#future music
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summonfish · 3 months ago
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Space Hero - SUMMONFISH (2025)
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posthumanwanderings · 6 months ago
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jkftkth · 5 months ago
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would love to see another umi x tae collab 🥹 she’s so lovely and their styles match really well
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ai-revolution · 7 months ago
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Artificial Intelligence Revolutionizes the Music World: The Case of "Neural Notes Revolution"
Artificial intelligence (AI) is rapidly transforming our world, permeating sectors from healthcare to industry, education to transportation. This technology, which aims to replicate and surpass human cognitive abilities, promises to revolutionize the way we live and work.
The applications of AI are numerous and ever-expanding: from medical diagnosis to autonomous driving, data analysis to content creation. A particularly intriguing field is music, where AI is demonstrating remarkable potential.
Recently, there has been much discussion about AI-based music generation platforms like "Suno" and "Udio," accused of violating numerous artists' copyrights to train their algorithms. These controversies highlight the complex ethical and legal issues that AI raises in the artistic field.
In this context, the Italian project "Neural Notes Revolution" emerges, demonstrating how, with the aid of AI programs, the study of algorithms suitable for targeted generation of musical styles, voices, song structures, and with adequate post-processing, it's possible to produce musical pieces of any genre and style, in any language, in relatively short timeframes.
The project also leverages other generative AI platforms such as OpenAI's ChatGPT (Microsoft group, of which Elon Musk was a co-founder), Anthropic's Claude AI, and Google's Gemini. These technologies allow for the generation of texts, both original and based on precise or imaginative prompts, in numerous languages, even using expressions typical of specific localities and dialects.
However, "Neural Notes Revolution" still faces some challenges. The results provided by ChatBOTs require careful verification, and in the music field, generation platforms have significant limitations. In particular, "Suno" and "Udio" lack a precise and rigorous syntax that allows for accurate results. Often, the outcomes are even opposite to those desired, forcing a trial-and-error approach. One of the major limitations is the near-total impossibility of having clear style changes within the same song.
Expected future developments include the ability to modify produced songs in a targeted manner. It would be useful to have separate files for the vocal part, the musical backing, and the lyrics in subtitle format. Moreover, there's hope to be able to modify individual parts of text or music, and above all, to have a correct and rigorously respected syntax for the song structure and use of styles.
The use of these platforms raises several issues. On one hand, they offer new creative possibilities and democratize music production. On the other, they raise concerns about copyright, artistic authenticity, and the future of work in the music industry.
In conclusion, while giving space to creativity, we are still far from competing with the styles, voices, and tones of artists of all time. However, in defense of the "new artists" of the AI era, it must be recognized that creativity and skill are still necessary to produce musical pieces of a certain depth. This is particularly relevant in a modern musical landscape that often offers music devoid of artistic and cultural significance. AI in music thus represents both a challenge and an opportunity, requiring a balance between technological innovation and preservation of human artistic expression.
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beatsmithblog · 1 year ago
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A Brief History of Electronic Music
The history of electronic music is fascinating and diverse. Electronic music isn’t just a genre, but a way of creating and manipulating sound using electronic devices and techniques. In this post, we’ll explore the origins and evolution of electronic music, from the early experiments with electricity and sound, to the modern forms of electronic music that we enjoy today. Electronic music can be…
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grrlmusic · 2 years ago
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Future Music CD #108
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velveteencryptid · 1 year ago
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I wonder what country music is like in Jean-Luc Picard's time...
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djmoreslaw · 2 years ago
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Trends in Electronic Music Production: What to Expect in 2023
Electronic music is one of the most dynamic and innovative genres of music, constantly evolving and adapting to new technologies, cultural shifts. Let’s explore some of the current trends in electronic music production that are shaping the sound and future of the industry this year. AI Music Artificial intelligence (AI) is one of the latest and most interesting trends in music technology. AI…
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786muzik · 5 hours ago
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New drop by Edwin D'Costa for 786Muzik🔥🔥🔊 WOBBLETRON
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https://youtu.be/GzFAVlr0A94
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snappyssongbook · 21 days ago
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A Year Of Songs #19: “The Long Vein of the Law” by Subtle
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Some music feels so future-forward that even encountered years after its conception it remains vaguely speculative, an artifact from a 23rd century multiverse timeline only barely understood by today’s quaffed apes, a puzzle box that feels true without full comprehension of the context and concepts contained within. 
Oakland’s Subtle released their full-length debut album on October 4, 2004. 21 years on, A New White is as compelling and elusive as it was at birth, a fiercely unique idea of modern music that made me think America finally had a solid visionary counterpart to Radiohead and Bjork.
Lead off single “The Long Vein of the Law” encapsulates what a singular entity The Subtle 6 – Adam “Doseone” Drucker (vocals, lyrics, samples), Jeffrey “Jel” Logan (sampling, drum machine), Jordan Dalrymple (drums, guitar, synths, vocals), Dax Pierson (vocals, keys, harmonica), Marty Dowers (woodwinds, synths) and Alexander Kory (electric cello) – were, a calculatedly gesticulating multi-being that resonated on cerebral, physical and emotional levels.
“When the long vein of the law bites his right eye at you/ From behind his stingy brimmed black hat of all facts/ And yours can only choke, firing blanks all over the floor in front of you.”
Despite all the obvious technology, underground indie hip hop flow and contemporary production, the vibe is stubbornly informed by flesh & blood things and rambling mammalian logic. Like the rest of A New White, the single is a humming seduction, a cybernetic penny arcade slowly cranking to life. 
Dauntingly adventurous but rarely elusive, Subtle were endlessly intense and ruthlessly smart but wired to an ensnaring bump and strange hooks, a soundtrack for this “time of gold and uncertainty, noise and expensive genetic victory."
“Our plan the whole time was to have the music this band makes model this central fictional character’s lifestyle where he’s forced to make pop songs for these horrible, vain, empty gods that are omniscient and all-powerful,” said Doseone in a 2008 interview we conducted for JamBase. “He has to come with the straight dope AND guard everything. Everything has to feel dumbed down but be twice as loaded.”
Dalrymple added, “Adam and I have discussed how our dream band – though not really musically - is Steely Dan, where you infiltrate the pop world with these things you’re not supposed to say in a pop song – cryptic, poetic comments on society that you’re tapping your foot to and then suddenly stop as you realize what’s being said. Steely Dan had their horribly cheesy moments musically but as far as concept, melody and production values, we’re all big fans.”
The recent passing of Dax Pierson prompts a reexamination of this short lived but brightly burning band, and their first single and debut album are the ideal place to begin. 
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somewhereinthemegacity · 2 months ago
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posthumanwanderings · 11 months ago
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digipeach · 2 months ago
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futurepast0101 · 4 months ago
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<take all my data>
<what will u find?>
>>>audio/video>>>editing by #me
music> i wanna be software>
>grimes <c> / IIIangelo
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soft-likethesunset · 2 months ago
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i'm not the best at singing. but i'm gonna sing anyway dude. i'm not the best at painting. but i'm still going to paint. my dancing will never see a stage. but it's perfect for early mornings in my bedroom and late nights with people i love. so what does this mean? it means that people are designed to do. not to be the best. just to do. if you're doing what you enjoy, then you don't have to be the best. you just have to enjoy it. you have to live.
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