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raymantogether · 2 months ago

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Rayman Together Community Spotlight #2 - Rabbid Edge!

Foreword:

If you haven't already played Mario + Rabbids Kingdom Battle or Mario + Rabbids Sparks of Hope, the game was published by Ubisoft exclusively for Nintendo Switch and is an action-adventure turn-based strategy game developed by Ubisoft Milan and Ubisoft Paris. Prior to the Mario + Rabbids Kingdom Battle reveal at E3 2017, the game surfaced online and was met with criticism and skepticism from the wider gaming community. The artwork leaked online depicted Mario and friends alongside their Rabbid counterparts with large blasters. The prospect of Mario with the Rabbids was a nightmare for a lot of people. Following the success of Rayman Raving Rabbids, the Rabbids had slowly declined in popularity. The Rabbids were annoying and boring and had lost their humor. Nintendo, who have strongly held their licenses for Mario, has rarely ever collaborated with other videogame companies. Furthermore, Nintendo has always encouraged a family-friendly and positive environment. The prospect of Mario with weapons was alien to a lot of people. Ubisoft finally revealed Mario + Rabbids Kingdom Battle at E3 2017; the game went on to become a huge success. Mario + Rabbids Kingdom Battle was released on August 29th, 2017 and went on to sell over 10 million copies in over six years. A sequel, Mario + Rabbids Sparks Of Hope, was revealed at E3 2021 and released on October 20th, 2022. Despite the game initially not exceeding Ubisoft sales expectations, the game went on to sell over three million as of January 2024. This was another remarkable success for the teams at Ubisoft Milan and Paris. Both games were well received and were critically acclaimed.

If you haven't already, I implore you to pick up both games. The Mario + Rabbids series is personally one of the most refreshing titles from Ubisoft in a generation. The game oozes personality and charm thanks to its charismatic and energetic character design and animations. The soundtracks for both games are composed by the amazing Grant Kirkhope, who is responsible for some of the most creative music in the industry. Needn't I say more? The world design is intricate, creative, and a real pleasure to explore. I thoroughly enjoyed the heartfelt, exciting, and fun story, which gripped me from beginning to end in both stories. The development teams did a remarkable job of capturing both the look and personality from the worlds of both the Rabbids and Mario and bringing it to life. The game is gorgeous thanks to the Snowdrop Engine, which has been executed brilliantly on the Nintendo Switch. Ubisoft has somehow managed to compliment Mario with the Rabbids extraordinarily well. This is something I never imagined possible. Both games are very similar to those of the XCOM and Fire Emblem series. I love strategy games, and I have sunk hours into both titles. I found the gameplay rewarding, clever, and at times a real challenge for tacticians. There are plenty of creative options with gameplay thanks to various choices of weapons, skills, and characters. The gameplay possibilities are endless. My favorite game in the series is definitely Mario Rabbids Sparks of Hope, as it offers so much more opportunities for world-building and exploration. The game allows for more creative gameplay choices through movement and freedom of choice, including the addition of the Sparks. However, the most important reason Sparks of Hope is my favorite game in the series is because Ubisoft Milan brought back Rayman.

At Ubisoft Forward in 2022 Ubisoft Milan Creative Director Davide Soliani revealed to the World their plan to bring back Rayman as part of the season pass for Mario Rabbids Sparks Of Hope. The third story expansion called Rayman In The Phantom Show released on August 30th 2023. The DLC stars Rayman alongside Rabbid Mario and Rabbid Peach as they are invited to the mysterious Space Opera Network by the fan favourite villain the Phantom. The Phantom who has renounced his villainy for fame needs help from Rayman and the Rabbids to help restore the poor ratings and viewings to his TV Space Station. Rayman, Rabbid Peach And Rabbid Mario adventure across Western, Pirate and Medieval sets as part of the Phantoms ambitious plan for revenge. The team at Ubisoft did an extraordinary job of bring back Rayman to life. Rayman has never looked and felt so alive. You get a real sense that Ubisoft Milan and Ubisoft Paris love Rayman from this short but jam packed adventure. Rayman In The Phantom Show pays tribute to the Rayman series through acknowledgement of his almost 30 Year history. In every stage you can find card board references from various Rayman Games. The combat fatigues from Rayman 3: Hoodlum Havoc make a spectacular return with Rayman offering plenty of gameplay variety on the battlefield. Both the vortex and rocket costumes look better then ever and are brilliant both in design and how you can use them. The weapons are crafted with plenty of attention to detail with references in design to Ly The Fairy, Teensies, Rayman Raving Rabbids and more. I particularly am fond of the plum turrets. If Nintendo ever work collaborate with Ubisoft again I would love to see Rayman in Super Smash Bros with the Plum Turrets. The soundtrack for the DLC Is composed by Grant Kirkhope and Christopher Heral. The genius Christopher Heral responsible for both soundtracks for Rayman Origins and Legends returns for Rayman In The Phantom Show. If you listen closely you can hear brilliant renditions from various games. David Gasman also reprises his role in Rayman In The Phantom Show. If you have played the earlier Rayman games you will be familiar of his work. I thoroughly enjoyed this DLC and it has left me with wanting so much more. I would love to see Ubisoft Milan work on Rayman again in the future. If you're new to the series or a Rayman fan and have liked everything you have read so far I strongly encourage you to pick up Mario Rabbids Kingdom Battle and Sparks Of Hope including the season pass.

Interview:

To celebrate both Rayman's 29th anniversary this weekend and the anniversary of Mario + Rabbids Sparks Of Hope DLC Rayman In The Phantom Show, I am delighted to feature Anna as part of this special community spotlight.

You may know Anna as RabbidEdge from both the Rayman and the Mario Rabbids community. Anna is an extremely passionate, kind, and caring individual with a yearning to help create a positive environment in the community. Anna is renowned for her creative cosplays of Rabbid Edge, Rayman, and more. Anna enjoys creating artwork and has a passion for telling stories. I am delighted to feature and show you more about Anna in this brilliant and really insightful spotlight.

Anna has been extremely open and honest about some very serious and sensitive subjects in this spotlight about her personal health and wellbeing. I encourage you all to be polite and respectful.

Please introduce yourself:

"Hi everyone, My name's Anna. I am 37 years old (but I've never lost my inner child) and living with my husband, our four kids, three cats, and nine chickens in a village in Austria. I am working as a pharmacist, enjoying helping people every day. Last year I started two new hobbies: cosplaying and drawing digitally. Since that, I am also sharing my creations on social media like Instagram, X, or Tumblr."

Tell us something funny or interesting about yourself?

"I have always been a very creative, extroverted, and energetic person. Even as a child, I loved to draw, invent stories or songs, and to tape-record them together with friends or to play little theater sketches for our families. Many times we dressed up as our favorite anime- or video game characters, singers, or just some elves or Vikings. I wouldn´t call it cosplay, and most costumes were just a mix of old fancy dresses and things we found in the wardrobe of our grandparents, but we always had a lot of fun, and my heart is warming with joy when I think about these times... However, things change, life happens, and so having babies, a house, and animals had kept me quite busy (but happy!) for almost 9 years. I had lost my former self somewhere between household, work, and trying the best to be a good mom. Then came Edge.."

How do you like to spend your free time?

"Free time—what's that? Haha! I don't know this, for I always have a lot on my plate! But I think, you mean the time when I am not at work or busy with mom-duties. I am spending most of these hours crafting and sewing new cosplays or improving old ones, shooting them in various sceneries, editing the photos and videos I took for my social media, doodling and drawing Rabbids-stuff, posting my finished work and stories on Instagram, X and co, replying to dms and comments or supporting other artists.

Furthermore, I am a very active person, feeling the need to exercise every day or to at least go for a walk or ride my bike. Music is also a very important part of my life! I enjoy listening to it while I am doing a workout or working on a drawing.

Music inspires me! When I look at my art or cosplay- pictures, I immediately remember the song that brought me into the mood for its creation, that I listened to during the process, or that I used in my Instagram stories for its posting. I am also singing in a choir, by the way.

There is much more I would love to do, like playing video games or reading. The only problem is that my days only have 24 hours. I used to say that I am living two lives with the time of just one."

What made you fall in love with the Mario Rabbid Series?

"To be honest, it was my oldest daughter! She has never been interested in TV shows for kids like Paw Patrol, etc. Instead, she likes to watch game streams on YouTube, and there she discovered Mario+Rabbids: Sparks of Hope. She enjoyed watching these streams so much that she wanted to play the game herself, so she got it as a gift on St. Nicholas Day in 2022. However, it was quite challenging for her, and so my husband started to play it with our kids and me watching him. I can remember that I always did my workout on a fitness mat on the floor while he was playing, and it was quite entertaining to watch him! I was surprised by the cute designs of the characters and levels and by its unique gameplay, which is totally different from other games I had played before—and really addictive! So we often ended up playing till late at night, saying “Just one more battle!” again and again. Even if I hadn't played the game myself at the beginning, I already loved it! Oh, and then came Edge...and made my love for this game and Mario+Rabbids in general go through the roof! I couldn´t think about anything else than Edge and Rabbids the whole day long! I started to play myself, always having Edge as the leader of my team, searched for fan art and fan fiction, and slowly stumbled into the fandom. Oh, and I still play Sparks of Hope when I find time for it! I consider this game a real masterpiece! Ubisoft poured so much love into every detail! I love everything about it, from the backstory to the funny voice-lines or to the amazing soundtrack! And I enjoy the “found-family" dynamics of the hero team so much, OMG!!! With this game, Ubisoft managed to make me fall in love with Rabbids, not only with Edge but with Rabbids in general."

What is your favorite Mario Rabbids game, and who is your favorite character?

"That's quite a simple question to answer. Of course, to be honest, I haven't played Mario+Rabbids: Kingdom Battle yet. Shame on me! I already have the game at home, but all the time I thought about starting it, I ended up playing Sparks of Hope instead. Of course I wanted to see my beloved Edge.

Furthermore, Mario+Rabbids: Sparks of Hope will always have a special meaning for me, as it distracted me from health problems that were bothering me a lot at this time. At the beginning of December 2022, I had to wait for a medical appointment in order to check if I would suffer from cancer. I tried to not let the possibility of receiving a bad diagnosis overwhelm me—something easier said than done. So watching and playing Sparks of Hope with my family made me forget this sorrow for a moment. It cheered me up in a difficult time of my life. As I one evening found myself thinking about what I would want to do before death, if I would have just some months left to live, I realized that I wouldn't want to go on a big journey or party hard or so. Instead, I would want to spend the last moments with my family, doing what we already did every evening—sitting and playing together. This thought made me feel calm and peaceful, blessed and grateful. So Sparks of Hope became for me what its name promises: a spark of hope. With that, it will always be my favorite Mario+Rabbids game!

However, I am sure that Kingdom Battle is a great game as well! I have only heard good things about it, and I am familiar with its characters and plot. I finally need to get into it myself...

Oh, and my favorite character is- surprise, surprise—Edge! But to be honest, I like them all! No matter if it's Rabbid Peach, Bwario, Kanya, or Rayman. I couldn't pick a single character of the series that I totally couldn't stand."

What made you fall in love so much with Rabbid Edge, and what is your inspiration behind your artwork and comic series?

"I have to laugh at this question; of course I could fill a whole book with this answer! Haha! I will try to be brief. I can remember the first time I saw Edge. It was in December 2022 as I watched my husband play Mario+Rabbids: Sparks of Hope—the well-known cutscene of her first appearance. God, just thinking about it makes me shiver in excitement! This epic scene instantly made me fall in love with her! It was as if Ubisoft had poured all the characteristics that make my heart flutter into this little rabbit! To explain this further: I am a sucker for mysterious characters, which hide a kind heart behind their badass attitude. I love mighty swords, spiky hair, sharp teeth, gothic clothes, the colors green and purple, and deep, striking voices. On top of all, give that character a dark backstory, and I am hooked! The combination of these attributes made me fall for Edge. I couldn't help it! Neither have I chosen to feel this way nor have I ever thought that it would be possible to develop true love for a fictional character! However, I thought the best thing would be to welcome these beautiful feelings and to make full use of this newfound energy. So I started to work on the art of Edge and different scenes of the game, including a comic about her tragic past and the battle against Cursa.

I also wanted to dress up as Edge for the carnival but found out that there isn't any costume of her or Rabbids in general. This was when I decided to sew one myself. With that, my cosplay journey began. I thought that if no one has ever made a cosplay of Edge before, I had to be the one to bring her to life, even if I had no idea what I was doing. Looking at the first photos I took of her makes me smile. Some look really funny and weird, but I can remember how strong, confident, and sexy I felt in these moments. And hey, every journey has to start with a first step! Since then, I have learned a lot. I have improved my skills, bought more tools and materials, worked over my cosplay again and again, altered and exchanged parts, and developed this alter ego of Rabbid Edge for me and my social media. Still, I am quite a newbie, and there is always room for improvement!

I am so grateful that I got to know Edge; of course she made me find myself again and, at the same time, discover another me. She made me feel like more than just a mom again. She made me feel attractive and love my body again. She made me get creative and go wild and crazy. She made me play again; she made me dream again and go far beyond my imagination! And she made me get to know so many new amazing people! I owe her so much. I owe Ubisoft so much! I feel so grateful and full of love that I would want to hug everyone of my followers and of the great people that worked on Mario+Rabbids: Sparks of Hope!

The main inspiration for my work comes from the game itself, for it provides a quite mature and exciting backstory and interesting characters but leaves room for further assumptions and interpretation. But of course official concept art, headcanons, and drawings of other fans inspire me a lot too! And sometimes a new idea comes to my mind while I am on a walk or listening to music."

If you could live in any world from the Mario Rabbids Series, where would you live?

"I would choose Melodic Gardens! I love its biome with the tropical forest, exotic flowers, and the flooded ruins. Everything looks so beautiful and mystical. Furthermore, I like the cute and peaceful Rabbids, that live here and the symphonies that fill the air of this planet. And I would love to meet Allegra! She is so cute and majestic."

Who would be at your dream Mario Rabbids Party?

"Wow, it's really hard to select three out of all the great characters, but I think I would take Edge, Rayman, and Rabbid Peach. Edge, course she's Edge, hey! Rayman, course he is my childhood hero, who—together with Super Mario—made me start to play video games, and Rabbid Peach, course she is sassy and crazy, and course I always need a healer in my party!"

What made you fall in love with the Rayman series?

"You have to know that I grew up loving Rayman! He was my childhood hero! For my ten-year-old me, Rayman was cool, Rayman was fun, and Rayman was Ubisoft.

As I was a little kid, my family had no computer or game console. My brother and I knew video games just from our cousins or neighbors. I can remember how we often bought gaming magazines and looked at them, wishing that we were able to play these games ourselves. And when there was something of Rayman in it, we went, Ah, look, Rayman, so cool!!! He somehow fascinated us. At the age of 9, we got a Game Boy for Christmas; at the age of 12, a Dreamcast. This was a dream come true for us! There was a demo disc coming with it that also had a demo of Rayman 2 on it. We immediately played and loved it! I don't know how many times we played this demo! It must have been a few hundred times or so! One day we received the full version of the game, and from this time on, Rayman accompanied us nearly every day. We played it again and again! I can remember that I even had a crush on Rayman! I loved his cool attitude, his crazy hair, and his voice. I drew him a lot, wrote songs about him, and even dressed up as him—just for fun. Later we also played the Rayman Game Boy Color Game and Rayman 3, as an adult also Rayman M, Rayman Raving Rabbids, Rayman Origins, and Rayman Legends.

But Rayman also has a deeper meaning for my brother and me. Our childhood wasn't easy. We have experienced things that no kid, no one should ever witness. Rayman, and playing games in general, helped us to escape from reality, when there was only fear and violence waiting for us. I can remember that we had so much fun and laughed a lot despite the difficult circumstances we were raised under. Rayman and Ubisoft distracted us, were there for us, when there was no light in real life...Last year I thanked the people of Ubisoft Milan for this. I thanked them for having always been there for me for nearly all my life.

Today I am a happy and positive person. I have reached everything I ever wanted. I have learned to make the best of every situation, no matter how bad it may seem. I have learned that everything happens for a reason, even if we cannot understand it in a certain moment. This is why I am not sad or angry about the things that happened to me as a child. I am grateful; of course, all these things made me become the person I am today.

However, when I think about my tragic past, I realize that I may have more in common with Edge than I'd like. I feel connected with her. I understand her. I feel her."

What is your favorite cosplay you have designed?

"This is a difficult question. Of course, every cosplay I have made so far has aspects I like but also something I dislike, and there are various ways to rate them. I would say that the cosplays I enjoy to wear the most—or I “am feeling” the most—are definitely Edge and Kanya. When I dress up as them, I am really becoming the character! I look into the mirror and think,Yeah, baby!” But considering my craftsmanship skills, I think Barbara from Rayman Legends is my best cosplay so far. As a cosplay newbie, I am still learning and improving. Therefore, I am also working over my older cosplays again and again. I have changed Edge's wig so many times, I have stopped counting. And soon I want to do the fourth sword for her. Edge will always be my number one!

I am also happy that I managed to do a Rayman (and Ramon) cosplay! It´s for sure not perfect, and I have to work over the photos with Photoshop to remove my limbs, but dressing up as him makes my inner child scream with joy!

Furthermore, the “play" factor in “cosplay” is very important for me! I don´t just buy cosplays, put them on, take a photo, and toss them away again. I love to bring my characters to life, to think about how they would act and talk, and to cosplay them in alternative outfits and different situations, like the wedding of Edge and Midnite or my Christmas- or Easter-shooting."

What cosplays are you planning on in the future?

"I am currently working on a new project: I am creating my own protogen and therefore sewing a fursuit. It's not really cosplay; of course it won't be a certain character. I'd rather call it a fursona or OC. But I am excited to work on it; of course it is something totally different from what I have done so far, and I think it will look really cool in the end!

Despite that, I want to make a cosplay of Hiiragi Utena from the anime “Gushing over Magical Girls." I have already bought the fabric for it.

Furthermore, the idea of making a Cursa-cosplay (Mario+Rabbids: Sparks of Hope) won't go out of my mind! I would love to create a sensual version of her true form, wearing a long cloak and her white mask, but maybe also showing some skin... Yeah, I think I will have to get this one started next...

And of course I will always work on further Edge content! I will improve parts of her cosplay, and I will think of new outfits and shootings. I already have a special scenery in mind; I want to shoot in autumn."

Tell us about your time at Ubisoft Milan.

"Last year in September I was granted to meet my beloved Edge—or better—the amazing artists and creators of Mario+Rabbids: Sparks of Hope at Ubisoft Milan. It was a dream come true for me! After enjoying their games and admiring their work for so long, I was finally able to hug them and thank them for everything they have gifted us players so far. I still can't believe how lucky I was! My visit there was a blast in every way! I was able to take a look at the “holy halls," to shake hands with all these kind people I had known only from social media or the credits of their games, and to get to know more about Edge's creation and her backstory. Furthermore, we had lunch together, took a lot of cool and funny photos, and talked about the hard work in the gaming industry, my cosplay work, but also private things. And as if this hadn´t been enough, I received many gifts, like the art book or Spark-plushies for my kids and special drawings that were made for me during my visit.

I have to admit that before my visit I had been very excited! But everyone was so nice, polite, and cute! I felt like meeting and talking to long-known friends. The fear was gone, and laughter and joy filled the air. They welcomed me so heartily, and I immediately felt comfortable among these amazing people. I am so grateful that for this unique moment I was granted to be part of their "family." I will keep the memories of my visit as an eternal treasure in my heart."

Thank you so much, Anna, for being a part of the Rayman Together community spotlight. It was amazing to read about yourself and discover more about you. If you are interested in finding out more about Anna, I have included links to her social media account below. Please follow and support her.

#rayman #mariorabbids #rabbids #ubisoft #nintendo #nintendo switch

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nicromancytarot · 5 months ago

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MY FAVOURITE MANIFESTATION EXPERIENCE

Hello and welcome to more rants and random facts with Nicromancy, I am your host and today we will be discussing how I manifested my cat!

So let me bring you back to 2022, I had been telling my friends that I entended to get a cat for months - like literally months, and I’m sure they were all losing faith in me with how bloody long it was taking.

I decided to be good for the world and rescue a cutsie little creature from a rescue centre, so I apply for FIVE DIFFERENT CATS.

I get denied for all. Apparently I live too near to a road (DOESNT EVERYONE???)

So I take a break from trying to get a cat, I have my prom, I attend my last day at school, all the normal things of that year. Until early June comes and I search “cats for sale near me” I didn’t wanna go too far brother, I wasn’t going to try and convince my mother to take me to the other side of the country so I could have a fluffy friend to cuddle with.

Alas! I find a guy selling four cats only twenty minutes from me. So I look at the cats, and I see this gorgeous tabby, stunning little thing with blue eyes, fitting perfectly the name that I had previously chosen for her, 🫧Toast🫧. And so she was my token to freedom (didn’t know she was a she at the time, just knew she was the one)

So I send a message and I am allowed to meet the cats the next week.

TWO DAYS BEFORE I MEET THE CATS and I have a dream about the other girl, a cute little tuxedo cat, with the most beautiful splotches of black. I hadn’t thought of this cat prior, she was never on my mind, I even sent her to my friend to see if she was interested since she was looking for a cat.

However I woke up that morning and I knew what I had to do. I had to meet that cat.

So the next day we set off on a trek along the natures birth and meet my new cat, we get lost for the first 20 minutes, knock on a random door, and then finally get to see the cats. And we had all four cats to pick out of since we were the first offers 😈😈

We enter the house and I immediately see my precious tuxedo, however she was picked up and decided to run to the other side of the room to play in the shoes.

Now I am awkward, born and raised that way, I’ll tell ya. So I didn’t grab that cat, no no, I sat with the tabby girl and I chose her after she meowed in my face for picking her up.

Now I was sad, happy I had my sweet baby, but sad at the missed opportunity.

Timeskip to the last two weeks before I pick up my first-born child, I get a message from the man.

Hello, just making sure you’re still available to pick up the cat on the 15th

Of course! I am so excited!!

Wonderful, just wanted to check as the other people who were supposed to come and pick up a cat haven’t responded, so the black and white girl is still available if you’d like her

It was as if the heavens had gifted me with a second chance at life, they had said I made a mistake and let me rewind to my past and fix my dues.

Now I knew I couldn’t convince my mother to pay for both the cats, not with the deposit and price of the first, this was a thing for me, she was not all so excited to have a little couch muncher.

So I asked for the price… AND HE KNOCKED IT DOWN, LADS!!!

So I was able to have them both!

And since that day, we have all been connected at the toes.

I present to you, my Toast and Moony

I hope this serves to you all that no manifestation is too big, if it is meant for you, it will happen! KEEP MANIFESTING SO YOU CAN LIVE THE LIFE YOU DESIRE!!!!!!!

#tarot #tarotblr #tarotcommunity #tarot witch #free tarot #tarot reading #tarot cards #pick a card #pick a pile #manifesting #manifesation #manifest #spirituality #cats #rant post

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zvaigzdelasas · 11 months ago

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[The Kyiv Independent is Ukrainian Private Media]

President Volodymyr Zelensky is expected to attend the Dec. 10 inauguration of the recently elected president of Argentina, Javier Milei, the Argentine news outlet TN reported on Dec. 7.[...]

Milei gained international attention for his incendiary comments and radical views, such as legalizing the sale of human organs and completely removing all gun laws. He has been compared to former U.S. President Donald Trump. Milei has also expressed support for Ukraine since the beginning of the full-scale invasion. He wore a Ukrainian flag pin in parliament in March 2022 and said, "Those of us who defend the ideas of freedom cannot tolerate or accept an invasion like Russia has done to Ukraine." Milei also criticized the government of Argentina, characterizing its position towards the war as "weak" and saying that it is "complicit with the worst dictatorships in the land."

There has been no official statement from Zelensky's office about the proposed visit to Argentina at the time of this publication.

7 Dec 23

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a-modernmajorgeneral · 27 days ago

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The United States government is doubling down on its commitment to safeguarding Ukrainian culture amid the Eastern European country’s ongoing war with Russia.

On September 19, U.S. officials announced a new $1 million grant to the International Center for the Study of the Preservation and Restoration of Cultural Property (ICCROM), which will use the funds to “support the next phase of a multiyear project to help Ukraine improve risk reduction and emergency management of its cultural heritage,” according to a statement. The grant is part of the U.S.’s $10.5 million commitment to Ukraine under the Ukraine Cultural Heritage Response Initiative, which was established in 2023 by the U.S. Department of State.

“Ukraine is fighting the Russian invasion on all fronts,” says Maksym Kovalenko, the Ukrainian consul general in Naples, Italy, in the statement. “The cultural front is no exception. The support of the international community provides us with an ability to respond to the challenges of war and, despite everything, to develop a long-term strategy for the preservation and restoration of our cultural heritage.”

Since Russia invaded Ukraine in February 2022, UNESCO has verified damage to 438 Ukrainian cultural sites, including religious sites, buildings of historical or artistic interest, museums, monuments, libraries, and an archive. The agency previously said it was “gravely concerned” over threats to Ukrainian heritage.

Russian troops have removed “entire truckloads of artworks and historical artifacts” from Ukrainian museums, supposedly for “safekeeping,” reports Vitaly Shevchenko for BBC News. In some museums in Russian-occupied Ukraine, Russian troops have removed exhibitions and replaced them with propaganda glorifying the war.

In a 2023 essay for Smithsonian magazine, Smithsonian Distinguished Scholar and Ambassador-at-Large Richard Kurin wrote, “These attacks are not just random, nor do they represent collateral damage. Rather, they suggest a targeted attack on Ukrainian history, culture and identity, a means toward [Russian President Vladimir] Putin’s ends—the destruction is a deliberate attempt to obliterate Ukrainian history and culture.”

Hundreds of professionals associated with Ukrainian and international organizations—among them the Smithsonian Cultural Rescue Initiative—have been fighting the threat to Ukrainian heritage for the past two years. In some cases, cultural heritage workers have been able to smuggle important works of art out of Ukraine and display them elsewhere. Last year, for example, five precious artworks rescued from Kyiv’s Khanenko Museum went on view at the Louvre in Paris.

The $1 million grant—the second-largest awarded under the Ukraine Cultural Heritage Response Initiative to date—arrives on the heels of newly imposed emergency import restrictions aimed at fighting the illegal removal and sale of Ukrainian cultural artifacts. Those restrictions, which limit the types of Ukrainian cultural property that can enter the U.S., will be in place until 2029.

In addition to offering funds for cultural rescue initiatives, the U.S. announced more than $8 billion in military assistance to Ukraine on September 26, the day that Ukrainian President Volodymyr Zelenskyy visited the White House. In total, Congress has appropriated $175 billion in aid to Ukraine, per the Council on Foreign Relations.

“Ukrainians are fighting for the human rights and freedoms we all cherish,” says Lee Satterfield, the U.S.’s acting under secretary for public diplomacy and public affairs, in the statement. “And they are also fighting, in a very real sense, for their identity as a distinct and unique culture, which Vladimir Putin has denied—a denial he has used to falsely justify his brutal, full-scale invasion. [The $1 million] funding will support the heroic efforts of Ukrainians to protect and preserve their cultural heritage.”

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mariacallous · 8 months ago

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Citizens of the European Union live in an internet built and ruled by foreign powers. Most people in the EU use an American search engine, shop on an American ecommerce site, thumb American phones, and scroll through American social media feeds.

That fact has triggered increasing alarm in the corridors of Brussels, as the EU tries to understand how exactly those companies warp the economy around them. Five years ago, Shoshana Zuboff’s book The Age of Surveillance Capitalism neatly articulated much of lawmakers’ critique of the tech giants, just as they were preparing to enforce the flagship GDPR privacy law. Now as the EU enacts another historic piece of tech regulation, the Digital Markets Act, which companies must comply with starting tomorrow, March 7, a different critic du jour sums up the new mood in Brussels.

In his 2023 book, Technofeudalism, Yanis Varoufakis argues the big US tech platforms have brought feudalism back to Europe. The former Greek finance minister sees little difference between the medieval serf toiling on land he does not own and the Amazon seller who must subject themselves to the company’s strict rules while giving the company a cut of each sale.

The idea that a handful of big tech companies have subjugated internet users into digital empires has permeated through Europe. Technofeudalism shares bookshelf space with Cloud Empires and Digital Empires, which make broadly similar arguments. For years, Europe’s wanna-be Big Tech rivals, like Sweden’s Spotify or Switzerland’s ProtonMail, have claimed that companies like Google, Meta, and Apple unfairly limit their ability to reach potential users, through tactics like preinstalling Gmail on new Android phones or Apple’s strict rules for the App Store. “It’s not a problem to be a monopoly,” says Sandra Wachter, professor of technology and regulation at Oxford University’s Internet Institute. “It becomes a problem if you're starting to exclude other people from the market.”

Crowbarred Open

In answer to that problem, Brussels’ politicos agreed to the Digital Markets Act in 2022. It is designed to rein in the largest tech companies—almost all of them from the US—that act as gatekeepers between consumers and other businesses. A sibling regulation, the Digital Services Act, which focuses more on freedom of expression, went into effect last month. Wachter says they follow a long tradition of laws trying to protect the public and the economy from state power, wielded either by the government or the monarch. “With the rise of the private sector and globalization, power has just shifted,” she adds. Tech platforms rule over digital lives like kings. The DMA is part of the attempt to keep up.

The rules change tomorrow for platforms deemed “gatekeepers” by the DMA—so far including Alphabet, Amazon, Apple, Meta, Microsoft, and TikTok parent Bytedance. The law essentially crowbars open what the EU calls the gatekeepers’ “core services.” In the past regulators have proposed containing corporate giants by taking them to pieces. EU lawmakers have adopted the motto “Don’t break up big tech companies, break them open.”

In theory, that means big changes for EU residents’ digital lives. Users of iPhones should soon be able to download apps from places other than Apple’s app store; Microsoft Windows will no longer have Microsoft-owned Bing as its default search tool; Meta-owned WhatsApp users will be able to communicate with people on rival messaging apps; and Google and Amazon will have to tweak their search results to create more room for rivals. There will also be limits on how users’ data can be shared between one company’s different services. Fines for noncompliance can reach up to 20 percent of global sales revenue. The law also gives the EU recourse to the nuclear option of forcing tech companies to sell off parts of their business.

Homegrown Challengers

Most tech giants have expressed uncharacteristic alarm about the changes required of them this week. Google has spoken of “difficult trade-offs,” which may mean its search results send more traffic to hotel or flight aggregators. Apple has claimed that the DMA jeopardizes its devices’ security. Apple, Meta and TikTok have all filed legal challenges against the EU, saying new rules unfairly target their services. The argument in favor of the status quo is that competition is actually thriving—just look at TikTok, a technology company launched in the past decade, now designated as one of the so-called gatekeepers.

But TikTok is an exception. The DMA wants to make it normal for new household names to emerge in the tech industry; to “drive innovation so that smaller businesses can really make it,” as the EU’s competition chief Margrethe Vestager explained to WIRED, back in 2022. Many hope some of the new businesses that “make it” will be European. For almost every big tech service, there is a smaller homegrown equivalent: from German search engine Ecosia to French messaging app Olvid and Polish Amazon alternative Allegro. These are the companies many hope will benefit from the DMA, even if there is widespread skepticism about how effective the new rules will be at forcing the tech giants to change.

Today, US-based Epic Games said Apple had terminated its European developer account, soon after Epic announced it would take advantage of the DMA to open a new games store for iOS. Apple told WIRED that Epic was untrustworthy and Apple has the right to terminate the accounts of any of Epic's wholly owned subsidiaries following a 2021 court judgment. “Apple chose to exercise that right,” a statement provided by company spokesperson Rob Saunders said.

App Stores will be an early area of focus for DMA enforcement, Vestager said this week. But Europeans can’t expect the internet to transform overnight. In its early days, the new law’s effects will be more about the power struggles behind the curtain of the world’s biggest companies; not about making netizens’ lives easier. In fact, their online experience is likely to get messier at first. There will probably be even more website pop-ups. “This dominant position that these companies have is partially because we have been so addicted to convenience,” says Anu Bradford, a professor at Columbia Law School and author of Digital Empires: The Global Battle to Regulate Technology. The new rules will mean users have to reengage with what they want their online lives to look like, she adds. Defaults set by US corporations will no longer be chosen for them.

Instead the DMA’s objective is to remind Europeans what they traded in exchange for that convenience in the first place. The DMA is about power, not necessarily convenience. Whether Europeans will be able to remember that as their online worlds are cracked open remains to be seen.

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jgroffdaily · 9 months ago

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Jonathan is unlikely to be involved, as he will still be contracted to Merrily, but there will be a benefit concert in London of Spring Awakening to mark the 15th anniversary of the London production.

Exclusive: June will bring a 15th anniversary concert staging of Steven Sater and Duncan Sheik’s multi-award-winning musical Spring Awakening.

The show, based on Frank Wedekind’s 1891 play of the same name, follows group of teenagers, silenced and controlled by a censorious society, discovering a new world of feeling and freedom. Numbers in the musical include “Totally F**ked”, “Mama Who Bore Me” and “The Song of Purple Summer”.

The musical opened on Broadway at the Eugene O’Neill Theatre on December 10, 2006, starring Jonathan Groff, Lea Michele, and John Gallagher Jr. It won eight Tony Awards, including Best Musical, Direction, Book, Score, and Featured Actor. Afterward, it embarked on a North American tour in 2008. The production then opened in London at the Lyric Hammersmith on 23 January 2009, before transferring to the West End’s Novello Theatre in March of the same year. The musical was revived on Broadway in 2015 and in London in 2021.

The 2024 concert, celebrating the anniversary of the original London production, is set to take place on Sunday 2 June 2024 at the Victoria Palace Theatre (customarily the home of Hamilton). Tickets will go on sale on 2 February 2024.

Sheik stated: “Spring Awakening is the first musical I worked on that managed to get to Broadway and then the West End. Being in London in 2009 for opening night at the Novello with that young and amazing cast was one of the highlights of my life. It is more than exciting that 15 years on, London gets to experience this anniversary concert, and I’m honored that I can be some small part of that.”

Sater added: “My youthful dream was to be a part of the theatre in London. So for me, our brilliant original production of Spring Awakening at the Lyric, and then at the Novello, was an answered prayer. Fifteen years later, to bring back that production for a one-night-only anniversary concert is like having that prayer answered all over again.”

This anniversary concert will also serve as a fundraiser for Imogen Kinchin. Imogen Kinchin was one of the original producers of Spring Awakening in 2009, guiding the show and its young cast. She was diagnosed with Stage IV Bowel Cancer in 2022. Proceeds from the concert will be donated to Imogen’s Fund, which supports bespoke treatment and her family’s needs during her battle with cancer.

#jonathan groff #spring awakening concert #spring awakening

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dontmeantobepoliticalbut · 11 months ago

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Senate Republicans on Wednesday blocked efforts by Senate Democrats to pass an assault weapons ban and universal background checks legislation after the United States over the weekend broke the record for the most mass shootings in a single year.

Republican Sen. John Barrasso (R-Wyo.) objected to Senate Majority Leader Chuck Schumer’s (D-N.Y.) request for unanimous consent to pass the assault weapons ban, despite the pleas of Democratic senators who took to the Senate floor to cite the harrowing statistics of gun violence in America.

“The scourge of gun violence in America is a national crisis. The American people are sick and tired of enduring one mass shooting after another. They’re sick and tired of vigil and moments of silence for family, friends, classmates, coworkers,” Schumer argued on the Senate floor.

The assault weapons ban, originally sponsored by the late Sen. Dianne Feinstein (D-Calif.), would ban semiautomatic rifles with pistol grips, forward grips and folding or telescoping stocks, as well as rifles outfitted with grenade launchers, barrel shrouds or threaded barrels to allow for noise and flash suppressors to be attached.

But Barrasso argued that the Democratic-drafted bill would infringe on the Second Amendment and deprive law-abiding gun owners of an important liberty.

“Americans have a constitutional right to own a firearm. Every day, people across Wyoming responsibly use their Second Amendment rights to keep and bear arms,” he said. “Democrats are demanding that the American people give up their liberty.”

He said that Democrats are trying to ban many types of semiautomatic firearms “because of the way they look.”

He asserted that popular rifles such as AR-15s “work the same way as popular shotguns and other rifles used for hunting and personal protection.”

“The Second Amendment is freedom’s essential safeguard. Without it, there can be no liberty and there can be no security. So Mr. President, I object.”

Democratic Sen. Chris Murphy (Conn.) later stood up on the floor to ask for unanimous consent to pass legislation to require universal background checks for firearms purchases.

“We don’t have more mental illness in this country, we don’t spend less money on law enforcement, we don’t have angrier people, we have more guns, and we are much more permissive in this country about allowing felons, dangerous people, to get their hands on guns,” he said.

A Gallup poll conducted in June 2022 found that 92% of Americans favor requiring background checks for all firearm sales.

“This just feels like a test of democracy. It really does. Like, how does democracy survive if 90% of Americans, 90% of Republicans, 90% of Democrats want something, and we can’t deliver it?” Murphy asked before he asked for unanimous consent to pass the background checks bill.

Utah Republican Sen. Mike Lee took to the floor immediately to object.

“I want to note at the outset we’re not asked to vote in this chamber on polling questions. We vote on legislation,” he said.

He said the legislation to expand background checks “has some real problems with it.”

“This is not solely about transactions involving guns at gun stores. This is about the father who wishes to pass down a hunting rifle to his son or the friend who wants to lend a shotgun to his neighbor who is in need of protection at the time,” Lee said before objecting to Murphy’s request.

#us politics #news #the hill #us senate #senate republicans #assault weapons ban #gun violence #gun rights #mass shootings #gun regulation #gun reform #2023 #Sen. John Barrasso #sen. Chuck Schumer #Sen. Dianne Feinstein #Sen. Chris Murphy #2nd amendment #Sen. Mike Lee

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thefloatingstone · 1 year ago

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Do you think anime today are made with too many safety nets? Like gone are the days where something experimental or risky (risky in terms of something not seen before)

Yes but I think it's also a ratio thing.

In the entirety of the 80s, 256 were released. In 2022 ALONE 106 anime were released. There is a VAST amount more anime released today, and as a result, a good majority of it is extremely "safe" from a business point of view.

However I think the biggest culprit for this is simply one of money. 1980s Japan was going through an INSANE economic boom. On top of this, the "Straight to VHS" market hit the scene in 1983, which enabled anime to be able to show things which were technically illegal for Japanese broadcasting. Because straight to video anime were not technically broadcasted. This is why OVA from this time period tend to be as hyper-violent and sexual as they are. It was the first time anime actually had the medium in which it could show those things and this new freedom had many anime studios go to an extreme just to explore these new possibilities.

These days, anime animators are paid less than what's considered the legal minimum wage in Japan. But because anime is such a huge profit for Japan, the Japanese government overlooks the breaking of worker's rights. Animators in japan have not had a wage increase since the late 90s, and many of the artists who work on animation make about $400 to $500 a month. While also being expected to live in Tokyo (one of the most expensive cities in the world to live in) and essentially work 24/7 to make deadline. It's reaching a point where, because the people funding anime do NOT want to spend more money but their animators are actively dying from being overworked, have started outsourcing the animation part of anime to overseas studios like the Philippines because they don't have to pay as much. Or their NEW fun little tactic which is to hire amatuer animators off twitter from young kids who REALLY want to work in anime as their dream who are easier to exploit and misuse because they are young, inexperienced, passionate and naive. WATCH OUT FOR THIS. It's becoming more common.

Most larger anime shows also know their main money won't come from broadcast or even blu-ray sales (although Blu-ray sales are EXTREMELY important as far as an anime's success goes) the REAL money comes from merchandise sales or a push of sales in gacha games that are tied to the anime in question. Basically the way Pokemon works at this point. Where the games only exist to justify the existence of merchandise.

So the producers of anime want shows that they know will translate well into merchandise sales. The big merchandise target which these companies like tend to be men aged 18 - 25 who don't yet have families of their own. Because they tend to have a lot more disposable income. However, as things have changed and shows like Sailor Moon have proven, women are also willing to spend large amounts of money on merch. But due to the social structure of Japan, statistically women are less likely to spend the same amount of money because society pressures them more to work towards starting families and focusing their money on building households. (something Japan itself puts extreme pressure on especially with their declining birthrate but even before this just through their traditional family values).

This is why if you compare the amount of shoujo and Josei anime that come out per year versus the amount of Shounen and Seinen anime, it's not even CLOSE in numbers. And what shows MIGHT appeal to women just as men tend to still have cute girls in them to push figurine sales.

It's created an extremely hostile environment where artists simply do not have the means to actually be creative because they are being bled dry for no money.

BUT, because of the sheer number of anime that release per year, it IS more likely to have hidden gems come out made by people who genuinely have a great passion for what they make. It's just that before these would be the anime that outshines everybody else, but because there is just SO MUCH shovelware anime, it can be a little harder to see in the crowd of 5000 isekai and gacha anime.

The industry is not in a great place right now in terms of a creative environment. But it doesn't mean quality isn't there. It's just the quality anime won't be the "biggest" anime of the season or the most talked about or the one you see the most merch for.

Except for Mob Psycho 100. MP100 is GENUINELY one of the best anime to come out in the last 10 years. It uses experimental mixed media in its animation, the animation itself is top tier, and its story and characters are extremely unique for the anime medium.

ALSO! there is an anime coming out for one of my favourite current running manga "Kaiju No. 8". Monster Number 8 is part of a new breed of manga that's part of a branch of Shounen Jump called "Jump+". Shounen Jump has for DECADES demanded its manga writers provide a chapter PER WEEK for publishing. Similarly to anime, this bleeds manga artists dry and leaves them often with debilitating health conditions due to overwork (I have a manga by Satoshi Kon where he talks about getting Jaundice while making the comic due to overwork).

Jump+ on the otherhand works differently. The manga do NOT update per week but have larger gaps between updates with short breaks sometimes by the artists.

AND GUESS WHAT???

IT MEANS THE QUALITY OF THE MANGA HAVE GONE UP!

WHAT A SHOCK!

Anyway apparently Kaiju No. 8 is getting an anime adaptation and I am extremely excited.

(He's upset because he pissed through his nipples on the street)

Seriously tho. Kaiju No. 8 is about a 30 something year old dude who works as "monster clean up" which is basically the guys who have to mop up the guts of whatever Kaiju the heroes blew up that week.

until he accidentally becomes exposed to something which gives him the ability to shapeshift into a monster. He reapplies to the Kaiju-fighting division being one year under the cut-off age, an entrance exam he has failed multiple times in the past, but gets in this time (but barely iirc. It's been a while since I read the beginning. (of course if the defense division ever sees him in his monster form they will kill him which is probably not the smartest career move but I mean WHAT ELSE IS HE SUPPOSED TO DO?)

AND THEN THE POWER OF FRIENDSHIP HAPPENS.

Where his hero buddies who find out he is also a kaiju have to help him BOTH fight the monsters attacking the city while ALSO keeping his powers a secret from the OTHER officers in the division. Specifically his best friend who then pushes himself to be BETTER at the defense thing specifically so his friend (who's named Kafka by the way because of course) won't transform to protect him and potentially get himself killed by the defense division.

It's so good. Please... I am weak for power of friendship stories....

Everybody protects each other and care about each other so much...

I just hope the anime can get something good out, because already from the sneak peaks we've seen, the quality seems to be the same level of mid most major anime have these days. But hey. At least it's not CG.

#C-Puff answers #long post

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brookstonalmanac · 4 months ago

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Holidays 7.20

Holidays

Air Force Day (Romania)

Asarnha Bucha Day (Thailand)

The Binding of the Wreaths (Lithuania)

Cleat Dancing Day

Common Mullein Day (French Republic)

Deepfake Awareness Day

Dia del Amigo (Argentina, Brazil, Uruguay)

Engineer’s Day (Costa Rica)

Falun Gong Persecution Anniversary Day (China)

Frantz Fanon Day

Friend's Day (a.k.a. Dia del Amigo; Argentina, Brazil, Uruguay)

International Ambigram Day

International Chess Day

International Ride MTB Day

July Plot Anniversary Day

Lao Women Union’s Day (Laos)

Liam Payne Appreciation Day

Lempira Day (Honduras)

Mammal Day

Man on the Moon Day (a.k.a. Moon Day)

Nap Day

National Biplane Day

National Dental BIller’s Day

National Guard Day (Kyrgyzstan)

National Heroes Day

National Megan Day

National Moon Day

National Natalie Day

National Pennsylvania Day

National POW-MIA Recognition Day

National Secretary Day (Mexico)

National Tell A Girl She's Beautiful Day

Peace and Freedom Day (North Cyprus)

Space Exploration Day

Special Olympics Day

Sumarauki (Iceland)

Sun’s Rest Festival (Elder Scrolls)

Tree Planting Day (Central African Republic)

Ugly Truck Day

Vigil for Peace, Justice and Respect for Human Rights (Colombia)

Women’s Union Day (Laos)

World Jump Day

Food & Drink Celebrations

Fortune Cookie Day

International Cake Day

National Ice Cream Soda Day

National Lasagne Day

National Lollipop Day

National Milkshake Day (Australia)

National Strawberry Rhubarb Pie Day

National Wine & Cheese Day (France)

Independence & Related Days

British Columbia Province Day (Canada; 1871)

Colombia (from Spain, 1810)

Libernesia (Declared; 2022) [unrecognized]

Republic of Plymouth (Declared; 2015) [unrecognized]

Samana Cay (Declared; 2008) [unrecognized]

3rd Saturday in July

Alberton Railroad Day (Montana) [3rd Saturday]

Celebration of the Horse Day (Texas) [3rd Saturday]

Festa del Redentore begins (Venice, Italy) [3rd Saturday; thru Sunday]

National Bridal Sale Day [3rd Saturday]

National Strawberry Rhubarb Wine Day [3rd Saturday]

PADI Women’s Dive Day [3rd Saturday]

Parks Day (Canada) [3rd Saturday]

Plural Pride Day [3rd Saturday]

Railroad Day [3rd Saturday]

Toss Away the "Could Haves" and "Should Haves" Day [3rd Saturday]

Woman’s Dive Day [3rd Saturday]

Woodie Wagon Day [3rd Saturday]

Weekly Holidays beginning July 20 (3rd Week of July)

National Moth Week (thru 7.28) [Last Full Week]

National Scrabble Week (thru 7.24)

RAGBRAI (thru 7.27)

Festivals Beginning July 20, 2024

Art Walk & Wine Gala (Prosser, Washington)

Beachside Wine Festival (Santa Barbara, California)

The Big BBQ & Jerk Festival (West Friendship, Maryland)

Blueberry Festival (Middlefield, Connecticut)

Burger Bash (Eagle River, Wisconsin)

Camp Verde CornFest (Camp Verde, Arizona)

Celebration of Light (Vancouver, Canada) [thru 7.27]

Food Truck Frenzy (Lenexa, Kansas)

Hamburg's Annual Burgerfest (Hamburg, New York)

Interceltic Festival of Avilés (Avilés, Spain) [thru 7.28]

Key West Festival (Purcellville, Virginia)

Manchester Chicken Broil (Manchester, Michigan)

Michigan Honey Festival (Corunna, Michigan) [thru 7.21]

Ozark Berry Festival (Springfield, Missouri)

Selinsgrove Brewfest Hops, Vines & Wines (Selinsgrove, Pennsylvania)

Strawberry Festival (Leonard, Michigan)

Summer Reggae Wine & Music Festival (Mt. Airy, Maryland) [thru 7.21]

Sunrise Side Wine & Food Festival (Harrisville, Michigan)

Teton County Fair (Jackson, Wyoming) [thru 7.28]

Valparaiso Wine Festival (Valparaiso, Indiana)

Watermelon Day (Stanhope, Iowa)

Westport Wine Festival (Westport, Washington)

Yellowstone Beer Festival (Cody, Wyoming)

Zucchini Races (Cole Camp, Missouri)

Feast Days

Alistair MacLeod (Writerism)

Ansegisus (Christian; Saint)

Apollinaris of Ravenna (Christian; Saint)

Aurelius, Bishop of Carthage (Christian; Saint)

Barsabas (Christian; Saint)

Binding of the Wreaths (Lithuanian Lover’s Festival; Everyday Wicca)

Ceslas (Christian; Saint)

Cormac McCarthy (Writerism)

Diktynna, Lady of the Nets (Minoan; Starza Pagan Book of Days)

Ealhswith (a.k.a. Elswith; Christian; Saint)

Editha (Christian; Saint)

Elias (Christian; Prophet)

Elijah (Christian; Saint)

Elizabeth Cady Stanton, Amelia Bloomer, Sojourner Truth, and Harriet Ross Tubman (Episcopal Church (USA))

Erik Axel Karlfeldt (Writerism)

Feralia: Day of Purification (Pagan)

Flavian and Elias (Christian; Saints)

Giorgio Morandi (Artology)

Greater Bajram (Feast of Sacrifice; Albania, Bosnia & Herzegovina)

Interstellar Lasagne Day Day (Pastafarian)

Jerome Emiliani (Christian; Saint)

John Baptist Yi (Christian; One of The Korean Martyrs)

Joseph Barsabas (Christian; Saint)

Judy Chicago (Artology)

Justa and Rufina (Christian; Martyrs)

La Fontain (Positivist; Saint)

Larry the Fish (Muppetism)

László Moholy-Nagy (Artology)

Margaret the Virgin (a.k.a. Margaret of Antioch; Christian; Saint)

Max Liebermann (Artology)

Nam June Paik (Artology)

Perun’s Day (Asatru/Slavic Pagan God of Thunder)

Pope John XII Day (Church of the SubGenius; Saint)

Synoika (Ancient Greece)

Thgir-yaw-Dnuor Day (Shamanism)

Thorlac (Christian; Relic Translation)

Turkish Invasion Day (Cyprus)

Uncumber (Christian; Saint)

Ulmer (a.k.a. Wulmar; Christian; Saint)

Wilgefortis (cult suppressed)

Lucky & Unlucky Days

Tomobiki (友引 Japan) [Good luck all day, except at noon.]

Premieres

Arthur Murray Party (TV Variety Series; 1950)

Batman: Hush (WB Animated Film; 2019)

The Bookworm Turns (MGM Cartoon; 1940)

Breaking Away (Film; 1979)

The Bridge of San Luis Rey, by Thornton Wilder (Novel; 1927)

Buddy Steps Out (WB LT Cartoon; 1935)

Christmas in Connecticut (Film; 1945)

The Dark Knight Rises (Film; 2012)

Dicky Moe (Tom & Jerry Cartoon; 1962)

Do You Believe in Magic?, by The Lovin’ Spoonful (Song; 1965)

Ghost World (Film; 2001)

Hairspray (Film; 2007)

Hedwig and the Angry Inch (Film; 2001)

Like a Rolling Stone, by Bob Dylan (Song; 1965)

Lucky Number (Disney Cartoon; 1951)

Mama Mia!: Here We Go Again (Film; 2018)

Mighty Mouse and the Wolf (Mighty Mouse Cartoon; 1945)

The NeverEnding Story (Film; 1984)

Pop. 1280, by Jim Thompson (Novel; 1964)

Revenge of the Nerds (Film; 1984)

Serenade, Op. 24, by Arnold Schoenberg (Serenade in 7 Movements; 1924)

Sid and Nancy (Film; 1986)

Spirited Away (Studio Ghibli Animated Film; 2001)

Stop the World — I Want To Get Off (Musical Play; 1961)

Tabasco Road (WB LT Cartoon; 1957)

Train to Busan (Film; 2016)

The Wind Rises (Studio Ghibli Animated Film; 2013)

Wrestling Wrecks (Woody Woodpecker Cartoon; 1953)

Today’s Name Days

Apollinaris, Bernhard, Margareta (Austria)

Ilina, Iliya, Iliyana, Ilko (Bulgaria)

Apolinar, Bernard, Ilija, Margareta, Marina (Croatia)

Ilja (Czech Republic)

Elias (Denmark)

Elias, Erland, Liias (Estonia)

Maaret, Maarit, Margareeta, Marketta, Reeta, Reetta (Finland)

Élie, Marina (France)

Elias, Greta, Margarete (Germany)

Elias, Ilias (Greece)

Illés (Hungary)

Elia, Simmaco (Italy)

Namejs, Ramona, Ritma (Latvia)

Alvydas, Česlovas, Jeronimas, Vismantė (Lithuania)

Margareta, Margit, Marit (Norway)

Czech, Czechasz, Czechoń, Czesław, Eliasz, Heliasz, Hieronim, Leon, Małgorzata, Paweł, Sewera (Poland)

Ilie (Romania)

Eliáš, Iľja (Slovakia)

Apolinar, Aurelio, Elías (Spain)

Greta, Margareta (Sweden)

Elio, Eliot, Eliott, Elliot, Elliott, Marine (Universal)

Edna, Edwin, Edwina, Elias, Elijah, Ellice, Elliot, Elliott, Ellis, Ellison, Neal, Neala, Neil, Neila, Nelson, Niall, Nigel, Niles (USA)

Today is Also…

Day of Year: Day 202 of 2024; 164 days remaining in the year

ISO: Day 6 of Week 29 of 2024

Celtic Tree Calendar: Tinne (Holly) [Day 14 of 28]

Chinese: Month 6 (Xin-Wei), Day 15 (Yi-You)

Chinese Year of the: Dragon 4722 (until January 29, 2025) [Wu-Chen]

Hebrew: 14 Tammuz 5784

Islamic: 13 Muharram 1446

J Cal: 22 Red; Oneday [22 of 30]

Julian: 7 July 2024

Moon: 99%: Waxing Gibbous

Positivist: 5 Dante (8th Month) [La Fontain]

Runic Half Month: Ur (Primal Strength) [Day 12 of 15]

Season: Summer (Day 1 of 94)

Week: 4th Week of July

Zodiac: Cancer (Day 30 of 31)

#Holidays

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pauline-03 · 1 year ago

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"Is blogging still relevant in the age of TikTok and Instagram?"

Trends change with the seasons in the always changing world of the digital era. One may question the continued relevance of blogging, the long-time champion of long-form material, in the age of TikTok's 60-second clips and Instagram's finely curated photo grids. Let's first take a closer look at blogging before moving on to the subject.

Blogging

A blog, often known as a weblog, is a frequently updated online page that is used for business purposes or personal comments. The original forms of content marketing on the internet were blogs. They have existed since the earliest days of the internet (Beyond the Panorama 2022). Today's blogs are more likely to be personal online diaries or business-related commentary that's updated often and aimed at the broader public (Barney 2022).

TikToks and Instagram

youtube

Now that we know what blogging is, let’s dive into TikTok and Instagram. TikTok is a social media site that only supports short-form videos, whereas Instagram is a fully developed visual social media platform that supports photo sharing on top of any type of video, including both short-form and long-form clips (Maria 2022). Instagram was designed from the beginning to be a platform for sharing everyday stuff. a picture of your dinner or a picture of you eating with your companions. But with time, that type of stuff seemed to shift. We now hear more about Instagrammers, influencers, and content creators than phrases like bloggers because Instagram has grown into what feels like an unstoppable force.

So, how do we determine if blogging is still relevant in the era of TikTok and Instagram? Let’s decide it by looking at their main factors.

Longevity

Like gemstones, blogs are eternal. Blogs are permanent, unlike reels and TikTok videos, which only last a short while. This is because even if the videos are out-of-date, users can continue to discover relevant content on blogs via search engines (Beyond the Panorama 2022).

Purpose

Reels and TikTok were primarily developed as forms of entertainment, or at the very least, infotainment. On the other hand, blogs can be educational, amusing, or sales-focused, and they can support businesses in achieving a variety of goals (Beyond the Panorama 2022).

Media Flexibility

Reels and TikTok videos only enable video formats, whereas blogs allow for the inclusion of text, photographs, video, and other media. As a result, blogs may be utilised far more effectively to spread the word by utilising a variety of media formats. Because blogs offer more options, this offers consumers more freedom to decide (Beyond the Panorama 2022).

Platform Independence

According to Beyond the Panorama (2022), reels and TikTok are only available on those two platforms, respectively. They can only be used to target the usual young adult and teenage audiences of these networks. In contrast, blogs may be optimized for SEO to be found by Google on any platform.

More Structured

Even now, people read articles and blog postings. Sometimes people just want to click on a link, browse the content, and choose the information they need. Not every individual wants to watch a video for a piece of information. Articles are more structured, you don't have to know who wrote them, and they're highly useful in numerous areas of life.

Community

In the quick-paced world of TikTok and Instagram, there is frequently a lack of a sense of community and connection. Although these platforms are fantastic for getting instant likes and comments, bloggers may build long-lasting relationships with their readers by participating in continuous discussions in the comments area or through email newsletters. In addition to knowledge, many readers flock to their favourite bloggers for a sense of community and belonging to a specific specialty.

In conclusion, while TikTok and Instagram are undeniably popular and play a big part in how people consume material today, they cannot replace blogging for its distinctive contribution to the online world. There is still a place for bloggers who are passionate about sharing their ideas and tales with the public in a world that seeks both instant enjoyment and in-depth knowledge.

List of References

Beyond the Panorama 2022, ‘Content Marketing’, 6 reasons that make blogs remain relevant in the age of reels and tiktok, 5 August, viewed 25 September 2023, < https://beyondthepanorama.com/6-reasons-that-make-blogs-remain-relevant-in-the-age-of-reels-and-tiktok/>.

Barney, N 2022, What is a blog?, TechTarget, viewed 26 September 2023, < https://www.techtarget.com/whatis/definition/weblog#:~:text=Today's%20blogs%20are%20more%20likely,page%20in%20reverse%20chronological%20order>.

Maria 2022, TikTok vs Instagram: Key differences you need to know, SocialBee, viewed 26 September 2023, < https://socialbee.com/blog/tiktok-vs-instagram/#:~:text=How%20Is%20TikTok%20Different%20from,videos%20through%20the%20IGTV%20feature>.

#MDA20009 #Week 4 #Blog #blogcommunity #Youtube

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cityof2morrow · 10 months ago

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3-in-1 Supermarket 001

Published: 1-13-2024 | Updated: 1-15-2024 (Counter 1/4 FIX) SUMMARY The 3-in-1 Supermarket collection (Simmons, 2023) includes items from Asamo Sims (2005), Sims Connection (2006), and Simplan-X (2006), edited and expanded. Mix and match items to create your own, unique supermarket design.

DETAILS Requires all EPs/SPs §100-700 | Buy Mode All files with “MESH” in their filenames are REQUIRED for all textures/recolors to show properly. To use the SmartGarden Kiosk, you must have the Planting Overhaul mod (Lamare and Tvickiesims, 2023) installed. Finally, you need one of the following: Shift Everything (Lamare, 2022) OR Object Freedom 1.02 (Fway, 2023). Some recolors may be bundled in the same file, so be careful deleting swatches in-game. Some objects may need to be shifted upward once for ideal placement.

WARNING: The SmartMarket Kiosk, SmartGarden Kiosk, and TV objects have pulsing, flashing, and glowing light effects. If you are sensitive to visual noise, download the LIGHT SENSITIVE version of this set. Only use ONE version in-game at a time. ITEMS Hanging Grocery Bags (Deco) (896 poly) Area Dividers 001-002 (Deco) (59 poly) Barrier Gate (334 poly) Barrier Fence (910 poly) - *not in the collection file. Basket (292 poly) Cash Register (533 poly) Cabinets (Deco) (408-548 poly) Cleaning Deco (1295 poly) Counter 001 (240 poly) Counter 002 (32 poly) Counter 003 (264 poly) Counter 004 Bagstation1 (240 poly) Counter 005 Bagstation2 (184 poly) Counter 006 (286 poly) Boxed Foods Display (396 poly) Shopping Cart (Shelf) (776 poly) Counter Shelf (417 poly) Displays 001-004 (Deco) (206-470 poly) Display 005 (Functional Grocery Bin) (1910 poly) – purchase groceries by clicking on any part of the object; place a shelf inside for additional storage/sale space. Display 006 (Functional Fridge) (738 poly) – store/sell spoilable food items. Display 007 (488 poly) Fridge Shelf (Functional) (834 poly) – store/sell spoilable food items. Shelves & Half Shelves (Left, Right, Center for each) (10-62 poly) SmartMarket and SmartGarden Kiosks (~1472-1650 poly) – purchase groceries, seeds, and fertilizer respectively. Supermarket Sign (2-Story) (352 poly) TV Display (1276 poly) DOWNLOAD (choose one) REGULAR VERSION from SFS | from MEGA LIGHT SENSITIVE VERSION from SFS | from MEGA *A known game bug may disable some shelf slots. If you cannot access more than 2 slots on the hosiery/lingerie racks (the ones with 4 or 6 bars), download ONE these fixes: MORE_Custom-objects-placeable-on-shelves (Numenor, 2006) MORE_Custom-objects-placeable-on-shelves+LOCKEDTILES (Numenor, 2006) Object Freedom 1.02 (Fway, 2023) CREDITS Thanks: AL Wood Actions/Reducing GUIDs/OBJs (@hugelunatic, 2022). Sources: Any Color You Like (@curiousb, 2010), Basket Cage (H.A., n.d.), BBNiche1Master (BuggyBooz, 2012), Beyno (Korn via BBFonts), Cubic Dynamics (EA/Maxis), DOECHII Screen Kiosk (retr0black, 2022 via Creative Commons Attribution), EA/Maxis, Great Groceries Display (Balkopat, 2020), Grocery Store Part 1 (Jacky93sims, 2023; Severinka, 2022; Bodegababy, 2021), Kitchen Basic (Hafiseazale, 2016; BuggyBooz 2008), Kitchen Basic Extras (Hafiseazale, 2016; BuggyBooz, 2010), Offuturistic Infographic (Freepik), One More Slot Package (OMSPs) (SilentLucidity, 2009), Planting Overhaul (@lamare-sims and @tvickiesims, 2023), Shop Essentials (Simplan-X, 2006), Shopping Set (Asamo Sims, 2005), Supermarket (JC/Sims Connection, 2006), Images (Iskisoon, 2023; Macrovector, 2023; 2022; 2019; Photographeaasia, 2023; Freepik, 2023; Upklya, 2022; Rawpixel).

#ts2downloads #ts2cc #sims2cc

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whileiamdying · 2 years ago

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Iranian Filmmakers Face Fight or Flight Amid Political Turmoil

By Nick Vivarelli

Credit: Les Films d'Ici/Berlinale

The wave of protests sparked across Iran by the death of Mahsa Amini by Iranian morality police in September came amid a banner year for Iranian cinema.

But as 2023 kicks off, more than 500 people who have protested her death and called for justice have been killed while prominent members of the Iranian film industry were either arrested, put on trial or banned from making movies. The result being that the country’s cinematic community has largely ground to a halt.

Which raises the question: unless something changes, how many films actually shot in Iran will be surfacing on the international festival circuit going forward?

In 2022, Iran-based directors landed slots in all major international film festivals and won major awards. Revered auteur Jafar Panahi took the Venice Special Jury Prize for “No Bears” and Houman Seyyedi’s tragicomedy “World War III,” which was Iran’s candidate for the international Oscar, scooped two statuettes on the Lido.

But 2023 is kicking off with only films by Iranian diaspora directors launching on the fest circuit. Case in point: native New Yorker Maryam Keshavarz’s “The Persian Version,” which bowed at Sundance.

And the widening divide between Iran’s expat directors and Iranian filmmakers living in the country is stark at the Berlinale.

Berlin’s Panorama section, which is titled “Films as Tools of Resistance,” is opening with Paris-based Sepideh Farsi’s feature “The Siren” which provides a timely take on the Iran-Iraq war. Incidentally, the section also features a doc by Indian director Sreemoyee Singh titled “And, Towards Happy Alleys,” which is about Panahi, who was recently released from Tehran’s Evin penitentiary after spending seven months behind bars on charges of “anti-government propaganda.”

But the only film in this year’s Berlin selection that is by an Iran-based director is Negin Ahmadi’s doc “Dream’s Gate” which depicts an all-female Kurdish militia in Northern Syria.

Berlin’s artistic director Carlo Chatrian says this year he actually received more submissions from Iran than ever before. But the fest’s selection committee was leery of Iranian films, many of which came from companies affiliated with the government. Why? “Because for them it’s a statement saying: ‘OK, this is not true what people abroad are saying about us,’” he said.

Chatrian added that “at times films [from Iran] that from the outside look independent are not fully independent,” so they can still be seen as a form of government propaganda.

In solidarity with the protests sparked by Amini’s death, the Berlinale has banned Iranian government film industry entities such as the Farabi Cinema Foundation, Iran’s national film promotion outfit which has been attending Berlin’s European Film Market with a stand for years.

And on Feb. 18 there will be an event on the Berlinale Palast red carpet to shine a spotlight on the fest’s position against Iran’s repressive regime.

Berlin’s executive director Mariëtte Rissenbeek pointed out that it’s bound to be more difficult these days for filmmakers in Iran, most of whom are anti-government, to make films. “They are for freedom of expression, which is exactly what the Iranian state is trying to fight right now,” she said.

That, of course, is indeed the case.

“Iranian cinema is now under attack in Iran,” noted “World War III” helmer Seyyedi, in an email interview from Tehran. “As a middle-aged man who is deeply involved with the present problems, I have no idea if I will really be able to start making another movie in future. We will have to wait and see what happens.”

According to Mohammad Attebbai, head of Tehran-based sales company Iranian Independents, at the moment “Iran’s nearly 50% inflation and its severe censorship codes dissuade anyone from investing in a movie.”

Attebbai added, “There are lots of filmmakers who, like many others in the country, believe it is impossible to keep living in Iran and are trying to immigrate.

“They simply cannot tolerate the situation any longer, with censorship getting much worse and film production slowing down dramatically,” he said.

Most artists at present are banned from travel outside Iran.

Significantly, two-time Oscar winner Asghar Farhadi, Iran’s best-known director, is currently working on his new film in Los Angeles and Europe. Farhadi was at the Zurich Film Festival when protests following the death of Amini erupted. He voiced support for the protests and has returned to Iran since.

As an Iranian diaspora director, Paris-based Farsi said she now feels a greater responsibility “to carry on the flag of making films that are relevant and have to do with Iran, though maybe not directly.”

“I don’t know how ‘The Siren’ will travel,” she pointed out. “But for sure I would really love people in Iran to see it.

“The end of the film has hope, and I really would like them to feel it as glow of sun for the near future of Iran. Because I’m really hoping that we will reach a victory soon.”

#Iran #Cinema #Iranian Cinema #Asghar Farhadi #Berlinale #The Siren #Mariëtte Rissenbeek #Houman Seyyedi #Mahsa Amini #Jafar Panahi #Maryam Keshavarz #Sepideh Farsi #Mohammad Attebbai #Variety

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csrmagnovite24 · 9 months ago

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JOOTA HAI YEEZY🙂

In late 2022, Adidas, a global powerhouse in the realm of sportswear, found itself entangled in a web of controversy following its decision to sever ties with Kanye West due to his series of contentious remarks. This move ignited a multifaceted discussion around corporate social responsibility (CSR) and prompted a deeper exploration of the ethical considerations inherent in business partnerships.

The narrative surrounding Kanye West's departure from Adidas began with inflammatory statements, which escalated from provocative tweets to offensive interviews and podcasts, ultimately culminating in unsettling remarks involving an Adidas manager. The widespread condemnation that ensued left Adidas with no option but to publicly denounce West and terminate their longstanding collaboration. However, this action was just the beginning, as public scrutiny intensified, leading to a reassessment of Adidas' CSR practices.

Despite the termination of their partnership, Adidas' decision to continue selling existing Yeezy stock became a focal point of criticism. Critics argued that by doing so, Adidas was indirectly supporting West financially, thereby, contradicting their condemnation of his behaviour and calling into question the sincerity of their commitment to CSR principles. The ongoing sale of Yeezys was perceived by many as profiting from hate speech, potentially undermining Adidas' professed values of inclusivity and respect, particularly in the eyes of younger consumers who place great emphasis on a brand's ethical stance.

The discord between stakeholder expectations and corporate actions laid bare a fundamental disconnect between rhetoric and reality. This dissonance raised doubts about the authenticity of Adidas' CSR initiatives and underscored the importance of aligning stated values with tangible actions. Critics pointed out numerous inconsistencies between Adidas' professed values and their decision to continue selling Yeezys, fueling scepticism about the efficacy of their CSR efforts and casting doubt on the integrity of their corporate governance. This loss of trust translated into diminished brand loyalty, which could potentially impact sales and market share over the long term.

The fallout from the controversy prompted stakeholders to demand greater transparency and accountability from Adidas. There is a growing expectation for companies to not only articulate their CSR commitments but also to demonstrate tangible progress and accountability in fulfilling them. The Yeezy controversy served as a catalyst for a broader conversation about corporate ethics and the responsibilities of multinational corporations in navigating complex social issues.

Moreover, The Clean Clothes Campaign published a report in 2023 detailing the unfavourable working conditions in Adidas factories located in Vietnam and Cambodia. The report painted a terrible picture of the working conditions faced by employees, describing poor pay that did not keep up with living expenses, excessive overtime that went above the law, and hazardous workplaces without enough safety precautions. The research also highlighted issues with restricted freedom of association and challenges in organising unions, which further impeded employees' capacity to speak out for themselves. Similar complaints have also been voiced by other groups, such as the Worker Rights Consortium, in other Adidas supplier facilities, underlining structural issues with the company's supply chain.

In addition to worker rights, Adidas faces environmental challenges. Ecosystems and human health are at risk from the usage of microplastics, which are microscopic particles emitted from synthetic materials. While Adidas investigates natural alternatives and uses recycled plastic, detractors call for quicker action. Criticism is fueled by the industry's massive carbon impact, which includes Adidas' shipping and production. Ambitious targets aim to achieve carbon neutrality by 2050, but detractors question their relationships with high-emission businesses and say they lack specific measures.

As Adidas grapples with the fallout from the controversies, it faces a crucial decision regarding the fate of its remaining Yeezy inventory, ethical labour practices and strives for sustainability. The company must weigh the financial implications of selling the stock against the potential reputational damage and further community backlash that may result. This decision will not only shape Adidas' immediate response to the crisis but also have lasting implications for its corporate reputation and stakeholder relationships in the years to come.

TASK IN HAND

Imagine yourself as the CSR Head of Adidas, tasked with restoring the company's tarnished reputation. For the same come up with the following:

· Create a problem-solving product line with your assigned brand ambassador, prioritising sustainability, and a clear message for impact.

· Spearhead bold CSR initiatives for microplastic mitigation

· Revamping HR for ethical labour practices.

· Craft a resonant CSR campaign for brand reputation revival.

· Press Release

Deliverables

· PPT not more than 7 slides

· A press release

· Extra deliverables are appreciated

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affiliateinz · 9 months ago

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10 Highest Paying Clickbank Products to Promote

Are you looking to make money through affiliate marketing and Clickbank in 2024? Promoting the highest paying products can be key for making your efforts worthwhile. After analyzing thousands of Clickbank listings, I have compiled this definitive list of the 10 highest paying products that affiliates should promote this coming year.

Table of Contents

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This leading home remedy guide for treating vertigo sees impressive conversion rates. The sizable commissions for a mid-priced product explain its enduring popularity amongst affiliates.

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This trendy liquid weight loss supplement sold exclusively online leverages the power of 20 detoxifying nutrients and plants. Backed by an aggressive upsell funnel, you can expect a nice commission cheque cut from each referred sale in 2024.

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This workout guide combined with nutrition software generates sky-high commissions thanks to aggressive upselling within the funnel. As John Barban’s weight loss formula for women continues to dominate, be sure to test it out in 2024.

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Targeting the large diabetic and prediabetic audience, this all-natural guide receives glowing testimonials from past buyers. With a new update for 2022, there is pressure on the price which ensures large affiliate commission cheques per referral.

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Thank for read my atticle, 10 Highest Paying Clickbank Products to Promote

Affiliate Disclaimer :

Some of the links in this article may be affiliate links, which means I receive a small commission at NO ADDITIONAL cost to you if you decide to purchase something. While we receive affiliate compensation for reviews / promotions on this article, we always offer honest opinions, users experiences and real views related to the product or service itself. Our goal is to help readers make the best purchasing decisions, however, the testimonies and opinions expressed are ours only. As always you should do your own thoughts to verify any claims, results and stats before making any kind of purchase. Clicking links or purchasing products recommended in this article may generate income for this product from affiliate commissions and you should assume we are compensated for any purchases you make. We review products and services you might find interesting. If you purchase them, we might get a share of the commission from the sale from our partners. This does not drive our decision as to whether or not a product is featured or recommended.

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