#fuzz doom

[twigstick9]

an inside joke lol

[daily-xisuma]

[047] Applied my version of Doom's partial invisibility fuzz effect and an accidental offshoot I created in the process, heehee :-)

[zombearzilla]

I got the prettiest and most badass sounding effects pedal from @pheadhones today!!

It's a shame I don't have a pink guitar to go with it but I do have a kickass pink tee to wear when I rock out 😋

[heritage-harmony-records]

NEW ALBUM STREAMING NOW!!!

Tales from Beyond the Firmament is the new album by Rijeka, Croatia based psychedelic/stoner/space rock act The Freak Folk of Mangrovia, released June 28, 2024 on No Profit Recordings.

Listen to the full album now:

[doomedandstoned]

ACID MAMMOTH Presents Searing New Number from 'Supersonic Megafauna Collision’

~Doomed & Stoned Debuts~

By Billy Goate

Get ready for yet another banger from ACID MAMMOTH, a follow-up to the Greek foursome's 2021 Caravan. We're into the band's fourth opus now, with the impending release 'Supersonic Megafauna Collision' (2024), and it is absolutely the kind of fuzz-filled, atmospheric escape that doomers are craving.

Today, new sounds emerge from Acid Mammoth's fourth album. "Atomic Shaman" is the track, and the band clues us in on the fantastic story behind it:

The surface burns day and night and dwellers of the deepest caverns have embraced the pitch-black corridors below as their new dominion. No one dares to venture above it would only mean certain death by the all-consuming hellfire that came from the skies. The dwellers are secluded in the deep chanting frenziedly and calling upon the spirits from the otherworld for salvation. This is the dismal world of “Atomic Shaman” the track that opens side B of our upcoming new album. Our goal with this song was to capture all the despair and hopelessness of that horrific turn of events and put it in one song greatly inspired by the 1986 movie “Dead Man’s Letters.”

We start with dark, subterranean riffage. Guitar tone is warmly irradiated, with powerful, doomy, bittersweet leads that drill right through rocky passage ways. Drums unleash the pattering of acid rain two-minutes in. Vocals are touched by numbed grief, lamenting the hellscape that planet earth has become. Is there a future for humanity in this blanched, cadaverous world? Only the Atomic Shaman sees clearly through the smokey morass to chart a way forward.

It's the second single to surface from Acid Mammoth's Supersonic Megafauna Collision. Look for their new full-length to drop on April 5th, as Heavy Psych Sounds issues the LP on four varieties of vinyl, as well as in compact disc and digital formats (pre-order here). Stick it on a playlist with Electric Wizard, Dopelord, Monolord, Witchorious, and Slomatics.

Give ear...

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[savage-kult-of-gorthaur]

SETTINGS INCLUDE: "BLAST," "MIX," "BOOST," "COW," "MED," AND THE FUNNY AF, "HIGH AF."

PIC(S) INFO: Spotlight on a first edition [blue] Hilbish Design Pessimiser Distortion guitar pedal, a King Buzzo/MELVINS collaboration, c. 2017. Only 150 made worldwide.

Sources: https://reverb.com/item/68904671-hilbish-design-pessimiser-king-buzzo-melvins-first-edition-blue-86-of-150-2018-blue (Reverb 2x).

[biomecharnotaurus]

Love that you made Doomguy into a bonafide marine instead of the messiah figure that Eternal's done. He's just one man, fueled by nigh indomitable vitriol.

Also, love the Grunt Perspective stuff from Quake 2 and beyond. I'm playing through the first one right now and for the life of me DO NOT understand how this has zero traction. Cosmic Horror is in right now and no one is latching onto this? bonkers.

TLDR; I think your art's really cool, Quake is still rad even though NOBODY talks about it

Thank you so much :)

Flynn is very far away from being a messiah. He is just another UAC space marine stuck in a war he was not trained for. Same for Stan, Arlene/Crash and Phobos.

No clue why Quake is so stupidly underrated, the first one is still one of my favorite games...also Ranger is a pretty cool character, I like him.

[oldemagickrecords]

Smoke / Doomsday Profit - Split LP | Olde Magick Records (bandcamp.com)

[epic-down]

Verse:

As executor, I leave a trail of failed existences, full of despair I was said to be magically attracted to damnation I moved tirelessly through barren Desserts And settled down where hardship took root The hopeless battles that I bring to you to keep you trapped in the vortex of time Because i have passed the zenith of hope and resigned myself in prime Where I appear, fate goes site by site Emerging darkness displaces the daylight I will not stop until my deeds are done I dont care about right or wrong Chorus: Rise of gloom, uncertained to destiny Fairy of doom, marked by disharmony The touch of my wand seals your soon, sorrowful end Quenching our thirst, we walk together hand in hand… …conquer the remains of land …Slum of ashes and coarse sand By: Fabian/Epic Down

https://linktr.ee/epicdown

[raurquiz]

#happybirthday #timothydalton #actor #TheLivingDaylights #LicencetoKill #Agatha #FlashGordon #TheRocketeer #JaneEyre #LooneyTunes #BackinAction #TheBeauticianandtheBeast #Cleopatra #HotFuzz #TheTourist #PennyDreadful #DoomPatrol #TheCrown #ToyStory3 #SecretoftheWings #1923

[sheridansidewinder]

Ai Generated Doom Slayer

[suffohate]

𝔄 𝔴𝔦𝔱𝔠𝔥 𝔬𝔣 𝔟𝔩𝔞𝔠𝔨 𝔱𝔬 𝔱𝔥𝔢 𝔰𝔬𝔲𝔫𝔡 𝔬𝔣 𝔈𝔩𝔢𝔠𝔱𝔯𝔦𝔠 𝔚𝔦𝔷𝔞𝔯𝔡 🔗

[phantasmaltrain]

love how i told myself “im gonna do EVERY prompt this month” and then i didn’t.

[sad-nap-records]

SNAP#126 is a stoner doom album. Green out with us

[doomedandstoned]

TEMPLE OF THE FUZZ WITCH Unleash Magnum Opus, ‘Apotheosis’

~Doomed & Stoned Debuts~

By Billy Goate

We introduced you to TEMPLE OF THE FUZZ WITCH in our compilation Doomed & Stoned in Detroit and the band subsequently played Ohio Doomed & Stoned Festival in 2019.

Now past the pandemic years, the band's sound has matured and evolved to encompass frightening black metal textures, in addition to the stalwart doom sound they forged in the beginning. On their third LP 'Apotheosis' (2024), Temple of the Fuzz Witch execution is nothing short of tight, demonstrating an uncanny penchant for conjuring apocalyptic atmospheres. Every member of the team is on point and collaborate to create something dark and powerful.

While not pitched as a concept album, savvy listeners will pick up on the subtext of fallen angels, drawing from Biblical, Zoroastrian, mystical, and traditional lore to create a singular work of terror that could well be a sequel to Dante's Inferno.

Apotheosis is the process of becoming deity (an idea long held by Egyptian, Greek, Buddhist and Christian beliefs), so perhaps this album concerns the rise of those angels who fell like lightning to our planet after a failed coup against The Almighty in heaven. Now is their time to rise again and terrorize mankind, as foretold in St. John's Revelation, The Books of Enoch, Kabbalah, and Milton's Paradise Lost.

Joe Peet's blistering bass welcomes us to "A Call To Prey," with bravura drumming from Taylor Christian and Noah Bruner's grungy guitars following not far behind. We prey upon your fear sings frontman Noah with windswept ire. One could imagine hearing this voice echo in the dead of night over moonlit hills and forests.

"Wight" is a foreboding doomer with elements of black metal. Noah teeters between jaded vocals with menacing growls. Wight is a reference to a ghostly creature, and there's sinister, foggy element to the song, as evil spirits vow:

We’ll break you Damned You’ll never be free We’ll break you For all eternity

"Nephilim" made me recall how damningly heavy Temple of the Fuzz Witch was at Ohio Doomed and Stoned Fest. You can get a sense of it with a pair of good speakers, but seeing them live punches even harder. Vocals vary in character between forlorn cries, as depressed hushes declare, "You will see, I will feed." Fiery yells and guttural rumbling join ravaging drumwork and hailing tremeloes as the song progresses.

"Bow Down" lives in familiar stoner-doom territory, with southern sludge riffing suggesting a revelrous lot dedicated to the worship of their master. Here the singing here is clear, clean, and resonant, intersected by harsh vocals that shout defiantly: Bow down and worship the sky, we pass beyond the glowing light.

"Sanguine" has become one of my favorite words, lately, though I've struggled for an appropriate reason to include it in my writing. It basically means making the best of a bad situation, remaining confident despite the odds, optimistic even when faced with nihilistic uncertainty. Lyrics allude to "Yahweh's condemned," "diabolic souls" who were "cast into swine" by God's Son, and now look to overtake Earth when Satan is loosed from the Bottomless Pit. Bittersweet riffs and damning low end remind me of Purple Hill Witch, and there are some badass chord progressions here. This one has been lingering in my head for days.

"Cursed" gives us little clue as to who the Cursed are, other than they have "sought the watchers in the blacks" and that their "moment has now passed" and now "there's no return." The Watchers are most likely fallen angels from the Book of Enoch, the Nephilim referenced in the book of Genesis. Maybe the cursed ones were acolytes of the Nephilim, but we're given only scraps, hints, fragments to piece together the mystery.

"Raze" opens with muted drums and a swarm of distorted guitar noise that almost seems like a portent of the great horde, here to "end all humans." It takes the perspective of the Fallen, who are still loyal to Lucifer. I have carried his black mark, all the way from the very start.

Strumming arpeggios suggest the clock is ticking in "Apostate," one of my favorite tracks of the record for its sheer dread. Downtuned, dissonant guitar chords make the ire of Noah's roaring vocals all the more convincing, as four lines are repeated thrice:

Await the hallows Swallow the earth The apostates Filled with dread and woe

"Ashes" brings the album to a head with another highlight of the record, a slow headbanger if there ever was one. Vocals are terrifying, referencing "vows of the damned" and Ahriman the evil spirit of early Iranian religions -- the very embodiment of destruction.

It's good to see Ripple Music continue to expand its portfolio into doom territory. Look for Apotheosis by Temple of the Fuzz Witch, dropping this Friday, April 5th (get it here).. Stick it on a playlist with Electric Wizard, Saturnalia Temple, Cough, Coffins, and Moon Coven.

Give ear...

LISTEN: Temple of the Fuzz Witch - Apotheosis

SOME BUZZ

With riffs and lyrics as bleak and crushing as a Michigan winter, blackened doom outfit Temple of the Fuzz Witch brings a unique take on the doom genre, their unwaveringly nightmarish sonic processions being raised to another level with frontman Noah Bruner's jaw-dropping balance of crypt-worthy growls and astoundingly grunge-styled clean vocals. Never the darkness has felt so magnificent and compelling, and their aptly-titled third album "Apotheosis" has everything to put the mighty trio on every black and doom metal fan's radar for years to come.

Launched in 2017 with a 3-track EP, the Detroit three-piece has successively released two albums: "Temple of the Fuzz Witch" (2019) and "Red Tide" (2020). Temple of the Fuzz Witch is now set to unleash the beauty of its unique occult-driven nihilism with "Apotheosis". The album was recorded and mixed by Pete Grossman at Bricktop Recording, and mastered by Chris Fielding at Skyhammer Studio. Its artwork was created by Sarah Fazriah and Zoro (Mysteriousfour).

Apotheosis by Temple of the Fuzz Witch

About the album, the band says: “The lyrics and concept as an album are more overt and less cryptic than the previous Temple releases. Everything is bigger, heavier, and darker. Rather than making just another doom record, we wanted to do something that stepped outside of the box a little bit. Established fans will still find catchy riffs that are staples of doom but will be surprised with some new twists on the genre with the introduction of blackened vocals and some more up-tempo tracks.

Lyrically the album is deeply rooted in the esoteric and spiritual. We came at the album with a very introspective mindset, and each of us was able to add a little bit of our own soul to it. I think when people hear the lyrics and music together they'll find something fresh, but dark, to connect with.”

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