#fox primetime

[guardian-angle22]

911 LONE STAR REWATCH 2024 -> MY FAVORITE SCENES | Owen recruiting Paul in 1.01 Pilot

[justinspoliticalcorner]

Payton Armstrong at MMFA:

Fox host Jesse Watters invited a streamer known for pushing misogyny and anti-Black hate on his show to discuss the July 29 “White Dudes for Harris” event, organized to support likely Democratic presidential nominee Kamala Harris' campaign. During the interview, Sotomayor — who has previously said that women “should not have the right to vote” and that “women, other than s3x and having children, are worthless people” — told Watters, “Vote this woman [Harris] in and get yourself not a chicken in every pot, but a Black chick in every house.”

Sotomayor, who is reportedly a men’s rights activist, has a public record of pushing sexist and anti-Black rhetoric, particularly toward Black women. Sotomayor previously appeared on the podcast of Proud Boys founder Gavin McInnes, where Sotomayor relentlessly demonized Black mothers and agreed with McInnes that Black women are more prone to violence. He has also compared Black women to “rabid dogs,” declared that women “should not have the right to vote,” and that “women, other than s3x and having children, are worthless people.”

Sotomayor also has a history of pushing antisemitism, including seemingly questioning the Holocaust during a recent interview. Additionally, in 2015, he appeared on former Ku Klux Klan Grand Wizard David Duke’s podcast to discuss “the destruction of the Black community due to the cultural pollution that is being spewed out by the Jewish media elite.” 

[...] Sotomayor’s recent presence on Fox properties extends beyond Watters’ show, as he has also recently appeared on Tomi Lahren’s program — which streams on Fox Nation and Fox corp.-owned Outkick — and discussed Juneteenth and outrage over the Paris Olympics opening ceremony.

On Monday’s edition of Jesse Watters Primetime, serial misogynist Tommy Sotomayor used sexist tropes to demean Kamala Harris.

[harrowharkwife]

I can’t believe I just woke up to this 😅 Does the whole sperm donor theory comes just from the TVline snippet? Fandom absolutely skipped over the obvious threesome suggestion (quite possible as Eddie “gets involved” with the singer and if it implies something even remotely romantic for Eddie we know how Buck gets) and jumped straight to sperm donor thing? Threesome is sort of close to Buck’s current storyline of being single and realising he’s better being alone for now but the last time he talked about being a father was in season 1 maybe. No offence but it’s the most outlandish theory ever since “Maddie is actually Buck’s mother”. Am I missing something that makes it so believable to others?

cranky cause you can't handle fun theories, huh?

POV im washing this rancid ask down the drain

[alltrekvarnews]

Emmys: Nueva fecha de enero se confirmará en agosto cuando la transmisión de 2023 abandone formalmente el puesto de septiembre.

[mashymilkiesinc]

The Pitts was originally a short lived, live-action TV show in 2003. It was pitched as "A LIVE-ACTION CARTOON" as it's characters and situations were very broad and cartoony. Nevertheless, it was cancelled after one, short season.

However, because it was created by Mike Scully, who has lots of bona fides in TV, The Pitts was resurrected to be an ACTUAL animated series in 2008. Unfortunately, it never got far into production before it was cancelled again. I was to direct at least one episode and was barely into storyboard when the axe fell.

I attach a link to see the Main Model Pack at top. It'll give you an idea what the characters and general look of the series.

The circa 2003 live action episodes are available on YouTube and they are a riot:

[kineticpenguin]

Last night, something beautiful and unexpected happened – Fox News produced great content on their primetime show. For those who haven’t seen the fantastic clip, the conservative TV channel sent someone to Seattle to do a “man on the street” segment about crime. But, despite the so-called reporter asking one leading question after another, the people interviewed rebuked every comment and question and mocked the idea that Seattle was dangerous. One woman, when prompted with the statement that people are being robbed all the time as they walk around, laughed and asked where the guy was getting his facts from. And that wasn’t even the best part. Another person interviewed gave what was, to me, a stunning and incredible response to see on the nation’s leading conservative TV station. They immediately and calmly replied, “Crime is a social issue that could be solved by giving people their basic needs.” And, for some reason, Fox aired all of this. Despite their best efforts to get people ranting and raving about crime in Seattle, they got one person after another not only talking about how safe the city is, but openly mocking the man they sent out to drum up fear around crime.

[qqueenofhades]

from across the pond, I am loving how all of our news outlets are basically just going 'kamala kicked trump's arse so hard that he couldn't even outwit her on areas where she has weak policy, what the fuck is WRONG with him'. big congrats from over here, this truly must be a lot of fun to watch

As noted, I didn't watch the actual debate, because I can't stand to look at his stupid face or hear his stupid voice for almost any reason and especially not for 90 minutes of lies. But reading the reactions last night and this morning has been both a) heroin grade schadenfreude right to the veins and b) totally shocking in that even the likes of Fox News and the Goddamn Republican Propaganda Mouthpiece New York Times (or at least a few individual writers, I'm sure their actual story will be stupid) are acknowledging that she absolutely cosmically annihilated him and it was not close. Now we wait in vain for the sort of coordinated and hysterical TRUMP MUST DROP OUT NOW stories that carpet-bombed the media within 24 hours of Biden's performance in the first debate, but.... baby steps. Or something.

Anyway, aside from crushing him on the issues, she basically put a dog collar on him and set Roadrunner-level traps, and he charged headfirst into them every time, because he is a sociopathic narcissist who is pathologically incapable of not being baited by the most obvious taunts. She made him look like the ranting crazy old felonious treasonous buffoon that he is, which is not necessarily easy to do when you have an opponent who just loudly and constantly spews bullshit (witness how it overwhelmed Biden at the first debate). And she did it all with a smile and making it look easy while he was murdered onstage for 90 minutes, looked like she could have easily gone another 90, immediately called for a second debate, and then Taylor Swift endorsed her within 20 minutes of it ending. I mean. RESPECT.

Etc etc debates don't vote, polls don't vote, it is still a close race, all the usual caveats. But Donny Don got Spanky Spanked, everyone knows it, every idiot in the media chirping about how Kamala Has To Be Dazzling Or She’s Doomed can shut tf up because she was, and once more, all the memes and reactions just pouring scorn and mockery on Trump will hurt him as much or more than the actual spectacle of him transforming into a burning dumpster on primetime television. So. Yes. I am indeed pleased.

[catdadeddie]

I've been saying that Fox was holding 911 back. And that it would be evident when the season starts. And it was.

ABC said do whatever. Have fun.

Tim literally did a call that he'd been wanting to do since season 2 but Fox said it was too sexual. They were swearing in the episode.

It's little things, but it's also censorship that Fox did. ABC is also primetime. The medium hasn't changed. What's allowed to be done in terms of FCC guidelines hasn't changed.

Now, I'm curious to see what more happens this season.

[reality-detective]

The “Fauci Dog Experiments” were formally revealed on Fox News PrimeTime. A report from the White Coat Waste Project (from a FOIA request) found that more than $400,000 in taxpayer money was spent on dog experiments where beagles were infected with parasites via biting flies and then killed for analysis.“…the dogs endured months of pain, and once researchers were done with them, they were killed.

This is the type of man that was charged with taking care of your health! 🤔

[dertaglichedan]

‘Gutfeld!’ Sets Record of Nearly 5 Million Viewers During Trump Interview

Fox News’s Gutfeld! set a new record after it drew an audience of nearly five million viewers during its interview with former President Donald Trump on Wednesday.

The outlet announced in a press release on Thursday that it had an average of 4.9 million viewers, marking “its highest-rated telecast in program history.”

In the press release, Fox also revealed that the program had been seen by 744,000 viewers in the “25-54” demographic. The show is also reported as attracting “more Independents and Democrats than” its competition, according to the Nielsen MRI Fusion.

“The program featured former President Donald Trump’s first late-night appearance since a 2016 interview with NBC’s The Tonight Show with Jimmy Fallon,” the outlet explained in the press release. “Gutfeld! was the most-watched show in all of cable and broadcast primetime, defeating the debuts of CBS’s Survivor (4.7 million P2+) and ABC’s The Golden Bachelorette (2.8 million P2+).”

Trump’s interview on Gutfeld! came days after the second assassination attempt on his life in two months.

[kwebtv]

Andre Keith Braugher (/ˈbraʊ.ər/; July 1, 1962 – December 11, 2023) Stage, film and television actor best known for his roles as Detective Frank Pembleton in the NBC police drama series Homicide: Life on the Street (1993–1999) and Captain Raymond Holt in the Fox/NBC police sitcom Brooklyn Nine-Nine (2013–2021). Over his career, Braugher received two Primetime Emmy Awards, as well as two Golden Globe Award nominations.

Braugher started his career acting in numerous productions in The Public Theatre's Shakespeare in the Park. He transitioned his career into television gaining roles in Kojak (1989–1990), The Court-Martial of Jackie Robinson (1990), and The Tuskegee Airmen (1995), followed by leading roles in the ABC medical series Gideon's Crossing (2000–2001), the CBS crime series Hack (2002–2004) and the TNT comedy series Men of a Certain Age (2009–2011). He  also appeared in numerous series such as Thief, The Good Fight, House, New Girl and BoJack Horseman.

In 2006, Braugher starred as Nick Atwater in the mini-series Thief for FX Networks, winning a second Emmy for his performance. He appeared on the TV series House, M.D. as Dr. Darryl Nolan, a psychiatrist who helps House recover from his addiction to Vicodin.

Braugher had a recurring role as defense attorney Bayard Ellis on Law & Order: Special Victims Unit from 2011–2015, and starred as the lead character, Capt. Marcus Chaplin, in ABC's 2012 military drama TV series Last Resort. In 2017, Braugher had a recurring role in season 4 of the Netflix animated series BoJack Horseman as California Gov. Woodchuck Coodchuck-Berkowitz. From 2013–2021, he starred in the Golden Globe-winning TV series Brooklyn Nine-Nine as the precinct captain, Raymond Holt. For his performance in Brooklyn Nine-Nine, he was nominated for four Primetime Emmy Awards for Outstanding Supporting Actor in a Comedy Series. (Wikipedia)

IMDb Listing

[1americanconservative]

X and Truth Social WE ARE THE NEWS!

Fox News is the most watched cable network with an average of 1.85M viewers per night in primetime.

MSNBC averages 1.22M viewers.

CNN only averages 582,000 viewers.

Tucker’s interview with Putin is over 50M views on X within the first 5 hours.

On average, per night:

FOX has 1.85 million views

MSNBC has 1.22 million views

CNN has 582,000 views

In less than 24 hours, Tucker Carlson’s interview with Putin already has 141 million views.

Corporate media is DEAD.

[disneytva]

Variety Interviews Ayo Davis, Meredith Roberts And Emily Hart On Disney Television Animation's 40th Anniversary And What To Expect On From The Past, Present And Future

40 years ago, Disney TVA was founded on the heels of challenging outcomes with features “The Fox and the Hound” and “The Black Cauldron.”

Initially, Disney TVA was restricted from using established Disney legacy characters, but nevertheless had huge successes with new shows like “The Wuzzles” and “Adventures of the Gummi Bears,” both of which became popular in syndication. As time went on, DTVA was able to use its limited rights to create shows like “DuckTales” and “TaleSpin,” which featured Disney characters. Today, the slate has evolved to include shows that travel across Disney’s streaming, linear and digital platforms, including Disney+, Disney Channel, Disney Junior and the Disney Parks

Over the 40 years of the studio has collaborated with Walt Disney Imagineering to bring beloved Disney Afternoon characters to the parks as well Mickey And Minnie's Runaway Railway and AquaMouse for the Disney Wish and Disney Treasure cruises from the Disney Cruise & Ships Line as well collaborating with Disney Yellow Two Shoes Team to redesing some heritage characters for the WDW Passholder Magnets.

Disney TVA characters also have gone to the realm of live action. In 2019 Disney Channel brought Kim Possible to the live action world as a Disney Channel Original Movie in 2019. In Spring 2022, Walt Disney Studios brought Chip 'n Dale: Rescue Rangers to a new generation of fans trought a meta-driven live action/animated hybrid film which won an Primetime Emmy Award for Best Feature Film.

In April 2024, it was announced that Kiara from The Lion King II: Simba's Pride created at Disney TVA will make her live action debut on the motion capture/computer animated film "Mufasa The Lion King" with the character being voiced by Blue Ivy Carter. In Fall 2023, it was announced that Blumhouse Television and Atomic Monster where developing a live action reboot of Gargoyles for Disney+.

The future of the studio looks bright as the studio is slated to debut it's 100th show overall "StuGo" in 2025, as well new interations of beloved classics like The Proud Family, Phineas And Ferb, Sofia The First and Darkwing Duck trought revivals,reboots and spin-offs in the coming years with early talks of new interations of TaleSpin, Kim Possible and Recess since Early 2023.

“We have a wildly diverse development slate because we don’t have a house style,” says Meredith Roberts, executive vice president, television animation, Disney Branded Television and CEO of Disney Television Animation “Our styles are creator-driven, so that allows for real support of the artist or creator to fulfill his or her vision. Anything is possible, whether it's CGI. (“Monsters at Work”), hand-drawn 2D (“Big City Greens”,"Primos","Hailey's On It!"), rig-based 2D (“Moon Girl and Devil Dinosaur”,"Kiff") and stop-motion (“Mickey Saves Christmas”,"Rhona Who Lives By The River".). Roberts continues, “We really try and solve all the problems and develop it. We look at the scripts and the story arcs. Every project has to have a strategy behind it that will complement the slate and separate it from other things. Each project has a distinct swim lane to attract an audience. And we’ve learned to meet the kids where they are, in terms of streaming and YouTube.”

Co-viewing, the viewership that happens when adults sit down to watch a DTVA show with the kids in their lives, is part of the studio’s secret sauce and long-term strategy. Many of the shows are written with jokes and plot points for both audiences so both groups will return.

“We double down on the kids and family space,” says Roberts. “We’re not just dipping a toe in the water. We’re diving in. I think we’ve seen a lot of churn with the competition, who just don’t have the patience to develop and are for this audience, which is a very specialized kid audience and co-view audience.” ("The Witchverse", "Rhona Who Lives By The River","InterCats","Fantasy Sports") Roberts reflects: “I think one of the things I’m most proud of is how stable Disney TVA has been for the last 40 years despite a lot of outside churn of the animation industry. Many of our crews feel that Disney is their forever home. I think the excitement they have to illustrate and create with this brand has been terrific because it’s harder to be funny and clean. And nowhere are we tearing down people to get that laugh. I think that’s the beauty of a Disney animated show.”

DTVA also sought to meet kids where they are by making their audience — which is made up of the most diverse generation in history — feel seen, with series such as “Elena of Avalor,” which featured Disney’s first Latina princess, and “The Proud Family,” franchise focused on the life of a teenage Black girl.

“We do have an amazing insights team that are constantly in the field, giving us general information about how kids are watching content, what they’re into,” Emily Hart (VP of Current and Development - Disney Junior) says. “Some of those things are evolving, as we know the ways kids consume content is changing. But there are some universal truths about kids, and it’s great to have that reinforced. Kids still like a lot of the same things that we like. So, there’s a combination that we’re always tracking with every new idea, and we do pilot testing. We get to sit down and talk about the content, and we invite our creators in so they can see the kids talking about it because they’re the audience and they’re the truest test of if the story is going to work.”

Ayo Davis, president of the Disney Branded Television and VP of Current and Development at Disney Television Animation says the division is a “driving force” for memorable kids and family entertainment.

“All of us at Disney Branded Television are so proud of the studio’s 40-year legacy as it continues to entertain future generations with shows like ‘Kiff,’ ‘Big City Greens’ and ‘Mickey Mouse Clubhouse 2.0" --- Davis says.

Those creators who come to DTVA often stay for a long time, partnering with the studio on a variety of different projects or expanding on a hit and reimagining it for the next generation of viewers. “The Proud Family” was a standout in 2001 on Disney Channel. Creator and executive producer Bruce W. Smith is now working on the Emmy-winning “The Proud Family: Louder and Prouder,” which is based on the original series. The show follows Penny Proud as she navigates family life and her own childhood.

“Being at Disney TVA has allowed me to realize all my artistic dreams,” says Bruce W. Smith. “As a kid, you always have hopes, thoughts, dreams, ideas and characters that can help lay out those ideas in your head. Disney has allowed me to really tap into my creative instinct, at the end of the day, you have to learn how to trust yourself. Meredith Roberts has been a true shepherd for me in all of this, allowing me to stretch my wings. Because of her belief in me and my ideas, she’s really allowed me to blossom as an artist. All that happened at DTVA.”

“They really seem to be a place that welcomes your ideas,” Dan Povenmire says of Disney TVA. “They want to find people with real strong ideas of the stories they want to tell, and then they let them tell those stories for the most part. They seem to put storytelling and characters over anything. With [‘Phineas and Ferb’], we would write jokes for the kids and the adults in the room because we knew the adults would be there too. We were just careful not to do any double entendres.”

[shannendoherty-fans]

"Charmed" creator Bert Salke (L) and actress Shannen Doherty pose at the FOX 56th Annual Primetime Awards Gala at Spago, September 19, 2004 in Beverly Hills, California.

[d-criss-news]

Darren Criss Live at Tre Posti Vineyards

Pre-Concert Wine Tasting Reception • Live Concert in the Vineyard • Post-Concert 3-Course Vintner's Dinner

Time & Location Jul 25, 2024, 6:00 PM Tre Posti Vineyards, 641 Main St, St Helena, CA 94574, USA

About the event Please note: Concert is at 7:30pm. Arrival time varies based on ticket type. Broadway & Vine invites you to an unforgettable evening pairing some of Napa Valley most beloved vintner's with a concert by Golden Globe, Primetime Emmy, Critic's Choice, and SAG Award Winner Darren Criss (TV: Glee, Ryan Murphy’s The Assassination of Gianni Versace: American Crime Story, Hollywood, Broadway/Off Broadway: Maybe Happy Ending, Little Shop of Horrors, American Buffalo, Hedwig and the Angry Inch (2015), How To Succeed In Business Without Really Trying) at Tre Posti's Vineyard. For this concert, Darren will be performing a playlist of songs featured throughout his wildly eclectic career as both a songwriter and performer.  Supplement your concert experience with a pre-concert wine tasting reception and post concert Vintner's dinner.

Since bursting onto the pop-culture landscape over a decade ago, Darren Criss has embodied the kind of kaleidoscopic artistry that’s entirely uninhibited by form or genre.  Before Darren Criss exploded into the internet’s subculture as both an actor and songwriter for the YouTube viral hit A Very Potter Musical in 2009, he had made a small name for himself playing unique interpretations of popular songs he’d perform at cafes and bars in his hometown of San Francisco.  Little did he know that the same knack for covering tunes would serve him well in 2010, when he was cast on FOX’s massively successful musical series Glee, from which many of his performances of popular songs would lead to several Billboard-topping records.  In 2015 his songwriting also landed an Emmy nomination for Best Original Music and Lyrics, from penning the song “This Time” for the show’s series finale.

Criss has continued to write and produce music extensively through the years, whether for his own releases as an artist or as a songwriter for theater, film & television.  In 2019 Criss created, executive produced, starred in, and provided all the original songs for his short-form musical comedy series Royalties, and earlier this year provided the music & lyrics for the opening number of the 2022 Tony Awards: Act One.  As an artist, he most recently delivered a genre-diverse collection of "character-driven" singles as part of his 2021 solo EP titled “Masquerade” (BMG), and in the same year, released a full-length Christmas album titled- aptly- A Very Darren Crissmas (Decca).

As an actor, Criss is a veteran of the stage whose Broadway credits include the titular role of Hedwig and the Angry Inch (2015), How To Succeed In Business Without Really Trying (2012), and the most recent 2022 revival of David Mamet’s seminal play American Buffalo alongside Laurence Fishburne and Sam Rockwell.  In 2018 his work in Ryan Murphy’s The Assassination of Gianni Versace: American Crime Story received wide critical acclaim, earning him a Primetime Emmy, Golden Globe, Screen Actors Guild, and Critics’ Choice Award.  He was most recently seen starring in Netflix’s hit series Hollywood, for which he also served as executive producer.”

Please Note: The event will be held outdoors at sunset and the temperature will vary. Seating is based on party size and arrival time, and is up to the discretion of the event management. No seat is greater than 35 feet from the stage in this exclusive Broadway concert experience.  ALL SALES FINAL.

[buddiebeginz]

Here’s another reason I’m confident Buddie is happening this season.

911 og and 911 Lone Star will essentially be competing with one another in a way that they didn’t before being on the same network. People might say well LS is in it’s final season so it doesn’t really matter but I’m sure it will matter to ABC if Fox can pull in higher numbers for the show they kept than ABC can for the one they took from them.

Despite all the talk about how homophobic Fox is they know Tarlos is a big draw for that show and will use them accordingly to get people to watch. They've already started using Tarlos on their social media to promote the new season.

No matter how much B*mmy fans want them to be their ship is not comparable to a ship like Tarlos. Especially not Tarlos in season 1 which had a lot of hype around them and was a will they/won’t they ship. I’m mentioning season 1 Tarlos because B/T is still a newbie ship like Tarlos were in season 1. Yet B/T hasn't had even half the development or promotion Tarlos did in season 1 of LS.

Despite how much a select few online yell about them B*mmy is just not a ship that is going to draw in a lot of new viewers. Some new people started watching the show after Buck came out but this was much more about Buck than B/T no matter what B*mmys say. Think about it you could replace T*mmy with any other guy and the reaction would probably have been about the same. That's because the big reaction (especially for people familiar with the show) was about Buck finally having his bi awakening. For those who were introduced to the show through clips of the kiss going around it was more of, oh look these two hot guys are kissing or oh look more queer rep let me check this show out.

Also listen to the things Oliver has said in interviews about the storyline. The messages he's been receiving from people have been primarily about people relating to Buck coming out later in life not about B/T. Yes some people like B/T and found the show because of their kiss but that's not the major draw and the ship is just not interesting enough (especially compared to other primetime couples and Buddie) to keep a significant amount of people tuned into the show long term.

Most primetime shows have a will they/won't they couple. For 911 that couple was Maddie and Chim for a long time. But going into s8 all of the big main canon couples are married at this point. I love all the couples on 911 and I love that they they're all settled and happy but the fact is happy settled couples don't bring in new viewers (Tim himself has even said as much before). So 911 is going to need a newer more exciting ship that will garner attention. If the intention was to have B/T be that new exciting ship I truly believe their relationship would have been handled a lot differently from the beginning.

Instead of them getting together pretty quickly I think things would have dragged out all season. Maybe after the bad date Buck and T*mmy don't meet for coffee and Buck thinks it's over only they run into one another again on a call and it's awkward. If they wanted to build the story and rope the audience in the show could have let us know there's feelings there between them both but neither wants to say anything. So they don't. Then Buck decides to go to a gay bar and runs into T*mmy again and sees him with another guy and that bothers him. And it's not until the end of the season that we get some big romantic moment showing that they do want to be together.

I'm saying all this to point out that if the plan was to build excitement for that ship 911 had time even in a shortened season and they didn't. Even if the intention was to leave us wanting more from B/T, just give us little bits of what's going on with them and fully develop them later in s8 they didn't do a great job with that either. Nearly every scene that B/T are in T*mmy comes across as a dismissive ass who just doesn't seem all that invested in Buck (including in the new deleted scene). They also had very little physical affection and often just didn't behave like a couple or even like two guys who are dating. I've seen people say that in scenes like the medal ceremony in 7x09 they would have never even known they were together if that was the only episode they saw.

My point is there is no way B/T can compete with Tarlos the only couple that can do that is Buddie. ABC and Tim know that if they even hint at Eddie coming out and Buddie canon no one will even remember that LS exists. The kind of attention that B/T has gotten will be nothing compared to the way the world is going to explode when Buddie goes canon. So many people (including a good number of B/T shippers who remain multishippers) have been waiting to see it happen for years.

This is no hate towards Tarlos and Lone Star who I love btw and I'm sad that show is getting canceled. I'm just pointing out that this is how networks think. I know Tim worked on LS for a while and I'm sure he still has love for that show and the cast but at that same time it's important for 911 to have high ratings if we want the show to continue long term.

I've been a fan of 911 almost since the show started and a Buddie fan pretty much as long. I've been hopeful in the past that Buddie could happen especially after the shooting. Which makes sense now given everything we've been told about how Buck was was probably going to come out in s4 and Eddie in s5. I lost a lot of hope for Buddie after s6 though. I wasn't even sure I wanted to keep watching tbh. Which is why I can't believe I'm at a point now where I feel more certain than ever that s8 will be our year. I know we've been hopeful in previous years but everything is pointing towards Buddie now more than it's ever been.