#francois buzot
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Tremendous stage! All types; human, inhuman, and superhuman were there. Epic gathering of antagonism; Guillotine avoiding David, Bagire insulting Chabot, Gaudet jeering at Saint-Just, Vergniaud scorning Danton, Louvet attacking Robespierre, Buzot denouncing Egalité, Chambon branding Pache,—all execrating Marat.
Ninety-three, Victor Hugo.
#ninety three#victor hugo#jean paul marat#jean nicolas pache#nicholas chambon#francois buzot#robespierre#louvet#danton#pierre victurnien vergniaud#saint just#marguerite elie guadet#francois chabot#bagire#jacques louis david#joseph ignace guillotin#the convention#french revolution#historical book#french literature#quote
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Francois Boucher (b.1703 - d.1770), ‘La Toilette’, oil on canvas, c.1742, French, currently in the collection of the Museo Nacional Thyssen Bornemisza, Madrid, Spain.
It has been suggested that the model for the principal figure is the artist’s wife Marie-Jeanne Buzot, who posed for some of his paintings. However, portraits of her by the artist, such as the one in the Frick Collection, New York, do not reveal any similarity with the face of the present figure. This, and the fact that the woman is depicted in a rather suggestive form of deshabillé (which would be a somewhat indecorous way for the artist to depict his wife) led Ekserdjian and other authors to reject the idea. Boucher’s scene is a typically voyeuristic one in line with the taste of the time in which the girl reveals her leg in a carefree manner within the context of a normal domestic activity such as getting dressed. - Mar Borobia (x)
#francois boucher#unknown sitter#unknown sitters#known artist#1740s#french#oil on canvas#museo nacional thyssen bornemisza
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