#fuckin men

[jessiesjaded]

Like actually the concept of approaching a stranger when they're sitting happily alone with headphones on and then after you awkwardly try to talk to them and ask what they're up to and if they'd like to get coffee they tell you that not only are they sick and also having a very bad week whilst mostly avoiding eye contact and being very unreceptive to any further conversation and instead of saying Oh that's too bad, I hope your week gets better and then leaving it at that, you still continue to try to hit on them and get their number and when they don't give it to you, you walk off with a dirty look on your head like ?????????? Are you a fucking idiot?

[chellestrash]

so jon is pete’s lil gay crush, huh?

[sowhatnotcreative]

Being a skinnier than healthy woman eating a very small dinner at normal dinner time.

Men: Oh my GOD you're EATING? AGAIN?

[nonebinary-leftbeef]

DEVASTATING the lyric you've been mishearing is better than the real one

[beaft]

every time i see that post chiding trans men for using women's restrooms i want to chew on somebody's head. you think i LIKE using the women's restroom? you think i LIKE having to make a grim hobson's choice of "which bathroom is least likely to get me yelled at" every time i need to pee? i'm fucking flabbergasted that this is seen as "men invading female spaces" or "AFABs flexing their privilege" as opposed to, oh idk, a vulnerable group of people doing their level best to avoid being harassed and assaulted. like we are not the ones in the wrong here

[steddieas-shegoes]

Steve’s parents send him on a gap year after high school in hopes that it’ll get him ready to apply to colleges and become a proper adult. They let him choose any of their three vacation homes so he chooses their condo in Paris.

He’s expected to find a job and himself.

The bakery down the block from the condo is owned by two old men who don’t wanna open anymore because they like sleeping in and sipping on their coffee on their balcony. Steve is happy to take over.

Especially when he sees the guy who works at the wine store across the road.

He’s in by 8 every morning, waving to the people coming in and out of the bookshop next to him and the bike repair shop next to them. His smile is contagious, and Steve often finds himself completely distracted by it even if he’s helping customers.

His long hair is always down when he gets there, but by the time Steve sees him leave in the afternoon, it’s pulled up and he has a sweaty sheen across his skin.

Steve decides to visit on his day off, maybe grab a bottle of wine even though he hates every wine he’s ever had to sip on at family functions.

But the man isn’t there when he stops by, or at least not at the counter. An older man is there, wrapping a bottle in paper for a customer who seems like they visit often.

It’s a small store, no bigger than the bakery, so it’s not like the guy could be hiding somewhere.

“Looking for something?” The older man asks as he walks around the counter towards Steve with a smile.

“Oh. Um.”

“You’re lookin’ for Ed right?” The old man’s smile turned into a smirk. “Ed! Customer!”

The man Steve had been seeing every morning and afternoon was suddenly rushing from the back of the store, clipboard in hand, hair sticking to his neck and forehead.

“Hi! What can I help you with?”

Steve could think of quite a few things he could help him with, but it probably wasn’t appropriate to say in front of someone else in his place of work.

“Sorry. Do you need me to speak French?” The man, Ed, asked in flawless French.

“No,” Steve assured. “I work in the bakery across the street. Just wanted to come by and say hi.”

Ed’s brows furrowed as he turned to the older guy who was already back at the counter trying to look busy.

“Does David need a bottle for something? He usually has Wayne pick his pairings.”

Steve shook his head. “No, not that I know of. I’ve just…um. Well, this is actually weirder now that I’m here. So I think I’ll go. Sorry to waste your time!”

Steve turned to go, but a hand grabbed his arm, tugging him back.

“Are you always this awkward?” Ed asked. Steve looked up from his feet to see him smiling. “It’s kind of cute.”

“Steve.”

“Steve. How about you come taste our sample bottle for the day? Maybe it’ll take the edge off,” Eddie offered, gesturing towards a side table that had an open bottle of wine and small sample glasses. “You like rosé?”

“I don’t really know.”

“Then let’s find out.”

Turns out Steve didn’t mind rosé that much, but maybe that was the company. The flavor was a bit less bitter than he was used to, going down much smoother without leaving a burning sensation on his tongue.

And later, after Eddie had talked to him for nearly an hour about himself and the store and his uncle who took him in and worked for him, Steve leaned in and got a taste of the rosé on Eddie’s tongue.

Steve decided he liked wine more than he thought.

[fostersffff]

It really cannot be overstated how quickly and dramatically X-Men '97 has rehabilitated Scott Summers's public image.

[piratecaptainscaptainpirates]

Another thing I adore about OFMD is how the discussion of masculinity is so nuanced. It's like - the best way I can think to describe the depiction of gender in OFMD is it's like the opposite of the recent Barbie movie, if that makes sense? I thought Barbie was fine but its understanding of gender was very basic to the point of being almost reductive, and the whole movie just screamed "this was written by cis people!" OFMD has the exact opposite vibes, you can TELL there were trans writers in the writing room.

So often, when we see gay relationships in media, there's an attempt to force the characters to be "the feminine one" and "the masculine one" in a very transparent showing of how they're too scared of queerness so there have to be some gender roles shoved in there. Ed and Stede turn that trope right on its fucking head.

Because Ed and Stede both have different and complex relationships with their own masculinity, and they're both feminine and masculine in different ways. Stede worries about being seen as soft and struggles with what a "man's work" should look like, but even in more practical clothes he loves his little accessories and he just adores showy, campy clothing. Ed feels forced into an ideal of hyper-masculinity, but he also loves wearing soft robes, painting his nails, and writing poetry. He painted a bride cake topper to look like himself as an expression of his deepest, most tender dreams and it's never made into a joke. OFMD's thesis statement is that "the things we're taught about being a man are wrong," and it shines through in every angle of the show. The men on the show are allowed to be tender as hell and it's a fucking strength.

It's such a lovely, queer thing, to see both of these characters get to express feminine traits in their own masculine way, without the narrative telling us they're any less of a man for it or asking us to laugh at them.

[sirenium]

Every time I see 'men DNI' I roll my eyes so hard. Imagine someone had 'women DNI', people would lose their shit lmfao. Like we're not children. Believe it or not, the 'opposite' gender won't give you cooties. Your treehouse won't be contaminated.

edit: I know men are just as immature as women with this, I know there are adults of any gender who still behave as children. I shouldn't have said 'imagine if men did this' because all people can focus on is that tiny bit and be like "BUT MEN DO IT TOO!!!111!11!1". Additionally, read the tags next time before thinking I'm a huge advocate for binary, nonlesbian men interacting with lesbian porn (though the fact that I support lesboys in general is enough to make the people screaming at me think I'm stupid anyway).

[fuckmeyer]

the choice between Edward & Jacob is not a question of which relationship is healthier or which partner is best suitable for Bella. neither is correct. neither is best. neither produces a happy ending for Bella. at the end of the day this is still a vampire novel. any choice Bella could make would yield, at best, a bittersweet happily ever after.

if she chooses Edward, she gets the terrifying Breaking Dawn ending: a girl who rejected her call to grow up has hung her love & her eternity on an emotionally stunted partner who hates himself marginally less than he loves her. she's a teen mom with a kid she never wanted who perpetuates the generational trauma passed down from her parents. by keeping this child, the Cullens have set the stage for an uprising/cold war against the Volturi who are likely to take revenge in order to maintain power. Bella is living in a tenuous "dream come true" wrapped in a nightmare & doesn't realize it.

choosing Jacob is the true coming-of-age ending that rips the stitches out of a wound that never fully healed. even if we ignore the fact that she ends up with a man who sexually assaulted her (we must bear in mind Jacob's character is influenced by smeyer's racism, but it did happen), they can't have a secure romantic relationship. based on the high imprinting rate of the pack, Jacob will likely find his imprint in his lifetime & will lose himself to the imprintee. he will no longer be her Jacob. he will inevitably abandon her (whether he wants to or not), & she must reconcile with the reality that she will always be inadequate to Jacob's imprint. & say he never manages to escape the vampires? he will presumably not age for a long time, meaning the relationship Bella always feared with Edward (her being an old grandmother while he stays forever young) remains a possibility. this is the story of a girl who slaps a Band Aid on an open wound & calls herself healed while flinching every time she sees the shadow of the knife that cut her.

if she chooses neither (team therapy), her healing requires her to lose or be at least partially disconnected from everyone she cares about. Bella must spend the rest of her life shut out from one world while never fully existing in her human world ever again. she must always keep secrets. she can never go back home. even in the unlikely event that she manages to escape the Volturi, the threat of being hunted by vampires will never leave her. in addition, she must face her worst fears (aging, losing Edward) while always keeping in mind the immortal life that could have been hers, if only.

even the "healthiest" option produces scars that will never quite heal.

Twilight is a horror. Twilight is a vampire novel. Twilight is gothic. Twilight is fiction. neither Edward nor Jacob is a "bad" choice because neither will give Bella her happily ever after. the choice between Edward & Jacob is simply a matter of which horror story you prefer to read.

[skipar00]

i was gunna throw some fun colors on this but honestly i cant get the composition to work for me so ig it's fine as is

[rennyrose]

I love your wolfwood because he has a tummy that begs to be kissed

Oh boy renny has drawn another shirtless dude who would’ve guessed

Anyways I feel like this man has an allergy to undershirts

[pppondi]

Well... obviously I had to do DOFP book cover as well.

Also pls appreciate the faces

[bbonbonss]

✦ not your typical ballet ✦ (for @cerebrusdean 's ballet au cus im obsessed)

[ricky-mortis]

Curtwen Week Day 6: Happy Ending

[meanyart]

"Do we have a deal?"