#from me trying my best to be objective

[catastrxblues]

EVERMORE by taylor swift (feat. bon iver) — “and i was catching my breath, floors of a cabin creaking under my step. and i couldn’t be sure, i had a feeling so peculiar, this pain wouldn’t be forevermore.”

my #swiftiegiftexchange2024 for @lovesickallovermybed!!!! 🫶🏽🫶🏽

[delicourse]

most wonderful girl named mold

[hella1975]

im so sick of reading ooc dabihawks fics make them try and kill each other fr i have a GUN

[possamble]

Thank you for writing the (messy but neccessary) farcille breakdown. You handled it so wonderfully aaaaaaaah!! Like the other anon I was wondering how far "rock bottom" could get (because chapter 4 already felt pretty rock bottom) but. Yeah. That's pretty rock bottom, huh. The tragedy of loving someone but the other person not understanding <- this applies to both of them.

I think it was really neat how you flipped the question on who's reaching out to who with the academy flashback and the final scene with Namari, because... Marcille clinging onto Falin really is just a reversal of their academy days, isn't it? To everyone who met them after they reunited, it was always Marcille chasing after Falin, but to those who were at the magic academy, it was Falin chasing after Marcille. From picking flowers and berries to eat together, inviting Marcille out to see a play, and generally monopolizing her free time... I'm sure any of them would say the same thing as Namari, but in reverse. No wonder everyone thinks Marcille is just another friend to Falin. They weren't there to witness her pining /j. Idk!! I was rereading the chapter and the academy flashback girl was like "why do you hang off of Marcille so much" and I screamed to myself, "hey wait. HEY WAIT."

[rmbunnie]

Red Hood Characterization

This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.

I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?

This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!

tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.

Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.

[sysig]

Finally made a Parapluesch OC, introducing Mama Oz ♥ (Patreon)

[bruhstation]

the journey of gordon juniperus gresley (and still ongoing)

[quillkiller]

sigh. should i get back into jegulus

[rainingmbappe]

The rise of "let people enjoy things" is single handedly the backbone of the rise of anti intellectualism

[scorpiusmalfoylovesoscarwilde]

I made a meme do you leik it :)

[definitelynotshouting]

After being friends with Grian for so long, and then getting used by him (in a sense), does everyone get a form of whiplash when the void patrol find Grian? Like hermitcraft and Scott and Martyn and so on reunite with Grian and realise that this entire time they've known him he's been suffering and suicidal?

Theres definitely a lot of varied reactions to Grian's situation. I dont feel like i can accurately generalize any one type of reaction though, since everyone has such different and complex feelings-- but i do think its safe to say everyone at least pauses at learning Grian's been starving this entire time.

I think its also safe to say theres a bit of universal weight there in that pausing. Thats a real scary thing to just discover, yknow?? Even the people who are still furious at him are gonna at least feel a fraction of that weight, although what they do with those feelings is definitely going to differ from person to person

[dr-gaytorius]

i understand that the experience of feeling like a prey animal is very common on this website but i just am not very sure what you all mean. you're an apex predator? your body is a weapon. you can kill the vast majority of living creatures with you bare hands. what are you afraid of? i hope one day you realize how easy it is to make people blush

[caterpillarinacave]

For the yes/no ask game: If you were interested in picking berries and learned all the good spots in your area to collect from, of which there happened to be many, and you found yourself falling into a little community of berry pickers, where you trade locations, recipes, and knowledge of berries, and one day you heard of a little local legend about a lost grove that's supposed to have some of the most delicious berries but no one remembers the path since the markers for it were washed away one particularly strong storm, only a general area of where it might be is recalled, but you're intrigued, so armed with what little information you have and boatload of determination, you pack yourself a little picnic and decide to make a day of it, hiking out to the spot, and it takes the better part of a morning, mostly because you keep stopping to check for berries, but by noon you've reached a place you're pretty sure must be it because the bushes are so high and thick they seem to be trying to drown out the sky itself and the berries (which you one hundred and ten percent recognize 'cause you're cool like that) are plentiful as expected, so you get to work filling your basket and while you're collecting you stumble across a couple little neat trinkets you decide to pocket as well (a spinning top, a key, a dog tag, and an old useless walkie-talkie) and before long you've filled your basket and you start your trek back following your markers, only to see a door halfway back, standing in a frame in the middle of a clearing of a thicket, so, obviously intrigued, you wander over to give a closer look, it's old, vines climbing the brick around the frame, it's closed and the door is painted black, when you try the handle you see it is locked, when you go to the other side you see the door is white, and when you try the handle the same applies, even when you rattle it nothing happens and while you chew on a berry and think on this problem you remember the key you found earlier, and having nothing better to do you dig it out and try it, to find to your delight that it does indeed open, you take the key back out and step through the doorway, closing the door behind you, you try the key on the black side, but it doesn't work, so you shrug and pocket the key once more, returning to your journey out of the woods, only...where are the path markers you tied on the way in?

You wouldn't say you're lost quite yet, but you hurry along the path you're sure you took anyway and you make it out, but your way home is missing, you let out a noise of frustration, you've been robbed, but you have no cell service here so you start walking, luckily home isn't too far, but it is tiring, and by the time you make it to town it's mid-afternoon, you're tired, yet satisfied with your haul, but as you walk into town you make a very disturbing observation, this is not your town, the streets are strange, the architecture too, you make it to where your house should be and there is no building, instead the place is a garden, there are people, tall with long dark hair, and you wave to them to ask where you are, obviously you've made a wrong turn somewhere, but as they come close they seem confused by you and your words, when they speak the language is harsh and punctuated by chirps, like nothing you've ever heard, you can't understand them, so you politely apologize as best you can and try to speak to the next person walking down the road, but with the same results, you try again and again, each time you fail to communicate a sense of unease quickly turning to dread fills you, you can't even find common words in any language you know or gestures with those who try to communicate with you, eventually you find yourself sitting alone outside of town, evening will be here soon, you put away your phone, which you noticed earlier hasn't had service all day, and your fingers brush against the key from the Door, despite how bizarre it sounds, you are struck with the hypothesis that it may be the source of your current mishap, after a long bout of debate, deliberating your options, you decide to try going back to the Door, while it might be a waste of time, it couldn't hurt and maybe you'd solve this problem while walking anyway, so you head back, much more direct than the first time, but it's still dusk by the time you make it, the doorway is just as you left it, you try the key in the lock on the black side of the door again, to no avail, you bang on the door, kick it, try to pick the lock, eventually you circle around to the white side, this time when you try the key, it opens, but when you look through you are certain that is not your world, do you walk through?

No.

[neofelis----nebulosa]

saw a living oriole irl for the first time today!

[whiskeyswifty]

.

[kohakhearts]

im very fond of jn for a lot of reasons but honestly i think just the main character dynamics are iconic. like ash is ash, who cares. but goh and chloe are objectively hilarious characters, theyre practically made for a sitcom. my gay best friend who only befriended me because of my dad (but not in a gay way, in a nerd way…probably) but despite hating being associated with my dad’s work this somehow worked, because he was like a kicked puppy left out in the rain and i felt bad for him. and weirdly he doesnt actually seem to define me by my father’s work at all, which on a deep level i appreciate even if we never talk about it. and then even by the end of the show shes like, to ash, hey…you know you were goh’s first friend right? that’s a big deal to him. you should give him a little grace. maybe even go talk to him about being a stupid idiot. (read: so *i* dont have to.) like do you get what im saying. the dynamic is unparalleled as far as im concerned. tbh the reason why the writers were so scared of chloe especially in early jn is simply that their relationship was too chaotic to fully explore on-screen. they had to give them other friends and rivals first to soften the effect and distract us from how unhinged their history actually is