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donnatroyprincessofthemyscira · 1 year ago

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ComicList: Marvel Comics New Releases for Wednesday, July 26, 2023, by Charles LePage.

All-New Marvel NOW Point One #1 (Facsimile Edition), $7.99

Amazing Spider-Man #30 (Cover A Ed McGuinness), $3.99

Amazing Spider-Man #30 (Cover B Nick Bradshaw), AR

Amazing Spider-Man #30 (Cover C Skottie Young), AR

Amazing Spider-Man #30 (Cover D Betsy Cola Hellfire Gala Variant), AR

Amazing Spider-Man #30 (Cover E Mike Vosburg), AR

Amazing Spider-Man Epic Collection Volume 9 Spider-Man Or Spider-Clone TP, $44.99

Avengers #3 (Cover A Stuart Immonen), $3.99

Avengers #3 (Cover B Mark Brooks Corner Box Variant), AR

Avengers #3 (Cover C David Baldeon Hellfire Gala Variant), AR

Avengers #3 (Cover D Joshua Cassara), AR

Avengers Beyond #5 (Of 5)(Cover A Greg Land), $3.99

Avengers By Jason Aaron Volume 4 HC, $44.99

Avengers Omnibus Volume 2 HC (Alex Ross Book Market Cover), $100.00

Avengers Omnibus Volume 2 HC (John Buscema Direct Market Cover), $100.00

Black Panther #1 (2nd Printing Cover A Chris Allen), $4.99

Black Panther #1 (2nd Printing Cover B Rahzzah), AR

Captain America By Ta-Nehisi Coates Omnibus HC (Alex Ross Book Market Cover), $100.00

Captain America By Ta-Nehisi Coates Omnibus HC (Alex Ross Direct Market Cover), $100.00

Cosmic Ghost Rider #5 (Cover A Valerio Giangiordano), $3.99

Cult Of Carnage Misery #3 (Of 5)(Cover A Skan Srisuwan), $3.99

Cult Of Carnage Misery #3 (Of 5)(Cover B Leinil Francis Yu), AR

Danny Ketch Ghost Rider #3 (Of 5)(Cover A Ben Harvey), $3.99

Danny Ketch Ghost Rider #3 (Of 5)(Cover B Sergio Davila), AR

Daredevil And Echo #3 (Of 4)(Cover A Phil Noto), $3.99

Daredevil And Echo #3 (Of 4)(Cover B Rod Reis), AR

Daredevil And Echo #3 (Of 4)(Cover C Maria Wolf), AR

Daredevil And Elektra By Chip Zdarsky Volume 2 The Red Fist Saga Part Two TP, $15.99

Deadpool #9 (Cover A Martin Coccolo), $3.99

Deadpool #9 (Cover B Pablo Villalobos), AR

Deadpool #9 (Cover C Nick Dragotta Hellfire Gala Variant), AR

Ghost Rider #16 (Cover A Bjorn Barends), $3.99

Ghost Rider #16 (Cover B Gerald Parel Hellfire Gala Variant), AR

Ghost Rider #16 (Cover C E.M. Gist), AR

Hallows’ Eve #5 (Of 5)(Cover A Michael Dowling), $3.99

Hallows’ Eve #5 (Of 5)(Cover B Bengal Hellfire Gala Variant), AR

Hellcat #5 (Of 5)(Cover A Pere Perez), $3.99

Hulk By Donny Cates Volume 2 Hulk Planet TP, $17.99

I Am Iron Man #5 (Of 5)(Cover A Dotun Akande), $3.99

Incredible Hulk #2 (Cover A Nic Klein), $3.99

Incredible Hulk #2 (Cover B Bryan Hitch Hellfire Gala Variant), AR

Incredible Hulk #2 (Cover C Leinil Francis Yu), AR

Incredible Hulk #2 (Cover D Joshua Cassara), AR

Invincible Iron Man #8 (Cover A Kael Ngu), $3.99

Invincible Iron Man #8 (Cover B Bob Layton Connecting Variant), AR

Invincible Iron Man #8 (Cover C George Perez), AR

Invincible Iron Man #8 (Cover D George Perez Virgin Variant), AR

Invincible Iron Man #8 (Cover E Junggeun Yoon), AR

Invincible Iron Man #8 (Cover F Kris Anka Hellfire Gala Variant), AR

Marvel Masterworks The X-Men Volume 1 HC (Jack Kirby Book Market Cover)(ReMasterworks), $75.00

Marvel Masterworks The X-Men Volume 1 HC (Jack Kirby Direct Market Cover)(ReMasterworks), $75.00

Marvel Previews Volume 6 #23 (August 2023), AR

Mary Jane And Black Cat Dark Web TP, $17.99

Predator #5 (Cover A Giuseppe Camuncoli), $3.99

Predator #5 (Cover B Tyler Kirkham), AR

Scarlet Witch Annual #1 (2nd Printing Cover A Carlos Nieto), $4.99

Scarlet Witch Annual #1 (2nd Printing Cover B Jim Cheung), AR

She-Hulk #15 (Cover A Jen Bartel), $3.99

She-Hulk #15 (Cover B George Perez), AR

She-Hulk #15 (Cover C George Perez Virgin Variant), AR

She-Hulk #15 (Cover D Jeff Dekal), AR

Silk #3 (Of 5)(Cover A Dave Johnson), $3.99

Silk #3 (Of 5)(Cover B Javier Garron Marvel Icon Variant), AR

Silk #3 (Of 5)(Cover C Nayoung Wooh), AR

Spider-Man India #1 (Of 4)(2nd Printing Cover A Abhishek Malsuni), $3.99

Spider-Man India #2 (Of 4)(Cover A Adam Kubert), $3.99

Spider-Man India #2 (Of 4)(Cover B Doaly), AR

Star Wars #35 (2nd Printing Cover A Stephen Segovia), $3.99

Star Wars Darth Vader Black White And Red #4 (Cover A Taurin Clarke), $4.99

Star Wars Darth Vader Black White And Red #4 (Cover B Tony Daniel), AR

Star Wars Darth Vader Black White And Red #4 (Cover C Kevin Eastman), AR

Star Wars Return Of The Jedi The Rebellion #1 (Cover E Ryan Brown Virgin Variant), AR

Star Wars The Mandalorian Season 2 #2 (Cover A Dike Ruan), $4.99

Star Wars The Mandalorian Season 2 #2 (Cover B Caspar Wijngaard), AR

Star Wars The Mandalorian Season 2 #2 (Cover C Jerry Ordway), AR

Star Wars The Mandalorian Season 2 #2 (Cover D Concept Art Variant), AR

Storm #3 (Of 5)(Cover A Alan Davis), $3.99

Storm #3 (Of 5)(Cover B Ken Lashley), AR

Storm #3 (Of 5)(Cover C Russell Dauterman Hellfire Gala Variant), AR

Strange Academy Finals TP, $13.99

Thunderbolts Epic Collection Volume 1 Justice Like Lightning TP, $49.99

Trials Of X Volume 11 TP, $19.99

Ultimate Invasion #2 (Of 4)(Cover A Bryan Hitch), $5.99

Ultimate Invasion #2 (Of 4)(Cover B Julian Totino Tedes), AR

Ultimate Invasion #2 (Of 4)(Cover C Lucas Werneck Hellfire Gala Variant), AR

Ultimate Invasion #2 (Of 4)(Cover D InHyuk Lee), AR

Venom #23 (Cover A Bryan Hitch), $3.99

Venom #23 (Cover B George Perez), AR

Venom #23 (Cover C George Perez Virgin Variant), AR

Venom #23 (Cover D Ken Lashley), AR

Venom #23 (Cover E Ken Lashley Virgin Variant), AR

Venom #23 (Cover F Jim Cheung), AR

Venom #23 (Cover G Philip Tan Connecting Variant), AR

Venom #23 (Cover H Ryan Stegman Venom The Other Variant), AR

Venom #23 (Cover I Ryan Brown), AR

Venom #23 (Cover J Cafu Spoiler Variant), AR

Venom #23 (Cover K Sergio Davila Homage Variant), AR

Venom #23 (Cover L Insignia), AR

Venom #23 (Cover M Insignia Virgin Variant), AR

What If Dark Spider-Gwen #1 (Cover A Greg Land), $4.99

What If Dark Spider-Gwen #1 (Cover B Marc Aspinall), AR

What If Dark Spider-Gwen #1 (Cover C Rose Besch), AR

What If Dark Spider-Gwen #1 (Cover D Rose Besch Virgin Variant), AR

Wolverine #35 (Cover A Leinil Francis Yu), $3.99

Wolverine #35 (Cover B John Giang), AR

Wolverine #35 (Cover C Mahmud A. Asrar Hellfire Gala Variant), AR

X-Cellent #5 (Of 5)(Cover A Mike Allred), $3.99

X-Men Epic Collection Volume 7 The Fate Of The Phoenix TP (New Printing), $44.99

X-Men Hellfire Gala 2023 #1 (Cover A Phil Noto), $8.99

X-Men Hellfire Gala 2023 #1 (Cover B Francesco Manna X-Vote Variant), AR

X-Men Hellfire Gala 2023 #1 (Cover C George Perez), AR

X-Men Hellfire Gala 2023 #1 (Cover D George Perez Virgin Variant), AR

X-Men Hellfire Gala 2023 #1 (Cover E J. Scott Campbell Anniversary Variant), AR

X-Men Hellfire Gala 2023 #1 (Cover F J. Scott Campbell Anniversary Virgin Variant), AR

X-Men Hellfire Gala 2023 #1 (Cover G J. Scott Campbell Retro Anniversary Variant), AR

X-Men Hellfire Gala 2023 #1 (Cover H Lucas Werneck Stormbreakers Variant), AR

X-Men Hellfire Gala 2023 #1 (Cover I Mashal Ahmed Hellfire Gala Variant), AR

X-Men Hellfire Gala 2023 #1 (Cover J Gustavo Duarte Howard The Duck Variant), AR

X-Men Hellfire Gala 2023 #1 (Cover K Dan Veesenmeyer X-Men ’97 Variant), AR

#X-Men #Hellfire Gala #Avengers #She Hulk #Wolverine #Venom #What If #Trials of X #Hulk #Storm #Spider Man #Silk #Scarlet Witch #Captain America #Black Panther

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urbanhermit · 2 years ago

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Pere Nicolas, SJ in a 1980 talk at the Jesuit Centre at Sevres in the context of the history of spirituality proposed Venerable Francis Libermann with [now St] Charles de Foucauld and St. Theresa of the Child Jesus as three Masters of Modern spiritual life. I hope in the near future to go to Duquesne University in Pittsburgh to access Libermann’s writings in the Spiritan Collection.

In a letter to a sister religious on March 16, 1843 Libermann wrote: You should try at all times to have the following dis-positions: i) Peace in the midst of pains and privations of all kinds. This peace should be based on confidence in Jesus and His divine love. ii) Patience with yourself in the midst of your imperfections and in also bearing the imperfections of others. iii) Mildness which is the fruit of that peace and patience. iv) Humility, which must be the basis of all the religious virtues, which God's goodness will give you.

And in a letter to Sr. Aurelia in 1843 he wrote: "He always acts with peace, and it is this peace that enables us to recognize His divine presence. Peace and humility are always signs of the presence and action of His divine grace in our souls.”

We quietly accept ourselves; we peacefully overcome resistances; we avoid over-exertion as much as laziness.

Briefly, the peace Jesus leaves and gives to his disciples means far more than a sense of safety and composure in the face of change. It speaks about the deepest invisible relation of the disciples to God. This obedience implies my readiness with Christ to say, "Yes, Father," at every moment that it becomes clear to me what His will is for me. Man can be open to reality on two levels: 1) the level of the immediate manipulation, dominance, and organization of reality and can be called the level of the managing me. It is as manager that man inscribes himself concretely in the world. 2) the level where I am present to reality not in its immediate, practical, incidental, temporal manifestations but to the deeper underlying ground of reality in its transcendent meaning, to the whole of reality that in religious experience is known as the Holy…

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ambientalmercantil · 5 months ago

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#GESTÃOAMBIENTAL #GESTÃODECARBONO

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academicelephant · 7 months ago

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My favorite tricks on Fool Us (seasons 6-7)

When things don't go as planned but turn out okay by Danny Cole

Brain magic by Harry Keaton

Impossible card trick by Jandro

A damn cool card trick by Anna DeGuzman

Teller's driver's license goes missing by Axel Hecklau

Rapping while doing a card trick by Kevin Blake

Teaching Chinese by Kevin Li

Who's box is this by Tom Stone

Cards changing colors by Horret Wu

A problem with the deck by Pere Rafart

A lot of shoes by Sangsoon Kim

Card trick? Book trick? Nah, just do them both by Shawn Farquhar

Inspired by Teller by D.K.

Mentalism/time travelling by Guilherme Silveira

This is Spanish mentalism by Javier Botía

A different kind of sword trick by Hans Klok

Levitating chair by Jaana Felicitas

Where is all this salt coming from?? by Mario López

Color changing Rubik's cube by Takamiz Usui

Color changing cards (well, kinda) by Yukihiro Katayama

Playing with assumptions by Francis Menotti

Bubbles by Malin Nilsson

The Bodysnatchers by Peter Samelson

Cards changing colors and... disappearing and... turning into coins?!? by Eric Chien

Hawaiian wonder by Topas

Well, that's very scifi by Florian Sainvet

How many bills? by Jürg Alexander

Magic toilet by Mac King

Long distance magic in the spectator's hands by Alejandro Navas

Bills changing values by Simon Cornell

& (the silver balloon trick) by Michael Feldman

Cups and eggs by Rick Wilcox

I also must mention Alberto Giorgi who's trick wasn't that good but the way he performs is so great that I simply can't not put him on this list too. Oh, and again, these are not the actual names of the tricks, I just made something up to be able to remember what the tirck was

#penn & teller: fool us #penn and teller #magic

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osmarjun · 1 year ago

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O RESGATE DO SOLDADO RYAN - Filme sobre a Segunda Guerra Mundial

SAVING PRIVATE RYAN O RESGATE DO SOLDADO RYAN (Film by Steven Spielberg)

Muito além do filme a intenção deste post é discutir um pouco da verdadeira história por trás do excelente filme de Spielberg, esclarecer e elucidar a verdadeira história do fato. É claro que o cinema assim como todas as mídias relacionadas ao entretenimento costuma construir uma história cheia de detalhes, alguns até exagerados as vezes, para tornar o filme mais crível e interessante. Muitas vezes os fatos ocorridos são pouco ou muito diferentes e aqui neste caso não é diferente. Portanto não discutiremos aspectos da película mas sim onde ela foi baseada. A sinopse do filme: Durante a Segunda Guerra Mundial, o capitão John Miller leva seus homens para trás das linhas inimigas para encontrar o soldado James Ryan, cujos três irmãos foram mortos em combate. Cercados pela brutal realidade da guerra, cada homem embarca em uma jornada pessoal e descobre sua própria força para triunfar sobre um futuro incerto com honra, decência e coragem. A Verdadeira História por trás do Filme No filme, o capitão John H. Miller — o ator Tom Hanks — procura um paraquedista da 101ª Divisão Aerotransportada que teria perdido seus três irmãos em combate. A história do combatente Frederick Niland (o nome real do militar; no filme, Ryan). O problema é a história do militar que o busca. O protagonista em questão se chamava Francis L. Sampson (1912-1996), cuja história arrepiante foi relatada em seu livro de memórias Look at Below: A Story of the Airborne by a Paratrooper Padre (“Olhe para baixo: uma história da Aerotransportada, escrita por um padre paraquedista”, publicado em 1958) que não dirigia tropas no front, era um capelão da 101ª Divisão Aerotransportada”.

O Livro de Cardona e Villatoro

O livro “Lo Que Nunca te Han Contado del Día D” [Principal, 408 páginas, de Pere Cardona e Manuel P. Villatoro] relata que Francis L. Sampson nasceu em Iowa, em 1912, e era filho de um empresário do ramo de hotelaria. A família era de classe média. Depois de graduado na Universidade de Notre Dame, entrou para o seminário de St. Paul, em Minnesota, pois planejava dedicar sua vida a Deus. Tornou-se sacerdote em 1941, atuando no Estado onde nasceu.

Pe. Sampson em uniforme de salto

O ataque japonês a Pearl Harbor, em 7 de dezembro de 1941, levou-o a se alistar no exército. No exército, para o qual entrou em 1942, Francis L. Sampson não era soldado, e sim capelão militar. Quando o exército solicitou um capelão para uma unidade de paraquedistas, o religioso se apresentou. Ele conta, nas suas memórias, que, ao aceitar a incumbência, não sabia que também teria de se submeter a treinamento duro e de saltar de paraquedas. Se soubesse, confessou nas memórias, talvez tivesse desistido da empreitada.

Mesmo tendo treinado como qualquer outro militar, as armas de Francis L. Sampson eram uma estola, uma bíblia e um crucifixo. O sacerdote era tratado com carinho pelos paraquedistas que foram treinados para atacar os alemães na Normandia, na França. Eram os homens do Dia D. Ele escreveu que “palavras amáveis”, de conforto afetivo e espiritual, às vezes eram mais úteis do que um paraquedas de reserva.

Villatoro relata que, “no verão de 1944, Sampson, membro do 501º Regimento de Infantaria Paraquedista da 101ª Divisão Aerotransportada, recebeu ordens de se lançar com seus companheiros atrás das linhas inimigas nas primeiras horas do desembarque na Normandia. Ele pulou do avião, um C-47, e, ao cair, perdeu o missal e o crucifixo. Mesmo sob bombardeio intenso dos alemães, decidiu procurar seus objetos e os encontrou. Pôde, assim, continuar sua missão como capelão, confortando os soldados. Ele não portava armas.

Depois do Dia D, Francis L. Sampson conversou com um soldado da 101ª Divisão Aerotransportada e sua história o deixou comovido. Villatoro pontua que há “várias versões” para o fato.

“O sacerdote deixou escrito em suas memórias que, enquanto estava acampado com seu regimento na praia de Utah, um soldado chamado Frederick Niland o procurou e disse que um de seus três irmãos (Robert, da 82ª Divisão Aerotransportada, também presente no desembarque) havia sido morto em combate e que seu corpo estava no cemitério de Sainte-Mére-Eglise. ‘Nós entramos no meu Jeep e andamos 20 quilômetros até a cidade’, deixou escrito nosso protagonista”, registra Villatoro.

Os quatro irmãos Niland

Quando chegaram à cidade, informaram a Frederick Niland que não havia nenhuma tumba com o nome de Robert, e sim de “um tal Preston Niland”. “Padre, este é meu irmão também. Era tenente”, disse Frederick Niland.

Depois de investigar, o capelão Francis L. Sampson descobriu que a tragédia era ainda maior, pois Frederick Niland havia perdido também outro irmão, Edward Niland, da Força Aérea, em maio de 1944, quando participava de uma operação de bombardeio a bordo de um B-25. Ao perceber o infortúnio da família Niland, o padre Francis L. Sampson escreveu para seus superiores e pediu que dispensassem o soldado Frederick Niland. “Sua mãe pelo menos teria um filho para consolá-la”, escreveu o religioso. Posteriormente o Pe. Sampson foi capturado pelos alemães e passou nada menos que seis meses num campo de prisioneiros. Quando foi finalmente libertado, optou por voltar para o Front e enfrentando as batalhas finais da 2ª Guerra Mundial com sua mítica 101ª Divisão Aerotransportada. O Padre Sam esteve ainda na Coreia. Em 1967, foi nomeado chefe dos capelães militares e, mesmo na reserva, não quis parar de atender os companheiros paraquedistas no Vietnã. Em 28 de janeiro de 1996, Deus convocou o Pe. Francis L. Sampson para desembarcar no Seu Abraço Eterno.

Pe. Sampson em uniforme de gala

A versão de Francis L. Sampson não bate com a do celebrado escritor Stephen Ambrose e a do filme de Spielberg. Vale sustentar que cinema não é história, e sim arte e entretenimento? É provável. A história verdadeira do soldado Ryan é menos heroica do que a do filme de Spielberg. O célebre livro de Cornelius Ryan, The Longest Day (“O Mais Longo dos Dias”) dedicado ao desembarque na Normandia, fala extensamente deste extraordinário sacerdote católico. “O Resgate do Soldado Ryan” pode conter falhas, porque o roteirista ampliou a ficção para tornar a história mais impactante, mas continua um belo filme. Coloca-se “emoção”, uma história de família, no meio da crueza de uma guerra Os irmãos Niland devem ser considerados, por certo, como heróis da guerra que libertou a Europa do nazismo da Alemanha e de Adolf Hitler. Eles contribuíram para que a democracia persistisse como “regime” dominante no mundo. Imagens do Set de Filmagem e do Filme

Fonte:

https://www.jornalopcao.com.br/colunas-e-blogs/imprensa/historia-verdadeira-do-soldado-ryan-e-menos-heroica-do-que-a-do-filme-de-spielberg-275249/https://pt.aleteia.org/2017/09/29/quem-resgatou-o-soldado-ryan-foi-um-padre-catolico/

No próximo post a apresentação de um novo trabalho

Forte Abraço

Osmarjun

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dispatchdcu · 1 year ago

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Star Wars: Sana Starros #4 Preview

Star Wars: Sana Starros #4 Preview #StarWarsSanaStarros #SanaStarros #starwars #MARVEL #marvelcomics #comics #comicbooks #news #mcu #art #info #NCBD #comicbooknews #previews #reviews #starwars #darthvader #skywalker #Amazon

Star Wars: Sana Starros #4 Preview: DANGEROUS SIBLING RIVALRY! SANA must take on her brother PHEL or all is lost! But will it be DEVA LOMPOP who destroys the Starros family? JUSTINA IRELAND • PERE PÉREZ (A) Cover by KEN LASHLEY VARIANT COVER BY EMA LUPACCHINO SOLO MOVIE 5TH ANNIVERSARY LANDO VARIANT COVER BY LEINIL FRANCIS YU 32 PGS./Rated T …$3.99 Publisher: Marvel Comics Release Date: May…

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#comic books #comics #marvel comic previews #Marvel Previews #Previews #star wars #star wars comics #Star Wars: Sana Starros #Star Wars: Sana Starros 4 #Star Wars: Sana Starros 4 Preview

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ozkar-krapo · 4 years ago

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[rec. C. DUVELLE / C. ERNOULT / F. PÉRÉ]

"Envoûtante Afrique noire"

(LP. Disques BAM. 1975? / rec. ?)

#africa #musicology #ethnomusicology #traditional #charles duvelle #claude ernoult #francis pere #records #central african republic #burkina faso #guinea #benin #rwanda #niger

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graphicpolicy · 2 years ago

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The Spider-Verse explodes with new heroes, new paths, and more in Edge of Spider-Verse #1

The Spider-Verse explodes with new heroes, new paths, and more in Edge of Spider-Verse #1 #comics #comicbooks #spiderverse

The future of the Spider-Verse is here! Beginning on August 3, fans will see the Spider-Verse expand like never before in Edge of Spider-Verse, a new limited series that will introduce brand-new Spider-Heroes and check in with iconic favorites such as Araña and Spider-Man Noir. The series will contain a range of stories from longtime Spidey creators and rising stars, each with bold additions to…

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#alex segura #bengal #caio majado #comic books #Comics #d.j. bryant #dan slott #dustin weaver #edge of spider-verse #humberto ramos #josemaria casanovas #karla pacheco #leinil francis yu #martin coccolo #marvel #pere perez #skottie young

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donnatroyprincessofthemyscira · 1 year ago

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ComicList: Marvel Comics New Releases for Wednesday, May 24, 2023, by Charles LePage.

Amazing Spider-Man Epic Collection Volume 25 Maximum Carnage TP, $39.99

Bishop War College #4 (Cover A Ken Lashley), $3.99

Bishop War College #4 (Cover B Cory Smith), AR

Daredevil And Echo #1 (Of 4)(Cover A Phil Noto), $4.99

Daredevil And Echo #1 (Of 4)(Cover B Jim Cheung), AR

Daredevil And Echo #1 (Of 4)(Cover C Declan Shalvey), AR

Daredevil And Echo #1 (Of 4)(Cover D Stefano Caselli Marvel Icon Variant), AR

Deadly Neighborhood Spider-Man TP, $17.99

Extreme Venomverse #2 (Of 5)(Cover A Leinil Francis Yu), $4.99

Extreme Venomverse #2 (Of 5)(Cover B Ken Lashley Symbiote Variant), AR

Extreme Venomverse #2 (Of 5)(Cover C Peach Momoko), AR

Extreme Venomverse #2 (Of 5)(Cover D InHyuk Lee), AR

Extreme Venomverse #2 (Of 5)(Cover E Ryan Stegman Venom The Other Variant), AR

Fury #1 (Cover A Adam Kubert), $5.99

Fury #1 (Cover B Chris Samnee), AR

Fury #1 (Cover C Mike Del Mundo), AR

Guardians Of The Galaxy #1 (2nd Printing Cover A Kev Walker), $4.99

Hallows’ Eve #3 (Cover A Michael Dowling), $3.99

Hallows’ Eve #3 (Cover B Marguerite Sauvage), AR

Hallows’ Eve #3 (Cover C Joshua Sway Swaby), AR

Hallows’ Eve #3 (Cover D Skottie Young), AR

Hellcat #3 (Of 5)(Cover A Pere Perez), $3.99

Hellcat #3 (Of 5)(Cover B David Baldeon Spider-Verse Variant), AR

Hellcat #3 (Of 5)(Cover C Betsy Cola), AR

Hellcat #3 (Of 5)(Cover D Lee Garbett), AR

Immortal X-Men By Kieron Gillen Volume 2 TP, $15.99

Iron Man #1 (Facsimile Edition), $3.99

Marvel Masterworks The Avengers Volume 23 HC (Book Market Edition), $75.00

Marvel Masterworks The Avengers Volume 23 HC (Direct Market Variant Edition Volume 342), $75.00

Marvel Previews Volume 6 #21 (June 2023), AR

New Mutants Lethal Legion #3 (Of 5)(Cover A Javier Fernandez), $3.99

New Mutants Lethal Legion #3 (Of 5)(Cover B David Lopez), AR

Peter Parker And Miles Morales Spider-Men Double Trouble TP, $13.99

Punisher War Journal TP, $15.99

Spider-Man 2099 Dark Genesis #4 (Of 5)(Cover A Nick Bradshaw), $3.99

Spider-Man 2099 Dark Genesis #4 (Of 5)(Cover B Ken Lashley Frame Variant), AR

Spider-Man 2099 Dark Genesis #4 (Of 5)(Cover C Rod Reis Connecting Variant), AR

Spider-Man 2099 Dark Genesis #4 (Of 5)(Cover D Justin Mason Handbook Variant), AR

Spider-Man 2099 Omnibus Volume 1 HC (Rick Leonardi Book Market Cover), $150.00

Spider-Man 2099 Omnibus Volume 1 HC (Rick Leonardi Direct Market Cover), $150.00

Star Wars Darth Vader Black White And Red #2 (Cover A Adam Kubert), $4.99

Star Wars Darth Vader Black White And Red #2 (Cover B Declan Shalvey), AR

Star Wars Darth Vader Black White And Red #2 (Cover C Salvador Larroca), AR

Star Wars The High Republic #10 (Cover A Rafael De Latorre), $3.99

Star Wars The High Republic #10 (Cover B Leinil Francis Yu), AR

Star Wars The High Republic #10 (Cover C David Lopez), AR

Star Wars Volume 5 The Path To Victory TP, $15.99

Storm #1 (Of 5)(Cover A Alan Davis), $4.99

Storm #1 (Of 5)(Cover B Stanley Artgerm Lau), AR

Storm #1 (Of 5)(Cover C Stanley Artgerm Lau Virgin Variant), AR

Storm #1 (Of 5)(Cover D Nic Klein Stormbreakers Variant), AR

Storm #1 (Of 5)(Cover E Taurin Clarke), AR

Storm #1 (Of 5)(Cover F Stefano Caselli Marvel Icon Variant), AR

Thor #34 (Cover A Nic Klein), $3.99

Thor #34 (Cover B Javier Garron Spider-Verse Variant), AR

Thor #34 (Cover C Mateus Manhanini), AR

Warlock Rebirth #2 (Of 5)(Cover A Ron Lim), $3.99

Warlock Rebirth #2 (Of 5)(Cover B Gil Kane Remastered Variant), AR

Warlock Rebirth #2 (Of 5)(Cover C Lucas Werneck Stormbreakers Variant), AR

Warlock Rebirth #2 (Of 5)(Cover D Phil Noto), AR

X-Cellent #3 (Of 5)(Cover A Mike Allred), $3.99

X-Cellent #3 (Of 5)(Cover B Natacha Bustos), AR

#Marvel Comics #X-Men #Warlock #Avengers #New Mutants #Thor #Storm #X-Cellent #Star Wars #Spiderman #Punisher #Hellcat #Nick Fury

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myhauntedsalem · 3 years ago

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Where are the Seven Gates of Hell Located?

Many over the past few centuries tell that the Seven Gates of Hell or each located on one of each of the continents. The seven traditional continents are (from largest in size to smallest): Asia, Africa, North America, South America, Antarctica, Europe, and Australia. That Means That there is one Gate of Hell for each Continent respectively.

But over the years many strange tales have arisen concerning their specific location and what happens to you if you dare to find them. Truth or fiction the tales often grow with each telling. Many forums, blogs and message boards are filled with the evil's and misconceptions of what a doorway to hell is really like and where it might be found.

The Gate to Hell in Africa many say is located in Egypt. The exact locations said by many would be gate searchers is thought to be located directly under the left paw of the great Sphinx. This Horrific Gate is known to be Called the Gate to The Underworld or After Life, the great hall of records. To this date no one has entered it or found it.

It is situated near the small town of Darvaz. The story of this place lasts already for 35 years. Once the geologists were drilling for gas. Then suddenly during the drilling they have found an underground cavern, it was so big that all the drilling site with all the equipment and camps got deep deep under the ground. None dared to go down there because the cavern was filled with gas. So they ignited it so that no poisonous gas could come out of the hole, and since then, it's burning, already for 35 years without any pause. Nobody knows how many tons of excellent gas has been burned for all those years but it just seems to be infinite there.

The Gate of hell in Asia is located in Aokigahara, also known as the Sea of Trees, is a forest that lies at the base of Mount Fuji in Japan. The caverns found in this forest are rocky and ice-covered annually. It has been claimed by local residents and visitors that the woods are host to a great amount of paranormal phenomena. It is an old ancient forest reportedly haunted by many urban historical legends of strange beasts, monsters, ghosts, and goblins, which add to its serious and sinister reputation.

Some in the world will tell you it is one of the actual seven gates to hell! The location is said to haunted by demons as well as ghosts. These demons or those that make you take your life. I found these forest to be very disturbing and in my mind what a hideous place of beauty for a infernal hole to hell to be in.

Near or under the Great Temple Mount In Israel. One if the possible gates to hell is called Satan's Front Door. Some scholars will argue that this door was once in Rome and Moved to the Holy land when Israel Became a State 14 May 1948. It is Believed it took 2 thousand legions of demons and Devil's to move the great gate because it is the most powerful and strongest doors that Satan has for gaining souls. When it Was Rome their were two gates of hell on the continent and it is believe that the great Caesar's had it originally moved there when they found it in The Holy Land originally.

In 1867, a team from the Royal Engineers, led by Lieutenant Charles Warren (later the London police commissioner of Jack the Ripper fame) and financed by the Palestine Exploration Fund (P.E.F.), discovered a series of tunnels beneath Jerusalem and the Temple Mount, some of which were directly underneath the headquarters of the Knights Templar.

Various small artifacts were found which indicated that Templar's had used some of the tunnels, though it is unclear who exactly first dug them. Some of the ruins which Warren discovered came from centuries earlier, and other tunnels which his team discovered had evidently been used for a water system, as they led to a series of cisterns.

The Gate to Hell is by many thought to be located in Europe. And it is hidden in Pere Lachaise Paris Cemetery Paris. It is said to be a great grand gate with very notable significance. this gate is said to be the one that all great heads of state must enter through when they die. And through this gate World Leaders must be judged by the Devil first and not God. Many tales tell of vampire-like entities guarding the entrance. Some believe that the Underground catacombs of Paris are the true gates but many beg to differ.

Some searchers believe that the actual Hellfire Caves Buckinghamshire, England is a indirect gate to Hell. Some call it a side door to the dark underworld of Satan.

West Wycombe Caves, also known as Hellfire Caves, located in the Chiltern Hills, Buckinghamshire, England, are most well known as a meeting place for members of The Hellfire Club. The caves were extended by Sir Francis Dashwood (later Lord le Despencer) between 1748–1752. They provided work for unemployed farm workers following a succession of harvest failures, and lie close to Dashwood's country house, West Wycombe Park (now owned by the National Trust). The chalk mines that were extended to form the caves had existed near High Wycombe for a considerable time. The mines are said to have a prehistoric origin, and were presumably created to extract the flint found in the chalk to make hand tools. Locally, flint is used as a building material.

The entrance to the caves is built from flint, and St Lawrence's church, above the Inner Temple, is also built using flint. Due to the extensive alterations made by Dashwood, all evidence of the caves' earlier history seem to have been destroyed. The underground "rooms" are named, from the Entrance Hall, through the Circle, Franklin's Cave (named after Benjamin Franklin, a friend of Dashwood who stayed with him at West Wycombe), the Banqueting Hall, the Triangle, to the Miner's Cave; finally, across a subterranean river named the Styx, lies the final cave, the Inner Temple. An alternative viewpoint was advanced by Daniel P Mannix in his book about The Hellfire Club. This theory suggests that the caves had been deliberately created by Dashwood according to a sexual design.The design begins at the 'womb' of the Banqueting Hall, leading to rebirth through the female triangle, followed by baptism in the River Styx and the pleasures thereafter of the Inner Temple.

This theory is not mentioned in National Trust literature and is allegedly refuted by the Dashwood family.The flint mining theory is also questionable because the Chiltern Hills flint bed overlays the chalk escarpment and does not have to be mined except by means of small open flint dells of which there are many on the area.The caves were refurbished and made suitable for visitors during the 1950s by the late Sir Francis Dashwood, 11th Baronet.

They are now open as a tourist attraction, with life-sized waxwork figures in period costume illustrating the life of the caves in the 18th century. The caves have attracted over 2 million visitors since 1951.

The Gate to Hell in South America is located in Rio de Janeiro. Harbour of Rio de Janeiro is one of the 7 natural wonders of the world. The actual open gate yo hell is said to be near where the world famous "Christ the Redeemer" Statue stands. Some say the entrance is in an underwater cave or hidden near the top of Corcovado Peak. Locals believe that during the festival of Carnival the gate swings open to trap those that or unaware of it's location who deserve to be taken to hell alive.

The gate has also been thought to be located at Machu Picchu, Iguazu Falls, Angel Falls, the Nazca lines are thought by some to point the way, Galapagos, along the Amazon which is thought to originate or flow into the river Styx, Patagonia, Andes .

The North American Gate is said to be located at or very near the Tomb Of the great Voodoo - Hoodoo Queen, Marie Laveau. Many say it is the doorway to the home of the eternally tortured and living dead. Many old tales tell of strange monsters issuing from the infernal gates. Vampires zombies and a host of Ghede and strange half dead beings.

#Where are the Seven Gates of Hell Located?#haunted locations #paranormal #ghost and hauntings #ghost and spirits #haunted salem #myhauntedsalem

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brandnulife · 4 years ago

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Celebrities Who Had Covid-19

Aaron Tevit

Adam Sclesinger

Allen West

Alyssa Milano

Andre Dickens

Andrea Bocelli

Andy Cohen

Anna Camp

Antonio Banderas

Arie Luyendyk Jr.

Arielle Charnas

Ashanti

Balthazar Getty

Barron Trump

Begona Gomez

Ben Carson

Bill and Giuliana Rancic

Boris Johnson

Brian Stokes Mitchell

Bryan Cranston

Cam Newton

Carlin Bates (Bringing Up Bates)

Carol Sutton - deceased

Carrie Ann Inaba

Cedric Ceballos

Charley Pride - deceased

Charlotte Lawrence

Chloe Bennet (Marvel’s Agents of SHIELD)

Chris Christie

Chris Masters (The Masterpiece)

Christian Wood

Christopher Cross

Colton Underwood

Cory Booker

Craig Adams (Beyonce’s former personal trainer) - deceased

Cristiano Ronaldo

Cyril Ramaphosa

D.L. Hughley

Daniele Rugani

Danny Boaz (The Young & the Restless)

Dawn Wells (Gilligan’s Island) - deceased

Dave Chappelle

David Burtka and Neil Patrick Harris

Debi Mazar

Donald and Melania Trump

Donovan Mitchell

Dustin Johnson

Dwayne “The Rock” Johnson

Ellen DeGeneres

Elizabeth Warren

Emmanuel Macron

Erica Watson - deceased

Erykah Badu

Fabio Wajngarten

Floyd Cardoz

Francis Suarez

Franck Riester

Frank Fox (Real World: San Diego)

Garrett Temple

George Stephanopoulos

Greg Rikaart

Harvey Weinstein

Herman Cain - deceased

Hope Hicks

Hugh Grant

Idris Elba

J Balvin

Jack Nicklaus

Janet Broderick

Jason Collins

Jason Crow

Jenee Fleenor

Jennifer Aydin (Real Housewives of New Jersey)

Jeremih

Jesse and Jacqueline Jackson

Jillian Michaels (The Biggest Loser)

Jim Parson and Todd Spiewak

Jimmie Johnson

Jim, RM and Suga of BTS

Joe Ellis

John Benjamin Hickey

John Mayer

John Taylor of Duran Duran

JoJo Siwa

Juan Williams

Kalie Shorr

Kanye West

Karl von Habsburg

Kaylee Hartung

Keisha Lance Bottoms

Keith McNally

Kenneth “Babyface” Edmonds

Kevin Connolly

Keyontae Johnson

Khloe Kardashian

Kimberly Guilfoyle

Kristofer Hivju (Game of Thrones)

Larry Hogan

Larsa Pippen (Real Housewives of Miami)

Laura Bell Bundy

Lee Brice

Lena Dunham

Lesley Stahl

Lou Gossett, Jr.

Marcus Smart

Marianne Faithfull

Masoumeh Edtekar

Meat Loaf - deceased

Meghan King

Mel Gibson

Melissa Joan Hart

Mike Lee

Mikel Arteta

Nadine Dorries

Natalie Horler, lead singer of Cascada

Nga Nguyen

Nick Cordero - deceased

Nicki Minaj

Novak Djokovic

Olga Kurylenko

Oscar De La Hoya

Patrick McEnroe

Pere Aragones

Peter Thomas (Real Housewives of Atlanta)

Pink

Placido Domingo

Prince Albert II

Prince William

Quim Torra

Rachel Matthews

Rand Paul

Ray Benson

Richard Schiff and Shelia Kelley

Robert Pattinson

Roy Horn - deceased

Rudy Giuliani

Russell Westbrook

Sadie Robertson (Duck Dynasty)

Sam Asghari

Sean Payton

Sekou Smith - deceased

Sergio Garcia

Seth Curry

Sevyn Streeter

Shanna Moakler (Hollywood Exes)

Shannon Beador (Real Housewives of Orange County)

Shemar Moore

Sheree Whitfield (Real Housewives of Atlanta)

Slim Thug

Sincere Show

Sophie Trudeau

Stephen Amell

Steve Doocy

Sturgill Simpson

Tiffany Haddish

Thomas Doherty

Todd Chrisley

Tom Dempsey

Tommy “Tiny” Lester Jr. - deceased

Tony Shalhoub

Trey Songz

Tyler Hubbard

Usain Bolt

Vachik Mangassarian - deceased

Vanessa Williams (Ugly Betty)

Vivica A. Fox

Von Miller

Wendy Williams

Whitney and Zach Bates (Bringing Up Bates)

Wiz Khalifa

Zoey Duetch (The Politician)

#covid19 #coronavirus

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ideaimateria · 4 years ago

Link

L'habitació, la casa, el carrer, cccb | Llistes de reproducció |

traficantes.net/librosBACHELARD/la-poética-del-espacio

'La poética del espacio' de Gastón Bachelard - Clave de Librosclavedelibros.com › la-poetica-del-espacio-gaston-bach...10 nov 2017 — 'La poética del espacio' es un libro sobre filosofía de la poesía; pero también es, en sí mismo, una obra poética. Bachelard pretende observar...

La poética del espacio, de Gastón Bachelard - Monoskop

que hi ha darrera

, en segon pla?

les rajoles, la calefacció i el calendari, el temps. i les cures, la taula ( els objectes sobre la taula amb les estovalles a quadres) i els objectes d´ara, la mascareta, els mocadors, els escuradents, les tisores, els caramels, el bolígraf.... el vernís tòxic , la transparència contraria a l´ocultació...

...una expo fantàstica de Manolo Laguillo, un excel.lent fotògraf del sistema de zones, sobre el pas del temps a la Virreina. i al costat una altra sobre, bé dues més,

un mapa, una cartografia del treball

Le Visible et l'Invisible / Notes de travail Editions Gallimard ISBN 9782072128523

Luis Camnitzer. “Hospicio de utopías fallidas”. MNCARS

«Hemos sustituido la “meritocracia” por la “payasocracia”»

…Muchas veces me preguntan qué objetivos me plateo como artista y siempre contesto lo mismo: En primer lugar, me interesa la ética. En segundo lugar, la política, entendida como estrategia para implementar la ética. Y en tercer lugar, por razones biográficas que a nadie le competen, hago arte porque es el ámbito en el que me mantengo cómodo cuando pienso o me manejo. Si fuera zapatero, la estructura mental sería la misma, solo que orientada a la elaboración de un zapato. Pero lo que esa estructura fomenta es que me interese la pedagogía más que el hacer obras. Creo que toda mi producción, desde los sesenta en adelante, se ha enfocado en esta actitud. No en la obra misma, sino en qué va a producir esa obra en el público y, más que eso, en cómo va a activarlo, en términos de independizar al público en el proceso de creación a tal punto que yo pueda dejar de ser artista y hacer otra cosa. En la medida en que no logro eso, sigo siendo artista…

https://sietedeungolpe.es/luis-camnitzer-hospicio-de-utopias-fallidas-mncars/

“conceptual lúdico” ?

Una nueva generación de artistas merodea por un conceptualismo descreído, haciendo equilibrismo entre el humor y la crítica. Desde la herencia revisada del dadaísmo, el punk, el arte conceptual, el frikismo pseudocientífico y las muy diversas manifestaciones del underground, el arte merodea por un conceptualismo descreído, haciendo equilibrismo entre el sentido del humor y la incidencia de raíz micropolítica. Muchos tildan a esta deriva de “conceptual lúdico” siguiendo la apertura que supone el trabajo de artistas como Robert Barry, Yoko Ono, Jiri Kovanda, Fischli & Weiss, Martin Creed, Tino Sehgal, Roman Ondák, Miranda July o Bobby Baker, que en unos días llega a La Casa Encendida. En los sesenta, Guy Debord también contribuyó lo suyo con el Manifiesto situacionista incitando a los artistas a salir a la calle y disparar al azar. O lo que es lo mismo: a reivindicar la radicalidad y la intensidad como fundamentos de la creación. Un propósito que sigue vigente en el arte contemporáneo: el uso de la autocrítica y el privilegio de la distracción como formas para pensar en los extremos y discutir sobre los matices. Hablamos de una actitud a medio camino entre la exaltación y la cabezonería que, desde cierta poética de lo insignificante y lo precario, experimenta con lo micro para intentar abarcar lo macro. Correr por un museo. Camuflar una oliva en una reja. Soltar un grito inesperado en mitad de una exposición. Suspender la orden de guardar silencio en una biblioteca. Atrapar el aire de una habitación…

https://elpais.com/cultura/2019/01/17/babelia/1547743377_701839.html

L'habitació, la casa, el carrer | Llistes de reproducció |

…Si hagués de definir la ciutat oberta en una sola paraula, Marta Segarra,

triaria el concepte de «vulnerabilitat»: “Perquè ve del llatí ferida, i la vulnerabilitat és aquesta capacitat de ser ferit”.

http://blogs.cccb.org/veus/sin-categoria/segarra-lhabitacio-propia-de-woolf-reivindica-un-espai-mental/

https://www.cccb.org/ca/multimedia/llistes-reproduccio/ciutat-oberta/rel-cicle/45240

Després de la pluja...

accions exercici

abrigallar, embolcallar,”cobrir, acotxar, aixoplugar, resguardar,arropar”, fer costat, abrigar (a una mateixa, als altres), tapar, cobrir, enbolicar,.. a les persones, als cossos? ...curar?

JOSEPH BEUYS

Wie man dem toten Hasen die Bilder erklärt 1965

proa.org/esp/exhibicion-proa-joseph-beuys--textos.php

/ grademagrana

----------------------------------------------------------------------------------------------

benjamin

underwood

« Bell com la trobada fortuïta, sobre una taula de dissecció, d'1 màquina de cosir i 1 paraigua » Comte de Lautréamont

... O no és factible un art de la inutilitat, l'art d'omplir un temps vital que d'una altra manera hauria quedat buit? ... L'explosió Raymond Roussel

El Reina Sofia es rendeix a l'fascinant univers de l'autor de 'Locus Solus', influència capital en els moviments artístics i literaris de les avantguardes europees

Marianna

ideaimateria.tumblr.com/post/180876352119/ sempre-vaig tenir-el-propòsit-de-explicar-de-què-manera ...

underwood Marcel Duchamp

/Duchamp

alianzaeditorial.es/libro/alianza-forma-af/apariencia-desnuda-octavio-paz-9788420670812/

...Fountain, su ready-made más famoso y controversial, es un urinario invertido que firmó con el pseudónimo R. Mutt para la exposición de la Sociedad de Artistas Independientes de Nueva York en 1917.

Duchamp defendió la pieza en un artículo sin firma para la revista The blind man, donde afirmó:

“Que el señor Mutt hiciera o no la fuente con sus propias manos carece de importancia. La ELIGIÓ”.

Seleccionar un elemento de uso cotidiano para despojarlo de su valor utilitario y presentarlo como arte es una provocación que hasta el día de hoy no se agota...

via : gatopardo.com/arte-y-cultura/marcel-duchamp-jeff-koons-museo-jumex/

Tipus de readymades

Readymades : objectes no alterats

Readymades assistits : ajuntant diversos readymades eliminant el seu ús

Readymades rectificats : un readymade modificat o marcat

Readymades corregits

Readymades recíprocs : una obra d'art única presentada com un objecte utilitari produït en massa

Readymades assistits : ajuntant diversos readymades eliminant el seu ús

APARIENCIA DESNUDA

Natalie Bell, Daniel Birnbaum, Massimiliano Gioni, Thomas Girst, Dorothea von Hantelmann, Adina Kamien-Kazhdan, María Minera, Helen Molesworth, Francis Naumann, Laurent de Sutter, Calvin Tomkins, Chris Wiley

Apariencia Desnuda es el primer libro que explora la conexión entre la obra de Jeff Koons y la de Marcel Duchamp, dos de los artistas más influyentes del siglo XX. A pesar de las décadas que separan sus respectivos universos creativos, ambos artistas cuestionaron la función de los objetos y la fascinación por los bienes de consumo, desarrollaron filosofías individuales, pero complementarias, sobre el deseo y el gusto proponiendo nuevas formas de pensar el arte y el yo. fundacionjumex.org/es/exposiciones/181-apariencia-desnuda-el-deseo-y-el-objeto-en-la-obra-de-marcel-duchamp-y-jeff-koons-aun

Marcel Duchamp

un juego entre mí y yo

—

François Olislaeger

http://www.turnerlibros.com/book/marcel-duchamp.html

l´absurd;

el context socio-polític-econòmic,sanitari,cultural:- Kandinsky-"Tota obra d'art és filla del seu temps, moltes vegades és mare dels nostres sentiments.”

Dadà. El canvi radical de segle XX

wikiart Meret-Oppenheim

Object- Meret-Oppenheim-swiss-19131985-1936

Joan Brossa

PARAULA , IMATGE , ACCIÓ

Joan Brossa

-Joan-brossa-pere-Gimferrer-chema-Madoz

joan + brossa

christojeanneclaude.net/projects/wrapped-objects-statues-and-women

https://christojeanneclaude.net/artworks/realized-projects

Jacques Carelman

Robert Filliou : TEACHING AND LEARNING AS PERFORMING ARTS

Robert Filliou

Robert Filliou FLUXUS

Robert Filliou

.erwinwurm.at/artworks.html

Agnes Varda

giuseppe colarusso.

Chema Madoz.

Chema Madoz 2020.01.16 - 2020.03.28

galeriajoanprats.chema-Madoz /

josejimenezcuerpoytiempo.chema-Madoz.

Chema Madoz pint

Chema Madoz

RAMON GUILLEN-BALMES ex-professor de l'Escola Massana

Joan Rom

----------------------

.theuncomfortable. Katerina Kamprani com /

martin roller

gilbert-Legrand.

Llobet i Pons

Artistes: Bas Jan Ader, In search of the miraculous, 1975. Martha Rosler, Semiotics of the Kitchen, 1975. Zoe Leonard, Strange fruit, 1992-97. Meret Oppenheim, Object (Le Déjeneu en fourrure, My nurse maid,1936). Jeff Wall, A view from an Apartment, 2004-5. Eric Wurm, Idiot III, 2008. Fischli and Weiss, Món visible, 2000 (exposició). Yoko Ono, Half a room, 1967. Claes Oldenburg, Slice of Birthday Cake, 1929.

Sofia Sandoval (Objectes amagats)

----------------------

Objectes-de-desig-surrealisme-i-disseny

Fundació .march.es / surrealistes-abans-del-surrealisme / la-tradició.

Object- Meret-Oppenheim-swiss-19131985-1936

BLIND OBJECTS

ghost objects

Objecte i memòria

http://www.isabelbanalx.com/c_hos.html

laie.es/es/libro/hospital-106-4t-1a-el-lugar-y-el-tiempo/

especies-de-espacios

“ Viure és passar d'un espai a un altre fent el possible per no colpejar-se" "Ens servim dels ulls per veure. El nostre camp visual ens desvetlla un espai limitat: alguna cosa vagament rodó, que es per molt ràpid a esquerra ia dreta, i que no baixa ni puja massa alt. (...) La nostra mirada recorre l'espai i ens proporciona la il·lusió de l'relleu i de la distància. Així construïm l'espai: amb un dalt i un baix, una esquerra i una dreta, un davant i un al darrere, un prop i un lluny. Quan res s'interposa en la nostra mirada, la nostra mirada arriba molt lluny. Però si no topa amb llac no veu res; només veu allò amb el que topa: l'espai és el que frena la mirada, allò amb que xoca la vista: l'obstacle. (...) L'espai no té res de ectoplasmátic; té vores, no va en totes direccions, fa tot el que cal fer perquè els rails de ferrocarril es troben bastant abans de l'infinit. "

pàgina, llit, habitació, apartament, immoble, carrer, barri, ciutat , camp, país, Europa, món i espai ...

..."En resum, els espais s'han multiplicat, fragmentat i diversificat. N'hi ha de totes les mides i espècies, per a tots els usos i per a totes les funcions. Viure és passar d'un espai a un altre fent el possible per no colpejar-" ...

Perec fa urbanisme emocional, arquitectura literària, geografia de memòria. Enginyeria vital imprescindible. Doncs, tal com acaba dient en el pròleg d'aquest bellíssim llibre: "Viure és passar d'un espai a un altre fent el possible per no colpejar."

https://www.editorial-montesinos.com/contemporanea/2866-especies-de-espacios-9788495776723.html

https://es.wikipedia.org/wiki/Especies_de_espacios

macba.cat/ca/exposicions-activitats/exposicions/especies-despais

Perec

Tots coneixen la utilitat de l'útil, més ignoren la utilitat de la inutilitat.

El no-res és l'útil (Tao Et King 16)

CAPÍTOLS TAO TE KING 11-20

Trenta radis convergeixen en el centre

d'una roda, però és el seu buit el que fa útil a el carro.

Es modela l'argila per fer vas, però de la seva buit

depèn l'ús del vas.

S'obren portes i finestres en els murs d'una casa, i és el buit

el que permet habitar-la.

En l'ésser centrem el nostre interès, però de el no-ser depèn la utilitat.

usuaris.tinet.cat/elebro/tao/tao1120.html

https://ideaimateria.tumblr.com/post/635645085334339584/los-libros-del-tao-lao-tse

search / Objecte

ideaimateria.tumblr.com/post/634168396451282944/underwood-bell-com-la-trobada-fortu%C3%AFta-sobre

Ceres vegetals:

http://www.vildamagazine.com/2016/05/vegan-beeswax-alternatives/

https://www.medialab-prado.es/proyectos/biomateriales-alimentarios

ideaimateria.tumblr.com/post/189070986069/medialab-prado-on-instagram-hoy-echamos-la-vista

Quotidiano sostenibile

Com podria ser la vida quotidiana en una societat sostenible? Com et cuides a tu mateix i als altres, treballar, estudiar, moure’t, cultivar una xarxa de relacions personals i socials, establir una relació sense distorsions amb l’entorn? Quins són els trets comuns a les diverses societats sostenibles que podem imaginar avui? I quin és l’abast de les decisions que es podrien fer sobre la base d’aquests elements comuns?

Diari sostenible presenta un estat de l’art sobre les respostes que es poden donar avui a aquestes preguntes. I, a partir d’aquí, esbossen possibles escenaris i alternatives factibles, referint-se al camp d’aplicació ampli però no global de la dimensió quotidiana de l’existència (el món vist pels que hi viuen), amb especial referència al medi urbà ( tant ciutats històriques com noves conurbacions en curs). Per tant, tracta del futur de la vida, però ho fa indicant una perspectiva molt diferent de la que molts exemples de "cases del futur" ens han acostumat a imaginar. De fet, el focus no es centra en tecnologies que haurien de redefinir les funcions tradicionals, sinó més aviat en diferents "estratègies de vida" que estan sorgint avui en dia, fent-se possible i, almenys per a alguns, desitjable...

https://shop.edizioniambiente.it/catalogo/quotidiano-sostenibile

Manzini, E., Jégou, F .: Quotidiano sostenibile. Scenario di vita urbana , Milà, Edizioni Ambient, 2003.

Papanek, V .: Design for the Real World. Human Ecology and Social Change , Nova York, Pantheon Books, 1971.

Papanek

https://ggili.com/la-belleza-del-objeto-cotidiano-soetsu-yanagi-libro.html

https://ideaimateria.tumblr.com/post/634168396451282944 / underwood-bell-com-la-trobada-Fortu% C3% afta-sobre

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Per Què ens fascinin Tots els móns en miniatura? Com és que alló colossal te tanta Força que de vegades ENS Deixa sense alè? Diversos móns de figuretes menudes ENS Venen Acompanyant des de la infància; Tant els tradicionals figures de pessebre, com a els soldadets de plom, a els trens i a els cotxes de joguina, els cases de nines, els "clics" ... Per Altra banda, el repte per aconseguir l'edifici més alt de l'món contínua Vigent, des de les piràmides d'Egipte Fins ara, arrossegant importants Implicacions polítiques, Tècniques i de poder ... Aquestes són d'algunes de les preguntes i reflexions que és presentin i s'investiguen a La mesura de les coses, el nou llibre Editat per l'Escola Massana dins de la col·lecció Impressions paral·leles. La su autor, Sílvia Puig, ENS fa questionar quin és el paper que la Grandària dels Objectes juga en la relació qualit que establim amb ELLS. En una època on els Experiències virtuals guanyen cada cop més Terreny, questionar-nos la importància de l'experiència corporal directa és Fonamental. Les propies mesures de El Nostre cos dictaminin grups de Mesures amb comportaments i Caràcters diversos. "Grandària de dit", "de mà," "de cos", "colossal", etc ... són uns quants de este grups de Mesures que és presentin en AQUESTA investigació i que impliquin relacions de poder i emotives Molt Diferents entre L'ésser humà i a els Objectes. AQUEST llibre ENS convida, aixi, a entrar a l'món de les Mesures dels Objectes per tal d'impregnar-nos de les caràcterístiques, personalitat i caràcter de cada grup establert. La su tesi doctoral relacio corporal a l'obra escultòrica: Grandària i proporció com element Implicat en la Percepció tridimensional és la investigació que serveix de base a AQUEST llibre. LA MESURA DE LES COSES Autora: Sílvia Puig Pagès Edicions Escola Massana, Col·lecció Impressions paral·leles Disseny gràfic i il·lustracions: Daniel Sesé Distribució: Bitàcora

http://www.historiadeldisseny.org/wp-content/uploads/Silvia-Puig-Objetos-y-tama-os.pdf

miniaturitzar

"Però miniaturitzar és també amagar. Duchamp, per exemple, es va sentir també atret sempre pel extremadament petit, és a dir, per tot el que exigís ser desxifrat: emblemes, manuscrits, anagrames. Per a ell, miniaturitzar significava també fer inservible: «El que està reduït es troba en certa manera alliberat del seu significat. La seva petitesa és, al mateix temps, un tot i un fragment [...] »"

- Enrique Vila-Matas. (1985). Història abreujada de la literatura portàtil

anagrama -

història-abreujada-de-la-literatura-portàtil

Miniaturitzar és Fer inservible, simplement una emoció infantil.Walter Benjamin

Miniaturitzar és Fer portàtil les passions d'un col.leccionista, exiliat o sense sostre. Walter Benjamin

https://ideaimateria./miniaturitzar-

https://ideaimateria.tumblr.com/search/Miniaturitzar+

https://ideaimateria.tumblr.com/search/ benjamin

Proveïdors. (Compra cooperativa?)

1.- figures per maquetes d'arquitectura barcelona

2.- figures per maquetes d'arquitectura barcelona

3.-figures per maquetes d'arquitectura

4.- figures per maquetes d'arquitectura

5.- figures per maquetes d'arquitectura barcelona

la-mesura-de-les-coses-nou-llibre-dedicions

Miniaturitzar és Fer portàtil els passions d'un col.leccionista, exiliat o sense sostre. Walter Benjamin

Miniaturitzar és Fer inservible, simplement 01:00 emoció infantil.Walter Benjamin

"El col·leccionista desposseeix els objectes del seu valor d'ús i somia amb un món on serien eximits de« la càrrega de ser útils »" a BENJAMIN, Walter. 1971. «Paris, capitale du XIXe siècle», en Poésie et révolution. Paris: Gonthier, pàg. 132

Miniaturitzar

https://ideaimateria.tumblr.com/archive/filter-by/quote

https://ideaimateria.tumblr.com/post/635532271737274368 / judithmasats-marius-sperlich-referent

LEFEBVRE Henri, Critique de la vie quotidienne, t. I : Introduction Paris, L’Arche, 1977, 267 p. Parution originale : LEFEBVRE Henri, Critique de la vie quotidienne, t. I : Introduction, Paris, Grasset, 1947, 248 p.

Henri Lefebvre: La vida cotidiana en el mundo moderno. Alianza, 1984

Henri Lefebvre��, Roland Barthes Pierre Bourdieu,

Anthony Gidden, Erving Goffman,Harold Garfinkel, Alfred Schütz, Eviatar Zerubavel, Michel de Certeau

La invenció de la quotidianitat

Su obra La invenció de la quotidianitat és fruit d'01:00 investigació sobre a els problemes de la cultura i la societat francesa. AQUESTA obra és va realitzar en dos toms: el primer, anomenat Arts de l' 'Fer , va ser Escrit completament per De Certeau, Mentre que el Segon tom, titulat Habitar; Cuinar , va ser realitzat per Luce Giard i Pierre Mayol amb la col • laboració de Casa Ferrer. AQUEST Segon volum va ser publicat per la Universitat Iberoamericana, l'ITESO i al Centre Francès d'Estudis mexicans i centreamericans, l'any 2000. 2 1 3

Segons De Certeau, la vida quotidiana és diferent d'Altres Pràctiques de l'existència diària perque és repetitiva i inconscient . L'estudi de De Certeau de la vida quotidiana no és l'estudi de la " cultura popular ", ni és necessariament l'estudi de les Resistències quotidianes ALS règims de poder . En cambio, intenta delinear la manera com les persones naveguin inconscientment tot, des dels Carrers de la Ciutat Fins ALS textos literaris . 4

La pràctica de la vida quotidiana distingeix entre a els Conceptes de estratègia i tàctica . De Certeau 1925 vincula "Estratègies" amb Institucions i estructures de poder que són els "Productors", Mentre que a els individus són "Consumidors" o "caçadors furtius", actuant d'acordar amb, o en contra, a els entorns definits per els Estratègies utilitzant "tàctiques" ... via wikipèdia

Certeau, Michel de. La invenció de la quotidianitat vol. 1. Arts de fer. Mèxic: Universitat Iberoamericana i Institut Tecnològic i d'Estudis Superiors d'Occident, 1996.

https://ideaimateria.tumblr.com/post/631978025527967744/1-object-meret-oppenheim-swiss-19131985-1936

https://ideaimateria.tumblr.com/post/631977546121117696/1-un-full-solt-en-angl%C3%A8s-vers-1962-fotografia

https://grademagrana.tumblr.com/archive

Sara de Ubieta , www.instagram.com/sara_deubieta/

https://ideaimateria.tumblr.com/post/631409058682929152/actividad-los-poderes-de-la-memoria-en-las

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Kierkegaard

Bonet Mojica, Lluís

/twitter.com/llbonetmojica

Max Linder: la connexió francesa Mack Sennett i els homes de goma Un Turpin guenyo i un Semon ficat en farina Fatty , el cas que Hammet mai va comptar Harry Langdon, el Pierrot lunar Harold Lloyd, l'home mosca Buster, sense falòrnies El flac a què li va tocar la grossa Charlot, icona de cinema

lacentral.com/book/?id=9788495602541 ttps: //www.lacentral.com/book/? id = 9788495602541

jordibatllecaminal.

dadaisme i situacionisme

EXISTENCIALISME

Albert Camus

Waiting for Godot Samuel Beckett

Teatre de l'absurd:

Samuel Beckett , Jean Genet , Eugène Ionesco , Tom Stoppard , Arthur Adamov , Harold Pinter , Stanislav Stratiev i Alfred Jarry

Manuel de Pedrolo [1]

Ramón María de la Vall-Inclán

Lewis Carroll

Franz Kafka

Samuel Beckett

Albert Camus

Robert Filliou FLUXUS

Robert Filliou : TEACHING AND LEARNING AS PERFORMING ARTS

Robert Filliou

PUNK

fes-ho tu mateixa - do it your self - enzo+mari

Lipstick Traces

A Secret History of the Twentieth Century, Twentieth Anniversary Edition

Greil Marcus

https://www.hup.harvard.edu/catalog.php?isbn=9780674034808

https://www.anagrama-ed.es/libro/argumentos/rastros-de-carmin/9788433964311/A_135

punk-els-seus-rastres-lart-contemporani

...Algunes de les temàtiques són el soroll, la negació, la violència, el nihilisme o la sexualitat. La insatisfacció, l’inconformisme, la pèrdua de fe en el progrés o la crítica ferotge a les icones del sistema econòmic i social apareixen en l’obra d’aquests creadors.El punk va sorgir a Londres i Nova York entre 1976 i 1978 com una explosió de malestar i descontentament envers una situació sense futur que de seguida va quallar i es va estendre geogràficament. Una ràbia que encara ressona avui. El periodista i crític musical Greil Marcus va esbossar per primer cop el 1989, a Lipstick Traces. A Secret History of the Twentieth Century (traduït al castellà: Rastros de carmín. Una historia secreta del siglo XX), un recorregut pels antecedents del moviment, remuntant-se al dadaisme i el situacionisme. L’exposició pren com a referència aquest llibre i fa el mateix exercici a la inversa: és un exercici prospectiu que busca els rastres del punk en els artistes actuals.

https://www.macba.cat/ca/exposicions-activitats/exposicions/punk-els-seus-rastres-lart-contemporani

Ma (間)

Ma (間) és un terme japonès que podria traduir-se com pausa, espai, obertura o interval . No és simplement un buit o l'absència de contingut sinó que es tracta d'un espai conscient, una respiració que permet posar en valor les altres parts de l'obra o fins i tot crear nous significats. Segons la filosofia japonesa, aquest espai estaria ple d'energia, i podria induir un estat contemplatiu en el qual és possible apreciar l'expansió de l'espai i de el temps. Michiko Okano

Ma o El sentit japonès de el lloc

https://www.revistas.usp.br/revusp/article/view/76178/79922

Arata Isozaki (arquitecte) Exposition MA Espace-Temps au Japó

Tadao Camino (arquitecte)

ma-o-el-sentit-japonès-del-lloc

es.wikipedia.org/wiki/Ma_ (espacio_negativo) fr.wikipedia.org/wiki/Ma_ (Esth% C3% A9tique) en.wikipedia.org/wiki/Ma_ (negative_space)

https://ja.wikipedia.org/wiki/

Yasujiro Ozu Director de cinema

japon-japonismes-objets-inspiris-1867-2018 /

Kintsugi

la-casa-de-ozu-Shangrila

elogi + de + la + ombra

h / japon-japonismes-objets-inspirar

https://ideaimateria.tumblr.com/search/ marinaventuraim

https://ideaimateria.tumblr.com/post/631314875043512320 / ALBA

of-other-spaces-1967-heterotopies

Heterotopia_ (filosofia)

el-idioma-analític-de-john-Wilkins

/ Les + paraules + i + les + coses

/ michel_foucault_heterotopias_y_cuerpo_utopico.pdf

.atributosurbanos.es / termes / heterotopia /

traficantes.net/libros BACHELARD / la-poètica-del-espai

Foucault +

ideaimateriaBetweenMuntadas

Jacques Rancière,

... L'espai intermedi seria aquell en el qual es desenvolupen els processos, on es realitzen les construccions i es creuen les disciplines artístiques ...

mac.gasnaturalfenosa.com/servlet/ficheros/1297132749863/Texto_de_David_Barro_y_Monica_Maneiro_para_el_catalogo_El_espacio_intermedio.pdf

www.dardo.gal/dardo/es/proyectos/espacio_intermedio

Podries explicar per què heu escollit el terme "Espai Intermedi" ? Tots dos comissaris partim de la idea el filòsof francès Jacques Rancière, que aplica aquesta noció d'espai intermedi a el camp de l'estètica per concloure que és precisament en l'espai intermedi entre disciplines on habita l'art contemporani. El entenem com a espai de la diferència, com a trànsit, com a lloc on ocorren les coses. El nostre present és un espai intermedi i en aquest lloc d'indeterminació es construeix l'art dels nostres dies.

vanidad.es/mixed-up/12116/ espai-intermedi .html

Cuenta Simon Leys que cuando era un joven estudiante tuvo la suerte de acudir a una peculiar escuela en Hong Kong. Uno de sus condiscípulos, calígrafo y grabador, la bautizó como «Escuela de la inutilidad», y en ella pasó Leys unos «años intensos y gozosos, en los que aprender y vivir eran lo mismo». Sólo más tarde descubriría el escritor belga que, puesto que el saber más ocioso constituye el fundamento de los valores esenciales de nuestra humanidad, a esos años debía lo más decisivo de su formación. Esta antología de ensayos reúne toda la sabiduría «inútil» que acumuló a lo largo de su vida: en ella se dan cita personajes, imaginarios o reales, tan diversos como don Quijote y el inspector Maigret, Confucio y Mao Zedong, o Magallanes y los náufragos de las remotas islas Auckland. Todos ellos atestiguan en este Breviario de saberes inútiles, la espléndida travesía intelectual del lector voraz que fue Leys, conocedor privilegiado de la literatura occidental y la cultura china. …

http://www.acantilado.es/catalogo/breviario-de-saberes-inutiles/

EXTRACTE DEL LLIBRE

http://www.acantilado.es/wp-content/uploads/Breviario_de_saberes_extracto.pdf

Bibliografia

Del 17 al 20 diciembre 2019

Dar la vuelta a lo grande para detenerse en lo pequeño.

Lo inútil, lo improductivo y la pérdida de tiempo se convertirán en los ejes vertebradores de esta propuesta que guarda en ellos un sentimiento de alegría y satisfacción.

Enmarcado en la exposición El hecho alegre. Una mecánica popular de los sentidos (11.10.19-05.01.20), se presenta este taller que incide en la idea de la inutilidad como forma de resistencia y de la atemporalidad como lugar de aprendizaje. En la era del conocimiento útil (másteres habilitantes, estudios profesionales, etc.), el estudio de asuntos inservibles tiene algo de liberador.

Este taller es absolutamente improductivo y en él trataremos temas fascinantes: enciclopedias imaginarias, las últimas palabras que alguien realmente no dijo, las normas del buen comer, la Divina Comedia, el cultivo de plantas aromáticas, historias que, pudiendo ser verdaderas, son falsas, las tentaciones diabólicas o el correcto uso de la cubertería y la cristalería en la mesa….

https://www.lacasaencendida.es/cursos/artes-plasticas/conocimientos-inutiles-10349

https://www.lacasaencendida.es/exposiciones/hecho-alegre-mecanica-popular-sentidos-9549

https://ideaimateria.tumblr.com/post/187782331669/la-utilidad-de-lo-in%C3%BAtil-editorial-acantilado

¿Qui paga la meva cervesa ?, Rebuig de la meva vida ?, S'han de contemplar les coses en dejú ?, Per què es permet la terra el luxe de tenir-me ?, És perillós somiar contínuament amb una altra vida ?, Em torturo innecessàriament ?, Ha anat alguna cosa terriblement malament després del Big Bang ?...

youtube

David Bestué y Marc Vives: "Accions a Casa" (2006)

què fan ara?

marcvives.eu/info

davidbestue.net/

Performancelogia/videos

performancelogia.blogspot.com/

la seva influència:

youtube

En moviment!

Fischli i Weiss eliminen aquestes coses que ens envolten dels seus contextos de la nostra vida quotidiana i després reestructuren les seves relacions entre elles. Els artistes no pretenen ni glorificar ni alienar aquests objectes comuns, sinó simplement crear noves referències en què es puguin considerar. THE WAY THINGS GO (sense narració ni entrevistes) simplement registra l’actuació autodestructiva de la construcció més ambiciosa de Fischli i Weiss: 100 peus d’interaccions físiques, reaccions químiques i un caos elaborat amb precisió, digne de Rube Goldberg o Alfred Hitchcock.

rubegoldberg.com/rube-goldberg-hackathon/

Fischli & Weiss: la bellesa de les coses petites

Aprenent a establir una nova relació amb el temps quotidià

https://www.macba.cat/ca/diari/fischli-weiss

museoreinasofia.es/exposiciones/peter-fischlidavid-weiss-son-animales-personas

sempre ens quedaran en Brossa i l´Amades:

youtube

http://joanamades.cat/

facebook.com/joanamades/

twitter.com/amades_acja

http://www.ara.cat/premium/Joan-Amades-home-avancat-temps http://lameva.barcelona.cat/culturapopular/sites/default/files/amades_2015.pdf

5 notes · View notes

savewritingnsw · 4 years ago

Text

Save Writing NSW

An open letter to Create NSW and the NSW Minister for the Arts

We, as writers and active members of the literary community, were dismayed by Create NSW’s decision not to grant Writing NSW Multi-Year Organisations Funding in their latest round, despite the fact that Writing NSW was recommended for funding.

This decision demonstrates the ongoing devaluation of literature within the Australian arts funding landscape. We know literature is the most popular artform in the country, with 87% of Australian reading some form of literary work in any given year, yet in this round Create NSW offered only 5.7% of their ongoing funding to literature organisations.

The decision to defund Writing NSW carries a particular sting. Writing NSW is the leading organisation representing writers in a state with a long literary history and one that is home to many of Australia’s leading publishers, writers, literary agents and other core participants in the Australian literary industry.

Writing NSW is an important stepping-stone for writers at the beginning of their careers, providing high quality professional development programs, and it also employs emerging and established writers to deliver and lead these programs. For decades the organisation has provided high-quality courses, seminars, workshops, festivals, events, grants and literary prizes. In putting such programs at risk, Create NSW is jeopardising both an entry point and an ongoing support system for writers.

Macquarie University research shows that the average income of an Australian author from their practice is $12,900. The current economic crisis caused by the coronavirus pandemic makes the situation of writers even more precarious. Writing NSW offers key employment opportunities to writers, through teaching, publication, speaking engagements and both curatorial and judging positions. The removal of these opportunities will mean many writers will not be able to maintain the other income streams that support their writing careers.

The removal of $175,000 from a single source would be catastrophic for any business – not-for-profit or otherwise. For a government funding body to enact such a blunt economic withdrawal in the midst of a global pandemic and without concern for the economic flow-on effect to hundreds of industry professionals is deeply distressing.

We call on Create NSW to reverse this decision and ask them to reveal their future strategies for arts funding and how they plan to rectify the disparity in funding between other funded artforms and literature.

As writers, we will never accept the loss of a vibrant, essential cultural network such as Writing NSW.

What you can do We invite anyone affected by Create NSW’s decision – writers, publishers, literary agents, illustrators, readers alike – to co-sign this letter. You can copy and customise this letter to draft a version from your own point of view on this matter to send to a Member of Parliament.

To co-sign this letter, add your name here: shorturl.at/dERX6

Signatories

Pip Smith, Writer, creative writing teacher Sam Twyford-Moore, Writer and arts administrator Fiona Wright, Writer, editor, critic, reader Gabrielle Tozer, Author, writer, editor Brigid Mullane, Editor Jules Faber, Author, Illustrator Dr Christopher Richardson, Author and academic Liz Ledden, Author, podcaster, book reviewer Kate Tracy Ashley Kalagian Blunt, Writer, reviewer, reader Julie Paine, Writer Nick Tapper, Editor Belinda Castles, Writer and academic Simon Veksner, Writer Amanda Ortlepp, Writer, reader, reviewer, High School English Teacher Bronwyn Birdsall, Writer, editor Robin Riedstra, Writer, reviewer, reader, English teacher Dr Delia Falconer, Writer, critic, academic Robert McDonald, Author, writer, creative writing teacher Dr Kathryn Heyman, Author Wai Chim, Author Kirsten Krauth, Writer, editor Tricia Dearborn, Poet, writer, editor Dr Mireille Juchau, Writer Gail Jones, Writer Dr Jeff Sparrow, Writer, editor, academic Linda Jaivin, Writer, editor, translator Adara Enthaler, Poet, editor, literary arts manager Keighley Bradford, Writer, editor, arts and festival administrator Nicole Priest, Reader and aspiring writer Shamin Fernando, Writer Andrew Pippos, Writer Bianca Nogrady, Writer and journalist James Bradley, Writer Ali Jane Smith, Writer Dr Eleanor Limprecht Idan Ben-Barak, Writer Jennifer Mills, Writer Nicole Hayes, Writer, podcaster Michelle Starr, Writer/journalist Phillipa McGuinness, Writer and publisher Vanessa Berry, Writer and academic Blake Ayshford, Screenwriter Emily Maguire, Writer Sarah Lambert, Screenwriter Anwen Crawford, Writer Sarah Bassiuoni, Screenwriter Jackson Ryan, Writer, journalist, academic Simon Thomsen, Journalist, editor, other wordy stuff Ivy Shih, Writer Miro Bilbrough, Writer, filmmaker, screenwriting teacher, script editor Graham Davidson, Writer, artist, festival director Christos Tsiolkas, Writer JZ Ting, Writer, lawyer Susan Francis, Writer, teacher Suneeta Peres da Costa, Writer Dr Harriet Cunningham, Writer, critic, journalist Adele Dumont, Writer, reader Sheree Strange, Writer, book reviewer, book seller Phil Robinson, Reader Ashleigh Meikle, Reader, writer, book blogger Naomi RIddle, Writer, editor Cathal Gwatkin-Higson, Writer, book seller Hannah Carroll Chapman, Screenwriter Angela Meyer, Writer, editor Steve Blunt, Reader, supporter Ambra Sancin, Writer, arts administrator Michelle Baddiley, Writer, reader, archive producer Dinuka McKenzie, Writer, reader Catherine C. Turner, Writer, reader, freelance editor and publisher, arts worker Hilary Davidson, Writer, poet, academic, reader Dr Eleanor Hogan, Writer Nicola Robinson, Commissioning Editor Kim Wilson, Screenwriter Jane Nicholls, Freelance writer and editor Lisa Kenway, Writer Virginia Peters, Writer Sarah Sasson, Physician-writer and reader Dr Joanna Nell, Writer Laura Clarke Author / Copywriter Nicole Reddy, Screenwriter Anna Downes, Writer Sharon Livingstone, Writer, editor, reader Lily Mulholland, Writer, screenwriter, technical editor Benjamin Dodds, Poet, reviewer, teacher Markus Zusak, Writer Alexandria Burnham, Writer, screenwriter Sam Coley, Writer Marian McGuinness, Writer Selina McGrath, Artist Adeline Teoh Natasha Rai, Writer Catherine Ferrari, Reader Jessica White, Writer & academic Zoe Downing, Writer, reader, creative writing student Amanda Tink, Writer, researcher, reader Lisa Nicol, Children's author, screenwriter, copywriter Aurora Scott, Writer Gillian Polack, Writer, academic Susan Lever, Critic and writer Denise Kirby, Writer Michele Seminara, Poet & editor Meredith Curnow, Publisher, Penguin Random House David Ryding, Arts Manager Catherine Hill Genevieve Buzo, Editor Hugo Wilcken DJ Daniels, Writer Linda Vergnani, Freelance journalist, writer and editor Tony Spencer-Smith, Author, writing trainer & editor Dr Viki Cramer, Freelance writer and editor Petronella McGovern, Author, freelance writer and editor Jacqui Stone, Writer and editor Talia Horwitz, Writer, reader & writing student Sophie Ambrose, Publisher, Penguin Random House Rebecca Starford, Publishing director, KYD; editor and writer David Blumenstein, Writer, artist Rashida Tayabali, Freelance writer Sheila Ngoc Pham, Writer, editor and producer Rosalind Gustafson, Writer Alan Vaarwerk, Editor, Kill Your Darlings Gillian Handley, Editor, journalist, writer Karina Machado Isabelle Yates, Commissioning Editor, Penguin Random House Michelle Barraclough, Writer Natalie Scerra, Writer Melanie Myers, Writer, editor and Creative Writing teacher Emily Lawrence, Aspiring Writer Nicola Aken, Screenwriter Jennifer Nash, Librarian, writer Clare Millar, Writer and editor Kathryn Knight, Editor, Penguin Random House Linda Funnell, Editor, reviewer, tutor, Newtown Review of Books Stacey Clair, Editor, writer, former events/projects producer at Queensland Writers Centre Virginia Muzik, Writer, copyeditor, proofreader, aspiring author Lisa Walker, Writer Sarah Morton, Copywriter, aspiring author, Member of Writing NSW Board Laura Russo, Writer and editor Vivienne Pearson, Freelance writer Justin Ractliffe, Publishing Director, Penguin Random House Australia James Ley, Contributing Editor, Sydney Review of Books Alison Urquhart, PublisherPenguin Random House Debra Adelaide, Author and associate professor of creative writing, University of Technology Sydney Magdalena Ball, Writer, Reviewer, Compulsive Reader Anna Spargo-Ryan, Writer, writing teacher, editor, reader Charlie Hester, Social media & project officer, Queensland Writers Centre Mandy Beaumont, Writer, researcher and reviewer Chloe Barber-Hancock, Writer, reader, pre-service teacher Dr Patrick Mullins, Academic and writer Wendy Hanna, Screenwriter Chloe Warren Dianne Masri, Social Media Consultant Jane Gibian, Writer, librarian, reader Dr Airlie Lawson, Academic and writer Karen Andrews, Writer, teacher, reader Tim Coronel, General manager, Small Press Network and Industry adjunct lecturer, University of Melbourne Tommy Murphy, Playwright and screenwriter Evlin DuBose, Editor, writer, screenwriter, director, poet, UTS's Vertigo Magazine Tony Maniaty, Writer Emma Ashmere, Writer, reader, teacher Alicia Gilmore, Writer Suzanne O'Sullivan, Publisher, Hachette Australia Jacqui DentWriter, Content Strategist Rachel Smith, Writer Intan Paramaditha, Writer Cassandra Wunsch, Director TasWriters (The Tasmanian Writers Centre) Meera Atkinson Eileen Chong, Poet, Writer, Educator Debra Tidball, Author, reviewer Beth Spencer, Author, poet, reader Lou Pollard, Comedy writer, blogger Bronwyn Stuart/Tilley, Author and program coordinator, Writers SA Gemma Patience, Writer, illustrator, reviewer Amarlie Foster, Writer, teacher Dr Felicity Plunkett, writer Angela Betzien Drew Rooke, Journalist and author Michael Mazengarb, Journalist RenewEconomy Katrina Roe, Children's author, broadcaster, audiobook narrator Liz Doran, Screenwriter Arnold Zable, Writer. Tom Langshaw, Editor, Penguin Random House Brooke Maddison Monica O'Brien, ProducerAmbience Entertainment Jacinta Dimase, Literary AgentJacinta Dimase Management Jane Novak, Literary AgentJane Novak Literary Agency Sarah Hollingsworth, Arts Organisation ManagerMarketing and Communications Manager, Writers Victoria Barbara Temperton, Writer Sandra van Doorn, Publisher Red Paper Kite Alex Eldridge, Writer Karen Beilharz, Writer, editor, comic creator Esther Rivers, Writer, editor, poet Jane Pochon, Board Member, lawyer and reader Zoe Walton, Publisher, Penguin Random House Eliza Twaddell Alison Green, CEO, Board Member, Pantera Press Emma Rafferty, Editor Sarah Swarbrick, Writer Dayne Kelly, Literary Agent, RGM Léa Antigny, Head of Publicity and Communications, Pantera Press Jenny Green, Finance, Pantera Press Sarah Begg, Writer Mark Harding, Writer, Brand Manager, Social Media and Content Specialist Shanulisa Prasad, Bookseller Katy McEwen, Rights Manager, Pantera Press Olivia Fricot, Content Writer/Bookseller, Booktopia Jack Peck, Writer, Open Genre Group Convenor, Writing NSW, Retired Kathy Skantzos, Writer, Editor Serene Conneeley, Author, Editor Kerry Littrich, Writer Merran Hughes, Creative Cassie Watson, Writer Lisa Seltzer, Copywriter, Social Media Manager and Marketing Consultant Gemma Noon, Writer and Librarian Tanya Tabone, Reader Laura Franks, Reader, Editor, Writer Dani Netherclift, Writer Who to contact We urge you to join us in advocating for Writing NSW and the state of funding for Australian literature, by contacting Create NSW, your NSW Member of Parliament, and the NSW Minister for the Arts.

Chris Keely Executive Director, Create NSW Email: [email protected]

The Hon. Don Harwin, MLC Phone: (02) 8574 7200 Email: [email protected]

Who to else to contact

The Hon. (Walt) Walter Secord, MLC Shadow Minister for the Arts Phone: (02) 9230 2111 Email: [email protected] Ms. Cate Faehrmann, MLC Greens representative for Arts, Music, Night-Time Economy and Culture Phone: (02) 9230 3771 Email: [email protected] A full list of names and contact details for NSW State MPs is available here.

4 notes · View notes