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agatharkn3ss · 3 months ago

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AAA is retelling the story of Macbeth

Note: Yes, this is a very long post.

I believe Jac Schaeffer is telling us a version of Macbeth. The ballad lyrics use a quote from the play “Fair is foul and foul is fair”. There is also the painting in Agatha’s living room – “Macbeth and the three witches" by Francesco Zuccarelli. The painting clearly meant something to Agatha’s consciousness and it feels like it was meant to be seen, whether foreshadowing or reflecting emotional state (I wrote more about it here). Yet, Jac herself has not mentioned Macbeth in her interviews even once, which is interesting.

A huge question explored (but not answered) in Macbeth has always been about who is in control of our actions. Do we have free will or is already written for us by someone else? Can only one person be held responsible, and if so – is it the doer or the enabler who is to blame?

A quick play summary: Macbeth is a play written by William Shakespeare. It starts with Three witches telling the Scottish general Macbeth three prophecies: that he will be the Thane of Cawdor, that he will become a King of Scotland and that children of Banquo (his friend) will become kings. Shortly after, Macbeth really is appointed the Thane. Encouraged by his wife, Macbeth kills the king and becomes the new king. But he descends into paranoia, worried about the third prophecy, so he kills Banquo too. He seeks the witches out again, looking for reassurance. They show him 3 apparitions, which he interprets in his favour, giving him false sense of security. Civil war erupts to overthrow him and Macbeth is eventually killed.

When you compare the play with what we’ve seen in the show, the parallels become more and more obvious, and I think we can even identify who the characters are meant to be. My interpretation is:

Teen = William Shakespeare, the author

Agatha = Macbeth

Rio, Lady Death = Lady Macbeth (or Lady Macdeath?)

Banquo = Jen (but also Wanda)

The three witches = Alice, Evanora and Lilia (Maiden, Mother, Crone)

Detailed analysis:

Teen = William Shakespeare

The first obvious connection is the shared name and the fact that Vision actually said he wanted to name his son after William Shakespeare quoting “All the world’s a stage. All the men and women are merely players.”

This goes well with the implication that Billy has indeed “written” the Witches Road. I don’t think he is deliberately controlling it though – I believe his intentions are just so strong that the Road reflects everything we see in his room. He set the frame but he is not in charge. In fact, it feels more like the influence comes from William Kaplan rather than Billy Maximoff.

It is worth noting that the Macbeth play is set in a morally ambiguous society that judges others in black and white, while allowing shades of grey for themselves – very reminiscent of Billy’s attitude about witches in ep.5 when he said he is not like them at all – immediately followed by him lashing out. Lilia also reminds him in ep.7 of how much in common he has with this idea of a witch that he so vehemently rejects. I think in the end, when he realises that he is both Billy and William, he will also understand that he is not just a “writer”, but also a “player” of the story.

It is also interesting how there is no sun in the painting – similar to the perpetual night we see on the Road. The painting’s interpretations often suggest that the dark sky represents the theme of death lurking around (fitting that Jen calls Rio a “creepy lurker”). So I do believe that just as we have the symbolism of the Moon, there is also meaning to the Sun and the lack of it. This is why during Billy’s tarot reading, his card for “what’s missing?” is the Sun. At his bar mitzvah William Kaplan is in a white shirt. But when Billy returns home from the hospital, he’s wearing a stripy black and white top – but the white stripes are thin – only glimpses of William. Eventually Teen becomes this goth kid – suggesting that darkness has overtaken him. But in a promo we see him wearing a different top – again with black and white stripes but they are more equal and uniform. I think this symbolises that he realises he is both, Billy and William and it’s no longer murky to him. The Sun and the Moon are in balance. (And to that point – in ep.1 in Nicky’s bedroom we see wallpaper prominently showing both Sun and Moon elements. And the child’s drawing has the Sun at its centre)

Three Witches = Alice, Evanora and Lilia

This one is a more loose interpretation, but I think it ties well with the ongoing theme of “Maiden, Mother, Crone”. In Macbeth, it’s the witches that open the play, portraying them as those mysterious but powerful witches, controlling the events. But throughout the play, the audience realises they might not be as powerful – in fact, it is questioned whether they actually have the power to make things happen, or they merely have the ability to see the future. Eventually, they have less and less presence, and are not even there when the prophecies are fulfilled – suggesting that they were merely an illusion of control.

The fact remains that the witches are literal harbingers of doom – with their symbolism of number three (that is also heavily explored in this show, post here). They did share the prophecies, giving Macbeth the information he didn’t ask for. And later, when he comes for reassurance, they show him 3 more apparitions (well, 4, but he doesn’t take the last one in). The significance here was that the message here was so vague and deceptive that it could have one of two completely opposite meanings – and their interpretation proves crucial to the final outcome. The apparitions were telling Macbeth to be afraid, but instead he read what he wanted to see. He left feeling reassured, secure and justified in his actions. Again, the witches could be represented here as being deceptive, driving Macbeth’s demise. It feels like they had this insider knowledge that should’ve shared with Macbeth that would completely change the context of the message. But they didn’t and it’s a question if they ever even could.

Interestingly, in Act 3, Scene 5, the witches behave very differently to how they were before and it is believed that this is because this particular scene was not actually written by Shakespeare but by the actors themselves – if true, this would be an excellent parallel to episode 5 (and Agatha’s wearing a jersey with no.3). I believe Agatha’s trial was hijacked by Vertigo from Salem Seven. There were many inconsistencies with the previous trials, but I think the biggest tell was that the aspect ratio didn’t change – thus Vertigo taking over Billy’s story.

So, with all this in mind, I think that the show’s Three Witches are not active messengers to Macbeth/Agatha. It’s more about her interpretation of what they each represent in terms of her own destiny. I linked this with the Mother, Maiden, Crone - i.e. the Triple Goddess Hecate because in the play she us actually the “boss” of the Three Witches.

Let’s start with the obvious – the Mother element is Evanora, Agatha’s own mother who has always prophesised her that she will be evil. Then we have the Maiden. I think it makes sense that this is Alice. Not just because she is the youngest, but also because she serves as a fresh reminder to Agatha that she is actually evil, because she is the one who killed her. However, there is duality in here, because it is also an example that Alice protected Agatha BECAUSE Agatha was worthy of saving. That she didn’t actually think of her as evil, especially when recognising Alice’s own complicated history with her mother. Finally, we have the Crone – this Lilia, always complaining at how Agatha is the embodiment of the evil witch stereotype. And yet, in ep.7 Lilia gives Agatha an advice for her future – akin to a prophecy. Whether Agatha follows it or not, we don’t know yet, but it’s important to show that Lilia chose to help Agatha in the end, showing her she accepted her.

Banquo = Jen (also Wanda)

In Macbeth, the character of Banquo is Macbeth’s friend as is meant to serve as his foil – i.e. a person or thing that contrasts with and so emphasizes and enhances the qualities of another. Banquo has a lot of parallels with Macbeth and he is also present for the prophecies. Yet, he reacts differently to them as ultimately he is not interested in power.

So I think in the show, the foil is Jen – she is shown to be just as snarky and selfish as Agatha. She is also an exceptional witch that is at least a century old. But in the past she used her powers for the good before she became bound. She said she tried everything possible to unbind, but it seems she eventually accepted her fate, though she is still very much angry about it. Her business is false and people are harmed as a result, yet she knowingly continues that path.

This is parallel to Agatha, as we can predict that the myth of the witches road is her own fraud business, perpetuating it so she can steal power from the “undeserving” witches, not caring she causes harm. She probably could’ve ended up similarly to Jen or worse, had it not been for Billy pushing them both down the Witches Road.

It is interesting that they both seemingly passed their trials and yet neither of them recovered their powers. They both believe someone else is responsible for this (and to be fair, I think in Agatha’s case she is right – Vertigo stole her trial). There are many more similarities we can notice, but I wonder what this means for the future. I wonder if there will be confrontation between the two of them. I think Jen will be able to resolve her inner conflict and exit the Road, and she will become the literal High Priestess (i.e. head of her own coven) – similar to Banquo’s character, whose children became the kings, not Macbeth.

An honourable mention to another foil couple from the past – Wanda.

Both Agatha and Wanda were powerful witches, misunderstood by the society (“there will always be torches and pitchforks for ladies like us”). Both lost their children, but dealt with them differently. Both are told they were destined to be bad – Evanora calls Agatha evil and Wanda is prophesised as the Scarlet Witch who will destroy the world. It is interesting to debate who’s Macbeth and who’s Banquo in this pairing – while Agatha didn’t seem to be entirely under Darkhold influence, it was Wanda who eventually claimed Agatha’s power and the Darkhold, then become corrupted before her ultimate demise (and redemption).

Lady Macbeth = Lady Death

Lady Macbeth is the figure that often gets the full blame for Macbeth’s crimes – people even going as far as absolving Macbeth from any fault (which I think in itself is a demonstration of internalised misogyny but hey ho). She is also seen practicing witchcraft, which served as another suggestion that she was the baddie in control.

She has this line that could be a nod to Rio’s dagger - “that my keen knife see not the wound it makes”. Perhaps a reflection that Rio doesn’t want to see the pain that her actions as Death bring, that’s why she’s heavily dissociating with her powers, calling them “her job”.

When Macbeth is torn by the prophecies, he eventually decides that he will not kill the king. That very second, Lady Macbeth enters and very quickly manages to change his resolve. Later on, whenever he wavered, she was the one who would take over control. She was the ultimate enabler to his crimes, even getting the servants drunk, unlocking the King’s door, preparing the daggers etc.

She is seen as powerful but also completely loyal to Macbeth. She is devoted to the point that when she pleads with the spirits for his success, she offers them her own femininity (“unsex me”) in return, i.e. the one thing that makes her her. She doesn’t seek the power directly for herself (though she would have it through his actions), immediately accepted Macbeth’s prophecy, understood that’s what he desired and supported him throughout. I think this probably reflects Agatha and Rio’s relationship really well. In ep.4 it is Rio who is impatient to “do some damage”.

However, despite his early signs of deep affection, as Macbeth descends into his downward spiral, he is less and less bothered by his wife. Eventually, he is the one to continue all the killings, and Lady Macbeth fades into a background. To the point where she eventually commits suicide from all the shame, yet Macbeth barely notices it. Perhaps that disconnection happened for Agatha and Rio too. Agatha was lost to Rio when she hid behind the dark magic and it was painful to her, after all these centuries.

Agatha = Macbeth

Finally, Agatha, just like in the show, represents the titular character. Even when committing murders, Hecate describes Macbeth as “a wayward son, spiteful and wrathful, who, as others do, loves for his own ends, not for you”, which I think really represents what the creators are showing us here. The setting of the play is in a world where your rights don’t matter – but instead it is the strongest that holds the power.

Macbeth’s demise doesn’t so much come from knowing the prophecies (because Banquo heard the same), but from his fatal flaw of ambition. He read the prophecies and apparitions how he wanted them to read. They were his imaginary permission to do the killings to reach the goal. After initial doubts, he convinced himself it was the right thing to do, he became “wicked” and drove to his self-destruction.

(side note: there is also this ambiguity in the play, where there is mention of Macebth’s child, yet people think him childless, suggesting there is a story of child loss behind it – link with Nicholas Scratch?)

As explained above, the Three Witches serve as Agatha’s ingrained belief about her role. She is surrounded by number three, showing her as the harbinger of doom. She might not think this is who she is, but it is still the role she chose to play, and eventually it became self-fulfilling. Her fatal flaw is her addiction to power and she believes in that “might, not right” world. So she has this wall around her and pursues that quest for power, because what else is there left? She is unapologetic about this, but we also start seeing the layers coming off.

I think the story in the show will ultimately come down to whether Agatha understands that she is the one standing in her own way and that she is not above the rules. That no matter the circumstances and the reputation and people enabling her, she is the one ultimately responsible for her own actions.

I think she will drive herself to self-destruction and will be willing to die to gain back her powers. I think she will be left on the Road so it is “Agatha all Alone”. However, there must be some growth from her Witches Road journey, so I think in her process, she will have some meaningful resolutions with others and actually help them escape the Road. And maybe this time she will even follow the rules.

I think this will make a mark on the others so that they will actually try to bring her back somehow. She might feel alone, but the power of the coven will be the one to save her.

EDIT: Just wanted to add, yes, there is also the character of Macduff. He is meant to be this incorruptible, noble character, serving as a complete opposite to Macbeth. He is always very clear on abiding by what's right and wrong, but after Macbeth kills his family, he swears revenge. To the point that he ultimately sacrifices his own morality to restore order to the country by killing Macbeth, thus committing regicide (an act he despised Macbeth for).

While it does sound like it could point to Billy, I just don't think it fits. While Billy certainly saw himself as this "good" character, we see in the later episodes that he does actually have some darkness in him - to the point where is very happy to be Maleficent. He is more similar to Agatha than he thinks. He doesn't mind breaking the rules when it suits him ("stealing" William's body, breaking into Agatha's house, drowning Jen and Lilia) and his internal struggle seems more around finding his own identity rather than revenging a family he hardly remembers (and it isn't really Agatha's fault that they were gone). And if he truly wanted revenge, all he had to do was leave Agatha in her Agnes spell forever.

I do wonder though, if maybe to some extent we are getting William Kaplan as Shakespeare and Billy Maximoff as Macduff?

In the show there is also this ongoing theme where each of the witches are self-sabotaging and are actually their own enemies when it comes to getting "what's missing".

But if I had to choose anyone for Macduff, I think it would be Vertigo - revenging both the Salem mothers and her Salem Seven coven and seeing Agatha as the threat to the witches world, especially because she experienced it first hand. I have a theory that Salem Seven were originally Agatha's own coven that she formed after she killed their mothers, but through her cowardice, she betrayed them and left them on their own Witches Road. After that, Agatha kept conning other "undeserving" witches pretending she'd take them to the Road, while the Salem Seven became trapped and have gone "feral", thus losing their morality.

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italian-lit-tournament · 6 months ago

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The participating authors for the Italian Lit(erature) Tournament: the general list + a google form to add other proposals

Podesti Francesco - Torquato Tasso reading Jerusalem Delivered to the Estensi court

The start of the Italian Lit(erature) Tournament (first edition) is getting closer, but first I want to post the general list of the authors partecipants.

The principal issue is that every literary canon is constantly changing, with more critical studies over the years. I've thought about it, read and searched, and the solution I found has two parts:

I will take the principal authors from this list, which in turn is based from the studies of Gianfranco Contini and Asor Rosa. The list is too long and many names are only chronicles and essayists, so I'll chose the principal ones, trying to balance between north/south Italy and male/female authors (taking into account that many authors that we study are men). As you will see below under the cut, the list is already pretty long, doing some math the challenge will be 2/3 months long.

Still, I recognise that this isn't 100% unbiased and fair, so I opened a free and quick google form when you can add a maximum of two authors that you don't see in the list. This considerable limit is to avoid having too many names - if in some answers I see more than 2 names, I'll take into account only the first 2 listed.

IMPORTANT! 👇

After much thoughts, I also chose to don't include living authors or authors death only recently (before January 2023). The reason is simply to avoid potential issues in the community, like bashing between fandom or admirers of some specific author, or going too far like offending some people near the author still alive or recently deceased. Maybe if this tournament will end well, a second edition could be made next year and maybe with the addition of living authors! (I'm already thinking to do an italian or european cinema tournament in the future but this is still in the draft).

Under the cut, you will find the list of the authors already part of the challenge, name-surname with the surname in alphabetical order. If you don't see a name that you want to see, use the form to add it!

edit: I added the ones from the surbey so far, all in italics. There are names that have been sent but already on the list.

Dante Alighieri

Sibilla Aleramo

Vittorio Alfieri

Cecco Angiolieri

Pietro Aretino

Ludovico Ariosto

Matteo Bandello

Anna Banti

Giambattista Basile

Giorgio Bassani

Cesare Beccaria

Maria Bellonci

Pietro Bembo

Matteo Maria Boiardo

Giovanni Boccaccio

Giordano Bruno

Dino Buzzati

Italo Calvino

Andrea Camilleri

Giosuè Carducci

Guido Cavalcanti

Carlo Collodi

Vittoria Colonna

Gabriele D'Annunzio

Giacomo da Lentini

Caterina da Siena

Alba de Céspedes

Cielo (Ciullo) d'Alcamo

Edoardo De Filippo

Federico de Roberto

Grazia Deledda

Umberto Eco

Beppe Fenoglio

Marsilio Ficino

Dario Fo

Ugo Foscolo

Veronica Franco

Carlo Emilio Gadda

Natalia Ginzburg

Carlo Goldoni

Antonio Gramsci

Francesco Guicciardini

Tommaso Landolfi

Giacomo Leopardi

Carlo Levi

Primo Levi

Carla Lonzi

Niccolò Machiavelli

Alessandro Manzoni

Giovanbattista Marino

Giovanni Meli

Pietro Metastasio

Eugenio Montale

Elsa Morante

Alberto Moravia

Anna Maria Ortese

Giuseppe Parini

Goffredo Parise

Giovanni Pascoli

Pier Paolo Pasolini

Cesare Pavese

Francesco Petrarca

Luigi Pirandello

Angelo Poliziano

Luigi Pulci

Salvator Quasimodo

Gianni Rodari

Lalla Romano

Amelia Rosselli

Umberto Saba

Emilio Salgari

Jacopo Sannazaro

Goliarda Sapienza

Leonardo Sciascia

Matilde Serao

Gaspara Stampa

Mario Rigoni Stern

Italo Svevo

Antonio Tabucchi

Torquato Tasso

Giuseppe Tomasi di Lampedusa

Pier Vittorio Tondelli

Giovanni Verga

Giambattista Vico

Renata Viganò

Elio Vittorini

Giuseppe Ungaretti

#italian lit tournament #italian literature #literature challenge #literature tournament #literature #the divine comedy #dante alighieri #decameron #italo calvino #ddino buzzati #natalia gintzburg #alba de cespedes

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isagrimorie · 3 months ago

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The recent episode (1x06) reinforced the feeling the painting about Agatha's fireplace is significant somehow. It's a Chekov's gun.

Just as the Teen in Agatha's head kept asking: "Why do you keep looking at that painting?"

And we see 'in real life' Agatha moved closer to the painting and touched it.

Apparently, the painting is called Macbeth Meeting the Witches by Francesco Zuccarelli

A slightly clearer look at the painting:

This painting, specifically, is called "Macbeth Meeting the Witches", not "Macbeth and the Three Witches", which is a slightly different painting from what Agatha owns.

For some reason, Agatha as Agnes is very drawn to this painting where Rio is, in her mind, situated.

It's also interesting that Rio seemed to be 'Detective Agnes's' conscience during this interrogation in Agatha's mind.

During the interrogation scene, in real life, Agatha keeps glancing at the painting whenever she's not speaking to Billy:

Also, Billy is the second person on the same night to imply that at this point of Wanda's Hex spell, Agatha is the only one keeping herself in the Hex.

Rio implied the same thing a few minutes earlier.

As for the question of Rio being there or not, Rio is the Schrodinger's Rio Vidal. Because she is and isn't in the house.

Anyway, Agatha is very much connected to the imagery of the Triple Goddesses and the number 3.

And I just learned today that it's also somehow connected to the moon imagery.

The "Triple Goddess" symbol of the waxing, full, and waning moon, representing the aspects of Maiden, Mother, and Crone (source: Wikipedia)

This finally explains why there's so much moon imagery within the Road Trials.

I think we will get clarification on what the painting means in episode 8--foreshadowing paid off.

And answer, finally, why the painting is so important to Agatha. I think, if I'm right, the painting will be a key part of Agatha Bad Wolfing herself an escape route out of the Hex spell.

Except she wouldn't take into account that Agatha herself, and again, would be the biggest detriment to ending the spell.

#tv: agatha all along #thinky thoughts #speculation #agatha harkness #rio vidal

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girlfriendsofthegalaxy · 4 months ago

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tuesday again 9/24/2024

you might be wondering “is my dear friend tumblr user girlfriendsofthegalaxy still unemployed?” the answer is yes. take this cat off my hands please i don’t think he’s causing the unemployment but he certainly isn’t helping

listening

via Wendy @dying-suffering-french-stalkers, Huoy Meas' ប្រគល់ក្ដីស្នេហ៍មកខ្ញុំវិញ. figuring out what this incredibly zippy Cambodian rock song is named and what it's about was really difficult bc spotify is a bane upon this earth and won't let you fucking copy-paste and OCR was not working on the Khmer script. i ended up listening to the first couple seconds of each of her songs on apple music, and finally figured out this roughly translates to Give Me Back My Love and is about begging a fuckboy for closure.

youtube

via the spotify discover weekly, Night Club's Pretty Girls Do Ugly Things. all Night Club's songs sound the same so if you like one, great news! i had this song on for a full gregorian hour bc, i am only a tiny bit ashamed to say, i was storyboarding a The Man With No Name fancam to this. i think it would go pretty hard.

Smoke you like a cigarette Choke you like a lariat Fatalistic tourniquet Do you want more?

reading

thank you mackintosh.

i did not Adore any of these comics from the library. i sort of enjoyed Night of the Ghoul, a one-volume TPB by Scott Snyder and Francesco Francavilla. i think ive blogged about this before but every once in a while i'll get a bee in my bonnet to read some horror comics even though i am a giant baby about horror movies.

Night of the Ghoul is about how you can't save your dad from PTSD but also about a lost horror film and also about the extremely dad behavior of tracking down every scrap of info about an auteur. there's also a monster.

the subtle art changes from present day to the remains of the film to the non-film flashbacks are well done, imo. the cover screams mignola but the inside pages are really fun pulp nonsense. i love a piece of genre writing that rolls around and delights in being a piece of genre writing.

im doing my level best not to get sucked into tiktok but i DO love watching this lady revive antique nail polish and look for dupes for shades from like the 20s. she found an almost exact dupe for a shade produced during wwii which is crazy insane to me!!!

watching

The Asphalt Jungle (1950, dir. Huston), it's a very painterly heist noir. i even like Sterling Hayden in one of the more prominent roles, even though i think he generally has the appeal of undercooked dough.

much like Fritz Lang's M, it presents the criminal element of the city as its own class with its own reputation and reference systems. it got in some trouble with the censors for having a VERY clearly laid out heist plan and execution. it's also got the babiest Marilyn Monroe in one of her earliest roles

this was such a gloriously messy movie. everyone is such a fucking mess. this woman only known as Doll is heartbreakingly, head over heels in love with Sterling Hayden's character. she's a little flighty and bumbling and silly, but determined! they're constantly orbiting the gravitational weight of her desire for this man and desire for a real life with this man. and that's just one subplot! she has maybe five minutes total screentime! she should have gotten a supporting actress oscar!!! everyone acted their fucking hearts out and it was so much fun to watch!

playing

monument valley is in the netflix games library this month (i don't actually know what their liscencing agreements would even look like, they and the studios they worked with were very tightlipped about that when they were rolling this out three years ago) but i assume it's going to be on the service for a while. i have never played this game, which makes me feel a little bit like a bad gamer. you can tell it's ten years old from some of the color and texture choices, but WOW did literally everyone take inspiration from this game.

this is the platonic ideal of a phone game. i get why everyone went insane about it and there was a brief boom of geometry-based puzzle mobile games. it is MUCH much harder now to get people to pay money to play a game that has a planned endpoint and planned number of levels, so netflix is a good home for it.

i was often frustrated but always delighted. the level below involves making something happening that made me genuinely gasp out loud in glee. well worth the annoyance of downloading the netflix app and scrolling through the poorly labeled and poorly sorted carousel of games.

great retrospective, a bit about how you need to have tiny teams go off and just kind of fuck around and bring weird stuff back, and a lot about how they actually designed the levels

The end result had a pixel-perfect axonometric aesthetic that not only went hard on its references to Dutch master artist and printmaker Maurits Cornelis Escher, but also dug deep into classic video game design, going right back to early arcade machines and 8-bit titles. Each of the ten levels is like a piece of fine furniture, built with invisible dovetail joints and inlaid with marquetry, stuffed with secret compartments and little design flourishes. Gray cites the world of theatre and stage design, as well as graphics, as important keystones in the way the levels were constructed. ‘Ken would always talk about flower arranging, and how you frame a silhouette of a level on the screen,’ he says.

making

update on the Phantom Menace fabric: pinked the raw edges and threw it in the laundry again with a very large quantity of vinegar. 50% poly was too high for it to really do anything, which is interesting. it didn’t lessen the seam edge effects either, which is a little annoying bc the seams were so gigantic and that’s a good chunk of fabric to lose. i am going to buy a camp shirt pattern at some point when i have money again but for now it goes in The Box

also! thrifted a pack of o-rings for jars for a dollar and finally put my grains etc in my pretty jars. they’re going to live in the pantry but today they live out on the countertop

#tuesday again #tuesday again no problem #Spotify #SoundCloud

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mochiwei · 2 years ago

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ok fuck it. i've been noticing for a while but haven't asked bc of procrastination ig. In the kiss, (gorgeous painting btw) in the bottom left corner, down the (hallway?) there is a door thing and what looks like a silhouette. was that on purpose? did everyone notice that already and just haven't talked about it? if it is a person, who is it and are they about to walk in on link and zelda smooching?

Hey Anon!

I did a cropped recreation of “Il Bacio” by Francesco Hayez with Link and Zelda but I kept the background mostly the same!

In the original version you see a shadowy figure. According to the Wikipedia article about this painting, “in the left part of the canvas shadowy forms lurk in the corner to give an impression of conspiracy and danger,” which is pretty cool!

If you’re interested in art and art history I would highly recommend reading about this painting and other works you like! The history behind art is so interesting and layered, I think you’d enjoy it! Thanks for the ask!

#anonymous #anon reply #art history #the kiss #francesco hayez #ask and i shall answer #I really hope you check out the history and analysis behind famous paintings!!#artists are so metal haha #mochiwei

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neil-gaiman · 2 years ago

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Hello, Neil! I'm reading the Sandman for the first time; sorry if similar questions have already been answered, but here's mine: there are always so many references alluding to what has been happening in England at the time the comic was published -- in Dream a Little Dream, for example, there are references both to Francesco Zappa's album (1984) and an AIDS advertising campain (1986-1987). I'm interested, were such things discussed between you and the artists, and if so, to what extent? Thank you.

There were always scripts with a lot of information in them, and there were also artists who loved bringing things to the page. In that one, the AIDS references were in the script, while Sam Kieth brought the Zappa.

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melis-writes · 1 year ago

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Mafia Wife [Sonny Corleone x Reader Multichapter, 18+ Smut] Chapter 1 – La Famiglia Giordano.

Read on AO3 / Chapter Masterlist.

18+, explicit smut read.

“You wanted to name our first-born daughter Gabriella.” / “You’re Gabriella, aren’t you?”

“The underboss’s wife”; that’s who you are, and the whispers of enemies, family and colleagues alike know it too. You’re no stranger to the underworld of crime surrounding you including the one run by the Corleone family’s underboss; Santino Corleone. The streets run red with blood and brutality under Santino’s influence but it’s Santino who feels hit by the thunderbolt at the very sight of you—pushing away his womanizing and notorious unfaithfulness. You unexpectedly find yourself in a position of power balancing your marriage with the fate of the Corleone’s family’s future whether it be through Santino’s infamous brutality or the love he finds amidst the man he claims to be.

[WARNINGS]: Mentions of violence & death / Alcohol use / Pregnancy / Childbirth.

[AUTHOR'S NOTE]: The very first chapter of my Sonny Corleone x Reader fic is FINALLY here!! 🥰✨ Thank you guys SO much for all of the endless support and love this fic received when it was just an idea and barely typed out! I'm so glad to finally have it up. By far the most exhausting and longest part of the fic process is planning a brand new one for me, and I had definitely been much busier than usual when planning out/writing this fic which is why it took so long to write. I had to give something for the Santino girlies as I'm one myself!! 👀❤️ Please read ALL of the tags on this fic on AO3 before diving into the chapters as it'll give you a good understanding as to what the entire fic and chapters will be like. This goes for ALL fics I write! The tags are there for a reason. This fic is also 18+ only, just like all of my other works forever and always. This is meant for adults to read only. ✋🏻

Chapter 1: La Famiglia Giordano.

[ Barzini Family Estate, 1948 ]

“Nobody wants another war,” Don Barzini states, watching the ice soaking in his glass of whiskey. “Nobody wanted another war; isn’t that how it always goes?”

Don Tattaglia gives his head a shake, relaxing in the leather armchair he sits across from Barzini. “We have Sollozzo to thank for all of that.”

Having an otherwise civil discussion between two closely allied business partners and old friends, the bond Don Barzini and Don Tattaglia’s family share has been stronger than ever since Sollozzo.

Despite successfully allying together against the Corleones throughout the Five Families War and coming together for talk over business, neither Barzini nor Tattaglia can ignore the air of tension that’s formed between them now.

Barzini can easily tell Tattaglia is unnerved as he sips his whiskey again, savoring the smokey notes of the liquid over his tongue while noticing how Tattaglia is nearly chugging back his drink.

“You’re tense,” Barzini comments, somewhat surprised by Tattaglia’s behavior. “Are you going to tell me what’s on your mind or not?”

“How can I not be?” Tattaglia swallows down his drink.

“You’re looking at all of this the wrong way, my friend,” Barzini gives a reassuring smile. “You’re on the winning side. The Godfather has no leverage over either of our families or—”

“Vito Corleone isn’t my concern,” Tattaglia interrupts.

“Hmm,” Barzini pauses, taking a sip of his drink again. “Then that’s a first.”

“It’s his son,” Tattaglia adds.

“Which one?” Barzini rolls his eyes. “They’re all equally useless in their own ways.”

Tattalia opens his mouth to answer before pausing for a moment; a look of absolute defeat crosses his expression, forming into regret, then helplessness. “Does the name ‘Gabriella’ ring a bell to you?”

Barzini raises a curious brow. “Maybe. Should it? Does The Godfather have another daughter we don’t know about?”

“He has a daughter-in-law,” Tattaglia answers, “Gabriella Corleone. She’s the daughter of Francesco Giordano.”

Barzini tenses for a moment, no longer focusing on his whiskey. “I… I see.”

“You know Gabriella then?” Tattagia asks back.

“Not personally, but her name was spoken often in my household. Was,” Barzini emphasizes.

Tattaglia sighs softly, giving his head a shake.

“Emilio wanted to marry her,” Barzini continues, mentioning his eldest son. “He spoke of Gabriella fondly and often, but she refused him and his advances. Now you’re telling me she’s part of the Corleone family?”

“Francesco did well hiding the news from us for the most part,” Tattaglia points out. “Everyone else must have known.”

“No, no,” Barzini shakes his head, refusing. “I don’t think of it in that way. Francesco is a dear friend. He doesn’t ‘hide’ things. He values the privacy he can give his family.”

“If you want to put it that way,” Tattaglia mumbles. “It’s none of our business, is it? She married Santino Corleone, the underboss.”

Barzini freezes in his seat, attempting to calm himself down internally as Tattaglia immediately picks up on Barzini’s shocked expression.

Tattaglia nods grimly, “do you know what you’ve done?”

“Don’t,” Barzini mutters softly, holding up his free hand.

“She’s pregnant,” Tattaglia adds. “Do you even care? Do you know what’s going to happen now? To your investments? Your wealth? Your bank accounts with Giordano?”

Barzini suddenly lets go of his whiskey glass, watching as the glass shatters to pieces over the floor and the alcohol spills free onto the wood.

Barzini covers his face with shame, feeling a knot of heavy emotions cause him to feel nauseous almost instantly with unimaginable guilt.

A heavy silence sits in the air between the two men for a minute as they ponder, having nothing else to say to each other.

“I will apologize to Gabriella,” Barzini finally speaks, raising his head out of his hands.

“You can’t,” Tattaglia frowns. “You can’t do anything anymore.”

[ 1921 ]

“Gabriella… Little Gabriella.” You’re the first-born daughter in your family to four older brothers, and the eldest to your twin sister, born just forty minutes apart.

Although your mother went into labor knowing she’d welcome two children instead of one on June 19th, 1921, nothing could surpass the joy your mother and father felt when you were born.

Just as your four eldest brothers had been born, your mother gave birth to you and your twin sister Bella at home, surrounded by two Italian-American nurses from the community who had helped your mother through her previous deliveries.

Your parents weren’t sure what to expect when your mother realized she was pregnant with her fifth child since the last four children she gave birth to were all boys.

“Will it be another boy this time?” Your father chuckled and placed his hand over the top of your mother’s seven-month-old baby bump. “Perhaps two boys?”

“Oh, please,” your mother let out a laugh, “we have more than enough boys. I would love a daughter this time around. One boy and one girl, or twin girls even.”

“What a dream that would be,” your father grinned. “It seems like we’ve had all the luck in the world for having sons. No matter,” he leaned over, kissing your mother’s baby bump gently. “Boy or girl loved all the same. Spoiled like his or her other siblings. Only two this time…” He pulled away, looking up at your mother. “I can’t wait to meet them, darling.”

“Me too, sweetheart,” your mother blushed and laced both of her hands with your father’s. “Two more additions to the family. You know what I said when we first married? About baby names?”

“I do, mhmm,” your father nodded. “You wanted to name our first-born daughter Gabriella.”

“I do,” your mother smiled warmly. “I still do.”

“Of course. A beautiful name for a beautiful girl. I still remember,” he gave your mother’s hand a reassuring squeeze. “I hope this time we get to meet little Gabriella.”

“I hope so too, my love.”

Even before you were born, you were loved. The idea of you was loved, your name was loved, and everything and anything you could be from birth to adulthood to old age was loved.

Nothing compared to how overwhelmed with joy your mother felt when she smiled up weakly at you, tears in her eyes from excruciating contractions hitting her again and again to see and hear one of the nurses declare, “it’s a girl!”

Before your mother went back into labor to give birth to your twin sister forty minutes later, she held you in her arms and cooed to you through her tears of happiness. “Gabriella… Gabriella...”

She kissed your cheeks wet with tears as your father let you hold his finger with your tiny hand, looking down upon you with so much love and happiness.

You were born into this world loved and welcomed just as your siblings were, and just as you would always be.

Your twin sister and you were born to the Giordano family; a family that came from money which was no secret nor meant to be one.

Your father, Francesco Giordano, better known as “Frankie” by his friends and business partners, was born in Sicily, but your grandparents had already been living in and had immigrated to New York.

Your father came from a lengthy family history of educated individuals; spanning seven generations of university graduates and had graduated from Columbia University himself in 1912.

Your mother, Rosa nee De Luca, who was born in Long Island, New York to Sicilian parents, had met your father in that same year.

Having many connections or even just one to a crime family served to be the best for anyone’s interests, even those who didn’t want to get “involved” indirectly or directly, and then there are always individuals who wouldn’t mind the close ties with the mafia so as long as they stray from direct intervention or get too close, could always reap the benefits of work connections by having powerful friends in powerful places.

Your father and his family practiced the same mantra as many others; don’t get too close to the mafia to avoid getting burned, by maintaining a healthy business relationship and community friendliness.

Since the days of your great-grandfather, your father inherited the ownership of several small banks that his family had started; serving the local community and operating for middle-class families with day-to-day funds, support for home ownership, and loans.

The success of your father’s family business in banking was steady and promising, working out very well to attract a clientele of all kinds from the Italian-American community in particular.

Your father built his business connections where your grandfather left off but also started new ones with the Italian community in the neighborhood and area as well as being involved with all of the crime families himself, but with some more than others.

Everyone, including the mafia, knows Frankie Giordano to be an honest businessman who makes a living to feed his family. Your father also happens to be smart and witty about it too.

Frankie Giordano built a name for himself without feeding off of his father’s legacy and thus deepened the trust and bond the Giordano family already had with the mafia when it came to loans and money laundering.

One could say your father always went to the bank laughing, and the mafia made sure of that for the excellent service rendered by the Giordano banks.

Your father also knew that his future wife—your mother—would benefit greatly from that, and thus so would all of his and her children.

Your father had no intention of keeping the truth and ties of his business affairs from you, your twin sister Bella, or any of your brothers for that matter. He would only wait to tell you all in due time when you’d be mature enough to understand and process it.

Even if in the future and all grown up none of you were remotely interested in the booming world of business and finance, you’d at least benefit immensely from inheritance and the steady flow of wealth and investments.

Your father’s closest business partners were that of the Corleone and Tattaglia families, although the Barzini’s were getting close enough to join the list too.

Your family is protected from conflicting interests and possible hostilities between rival families because your father’s business is legal, public and there’s mutual respect and understanding of what your family’s banks provide with respect grandfathered in.

Despite Frankie Giordano’s wealth and success, your father was never the type of man to flaunt or brag—just maintaining his work ethic with dedication like none other; traits you would indeed inherit from him.

In many ways, your father would see a lot of himself in you as you grew older, such as the fact you too could see light at the end of every tunnel and that you also valued family and morals over money and power.

Such traits and beliefs made your father a true family man under times of turmoil and stress, and it also helped you understand the world around you better.

Your father married your mother, Rosa, in 1914 after almost two years of courtship with no intention to push or rush their relationship for the sake of tying the knot quickly.

Your mother comes from a family of wealthy socialites who built upon their wealth by investing and simply being connected to the right people.

Your parents met each other through a social outing when your mother’s family became all the more interested in investing in Giordano family banks.

“It’s one thing to believe in something such as love at first sight. Love can be so fickle, but when it happens to you, it changes you completely,” your mother had once told you.

The wit and cunning your mother showed growing up as a young woman were learned from family members around her and would no doubt pass on to you as well.

Through your mother, you also discovered your passion and love for art and botany, whereas your twin sister Bella felt the same and was more connected to architecture, nature, and the outdoors.

When your parents settled down and planned to have a family of their own, your brothers, you, and your sister would come from and be born into a family of love and respect that could never be unbound.

You knew from a very young age early on that your parents loved each other very much, and although all couples disagree and have their fights, you still can’t recall a single moment where you heard your parents raise their voices at each other in front of you, let alone fight or argue in front of you and your siblings either.

Growing up, all you knew is you loved and wished for the same peace and calm love your parents shared.

You don’t want to be “madly” in love; you want a peaceful and understanding love—the kind your mother and father share with each other with the kind of expectations they lived through and passed onto you.

Everything you’ve learned about love was through your parents, and it set your heart’s wants and needs as a young woman.

Your mother, who is not easily impressed by just anything, had taught you to be the same and explore your options with all things when you were a teenager.

“What pleases the eye once may not do so the second time. The world is filled with options. Your heart will know what’s best for you.”

While your mother was eighteen years old when she married your father, she gave birth to your eldest brother—Luca—in 1915.

Right up until your mother’s maternity leave, she was a private art teacher in New York City who specialized in teaching about painting; classical, renaissance, religious, and abstract.

Your mother would not return back to teaching part-time until 1936 when your sister Bella and you were about fifteen years old and the family could easily sustain and take care of itself throughout the day.

Your mother also preferred to teach part-time instead of full-time before she began to have children because she preferred to spend most of her time with the grandchildren she welcomed over the years.

Coming up to 1939, you and your sister were eligible bachelorettes in your family alongside one bachelor brother—Giani—but it would be you, the most eligible bachelorette considering your circumstances and your sister’s traveling abroad that would not only bring you upon him—Santino Corleone—but the Corleone family and their history with the Giordano’s in due time.

[ 1920, Hell’s Kitchen, New York ]

“There will never be come a day—” Francesco says, sketching out the outline of a small olive branch over a scrap piece of paper in front of him, “where they outlaw this, my friend. Never. The olive? They could not,” your father admires his sketch, darkening the two olives he drew hanging on the branch. “The olive provides too much—it does too much. You buy it from Vito Corleone—Genco Olive Oil—” he smiles up at Vito who returns the warm expression, popping a black olive in his mouth from the small platter in front of them.

“And you use it in your cooking,” your father continues, taking an olive and putting it in his mouth. “It’s too versatile, too much of a need for the average family to outlaw.”

“I can’t see any Italian family without a bottle in their home,” Vito chuckles quietly.

“Exactly,” your father points out, reaching into the drawer beneath him for a moment.

Vito glances over curiously, watching as Francesco pulls out a concealed bottle of unopened Jack Daniel’s whiskey before setting it on the front counter in front of him.

“You don’t have to worry about the repercussions of buying a bottle or whole barrel of olive oil. This though,” your father taps the back of his fingernails against the bottle of alcohol. “Is a crime. This bottle here.”

Vito raises a curious brow; amusement twinkling in his eyes as to how nonchalantly your father pulled out a bottle of unopened whiskey.

“My father’s favorite drink served on ice. Bought and sold everywhere, now it’s illegal,” Francesco chuckles, shaking his head. “Now, buying and selling alcohol is illegal. Just like that.”

“They could never expect to stop everyone from doing so,” Vito chimes in.

“Exactly, my friend,” your father begins to open up the bottle, grabbing two small glasses from the cupboard beneath the front counter at which he and Vito sit. “They never can, but they know they never could. I don’t know how much longer this silliness will last, but,” Francesco begins to pour Vito and himself a glass of whiskey, “there’s plenty more of where this came from. No questions asked, no eyebrows raised.”

A curious look crosses Vito’s eyes as he takes his glass of whiskey before glancing down at it. Naturally, he immediately begins to wonder how many bottles Francesco has, where he got them from, how he got them, and where they’ll go.

“You are the most resourceful friend I know,” Vito comments, “do I need to ask?”

“You can,” your father replies, knowing, of course, Vito’s curiosity is only normal and expected, “if we can come to an agreement first, my friend.”

Your father was the first man to lend Vito Corleone money; give him his first full loan just by knowing his full name and without any interest.

Your father gave Vito a chance—one of his first chances—without even knowing it, and through such a chance came one lucrative business opportunity after another.

If your father and Vito were involved in something, then it meant there was plenty of money to be made under the table without asking questions and with no risk of getting caught.

Whether your father and Vito formally acknowledged it or not, they were a duo of sorts.

Your father trusted Vito while knowing Vito was indeed settling the roots of his one crime family just as the other mafia families in New York were.

Your father didn’t care about Vito’s involvement in crime or anything of the sort; your father was and is a banker by trade and name, and money always talked.

With prohibition starting in 1920 with a surplus of alcohol to be smuggled from your father’s contacts in Canada, there was nothing but profit to be made from the business for however long prohibition would last.

Securing and solidifying a strong friendship already, the prohibition era would make both your family and Vito’s very wealthy from the moment Vito smiled and shook your father’s hand in agreement, knowing all the same.

That was hardly the beginning of the Giordano and Corleone family’s friendship and ties with one another.

That same year, Vito Corleone would kill Don Fanucci.

Despite the concept being thought of by everyone who had the misfortune to know Fanucci, many didn’t believe Fanucci would be outright killed.

It was merely something men fantasized about to set themselves free of the financial obligations Fanucci put forward and fears they would be killed, extorted, go missing, or worse.

Taking Fanucci out was a fantasy, nobody could do it except for Vito Corleone.

If it was anyone your father had faith in to stand up to a brutish man like Fanucci, it was Vito Corleone, but your father also didn’t expect Vito to murder Fanucci the way he did and so soon.

On that fateful day, your father was closing up his main bank’s branch for the day; having put up the “closed” sign on the front door and lowered the blinds more than halfway down.

He had not yet locked the front door since he was up at the front anyway, and your father would be able to see anyone coming to approach the bank’s entrance before they could even think of trying the door.

At that time, your father was counting some of the spare change in one of the last drawers quietly, noting that it was 5:30 PM and rush hour had fully kicked in.

Humming quietly to himself, Francesco put the spare change in his pocket before closing up the cash register and locking it with his key.

Only for a moment did your father look up to see the faint figure of a passerby without paying too much attention to it.

In a few moments from now, Francesco would lock up the bank and head home; your mother was expecting him with a hot meal on the table and she was pregnant with you and your twin sister Bella at the time.

In a good mood and having enjoyed his work day, your father slowly began to stop humming upon hearing footsteps from that same figure grow closer to the bank’s front door.

Your father knew it wasn’t someone out strolling or wandering, but rather approaching the bank directly and standing in front of the door.

Your father kept his hand over his pistol carefully concealed underneath an old polishing rag on the front counter while watching the figure’s movements by the door.

It was then that Francesco noticed who the figure was, seeing no cause for panic or alarm.

It was Peter Clemenza, and he was revealing himself to your father to avoid a bullet in between the eyes at this hour.

Clemenza lifted up the “closed” sign in front of the door and peeked his head in; urgency in his eyes and beckoning with his hands to be let in.

Your father moved his hand away from the pistol and gestured for Clemenza to enter since the door wasn’t locked.

Sighing in relief, Clemenza quickly entered and shut the door behind him instantly, wasting no time.

Your father could easily tell Clemenza was alarmed but didn’t have a look on his face that spelled it was his problem.

Before your father could barely blink or open his mouth to ask Clemenza what was going on, Clemenza immediately stated, “Fanucci is dead.”

Your father stared back at him in shock, pausing for a moment to take everything in. “What? Dead?”

“Dead,” Clemenza confirms, locking the bank door and taking off his fedora. “I came over here as fast as I could to tell you.”

“Who else knows?” Francesco asked quietly.

“Roth, Genco, and Tessio so far,” Clemenza answered, catching his breath. “This is gonna send fuckin’ shockwaves throughout the neighborhood.”

“My God,” your father muttered under his breath, smoothening out the sides of his slicked-back hair. “And Vito? Does Vito know yet?”

Clemenza chuckles, shaking his head. “Who do you think did it, Frankie? Vito killed Fanucci. Shot that son of a bitch right in his own apartment. Don’t worry—“ He holds up a hand, “Vito handled everything.”

“Does he need anything?” Your father offered, stepping out from behind the front counter.

“Yeah, but I have a feeling you already know what,” Clemenza shrugged his shoulders. “That bastard Fanucci took half of our dime each and every time. He still dealt with your bank, right?”

“He has an account here,” Francesco nodded.

“Good,” Clemenza put his fedora back on, adjusting it. “Because everything in Fanucci’s account needs to all go to Vito now.”

It was true that Fanucci’s death, it now meant his money and assets held at the Giordano banks had to go somewhere, and your father couldn’t agree more to it going straight to Vito.

Fanucci had been stingy and extra hard on Vito over anyone, despite Vito being understanding and gentle to counter each and every time.

Still, Fanucci took hundreds of dollars worth of cuts from Vito’s pay every single time and still threatened to have him killed at the same time.

Francesco had no pity whatsoever towards Fanucci or his family, and if Vito was going to be the one taking back the money Fanucci stole from him and everyone else, then your father would agree to let it happen.

After all, Francesco knew Vito Corleone wasn’t the kind of man to take all that money and spend it on himself.

Vito proved your father’s beliefs about the security of Fanucci’s money and assets being transferred to Vito’s accounts when he saw for himself how Vito spread the money back into the Italian-American community and only taking the exact fair share that he kept track of since Fanucci began taking it.

Afterward, Francesco closed down Fanucci’s account at his bank and erased all existence and history of it, so if the police came around to ask questions, there wouldn’t be a single answer available.

Having Fanucci killed wasn’t something your father expected to happen in 1920—not while prohibition was still ongoing—and by Vito Corleone’s hand, nonetheless.

At the time, the only exciting news for Francesco Giordano was that he was expecting his wife to give birth to twin babies in the upcoming year.

In 1921, you and your twin sister Gabriella were born.

Your family did not live in stress due to any direct involvement in mafia affairs or had any fears to worry about what the mafia and those associated with its lifestyle of crime were doing.

Nothing stopped your family from continuing to live out their lives as normal, peaceful, and lawful with the police and government as many see fit despite what your father had known, seen, and been involved with in the past year.

Your father promised himself that he would never do or say anything to jeopardize the safety and happiness of his family nor put his family in any situation where they would live in fear and become potential targets to anyone or anything.

After all, your father had been expecting the birth of you and your baby sister—experiencing fatherhood all over again and surprisingly to two daughters this time.

Nothing else needed to get in the way of Francesco Giordano when he was welcoming two little babies to his family. Nothing to stress out his wife either and Francesco made certain of this.

It was on June 19th, 1921 that your mother, Rosa, went into labor in the comfort of her own home for six hours to give birth to you and your twin sister.

The same nurses who helped your mother give birth to your brothers were at your mother’s side again as your father also sat with her and held your mother’s hand for comfort—wiping the sweat off of her forehead and making soft conversation.

Everyone involved kept Rosa as comfortable as they best could, remaining vigilant in observation and getting Rosa anything she may need.

“Ti amo,” (I love you) your father whispered in your mother’s ear. “Sei una donna forte e ce la farai.” (You’re a strong woman and you’re going to get through this.)

Your mother’s strength thick and thin always had your father in awe, and your father never left your mother’s side throughout the six hours of tedious and agonizing labor.

Neither of your parents will ever forget the overwhelming joy and excitement they felt hearing the nurse announce, “it’s a girl!” for the first time as your mother gave birth to you.

Your mother smiled throughout her tears as she reached out to hold you and your father teared up too, seeing that he now had a baby daughter.

Sobbing from nothing but happiness and relief, your mother held your tiny self in her arms for a few moments before her body would prepare again to give birth to your twin sister Bella in the next forty minutes.

“Gabriella, Gabriella…” Your father cooed softly, attempting to soothe you as you cried out in your mother’s arms. “Welcome to the world, my beautiful girl.”

If it was a shock to have a daughter after giving birth to so many little boys, the ultimate surprise was your parents realizing that they were having two daughters.

So many happy tears and laughter were shared in that room, relief washing over everyone and the exhaustion of labor beginning to kick in.

Your family welcomed you and your twin sister Bella to the world in 1921, and your mother and father held both you and Bella in their arms, whispering promises that they would love and protect you both no matter what; that they’d do anything to give you and your siblings a good life.

Your eldest brother, Luca, who was five years old at the time was ecstatic, as were four-year-old Romeo, Casio, and little Giani to welcome two baby sisters.

Truly, it was one of the happiest moments of your mother and father’s lives.

In 1922 as you and Bella were just little babies growing up, one thing had become all the more apparent to all men who lived in Long Island—particularly the Italian community and the one in Hell’s Kitchen too.

Crime families at this time had bonded and grown stronger with all the more influence now. They were too powerful to be considered Fanucci wannabees as they could no longer be reckoned with alone.

Such power and influence amidst crime families brought business and organization, but that also meant rampant crime and fear even if it was not always noticeable.

One had to be careful dealing with crime families for whatever reasons since rivalry, although relatively uncommon at the time did exist and caused enough trouble.

Your father was only allied with and close friends with Vito and the Corleone family at the time, so no rivalry concerned him.

“Let me know if you need anything else, my friend,” Francesco said, patting Vito’s shoulder. “I can find a way to get funds to you in Sicily in less than two days if needed.”

“I will be fine, Frankie. Thank you,” Vito chuckled and smiled at your father. “I’m very grateful and appreciative for all the help you’ve provided my family and me.”

“You know I can say the same to you,” Francesco nodded back. “I’m too used to seeing you down these neighborhoods. You’ll be missed, Vito Corleone, but this trip is just what you need, isn’t it? For family and for peace.”

“Exactly,” Vito reaffirmed, “I won’t put it off longer than I need to. Don Ciccio is a withered old man now but he doesn’t deserve to die from something so merciful such as old age.”

“I agree,” Francesco replied. “He is a vile and sick man obsessed with power. He always has been. Maybe once he’s finally out of the picture, the rest of us can peacefully return to Sicily for a family trip as we wish to.”

“Many have said the same to me before,” Vito frowned. “I doubt Ciccio will remember me, but that is exactly what I will use to my advantage. It didn’t have to be this way, but…” Vito stroked his chin, “I lost my entire family to that foul man.”

“You don’t need to justify it to me or anyone else, Vito,” Francesco shook his head. “His death is in your hands now. You know I would come to aid you if I could. Either way, I support you.”

“I know you would, my friend, which is why we must part ways for now,” warmth flickered in Vito’s eyes. I can’t do this to you; you just had your little girls and they need their father with them more than ever.”

“So as long as they get to see their godfather soon again,” your father grinned. “Rosa is expecting you and Carmela all ready for dinner. Mrs. Corleone is expecting now too, is she not?”

“Indeed,” Vito beamed. “And we are taking little Michael to Sicily for this time on this trip.”

At that time, Carmela Corleone was pregnant with her first and only daughter, Constanzia.

“Ah, little Michael,” your father’s eyes lit up. “No naughtiness from the little man, I hope?”

“He’s a good, quiet young man,” Vito let out a soft laugh. “This trip will give him more stories to listen to about Sicily since he won’t remember it when he’s older.”

“Of course,” your father smiled, “just keep that fiery Santino by your side.”

“Carmela says the same,” Vito pointed out. “Don’t worry, I will. He’s a good boy too, I promise, although he could benefit from learning more manners.”

“Can’t we all?” Laughing, the two men shared a farewell hug.

“Be careful and be well, Vito,” your father cautioned. “Enemies may still be lurking in Sicily, looking for you, especially if you seek revenge.”

“It’ll be as if I wasn’t even there.”

[ 1939, Present Day ]

The first to welcome their first children into the Corleone family with Carmela and Vito Corleone excited to welcome a grandchild are Tom and Theresa Hagen; expecting their first baby early next year.

It’s no surprise that at first all eyes were on Santino—the eldest son of the Corleone family—to settle down and start a family first instead of Tom or anyone else, despite Tom being the same age—twenty three.

The only difference between the two men in terms of settling down to have a family was that Tom is in love with an investing in his love life and marriage with Theresa, an American woman, whereas Sonny hardly knows what “settling down” means.

It’s only in Sonny’s best interest to switch from one woman to another, a one nightstand again and again with no care as to how others may see Sonny to be very promiscuous with no shame or intent to stop sleeping around to even think about marrying someone.

Celebrating the baby shower for Tom and Theresa planned today, the nature of the event to both Tom and Theresa is private and intimate, hence their invitations only being sent out to the closest friends of the Corleone family.

Only the Giordano’s, Barzini’s and Cuneo’s are invited today with the vast majority of the women helping with the cooking back inside and the men upstairs in Don Corleone’s office.

Despite the family history with the Giordano’s, this is the first time you’re attending a Corleone family event and the very first time you’ll be visiting the Corleone estate.

Your father and brothers have visited the Corleone’s numerous times previously and know them better than any other business partner or friend, but neither you nor Bella have had the opportunity to yourselves.

Bella is more than halfway through her first semester at the Academy of Fine Arts in Vienna however, leaving you to be the only woman of the family next to your mother.

With the baby shower celebrations ongoing this afternoon in the courtyard of the Corleone estate to enjoy the fresh spring air and sun, men seeing Vito Corleone inside present Don Corleone with gifts meant for the expecting couple out of respect first.

Connie carefully balances one gift box over another by a table reserved just for baby shower gifts, making sure the presents don’t topple over one another from solely the sheer number of how many there are.

Arriving just five minutes after your father and brother, your chauffer passes clearance at the main gates of the Corleone estate before slowly beginning to park inside.

Your father and brothers have joined Barzini and Cuneo’s sons upstairs in Vito’s office where Sonny, Tom and Fredo also remain, but Michael—the youngest son of the Corleone family—is away at Dartmouth College for study.

Once the topic at hand ends in Vito’s office, Tom will come back out to the courtyard to thank and meet all the guests at the baby shower himself.

The rest of the men are not expected to in order to keep a low profile and spend as much time discussing business with Don Corleone as possible.

The only Corleone family member you know personally is Carmella and you’ve enjoyed every bit of time you’ve gotten to spend with her in the past when Carmela came to visit and bake desserts with you and your mother from time to time.

You know you’ll be meeting Theresa—the one expecting—and Connie Corleone as well for the first time.

“Benvenuti, miei cari!” (Welcome, my darlings!) Carmela happily blurts as she rushes down to the gates to greet you and your mother the moment you two step out of the vehicle.

“Carmela!” Your mother beams, pulling her into a warm hug. “Come stai dolcezza? È da parecchio tempo!” (How are you, honey? It’s been so long!)

“Yes, it has!” Carmela lets out a soft laugh before she cups your cheeks gently. “È passato tanto tempo perché guarda Gabriella! Adesso è diventata una bellissima giovane donna!” (It has been so long because look at Gabriella! She's all grown up now into a beautiful young woman!)

“Hi, Mama Corleone,” you giggle back, giving her a hug. “It’s so good to see you again.”

“And you as well, honey—mwah,” Carmela kisses both of your cheeks again, “she’s grown up to be such a beauty, hasn’t she?”

“Very much so,” your mother happily agrees. “And I’m excited for her to meet your girls!”

“As am I!” Carmela gestures excitedly, “come on in, ladies. All the men are already inside seeing Vito, I doubt they’ll even bother to come step out but in any case—that doesn’t matter. We’re all very excited for Theresa expecting her little one soon!”

“How far along is she?” You ask, walking into the Corleone estate grounds with your mother and Carmela.

“She’s about seven months pregnant now,” Carmela answers. “I can’t wait to introduce you to her. I know all you lovely ladies will get along just fine!”

Before you can say anything else, you step into the Corleone estate’s courtyard with Carmela and your mother to be hit with awe from the beauty of the estate surrounding you.

A gazebo stands in the further end of the courtyard with the manor itself built in a classic American style but with small details to Italian architecture.

The courtyard in which you stand in is surrounded by a blossoming garden, spotless and filled with ample enough space to host over four hundred people comfortably.

“So beautiful,” you murmur in surprise; momentarily turning back to see your chauffer placing the carefully wrapped giftboxes filled with the presents your mother and you chose for the baby shower by the table with the other gifts.

For your baby shower gift to Tom and Theresa, you picked out an abundance of cotton diapers, two bibs, three different pacifiers and a baby mat.

As your mother and Mama Corleone are lost in conversation, you look up to see a heavily pregnant woman—Theresa—rise up from her seat at her table with her hand over her baby bump.

Petite frame, blonde with bright eyes and American, Theresa’s eyes land on you as another woman approaches her by her side—a Sicilian—who looks like a striking combination of Carmela and Vito combined.

You assume this must be Connie—the only daughter of the Corleone family that your mother and Mama Corleone lead you up to now for introductions.

“Here is our lovely Theresa!” Carmela gestures to the pregnant young woman. “Seven months in with her little one already. Theresa, this is the daughter of my best friend, Gabriella. Her family is from Sicily too.”

“Hello,” Theresa shyly reaches out her hand to you. “It’s nice to meet you, Gabriella.”

“It’s nice to meet you too, Theresa,” you give her a polite smile, shaking her hand back. “Congratulations.”

“Thank you!” Theresa’s eyes light up.

“And this is my daughter, Connie,” Carmela introduces Connie to you next, and you immediately notice Connie is much less shyer than her sister-in-law Theresa with a sparkle of excitement in her eyes from being introduced to you.

“Hi Gabriella,” Connie grins, “are you the only daughter in your family too?”

“Not exactly,” you let out a laugh, “I have a twin sister but she’s studying abroad.”

“Ah, lucky you! I’m the only sister,” Connie gives your hand a warm squeeze.

“I know what it’s like to grow up with many brothers around you, trust me,” you giggle back, knowing from what your mother told you that the Corleone’s are almost just as big of a family as yours and with many sons.

“Tell me about it,” Connie holds back her laughter and it immediately strikes you that Connie appears to be type of woman you can easily get along with and make the best of friends with her.

Just as warm, loving and trusting as Connie seems, you also can’t push past or ignore how you pick up an explainable kind of yearning sadness behind Connie’s eyes too.

Just as you’re thinking, Connie’s yearning to make a friend with someone like you and knowing she can easily be able to do so considering how close your families are; both of you around the same age and with familiar backgrounds.

Back inside Don Corleone’s office, greetings, congratulations and humble gift giving to Vito Corleone for Tom and Theresa’s baby shower has come to an end as Tom smiles to himself and keeps the stack of guests in the corner of Vito’s office and takes his seat again near his father.

A glass of richly aged bourbon is served for all of the men and Vito’s office door remains slightly ajar to help keep the air from getting stuffy from cigarette smoke.

“But the war,” Sonny begins, unamused, “it doesn’t mean too much for us, anyway.”

“Not at all,” your father says, shaking his head. “It’s a shame with all the bloodshed going on in Europe right now, but our interests remain the same and our assets here are protected.”

“We expect a prosperous new decade of us nonetheless,” Don Barzini adds.

“As do I,” Vito agrees. “One can only be concerned so much as to what strangers abroad are doing or how they risk their lives. We must work together so there’s no war between our families and only peace.”

“I have to say,” Tom speaks up, “to have no rivalry despite working with our families and their investments is impressive, Mr. Giordano.”

“I appreciate your praise, Tom,” Francesco gives Tom a polite smile. “In this line of work, I had to be a salesman and businessman. I hope our families can continue to be civil and work with one another. I know my wife enjoys the company of our family get-togethers and it would also be good for Gabriella as well, considering her sister is in Austria.”

“Ah, how is she?” Vito’s eyes light up in interest. “Enjoying her time abroad?”

“Indeed,” your father nods happily, “Bella is taking a varieties of courses on subjects in the arts, especially music and literature It’s good for her to broaden her horizons but I miss her, and I think Gabriella does too, of course.”

“Ah, very understandable,” Don Cuneo nods.

‘Gabriella?’ Sonny blinks, thinking to himself. ‘Who is she?’

“Michael is the same,” Vito gives his shoulders a shrug. “He is at Dartmouth now and I am proud of him for entering study in political science.”

“He doesn’t wish to follow in your footsteps, Vito?” Don Barzini smirks.

“He wants no involvement whatsoever,” Vito shakes his head. “Which is more than fine with me. Michael seeks a career in politics. I say sometimes American politics can be so foolish, but Michael can also be stubborn when he wants to. Nonetheless,” Vito places his hands down upon his desk, “I’m very proud of him.”

“Indecisive, perhaps?” Your father suggests.

“Nah,” Sonny interrupts, scoffing. “Michael wants to do everything and anything.”

“He is the youngest after all,” Tom chuckles quietly. “Then my sister Connie who is the youngest child of the family.”

“Ah, the lovely Connie,” Francesco smiles warmly, “of course. Michael is a bachelor, then?”

“All my sons are, except Tom,” Vito answers, somewhat unhappy about his answer. “Perhaps that will change, won’t it, Fredo?” Vito gives Fredo a gentle pat on the shoulder.

“Sure, Pop,” Fredo says back sheepishly.

“And Santino’s a different story,” Vito continues, gesturing to his eldest son.

“I dunno,” Sonny chuckles to himself, shrugging his shoulders. “Marriage isn’t really something on my mind just yet, you know.”

“Would you like to marry in the future, though?” Don Cuneo asks him.

“I do,” Sonny nods, “have some kids, a family—settle down, yeah. Why not? I just don’t think I got any opportunity to now but I’m not the kind of man who would push it all away.”

Vito nods, staring back down at his drink in hopes the conversation about Sonny being a bachelorette will change in the next few moments, for the sake of the Corleone family’s dignity.

Vito knows everyone else in the room is just as away of Sonny’s promiscuous behaviour and lifestyle as he is, after all.

Out in the courtyard with the ladies and you, most of the conversation continues with your mother, Theresa and Carmela, all giddy about Theresa’s pregnancy.

“Congratulations again, honey,” your mother tells Theresa, “how has it been for you so far? An easy pregnancy, I hope.”

“A little difficult, honestly,” Theresa admits, sheepishly. “It’s improving though.”

“It will for baby number two as well,” Carmela chimes in.

You turn back to Connie and smile, inviting a conversation of your own that she starts.

“Welcome, Gabriella,” Connie says to you, “it’s honestly nice to put a name to a face at last. Mama has told me a bit about you and your sister but we surprisingly never had the chance to meet.”

“I know,” you pout, “I wish we could have met one another much sooner. My twin sister is in Austria right now, actually, so she has no chance at all yet. You know, touring Western Europe when she feels up to an adventure. I’m not so lucky or adventurous though,” you laugh.

“Neither am I,” Connie admits, “it’s refreshing to meet someone like you. What’s Bella in Austria for?”

“Art school,” you reply, smoothening out your shirtwaist dress. “Art has always been a passion for Bella, mostly music, literature and art history.”

“Must run in the family then,” Connie beams at you, “mama told me both you and your mother are artists too.”

Flattered, you nod eagerly with a smile. “We’d like to say so! It runs within the ladies of the family. I adore fine art like sculpture and art history, but personally, it’s not my passion.”

“Applied arts then, maybe?” Connie offers, growing further interested in the conversation at hand.

“Something like that,” you ponder for a moment, “I prefer painting, like mama. I’ve always loved doing so.”

“Wow,” Connie murmurs to herself, “do you have any inspirations for making art?”

“Maybe not the answer you’re looking for—” you chuckle sheepishly, “but I’d honestly have to say emotions inspire me, and my environment. Even the weather—small things like that. Artists like Van Gogh and Monet also inspire me.”

“That’s amazing,” Connie brushes back a curtain of her dark hair behind her ear. “Mama had actually been telling me earlier about the private art school your mother teaches at and…I was honestly thinking about enrolling to get a feel for myself but I wasn’t entirely too sure.”

“Definitely go for it,” you can scarcely hide the enthusiasm in your tone. “Mama would be more than happy to guide you along the way too. I still attend when I have the time and you could too for passion or for credentials. There’s something for everyone.”

“Absolutely,” your mother chimes into the conversation. “I would love to show you around the school as well, Constanzia. Someday, Gabriella will have to show you her paintings.”

“I would like that very much,” Connie smiles back politely. “I can tell she’s very talented.”

“Thank you,” you blush.

“She’s a nurse by trade, did you know that?” Mama Corleone adds, causing both Theresa and Connie’s eyes to widen in surprise.

“I am,” you admit, noticing how proud your mother looks next to you. “Practice and passion versus hobbies and passion.”

“Wow,” Theresa breathes, “that’s wonderful. How do you like nursing, Gabriella?”

“So far, so good,” you giggle quietly. “I’m fairly new to the practice but I’ve been tending to some injured soldiers lately. It’s practical, and I’m excited to see where the career takes me.”

“A nurse at a baby shower, how nice!” Theresa gushes.

With business conversation endlessly continuing in Vito’s office, Sonny remains to be the only one itching to get out of his seat and at least take cigarette break from the stuffy talk he has no need to contribute too.

Then again, Sonny’s more obligated to listen and consider every word coming out of Vito’s mouth wisely due to being his father’s successor and having to expect the same business talks directed towards him someday.

“You can tell Luca,” Vito gestures to Sonny, grabbing his attention. “Give him a call and let him know, since he won’t listen to Tom anyway.”

Chuckles fill the room as Sonny gives a nod, sighing in relief under his breath and beginning to rise from his seat.

You’ve just stepped into the Corleone manor for a quick bathroom break after getting some much needed directions from Connie on how to navigate the estate; unable to stop yourself from gazing and admiring the furniture and fixtures of the stunning foyer.

Remembering Connie’s words on reaching the first bathroom, you begin to head down the hallway when you momentarily stop in your tracks to sneeze.

Covering your nose, you sneeze quietly and sniffle—instantly feeling a momentary sharp prickle in your nostrils.

Blinking, you continue walking forward—albeit slowly—due to being distracted by the small throbbing pain beginning to start in your nose.

“Ugh…” You rub your nose tenderly, eyes widening in surprise to see droplets of blood over your fingers.

A split second passes before you sneeze again, realizing the culprit is the stuffy and somewhat dust filled air in the hallway getting to you.

It wouldn’t be the first time you’ve experienced something similar, but it annoys you to no avail nonetheless.

You cover your nose and continue heading towards where you assume the nearest bathroom is, being careful so as not to spill any blood on the mahogany floorboards or onto your dress.

“Found it yet?!” You hear Connie’s voice echo down from the foyer as she peaks her head inside the estate.

“Yes, don’t worry!” You let out a half muffled call back, spotting the bathroom at the end of the hallway.

“Alright, I’ll wait for you back outside!” Connie shouts, shutting the front door behind her.

The “yes, don’t worry!” you proclaimed out catches Sonny’s interest instantly; the sound of an unfamiliar, yet sweet voice he’s never heard before.

Stunned, Sonny’s unable to focus on anything else and drowns out the chatter and noise from Vito’s office before he exits out into the hallway and shuts the door of Vito’s office behind him.

You sneeze again, whimpering out of annoyance as you feel blood beginning to trickle from your nose.

Following every sound you make, Sonny furrows his brows and walks downstairs and towards the hallway cautiously—both hands in the pockets of his dress trousers.

Only a split second later does Sonny spot you; an unfamiliar woman with your back facing him, wearing a burgundy swing dress with white kitten heels, your hair curled over your shoulders and more peculiarly, how you clutch your hand over your nose.

“Are you alright?” Sonny speaks out to you, coming closer to step into your line of view.

You blink, assuming one of the Corleone family’s bodyguards or security must have heard you sneezing and walking around the manor by now, but when you turn around you can tell just by the posture and amused expression over the stranger’s face that he’s neither.

Sonny and you don’t know one another nor have you seen each other before. You’re not even aware of what the Corleone men’s names are besides Tom and Vito, and you just learned Tom’s today through Theresa.

Blush instantly hits your cheeks as you feel your skin warm at the sight of Sonny. This man is tall with a slim but lean, fit build; sharp shoulders giving Sonny a firm build, his hair in brunette curls and his jawline chiselled with a smirk over his face.

There’s an air of confidence over Sonny and you can already tell with just a glance that he’s someone important.

You assume just by Sonny’s body language across from you that aggressiveness isn’t unheard of from him, but he seems intrigued and even friendly towards you.

“Oh, fine, thank you,” you answer back, still covering your nose. “I didn’t imagine it to be so stuffy down here.”

Sonny chuckles, stepping closer to you before taking one hand out of his pocket to gesture around to the walls. “The walls in this place are older than you and be combined. Don’t mind that.”

You gaze up at Sonny, unable to stop yourself from blushing as he gets closer to you.

You lower your hand away from your face without even realizing it, revealing your bloody nose to Sonny.

Sonny barely reacts to the sight of blood over your face but the look upon his face that he gives you doesn’t appear the way one would gaze at a stranger or someone they’ve met for the first time; the look in Sonny’s eyes may as well tell him he’s known you his whole life.

Sonny wants to ask you if he’s seen you somewhere or if the two of you know each other from some time ago, but something urges him to keep quiet, knowing the answer must be no.

Sonny’s muscles tense from a rush of arousal hitting him at the sight of you, already wildly attracted to you with no intention of denying it.

“Here,” Sonny reaches into the breast pocket of his suit jacket, pulling out a neatly folded, silk handkerchief before handing it to you. “Don’t let it bleed all over you now.”

You hesitate for a moment, not at Sonny’s kindness but the expensive cloth he’s just handed you to wipe your nose with.

A warm, playful smile crosses Sonny’s lips as he reads through your hesitancy. “You’re Gabriella, aren’t you?”

Sonny knows better. An unfamiliar woman in his house with Mr. Giordano visiting? He’s already beginning to figure you out. Luckily, he didn’t assume you’re Bella.

“I am,” blushing, you answer a little out of breath and take the silk handkerchief from Sonny. “Thank you so much…” Your voice trails off as you realize you don’t know this man’s name.

“Santino Corleone,” Sonny introduces himself t you. “But everyone calls me Sonny.”

‘So he IS a Corleone…’

“Sonny,” you repeat, feeling your cheeks stinging with blush. “Thank you.”

Sonny grins, extending out a hand to shake yours as you wipe your nose with your free one. “It’s nice to meet you at last, Miss Giordano.”

As you shake Sonny’s hand back, you feel the same current of arousal rushing through him go through you.

“We haven’t met before, have we?” Sonny finally asks, unable to shake off the belief that he’s more than just familiar with you.

“This would be the first time,” you shake your head, “it’s nice to meet you as well. I’ve yet to meet your whole family yet, but,” you smile shyly, “thank you for having us to celebrate Tom and Theresa.”

“Thanks for coming,” Sonny smirks, “you’ve probably met Theresa already but Tom will be out in a moment and then you can see him too.”

You don’t notice Sonny’s eager eyes gazing up and down at your figure a split second after.

“Were you looking for someone or something?” Sonny asks you.

“Just the bathroom,” you admit, sheepishly. “I…” Your nose has fortunately stopped bleeding, but you look at the silk handkerchief in your hand to see the crimson mess staining through it.

“Don’t worry about it, darling,” Sonny scoffs; he couldn’t care less about the damn handkerchief.

“If you insist,” you begin to carefully fold the handkerchief in the palm of your hand. “It’s just about the whole reason why I came in.”

“Fair enough,” Sonny forces his eyes off of yours, gesturing further down the hallway. “Unless the whole baby shower is waiting for you to get back, I’ll help you out here. Give you a tour of the estate and every bathroom you can find in here.”

“Oh, Mr—” you correct yourself immediately, “Sonny—I would like that very much but I don’t want to interrupt what you’re doing for something like that—”

“Believe me, I insist,” Sonny interrupts, smiling at you. “Guests come first. It’s really no problem. Let me give you a proper tour around here.”

“Alright then,” you accept, smiling back at him. “If it’s no trouble with you, I’d love to.”

“Alright then, Miss Gabriella,” Sonny moves next to you, leading the way out of the hall. “Stay close to me, alright?”

Blushing furiously, you nod back at Sonny who looks over at you behind his shoulder. “I’m with you.”

There’s no doubt about it; had you refused to go along with Santino and returned back to the baby shower or simply didn’t choose to communicate or see Sonny again after today, of course your life would be different. Either way, it would have changed.

What would you know now in this fleeting moment that couldn’t possibly mean anything else to you, trusting in this influential man son to a powerful Don that you just met, feeling as if he’s suddenly wanted to treat you as someone else in his home other than a guest?

If anyone asked years from now, you would tell them the truth. Yes, you would follow Santino Corleone to the ends of the earth, to hell if you had to and beyond that to meet him in whatever life awaited you next.

This is just the beginning of what destiny has spelled out for you side to side with a man like Santino Corleone.

But for now, you follow Sonny in hopes you’ll get to know this kind stranger and the Corleone family better, because your heart is bound to give in sooner rather than later.

#the godfather #james caan #sonny corleone x reader #sonnycorleone x oc #sonny corleone fanfic #godfather au #sonny corleone smut #sonny corleone x reader smut #sonny corleone #the godfather x reader #godfather x reader #santino corleone x reader #santino corleone x oc #santino corleone fanfic #santino corleone smut #santino corleone x reader smut #santino corleone #mafia wife fic #mafia wife fanfic

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djangari · 1 month ago

Text

Tattoo AU (Part 1/?)

I don't know the word punctuality, so here you got the first part [kinda unedited sorry] - 1650 words

Bez controls his station once again, ensuring everything he will need is prepared, sterile and in the correct position. Then he spins his stool towards the clock, looking at the larger pointer and realises that not even five minutes have passed since the last time he has done this. 

“Have you not taken your medication today, or what is going on with you?“ Vale sticks his head through the door, staring very annoyed at him. “No, of course I have taken it!“, Bez protests. He surely hasn’t forgotten to take his medication- Has he? He notices his foot tapping along to the tact of Last Christmas. - Did Luca leave on his bad Christmas playlist once again? They talked about that!- No, No, he can remember eating and then taking the pills with tap water, because he was too late to go in the kitchen and get a glass. It was important to be on time today. His regulars know he tends to be late for a few minutes and they don’t care so he hasn’t had to change yet but today is special. Today he has his appointment. 

Bez nearly sighs, as he remembers the beautiful brown curls, the soft looking plumb but thin lips, the brown eyes he could lose himself in for hours...

Vale snaps in front of his eyes to get his attention back. Embarrassed, Bez stares up to him, eyes narrowing as he sees the smug grin on the other man's face. This doesn‘t means anything good- “Why don‘t you hang up the Christmas decorations? I want it to look nice here in time for the first of December and you don‘t have any clients for the next half hour. I checked with Luca.“ Hesitant, Bez glimpses over to the big stencil. He still needs to check if the print was successful and if every other of the three spare prints is good as well. “Your client surely will love it, when he comes in and everything already looks great.“ Sold. 

Energetic he stands up and goes on search for the storage boxes. “Migno has already brought the ladder into the waiting room.“, Vale calls after him. Bez is already too focussed on his new task to answer in any other way than simply giving him a thumbs up, while speeding towards the entry.

-----

Half an hour later, the plastic tree stands in the corner of the waiting room, overloaded with fairy lights and neoncolored Christmas baubles, the paper stars hang in the glass front of the store and Bez balances on the ladder, fighting with the quite ugly pine garland. It just doesn’t want to stay on the nails, where it belongs during winter times. With another frustrated snort, Bez stretches a little more, hopefully just enough to finally reach the last nail...

“Just move the ladder”, Luca comments from behind the counter, where he stood the last five minutes and watched him struggle after saying goodbye to his last client of the day.

“Or you could maybe help me instead of laughing, just a suggestion.” Bez bites back and goes onto his toes. Yeah, nearly there...

The entry door swings wide open, and the bell Bez just hung up five minutes ago rings. “Oh, there you are”, Luca greets the new arrival. “I think you have to wait a minute, you see Bez is a bit busy right now.”

Bez attention shifts when he hears his name, and he risks a glimpse down.

There he stands... Those perfect curls, lurking out from under the red hat, nose and cheeks coloured in bright pink due to the cold outside, his slightly bitten lips hidden beneath the big matching red scarf.

Bez loses balance and crashes down the short ladder, tearing down the garland with him. He lands onto his back, limps in the air, like a helpless beetle, and for a short moment the world blurs before his eyes. Black points dance in his field of view and cover most of it.

He blinks once, twice, and then the world shifts back to normal, luckily without seeing double.

Pecco- No, Francesco, he corrects himself- is only centimetres away from his face, examining him, eyes narrowed ever so slightly. Bez wonders how a human can look so pretty. Maybe he is no human. Maybe he is an angel, send from heaven to save him.

Only after a few seconds of losing himself in those big lovely brown eyes, does he realize that he is in fact talking to him. “Can you follow my finger with your eyes?”, the angel asks him and moves said finger to the left and the right. Marco follows his instructions very willingly. “Okay, I think he might have a concussion.”, the angel says to a person standing on their right side. The giant sighs and grabs his head. “Of course he would manage to do that. Should we get him to the hospital?” His angel shrugs. “Would be best. Didn’t wanted to see my boss again before next week, but I could clock in for overtime and examine him. Quickest way to get in and out and additionally get the good drugs.” As his angel mentions it, Bez feels his head aching and pounding. “Why does the world turn?”, he mutters and moves closer to his angel until his head rests in his very comfortable lap.

“Yeah, that definitely seems like a concussion. Do you help me to get him up?” Wait, what.

Marco notices how his feet suddenly dangle in the air, without touching any ground. Confused he turns his head to look at Luca, who holds him close to his chest and moves towards the door. “Wait, no, we can’t go without the angel.” Laughing is audible, both from Luca and from behind him. Blushing, he realises Francesco stood behind him and supports his head, well now he also pets his shoulder. “Don’t worry, I’ll come with you. Someone needs to drive.” Luca still won’t stop laughing. So, Bez raises his hand and slaps him on the shoulder. “This is all your fault. If you would have helped me, I wouldn’t have fallen in the first place!”, he hisses, his head now a lot clearer. “If you hit me again, I’ll drop you.”, Luca warns him yet giggling between words. Marco pulls back to pout.

They stop before the door, facing a problem none of them had considered. How they should open the inward-swinging door to walk through. And then lock it up. Migno said goodbye over an hour ago and Vale also excused himself a few minutes after talking with Bez to ‘pick up a friend’. Everyone who knows Vale knows that that is basically a code for ‘Marc just sent me a message, I need to pay him attention’. But nothing of this solves their problem in any way, because the point is, they aren’t here. Luca exchanges a look with Pecco, holding a silent discussion with the result that it is best for them when he hands over Bez and get the keys.

Before he realises what is going on, Bez gets passed over like an oversized toddler. However, any protest dies as he leans his head onto Francescos shoulder and stares into his wonderful eyes. “Angel”, he whispers and holds a bit closer onto him. Francesco chuckles and grins at him as if he just found out a secret.

All of a sudden, Bez remembers something. “We have to reschedule. Your tattoo. I prepared everything, but I can’t tattoo you like this.” “This was kind of obvious. And it's not a problem. I can certainly free up some time in my calendar soon.”, Francesco calms him down with his beautiful smirk.

“Ok, I got the keys and I messaged Vale, can you two now postpone flirting until later and we get going? I have another client in about two hours, would be great if I would be back.” Luca closes in from behind and effectively manages to disrupt the conversation.

Francesco looks away, like he has been caught being naughty, just the slightest touch of red on his cheeks, while Bez wishes he could murder Luca with his glare. But sadly, the younger man doesn’t care, he walks right past them, holds the door open so Pecco can carefully carry Bez outside and then he turns the open sign, locks up the store, before he sits down in the driver seat of his car and waits until Francesco has arranged a surprisingly now very flustered Bez in the back seat and got in himself. He adjusts the rearview mirror, grins happily, starts the car and the radio begins to play.

Bez groans. How could he forget this. “Let's make a trip to the hospital.”, Luca says and parks out, all while the Jonas brothers da-dom-dom-dom away.

I can’t deny what I’m feeling inside

Nothin’ fake about the way you bring me to life

You make every day feel like it’s Christmas

Every day that I’m with you

#motogp #writing #djangaris advent storys #tattoo au #pecco bagnaia #marco bezzecchi #beznaia #tattoo artist bez #adhd bez #taken from my own experiences #ohhh this is cheesy #like it's christmas #luca has such a bad christmas music taste and he is the one who starts in october #yes this will get a second part #and probably an offspin with marc&vale #Cause they got crazy story in this au #and i like everydays au rn idk why

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formulapookie · 2 months ago

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🩵❤️

Torino capitale peccocele, 2.5k words

Cele comes hug him after his win, he’s still on the bike, Cele still shining from his victory, he looks so happy, he deserved it so much, coming back after two weeks spent being declared unfit, a really badly place plaque in his collarbone, and a breathtaking quali, the win was his already, and the amazing start he pulled just confirmed it.

Cele looks at him with pride, yells “Bravo” and another string of words he doesn’t really understand, too focused on the feeling of the arms he’s come to call home wrapped around him, focused on Cele’s laughter and his black curls escaping the containment of the cap, he smiles back, they look at each other, then Pecco rides to Parc Fermé.

He’s happy for the win, of course he fucking is, 10 victories in 19 races, he holds up both hands to show it, smiling under the helmet, but the other thought starts settling in.

Minus 24. Minus 24. Minus 24.

He is 24 points behind Jorge. It’s almost impossible for him to win it this year. What a fucking joke really, 10 wins out of 19 races and he’s loosing the Championship.

Mathematically, he’s still in for the fight, but realistically? He lost it. He knows Jorge won’t make a mistake, he knows that even if he wins he will not achieve the Championship. And if he does achieve it, it’s because of Jorge’s mistakes, not because he did something brilliant. That’s what’s running around his head, when people hug him, tell him he’s great, a Champion in their heart.

Everything following is something he does almost robotically, talking to Jorge, taking the Valencia flag, walking to the podium, then trophy, anthem picture, no champagne, another pic, down the podium and media duties.

On SkyItalia they ask him if he would cancel the Sprint Races for the following year, of course he would, and he says that, loud and clear, he tries to hold up a mask, something, because inside he’s just empty now, an empty shell with bones, but he has to speak, and bones don’t speak, so he forces out a polite smile, a polite answer, analyzes the fight, then he goes.

And he’s back to being a sack of bones.

The walk to his motorhome is strangely quiet, both outside and inside his mind, he doesn’t even have the strength to hate himself for losing.

He just wants his space, wants to go back home, to the person he calls home, he needs to be with Cele, alone, far from everyone, feel his heartbeat and his presence.

He doesn’t want to call him tho, he doesn’t want to bother, because no matter how many times the boy tells him he could never bother him by calling he’s scared he would, because Cele won, and he has to be happy about it, after the injury most of all, and his negativity won’t do him any good.

But when he enters his rider’s room Cele is there, sitting on a chair waiting for him, and the brightest smile appears on his face when he sees Pecco. He gets up and goes to hug him, tight, almost as if he knows he can’t hold himself up alone, he keeps telling him “bravissimo, sei stato bravissimo”, whispering it in his ear, keeping him close, and Pecco can’t hold his tears in anymore, he just goes numb in the embrace and cries quietly on Cele’s shoulder.

He spends around ten minutes there, calming down gradually as Cele strokes his back, reassuring him, calling him “campione” an awful amount of times. Cele has been out of the racing gear for hours now, and he helps Pecco change into normal clothes, a pair of shorts and an academy t-shirt.

When Cele manages to sit pecco down on the couch they’re both much more relaxed, Pecco’s head went from quiet numbness and absence of thoughts to a buzzing hive full of hateful comments towards himself, first of all for losing the Championship, and secondly for holding back Cele from going to celebrate his win.

“Celin you don’t have to stay here, you won you should go celebrate, get wasted with Bez, not here with me sulking” “Don’t give me bullshit Francesco, I’m not leaving you alone with all you have running through your head, I prefer being with you and know you’re safe rather than go get drunk with Bez and ending up throwing up in a bin somewhere in Sepang” “No Celin you have to go out and have fun not solve my issues” “Say all you want I’m not leaving you here, so hop hop let’s get to the hotel so you can rest and break away from this place ok?” “But-” “No buts, let’s go”

Pecco gets basically dragged out the garage into Cele’s rented car, who drives the short five minutes from there to the Hotel with an unusual calm, and Pecco finds himself staring at Cele’s profile, more than he usually already does, lingering on the shape on his lips and his nose, which Cele always says it’s ugly but Pecco always found to be pretty and unique, giving Cele a sort of vibe that made him look like he came straight from a 19th century painting.

They park in the reserved area and get in, avoiding fans who somehow found out where they slept and decided to camp outside to snap a pic of their favourite riders.

They get to the fourth floor and into Pecco’s room, they both prefer to be at his “place” after or before a race, it makes Pecco more relaxed and Cele feels welcomed.

They both go straight to the bed, sitting on it and Pecco curls in Cele’s arms once again, as the younger strokes his hair and kisses his forehead.

Pecco tilts his head up and locks eyes with Cele, and he slowly comes up to kiss him, like he always does, slow and gentle, and one of his hands rests on Cele’s thigh to hold himself up. Cele kisses him back, wrapping an arm around him and pulling him more against his chest.

The kiss quickly becomes more heated, Cele’s free hand going to tug at Pecco’s hair and Pecco letting out a soft moan at the action.

Cele breaks away pretty quickly tho, and Pecco fears he did something wrong, maybe Cele doesn’t want this and he’s forcing him, oh God what if he’s forcing Cele?

“Stop thinking so loudly Pecco I can hear your thoughts, I stopped because I need to ask you something” “Ok ok” “Are you sure? I don’t want to take advantage of the situation and if you’re not in the mood that’s more than ok” “No no I am in the mood, are you sure you are? I know we usually - after your wins we celebrate a bit more - you know what I mean” “Yeah I do I do, I don’t care if we don’t do it like other times, slow is fine you know that”

Pecco blushes, Cele is so sweet and understanding with him he doesn’t get how someone can keep up with him and all his paranoias without getting bored at some point.

Pecco opens his mouth to speak, then closes it, then opens it again, the blush on his cheeks increasingly becoming redder.

“Can you - like can you - Celin can you top this time? I just want to get out of my head” “Of course, whatever makes you feel better amore” “Thank you”

They resume kissing, Cele takes the hem of Pecco’s shirt in his hands and pulls it up, discarding it on the floor beside the bed, doing the same with his shirt, before resuming the kiss and moving his hands to unbutton and unzip Pecco’s jeans, cupping his erection through the briefs.

“Celin”

It’s a broken plea, coming from Pecco who’s bucking his hips in Cele’s hand to try and get some pleasure, while Cele lays him down on the bed tugging down his pants and boxers, leaving him naked surrounded by soft sheets.

He gets up to grab the lube they left in the older’s backpack, coming back immediately to a whimpering Pecco who’s stroking himself in the wait, and it kinda makes him proud, how he managed to get him needy and hard in so little time.

Cele gets on the bed, and gently opens Pecco’s legs, squirting some lube on his hand and heating it up, then slowly pushing one finger in, it’s been a while since Pecco bottomed, but he always enjoys it when the older lets go of his mental restraints and gives himself like this

Pecco whines already at the first digit, but tells him to go on, so Cele resumes his movements, pushing the finger inside until his knuckle meets the rim, then pulling out, thrusting it a few times, then adding a second finger, scissoring them to get Pecco adjusted to the stretch.

He’s a bit rushed, but the older gets it, Cele is 23, he just won and they rarely switch, so he excuses his lack of absolute control, mostly because to get out of his head he knows it’s gonna have to be the kind of sex where he melts completely, so it’s no use being fake gentle now.

When a third finger gets pushed inside Pecco grips at the sheets, parting his lips to let out a louder moan, Cele clearly aroused by the state he got Pecco in, rutting slightly against the bed.

“I’m ready Celin I’m ready”

The younger’s eyes sparkle when he hears those words, he’s getting harder every second more and rutting against the mattress is not helping in the slightest, so he sits up and unzips his jeans, tugging them off, one leg getting stuck, a string of curse words leaving his mouth before he removes his boxers as well, throwing them on the edge of the bed.

He aligns himself with Pecco’s hole and starts pushing inside, grabbing his hips with both hands to keep him still, stroking his hip bones with his thumbs.

He lets out a deep groan once he manages to get inside all the way, Pecco feels tight, not an uncomfortable kind of tight, but he needs to move or he’s pretty certain he’ll die by just staying there.

“Gonna move ok?” “Yeah do it do it”

The first thrusts are more controlled, tentative, soft almost, because despite wanting to go faster and harder Cele also wants to keep himself in check not to hurt Pecco. But the older clearly either doesn’t care or simply doesn’t feel that pain because he immediately wraps his legs around Cele’s waist and forces him to go deeper.

“Don’t hold back I want to feel you all the way” “Ok fuck you feel good” “You feel amazing”

And both are true, Cele might not be thick like Pecco, maybe just a bit longer, it’s not like they told eachother their exact lengths, and he manages to make him feel so fucking good.

As soon as his thrusts become deeper and faster Pecco is moaning, one hand gripping the sheets and the other thrown over his eyes, occasionally shifting to comb back his hair, curls falling over his forehead, sticky from the heat and uncomfortable.

Cele picks up the pace once again, Pecco’s string of thoughts getting replaced, going from words of self-despise to just pleasure. He can only think about that, how Cele feels inside him, how their moans get mixed together in the silence of the hotel room, how he can let himself be just him and not some persona for the media, how Cele cares for him.

The younger shifts a bit to get more comfortable, moving his hand to go look for the one Pecco is gripping at the sheets with, locking their fingers together, thrusting deeper, feeling Pecco squeeze his hand with force, the older’s legs pulling him even closer, tightening their grip on his waist.

He barely has manoeuvre space, but the one he has is enough to get Pecco closer with each thrust, finding his prostate takes a bit longer than he’d like, but once again, he hasn’t topped in a while and he gets overwhelmed by having Pecco in bed with him.

Sometimes he still can’t understand how he gets to have him. Like- this one right here moaning under him is a 3xMotogp world Champion, he’s now a 10 times gp winner in a single season, he’s won so many races, and he’s the one he looked up to as a kid. When he was younger he always said “I want to be like Pecco when I grow up” and now he finds himself fucking him into the mattress of a hotel in Malaysia after they both won the race and Pecco is begging for him to go harder and harder.

When he shifts his gaze from Pecco’s face to his dick he sees it basically shiny with precum, hard and red, the vein he usually passes his tongue over when he blows him being the first thing he notices.

“You’re so hot”

The only answer Pecco gets out is a moan, arching his back slightly, mouth in a perfect o shape as Cele keeps fucking him with the same intensity as before, their moans getting mixed with the sound of skin slapping.

Cele moves the hand he’s got on Pecco’s hip next to his head to lean in and make out with him, swallowing all the pretty sounds he’s making, slowly moving down, kissing his jaw, then onto his neck, leaving a few bruises he’ll watch proudly for a few days, never stopping his thrusts, because they’re both getting closer to the edge, Pecco especially, looking anything but the composed and put together version he shows media and fans.

Pecco’s free hand goes to tangle itself in Cele’s mop of hair, so unruly he found himself many times having to comb them somehow, they’re still wet now, from the race, the sweat, the heat.

They’re as messy as him, and Pecco loves to run his hands through them when they’re laying on his couch, Cele’s head on his lap as they watch a movie.

A harder thrust gets him back to the present, the feeling of Cele hovering above him, hot breath on his neck, he still smells like a race, the acrid sting of leathers and fuel on both of them, attached to their skin.

The younger almost glistens with sweat now, he looks like a vision.

Cele can’t hold on anymore, he’s so damn close, he needs to come, so he wraps a hand around Pecco’s dick, stroking it fast, not in time with his thrusts, much faster, and Pecco comes like a fucking fountain all over Cele’s hand and his own abs, as Cele thrusts a few more times before coming inside him, moaning his name directly into his ear, before pulling out and immediately laying beside Pecco, resting his head on his chest.

They’re panting hard, now the smell of sex joining the one of racing, Cele leaving kisses on Pecco’s chest, taking the older’s hand in his again, while Pecco plays with his hair as he always does. They’ll think about getting cleaned up later on, right now they just need this, a moment to themselves, to be just them, close, in the post sex haze where they feel like one and not two people, where both feel at home.

#alice writes #my fic<3 #peccocele #motogp rpf #motogp smut #motogp fic #so yeah this one's a bit idk #but fuck it we ball

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