#fun fact a lot of my playlist is songs with character or ship vibes. second option is sooo Malina coded. fourth is Mingzan <3< /div> Explore tagged Tumblr posts

[cuteniarose]

Thanks for the tag, though you should know you’re putting me through unmeasurable amounts of mental torment (/JOKING, just so we’re clear) because I barely ever listen to music 😅

Tagging @upsettimyspagetthi this is your problem now bestie (also I have no other friends on here lmao)

Top 5 On Repeat tag game

@powdeeee @creampuffqueen @mushed-kid

[amwritesitall]

Sarah’s AHS Characters (+Alice and a Ship) as Songs I’m Vibing With

Masterlist

Instead of a collection of songs from one artist these are songs I’m currently vibing with? Here’s the playlist if you wanna listen (warning it fluctuates a lot because it’s just songs a vibe with at the moment). I skipped the songs I used in artist posts.

Billie Dean Howard

“24 / 7/ 365″ by Surfaces

Met, this girl down by the vine Had long tan legs and big brown eyes Seemed the type I would wanna make mine

She said nine to five, I'm killing time But twenty-four-seven, three-six-five I have to be where I feel your sunshine

One to two-step, three-step, four She's everywhere out on the dance floor She's everything you could ever want and more

Picture it. Billie Dean is at some event. She spies a girl who’s mesmerizing, killing it on the dance floor. Realizing this girl is absolutely the person she wants to be with. The line “I have to be where I feel your sunshine”!! Big Billie Dean vibes right there. In the darkness that her job sometimes entails, she’s drawn to the light of her lover. A ray of sunshine if you will.

“Heaven Falls / Fall on Me” by Surfaces

Woke up early in the mornin' Just to feel the light of day Had to open up my window Get the shadows out my way Banana pancakes for my problems Find me jamming old Jack Johnson Swear I heard them angel calls Lay outside

As Heaven falls Heaven falls

If you can’t tell, Surfaces really makes me think of Billie Dean. This goes with my explanation for the other song. Billie’s job gets pretty dark and intense. Although she never completely gets a break from her job (because she can’t just turn off being a medium) she tries to use her time away from filming and darker locations to focus on the lighter aspects of life, savoring all around her and her lover. I have no idea if what I said makes sense though.

Lana Winters

“Let’s Fall in Love for the Night” by FINNEAS

Let's fall in love for the night And forget in the mornin' Play me a song that you like You can bet I'll know every line I'm the boy that your boy hoped that you would avoid Don't waste your eyes on jealous guys, fuck that noise I know better than to call you mine

This song gives me Lana vibes in the sense that she doesn’t really want to get too attached to people. This also makes me think of how Lana is the type of lover that someone’s conservative/strict family wouldn’t want them with (because of the gay). When you go this route, it’s hard for me not to picture teenage Lana when listening to this.

Fun fact: I have a vague idea for writing a Billie Dean Howard x Reader imagine over this song.

“me & ur ghost” by blackbear

I'm not alone It's just me and your ghost And this cripplin' depression I thought I learned my lesson But, I threw out my phone And I burned all your clothes And now I'm not alone It's just me and your ghost

Now hear me out. Post break up Lana dealing with all of her memories of her ex and then burning all of their shit because Lana is lowkey that bitch. It’s a bit of a stretch, but that’s just my humble opinion on the matter.

Cordelia Goode

“If We Were Vampires” by Jason Isbell and the 400 Unit

It's not the long, flowing dress that you're in Or the light coming off of your skin The fragile heart you protected for so long Or the mercy in your sense of right and wrong It's not your hands searching slow in the dark Or your nails leaving love's watermark It's not the way you talk me off the roof Your questions like directions to the truth

It's knowing that this can't go on forever Likely one of us will have to spend some days alone Maybe we'll get forty years together But one day I'll be gone Or one day you'll be gone

Cordelia knows that one day she will die. There will be another Supreme after her and she can’t live forever. This is her coming to terms with the fact that maybe it’s for the best that she won’t stay around forever. Not being immortal allows her to live in the moment and savor all the time she has.

“PlantedInMyMind.Memo” by Charlie Burg

Saying things I don't believe And your love casts it's shadow on the things I do And I can hear so clearly all the words I'd wish I'd said You're stuck in my head But I only think of you Will we be together soon? I'm thrown on the wayside You're planted in my mind But I don't wanna be ok without you

This makes me think of an angsty Cordelia relationship like post “In Another Lifetime”?!?! Cordelia being stuck on her lover from the past 

Also makes me think of Cordelia x Misty after the events of season 3

Bette and Dot Tattler

“prom dress” by mxmtoon

I can't help the fact I like to be alone It might sound kinda sad, but that's just what I seem to know I tend to handle things usually by myself And I can't ever seem to try and ask for help

I'm sitting here, crying in my prom dress I'd be the prom queen if crying was a contest Makeup is running down, feelings are all around How did I get here? I need to know

I guess I maybe had a couple expectations Thought I'd get to them, but no I didn't

I’m not going to lie, this is a bit of a stretch.

I’m kind of getting Bette and Dot wishing they could be like everyone else. They just want that normal teen experience?

Sally McKenna

“Teeth” by 5 Seconds of Summer

Call me in the morning to apologize Every little lie gives me butterflies Something in the way you're looking through my eyes Don't know if I'm gonna make it out alive

Fight so dirty, but your love's so sweet Talk so pretty, but your heart got teeth Late night devil, put your hands on me And never, never, never ever let go

The angst! The tension! The passion! SPICY TIMES WITH SALLY

“fuck, i’m lonely” by Lauv, Anne-Marie

I call you one time, two time, three time I can't wait no more Your fingers through my hair, that's on my mind I know it's been a minute since you walked right through that door But I still think about you all the time

Sally just wants love. She’s sick of being lonely and wants to be with the person she loves. Being a ghost sucks and she wants out of that damn hotel.

Dealing with her ex that is still alive while she’s not.

Audrey Tindall

“Prom Queen” by Beach Bunny

Shut up, count your calories I never looked good in mom jeans Wish I, was like you, blue-eyed blondie, perfect body Maybe I should try harder You should lower your expectations I'm no quick-curl barbie I was never cut out for Prom Queen If I get more pretty, do you think he will like me?

Teen Audrey. I will stand by this.

Now I’m thinking about teen Audrey and my heart :(

Ally Mayfair Richards

“I Needed You” by blackbear

When I needed you the most, I needed you I fucking needed you the most, I needed you, the most Now I won't be there to give you what you need Now I won't be there, no

You know this was never really about us And everything was always 'bout you You never knew a thing about trust And I knew everything about you, what's happening Three whole years, they can go by In a blink of an eye, and you won't know it, but What a damn waste of time

You can’t sit there and tell me this doesn’t sound like Ally dealing with Ivy’s betrayal. No. There is no way this song doesn’t give off those vibes. Like sis was dealing with a ton of shit and where was her wife??? Off gallivanting and murdering with a cult because she voted for Jill Stein. 

Wilhemina Venable

“Lovesong (The Way) [feat. Bluets]” by Charlie Burg 

Now you're away with nothing to say My heart aches like never before Filled with desire, you've inspired me to write another verse

I think we're alone now You can tell me it was all just a game Yes, we're alone now But the feeling's slightly changed

But you take your time, my love Don't ever tell me that it just takes time to love As long as I'm writing this song about my love for you Is it too much to ask For a reply? Or a text? Or a way to tell you love me like before

I don’t knooowww. This just makes me think of Mina trying to deal with her feelings and possibly her significant other kind of giving up because they feel like Mina will never reciprocate their feelings. Mina does love them but it’s hard for her to express it.

“Someday” by Peach Tree Rascals

I hate the fact that you Run on mind, all damn day There she goes

Girl won't you wait for me

I settled down, I'm better now I never knew what this life was about Days got too plain, colors got dull All of the roses fell on to the floor I'll pick them up, wipe the dust Need a chance for your love For your love, for your love, ooooh I've been floating between oceans And the darkness in the sky I've been lonesome in this old shed And it's burnin through my mind

Similar to the song above, Mina hates the fact that she’s stuck on this person, but she eventually realizes that she needs this person in her life. This love really out here making her appreciate life and all the good things in it.

Basically Mina is turning into a softie.

Alice Macray

“Mariposa” by Peach Tree Rascals

I can't wait for you To come my way I've been far away But I'll keep runnin' Just to find a way to you til' then

I been running from it Tired of running from it Scared of feeling something now I'm stuck and tryna get up out of this hole

Surface level this song has some good vibes like our baby Alice. Over analyzing level is not as good vibes. This song is kind of like our baby Alice running from her feelings for someone because the thought of such strong feelings is scary for her.

Billie Dean Howard x Audrey Tindall

“Channel Orange in Your Living Room” by Charlie Burg

We met when I was drunk That party didn't actually suck You made fun of how slow I drank

But now I can't stop thinking about you Each moment passes and my thoughts return to you And the memory of us too As we listen to Channel Orange in your living room

Even when you're away That album makes me feel like you stayed To listen now would make me a fool again for you

Without a doubt, I always think of these two when I listen to the song and that’s one of the reasons why I love it so much. I’m just picturing the two of them meeting a party together and Billie taking Audrey back to her place. Then they end up thinking of each other long after the night is over.

-

You might like:  Sarah Paulson AHS Characters as Hozier Songs or  Sarah Paulson AHS Characters as Rex Orange County Songs

[f-117-nighthawk]

I’m in a Playlist Mood

I was scrolling through my dark matter tag looking for something I made a while ago to reference in the next chapter of Carry Me Home and ran across my last playlist explanation post. It put me in the mood to think about this again, and I’ve added...a lot. The playlist might’ve actually doubled in length since then (Thank You Abyss) and I’ve moved some stuff around in order. So, more playlist meta under the cut (it’s LONG)

So first thing: I’ve actually created two new playlists (well, one new one and actually made the third playlist have more than two tracks) since that post jhadsfljd. Working forwards in time (kinda), we have:

Dark Matter: The Road to Ruin

The Road to Ruin is the Main Playlist, the thing I use to write to, the thing I lie in bed and listen to to think up new things, and half the thing that keeps the timeline in place (it’s actually more updated than World Anvil rn whoops). Here we have overarching plot hooks, character development, and the story of six Paladins and their friends trying to save the universe.

Turn the Lights Out I sort of explained in the last post and I can’t think of too much more to add. The TLDR is it’s about the Lions (and, well, technically [REDACTED] too....) and sort of why I refer to a fully-melded Lion-Paladin duo as Spirits.

(I was here/Will you welcome and recognize me/I'll be there/I was here/Will you dread me, will you despise me/I'll be there/For the last living thing)

Remnants of Stars is again about Galran philosophy and the actual process of the quintessence nurseries filtering quintessence back into the universe. But the bit about giving in to know the truth becomes important much, MUCH later.

(As children of space/With stardust in our veins/We will give in to know the truth/We are the remnants of stars)

Your World Will Fail, Dark Matter, and Eater of Worlds are about [REDACTED], about what happens between that instant between the first plank time and the next. They’re an overarching theme, but also the event that everything else builds from, whether that be interpreted as the beginning of the universe or the Voltron comet crashing into Daibazaal.

(Your world will fail my love/It’s far beyond repair/Your world will fail my love/It is already there)

(Bring me your soul/Bring me your hate/In my name you will create/Bring me your fear/Bring me your pain/You will destroy in my name)

(Can’t imagine the violence/The rage and the love in my madness/I am the eater of worlds and I’m looking for someone to feed me)

Apocalypse 1992 is actually the main story of Through Apocalypse Skies, although its framing story is shortly after String Theory. It happens between parts of Awakenings, detailing the rise of [REDACTED] and the final hours before the destruction of everything sentient species knew beforehand.

(Fly high through apocalypse skies/Fight for the world we must save/Like tears of a unicorn lost in the rain/Chaos will triumph this day)

You Keep What You Kill covers the slow degeneration of the Empire between The Fall and the Battle of Arus. The knowledge harshly taught by the Thuanial War is forgotten under the influence of Zarkon, Haggar, and [REDACTED]. Marzin and Galraasa quickly rise the ranks as the Empire’s left and right hands, like omens of destruction before them. The four are the ‘holy half-dead,’ the ones who shape the devouring of the universe before them.

(Defying dimensions/These ruthless creatures will steal your soul/Breaking away from the chains of mortality/They won't be taken down/Bow now to the holy half dead/The master to death mongers calls)

The Seven Sisters is about Keith, mostly, and connected to Closure via its influence on Child From the Stars (Lost in the Dark) and also to Memories of a Girl I Haven’t Met

(I cast my hope upon The Pleiades/The Seven Sisters who would come for me/They'd fall to Earth to grant a child's dream/But I'm still waiting)

Starlight is the newly added Adashi song. Here, it’s the sad part, based around the time that the SFSS Genesis launches for Kerberos. It also is sort of about Shiro’s thoughts throughout the war as he watches ‘from distant skies’ (and influences String Theory kinda)

(At night the earth will rise/And I'll think of you each time I watch from distant skies/Whenever stars go down and galaxies ignite/I'll think of you each time they wash me in their light/And I'll fall in love with you again)

Abyss is Awakenings again. It’s specifically the Red Lion waking up on Sendak’s ship to her new Paladin, but also sort of the rest of the Lions as they find new Paladins for the first time since The Fall

(Open my eyes in a daze/How long has it been? Am I so out of place?/Warmth I can no longer feel/My mountain is gone, I'm surrounded by steel/The strangest of structures arises ahead/Seems to be held up by nothing/Where have I gone, do I dream?/How can the stars be all I can see?)

Who Will Save You Now is about the Paladins in First Contact. It’s the video messages they send to their families, the warning that Something Is Out Here that they need to prepare for. It’s a declaration of protection for Earth, but a recognition that the Paladins may not be able to do what they say.

(I will not take from you and you will not owe/I will protect you from the fire below/It's not in my mind/It's here at my side/Go tell the world that I'm still alive)

The End of the Beginning and Nobody Gets Left Behind are the aftermath of the Battle of the Sarnan Nebula, the end of season two. The End of the Beginning hasn’t been posted yet, but it’s also the second of the four Closure fics. The End of the Beginning also has influence on String Theory. 

(Every night I die just a little/All this time, I'm caught in the middle/All your life, you fought with no winning/This is just the end of the beginning)

(Don't even try to pretend/That you're rough and just as tough/As when you're missing a friend/Attack and take him back/Cause when the team isn't whole/You've got a hole in your soul)

A Simple Plan is sort of part of The End of the Beginning, but really takes place after it. It’s the newly shuffled Team Voltron attempting to track down Lotor as Haggar tries to keep him under her control, and the new Black Paladin’s slow shift away from the things that he was pushed into and to the Blade. (And... guess what... it has influence on String Theory!) Fun fact I found out recently: The Spiritual Machines are by and large also the people behind Les Friction, which explains so much.

(What is this space we’re climbing/What is this place we’re stuck in/Why do we feel we’re sinking/How do we get out – get out of this) 

Memories of a Girl I Haven’t Met skips all the way over Naxzela and to the Mission to the Baaria Shipyards, the first major offensive that isn’t somehow connected to canon (even if only a very very small part of it is actually at the shipyards lol). This is also the song that solidified Keith’s very queer identity in Dark Matter.

(In this lonely place, bathed in silence and thoughts of you/I can't see your face but I'm trying to envision you/So are you really out there? Are you awake with memories/Of a boy you haven't met yet who's wished upon the Pleiades?)

TRIALS (reimagine) and String Theory are.... hoh boy. [REDACTED], [spoilers], and the turning point for a lot of things, which is why it has the honor of being the separating fic between my two main Dark Matter folders. TRIALS being on here is a fun story, because I associate that song very heavily with my main Star Wars fics, since that’s where the series title comes from, but the reimagine version of it gave me such strong Dark Matter vibes, it ended up here. It has heavy influence on the first part of String Theory, and is what I’ve been using for general pacing of the first half. String Theory itself isn’t the weirdest song on the playlist, but it’s really hard to find the connections to it without several layers of abstraction and backstory on [REDACTED]. String Theory is also weaved into a good chunk of fics before it.

(The ending won't be forgotten/It's written in the stars and the hieroglyphs/Sending the lionhearted/The stones break bones, but we're venomous)

(You don't believe in space/You don't believe in light/You don't believe that anything is well beyond your might/We walk across the sky and beneath the ocean floor/We're never going anywhere we've never been before)

House on Fire is the aftermath of String Theory, and a large vibe of We ARE Struggling Together! (Rise Against says it’s about parenting???? lol fuck that) (okay but actually, switch the parental love part to sibling love/general familial love and that’s a pretty good description....)

(So I'll just hold you like a hand grenade/You touch me like a razor blade/I wish there was some other way right now/Like a house on fire we're up in flames/I'd burn here if that's what it takes/To let you know I won't let go of you)

Belgrade is the klance song! It is a) bop b) always stuck in my head because it is That Good. The line in the chorus about ‘sweet songs of seduction’ is eternally funny to be bc a)they’re both ace and b)QPR’s don’t usually involve seduction as far as I know. Belgrade also leads almost directly into...

(We pretend in the darkness/We pretend the night won’t steal our youth/Singing me the sweet songs of seduction/Let me be the fool, fool, fool/Who will live and die for you)

Here to Save You is about Sam. Mostly. It’s also about Pidge. And Zaivorge cannons.

(A slave for humankind/I made sure I would survive/To stay alive/Now it's time to move on/When there's nothing left to prove/I'm coming to get you)

Iron is what eventually replaced Ten Thousand Against One. The plot has actually changed a lot since it was that song like. two years ago (three?) at this point. It has more of a focus on Keith knowing what’s going on due to [spoilers] and coming to accept parts of himself that are suddenly very obvious (kiiiinda the third closure fic?)

(You can't live without the fire/It's the heat that makes you strong/'Cause you're born to live/And fight it all the way/You can't hide what lies inside you/It's the only thing you know/You're embracing that, never walk away)

Birthright and Firewall are not exactly a direct result of Iron, but they wouldn’t happen how they do without it. They’re actually largely about Lotor, but then [REDACTED] swings back into the fray and things learned in String Theory/the framing story for Through Apocalypse Skies hit in full force.

(The voices in my head have all begun to sing/(The voices in your head have all begun to sing)/And they sure as hell hope I am listening/(I sure as hell hope you are listening!))

(They come to your dreams with illusion/They come to bring shape to your mind/You know how to stop the intrusion/We all have to fight for our lives)

and then, The Day the Earth Collapsed

(How much time has been elapsed/Since the day the earth collapsed?)

Here Comes the Reign doesn’t come into full effect until several months after Birthright/Firewall after Galraasa meets their fate, but starts with The Day the Earth Collapsed. It’s largely about Haggar and [REDACTED]

(You made something they can't take away/Now bring the fire of the burning sun on everyone)

Closure is placed where the fourth of its fics is. Closure in general is a lot of Keith’s character development and some of the struggles he goes through to accept his place in the universe and the fact that yes, he does have people that care about him. The last fic is me shining a brighter light on Closure’s chorus and taking a ‘last goodbye’ as never needing to say it again

(I am the child from the stars/That got lost in the dark/Between heaven and hell/I am forced to live on/I am the cause when you sin/I am the demon you skin/But there is no more tears to beautify/This is my last goodbye)

Ember and Soulbound are two closely related missions involving both Voltron and the Blade (specifically the Dark Whispers) in which [REDACTED] comes in with a vengeance, and some revelations about certain people’s fates are had. Soulbound is actually sort of from Krolia’s perspective.

(Dark matter falling from the sky/Dancing flames reflecting in your eyes as you watch them burn/Watching all your riches witches burn)

(Soulbound, endlessly forever/Locked between the darkness and the light/Don't drown in the swarming, blackened rising/Hold on to humanity and fight)

Darker Matter and Other Worlds Than These are. Well. [REDACTED] and [spoilers] and String Theory’s revelations rearing their ugly head once again, but this time with extra context and just a little bit of [spoiler]

(Dream yourself away/The pull of you shredding time and space)

(There are monsters in the sky/There are demons in the sea/I have seen them with my eyes/I've seen what you won't see/Pull the wool out from your eyes/It won't shade your frail belief/In the end we cannot hide/There are other worlds than these)

Godhunter is a fun one. The combined effects of String Theory, Soulbound, and Darker Matter/Other Worlds Than These come to a head and Team Voltron goes, well, hunting.

(She's been watching for a century/With hatred, and with scorn/If you know the hunter's coming/Then you hide or keep on running/'Cause she's slain the gods before)

My Darkest Hour is revenge for Godhunter, as well as a distraction from it, although Godhunter continues all the way to Louder than Words. 

(When the sun comes crashing down/When the world is spinning round and round/I will face what must be my darkest hour)

Faster Than Light is almost direct aftermath of My Darkest Hour, and sort of the inverse of Godhunter, where now Team Voltron are the hunted, even as they attempt to continue hunting. Oh and, Marzin and [REDACTED] are big parts

(Once more we're flying fast as light/Dark matter passing in the night/Pursued by a force we can't outrun/As we hurtle towards a dying sun/We maneuver through the remnants of a moon/On the solar winds of supernovas/There is not a place to hide, the Matriarch is close behind/It's plain to see she's coming for us all)

The Reckoning, This is a Call, World on Fire, The Wind that Shapes the Land, and Louder Than Words are the finale, what everything has been building towards. Earth’s faction, Haggar, [REDACTED], Voltron, the Empire, and the Coalition, all clash together in a final desperate bid to finish or prevent the final result of Your World Will Fail/Dark Matter/Eater of Worlds.

(I see your face, find peace of mind/Between the madness and the sadness and the fire burning/The end of war, the great divine/We'll see the day of reckoning)

(This is a call to action/This is a call to arms/All lives for one, together/There are no false alarms)

(World on fire with a smoking sun/Stops everything and everyone/Brace yourself for all will pay/Help is on the way)

(Search within/Uncover the will to win/Turn against the tide that washes o'er/Find the strength to fall and rise again/Open up the gates, unleash the force/I am the wind that shapes the land/Old as time and twice as strong/Oceans arise at my command/I alone can carry on)

(We have the force to fight/We have the blinding light/A war is more than heard/Coming in louder than words)

Dystopian Fiction

Dystopian Fiction is focused on what happens on Earth during the main playlist. I split it out because putting stuff like Cross the Line on the main playlist was getting clunky, and I figure Adam and Veronica (and the rest of the Paladins’ families, but mostly those two) deserve a chance for their story to shine on its own.

Dark Matter is on here because title track, but also it does end up with effects.

(Don't stop, don't think/Move up, don't blink now/On your knees pray for rain/Don't breathe when you take your aim)

Codebreaker is Adam’s song! I have him primarily as a cryptologist for the Garrison, teaching on the side and as a reserve pilot. Aviators says Codebreaker is actually about Cyperpunk 2077 but uhhh Fuck That it’s about Adam being The Best and dealing with...

(Codebreaker can't you find/Can you read between the lines of code?/Tell me all that you know/How far down the hole does it all go)

Cross the Line is the Éskhayklos’ image song. They’re a neo-luddite movement turned terrorist group that are upset with the way the Sol Federation is trying to fix Earth, stating that humans are the one that pushed it into this state, they should leave it to die and die along with it. Akane Shirogane was their worst nightmare. Cross the Line fits because, well, they crossed the line when [spoiler beep] and they were happy about it. (And “human cause” comes into play later when they pick up anti-alien leanings)

(Cross the line, redefine, break away unbent, unafraid/Together we stand in the dark/Seeking the light and what is right, together we cross the line/Our journey will come to an end and then our human cause will be/Justified)

Who Will Save You Now here is about Sam, and the aftermath of Here to Save You, in addition to its referenced role in the main playlist

(Alone with this vision/Alone and blind/Go tell the world I'm still alive)

The Day the Earth Collapsed is exactly what it says on the tin.

(How much time has been elapsed/Since the day the earth collapsed?)

Dystopian Fiction is the title track for this part. With the events of The Day the Earth Collapsed, the Garrison and our heroes on Earth are at their lowest point. It really is a piece of dystopian fiction, between [spoiler] and [spoiler]. And also: “Nobody can shoot me down, not just yet” is about Adam bc Fuck Canon

(I'm a dead man/In the wasteland/I'm a soldier fighting for superstition/Under search lights/In the long nights/We've been written like dystopian fiction)

The Reckoning is the only one of its little subset that made it over here, because it’s the only one that references events from before its eponymous fic (both verses are Very Earth)

(We're all alone, walking in twilight/The night has been long and so many have fallen/Feel no remorse, light will be breaking/Our freedom is worth it all)

Filaments

Filaments is the least complete, mostly because it’s the ‘sequel series’ of sorts. I have ideas for it, but I still haven’t posted most of the major story beats from the main portion of Dark Matter, so I’ve been purposefully putting it on the backburner. I do have enough to write Carry Me Home and put some foreshadowing in other fics.

Dark Matter is here because, well. A) Title track, B) yes, it still has effects. It’s the overarching theme, after all. Filaments sort of has a subtitle itself, which is ‘The Undoing,’ after the other part of the lyric that the subtitle of the main playlist comes from. It’s about undoing a past mistake (that wasn’t obviously a mistake until much later) and reconciling the events of Your World Will Fail.

(I am the keeper/I am the secret/I am the answer/I am the end)

Filaments is the title track of this part. It’s... a little hard to explain why without giving away the entire plot (what little I have planned lol) but it’s about the connections between different parts of the universe, and some fall-out of Darker Matter/Other Worlds Than These.

(These glowing filaments/Conducting this enchanting/Sarcophagus that's holding us)

Starlight is, again, Adashi song, and this time the happy part

(Don't leave me lost here forever/I need your starlight and pull me through/Bring me back to you)

Carry Me Home is what I’m in the process of writing right now, and it’s about the aftermath of the Quintessence War, specifically about how Shiro decides to settle down on Earth and what he does to build himself a home.

(Carry me home to the morning light/carry me home before you wave me goodbye/Oh, carry me home...)

[e8luhs]

Okay I know like every song is important but what are the ceebee kids 1 character theme songs

ugh this is the most difficult question ive ever been asked in my entire life. I KNOW that this is still in twos but its so hard for me to pick only one so i had to take a lot of time wittling down to which AT LEAST TWO would fit best. heres the absolute essentials, all of these i chose strictly from their playlists still of course, under the cut because it got really long. 

i went with the first songs i chose for all of them as Vibez like Musical Aesthetics i guess, and the second for like major actual themes in all of their arcs with some rambling from me as well ^_^ because i love getting to talk in depth about the ceebees and also like… combining music? and cb? and expecting me not to infodump? bold. its all a little self indulgent but we like to have fun i think.

rivian:

lemon glow / beach house (wizard rights. need i say more)

are you satisfied? / marina and the diamonds (first off no i will never call marina and the diamonds by just marina thats a fucking crime against humanity. SECOND off this song literally has it all like rivians so chronically unhappy with herself that really leads to a sense of emptiness and lack of connection with her own reality. shes emotionally constipated… its her scorpioism but also a lot of like insecurity and repression and trauma and the like.)

lyreni:

time for us / elsiane (orchestral adjacent. determined. but like… still gentle and tender and full of heart. shes baby.)

ship to wreck / florence and the machine (this song gets me in my feelings about lyreni because its such a deconstructer for her. like she can be so composed and rational but is so like… brimming with emotion and feeling and passion underneath the surface so much that it can be hard for her to contain and she gets so frustrated and hurt by things and also so passionate and invested in everything as well. no matter what she does theres always like Emotion behind her actions because she cares so deeply about the people around her)

kapreo: 

wait a minute! / willow (i love how like dreamy and atmospheric this song is its very kapreocore i cant explain it. its also just very chill. somehow a lot of kapreos music is so like.. chill despite the fact that they can be a very nervous wreck sometimes)

still feel by halfalive (you will see. i actually cant say anything about this one either but its good for them because of like, the fact that alot of their arc i think is about accepting change and also about persevering in the face of hardship. theres just such a like… “everything is going to shit but im still here” vibe)

sebran: 

touch tone telephone / lemon demon (duh. if you dont think sebran is lemon demon core you are in-fucking-correct, okay)

new york i love you but youre bringing me down / lcd soundsystem (i have sent paragraphs of sebran meta to my girlfriend because of this song and therefore i think its very important. but its also because its kind of sadly nostalgic in a way and i think thats very reflective of sebran… especially with his feelings about the game and his own life. like hes stuck and he doesnt really enjoy it but then he gets unstuck only to basically get restuck again, in a situation thats probably equally as worse as it is better than before)

crylus: 

easy tiger / portugal the man (SO FUCKING SEXY AND LOUD AND FAST PACED AND THATS CRYLUSCORE BAYBEE!)

masterpiece theatre iii / marianas trench (i cant get into this one too much as well due to spoilers but like this is. on god. IT. the sacrifice and over-altruism and concern and recklessness and frustration at himself and at the game like… UGH! crylus is like overabundant in like themes all at once and i think that makes a lot of sense for him because of just how adaptable+intensely empathetic he is. this is really the creme de la creme of crylus songs. when i die you will all realize.)

vergas: 

exxus / glass animals (spooky? i dont know. vergas’ musical aesthetic is like… weird because it swings violently from like old goth music to absolute bangers to like, weird and of course edgy because He Would. i dont know how i found so much music for him. i promise i have good taste but when you have to put together a playlist for an antagonist… you have to go to terrible places.)

the sticks / mother mother (i think vergas is a lot of awful things put into one person but like a theme thats popped up with him a lot in my little brain is like, singularity… isolation, which i think is a lot more different from loneliness? like i think that reading comes from the fact that vergas is so full of pride and thinks of himself as so above the people hes around that hes in his own metaphorical tower (do you see now… do you get it. the playlist title. were symbolisming) and he absolutely refuses to come down)

[myaekingheart]

1, 2, and 12!!

Bless you, Jessie 🙌💕 

Alright so since I reblogged like 20 ask memes, I’m just gonna go ahead and take the liberty of doing all of these numbers for every single one I’ve reblogged that’s applicable to give myself extra stuff to do xD

Fanfiction Asks! 

1. Do you read fic? Do you write fic?

I actually write fic WAY MORE than I read fic. I find that the issue I have when reading fic is that I get really giddy and inspired and then I lose my concentration on the story in front of me and my interests rather shift more towards the story in my own damn head. I really need to start reading more of other people’s work, though. I have a handful saved on AO3 that I just have not gotten around to, but I really should. I really have so many damn things I want to read, fanfiction and otherwise, but lack the motivation to sit down and actually read it. 

2. Favorite genre of fic?

I feel like it’s kind of hard to pinpoint exactly what kind of fic I’m drawn most towards, but I guess the best descriptor would be drama? I don’t know, I just really like stories that focus heavily on character development and interpersonal relationships (so bildungsroman lmfao), especially when there’s some imperfect romance and action/adventure involved. Both of my main fanfics, my Narnia series Temptation and The Scarecrow and the Bell, my Naruto fic, both are pretty much just that: heavy focus on character with imperfect romance and action/adventure. I just think it’s fun seeing characters, especially ones that have feelings for each other, in stressful and dangerous situations trying to work through them together and oftentimes disagree and have to figure out how to handle the disagreements, too. Or have personal stuff they’re dealing with on top of things. I don’t know, I just really love focusing on relationship dynamics and situations like that are a fun lens to look through. 

12. What turns you away the most from a fic?

Honestly, grammatical issues and whether or not the story feels believable. I guess I’m kind of picky when it comes to that stuff, but I’m also used to being critical of writing solely because I’m a creative writing major and a big part of this degree’s curriculum is workshopping peer writing. Grammatical issues in terms of a misplaced comma or something aren’t that big a deal, I’m not that stingy, but things like lacking paragraph breaks, or not knowing when to switch paragraphs, bug me as well as habitual misspellings of common words--the one that peeves me off the most is spelling “definitely” like “defiantly” or “definately” or any other misspelling under the sun. The idea of a story feeling believable might just be me being really picky but I’ve opened up fics sometimes where I could hardly get through the first paragraph because the story didn’t feel genuine to me. It’s kind of hard to explain, but I guess as someone who puts a ton of research into my own fanfics and also really tries to perfectly capture the tone of the source material, sometimes I’ll read stuff that just feels out of place and it really takes me out of the story and honestly makes me cringe. I feel like saying all of that makes me sound like some kind of asshole, though. I don’t know, I’m just so goddamn picky when it comes to what I’m reading and especially with fanfiction, since it’s a lot more organic and it doesn’t go through the same fine toothed editing process that professionally published works do (although I’ve picked up on some questionable stuff even in print books; one such thing was so minor, but it was a forgotten period at the end of a sentence and I kept laughing about it saying to myself “Someone missed a period!” You know, like an asshole.) 

Music Asks

1. your favorite album opener

Beartooth’s Greatness or Death off their most recent album, Disease. It just really sets the tone for the rest of the album and feels like such an appropriate intro overall. They have a playlist for the entire album on Youtube with the correct track listing so that was the first song off thei newest album that I had heard and it just felt like such a great and appropriate intro, it really got me into the vibe and energy of the rest of the album and I just...I love it a lot. The song, the album, the band in general. 

2. a song starting w/ the same first letter of your first name

Aurora Avenue by Defeat the Low. I’m a huge Nirvana fan, and the song is all about Kurt Cobain. The entire first verse was literally pulled straight from his infamous suicide note (”Speaking from the tongue of an experienced simpleton who obviously would rather be an emasculated, infantile complainee.”) I stumbled upon this song by pure chance-- it was playing at the end of a video for a different song, which I think was actually a Beartooth one-- and it sounded interesting so I pulled it up and the minute I heard the first verse, I, who had read Kurt’s suicide note already, was like “WAIT A SECOND THIS SOUNDS REALLY FAMILIAR” but it didn’t hit me that that was what it was, and that the entire song was about Kurt, until later and it made me love it even more. 

12. a song you can scream all the words to

Hospital for Souls by Bring Me The Horizon. It’s an all-time fave, made even more so by the fact that it’s one of my top ship songs (for my Naruto ship, Kakashi Hatake x my OC Rei Natsuki, who I write the fanfic about, and even made an AMV for them with because I’M CRAZY). It also just hits really hard personally, especially the line “Have you ever put a blade to your wrists, or have you been skipping meals?” because it relates to my own mental health struggles. I’ve never had the right opportunity to actually scream all the words aloud along with the song, but I desperately need to find the right place to do it one of these days because I have a lot of feelings I need to get out that can only be done through that exact act and I need to do it in a way where I will not end up getting the cops called on me for being way too loud. I just need a soundproof room in general (not just for these purposes, but also because I’m a voice actress for an independent animated series called Space Hotel and I need someplace to record shit anyways.)

Soft and Ethereal Asks

1.secret garden or forest?

Secret garden! I love the idea of having someplace only I know guarded off by a wall with vines running up the side of it, the kind of place you enter through a wrought-iron gate, where flowers are growing through the cracks and there’s a bubbling fountain in the center you can sit by either on the edge or in the grass or on a dirty old cement bench from times before I was even a thought in my parent’s head, and just revel in the silence with a good book or a pencil and sketchbook and make flower crowns and daisy chains or have a little personal picnic laying out a checkered blanket and carrying everything in a big basket like strawberries and little sandwiches and homemade cookies and shit. I’m such a sap but I live for the idea of that gentle, pastel-tinted quiet afternoon. Pure solace. 

2.the stars or the moon?

The moon. I love stars to death, too, but there’s something about the moon that really hits me. Maybe it’s because it goes through phases but no matter what is still whole even when it appears not to be. Maybe it’s because it’s kind of comforting to look at. More than anything, though, it’s probably at least partially because one of my favorite films is Rise of the Guardians (and by extension, the book series it was based upon, The Guardians of Childhood) in which the moon is a major character, or at least The Man in the Moon. In the movie, he’s never seen or heard but he’s always there watching over the world. Jack Frost, the protagonist, doesn’t understand his purpose in this eternal life of his where no one can see him and no one believes in him, and constantly looks to the moon for answers but never hears any. The very first lines of the movie are even “Darkness. That’s the first thing I remember. It was dark and it was cold and I was scared. But then...then I saw the moon. It was so big and so bright. It seemed to chase the darkness away.” Not to get super religious here but in a way the whole moon thing even reminds me of Christianity a little bit, and I’m not really religious in the slightest (maybe spiritual, but not very religious) but this movie also came to me at a time when I was very at odds with the idea of God and faith and everything, and I felt like Jack Frost constantly questioning what the point of it all was and questioning whether something greater even existed and if so, then how could they let terrible things like this happen? Without any solid answer? I don’t know, I don’t want this to get into a debate about my own religious beliefs, but yeah. The moon and I have some history, so I’ll choose the moon over the stars. 

12.fiction or short stories?

Fiction. By nature of my degree, I have to read a lot of short stories for college and some of them are really enjoyable and interesting but then we get to the debate of genre fiction versus literary fiction, which I think is a stupid fucking debate and literary fiction needs to get off it’s damn high horse with it’s “holier than thou” complex or whatever. Or maybe it’s not the literary fiction itself so much as the people who praise it. Like yes, I get that literary fiction is contemporary fine art and nuanced and shit but sometimes I like stories about vampires and ninjas and teenagers with weird names and social anxiety. Literary fiction is fine and all, but let’s face it, genre fiction is way more fucking fun and that is why I chose “fiction” over “short stories.” 

65 Questions You Aren’t Used To

1. Do you ever doubt the existence of others than you?

If I’m going to be brutally honest, sometimes. Hell, sometimes I even question my own existence but I guess that’s just the depersonalization aspect of anxiety talking. 

2. On a scale of 1-5, how afraid of the dark are you?

With 1 being the lowest and 5 being the highest, I’d say I’m at about a 3? I’m not as afraid of the dark as I used to be, but it’s situational. If I’m alone and it’s dark, then I get panicky because my awareness is impaired and I’m admittedly a very visual person so if I can’t see and I suspect there’s something going bump in the night, I’m going to freak out. Even hearing something, even when logically I know exactly what it is, freaks me out because I can’t know for sure unless I’m looking straight at it but if it’s dark, I can’t do that. I prefer to sleep when it’s like fully dark, though. I even used to wear a sleep mask to help with that and because the feeling of something soft over my eyes was comforting??? I don’t know, like I can sleep perfectly fine with the lights on, too, and sometimes if my anxiety is bad that’s what I’d prefer to make things easier on myself but for the most part, I guess it’s situational. I also feel like this is an appropriate place to say I have a duck nightlight in my bathroom, which doesn’t really have anything to do with being afraid of the dark so much as darkness in general but I also have a thing for rubber ducks so having a rubber duck nightlight is very on brand and I love it. 

12. Who told you they loved you last?

Probably my boyfriend. He’s the one whose always here anyways. If not him, then from my mother but I don’t particularly want to think about her right now because I’m kind of upset with her so we’re just going to go ahead and say my boyfriend. 

Sensory Asks

[sight]

1. favourite colour(s)?

Red is my top fave, and has been since I was three. I think it was when I got a red VW Beetle for my Barbie dolls that I really fell in love with the color. All the accessories that came with it were red plastic and looking at them just filled with me a lot of energy and joy, which I later realized I felt whenever looking at red in general. It also helps that I can now make the joke whenever I’m asked this question that I love red “like the blood of my enemies,” which is always fun. 

2. least favourite colour(s)?

I’m really not a fan of yellow, chartreuse, and tan/beige. I can handle yellow in certain instances like with sunflowers or lemons or sunshine related stuff, but I prefer gold over straight up yellow. I don’t dislike yellow nearly as much as tan/beige, though. That one I can also handle in certain instances but for the most part, it reminds me of a time I got sick as a kid so looking at it for too long brings back that nausea. Chartreuse is the end-all, be-all of the colors I’m not big on, though. It just...reminds me of snot. It feels really unappealing to look at for me, too. 

[smell]

12. favourite scent?

Clean laundry, hands down. I love nothing more than the smell of fresh laundry, like sometimes I’ll catch myself literally sitting at my laptop sniffing my shirt because I love the smell so much. It’s just so comforting, and I think that’s because it reminds me of this doll I’ve had literally since birth. I called her Baby Doll and she was just a basic baby doll with a plastic head and cloth body that my grandmother got from Avon and I was so damn attached to it as a kid. I brought Baby Doll everywhere with me, even in my backpack on my first day of preschool. I slept with her for way longer than I’d like to admit, too. But she smelled like fabric softener, and when I was a little kid and was having bad anxiety attacks (which I’ve been dealing with since I was three), I would hug her really close and the smell was just really comforting. So now I have to get it from my own laundry because I still own Baby Doll, but I’m a grown-ass adult and she’s very fragile now (and also currently in storage for safe-keeping). So yeah, clean laundry hands-down. 

Fashions Asks

1. What season has your favorite looks?

Fall! I’m such a sucker for big cozy sweaters and jeans. Back to school fashion lowkey excites me, too, and besides: I feel like it’s a lot easier to find appropriate outfits for my personal fashion sense that fit cooler weather than the seventh circle of hell 106-degree-heat-index I’m currently living in. I adore oversized sweaters, leggings, skinny jeans, combat boots, creepers, hoodies, layers, all that good stuff but you can’t do that when you feel like you’re dying of heat stroke even standing in front of the fridge butt naked. Not that I do that, but it’s hot enough here that I could if I wanted to. That’s not an issue in fall, though, which is super fucking nice. I just really love being cozy all the time always. 

2. Formal or casual?

Casual! As much as I love the look of formal clothes, I am chronically ill. I am anxious. I am depressed. I want to be comfortable all the damn time, and I just can’t be genuinely comfortable in formal clothes. For example, I attended my cousin’s wedding last spring and wore these really cute Mary Jane heels that I love. They fit my aesthetic and make my legs look great, too, if I say so myself. I was able to get through the ceremony with them on but after the fact, they started getting so damn uncomfortable that I went to the car and changed into my ratty five year old combat boots like a total punk because comfort. At least they still looked good with the dress I was wearing, though, so that’s a plus. 

12. What fashions do you hate?

Okay, I feel like a lot of people might get on my case about this but I really can’t stand Birkenstocks. They just...look like what your overbearing uncle would wear with socks to the summer barbecue to me. I don’t know, in certain cases they’re at least fitting for a certain look and I commend the people who can pull them off but as for me? I just can’t wrap my head around them. I dislike them even more than Crocs, which I am also not a fan of. But then again, like...I’m also not big on today’s fashion trends in general. There are some things I do like, like oversized t-shirts with leggings especially if they’re a band t-shirt, and those cute Japanese uniform style pleated skirts (I admittedly own one and I love it). The whole ethereal quirky pastel modern grunge e-girl shit, though, just doesn’t vibe much with me. My fashion sense is more on par with Luanna Perez’s alternative looks and the 2007-2012 era of the emo/scene style, as well as some pastel goth, genuine 90′s grunge, and kawaii/lolita inspired stuff. Like I will gladly tease the hell out of my hair, add in extensions and coontails and a little pink bow, and throw on a pink polka dot dress with fishnets and creepers or something. I don’t know, I just feel really disconnected from what’s considered trendy in today’s fashion sense. Maybe it’s because I tried so hard for so many years to fit what was in style despite it not feeling genuine to who I was personally, that now that I’ve finally mustered enough confidence to leave the house wearing what makes me happy even if it is unorthodox and alternative (like black lipstick!!!), I just can’t get on board with what everyone else is doing. Sure, I feel a little weird dressing like it’s ten years ago when everyone else is walking around wearing like those dinky crop tops that say “I have no tits” or have like applique roses on them or whatever and anything else that’s considered modern on-trend but like...in the wise words of Kurt Cobain, “I’d rather be hated for who I am than loved for who I’m not.” I’m tired of trying to fit the status quo and doing what everyone else is doing. If I want coontails and snake bites in 2019, then goddammit I’m gonna go for it (though not gonna lie, the 20NINESCENE craze has me crying because I regret not having “the phase” in middle school that everyone else did so much sometimes that it’s physically painful so to think that there are still people out there rocking the thick side fringe and heavy eyeliner and the RAWR MEANS I LOVE YOU IN DINOSAUR shit makes me feel like maybe I’ve been given a second chance to be true to myself and become a part of a community that means something to me, rather than what I was actually doing in middle school being dragged through the mud trying to redeem myself of some sense of popularity because I was losing my best friend to the alpha female clique mentality and I was so damn unhappy, I legit had a breakdown in her pool about it once so you bet your ass I’m going to say screw it and do everything I wanted to back then now that I actually have the confidence and stopped caring what people thought about me.) 

[ber-bonfamille-lyons]

Made You A Mixtape: September 2015

@simba-lyons

Happy Three Year Anniversary to Simber!!!!! To celebrate, the following playlist is the first playlist that Berlioz made Simba. Yes, that’s right, I have tried to recreate what it would have been here, which means that these songs reflect three criteria:

1. They came out in 2015 or before 2015 and would be on Berlioz’s radar  2. They remind Berlioz of Simba, and so they are mostly cheerful and a bit funky and are Big Sounds 3. Lowkey Berlioz is in love with Simba and these songs are telling him if he would just PAY ATTENTION. This is most obvious in the fact that Ber put two of his fave songs ever on this playlist-- Eskimo Kiss and Wood. They are both on this like massive playlist that he gives people for like Songs That Sound Like Ber’s Soul so yes!

So this is not a ship soundtrack as much as it is a Simba Soundtrack or a Simba-as-he-sounds-to-Berlioz-in-September Soundtrack. <333 The following descriptions are all basically incoherent, so I apologize. 

Out of the Blue- Prides 

Hear you come, my heart's only drummer I've been holding out for your symphony The air in my lungs is like thunder And I can't fight what you've made of me.

This is a Big Sound Song and a good way to open the mixtape in Berlioz’s opinion. He’d talk to Simba about the scratchy guitar that rumbles under like thunder, those drums, and that persistent, driving synth. And when he’s talking about those sounds, what he’s really saying is basically what the lyrics are saying honestly, like-- this song “text paints” very well, as in, it uses a storm metaphor for a lot of it and builds a storm with its instrumentation by creating a very heavy sonic atmosphere, like with all those layers and booming drums-- wow i really do sound probably how Berlioz sounded when really what he was saying is “You’re like thunder to me” and that’s really romantic and super embarrassing 

Shut Up And Dance- Walk the Moon 

A backless dress and some beat up sneaks My discotheque Juliet, teenage dream I felt it in my chest since she looked at me I knew we were bound to be together Bound to be together

GOD this CHEESY 80s dance guitar powerhouse of a jam!! I feel like i don’t even need to describe how this is such a Simba song in every single way and why Berlioz would think of Simba at once. But yeah, I mean: the sheer joy of it, not to mention that honestly Simba is the discotheque juliet teenage dream in this song who is grabbing Berlioz and telling him to dance. But yeah, I mean it’s so over the top in like every single way. Like Simba.

On the Regular- Shamir

Hi, hi, howdy, howdy, hi, hi! While everyone is minus, you could call me multiply Just so you know, yes, yes, I'm that guy You could get five fingers and I'm not waving "hi" Guess I'm never-ending, you could call me pi But really, how long till the world realize?

Kay so Shamir is a HELLA Simba artist and this song has a lot of these kooky sound samples that Berlioz really loves, especially when it comes to Simba. I want to say that tapping noise is a cowbell? Super fun and funky. And of course, lyrics wise, this song is brimming with confidence and attitude which is definitely how Berlioz saw Simba at first. (He still sees that, but of course this song I think, more than others, really reflects the beginnings of their relationship because obviously Ber knew nothing about the drinking and depression etc.) So yeah, Berlioz literally thinks Simba’s “regular” is this cool, funky, ridiculous guy and including this on the song would be conveying that impression, while also being like “Hey Simba, you should check out Shamir if you don’t know him because his sound is You.”

Oh Girl You’re the Devil - Mika  

And I said follow me Whoever you want to be Don't care where you where you go As long as you stay with me

This is another song along the same lines of “On the Regular”-- very groovy, playful, with some fun quirky sounds and structures that just evoke Simba musically more so than lyrical content. But it’s definitely a song that Berlioz would think Simba would like and find fun to dance to/sing along to. And I mean honestly: this entire album is Simba. Me and Berlioz really struggled with which song to put on here. In addition, this was one of Mika’s more personal albums when it came to his sexuality and including Mika on here and probably writing “Please listen to all of No Place in Heaven” in the margins of the notes included with this playlist was Berlioz subtly talking about his own sexuality to Simba.

Bite Down- Bastille/HAIM

You’ve got your claws buried deep Bite down, bite down into me Bite down, bite down into me You better sink your teeth before I disappear Bite down, bite down into me

Ah yes, another “I’m very into you please make out with my face” subliminal message (is it subliminal?? Is it?) Here’s why this is a Simba song-- because its carnal and aggressive and Big. I do body rolls during the pre-chorus anyone else just me?? And the shifts from chorus to verse to post-chorus is so jarring, it just grabs your attention and keeps your attention, which is probably what Berlioz would point out to Simba. And that’s a very Simba thing too, at least a Simba thing according to Berlioz. Also, I personally love the irony considering this song foreshadows the back and forth that Simber will go through in the winter.

Love Me Anyway-The Mowglis

Oh, you know I love you But no, I am not a saint Oh, I make stupid mistakes But you love me anyway Oh, I forgot your birthday And yeah, I show up late Oh, I'll get it right someday 'Cause you love me anyway

So The Mowglis are a very Berlioz band and this album was probably something Berlioz was definitely listening to. The sing-a-long chorusy stuff is VERY Simba-sound as well as the lyrical content just being so very Simba. I like to think that even though Ber and Simba were very much getting to know each other, this chorus still makes a lot of sense since Simba would show up late and forget all these little things-- but obviously, he has such a big heart and always came across as so sincere to Berlioz. It’s a song Berlioz would maybe learn how to play on guitar and think to himself “Hey I bet Simba would really like this song!”

Eskimo Kiss- the Kooks

Oh lonely bones I'm coming through the sun And our lives have just begun Oh lonely bones I'm coming through the sun And our lives have just begun

As I mentioned above this is literally the biggest fucking tell that Berlioz has a big ol fat crush on Simba. This is one of his favorite songs, ever. This was not even a little bit new, it came out in 2011, and yet Berlioz listened to this song and to lyrics like “She's like a rose without a thorn/She's like the sunflower/That never looks back at the sun” and his first thought was “Simba.” He’d probably say some bullshit about how he just liked the lyrics because they were nice and it seemed like the kinda cheerful thing Simba would like. But it was bullshit and what he was really saying was lets please eskimo kiss under the bar rn because you make me feel both sunshiny like this first half of the song and achey and tender like this second part of the song, so, like, how i imagine how love feels like. That was the inner monologue there. And really, the shift in this song from the upbeat jangly acoustic to that tender part emulates Simba’s two sides, because he is very capable of being a gentle honeybun sweetie pie. 

Smile - The Royal Concept 

I've got to dress sharp, you know I will Give you what it takes cause I'm not Gonna be outdone By those beautiful fakes In your halo, there's gotta be gold I've got you waitin' on I'll step on a grenade so you Can see I'm the bomb

And here we are back at that interesting mix of Berlioz finding some funky songs for Simba but also songs that speak to Berlioz’s perception of Simba’s characters in subtle ways/songs that Ber really wants Simba to be into so they can talk about it! So musically wise, you’ve got a lot of the same elements as previous songs here, lots of powerful guitar and some layered vocals and a pretty groovy tempo. Basically this is an alt rock song that makes you want to dance, and that’s the perfect place where Songs-that-sound-like-Simba live (there aren’t a lot of straight pop songs on this mix as you might have noticed.) But then of course, it’s all about this guy trying to go out of his way to make a girl smile (he “carries sorrow” and will “step on a grenade” for her etc) and if that isn’t the most Simba thing. What i like is this is one of those lowkey sad songs that sounds super upbeat and happy too-- which is also a Simba thing, and I like to think Ber would pick up on those vibes. He’d definitely notice Simba trying to make others happy. And I mean.................. who else was making Berlioz smile............

Shine- Years and Years

I was biting my tongue I was trying to hide (Ooh oh oh oh, ooh oh oh ooh) I'll forget what I've done I'll be redefined

Okay, I admit: this song is really not about Simba at all, this one is Berlioz trying to tell Simba he likes him by putting this song on this mixtape and look I am not responsible for Simba not getting that.

Okay but more seriously: shine/sun/light etc are all motifs that reoccur for Berlioz when it comes to Simba, and have for Simber in general. Years and Years debuted the summer before Ber met Simba and was, again, this openly queer artist who Berlioz was definitely listening to a lot of, so it makes a lot of since that he’d go into their album and put a song on there, hoping Simba would get into them so they’d have this kind of shared connection. He picked Shine because of all the songs, Shine is the most optimistic and romantic, so naturally he thought: Simba. And again, there’s this lowkey thread of Berlioz using music to address his sexuality without actually talking about it.

By My Side- Great Good Fine Ok

Baby when I come to get you I'm all I find Every time I go to come back to see it's not my time Any time you think something is on my mind I'll tell you when it's all about you, I need you by my side

So Great Good Fine Ok is like the contemporary BeeGees, and their velvety falsetto and solid dance beats were Berlioz’s Jam in 2015. Seriously, go back and look, I reblogged all their stuff. ANYWAY, so this song really hits all three of the criteria as I talked about above-- this is a band that Berlioz was SUPER excited about and he wanted Simba to like. Sound-wise, totally upbeat and those trumpets in the end!!! scream Simba, which was basically what Berlioz said to him. He’s always associated brass with Simba, that’s just like, a general known fact. He said “The ending with the trumpets really reminded me of you.” And the translation for that is “Please be my boyfriend.” And of course lyrically, this is about someone pining over another… and that’s really not a Simba mood but it is a Ber one.  

Indian Summer- Jai Wolf

It would not be a Berlioz mixtape without at least one instrumental song or something. And this one! This one! If you noticed, Berlioz organized this playlist so it shifted toward more techno/dance music in the second half and part of that was to BUILD to this song right here, his musical climax if you will. Everything about this song screams Simba to him and I honestly do not have a developed enough vocabulary for music to talk about how that works. Maybe it’s just the scope of the song-- and that it has that very BIG scope and it goes from soft, chime-like sounds to exploding outward in these huuuge moments  that are Cinematic as heck. It’s beautiful and soft while also powerful and strong (and that’s simba for u, those four things). It sounds like adventure, like starlight, like camping? And he thinks Simba would like all those things and was probalby like “Oh he’ll like running to this song.” 

man anyone having serious simba feelings at this point just me or 

Wood- Rostam

Sunlight on your eyelids You were sleeping Ah ah, ah ah ah Sunlight on your back You were dreaming

And following a climax, you must have your falling action and resolution. Berlioz decided to end softly and tenderly with another one of his all time favorites, therefore revealing that he associates Simba with all of his favourite sounds-- all the plucky violin and bongo drum and flute. Plus, it describes sleeping with your lover. That’s it. That’s the whole song. And that’s what Berlioz wants: cat naps in the sun with his sunshine boy. 

He wouldn’t have said that obviously, he would have been like, this “cool percussion bro.” 

But we all know what he meant. 

[spaghettiappletater]

♫ - Do you listen to music when you write? If yes, what kind of music, if no, why not? ; ♡ - OTP for your muses? ; ⚔ - NOTP with your muses? ; ☰ - Fun random fact about the mun! 

♫ - Do you listen to music when you write? If yes, what kind of music, if no, why not?

Yes! I find it very difficult to get into a writing mood without something in the background. What kind of music depends entirely on the muse I’m writing. Most of them have their own playlists that I compile, with songs that I associate with them, songs that have some meaning to them, or just songs that have their general… vibe.

As an example, here’s Dons.

♡ - OTP for your muses?

I generally ship base-by-case and with chemistry only, which is a huge pain in the ass because I am aware that I have trust issues and get way too emotionally attached to RP characters, both my own and other people’s.

BUT as far as just liking the idea of characters dynamics in a strictly canon-character sense… I’m all about Henry X Joey and Other Henry X William. I’m a sucker for friends to enemies, possibly to frenemies who might have a little (or a lot of) romantic tension. Whether it works out in the end or is just one-sided pining, it really resonates with me as a writer.

⚔ - NOTP with your muses?

Anything within my usual realm of squick, but that’s probably obvious, so here’s another one.

I’ve tried shipping characters together who are very similar, or even the same person from another reality, and while I don’t have any squick-related problems with that kind of self-love, I don’t ship it often anymore (except under special circumstances, like Blu and NULL who made it work by being JUST different enough in the ways that matter, and similar enough to keep on the same page) because when two people are that similar, there’s not much room to learn and grow from one another.

For example, before Don and Gus were better fleshed out as the individual OCs they now are, they’d sometimes run into a problem where they’d feed into one another’s depression, and therefor couldn’t lift one another out of it. They couldn’t tell one another new things about one another because they’d had most of the same life experiences. It just wasn’t very healthy for either of them. They’re better now that they’re OCs with their own unique histories and more complex personalities.

☰ - Fun random fact about the mun!

When I was a teenager, I used to sneak out of my parent’s house at night using the fire escape ladder from my second floor window. I didn’t do anything particularly bad, though - I just went and laid in the trees in the woods because I had trouble relaxing indoors. We lived far enough out in the country that it wasn’t super dangerous.

[giogio-golden]

for the letter ask meme: F O R M V O L T R O N ~sleepyhunk

gdshhashd @sleepyhunk this made me smile so much thank thank thank

F - What’s the longest you’ve ever been in a fandom?

I think I’ve stuck with pokemon the longest. I’ve been in love with it since I was 8 years old and pretended to be squirtle in my neighbors’ mock pokemon battles.

O - Choose a song at random. Which ship or character does it remind you of?

Ok so I hit shuffle on my playlist and the song Blame by Bastille came on. Of course my brain immediately went to Shiro and his time while imprisoned by the galra. The lyrics give this vibe of being constantly taunted but trying to hold on and not lose yourself. Give the song a listen or look up the lyrics and you’ll know what I mean.

R - Which friendship/platonic relationship is your favorite in fandom?

This fandom is severely lacking in platonic relationships but I always loved Lance and Allura being best friends. I headcanon them both as bi/pan (I see Lance either way) and imagine they’d bond over admiring the beauty in the world. They’d have a good time trying on clothes and gossiping and doing all sorts of things together. I also think they also both share some insecurities that they could figure out together

M - Name a character that you’d like to have for a friend.

Only one….? I really can’t pick just one….all of them? Can I be friends with all of them? (I’d probably get along best with Lance or Pidge tbh)

V - Which character do you relate to most?

Okay fun story I’ve actually really struggled to figure this out??? I picked Pidge initially because they gave off that “me” sort of vibe, just wanting to do their own thing, being kinda sassy but also shy and visibly scared about the whole situation. But then I started relating to the fandom’s characterization of Lance hiding a lot of self-doubt behind an unconditional loving personality. My friend once said I was like the Hunk of the friend group, always worrying and trying hard to be my best. I think it all depends on perspective really. I always say that if Hunk and Pidge ever had a child it would be me, a nerdy, nervous ball of sunshine.

(Already did O)

L - Say something genuinely nice about a character who isn’t one of your faves. 

I will say that there’s no character that isn’t my favorite at some point. I’m more enthusiastic about certain characters at certain times but I’ve never really disliked a character. I wanna give more love to Coran though, I feel like I sometimes forget he exists. He’s a great friend to Allura and seems like a genuinely caring person.

T - Do you have any hard and fast headcanons that you will die defending?

Hmmmm. I haven’t really thought hard about headcanons besides sexuality, since other people always come up with much more amazing things. And even then, I’m pretty open to anything so there’s nothing obvious that I would die for. I think the one I am most quick to defend is the fact that Pidge is trans. There are many different depictions of this, with Pidge varying from a trans girl to agender to genderfluid and many others. I love them all so much and have become so adamant to have some representation for us trans pals that I can’t accept a cisgender Pidge. (I also headcanon all the paladins as college age but I’m not getting into the discourse of that)

(Already did R)

(Already did O)

N - Name three things you wish you saw more or in your main fandom 

First, more platonic klance please. I love klance as much as the next fan but make room for them being friends and supporting each other. 

Second, Lance is usually seen as bi/pan but is never shown dating a girl unless it’s Allura. That just kinda bugs me as someone who identifies as pan and is afraid to be “too straight.” Although I myself don’t ship allur@nce I’d like to see more interpretations of Lance being with people who aren’t male.

Third, I love the whole idea of the paladins having a polyamorous relationship together. It’s a big solution to the whole “shipping war” thing and I think polyamory is greatly under-represented. This includes platonic OT3s, because I see more nsfw of polydins than anything else and it really bugs me. With the potential diversity of a poly relationship you could create a really cool dynamic.

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