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#fringes of time posting
margh0sts · 2 months
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this just in: apparently if you write about your blorbos in your grad school homework the homework gets done faster
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fondcrimes · 3 months
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I genuinely feel like I’m taking crazy pills
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graegrape · 2 years
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bad choice road
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rithmeres · 8 months
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quick & messy biblically accurate johanna and finnick sketch just to nail down exactly how i imagined them
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thefringespod · 7 days
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Welcome, wanderers, to the start of season 3! Episode 25 - Followers of the Mighty River is out now wherever you get your podcasts
This episide features @totcoc0a, Ollie Bannerman, Shamis Spivey, Zoe Lee, and Julian Dailey
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mikuyuuss · 11 months
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Breaking Bad characters except anime and chibi.
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bagadew · 7 months
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A detective who regularly investigates weird and inventive murders decides to start a blog…
Unfortunately rather than writing about his job, he decides to write about his interests: a collection of the most boring subjects known to man.
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calwasntfound · 6 months
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i fear i may have to start watching dungeon meshi
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lusalemaart · 2 months
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#and i SADDLE UP MY PONYTA AND I RIDE INTO THE SIT-TAY#I MAKE A LODDA NOISE CUZ THE GURLS THEY R SO PRETAY#RIDIN' UP N DOWN BROADWAY ON MY OLD STUD LEROY AND THE GIRLS SAY:#SAVE A RAPIDASH RIDE A MEOWBOY!!!#JOHN WAYNE AINT GOT NUTHIN ON MY FRINGE GAME HELL NO!!!!#well stranger don't ya know i'd like to be yer friend... IF I HAD THE TIME TO STAAAAAAY.#BUT I'M A BRAMBLIN A BLOWIN IN THE WIND. I'VE GOT TO CATCH ANOTHER STAAAAAAAAGE.#I STRAP ON MY GUITAR JUST LIKE A FORTY FIVE. I PRAY EACH NIGHT MY AIM IS TRUUUUEEEE#and ACQUAINTANCES TURN TO FRIENDS I HOPE THOSE FRIENDS THEY REMEMBER ME#HOLD THE NIGHT FOR RANSOM AS WE KIDNAP THE MEMORIES#NOT SURE THERES A WAY TO EXPRESS WHAT U MEANT TO ME#SOMETIMES I GET TO THINKIN BOUT SETTLIN' DOWN. FADE OFF INTO A MEMORY.#BUT EVERY NIGHT THAT I STEP OUT TO FACE THE CROWD?#I KNOW THIS IS THE LIFE FOR MEEEEEEE#pokemon#meowth#ok context. to whomever it may concern. which is no one but idc i have a lot to say and no one to say it to#first off heres my like bi-annual post bc i 1. only draw f*rdekyl* and fucking detest f*re *emblem fans with a burning passion#so i hate sharing my 'art' . so heres a rare non-fk thing. bc i also hate social media as a whole it makes me sue of side all#but like 2. i have deliberately avoided scar/vio bc its a BAD GAME. and its not made well. also i know 'open world' formats#trigger my ocd. which it did exactly. but thats mostly irrelevant. but in anycase. i bit the bullet bc i was in a pkmn mood#esp after my long beloved n*te and dook*ie gave me a hankering for a pkmn game again#and my lil bro accidentally bought 2 copies years ago so i was like fck it ill give it a shot its Free#and yes the game is dogshit. however. everytime i see a meowth in the wild i lose my mind.#his jaunty little yee-haw walk kills me every time. i adore him. thus this was inspired.#alright imma head out i fucking hate this website as well as every other social media . maybe ill draw something non-fk in like a year#see ya in like a year maybe if i live that long. which i wouldnt count on bc tbh this year has been BAD in terms of my pain. im on the#EXTREME decline and can BARELY draw anymore. i want to die. i got nothin left. it just keeps getting worse so adios!#:(
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jfleamont · 8 months
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I think everybody should have bangs
that's it that's the post
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margh0sts · 3 months
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i need an end of the week screen time recap but for time i spent actually literally zoning out listening to music and putting me and my friends' characters in scenarios
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brbabcs · 1 year
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the compliments are all his: a gus/max dynamic analysis, based on canon and what we can deduce from it. (please take this with a grain of salt, these are just my personal viewpoints and what i see as far as canon goes, as well as what i've been able to knit together into what i believe to be reasonable assumptions.)
"what are we now, but voices who promise each other a life neither one can deliver? not for a lack of wanting, but wanting won't make it so. we cling to a vine at the cliff's edge. there are tigers above and below. let us love one another and let go."    ───   eliza griswold, tigers.
as far as canon goes (and setting personal headcanons aside) we know from what little we learn about max, that he was raised in a survival based environment. he very clearly states that gus rescued him from the santiago slums. in the time period they'd be set in, the slums had almost no resources, and it's pretty easily deduced that max, at the very least, had an unstable living situation. we never clearly get a confirmation nor denial that gus was the one to propose the business model of los pollos hermanos/the fring empire, but i think it's not a reach to assume that he was, based on the behaviors we witness in gus climbing the ladder in canon, as well as the lack of resources and circumstances max was factually in to begin with. this, coupled with what we witness from max in hermanos, doesn't necessarily lead me to believe that max was the catalyst nor the mastermind behind the initial idea (although i don't believe that he was absent in the formative process of it all by far).
we also witness an extraordinary amount of composure (and also, in contrast, a lack thereof towards the end) and displays of vulnerability within his conversation with eladio. he is clearly distressed decently early on in the interaction, yet carries himself quite well: and i think it's not too far off to assume that, considering the way he grew up, this is not a foreign power dynamic to him, although it may be something he hasn't experienced in quite some time when we account for the amount of time that gus and max have spent together. he communicates in an openly passionate regard when he discusses chemistry, he isn't very concealed about his emotions (despite not letting them hinder him in the conversation until things begin to escalate), and even when we witness him begin to devolve, he vouches for gustavo fring as a human being, before a business asset: regardless of how we can deduce out that he understands the motive and power dynamics in this organized crime setting.
i think it isn't too much of a reach to think that gus and max contrast each other on surface level/first glance. gus is reserved, and much more meticulous in any displays of emotion (although we do see how this falters more in the hermanos flashback and how it escalates and increases the farther down the timeline we get). in comparison, max is not like this even from the very beginning. and in this high emotion, tense moment, he acts instinctively and (subconsciously or otherwise) reveals his internal list of priorities. we see this raw, intense, not fully thought out panic, and to put it simply: when you start to strip all the composure away, people reveal themselves. intentionally or otherwise. gus loses his composure after max dies, and we witness the instinctive, raw, emotional and devastating understanding of loss. we both see them down to their bare bones of priorities and mentalities in this moment, and it could be argued that it is potentially the most clear moment displayed from gus in general.
from what we know, max was a young, driven, yet wildly intelligent individual who was just as equally trapped by his circumstances to not do much with any of it. yet, throughout these unstable and most likely unsafe upbringings and settings, that brilliance or humanity doesn’t falter or fail in any way. with gus paying for max's education, and their business model in mind, gus aligns similarly here as he does in any other dynamic: with a business focused mindset and an end goal in mind. more than anything, gustavo fring has, and always will (though perhaps not to this degree) encourage excellence. we canonically see as he invests — long term — into individuals who are strikingly capable in whatever manner we see it in. we witness gale boetticher, who has been given this scholarship and even a lab to practice that capability of his. we witness mike ehrmantraut, who, despite the “bad-choice-road” that he takes, is given finances to the fullest degree for the job he provides, without any threat of it being taken away from his family. we even witness the beginnings of something similar with jesse pinkman, and regardless of whether or not those actions/behaviors in their dynamic were a manipulative move or otherwise, gus very openly says he “likes to think that he sees things in people”.
when we have this young, brilliant, and entirely doomed to circumstances that he was born into person such as max arciniega, it becomes impossible to believe that gus, in any degree, could simply walk away from that. max exists in a realm of life that attempts to hinder and dissipate the extremely human pieces of him, yet he doesn’t allow it to. his resilience is vivid, and clear, and we witness this in hermanos itself. most in max's position would have macheted away their humanity. but here, we see something of an opposite: where he clings onto it so tightly in a refusal, and rebellion, to succumb in any way to his circumstances. the weight of what this means and how in these early years, it’s (most likely) only being nurtured by max, himself, gives it a depth almost immediately as it’s perceived. gus is an insightful man, who is very emotionally intelligent, and the understanding of the world not handling any of these traits with care would be only encouragement and, in some way, a challenge, to open gus’ eyes to the value and beauty of what being a person can mean in even the worst moments; as well as understanding (in a “chess-master” mindset of playing the long game) what it would mean to nurture it further.
regardless of that prevailing humanity, max clearly doesn’t hold guilt or shame towards the crime he enacts or participates in. he seems incredibly proud of the meth he's cooked, and the processes within it. he doesn't shy away from the spotlight at all, and speaks very eagerly (as well as passionately) about it. whenever gus’ business proposal was set out onto the table, it is impossible for someone like max to not consider it in a very real and serious way from the get-go. it’s a secure way out: there is a tangible light at the end of the tunnel being presented to him, and not in a way that he views as a part of the cycle he has either been in previous (if we are to assume their relationship came first) or was currently in (if we are to assume their relationship came second, which is what i'm inclined to lean towards when we consider the timeline and who they both are as individuals background wise) — despite it still being so, regardless. in a similar light, gus, presumably, is looking to climb the latter. he is reaching for larger heights, and he is looking very clearly for a way up. considering the amount of survival tactics that exist within the realm of being in the santiago slums, we can assume that there is a survival mode max has set into. this, coupled with his lack of guilt that we see canonically, intentionally or otherwise, is what i believe drives him forward in this dynamic and allows an acceptance to things that a great majority would not be alright with.
gus presents a way up, and max leans into it, because he is perceiving this as a way out (or a measure of security in a dog-eat-dog world sort of mentality that very easily spawns from being raised in the circumstances he was in, if we are to think about this in a light of their relationship coming secondary). in truth, despite the two being different to one another, and even seeing the initial business proposal differently, it does boil down to becoming the same thing. the complexities and nuance of max’s history and upbringing skews the reliability of the perspectives here, and their goals align. this is a clearly life-changing connection for both of them. from what we see, they have differences in their mentalities, and also who they are as people, but are deeply aligned enough in their goals and morals (or, rather, lack thereof) that it's easy to assume that their dynamic is fluid. most commonly in relationships, we see stumbles and fumbles through it in the differences of end goals, but here, that doesn't seem to have been an issue from what we can deduce out. it’s a natural push and pull, with an understanding for each other that would only deepen with time. despite their differences, their “light at the end of the tunnel” is the same, in some way.
this isn’t to say i believe they didn't disagree, or didn't have moments of tension or upset with each other, but more to say that both were moving in tandem with one another. they seem to have strived for the same result. this kind of fluidity would only naturally bridge them together to have an “unbreakable” bond. outside of their relationship, they are both extremely willing to go the extra mile to achieve what they want to. canonically speaking, gus climbs the latter by any means possible, max drives himself forward through a degree to achieve this business model. it’s only natural that inside of their relationship, they would do the very same. gus witnesses this potential and is naturally inclined to provide for max, and as max begins to flourish and grow within these given circumstances, whilst challenging gus (both in his perspective on humanity and in allowing himself to be a person), there'd naturally be a very steady incline to them working in tandem with each other, and eventually allowing their end goals to center around a life with one another in these ideal, and heightened, circumstances.
gus gives so much from so early on, with max having received so little previous to him, and it begins to compile and stack onto each other into these layers that would only build their relationship up and up and up — without any real shatter to bring it back down to a more grounded place. there would be no true break in the illusion of the heights they place each other at, and even more than that, would enable them to increasingly raise each other up to grandiose heights. this fluid, easy, perceived-healthiness component to their relationship through their alignment in goals and morals (or, rather, lack thereof) places the perspective into a honeymoon-phase adjacent viewpoint as far as what i would assume, and can see canonically.
considering the degree of aftermath in what we see both in breaking bad and better call saul, max and gus had to have been, in some degree, codependent. we witness, even in hermanos, how max transforms and corrects himself in the statement of "he... that is to say, we, could think of no other way to get your attention", and stands hand in hand (metaphorically speaking) in this stumble of the conversation: fluidly aligning himself with gus instinctively. however, most commonly, we see that codependency or romanticization as a way to cope with the unhealthy or toxic pieces of the dynamic; or even more than that, a way to cope with themselves. in contrast, within the context of what we know and can deduce out from gus and max’s relationship, both are given every reason to see each other in this very heightened way.
max provides in one way, gus provides in another, and with a lack of guilt involved, any uglier pieces of their life become factors in the equation that, while not denied, would not really be truly important to either of them in the way they perceive each other. they clearly center each other in their lives to some degree, and while their world most likely would have been relatively small in terms of personal connections (social circumstances, friend groups, etc) due to the line of work and realm of life they are in, it would also feel vastly infinite. that kind of love would work as this vivid outpour of pure sunlight and warmth, and while it is incredibly beautiful, it is also blinding. they'd naturally saturate their lives with this untouchable feeling in their dynamic to such a degree that it would hinder their ability to see that while they are infallible and infinite in their relationship, they are not to the rest of the world.
with all of that said, hermanos shows us the moment in which the untouchable bond belief begins to dissolve away, and the trust becomes unsteady, as well as their lack of alignments in certain areas and differences in how they navigate the world become incredibly present. we witness max walk into this scenario, with an amount of preparation and presumably insight to what it means to be in this environment. he (presumably) has an amount of personal experience that allows an insight that gus seems to not hold. we see max tune hector out, and speak carefully. he doesn’t argue, push back, or even devolve outrightly until the panic is so unbearable that it bleeds outward with little to no restraint — yet still, remaining careful in his approach because of what i'd assume to be the understanding he holds. max bargains through submission, despite him not succumbing to anything in his upbringing. he understands just how fragile the both of them are in that moment, and we witness the panicked (and pressured) attempt to not allow a full shatter to occur. 
still, the trust in this dynamic prevails. max shares the space to allow gus to explain, and be the businessman that max endlessly and very openly vouches for him to be. regardless, we also see an internal battle. we see the love, trust, and devotion, battling against the survival mentality and understanding of a dog-eat-dog world. the push and pull presents itself differently, with gus saying “with all due respect,” and then giving a non-apology of “i apologize if you are offended by my method of obtaining this meeting”, and excusing himself away, and max being incapable of concealing the dread that follows. gus pushes with those statements, and max pulls back with saying that they "meant no disrespect”. he testifies to the cartel’s importance and ego, and attempts to create value. their differences, from what i believe and can see, have been what previously surged them forward. here, it becomes what hinders them. gus is almost confused, but relatively calm, as max spirals into a very open display of panic. the shatter is unavoidable. the misalignments cannot be morphed into a strength.
above all, what i believe appealed to gus and what i believe carried their dynamic forward to begin with, is also what i believe we see from max in the very end. he speaks to gus’ character, devotion, and loyalty, before ever uttering a word about anything business related. max’s viewpoint on the world, and his resilient humanity is actively clear and displayed. he is in the midst of an extremely tense, dangerous circumstance, and we witness the instinct of his equally gorgeous, and equally painful, humanity surge forward in a testament not even for himself, but to gus and their trust (and by extension, their love). that is what is most important to max. it speaks on not only how max viewed the world, but how max viewed gus, as well. they become two halves of a whole, in these heightened and nearly religious perspectives (especially when we consider the narrative of a "righteous vengeance" quest we witness later on), and it is incredibly visible to the degree that he speaks on him in. max could very well plea for his life, or throw gus under the bus. in a survival mindset, that’s what i believe most would do, otherwise. but there is too much love, trust, care, and devotion. he places gus on a pedestal, and it speaks volumes to what their dynamic not only is in that moment, but also every other one as well. the composure strips away, the illusion shatters, but the bond they hold is what stays standing: even after max is long gone.
max’s last moments are with these future-dead-men, who navigate their lives in a way that he does not seem to embody by far, and even more than that, surged forward against. but regardless of him dying so young, and irrefutably tragically, he still obtains a relief (however temporary) that no one else in this story was truly allowed. nacho varga and jesse pinkman are thrown to the wolves continually, and ruthlessly. they do not have a chance to breathe, or recoup. their choices are hardly even choices, in the end. but maximino arciniega made the decision to walk into this era of his life and live to the fullest degree, in whatever wrong or right manner that may be. he attended and graduated university, he went on vacations, he spent years of his life in presumably a domestic bliss (however skewed or heightened of a perspective it may have been). he was loved: deeply and endlessly by gus, and he loved him just as much right back. his last moments are an incredible show, in such a short amount of time, of exactly why gus was drawn to him to begin with, and a refusal to allow any of the present (or past) threats to take his heart and mangle it into anything other than what it is. he refuses to reduce gus’ life as a offer of business first and foremost. he speaks of loyalty, and the mention of making millions is almost an afterthought. he makes his choices, the same way as he’s been doing his entire life, and does not allow the world, nor these future-dead-men, to hinder or shrink the love that he holds within him. 
max may die in the end, and gus may be the only man to carry on that love on in the pursuit of revenge we witness, but every choice max made, echoes right back into every one that gus does. he is both long gone, and infinitely present. he is both a ghost, and yet always alive: living in every space that gustavo fring inhabits. the biggest tragedy within gus and max’s story (to me) is not just the rare love that they hold for each other, but the fact that gus was able to have this wholly human, wonderfully natural dynamic with a man who loved gus infinitely, and in a strikingly vulnerable and beautiful way to the very end. it is not the fact that gus loved someone that is the most devastating piece of the story. it is that max loved him, (for and regardless of whatever crimes or atrocities that occurred) that is. gus believed that what he held with max was irreplaceable, and infinitely special; he heightened it considerably and in immense heights. but with all of this considered, for someone like him, and someone like max, can we truly blame him for doing so?
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petite-aqua · 1 year
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Olivia
I love this show so much
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shewhoeatssand · 6 months
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The thing is about reading Tokyo Ghoul is that I feel like I know Kaneki personally, like we grew up together, he just doesn’t know me. So even when something bad happens to him that he might deserve, its still so upsetting because how could you do that! That’s my boy! You can’t treat him like that, he’s the boy I love!
So I’ll take his side every time because to me we are friends. I might not be his friend but he’s my friend and I will stick by him even if he is wrong. I don’t even know why exactly I like him, he’s just my guy. And it kinda throws off the reading experience like I will not properly interpret the story without assistance bc the whole time I’m fixed on where and what my assigned Boy is doing. I don’t notice how wrong he is until someone points it out. I am convinced the higher powers of the universe put us together on purpose
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unproduciblesmackdown · 7 months
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been on a rich journey of niche productions of yore, found these production pics ft. will roland as [?] in "zombies, actually....an undead musical" performed at the new orleans fringe festival in 2011
#found this from 1) looking at will's bio on The Bus website 2) looking up the ''we didn't have time to be scared'' production he cites#there from edinburgh fringe festival which is also niche enough a result is a 2018 bio of his on another site mentioning This show#which i'd either never heard of or entirely forgotten about ever hearing of. found from 2 actors' personal sites w/production pics#also found out this was another musical by the fantasy football: the musical? writer. debuted in nymf 2009 but nyu workshop 2011....#rights site saying skip ''must be charming and adorable'' Done & Done. look at this little guy#another review (abt the 2009 show anyway) saying ''ok the Straight Guy(tm) stuff seeming like unnecessary misogyny sometimes'' well;#weary sigh....will's [?] role seeming Affiliated w/rainbow socks look at them laughing together pic 1 lol#maybe that's why he doesn't have to be like Wahoo abt what seems a bit like contexts of impromptu aggression there. bro! hwaet!#which brings us around to ''fr let's watch the 6 min michael park will roland seeing spamalot together vid. he talks abt beowulf''#this AND going ''oh an actor in ff the musical? w/him was in the xmas xtrav w/him! wham! tee guy behind cyril in 1 pic!!!''#AND my about to listen to a podcast with the writer of this & the football show. hope he doesn't say anything key to This Post#how about some relevant tags....#will roland#zombies actually#zombies actually...an undead musical#ya never do know....#oh another couple of sources confirmed the musical comediness of this & that the comedy was landing. know Nothing of other info#also for clarification afaik there's no role called [?] idk what his role's name was. there was like a Tad in the mix (another guy)
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thank you to everyone who gave me advice on preparing for my first ever Tisha b’av service last night! I was surprisingly well prepared and it was a beautiful service
#kazoo noises#Conversion tag#Jumblr#i did spend a lot of it worried about the fringe on my Stevie nicks poncho not catching fire on the candle and realizing I have no#way to cope with older transliterations of Hebrew (whoops) but it was a very beautiful service and my friend#Henry who got me the scroll for my mezuzah gave me a lift home and we spent the entire time talking about my journey to conversion#As well as my family and the people we were remembering#My inter generational friends are so important to me man#Something about hanging out with Jewish people who got scads of grandkids already. Just makes ya feel complete and at peace with#Stuff ya know. Like man. We’ve been here for so long. We’ve been through so much and regrettably we will be through more. But we’re here#We’re together. We’re joking about like the only person under the age of 25 at service and his stumbling through blessings#(Also bc despite only saying them for a year the instinctual call and response is already set in)#I was thankfully not the only person saying the entire Kaddish at service. A lady from the other congregation also did it and Henry AND#The rabbi caught me#Anyway. If you interacted with my post last night: thank you. Your community has been so wonderful and it’s such a privilege that I’m#Allowed to work towards joining you all#Sorry for being mad sappy on main but like. I’ve had an incredibly crazy two years and conversion has probably been the only thing keeping#Me fully tethered onto the earth and not climbing the walls
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