#frankie dev haunt

[joyridingmp3]

fleshing out my name

[writemarcus]

The Civilians Announces Tenth Annual R&D Group

The Civilians will present the newest members of The R&D Group, marking the Group's 10th season, and The Civilians 20th Anniversary Season. The R&D Group is comprised of playwrights, composers, and directors who work together as a writing group for nine months to develop new plays and musicals. The season culminates in the Findings Series, a works-in-progress reading series anticipated taking place in June 2021. The artists were selected from a competitive application process. The open call received a record number of 268 applications, a 60% increase from last year.

The members of The Civilians' 2020-21 R&D Group are Galia Backal, Nana Dakin, Isabella Dawis, Jacinth Greywoode, Jaime Lozano, Emily Lyon, AriDy Nox, Reynaldo Piniella, Tylie Shider, Tidtaya Sinutoke, Rachel Stevens, Ken Urban, and Noelle Viñas.

Led by R&D Program Director Ilana Becker, the artists share work as it develops, discuss their creative processes, and provide a community of support for one another. Each project develops according to its unique methods of creative inquiry, offering new approaches to the idea of "investigative theater." Methods may include interviews, community engagement, research, or other experimental methods of inquiry. The artists will meet twice a month, virtually.

"The sheer talent and curiosity we encountered in this year's applicants proved exceptionally heartening. This season's R&D Group artists, in particular, inspired us with their visionary and deeply personal approaches to questions that demand illumination," said Becker. Artistic Director Steve Cosson added, "I am overjoyed to mark the 10th Anniversary of The Civilians' R&D Group with these exceptional artists; I'm immensely excited as they embark on the process of developing these vital new projects."

Ken Urban's project, THE MODERATE, joins the group through The Civilians' new work development program; his play is commissioned by the EST/Sloan Project, developed by The Civilians, and will receive its first reading at EST. This season, Cosson and Becker will also hold two virtual roundtable sessions with Finalist Directors in order to better get to know their work, and to expand community.

The 2020-21 R&D Group projects are as follows:

SUNWATCHER

Libretto by Isabella Dawis, Music by Tidtaya Sinutoke, Directed by Nana Dakin, with support from Producer/Cultural Consultant Ikumi Kuronaga

SUNWATCHER, a Noh-inspired musical, is the story of astronomer Hisako Koyama (1916-1997) - intertwined with the ancient Japanese myth of the sun goddess Amaterasu, in a retelling inspired by the structure of classical Noh theatre. Hisako was a woman with no formal scientific training - also a survivor of the 1945 US air raid of Tokyo, the deadliest bombing in history - who managed to rise to the stature of Galileo. She did so by drawing the sun in painstaking detail every day for 40 years, a landmark achievement for solar science. SUNWATCHER is a celebration of Hisako's extraordinary dedication to ordinary observation, reminding us how seemingly small acts can have an immense impact over time and space.

BLACK GIRL IN PARIS

Music by Jacinth Greywoode, Book and Lyrics by AriDy Nox

BLACK GIRL IN PARIS is a musical about one of the most famous and least known black women in the American historical canon: Sally Hemmings. It hones in on her years spent in Paris, a point in her life where she both had the most access to freedom ever afforded her and the beginnings of the relationship that would forever define her legacy. Black Girl in Paris seeks to explore the inherent contradictions of an enslaved young black woman held in bondage in a city where slavery has been outlawed, under a man widely considered to be one of the architects of one of the greatest articulations of the necessity of freedom in the western world. It also centers an ensemble cast of Ancestors who chide and guide Sally along her journey, interweaving fables and history to craft the nuanced world Sally is forced to grapple with. At the heart of this musical is the question "What does it mean to be free?", a question black Americans have been grappling with since the original kidnapping and enslavement of Africans for The American Project.

DESAPARECIDAS (Working Title)

Lyrics and Music Jaime Lozano, Directed by Rachel M. Stevens, Co-Created by Lozano and Stevens

Told through the lens of Mexican folklore, our story explores the psychology behind societal suppression and the strategic erasure of female voices in the fight to end gender-based violence and the killing of women and girls. A female ensemble assumes a community of characters in a tapestried play of dramatized accounts, fictionalized scenes and musical sequences to unearth and dismantle the moral behind the 'myth' of violence against women.

DISSENTARY

Written by Reynaldo Piniella, Directed by Emily Lyon

Tasked with escaping your neighborhood, you inevitably run across environmental hazards that impede your progress. Especially if you're Black, Indigenous or Latinx. Dissentary takes inspiration from the classic game The Oregon Trail and adds an environmental justice lens; your group can do one of two things - leave in pursuit of clean air, water and healthy food, or stay and defeat the corporations focused only on profits. Dissentary will both be a participatory theatrical piece as well as an accompanying card game that will allow people to play the game off-line themselves, thus giving access to people who normally don't have access to the arts.

RESET: RACE and CULTURE CONTACTS in the MODERN WORLD

Written by Tylie Shider

an investigative work of theatre

about how incidents between police and black Americans

continues to reset race relations in the country.

THE MODERATE

a new play by Ken Urban, directed by Steve Cosson, commissioned by the EST/Sloan Project and developed by The Civilians.

ACCEPT. ACCEPT. REJECT. ACCEPT. REJECT. For a minimum of eight hours a day, with a target of at least 2,000 videos a day, Frank evaluates the videos and photos uploaded on the world's largest social media site. What Frank sees, he can't un-see, but he soon realizes he has the power to change the world. Playwright Ken Urban and director Steve Cosson will interview scientists, researchers and policymakers in order to dramatize the hidden human cost of the internet and imagine a future when a free exchange of knowledge and information is possible again. This project is an EST/Alfred P. Sloan Science & Technology Project Commission.

EL CÓNDOR MÁGICO

Written by Noelle Viñas, Directed by Galia Backal

El Cóndor Mágico examines the events of Operation Condor, the US-backed campaign of right-wing dictatorships and repressive regimes in South America throughout the 1970s-80s via oral history, research, and satire. It will also explore the American fascination with magical realism, a Latin American narrative tool rooted in history in a region where people have been known to "disappear," problems miraculously go away, and corruption can serve as a curtain behind which history does tricks. Research will unravel how the political imprisonment of over 400,000 people, varied intimidation/torture tactics taught by the US, and unknown thousands of "disappeared" people set a precedent for relations between the US and Latin America that haunt us today. With an eye on Operation Condor's long shadow and impressive wingspan, it asks: who is the magician behind the "magical realism" when it comes to the relationship between Latin America and the US?

FINALISTS

In honor of the overwhelming amount of talent and curiosity displayed amongst this year's applicants, The Civilians are pleased to share the exceptional finalists considered for this season's R&D Group:

Finalist Projects were proposed by Calley N. Anderson; Masi Asare; Helen Banner; Aaron Coleman; Sara Cooper & Kira Stone; Annalisa Dias; Dominic Finocchiaro & Stephen Bennett; Franky D. Gonzalez; Suzy Jane Hunt; Rachel Gita Karp, Ben Hoover & Jacob Russell; Divya Mangwani & Kate Moore Heaney; Talene Monahon & Adam Chanler-Berat; Brett Robinson; Dominique Rider & Nissy Aya; Marcus Antwan Scott, Ryan Kerr, & Dev Bondarin; David B. Thomas, Nick Hatcher, & Sheridan Merrick; Xandra Nur Clark; and Sim Yan Ying "YY" & Alvin Tan.

Finalist Directors are é boylan, Britt Berke, Matt Dickson, Joan Sergay, Noam Shapiro, Emerie Snyder, Leia Squillance, Alex Tobey, and Michael T. Williams.

[tuseriesdetv]

Guía de series: Estrenos y regresos de marzo 2020

Desde ahora, vamos a probar a incluir también las fechas de España en las series de estreno. Bienvenidos a este híbrido y suerte con ellas.

¡Feliz marzo!

Leyenda:

Verde: series nuevas.

Rojo: series de las que haremos reviews semanales.

Negro: regresos de otras series.

Naranja: miniseries o series documentales.

Amarillo: tv movies, documentales, especiales o pilotos.

Morado: season finales.

Púrpura: midseason finales.

*

Calendario de series

1 de marzo: 

Dispatches from Elsewhere (1T) en AMC

My Left Nut en BBC Three

McDonald & Dodds (1T) en ITV

2 de marzo: 

Breeders (1T) en FX

Liar (2T) en ITV

4 de marzo: 

Dave (1T) en FXX

Sandylands (1T) en Gold

The Trouble With Maggie Cole (1T) en ITV

Party of Five (1T finale) en Freeform

5 de marzo: 

Devs y Better Things (4T) en FX

Castlevania (3T completa) en Netflix

Noughts + Crosses en BBC One

The Dead Lands (1T finale) en Shudder

6 de marzo: 

Amazing Stories (1T) en Apple TV+

The Protector (3T completa), Paradise PD (2T completa) y Spenser Confidential en Netflix

Caronte (1T completa) y ZeroZeroZero (1T completa) en Amazon

Steven Universe Future (vuelve) en Cartoon Network

8 de marzo: 

The Outsider (1T finale) en HBO

Kidding (2T finale) en Showtime

9 de marzo: All American (2T finale) y Black Lightning (3T finale) en The CW

10 de marzo: If Loving You Is Wrong (5T y última) en OWN

11 de marzo: On My Block (3T completa) en Netflix

12 de marzo: The Unicorn (1T finale) en CBS

13 de marzo: 

Flack (2T) en Pop

Élite (3T completa), Kingdom (2T completa) y Lost Girls en Netflix

Justo antes de Cristo (2T y última) en Movistar+

Lincoln Rhyme: Hunt for the Bone Collector (1T finale) en NBC

15 de marzo: 

Westworld (3T) en HBO

Black Monday (2T) en Showtime

16 de marzo: 

Roswell, New Mexico (2T) en The CW

The Plot Against America en HBO

18 de marzo: 

Little Fires Everywhere en Hulu

Brockmire (4T y última) en IFC

Motherland: Fort Salem (1T) en Freeform

19 de marzo: 

Feel Good (1T completa) en Netflix

Ruthless (1T) en BET+

20 de marzo: 

Self Made: Inspired by the Life of Madam C.J. Walker y The Letter for the King (1T completa) en Netflix

The Banker en Apple TV+

23 de marzo: Freud (1T completa) en Netflix

24 de marzo: 

One Day at a Time (4T) en Pop

Council of Dads (1T) en NBC

Project Blue Book (2T finale) en History

25 de marzo: 

Hogar en Netflix

Star Trek: Picard (1T finale) en CBS All Access

26 de marzo: 

Unorthodox (1T completa) en Netflix

Tacoma FD (2T) en truTV

The Sinner (3T finale) en USA Network

27 de marzo: 

Ozark (3T completa) en Netflix

Steven Universe Future (series finale) en Cartoon Network

29 de marzo: Vamos Juan (2T) en TNT

*

Estrenos de series

Dispatches from Elsewhere (AMC)

Trata sobre un grupo de gente normal que se encuentra con un rompecabezas que se esconde a simple vista en su vida diaria pero cuyo misterio alcanza distancias que nunca pudieron imaginar. Protagonizada por Jason Segel (How I Met Your Mother), Sally Field (Brothers & Sisters, Maniac), Richard E. Grant (Can You Ever Forgive Me?, Gosford Park), Eve Lindley (Outsiders, Mr. Robot), André Benjamin (American Crime, High Life) y Tara Lynne Barr (Casual, Aquarius).

Creada, escrita y producida por Jason Segel (Get Him to the Greek, Sex Tape). Diez episodios.

Estreno: 1 de marzo Estreno en España: 2020 en AMC España

My Left Nut (BBC Three)

Drama en el que un joven (Nathan Quinn-O'Rawe) encuentra un bulto en su testículo y no sabe a quién contárselo porque no quiere complicar las cosas con su primera novia, su padre murió hace años y su madre (Sinéad Keenan; Being Human, Little Boy Blue) tiene ya muchas preocupaciones.

Basado en la obra de teatro escrita por Michael Patrick y Oisín Kearney e inspirado en las experiencias de Michael como adolescente. Dirigido por Paul Gay (Vera, Skins). Tres episodios.

Estreno: 1 de marzo

McDonald & Dodds (ITV)

Ambientada en Bath, en el suroeste de Inglaterra, sigue a la dura y ambiciosa inspectora McDonald (Tala Gouveia), transferida desde el sur de Londres; y al tímido y modesto detective Dodds (Jason Watkins; The Crown, Taboo), desaprovechado durante una década; ahora que han sido emparejados. Aparentemente sin nada en común, forman un equipo más que efectivo. 

Creada por Robert Murphy (DCI Banks). Dos episodios.

Estreno: 1 de marzo

Breeders (FX)

Estos padres quieren infinitamente a sus hijos y al mismo tiempo los tirarían por la ventana. Comedia protagonizada por Martin Freeman (Fargo, Sherlock), Daisy Haggard (Episodes, Uncle) y Michael McKean (Better Call Saul, Grace and Frankie).

Creada por Freeman, Simon Blackwell (Veep, In the Loop) y Chris Addison (Trying Again, Lab Rats). Diez episodios.

Estreno: 2 de marzo Estreno en España: 3 de marzo en HBO España

Dave (FXX)

Dave (Dave Burd, rapero cuyo nombre artístico es Lil Dicky) es un hombre neurótico a punto de cumplir los treinta que está convencido de que está destinado a ser uno de los mejores raperos de la historia, aunque sea para hablar de lo pequeño que es su pene. Con Taylor Misiak (American Vandal, I Feel Bad), Andrew Santino (Mixology, I'm Dying Up Here), Christine Ko (The Great Indoors, Upload) y Gina Hecht (Hung). Hay cameo de Justin Bieber.

Creada por Lil Dicky y Jeff Schaffer (Curb Your Enthusiasm, Seinfeld). Diez episodios.

Estreno: 4 de marzo Estreno en España: 5 de marzo en HBO España

Sandylands (Gold)

A los veintisiete años, Emily Verma (Natalie Dew), hija del famoso dueño de la sala de recreativos de Sandylands (Sanjeev Bhaskar; Unforgotten, The Kumars), ha escapado de su pueblo y vive la vida en Londres. Cuando lee en el periódico que ha aparecido en la costa un hidropedal con sangre y que su padre fue el último en alquilarlo, se ve obligada a volver a su pueblo a poner todo en orden, organizar el funeral, lidiar con el agente de seguros de vida (Hugh Bonneville; Downton Abbey, W1A) y vender la casa familiar. Al reencontrarse con sus viejos amigos y conocidos y hacer nuevas amistades, descubre que nada es lo que parece en el pueblo que la vio crecer. Completan el reparto David Walliams (Little Britain), Sophie Thompson (Detectorists, Gosford Park), Craig Parkinson (Line of Duty, Misfits), Simon Bird (The Inbetweeners, Friday Night Dinner) y Harriet Webb (The Split, White Gold).

Creada por Martin Collins y Alex Finch (Off Their Rockers) y dirigida por Michael Cumming (Toast of London). Tres episodios.

Estreno: 4 de marzo

The Trouble With Maggie Cole (ITV)

Cuando un periodista de radio entrevista a Maggie Cole (Dawn French; Delicious, The Wrong Mans) sobre la idílica vida en el pequeño pueblo costero de Thurlbury, ella detalla y adorna las vidas personales de sus vecinos con demasiada exactitud. Tras la emisión del reportaje, Maggie debe enfrentarse a las reacciones y consecuencias de sus palabras. Completan el reparto Mark Heap (Upstart Crow, Friday Night Dinner), Julie Hesmondhalgh (Broadchurch, Cucumber), Vicki Pepperdine (Sally4Ever, Camping) y Patrick Robinson (Casualty, Mount Pleasant).

Drama creado y escrito por Mark Brotherhood (Mount Pleasant, Shameless) y dirigida por Ben Gregor (Cuckoo). Seis episodios.

Estreno: 4 de marzo

Devs (FX)

Limited series sobre una joven ingeniera informática (Sonoya Mizuno; Ex Machina, Crazy Rich Asians) que investiga la división de desarrollo de la empresa para la que trabaja, una compañía tecnológica puntera de San Francisco que podría estar detrás del asesinato de su novio. Completan el reparto Alison Pill (The Newsroom, American Horror Story), Nick Offerman (Parks and Recreation, Fargo), Jin Ha (Jesus Christ Superstar Live in Concert), Zach Grenier (The Good Wife, Deadwood), Stephen McKinley Henderson (Lady Bird, Manchester by the Sea) y Cailee Spaeny (Pacific Rim: Uprising).

Escrita y producida por Alex Garland (Annihilation, Ex Machina). Ocho episodios.

Estreno: 5 de marzo Estreno en España: 5 de marzo en HBO España

Noughts + Crosses (BBC One)

Adaptación de la primera novela de la serie de Malorie Blackman que cuenta la relación amorosa de Sephy (Masali Baduza, Trackers), hija de un importante político y miembro de la clase negra dominante conocida como Crosses; y Callum (Jack Rowan; Peaky Blinders, Born to Kill), miembro de la clase baja blanca, los Noughts, que fue una vez esclava de los Crosses; en un ambiente de prejuicio, desconfianza y rebeliones en las calles en una sociedad que prohíbe el amor entre dos personas de clases distintas. Completan el reparto Paterson Joseph (Timeless, Peep Show), Bonnie Mbuli (Invictus, Wallander), Kike Brimah (Love Type D), Helen Baxendale (Cold Feet, Cuckoo), Ian Hart (The Last Kingdom, The Secret Agent), Josh Dylan (Mamma Mia! Here We Go Again, Allied), Shaun Dingwall (Goodbye Christopher Robin, The Long Firm), Jonathan Ajayi, Rakie Ayola (No Offence, Harry Potter and the Cursed Child) y Stormzy. Escrita por Toby Whithouse (Doctor Who, Being Human), Lydia Adetunji (Riviera, The Last Kingdom), Nathaniel Price (Tin Star) y Rachel De-Lahay (Kiri) y dirigida por Julian Holmes (Strike Back, Outlander) y Koby Adom.

Estreno: 5 de marzo Estreno en España: 5 de marzo en HBO España

Amazing Stories (Apple TV+)

Antología basada en la serie de 1985 creada por Steven Spielberg que nos trae historias que navegan entre la ciencia ficción y el terror y que transportan a gente corriente a mundos de fantasía. En ellas podremos ver a Victoria Pedretti (The Haunting of Hill House, You), Dylan O'Brien (Teen Wolf, The Maze Runner), Robert Forster (Twin Peaks, Heroes), Josh Holloway (Lost, Yellowstone), Duncan Joiner (Waco, Tales from the Loop), Austin Stowell (Catch-22, The Secret Life of the American Teenager), Sasha Alexander (Rizzoli & Isles, Shameless), Kerry Bishé (Halt and Catch Fire, Narcos), Edward Burns (Public Morals, Mob City) o Sasha Lane (The Miseducation of Cameron Post, Utopia).

Escrita y producida por Edward Kitsis y Adam Horowitz, guionistas de Lost o Once Upon a Time. Cinco episodios.

Estreno: 6 de marzo

ZeroZeroZero (Amazon)

Adaptación del libro de Roberto Saviano (2013) sobre la lucha de los cárteles mexicanos, la mafia calabresa y empresarios corruptos por el control del imperio internacional de la cocaína. Protagonizada por Andrea Riseborough (Bloodline, Waco), Dane DeHaan (Valerian, A Cure for Wellness), Gabriel Byrne (The Usual Suspects, In Treatment), Harold Torres (Ingobernable, El Chapo), Giuseppe De Domenico (Euphoria), Adriano Chiaramida, Noé Hernández (Narcos: Mexico), Tchéky Karyo (The Missing, Baptiste), Francesco Colella (Trust) y Claudia Pineda.

Creada y dirigida por Stefano Sollima (Gomorra, Sicario: Day of the Soldado). Ocho episodios.

Estreno: 14 de febrero en Sky Atlantic Italia Estreno en España: 6 de marzo en Amazon España

The Plot Against America (HBO)

Miniserie adaptación de la novela de Philip Roth (2004) que se centra en una familia judía de clase trabajadora de los años 40 cuando un populista xenófobo se convierte en presidente de Estados Unidos y dirige su nación hacia el fascismo. Protagonizada por Winona Ryder (Stranger Things, Edward Scissorhands), John Turturro (The Night Of; Oh Brother, Where Art Thou?), Zoe Kazan (The Deuce, The Big Sick), Morgan Spector (Homeland, The Mist), Anthony Boyle (Derry Girls, Ordeal by Innocence), Azhy Robertson (Juliet, Naked) y Caleb Malis.

Escrita por David Simon (The Wire, The Deuce) y Ed Burns y dirigida por Minkie Spiro (Downton Abbey, Call the Midwife). Seis episodios.

Estreno: 16 de marzo Estreno en España: 17 de marzo en HBO España

Little Fires Everywhere (Hulu)

Son los años 90. Elena Richardson (Reese Witherspoon; The Morning Show, Big Little Lies) es una periodista local que vive en Cleveland, Ohio con su marido Bill (Joshua Jackson; The Affair, Fringe) y sus cuatro hijos: Lexie (Jade Pettyjohn; School of Rock, The Last Ship), Trip (Jordan Elsass, The Long Road Home), Izzy (Megan Stott) y Moody (Gavin Lewis, Prince of Peoria). La vida de esta familia cambia con la llegada de Mia (Kerry Washington; Scandal, American Son) y su hija Pearl (Lexi Underwood, Family Reunion), que alquilan un apartamento a los Richardson. Mia es una artista con un misterioso pasado que no se conforma con las reglas que le impone la sociedad y Elena se propone ayudarla, tal vez para distraerse de los serios problemas que le da su hija adolescente.

Completan el cast Rosemarie DeWitt (United States of Tara, Olive Kitteridge), Paul Yen (Magnum P.I., Young Sheldon), Huang Lu (She, a Chinese), Geoff Stults (Grace and Frankie, The Odd Couple), Jaime Ray Newman (), Anika Noni Rose (Bates Motel, The Good Wife), Obba Babatundé (Dear White People, I'm Dying Up Here), Jesse Williams (Grey's Anatomy, The Cabin in the Woods), Britt Robertson (Under the Dome, Life Unexpected), Kristoffer Polaha (Condor, Life Unexpected), Austin Basis (Beauty and the Beast, Life Unexpected), Reggie Austin (Agent Carter, Life Unexpected), Byron Mann (Arrow, Wu Assassins), AnnaSophia Robb (The Carrie Diaries, The Act) y Tiffany Boone (The Chi, The Following).

Adaptación de la novela de Celeste Ng (2017). Escrita por Liz Tigelaar (Casual, Life Unexpected). Producida por Tigelaar (Casual, Life Unexptected), Witherspoon (Big Little Lies, The Morning Show) y Washington (Scandal, American Son). Ocho episodios.

Estreno: 18 de marzo

Motherland: Fort Salem (Freeform)

En un mundo alternativo, hace trescientos años, las brujas aceptaron luchar por su país a cambio de no ser perseguidas. En la actualidad, varias chicas jóvenes son entrenadas en Fort Salem para combatir amenazas terroristas con armas y tácticas sobrenaturales. Protagonizada por Kelcey Mawema (Deadly Class, To All the Boys I've Loved Before), Jessica Sutton (The Kissing Booth, Escape Room), Taylor Hickson (Deadly Class, Aftermath), Lyne Renee (Deep State, Strike Back), Amalia Holm (Playground), Demetria McKinney (House of Payne, Saints & Sinners), Annie Jacob (Star), Ashley Nicole Williams, Kai Bradbury (Warigami) y Sarah Yarkin (Single Parents, Foursome).

Creada por Eliot Laurence (Claws) y dirigida por Steven A. Adelson (Beyond, The Blacklist). Producida por Will Ferrell, Adam McKay y Kevin Messick, que han producido Succession o Vice. Diez episodios.

Estreno: 18 de marzo

Feel Good (Channel 4)

En esta comedia que explora el amor, la adicción y la superposición de ambos, vamos a conocer a George (Charlotte Ritchie; Call the Midwife, Fresh Meat), la nueva novia de Mae, una comediante con un problema de adicción, y la causa y la solución de su ansiedad. Les acompañan Lisa Kudrow (Friends, Web Therapy), Adrian Lukis (The Crown, Pride and Prejudice), Sophie Thompson (Detectorists, Bounty Hunters), Pippa Haywood (Bodyguard, Scott & Bailey), Ophelia Lovibond (W1A, Elementary), Tom Durant Pritchard (The Crown) y Al Roberts (Stath Lets Flats).

Escrita y protagonizada por la comediante Mae Martin (Uncle, Outsiders). Seis episodios.

Estreno: 18 de marzo Estreno en España: 19 de marzo en Netflix España

Ruthless (BET+)

Spin-off de The Oval centrado en Ruth Truesdale (Melissa L. Williams; Hidden Springs, The Oval), que entra en una secta de fanáticos locos por el sexo y finge encajar allí mientras busca la manera de liberar a su hija pequeña. Con Matt Cedeño (Power, Devious Maids), Lenny D. Thomas (The Blacklist), Yvonne Senat Jones (The Oval, The Bobby Brown Story), David Alan Madrick (Mistake), Baadja-Lyne Odums, Jaime Callica (UnREAL, Wayward Pines), Nirine S. Brown (Wicked), Blue Kimble, Stephanie Charles (The Paynes), Cara Reid (The Outsider, Homeland), Jeremy Palko (The Walking Dead, Bloodline), Hervé Clermont (Snowafall, Veronica Mars), Robert Craighead (Future Man, Too Close to Home), Anthony Bless (East Los High, Sistas), Bobbi Baker James (House of Payne) y Sara Naomi.

Creada, escrita, dirigida y producida por Tyler Perry (House of Payne, The Oval). Veinticuatro episodios.

Estreno: 19 de marzo

Self Made: Inspired by the Life of Madam C.J. Walker (Netflix)

Limited series sobre la empresaria y activista social Madam C.J. Walker (Octavia Spencer; The Help, Hidden Figures), que empezó como pionera del cuidado del cabello y se convirtió en la primera millonaria negra de Norteamérica. Completan el reparto Tiffany Haddish (Girls Trip, Tuca & Bertie), Carmen Ejogo (Selma, True Detective), Blair Underwood (Quantico, Dear White People), Garrett Morris (2 Broke Girls, The Jamie Foxx Show), Kevin Carroll (The Leftovers, Snowfall), Bill Bellamy (Insecure), Cornelius Smith Jr. (Scandal, All My Children), Keeya King (Van Helsing, Saw VIII), J. Alphonse Nicholson (P-Valley, Shots Fired), Zahra Bentham (Spinning Out) y Mouna Traoré (Condor, American Gods).

Basada en el libro 'On Her Own Ground', escrito por A'Lelia Bundles, la tataranieta de Madam C.J. Walker. Escrita por Nicole Asher (Love Beats Rhymes), dirigida por Kasi Lemmons (Black Nativity) y producida por LeBron James (Survivor's Remorse). Ocho episodios.

Estreno: 20 de marzo Estreno en España: 20 de marzo en Netflix España

The Letter for the King (Netflix)

La primera serie de Netflix original de los Países Bajos está basada en un cuento infantil de Tonke Dragt (1962) y rodada en inglés y trata sobre un escudero de dieciséis años (Amir Wilson, His Dark Materials) en una peligrosa misión para entregar una carta secreta al Rey viajando a través de las Grandes Montañas. Con David Wenham (Iron Fist, Top of the Lake), Kim Bodnia (Killing Eve, Bron), Ruby Serkis, Thaddea Graham (Curfew), Gijs Blom (La Famiglia), Nathanael Saleh (Mary Poppins Returns, Game of Thrones), Jóhannes Haukur Jóhannesson (Beforeigners, The Innocents), Islam Bouakkaz, Jack Barton, Jonah Lees (Sun Records), Jakob Oftebro (Lilyhammer, Bron), Yorick van Wageningen (The Girl with the Dragon Tattoo, Escape Room), Emilie Cocquerel, Ken Nwosu (Killing Eve, Sticks and Stones), Lucy Russell (The Crown, Genius), Peter Ferdinando (King Arthur: Legend of the Sword, Ghost in the Shell), Kemi-Bo Jacobs (Delicious, McMafia), Lisa Loven (Wonder Woman, Occupied), David Wilmot (The Alienist, Ripper Street), Tawfeek Barhom (The Looming Tower, Baghdad Central), Omid Djalili (Lucky Man, Dickensian) y Antonia Desplat.

Escrita y producida por Will Davies (Johnny English, How to Train Your Dragon). Seis episodios. Estreno: 20 de marzo

Estreno en España: 20 de marzo en Netflix España

Freud (Netflix)

La primera serie austriaca original de Netflix es un drama de época rodado en alemán sobre un joven y sexy Sigmund Freud (Robert Finster; Kaviar) que persigue en Viena en 1886 a un asesino en serie junto al policía veterano de guerra Alfred Kiss (Georg Friedrich; Kaviar, Wilde Maus) y la medium Fleur Salome (Ella Rumpf; Grave, Die göttliche Ordnung).

Escrita por Stefan Brunner (Tatort) y dirigida por Marvin Kren (Tatort). Ocho episodios.

Estreno: 23 de marzo Estreno en España: 23 de marzo en Netflix España

Council of Dads (NBC)

A Scott (Tom Everett Scott; I'm Sorry, 13 Reasons Why) le han diagnosticado un cáncer terminal, pero necesita asegurarse de que su esposa Robin (Sarah Wayne Callies; Prison Break, The Walking Dead) y sus cuatro hijos estarán bien cuando él falte, lo cual le lleva a formar un grupo de amigos -incluidos su mejor amigo (Clive Standen; Vikings, Taken), su sponsor de alcohólicos anónimos (Michael O'Neill; Rectify, Bates Motel) y su cirujano (J. August Richards; Agents of S.H.I.E.L.D., Angel)- para que actúen como padres de refuerzo y puedan apoyar y guiar a la familia con sus altibajos y dudas. Completan el reparto Blue Chapman, Emjay Anthony (Bad Moms, Chef), Michele Weaver (Love Is___), Thalia Tran, Steven Silver (13 Reasons Why) y Hilarie Burton (One Tree Hil, White Collar).

Escrita por Joan Rater y Tony Phelan, guionistas de Grey's Anatomy y Doubt; producido por Jerry Bruckheimer (CSI, Lucifer) e inspirado en las memorias de Bruce Feiler (2010). FOX encargó y rechazó un piloto de comedia con Kyle Bornheimer basado en estas mismas memorias hace ocho años.

Estreno: 24 de marzo

Unorthodox (Netflix)

Miniserie sobre una mujer judía ultraortodoxa (Shira Haas; Foxtrot, The Zookeeper's Wife) que escapa de su matrimonio concertado y de Williamsburg, su comunidad religiosa en Brooklyn, para empezar una nueva vida tocando música clásica en Berlín.

Inspirada en la novela semiautobiográfica de Deborah Feldman (2012), escrita por Anna Winger (Deutschland 83) y dirigida por Maria Schrader (Deutschland 83, Fortitude). Cuatro episodios.

Estreno: 26 de marzo Estreno en España: 26 de marzo en Netflix España

[spryfilm]

“T2 Trainspotting” (2017)

Drama/Comedy/Thriller

Running Time: 117 minutes

Written by: John Hodge

Directed by: Danny Boyle

Featuring: Ewan McGregor, Ewen Bremner, Jonny Lee Miller, Robert Carlyle, and Kelly Macdonald

Renton: I gave you 4000 pounds. 

Spud: Well, what did you think I would do with them? I’M A FUCKING JUNKIE! 

Renton: Yes… Yes, I suppose you was. 

Spud: I still am.

Can you ever truly go home again? This is something that literally haunts this new Danny Boyle movie, “T2 Trainspotting” (2017), the sequel to the now twenty-year old “Trainspotting” (1997). The question that will be on everyone’s minds is – Is this film any good? Does it live up to the original? Both great questions, the answers are not easy to come by. To be honest I was not sure what the motivation was to making a sequel in the first place, as saying that the original film is a classic is an understatement. Not only did “Trainspotting” launch Boyles career it also launched Ewan McGregor, Ewen Bremner, Jonny Lee Miller and Kelly Macdonald careers, none of them have been out of the spotlight since, in fact all have extremely strong television and film careers. It also solidified Robert Carlyle as one of the strongest character actors in the world today, he has featured in almost every genre and even played a Bond Villain – surely the highest praise of any UK born actor in the world today. The director, Danny Boyle is the one who went on to helm many international movies, solidifying his reputation with his Oscar win for best director for “Slumdog Millionaire” (2008). Coincidentially that film launched the international careers of Dev Patel, Anil Kapoor, Ifffan Khan and Freida Pinto – it seems Boyle has the talent all great directors have – talent spotting. So after twenty years what does it all mean?

It has been 20 years since Mark “Rent boy” Renton stole from his friends half of the £16,000 they’d made in a drug deal and fled the country. He has apparently made a decent – but unfulfilling – life for himself in Amsterdam, and returns to Edinburgh to make contact with those in his former life. Daniel “Spud” Murphy continues to struggle with his heroin addiction, which has caused him to lose his construction job and estranged him from Gail Houston and their son Fergus. Simon “Sick Boy” Williamson, now a cocaine addict, runs the Port Sunshine pub he inherited from his aunt, and with his Bulgarian girlfriend Veronika attempts to blackmail men by luring them into sex videos. Francis “Franco” Begbie is serving a 25-year prison sentence and is denied parole due to his violent temper.

Mark stops by his childhood home, where his father tells him of his mother’s death while he was away. He visits Spud at his flat, narrowly preventing him from committing suicide. Spud initially resents the intervention, but Mark offers to help him out of his addiction. Mark visits Simon at the pub intending to apologize and pay back Simon’s share of the money he stole.

One of the most important aspects of the original movie was the soundtrack, and while I would like to say that the sequel’s soundtrack is as good it is not. However there are some bright points, the one thing that is great is the constant underscore of Underworld’s ‘Born Slippery�� which of course harkens back to the original but in my mind it is extremely indulgent as well as nostalgic – if this film should be about something it should not be nostalgia which is a crutch for the weak. Now, its not to say that the soundtrack is bad its just a bit dated as well as being some popular songs that everyone will know and not feel alienated – so audiences that were fifteen or twenty in 1997 now feel they are watching themselves age with music that wont be offensive. I mean Queen is on the soundtrack – WTF – this is something that wouldn’t have been caught dead in the original.

T2 Trainspotting Original Soundtrack Tracklist 

01. “Lust for Life (The Prodigy Remix)” by Iggy Pop 02. “Shotgun Mouthwash” by High Contrast 03. “Silk” by Wolf Alice 04. “Get Up” by Young Fathers 05. “Relax” by Frankie Goes to Hollywood 06. “Eventually But” by Underworld/Ewen Bremner 07. “Only God Knows” by Young Fathers 08. “Dad’s Best Friend” by The Rubberbandits 09. “Dreaming” by Blondie 10. “Radio Ga Ga” by Queen 11. “It’s Like That” by Run D.M.C. vs. Jason Nevis 12. “(White Man) In Hammersmith Palais” by The Clash 13. “Rain or Shine” by Young Fathers 14. “Whitest Boy on the Beach” by Fat White Family 15. “Slow Slippy” by Underworld

The movie is full of nostalgia, which when dealing with a film like this is not a good thing – when Renton turns back up to see his ‘mates’ there is enough blame from the previous film to go around. It is a handy coincidence that Sickboy is still a madman drug taking con man, Spud is trying to recover from smack and Begbie turns up as an escapee – trying to recapture his youth. This storyline is something that has been the subject of television shows for years – middle age wankers trying to recapture a youth that was never theirs in the first place. Like a greatest hits compilation from your favorite alternative band (now broken and broken up) this movie revisits all the memorable parts of the first film but this time with middle age spread and a healthy dose of guilt, loss and of course nostalgia.

The sequel would not have been possible without Danny Boyle and Ewen McGregor burying the hatchet after they had a falling out over the casting of “The Beach” (2000), where Boyle went with Leonardo DiCaprio.Instead of McGregor – it was one of DiCaprio’s first post “Titanic” (1997) role so he was hot.

The movie sees the return of all of the cast, even Kevin McKidd in flashback as well as seeing a memorial to him and the hugely in demand Kelly McDonald in a cameo as a lawyer so now we know she turned out alright. Then there is the scene stealing (just like the first film) Ewen Bremner as Spud, the still smack addicted mostly comic relief and cautionary tale who it turns out is an author in the making – of course he is, because like all of these characters they have learnt something and discovered their inner truth – please, how convenient. Then there are Robert Carlyle and Johnny Lee Miller who appear to have stayed true to their past, but of course even the evil Begbie who has a grown son as well as the estranged wife sees his life has moved on without him. Oh by the way even Begbie has a ‘moment’ with his son and wife where he acknowledges his son as a better person than him – really? Begbie – come on – its nice to know that exactly twenty years later he is a better man – yeah right. Johnny Lee Miller was always too cool and way to good looking for the original, but here he hasn’t aged a day and looks better than ever, even though he is supposed to be a coke head – welcome back to the 80s Sick Boy.

There is a convoluted plot involving a night club and some other bits that don’t really hold together and are not really that interesting, with a climax involving Spud being a master signature faker which has been conveniently retconned into his past which is neither here nor there. The film does come alive when it parodies the original and when the characters interact on a level that we will all recognize, but when the credits role you may be, like me, thinking that this was surely a missed opportunity for something bigger, better and be more authentic.

If you can get past the constant call backs, visually, sonically or even just inserts from the original film then this might be the film for you. For me it was just to nostalgia to the point that it became over the top, none of the characters have moved forward and to add insult to injury they were given some pat Hollywood ending, it was sad after twenty years to be served up this mess of a movie. The only thing I can think of is that the luckiest person in terms of this film is Kevin McKidd who got out of this sequel by dying in the first film.

“T2 Trainspotting 2” is out on DVD & Blu-ray on the 7th June 2017.

DVD/Blu-ray review: “T2 Trainspotting 2” (2017) “T2 Trainspotting” (2017) Drama/Comedy/Thriller Running Time: 117 minutes Written by: John Hodge Directed by: Danny Boyle…