNordicâ and âDarkâ. Iâm happy to agree, even if I canât offer up a pigeonhole of a mini-sub sub- genre to attach to it. The remnants of Shoegaze and Neo-Psych are still evident, these are the kind of bands that TOMAD will always be billed with â but âFragile Absolutesâ is their most powerful and complete work to date. While the bulk of the writing may be Christian Soendergaardâs singular vision now, What the rest of the band add to the mix is staggeringly appropriate and serve the material with a reverence and aplomb that is rarely found in a band that have been through this massive of a personnel shift since their last record. My only wish on several of the songs is that there were more dynamic builds and decrescendos â adding to the romantic and cinematic appeal of some of the âlouderâ cuts on the LP. This only means that it can evolve and grow live in my book â and for my dollar, I canât wait to see what TOMAD can do in full flight with this material and line-up at a proper concert whenever that is possible. That will have to occur in 2021 though. Thanks Corona virus. Â
Words - Bobby McBride
Order Vinyl/CD direct from band: https://talesofmurderanddust.bandcamp.com/
Follow FB: https://www.facebook.com/talesonline/
Follow Insta: @talesofmurderanddust
#music reviews#newmusic#underground#indie#noise#vinyl#talesofmurderanddust#aarhus#tapetown#fuzzclub#2020#denmark#shoegaze#doom#psych#goth
0 notes
Photo
Quel plaisir dâavoir retrouvĂŠ les italiens @thegluts hier Ă Paris pour leur passage au @supersonicclub avec lâami @llllando leur nouvel album vient de sortir et câest une petite bombe pleine de fougue !âĄď¸đ¤ #live #thegluts #italia #fuzzclub #livephotography #supersonic #portrait #paris #blackandwhite (Ă Supersonic) https://www.instagram.com/p/CU7O-01gSMW/?utm_medium=tumblr
1 note
¡
View note