#frederik vermehren

[misscromwellsmonocle]

Portrait of a Fisherman's Wife from Hornbæk (1883) by Frederik Vermehren

[horses-in-art-history]

Frederik Vermehren, A Sower, 1859, Statens Museum for Kunst, open.smk.dk, public domain

(Picture source for A Sower, the second image is a cropped version of the original)

[i12bent]

Danish painter, Christen Lyngbo (June 18, 1871 - 1968) was a convinced naturist who preferred painting in the buff, and spent the better part of his life in the dunes of Western Jutland, near Henne Strand, where he also created a naturist refuge…

His art is Naturalist and has a strong focus on landscapes, although he was also an able portraitist, trained at the Royal Academy in the 1890s under Bache and Vermehren.

Above: Landscape, 1906 - oil on canvas (Dansk Kunstgalleri)

[vizuart]

Frederik Vermehren - Portrait of a fisherman's wife from Hornbæk (1883)

[oldpaintings]

In the Artist’s Studio, 1892 by Frederik Vermehren (Danish, 1823--1910)

[camillevanneerart]

'Frederik' (21 × 14.8 cm, pastel on 115 gms paper)

[just-art5]

Frederik Vermehren - From the courtyard of Thotts Palais on Kongens Nytorv, 1845

[simena]

Frederik Vermehren (detail)

[your-krazy-uncle-bob]

Gustav Vermehren (1863-1931) was a painter from Denmark. He was son of the painter Frederik Vermehren and brother of the painter Sophus Vermehren. Gustav Vermehren.

[mscoyditch]

"Christen Dalsgaard (Danish painter) 1824 - 1907

Peasant interior with a young girl reading a letter by the window, 1852

oil on canvas

78 x 61 cm. (30.71 x 24.02 in.)

signed and dated C. Dalsgaard 1852

private collection

© photo Bruun Rasmussen

Exhibited: Presumably Charlottenborg 1852 no. 107 with the title “En ung pige, der læser et brev” (A young girl reading a letter).

The work 'A Young Girl from Salling Reading' (1851) at the Hirschsprung Collection in Copenhagen is a preliminary work for this painting.

* * *

Christen Dalsgaard was a Danish painter, a late student of Christoffer Wilhelm Eckersberg.

The son of the estate owner, Christen Dalsgaard was born on 30 October 1824 at Krabbesholm Manor near Skive in Jutland. He showed early signs of artistic talent, and received training as a craft painter. In spring 1841 Niels Rademacher, a visiting landscape painter, encouraged the young artist and convinced his parents of their son's talent.

Later that year he traveled to Copenhagen and began his art studies at the Royal Danish Academy of Art (Det Kongelige Danske Kunstakademi) in October 1841. In December 1841 he began private studies with painter Martinus Rørbye. These last until 1847.

In 1843 he began his studies at the Academy's freehand drawing school, and the following year at the Academy's plaster school. Home during the summer and holidays he busied himself by filling sketchbooks with studies of the local landscape, costumes and way of life. These formed a lifelong basis for his art. He also began collecting local folk costumes, another lifelong interest.

In 1844 Dalsgaard cames under the influence of Niels Lauritz Høyen, art historian, who held a famous lecture "On the conditions for a Scandinavian national art's development" ("Om betingelserne for en skandinavisk nationalkunsts udvikling"). Høyen called for artists to search for subject matter in the folk life of their country instead of searching for themes in other lands, such as Italy (which was at that time considered a requirement for an artist's training). Dalsgaard was a loyal follower of Højen's artistic ideals, and forwent the customary journey to Italy, choosing rather to concentrate on themes closer to home.

In March 1846 he began at the Academy's model school under professors Christoffer Wilhelm Eckersberg, J. L. Lund og Martinus Rørbye.

He had his exhibition debut at Charlottenborg in 1847, and continued showing there every year with few exceptions.

In 1855 he painted his first altarpiece at the church in his hometown of Skive. He goes on to paint a number of other altarpieces in the years to come.

Christen Dalsgaard, like his contemporaries Julius Exner and Frederik Vermehren, painted primarily genre paintings, national romantic folk scenes rooted in the grasslands of Jutland. He paid great attention to details– folk costumes, manners and habits of the people, architecture and landscape. He was a storyteller. His artistic works, as well as those of his contemporaries helped open the way for more realistic paintings in the late 1800s. A collection of his work can be found at the Skive Art Museum. Other paintings can be found, among other museums at the National Museum of Art.

Source: Wikipedia".

> Christa Zaat > Painters from the North .

[joseandrestabarnia]

Frederik Vermehren

Esposa de un pescador de Hornbæk, 1883

Óleo sobre lienzo, 27 x 23 cm.

Número de inventario: 0157NMK

Adquirido antes de 1904. Otorgado al museo en 1908

Frederik Vermehren tenía la capacidad de observar a sus sujetos con una veracidad especial, que se puede ver claramente en sus retratos de personas de diferentes orígenes. En este retrato de cabeza y hombros de la esposa de un pescador, el artista ha tratado de resaltar la personalidad de la mujer mayor retratándola de manera realista. La dura y a veces miserable vida como esposa de un pescador está impresa en sus mejillas azotadas por el viento y sus ropas gastadas. Su mirada está marcada por una profunda tristeza, amplificada aún más por las líneas de preocupación en su frente. Al retratarla de esa manera, Vermehren buscó mostrar cómo la identidad de una persona está determinada por su entorno.

Información e imagen de la web de Nivaagaards Malerisamling.

[theresa-mielich]

MIKROGIGANTO

https://echtzeit-theater.de/mikrogiganto/

Eine partizipative Rauminstallation für Forscher*innen ab 7 Jahren und Insekten Eine Koproduktion mit RUE OBSCURE.

Wo eine Wiese ist, da wimmelt’s: Zwischen den Halmen eröffnet sich uns eine fremde Welt mit monströsen Krabblern, Kriechern und Krauchern, die ohne Unterlass bauen, rauben und sich vermehren. Je näher wir ihnen kommen, desto mehr Fragen tun sich auf. Wir entdecken dort die schier unendlichen Variationen und Möglichkeiten der Natur, entdecken Riesenhaftes im Kleinen, Schönes im Schaurigen und Stärke im Zerbrechlichen. Wenn aber plötzlich Ameisen oder Wespen unsere Picknickdecke erobern, dann wird klar: Kleine Lebewesen können die größten Gefühle bei den Menschen auslösen.

Konzept/Text/Dramaturgie: David Gruschka, Nina Krücken (echtzeit-theater)

Konzept/Szenografie: Karina Behrendt, Anne Keller (RUE OBSCURE)

Künstlerische Mitarbeit/Theaterpädagogik: Corinna Riesz

Interaktive Objekte/Lichtdesign: Birk-André Hildebrandt

Sounddesign/Komposition: Kai Niggemann

Kostümbild: Theresa Mielich

Kostümbild Mitarbeit: Christine Köck

Performance: Luisa Hausmann, Frederik Hochheimer, Corinna Riesz

Mentoring: Catharina Fillers

Technische Betreuung: Pascal Gehrke

Plakatgestaltung, Illustration: Christopher Burgholz

…und weitere Künstler*innen

Rechte: Ensemble

Förderer: Kulturamt der Stadt Münster, Ministerium für Kultur und Wissenschaft des Landes Nordrhein-Westfalen, NRW Landesbüro Freie Darstellende Künste, Fonds Darstellende Künste aus Mitteln der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen von NEUSTART KULTUR #TakeAction

[i12bent]

Theodor Philipsen (1840 - 1920) was an animal, nature and landscape painter who had studied at the Academy under Vermehren, and then fell in love with French Impressionism at a rather mature age, instantly setting about learning the new techniques, among others from Gauguin who was in Copenhagen at the time.

Above: En allé. Kastrup, 1891 - oil on wood (SMK)

[iberianpeninsula]

En jysk fårehyrde på heden (A Jutland Sheperd on the Moors)

1855

Frederik Vermehren

[books0977]

Young Woman Reading (1863). Christen Dalsgaard (Danish, 1824-1907). Oil on paper. Hirschsprung Collection. 

Dalsgaard, like his contemporaries Julius Exner and Frederik Vermehren, painted primarily genre paintings, national romantic folk scenes rooted in the grasslands of Jutland. He paid great attention to details – folk costumes, the manners and habits of the people, and architecture and landscape. He was a storyteller.

[peregrinastitiquementparlant]

Frederik Vermehren , Gadeparti fra Gerano i Sabinerbjergene, 1856