#free music album

[logicandsound]

Fresh album: S.A.M by Iksnx

[steezylad]

[prettyjimmybeats]

Emily Ratjakowski - Young Thug - Slime Season 3

Art by jqr

[phonographica]

Vangelis - Hypothesis (1978)

[neitherabaron]

Day 1 - Up the Sides and Down the Middle

September's here and so is the first fiddle tune!

You can listen and download the track (and all the other ones coming out this month) for free, here:

I'm doing 30 of these, one a day, for Refugee Action! It's gonna be a lot of work but I can't wait - I'm so happy to be on this journey.

If you like the music, you can sponsor me below and help out Refugee Action:

Refugee Action provide expert advice to those struggling with the UK's unfair and purposely convoluted asylum system, and support people with refugee status settle into their homes and communities.

If you could help out even a little, it would mean a whole lot! Thank you!

[emilywaters]

Currently hunting for the motivation to write a Swan and Mercy fic titled "More Than The Corner", where Swan keeps avoiding talking about the kiss by busying around with gang stuff bcs she's never wanted someone this badly and it scares her and Mercy slowly breaks her walls down and both of them Communicate, and the other warriors shove them in a metaphorical (or literal) room bcs their gay pining is getting on everyone's nerves.

[wineonmytshirt]

Taylor Swift By Number

[devilish-parrot]

how do neurotypicals listen to music? apparently its not normal that i listen to the same two artists on loop, same two albums on loop and same two songs on loop for at least 13 hours a day

[theoreticalcaos]

(SYR 5): ミュージカル パ一スペクティブ by Kim Gordon, Ikue Mori, Dj Olive

[kailoraurelius]

📣📣📣 AND ANOTHER THING ABOUT SWAN, I shout into my empty room. @sun-mo0nshine reblogged my post about Swan being the baddest bitch and said they love the way Jasmine says, "Swan". And I have a headcanon about it that idk maybe y'all would like?? So here it is lol. Sorry it's monsterously long.

We all have animatics in our heads, I'm sure. Or full stage or cinema productions or whatever. We're picturing it as we listen. I have a full stage production in mine. There's a few parts that are questionably possible with today's technology, but whatever. It's entertaining and gets me through very long hours at work sometimes.

POINT IS, in my head, Swan almost never smiles. She sounds nearly bored the very first time she says her name in Survive the Night. But we know her better now! We know she was worried even then!! And all the girls are saying their names in ways that seem to match how they'd be feeling in that moment.

Cochise, vibey, positive. Shown by her share of the lyrics in the rest of the song, because she's the one that sings about Cyrus holding the crown and wanting to see what happens with Cleon.

Cowgirl, more excited and rambunctious, down for a good time. That one is simple lol.

Fox, short and fierce. She's already trying to show she's tough in the first moment of her in this. You can hear her lifting her chin when she fuckin' says it.

Cleon, the loudest and most open voice of all of them. Representing basically her whole character in her intro. She is the one that believes fully in Cyrus and is open to her dream.

Ajax, just above monotone, a little extra emphasis on the "s" sound. It feels a little darker, even snake-like for a moment. Not to say she's a snake by any means, but she is ALMOST an antagonist for her own crew throughout—questioning Swan over and over, picking the fight that ends up taking her away—and this bit of darker voice and imagery kinda hints at that to me.

Rembrandt, always saying her name in two parts, the last syllable usually leaning more toward her feelings. (For example, the first time Mercy adds herself to the Roll Call later, Rembrandt speaks after her and there is very clearly a ???? In the middle of her name and an annoyed emphasis on the T at the end, like she's thinking, "who is this bitch? It was MY turn next.") And in this first Roll Call, her voice seems to fall somewhere between Ajax and Swan's vibes. Not as worried or displeased, but in between. Which makes sense because she is the one that echoes Ajax when she openly questions the plan throughout this song.

NOW. Swan. Worried. Monotone. Mind elsewhere, on what the future is about to bring them. I do not picture her smiling in this.

In Warriors' Cypher is the first time we hear some brightness in her voice, but even then she's talking about "peace so far" and stating that she has everyone's backs if that changes. She's STILL worried, even while they're fooling around and having fun. I do picture her almost exasperatedly laughing at the others' parts or smirking at Cowgirl's line, but not full on grinning. She's still focused on her worry, but she's allowing the bit of fun. And, in If You Can Count, I do see her starting to smile as it seems like the peace is going to be a real, lasting thing.

But, as Swan later says in A Light or Somethin', everything goes wrong from then on. Cyrus, running for their lives, the Turnbull ACs trying to kill them, the track fire. In Track Fire and a Phone Call, everyone is again kinda goofing off. Blowing off steam, razzing each other. But Swan is serious and stern. "When we get there, that's when we've made it." No smiling. She's too focused on protecting her crew.

Then we get to Orphan Town and THIS is where I think Swan's first full, genuine smile would come in. Again, she's worried, she's strategizing. The Orphans are taking some convincing. Swan and Fox start their flirting, where I imagine she would have a placating smile on, at least. Then Mercy comes in.

And I think Mercy amuses Swan. I think she comes out, singing about the Orphans, saying "Witcha hand on your BCACK" and, in my head, Swan laughs, startled into amusement, then quickly hides it so Sully won't turn on her. Then Mercy turns on her.

She starts demanding Swan's vest and this is the first and only time in the album that we hear Swan sound a little dumbstruck. That "What?" absolutely sounds like 0.0 She recovers, offers to try and get Mercy one if she helps them through, and Mercy says she wants the vest off of Swan and what do we hear? A laugh. A small one, entwined with her, "No chance" but a laugh. The only amusement we hear in Swan's voice until A Light of Somethin'. So yeah, I think Swan finds Mercy ridiculous and unhinged and kinda hilarious. Still though, I don't see a full-on smile happening here.

But then everything goes sideways, Swan defends Mercy, Sully changes his mind about letting them pass, and Swan decides to blow their shit up. They start putting together the molotov and it's when Swan calls for a piece of fabric and Mercy offers it up that I see the smile happening. The line "Let's make their world a little brighter" is the brightest we've heard Swan's voice be. In my headcanon, feature film, stage adaptation, I see Swan asking for the fabric and Mercy jumping forward to offer it up and Swan, startled again into amusement and gratefulness, fully grins.

I think it goes away very quickly as she focuses on her task and puts back on her leader face, but I think that quick look is when Mercy starts falling.

Back to everything is hard and sucks for a while. Swan is busy trying to ignore Ajax and Mercy's beef and protecting her crew. Her sole focus is getting them home. Then they lose Ajax and she has to lead the cops away. Mercy goes with her and they end up alone.

Which brings us to A Light or Somethin'. We know Swan was likely freaking out inside. Her Warriors are out there somewhere and she can't help them, can only hope they're waiting for her at Union Square. Ajax is gone, Cleon is gone. So she's quiet as they walk through the tunnel, understandably. But, again, Mercy manages to amuse her. You can HEAR the amusement in her voice. She laughs, saying Mercy won't like initiation. She is playful when she says, "Well, you split from the Orphans, are you loyal?" It's a legit question, but it's said with such a lighter feel. You can tell Mercy has broken through the stern, stoic face she's been putting on for just a moment. I think this is the closest we get to another real smile before the Finale. Not the full blown grin I picture in Orphan Town, but a smile nonetheless.

And when Swan rejects Mercy, her voice drops back down to that more monotone, worried voice we're used to. Except it also has a bit of a rasp to it now. A pain. She doesn't want to be pushing Mercy away. Desperation and agitation fill the rest of the song and then it's, once again, everything sucks and we're running. They lose Fox.

And I feel like there's a smile after the kiss in Same Train Home. It definitely feels like there's a few in the Finale, when Swan says "Anyone sick of runnin", when she tells Mercy she's a Warrior, when Cleon shows up, when Swan and Mercy sing "When I am with you" together.

But I think the only full, unguarded or untinged with sadness/worry, grin is in Orphan Town. When this woman Swan doesn't even know shows up and startles her into genuine happiness she wasn't expecting to find anywhere. Much less on the run for her life.

[threetrenchcoatsinatrenchcoat]

proving how respectful Warriors (2024) is with MATH

american street gangs are one of the most lied about groups of people in this country. we have, essentially, copies of the same law in many cases: carjacking minimum penalty is 3 years in state prison, but if a prosecutor can argue it's a gang-related carjacking, it's 18 years in state prison to life. and gangs are super vaguely defined in the law, so in practice it's a shortcut to get poorer, darker-skinned folk punished more for the same crime. our tax dollars are funding a million cop shows telling us how scared we should all be of gangs. in classic outgroup propaganda, they are always simultaneously primal, uneducated kids who don't know what they're doing and also conniving, hierarchical masterminds conspiring against us.

in reality, they're community-based organizations of the people who stepped up when the neighborhood's law enforcement stopped settling the small disputes and started creating big ones. as with many large powers, they're often mismanaged and misogynistic and very territorial (though there's a case to be made about how those problems are all sustained by the cops), but fundamentally they're human beings taking care of each other, feeding and clothing each other, holding each other accountable, paying for their kids' educations, and being family. and we can all agree on those things. it's just the word "gang" that's been soured. to be clear, it's a lot less soured for the people still living gang life than the types of folk who might buy an album cowritten by the Hamilton guy. the album wants us to care about these kids' struggle without us bringing preconceived baggage to their table. so here's what it does about that.

when you summarize to your friend what Warriors is about, you use that word. gang. it's kinda the whole premise. but how much do they say that word? pop quiz, without scrolling down, can you name a single instance of the word "gang" appearing in Warriors? there aren't zero, but there aren't many. really, try.

they say "crew"! 19 times in fact. and crowd, 5 times. and team (2) and turf (14) and i read corner (24) as a recurring motif for loyalty. West Side Story isn't even really about gangs, has a lot less words, and has gang 11 times. gangs are the basis of the plot of Warriors, but it's not what it's about. consider, for reference, that truce appears 9 times and crew 19 and beautiful 16. esperanza 6 and quiet 15. alive has a grand total of 45. and train? 58.

time's up, here's the answers: "every fly by night gang who wants to see the shore", "one big happy gang gang gang", "if some other gang gets the drop", "so now this chick's in the gang like?", "you're the baddest gang in the city, it's true", "every gang in the city wants to kill us"

let's dig in. it's just eight in the whole thing, and half of them are from a single Luther song. there's so many words in this thing total. and 8 is less than 9, the number of featured gangs including the cops. almost all of the invocations are referring to other people, derogatorily at that. the exception is Ajax being kinda facetious. 5 of them are essentially about hypothetical groups. 1 is the nypd. it's possible when you were mentally scanning the lyrics for "gang" you did what i did when i first realized this and thought for places someone might be trying to say "we're a big bad gang" but that never happens. cause Lin and Eisa write them like real people and use our preconceptions responsibly. and sometimes what that means is writing about a thing without using the most common name it's been given.

and bwawwk! what about bwawwk!? 28.

[steezylad]

[scottpilgrim4everr]

Here’s a bad idea I’ve had marinating in my brain for months. I really didn’t expect this cover to be so FUCKING HARD to execute.

There’s so much going on here…

Here’s the OG for reference:

[ourstaturestouchtheskies]

art history moodboard – melodrama by lorde

A Nocturnal View of the Grand Canal – unknown artist // Nocturne: Queensboro Bridge – J. Alden Weir // Café Terrace at Night – Vincent van Gogh // Dance at Le Moulin de la Galette – Pierre-Auguste Renoir // The Sick Girl – Michael Peter Ancher // Masquerade Ball – Charles Hermans // Paris at Night: Rue de Venise – Konstantin Alexeyevich Korovin // Bülowstrasse Station – Lesser Ury // Market Square of Warsaw by Night – Józef Pankiewicz

[zombie-bait]

I mean..... fighting in the car...... do I even have to say it?

[liefdesleven]

going to put together my definitive list tomorrow but im taking suggestions for albums to listen to next year!! im going to do a new album every week :)