#fuji fp 100

[lucabaldassari]

dove c'è fumo...

grazie ancora per l’ospitalità e per il resto.

[livefromphilly]

Sony RX100 VII Thoughts After Two Months

PROS:

Stacked sensors are the future. Well, technically the present considering that Canon, Nikon, Sony, Fuji, and OM Systems all use stacked sensors in their top of the line cameras. Either way, finally getting to experience shooting with one on a daily basis has made me want one in pretty much any camera going forward. The benefits are twofold: Not only do you get shutter speeds up to 20 frames per second, and without a mechanical shutter flipping in the way obscuring your view in between shots, but you also get no rolling shutter while doing it. Pretty much every Sony camera can shoot 10 fps bursts with the silent shutter, but any movement can give you a jello-like effect since the sensor reads out so slow on non-stacked cameras. The only con, at least on this camera, is that you can’t shoot flash at higher than 1/100 with the electronic shutter. That’s still plenty fast for a lot of stuff, but well below the 1/2000 you get when shooting the mechanical shutter. 

The fast frame rate wouldn’t make much of a difference if the camera was bad at autofocusing, but this camera is great at it. It has a lot of the same fancy focusing stuff that my full frame Sony has like human/animal eye autofocus and all the tracking modes I’m used to. It actually makes the camera pretty solid for wildlife if you can get close enough at the 200mm end. 

Speaking of that, the 24-200mm equivalent is a great range, and one that I missed a lot since I traded away my Tamron 28-200 to help cover the cost of my A7RIV. The small size and extra 4mm on the wide end actually makes it even more convenient than that Tamron. 

Aside from covering a broader range than the 24-70 equivalent lens from the older RX100 cameras, this lens also seems noticeably sharper. The last RX100 model I had, the Mk. IV, just didn’t seem as crispy as this lens is. 

It has a touchscreen! It’s wild to think that the previous RX100 cameras I owned didn’t have this basic ass feature, but Sony was very late in putting touch screens in their cameras. Ironically, I don’t really use it in this one because the AF is good enough that I can just do focus and recompose with tracking. 

CONS:

It’s still only a 1” style sensor so high ISO isn’t the cameras strong suit. Programs like DXO PureRAW help a lot and let you get somewhat usable images at ISO 6400 in a pinch, but you’re kinda pushing things at that point. 

While the lens is sharper and covers a wider range than the older models, it’s also significantly slower. At 24mm equivalent it’s already at f/2.8 where the old cameras were f/1.8. It’s f/3.2 at 25mm, f/3.5 at 33mm, and f/4 at 40mm. From 109mm to 200mm you’re at f/4.5. The relative slowness of the lens combined with the small sensor means that this can struggle getting quality images in low light without a tripod or something. 

No USB-C. My Fuji, Ricoh, and larger Sony all have USB-C charging, which is amazingly convenient when traveling. I haven’t really gone anywhere with this camera yet, but having to account for a micro USB cable is annoying since pretty much everything aside from my iPhone uses USB-C. 

It’s expensive. Just like my Mk III and Mk IV I got it used so it was cheaper than retail, but the copy I got cost about twice what I paid for the previous models. 

Start up time is just a tad bit slower than I’d like. The GRIII and X100V both beat it that regards, albeit those aren’t zoom lens so I have to cut the Sony some slack. 

SAMPLE PHOTOS: 

(The sample photos were edited in Lightroom Classic and DXO PureRAW2. Also, the sensor creates a roughly 2.7x crop factor, so the 9-72mm lens equates to 24-200ish)

Young Bird | ISO 160. 72mm. f/4.5. 1/200. 

Graffiti Shot from a Car | ISO 100. 33.98mm. f/4. 1/400.

Stickers | ISO 100. 29.67mm. f/4.5. 1/100.

City Hall | ISO 100. 38.13mm. f/4.5. 1/200. 

Flip Up Screen Selfie with My Friend Hanae | ISO 3200. 9mm. f/2.8. 1/40. 

Zoomed in Graffiti | ISO 640. 72mm. f/4.5. 1/500. 

Fishing Store Neon | ISO 800. 28.67mm. f/8. 1/200. 

Flowers | ISO 200. 72mm. f/5. 1/640.

Selfie Shots with My Sister | ISO 3200. 9mm. f/2.8. 1/100. 

[polaroidsandthoughts]

From the notebooks.

2008.

Actually one of the few emulsion lifts i did with Fuji fp 100 c, i think.

[baldophoto]

on the things you thought you could do without

[onceuponawildflower]

Parque nacional de Garajonay 1 by Marian Rainer-Harbach Via Flickr: Camera: Polaroid Automatic 100 Film: Fuji FP-100C (2016-03)

[romerpolaroid]

I Want To Be Like Andy - INSPIRATION 

1. Film -Instax Fuji Square  

Camera - Fuji SQ6

2. Film- Fuji FP-100c Peel Apart Film

Camera - Polaroid Big Shot 

     I was so inspired by Taschens’ book Andy Warhol Polaroids- 1958-1987 . I loved how Andy photographed everything from everyday objects  to his group of friends and celebrities of the day with this instant camera  . These Polaroids were used for his famous large  silk screen print portraits . I was pleasantly surprised to find that his favorite camera the Polaroid Big Shot was available and affordable  on ebay , I think I got it for $35 . I couldn’t help but buy it and try to do portraits in the style Andy did . The only problem was the film used no longer existed ( POLAROID Land Camera Film ) and the only film similar available  was the Fuji Fp-100c . This film was also discontinued as of 2016 , and sells online for $72-100$ and up for 10 shots. I regret not having an interest in shooting polaroids when they sold before for $8-10 a box. I spent about $78 dollars on the film and barely got a shot I really liked . The Polaroid Big Shot is really good for portraits and doesn’t have a way to place it on a tripod. Also to focus the subject  you have to keep going forward and back until the two images you see on the viewfinder match up, this “dance move” is also known as the “Big Shot Shuffle” . I wanted to do a self portrait with it and I thought the timer in the back of the camera was meant for selfies, but its purpose was to time its film  development.  You also need to get old school Flash Cubes $12 online ,as the camera doesn’t have its own flash. With all the costs and complications,  I still loved the fact that I was following in the footsteps of an artist I admired. 

[swearingen]

Last few exposures from my very last pack of Fujifilm FP-100 C which expired sometime in the spring of 2015. Sad that this stuff is gone for good. Looking through pictures I made from my first pack of 100-type instant/peel film made by Fuji from back in 2007—some things never change & what goes around comes around. 

[justfornowokaaaaaaaaaaaaaaa]

I haven't been making as many photographs lately as I use to, nowhere near the same amount. I'm not sure how to fix that. I've considered a 52 week or 365 project with prompts but they never feel compatible with my process. I do think a switch to medium format is in order and I've started putting aside money for a good camera. Maybe even large format. I really wish the Fuji FP-100C film had not been discontinued. That always felt like the right medium for me but at 100 dollars a pack of 10 which is the going price for left over stock og the film is too rich for my poor ass.

[lorenphotos]

Flamingos

via Flickr (link).

[lucabaldassari]

from burano to venice #01 - august 2014 – pinhole balda IV with fuji FP100 silk

[quarentenaminhavida]

ninho 2.

Fotografado com POLAROID 600 SE, Fuji FP 100-c.

www.instagram.com/camilacornelsen

[polaroidsandthoughts]

it is what it is.

[gargalonely]

Août 2016

[baldophoto]

les deux cocos

[sofiamottamartins]

FOREVER RUINING POLAROIDS by Sofia Motta on Flickr

[lightroomclassroom]

RNI All Films 5 Lightroom presets

If you are into the analogue film look on your photos and want something based on real film stock then RNI All Films 5 Lightroom presets could be for you.

RNI All Films 5 claims to be a state of the art package of profile-based film presets. Carefully crafted after real film stocks it brings the magic touch of analogue film into your digital workflow.

RNI All Films 5 incorporates real film colour profiles. This enables really sophisticated and precise colour transformations which are far beyond what's been possible with Lightroom colour adjustments alone.

Unlike typical LUT packages, RNI All Films 5 not only transforms RGB values but also achieves more natural film-like tonal response by recovering otherwise hidden data from RAW files.

With RNI All Films 5 your highlights will never clip, no matter how far you push them.

You can tune down the strength of your film look, or even push beyond 100% in some cases.

It can be synced to Lightroom Mobile via Adobe Creative Cloud, for both iOS and Android.

Presets Included (180+ in total)

NEGATIVE FILMS

Agfa Optima 100

Agfa Optima 200 / v2 / v3 / v3 faded / v4 / faded / HC / muted / warm

Agfa Vista 100

Fuji Natura 1600 / II

Fuji Pro 160ns / v2 / v2 HC / v3 / v4 / faded

Fuji Pro 400h / v2 / faded

Fuji Superia 200 / v2 / v2 normalised / v2 normalised + / v2 normalised HC / v2 warm / v3 / v4 / v5 / v6 / v6 HC

Fuji Superia 400 / v2 / faded

Fuji Superia 800

Kodak Ektar 100 / v2 / v3 / v4 / cool fade / warm fade

Kodak Gold 200 / v2 / v3 / v4 / v5 / v6

Kodak Gold 800 / faded / soft red cast

Kodak Portra 160 / II / III / IV / v2 / v2 warm fade / v3 / v3 faded / v4 / v5 / v5 HC

Kodak Portra 400 / v2 / normalised / warm

Kodak Portra 800 / v2 / v3 / v4

Kodak Ultramax 400 / v2 / v3

Rollei Digibase CN 200 / v2 / warm

SLIDE FILMS

Agfa Precisa 100 / II

Agfa RSX II / v2 / v3

Agfa Ultra 100 / v2 / warm

Fuji Astia 100F / v2 / v3 / v4 / v4 warm / v5

Fuji Fortia SP / v2

Fuji Provia 100F

Fuji Sensia 200

Fuji Velvia 100F

Kodak E 100G / v2

Kodak E 200 / v2

Kodak Elite Chrome

INSTANT FILMS

Fuji FP 100C / v2 / v3 / v4 / v5 / v5 HC / v6 / v6 expired / v6 faded

Fuji Instax Mini / normalised

Polaroid 600 / v2 / v3 / expired

Polaroid 669 / terribly expired

Polaroid 690 / v2 / v2 expired / v3 expired/ expired / muted

VINTAGE FILMS

Autochrome / v2 / v3 / v4 / v5

Autochrome 50s / plus

Agfacolor 40s / aged / warm

Agfacolor 50s / HC / muted

Agfacolor 60s / faded

Agfacolor XP 160 / v2 / vibrant / normalised

Kodachrome 70s / v2 / v3

Kodachrome 1958

Kodachrome Generic / v2 / v3 / v4 / v4 muted / v4 muted faded / v4 normalised / v5 / v6 / faded

Kodachrome / v2 HC / HC

Technicolor 2 / v2 / HC

Technicolor 4 faded

B&W FILMS

Agfa Scala 200 / + / ++ / faded / faded HC / faded plus

Ilford Delta 100 / faded / HC

Ilford Delta 400 / faded / HC

Ilford Delta 800 / faded / HC

Ilford Delta 3200

Ilford FP4 / faded

Ilford HP5 / faded

Kodak Tri-X 200 / HC

RNI TOOLKIT

- Fade

- Hard Fade

- Grain settings for various ISO values

- Slide Frames

- Smart Contrast

- Vignette

- Analog Softness

- Vintage Lens Effect

To find out more visit: www.reallyniceimages.com/products/rni-all-films-5-pro-for-adobe-lightroom.html