#fourth wing meta

[partfae]

thinking about how xaden’s signet has to do with shadows and liam is called violet’s shadow… yeah that hurts

[serahadmoni]

A Case for Bodhi Durran

Criminally underused and oft-sidelined, Bodhi Durran deserves…more. More attention. More consideration. More love. While plenty of fanon exists surrounding his character - including presuppositions of what his life was like before the apostasy, what his dreams for the future were before the Rider’s Quadrant -  for this commentary I will try to focus primarily on the text and evidentiary proof of his virtues. So, let's talk about how Bodhi Durran...

Is Loyal

“When you have a hundred and seven scars on your back, then you get to make the fucking decisions, Ciaran,” Bodhi snarls

I feel like all the Marked Ones who populate Xaden's inner circle have loyalty written indelibly on their hearts - loyalty to not only Tyrrendor, but specifically to Xaden. They understand the sacrifice he made then and the sacrifices he continues to make for them. Even when being loyal to Xaden means hauling dead bodies out of his not-girlfriend’s room at two in the morning. Or making clandestine smuggling runs . Or continuing to manage the operation in Xaden’s absence when the Navarrian leadership has begun to catch wise. Or when you take pains to ensure he’s left to his grief on the anniversary of his father’s death. Even when they sometimes butt heads over specifics, Bodhi ultimately defers to Xaden, because he…

Is Dutiful

[Xaden] dips his chin toward our wing, and two riders—Garrick and Bodhi—break formation, then climb the steps to stand behind Xaden, their hands at their sides.  “As it was a matter of life and death, I personally executed six of the would-be murderers, as witnessed by Flame Section Leader Garrick Tavis and Tail Section Executive Officer Bodhi Durran.

Again, all the Marked Ones display this quality in spades. Even if they don’t always agree with the methods Xaden uses, they will forever carry out their duty, his orders. Liam represents the ultimate expression of this quality, but the way Bodhi protects Violet in Xaden’s absence, even going so far as to risk his own reputation and command by constantly moving flight maneuvers to protect her is an undeniable expression of his sense of duty.

“You saved every single one of us here, cousin,” Bodhi says. “And we’re thankful. Now, I’d like to do what we’ve trained for, and if it means I don’t go home, then I guess my soul will be commended to Malek. I wouldn’t mind seeing my mother anyway.”

This speaks for itself. Both in the language of duty and loyalty, which only serves to accentuate the fact Bodhi…

Is Supportive

“You’re our best fighter,” a second-year near Xaden counters with a quick grin.

Though he and Garrick (and Violet) share in this responsibility to some extent, I still think in a lot of ways Bodhi is Xaden’s ultimate hype man. Mostly because he understands Xaden so deeply and as such is well aware how much Xaden needs it sometimes. He’s present for Xaden in difficulty. Willing to advocate for him, stand up for him even against the other Marked Ones as he does after Resson.

Bodhi grins, flashing a smile that looks exactly like my aunt’s used to. “Good to see you up and about, Sorrengail.” Then he smacks me on the shoulder as he walks off, looking back over his shoulder. “I’ll fetch the backup plan. Good luck.”

But it’s not just Xaden he supports…

When the Assembly wants nothing more than to toss Violet in a cell, he lends his voice to the arguments for her loyalty, her integrity: 

She fought at our side at Resson.” Bodhi tenses as his voice rises as well.

AND

In another, quieter moment, which speaks not only to his naturally supportive nature but also how well he can read others needs: 

“It’s a lost magic,” Bodhi says softly, appearing at my side. He rubs his thumb over his newly mended, scarless palm. “Maybe there’s a reason this stone never worked. It might be broken.”

He can tell how thoroughly the failed attempt at raising the wards shatters Violet’s self-confidence and even though he doesn’t know her as well as Xaden, he understands she needs reassurance, offering it freely. He also supports Violet in her burnout and when she’s crazed after hearing Xaden was injured. 

Bodhi Durran is a man who desperately wants everyone to be okay. Actively. Daily. Trying to not only keep everyone alive, but sane and grounded, because Bodhi…

Is Brilliant

The distraction Bodhi engineered in the flight field bought us time to meet without teachers noticing, but not much, especially considering that Devera, Kaori, Carr, and Emetterio are among those on campus still.

Personally, I would love to know what he threw together with zero notice that managed to keep the instructors busy long enough for Dain to call the quadrant to formation and Xaden (coughVioletcough) to issue his invitation. My guess, there were explosives of some sort involved.

Also, when they are climbing the Cliffs of Dralor with the fliers and the wyvern attack, he puts together what it means that the wyvern felt the pulse of the Aretian hatching grounds being reactivated before pretty much anyone else. He understands the wyvern will have relayed to their masters that the fliers and Aretian riders joined forces and the implications of such a report.

“I… uh… think we’re going to have to make some modifications on that harness,” Bodhi remarks as Andarna struggles to maintain her balance. “That’s going to take a few hours.”

Without drifting into the land of fanon, it’s hard to elaborate on this point except to highlight that Bodhi has the skills and know-how to modify an elaborately designed one-of-a-kind dragon harness. Were I to drift into fanon, I would shout from the rooftops that he’s the engineer of the group - the one that made sure Violet’s daggers would work for her, who consulted with Xaden on the prototype and modifications to Violet’s saddle, who also helped design and proof Andarna’s harness. Where Xaden may be the ideas-man in these areas, Bodhi executes. He’s the one who fixes their pocket watches when they won’t keep time or helps troubleshoot why the damn trigger on that crossbow sticks when any of the Marked Ones can’t figure it out for themselves. Ultimately, Bodhi wants to help in a tangible way because he...

Is Protective

In this, I feel it’s best to just let Bodhi speak for himself. 

When Varrish confronts Violet on the flight field before her first trip to Samara.

“You may leave, Cadet Durran,” Varrish says.  Bodhi moves closer to my side, and the male lieutenant takes a step closer as well, the mage lights catching the signet patch—fire wielding—on his uniform. “As Cadet Sorrengail’s section leader, I am the next in her chain of command. And as Article Four, Section Two of the Codex states, her discipline falls to her chain of command before being brought to cadre. I would be negligent in my duty were I to leave her in potential possession of… whatever it is you’re looking for.”

When Varrish pushes Violet to near burnout.

Bodhi’s warm brown face appears in front of mine. “Fuck.” He tugs the edges of the blanket closed around me. “This is because of Andarna?”  “Yes.”  Bodhi’s eyes widen. … “I’ll handle it,” Bodhi promises, capturing my gaze. “This won’t happen to you again.”

When Dain Aetos calls Violet to the mat because he’s pissed off that she won’t talk to him.

“You shouldn’t do this!” Bodhi shouts as he runs at us, skidding to a stop next to me. Imogen isn’t far behind. Ah, she’d run to find the closest person to Xaden possible. Makes sense. “She’s in a fucking sling, Aetos.”  “Last time I checked, you’re a section leader.” Dain narrows his eyes on Bodhi. “And your cousin isn’t her wingleader anymore. I am.”  The muscles in Bodhi’s neck bulge. “Xaden’s going to fucking kill him,” he whispers.

There are plenty of other instances where he protects others. Notably, when he steps in front of Carr to counter his signet as they are leaving Basgiath. And I’m certain there are hundreds of instances we don’t see since we are in Violet’s POV through the series. None of which detracts from the fact that Bodhi…

Is Principled

At the beginning of Fourth Wing, upon returning from a standard weapons run, he pushes Xaden and Garrick both, insisting: 

“There has to be something more we can do,” Bodhi argues, looking to Xaden, his voice low…

And then again at the end of the book, when the cadets are faced with a decision to fight alongside the fliers to save the Pormoish civilians or flee for Eltuval, he’s the first to insist they help. Even coming into conflict with Xaden’s more measured approach to the impossible dilemma Col. Aetos has enforced upon them. 

“How many people live in Resson?” Bodhi asks.  “More than three hundred,” Imogen answers as another boom cracks through the valley. “That’s the post they do the yearly trades at.”  “Then let’s get down there.” Bodhi turns and Xaden steps back, blocking his path with an outstretched hand. “You’re kidding me, right?”  “We have no idea what we’re walking into.” Xaden’s tone reminds me of that first day after Parapet. He’s in full command mode.  “So we should just stand here while civilians die?” Bodhi questions, and I tense. We all do, watching Xaden. 

As much as I love Xaden, and I do. I believe equipping the drifts with weapons is a means to an end for him. They are the thin, brown and feathered line between the venin and Tyrrendor. He wants to continue helping them, but I don’t believe - other than from an abstract “we don’t condemn innocents to death” perspective - he’s overly concerned with the preservation of individual Poromish lives. Bodhi, for better or worse, appears to be invested in the preservation of life in general. A grounded, guiding principle that thankfully he values because Bodhi…

Is Powerful

He sighs. “Yeah. Second time someone tried to jump me in the bathing chamber this week.”  My eyes widen as my heart hammers in my chest. “Are you okay?”  He has the gall to grin. “I completely eviscerated some asshole out of Second Wing while naked and only got a bruise. I’m fine.” 

I mean, besides the litany of weapons certification patches Violet observes early in Fourth Wing, Bodhi is just as skilled in unarmed hand-to-hand. While he’s never described as “on-par” with Xaden (since Xaden spars with Garrick almost exclusively unless he’s trying to make a point), Bodhi clearly knows how to handle himself. In the buff. With no weapons. And accruing no serious injuries. 

Which doesn’t even touch his signet…

“What have you done?” Carr shouts, running for us, his wispy hair flying in all directions as he lifts his hands. “You’ll end us all, over who? People you’ve never met? I won’t allow it!”  “Bodhi!” Xaden orders as Carr reaches Third Wing. Fire erupts from Carr’s hands, streaming toward the dais, and my stomach drops. Time seems to slow as Bodhi steps forward and twists his hand like he’s turning a dial. The fire dies, extinguishing like it was never there and leaving Carr staring at his hands.  “You taught us well, Professor,” Bodhi says, holding his hand in place. “Maybe a little too well.”  Damn.  “He can counter signets,” Xaden tells me.  Well, that’s fucking terrifying.

And though people have questioned Brennan's assessment: 

“By our best calculations,” Brennan says, rubbing his hands together to keep warm, “the six most powerful riders currently in Aretia are Xaden, Felix, Suri, Bodhi, Violet, and me.”

When you consider the potential of his signet…

Yes, he extinguishes Carr’s flames without blinking. But he can also smother Xaden’s shadows. Dispel Violet’s lightning. Destroy Mira’s wards. Keep Brennan from mending. He could have calmed Lilith’s storms. And while it seems like largely a defensive signet, there are offensive elements to it as well. Such as - and I’m not saying this would happen - he could remain completely invisible to Melgren, even without the benefit of three other Marked Ones. If such a thing were in the cards, he would be able to easily assassinate Melgren, undetected. 

And that’s if we don’t consider what, if any, mind signets he can counter. Can he reverse Imogen’s memory wipe? Or merely prevent her from performing one? Can he fool a truthsayer by offering them nothing to read? Based on the text, it appears Xaden is unable to read his intentions. Which would imply he’s impervious to not only inntinsics, but memory readers and erasers, truthsayers, etc. 

Considering we don’t know precisely how his signet works, it’s difficult to say for certain where the boundaries lie. Is it only as Xaden says, “He can counter signets?” Or is he interrupting the channel between dragon and rider entirely?  Which would have far more wide-reaching implications since he could theoretically also break the channel between gryphons and their fliers as well as venin and the earth.

Just like we really don’t have all the information about Violet’s “pure power” signet, we don’t have nearly enough hard information about Bodhi’s to say for certain where the potential expression of it may end.

Despite his physical and magical prowess, though, Bodhi…

Is Pragmatic

“I liked it better when we just delivered the weapons,” Bodhi mutters.

As principled, honorable, loyal, and dutiful as he is…same. He wants to help, but it’s hard. And dangerous. And running weapons is easier. I don’t blame him at all. 

His pragmatism is reflected in the text a hundred different ways, but it’s also simply stated by both him and Violet. 

“And I thought you were the most reasonable of the group.” I sigh. “Look, if I can help, then maybe we can prevent what I’m assuming are… supply runs.” Talking in code is ridiculous, but anyone could be listening. “Give me a job.”  “Oh, I am the most reasonable in the group.” He flashes a grin, leaning back on his heels. “I also don’t have a death wish. Survive second year and strengthen your shields, Sorrengail. That’s your job.” 

He is a man who gets things done. Which is not to say he’s not in touch with his emotions. But he understands the balance between necessity and diplomacy. Not that he’s a staid, stoic mission only guy either, because Bodhi…

Is Quick-Witted

“Hey, I hate to interrupt what’s obviously a moment,” Bodhi whispers loudly from my left. “But that was the last bell, so that’s our cue to get this nightmare started.”

AND

Bodhi wrinkles his nose.  “What?”  “You smell like dragon ass.”  “Fuck off.” I chance a whiff and can’t argue.  “I’m using your room.”  “I would consider it a personal favor.” I extend my middle finger and head toward his room.

Much as I appreciate and adore Bodhi’s quick wit, I could also write volumes about how his dry, sarcastic sense of humor operates as a defense mechanism. A lens through which he can deal with the intensity of his circumstances and the impact of these weighty decisions they are all making.

Like Xaden himself says, Bodhi always lightens the mood. To help himself deal? Yes. But (like Ridoc) also because he can tell everyone desperately needs it, a virtue that serves him well because he…

Is A Leader

”Shouldn’t you all be in Battle Brief?” Bodhi asks, his voice booming as he comes up behind us. One look sends the other squads scurrying for the door. 

Though a lot of space on the page has been given to Xaden, Rhiannon, and Violet’s obvious leadership qualities, Bodhi sprang from the same genetic line as Xaden. While the expression of the Riorson magnetism may be tempered by his natural demeanor, he possesses the same it-factor as Fen. Were I to lay bets, I expect his mother was similarly charismatic and it was expressed in her much the way it is in Bodhi.

“…Flame Section has the unique honor of being completely intact.” Brennan looks down at Bodhi. “Durran, you brought every single cadet. I guess that would make you the Iron Section.”

He inspired such loyalty from his section, they all defected. For so many reasons, including those already expressed above, I believe Bodhi to be a servant leader. Servant leadership rests on three pillars:  compassion, character, and competence. All of which Bodhi has in spades. He would not run a section the way Garrick did. Or the way Xaden ran his wing. Not that there was anything wrong with either of those philosophies necessarily. But he would pull with his squads, encourage them, equip them, support them, and push them gently to be their best. He would need to make certain they’re ready to face what he did in Resson, but he would do it with a deft, deliberate, more delicate hand than I think Xaden is willing or able to extend, because Bodhi Durran…

Is A Caretaker

So much of what has already been outlined above also represents an expression of this quality. From him helping Garrick protect Xaden’s solitude on the anniversary of Fen’s death. To him stepping between Aaric and Xaden when they start throwing barbs about Alic (which is also pragmatism, because hey, there’s a job to do). To him waiting with Xaden in the hall while Violet cleans up after Resson. He takes care of people both physically: 

“Whoa!” Bodhi throws up one hand, the other clutching his rucksack. “I don’t want you to freeze to death on the flight there.” He yanks his flight jacket out of his pack and hands it to me.

Bodhi helps Aaric out of his [disguise], careful with his blistered hands.  … “That’s a rebound burn,” Bodhi says. “It will clear up overnight if treated.”

”And tell Bodhi to track down whatever antidote she and the rest of her squad need.”

And emotionally, which leads me to the fact Bodhi…

Is Emotionally Attuned

An hour later, I’m bathed and impatient as I wait outside my room in a fresh set of leathers with Bodhi, who’s doing his best to lighten my mood just like he always does.

Bodhi reads people. Easily. He understands what Xaden’s saying without it being said . After Resson, he knows what Xaden needs from them - not questions, not reason, just action. He knows that Violet and Imogen need to run. And even when he can’t contradict Xaden’s orders, I believe he sympathizes with Violet’s driving need to do something to help, because it’s a drive he shares. Later, he knows not to carry Violet back to the quadrant after her burnout. And he’s the one that follows her into the courtyard to offer his jacket because he can see the panic plain as day. Just as he can see her disappointment when the wards fail. He can feel Xaden’s rage and terror as Violet lays comatose and poisoned (not that Xaden is overly subtle about it). 

On top of all of that, Bodhi…

Is Beautiful

He’s handsome, with tawny brown skin crowned by a cloud of black curls and a litany of patches on what I can see of his uniform under his cloak. His features are close enough to Xaden’s that they might be related. Cousins, maybe?

…Bodhi has the same bronzed skin and strong brow line, but his features aren’t as angular as Xaden’s, and his eyes are a lighter shade of brown. He looks like a softer, more approachable version of his older cousin...

Even Violet, who only has eyes for Xaden, recognizes how attractive he is. Yet, as fair and fine the wrapping, I would heartily declare his character fairer still.

While this is by no means an exhaustive list of his virtues - he's also humble, adaptable, a peacemaker, a good listener, infinitely capable, empathetic, and hyperaware of how he should conduct himself in a given situation - I think the case for Bodhi Durran has been made.

(originally compiled for the Onyx Storm countdown days at the RQ Discord)

[quinn-pop]

i’ve been updating village of one a lot so uhh here’s some fic art

yeah

future dmk is so funny to me so. for comparison. look at him

[heartfeltletters-written]

sweet creature by harry styles is a xaden x violet song thank u very much !!

But we're still young We don't know where we're going But we know where we belong

It's hard when we argue We're both stubborn, I know But oh, sweet creature, sweet creature Wherever I go You bring me home

[empyrean-thrones]

There's something to be said about how the series makes it so that the dragon riders are superior to gryphon fliers in almost every way. Nothing makes this more clear than the fact that the fliers' school was destroyed while Basgiath, the living embodiment of social darwinism/eugenics, still stands with very little damage despite their army being outnumbered.

[ofbreathandflame-archive]

Hi,

Love all your posts. Your insights are wonderful and so well expressed. Really appreciate you 🥰

Also your point about this new wave of fantasy not being able to commit to a subgenre is so true and needs to be said more.

Me whenever you post tbh:

AWWWW THANK YOU LOVELY❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

An YES to the new wave of fantasy and the genre problem! You never know where to commit your focus because of these stories. It's as if these authors believe the fantasy-romance isn't 'good enough' but they aren't actually committed to building an actual fantasy world; it's like fast fantasy. I definitely think the mainstream success of ASIOAF has prompted authors' need to recreate the brutality of the story for validity while doing none of the legwork. Brutality doesn't equal realism -- and I think people should stop looking at those kinds of stories as such because they contain copious amounts of violence; I think GRRM's use of violence to drive the narrative is oftentimes ahistorical, and I disagree with his 'improvement' upon Tolkien's framework of telling stories. Game of Thrones became popular more so because of the character work that informed the plot points, not the violence that ensues because of it. The Red Wedding works only because of the narrative drive behind it, not because of the shock value of the event. At least, these draw me to the stories, to begin with. I just think now authors rely on the framework provided by the rise of dark fantasy because of the wow factor but they don't commit to the work it takes to get there and they don't want to commit to focusing solely on the romance in place of trying to build these complex fantasy worlds because of the validity they believe the ultra-violence and worldbuilding offers them. Ice Planet Barbarian works because it knows its strengths and does not try to fit itself into another box. Fourth Wing fails because it can't decide what element it wants to commit to.

[heartfeltletters-written]

I love this because I think it's so much more complex than Xaden not realizing he's loved by his friends.

Xaden Riorson is someone who has the weight of the rebellion on his back, he's his father's son and responsible for 107 lives. Those lives he's protecting were entrusted to him, he didn't choose them to be connected to him, and he didn't choose to be responsible for them, but it was the only way they were going to survive.

When Liam says "i owe everything to Xaden" to Violet, he's probably talking about more than his scars, but it's still heavily implied in the text that he is talking about Xaden's responsibility for them. When Xaden speaks of Liam he refers to him as his brother, which implies that his love for him is unconditional, but also "granted". You love your family because they're of your blood, and while neither Liam nor Xaden are actually brothers for a time they lived as that, which made their bond stronger. Liam loved him because they're family but also because of Xaden's sacrifices.

(We could argue about chosen family and how you don't have to love your blood family but I don't think that's the point here. Chosen family or not, after a while you expect the love they have for you, and Xaden knows that even if they fight his and the rebellion kids relationship will always be thick)

In Xaden's mind, Liam and the other rebellion kids love him because of what he did, not because of what he is. It's the wrong way of thinking of course but in Xaden's mind it's the only thing that makes sense. They love him because he's their "savior". They love him because he leads a rebellion, they love him because he's a good leader.

But he has done nothing (in his mind) for Violet to love him, he didn't have a scar on his body for her at that point. She was unaware of the deal he made with her mother so she couldn't love him for that either. In a way, Violet not knowing of a lot of things made him believe her love for him easier. She had only ever seen his bitch ass attitude and still decided to love him, and I think that's what distinguishes the different types of love Xaden experiences.

It makes me so sad that Xaden says "I'd forgotten what it felt like to be loved, really, truly, loved." bc like... Liam was right there :(

just breaks my heart that Xaden doesn't realize how much he's loved until Violet says the words specifically.

[katakaluptastrophy]

Masterpost of TLT metas

This is mostly for my own reference, as tagging doesn't seem to guarantee something being findable on Tumblr...but if you like wildly overthinking lesbian necromancers in space, enjoy!

Overthinking the Fifth House:

What is a "Speaker to the Dead"?

Actually, Magnus Quinn isn't terrible at sword fighting

Imperial complicity: Abigail the First

Pyschopomp: Abigail Pent and Hecate

Did Teacher conspire with Cytherea to kill the Fifth?

What does the Fifth House actually do?

The Fourth and the Fifth can never just be family

Cytherea's political observations at the anniversary dinner

Abigail Pent's affect: ghosts and autism

Were the Fourth wards of the Fifth?

Abigail probably knew most of the scions as children

Magnus Quinn's very understandable anger

Fifth House necromancy is not neat and tidy

Are Abigail and Magnus an exception to the exploitative nature of cavaliership?

"Abigail Pent literally brought her husband and look where that got her" (the Fifth in TUG)

The Fifth's relationship dynamic

The Fifth's relationship is unconventional in a number of ways

The queer-coding of Abigail and Magnus' relationship

Abigail and Palamedes, and knowing in the River

Was Isaac the ward of the Fifth?

Did Magnus manage to draw his sword before Cytherea killed him? (and why he probably had to watch his wife die)

How did Abigail know she was murdered by a Lyctor?

Fifth House necromancy is straight out of the Odyssey

The politics of the anniversary dinner

Was Magnus born outside of the Dominicus system?

Overthinking John Gaius:

The one time John was happy was playing Jesus

Is Alecto's body made from John's?

Are there atheists in the Nine Houses?

Why isn't John's daughter a necromancer?

The horrors of love go both ways: why John could have asked Alecto 'what have you done to me?'

Why M- may have really hoped John was on drugs

What is it with guys called Jo(h)n and getting disintegrated? (John and Dr Manhattan)

John's conference call with his CIA handlers

Watching your friend turn into an eldritch horror

Why does G1deon look so weird? (Jod regrew him from an arm)

When is a friendship bracelet not a friendship bracelet?

Why did John have G1deon hunt Harrow? (with bonus update)

The 'indelible' sin of Lyctorhood and John's shoddy plagiarism of Catholicism

Are John Gaius and Abigail Pent so different?

What was Jod's plan at Canaan House?

John and Ianthe tread the Eightfold path

The Mithraeum is more than a joke about cows

When was John Gaius born? (And another)

John Gaius and the tragic Orestes

John and Jesus writing sins in the sand

John and Nona's echoing chapters

John's motivations

Overthinking the Nine Houses:

'No retainers, no attendants, no domestics'

Funerary customs and the violence of John's silence

Juno Zeta and the terrible, horrible, no good, very bad time

The horror of the River bubble

Every instance of 'is this how it happens' in HTN

Feudalism is still shitty even if you make it queer and sex positive

How do stele work?

Thought crime in the Nine Houses

The Houses have a population the size of Canada

What must it be like to fight the Houses?

You know what can't have been fun? Merv wing's megatruck on Varun day...

Augustine's very Catholic hobby (decorating skeletons)

Necromancers are not thin in a conventionally attractive way

Matching the Houses with the planets of the solar system

Why don't the Nine Houses have (consistent) vaccination or varifocals?

How would the Houses react to the deaths at Canaan House?

How does Wake understand her own name (languages over 10,000 years)

What pre-resurrection texts are known in the Houses?

Camilla and Palamedes very Platonic relationship

The horrors the Cohort found at Canaan House

Do the Houses understand the tech keeping them alive?

Overthinking House religion:

What do the Houses believe about death?

Was M's nun a Franciscan?

Cavaliership and arbitrary socio-religious structures

Ritual scarification

Sacraments and sacramentals

What did Silas think god wanted at Canaan House?

In defense of Silas

There's no such thing as a 'good' necro/cav relationship

Veiling and shaving in Ninth House cult practice

Tongue-in-cheek thoughts on Eighth and Sixth religion

A very long deep-dive on House belief and practice

Overthinking Harrowhark Nonagesimus:

'The meat of your meat...belonged to god' and 'that is how meat loves meat'

The horror of parental touch: Harrow, John Gaius, and Abigail Pent

Why is Harrow so obsessed with Abigail's hands?

Frontline Titties of the Fifth and transgressive necro/cav relationships

Harrow, Wake, and permeability of the soul in HTN

Bible studies for weird queer necromancers:

Epiphany: revealing god's child to the wider world

The Holy Innocents and the creche massacre

The Virgin Mary and Commander Wake

John Gaius and John the Baptist

Instantiating the Trinity and the Second Resurrection

What's the significance of Paul?

St Paul's theology of gender and sexuality and the House theology of cavaliership

Maundy Thursday: consuming another for eternal life

Harrow and the Harrowing of Hell

[diamonddeputy]

Okay I put this together for a buddy who couldn’t make it so I may as well put it here too now that I have it all in one place

All the dev commentary I picked up from the UTY anniversary stream

PLEASE REBLOG WITH ANYTHING I MAY HAVE MISSED

• It apparently took them FOREVER to solidify a design for Decibat. One of the early concepts was a literal baseball bat with wings and I enjoy this fact very much

• They originally had an idea that Dalv would accidentally try and move into Martlet’s house after leaving the Ruins LMAO

• They expanded on this piece of concept art that had been floating around: there were never really plans for the Feisty Five to be evil, they just made their own wanted posters to inflate their own egos LOL

• I didn’t really write any of the specifics down, but listening to them talk about the Flowey fight was so interesting because they were all chiming in about who worked on what parts and where the inspirations were from and where they sourced their materials. Some details I remember off the top of my head:

- Flowey’s voice lines were pulled from the same McDonald’s commercial as his canon ones

- The audio for the scene where Martlet melts before Meta Flowey was a combination of a stock laugh and a clip one of the devs just so happened to have, when they used to edit for a YouTube channel, and the file got corrupted and just randomly made that sound

- The heartbeat monitor sound that plays during the Organic speciman is taken from the frequency of an actual human heart. Don’t remember the story about how they acquired that one

- The graphics for the Polygonal speciman were inspired by PS1 horror, Ben Drowned and that meme that went around in the late 2010s of a gif of a bug that made it look like a bug was on your screen (in specific reference to the little Flowey gremlins that crawl down the screen)

- They originally had plans to include a spectrogram in the fight, but decided it would make them seem too tryhardy

• There were plans for an underwater segment that were scrapped extremely early in development, something about a bridge in Waterfall breaking

• The comment Starlo makes in the Wild East about there being a fourth mission that was scrapped from the regimen is a reference to a literal fourth mission that the devs cut because they felt like it killed the pacing, where Virgil would kidnap the Feisty Five and tie them up in places around town and you had to go rescue them and it was a stealth game type thing

• - The designs for the Feisty Five have a lot of funny inspirations

- Ed was originally designed to be a normal monster, but they liked his design so much they used it for something more important

- Initial concepts of Moray’s design had them in a fisherman’s cap or a paper boat hat, to show how unserious they were about this. Also, they weren’t originally designed to be Angie and Gillbert’s child, a playtester just made that assumption and they were like y’know what sure we’ll roll with it

- Mooch’s design originated from a Minecraft RP OC that one of the devs had that she never got to use. Which is iconic tbh

• Mo was inspired by this lil dude, who showed up and had babies in one of the devs’ attic. Additionally, while coding the game, there were little variables they put in for fun like a timer. One of them was a number that just incrementally increased, and was labelled “Crimes that Mo has committed”

• The fact that sparing Dalv doesn’t abort Geno, that everyone chalked up to being a genius narrative decision, was AN OVERSIGHT??????? It was a coding error caused by the fact that they were initially gonna make everything that happens in the Dark Ruins not count towards any route, like Flowey implies in his dialogue, but they went back on that decision and fixed it for everyone except Dalv. They made a comment on stream like “we should really fix that” and everyone in chat was like PLEASE don’t LOL

• There were never really concepts for a Geno Starlo fight. And a lot of it is the reasons the fandom talks about that he’s a coward before his character development and it makes more sense for him to back out in the face of real danger. But also because in terms of power level, it didn’t make sense for him to stand a chance. And also because they were making all the routes at once and designing the boss fights at equal times and this was the first chance they got to make a boss fight for Ceroba LOL. But the plan was already set by that point that it was gonna be her instead of him

• No one truly knows the origins of the super faded silhouette standing in the background of the UG Apartments shop in Geno. Apparently the dude who made the CG just. Put it there

• We got more insight into the Martlet transformation animation. It was made with SO much purpose. If you look closely, she starts to melt and the determination puddles underneath her, but then she gains control of it and the puddle ABSORBS BACK INTO HER, then shoots out in a burst when her first wing transforms. THAT’S SO COOL

• Additionally, they also canonized that Martlet took the determination before Alphys had any of the fallen-down bodies, and that she had no idea what it actually WAS, other than that it had something to do with the human SOULs. Which makes this even MORE impressive because she wasn’t intrinsically prepared to control determination, she just DID it

• Additionally, they also canonized that Martlet took the determination before Alphys had any of the fallen-down bodies, and that she had no idea what it actually WAS, other than that it had something to do with the human SOULs. Which makes this even MORE impressive because she wasn’t intrinsically prepared to control determination, she just DID it

• The dive-bomb attack Martlet does in her first-phase Zenith fight was inspired by Dyna Blade, as a Kirby fan that fact just made me happy lol

• Retribution was the last song made for the game, and was composed in just a couple days, which is WILD to me

• We got confirmation that Flowey is still in control of saves after defeating Axis in Geno, and Clover’s text in the overworld/after dying is just them being so focused on their mission that they’re drowning out everything else

• CANNOT forget The Jincident

[serahadmoni]

More Bodhi Durran thoughts

(thinking about Bodhi again, as one does, and in the middle of my IF reread)

When the Aretian Assembly (plus Mira and Violet) are summoned to Athebyne to parlay after they raise the wards…

The riders in attendance are:

Assembly (for quorum)

Xaden

Ulices

Brennan

Kylynn

Suri

Requested

Violet

Mira

Others

3 unnamed randos from Mira’s unit

I mean…I don’t know about you but if I was facing down a Navarrian contingent in possession of some known but at least some unknown signets, I would want to take someone with me who can COUNTER SIGNETS as a fail safe. Even if they are technically still a cadet. Bodhi should at least be in the woods with the hidden Assembly members. Not doing so is strategically unsound and a poor use of available assets. Why is he not there? Brennan and Xaden (and hell, even Violet) would know better.

[indigovigilance]

Maggie is Possessed

This is my second meta! My first one is here.

I’m not the first fan to be suspicious of Maggie but I’m going to argue why she might be possessed (and I hypothesize that specifically she is possessed by an angel), rather than being eldritch herself, and will propose some reasons why the hitchhiker might be doing this.

First, a quick list of her early observable behaviors:

She cannot spell urgency

She signs “very faithfully yours”

She refuses to drink alcohol

Golden angel-wing earrings, anyone?

Have you seen those clothes?

All of those things are angelic, but why possession, specifically? Evidence is presented in order of chronology and not necessarily how strong it is, below the cut:

First: The timeline is weird. She’s eight months behind on rent, and suddenly decides she needs to speak to Mr. Fell “on a matter of some ugrency” and insists she can be out by next week. It’s inconsistent behavior that could indicate that a new decision-maker has taken over. First-point-five, she calls Aziraphale an angel: does she know?

Second: re-watch the first coffee shop scene, S2E1 at 13:20. Yes yes, it reads like a cute lesbian flirtation scene. That’s the cowrie shell. Pick it up. There’s a caraway seed underneath. When she arrives at the coffee shop for the first time, Maggie’s confused “ah, yes, coffee” might not be the flustered redirect you thought it was, but rather indicating that whoever is riding around in that body doesn’t actually know how a coffee shop works. But Nina (to Hitchhiker!Maggie’s relief) remembers her order. So Human!Maggie has been here before, in fact, Nina calls her a regular, to which Hitchhiker!Maggie says “oh right, yes, I’m that.” Not sus at all, sister.

Third: During the “herbal tea” exchange, Maggie says to Nina that “I didn’t go to parties” and she was “not that sort of teenager.” On it’s face it reads like she was a goody-two-shoes human teenager, but consider for a moment that whoever is speaking right now was never human; the statement isn’t a lie, but its very misleading. Who else do we know that does that?

Fourth: During the lock-in, Maggie tells the story of how her great grandmother’s store was in a corner of Mr. Fell’s bookshop, so he lets them stay on for old time’s sake. One possible interpretation of this phrasing is that Hitchhiker!Maggie knows that Aziraphale has owned that shop continuously for at least 100 years. Nina is the one that suggests that it was actually Aziraphale’s grandfather, and Maggie nods along.

Fifth: Maggie says it’s a “coincidence” that the power goes in and out when Crowley passes by; could read as a deliberate redirect from someone who actually knows that Crowley is a demon? But more on that later.

Sixth: I’m skipping a lot of intervening content BUT at the ball, during the dance, she says “this is just what we do, isn’t it?” to which Nina emphatically replies that no, it isn’t. So even though Nina has been effected by an emotion-suppressing aura, she hasn’t lost her memory of how society generally works in 2023, but somehow Maggie isn’t up to date. This is parallel to Point #2, not knowing how to order coffee.

Seventh: Aziraphale’s attempted miracle memory wipe doesn’t work on her. I’ve seen others suggest that it’s due to a miracle blocker but all of his other miracles work, so…

Eighth: Nina calls her “angel.” You thought it was cute. It’s not. It’s a double-bluff. She’s actually an angel.

Ninth: She tells Crowley that “we’re real people.” Okay, human police officer Inspector Constable, whatever you say.

The rest of this is wild speculation. Abandon hope all ye who read below the fold.

So of course this raises the question: why are is the hitchhiker here, and what was Human!Maggie’s motivation to give them permission to hitchhike?

I’ll start with Human!Maggie’s motivation. I believe that she is not just pretendy-good but a properly good person who feels a lot of anguish about her failing business, one that’s been in the family for 100 years, and guilt for not paying her rent. I think she prayed for help, and a “guardian angel” answered her prayers, and she gave that angel permission to possess her and fix the problem.

As for why the angel answered her prayers, I propose that the Metatron sent them to fuck around with Aziraphale. My evidence is that Maggie frequently meddles to Aziraphale’s detriment. In chronological order:

She puts him in a moral choice position: if he evicts her, he’s the bad guy. If he forgives her rent, he’s done something good. Both of these can be leveraged by the Metatron. Notably, after he forgives the rent, Maggie calls him an angel, perhaps to remind him whose side he’s really on *wink wink nudge nudge.*

She confides in her landlord about her crush on the business owner across the street, who’s already in a relationship?! How ridiculously inappropriate?? Maggie??!! But she does, and plants the idea in his head about love, which ultimately becomes the runaway train that makes him extremely vulnerable later.

She refuses to leave the shop during the attack (S2E5), I propose is for purposes of fucking over Aziraphale, as evidenced by…

For this part, I need you to go back and watch it. S2E6 at 3:28. During the pissing contest at the threshold, Maggie turns her head away, there is a sound effect, and that’s when she turns back to Shax and invites the demons in. Hitchhiker!Maggie has taken over and rolled out the carpet for the enemy invasion.

Maggie is the instigator of the “you have to talk about your feelings” conversation, dragging Nina from behind the counter across the street while she has a shop full of customers. Considering that the Metatron is at that very moment at the French restaurant next door, making a job offer to Aziraphale, the timing choice seems very suspect. Almost as if they coordinated to talk to each husband while they were separated.

So, it is possible that Hitchhiker!Maggie was sent by the Metatron as a spy and a saboteur to meddle with Aziraphale. To what end, specifically? Probably to get him to break up with Crowley and/or get him to return to Heaven, but ultimately, I just don’t know. I will admit that I don’t have a very strong conviction that this will become canon, but it was fun to write and I hope that it was fun to read! Leave a note if you enjoyed it!

edit: a link to another meta about why this was such an effective strategy against the husbands

[justinspoliticalcorner]

Oliver Willis at Daily Kos:

Meta, the parent company of Facebook, Instagram, and Threads led by CEO Mark Zuckerberg, has donated $1 million to Donald Trump’s inauguration committee. The news of the seven-figure donation comes just a few weeks after Zuckerberg went to Trump’s Mar-a-Lago estate for a private dinner with the president-elect. A spokesperson for Meta told the BBC at the time, “Mark was grateful for the invitation to join President Trump for dinner and the opportunity to meet with members of his team about the incoming administration.” Earlier in the year, Zuckerberg praised Trump as a “badass” for pumping his fist after Trump was shot at during a July 13 campaign rally in Butler, Pennsylvania. 

Zuckerberg is one of the most influential technology and media executives on Earth and is worth over $219 billion as of Thursday morning, ranking as the fourth-richest person in the world. In the past, conservatives have derisively labeled his political donations as “Zuck bucks,” though they surely have a different take on the CEO’s latest contribution. Early in 2024, Meta announced it would limit the reach of political content on Threads and Instagram, meaning millions of people would simply not see information relating to the ongoing election. A subsequent investigation by The Washington Post found that the suppression of content across Meta’s platforms, including Facebook, meant that posts incidentally mentioning voting were hidden from millions of users. Meta’s actions occurred at the same time that Trump backer and megadonor Elon Musk opened the floodgates on X, formerly known as Twitter, to amplify right-wing content, including content from neo-Nazis and Republicans.

Meta CEO Mark Zuckerberg sucks up to the felon-elect by donating $1M to Donald Trump’s 2nd inauguration.

[pumpkinmetaphor]

Ouran, Performance, Audience

Okay I said I was going to write this and I can't look at it anymore so posting. Anyway, performance in Ouran is interesting and we’ve all been chatting about it lately. Each character puts on an “act” for the guests, each character puts on another “act” for the people around them. It’s a testament to how well the characters are written that we can unravel these performances throughout the text. I still think there’s several levels of reading the characters and the text as well. 

Ouran is satire- hence why they’re essentially parodying these archetypes. But Ouran is also self-aware, self-referential, and meta. Characters break the fourth wall. They’re, at varying levels, aware of being in a story. We have characters who obviously break the fourth wall (Kyoya looking right into the camera in episode 1, for example. I would say Tamaki’s “homosexual supporting cast” speech, except it’s kind of an anomaly for him) and characters who are resistant to any sort of self-reflection that might lead them to any sort of conclusions like this (Hikaru.) I will at one point go through the entire manga again and count how many times each character narrates– which, to my recollection, is uncommon outside of Haruhi (MC obvs, and framed as talking to her mother) and Kaoru (framed as talking to himself/ the audience/ Hikaru-that-lives-in-his-brain) but I could be misremembering.

This is generally played for comedic effect. Tamaki breaks the fourth wall when it’s funny. Kyoya plays dumb about plot conventions (such as “we have birthdays here?” “I don’t know what you’re talking about.”) when it’s funny for him to do so. 

Anyway that’s just my setup. I want to discuss the Paris Arc, specifically whatever is going on with Kaoru. 

Read More because this is 2k words.

Kaoru is an interesting character because I think the performance is a little more pronounced. There’s reason to interpret he generally controls the scripts, his host club act is a bigger deviation from his natural personality, and fundamentally, as a person, Kaoru is less solid in his sense of identity. 

Which does kind of beg a question. The version of Kaoru the host club girls get is clearly fake. But the Kaoru most people get is some form of a mask. Kaoru reflects Hikaru– which is what Hikaru needs until Kaoru fears he doesn’t. Kaoru seems to take Haruhi’s assertion that he’s the “less evil one” to heart. I think neither Hikaru or Kaoru know what Haruhi is going to say is the difference between them in Episode/Chapter 5 because they themselves don’t know– aside from this very philosophical “well the one who is you is the one who is not me and the one who is not you is me etc.”

Anyway, we all kind of understand the general baseline– Hikaru is going to grow up, fall in love, and spread his wings– Kaoru is afraid this means Hikaru will leave him behind. This is the plot. 

But I think a lot of this comes down to “the thing they won’t be able to share,” which is presented to us in the form of that cookie. Haruhi notes that Kaoru will just give whatever it is to Hikaru. Hikaru ultimately snaps the cookie in half and forces Kaoru to take half of it anyway. This kind of embodies the fundamental difference between them, in my book. 

(Ch. 45, various spliced together pages) Hikaru: It is literally not on Hikaru’s radar that there might ever be anything that he and Kaoru do not share. He does not conceive this on any level before the Paris Arc. Kaoru will literally always be here, he is a constant that Hikaru cannot conceive losing. Hikaru’s not afraid of Kaoru abandoning him– he may be, afraid something will happen to Kaoru that will take him away, but he’s not afraid of Kaoru choosing to leave. Why would he? Kaoru is the one person who cannot betray him. 

Kaoru: It is a given that Hikaru will one day leave. It is simply the only way. Hikaru will grow up and, for various reasons, Kaoru will not grow with him. And Hikaru will choose to leave– this will not be a betrayal, it’s just how life works when you’re not the main character in your story. Your carriage turns back into a grubby ole pumpkin and you’re left all alone. 

After the cookie scene, Kaoru tells Hani that he has feelings for Haruhi. This is, in my opinion, when Kaoru takes the reins of the narrative. Of the carriage, so to speak. The carriage in the anime exists on the condition that no one acknowledges that they’re in a love story and “breaks” the found family. Kaoru saying he’s in love with Haruhi steers the narrative on the course to the inevitable. 

Which is great!

Except is Kaoru in love with Haruhi? 

My hypothesis: it literally doesn’t matter. Kaoru’s feelings for Haruhi do not drive the narrative. Kaoru talking about it does. He could be lying. He could be mistaken. He could be genuinely in love with her. It could be an idle crush. It doesn’t matter. It’s the performance of this love for the appropriate audience (aka: Hani, Hikaru etc.) that matters.

I think the base reading of this arc is that the cookie is Haruhi. Haruhi is the one thing they can’t share, right? They can’t like, keep eating biscuits out of her mouth and licking her face if Hikaru wants her to be his girlfriend and Kaoru wants her too. While I don’t think it’s incorrect to read this as a concern Kaoru has, I don’t think it gets to the heart of the issue. 

So, performance!

Kaoru puts on his little act for Hikaru throughout the Paris Arc. Generally tormenting him, ostracising him. In a way giving him a taste of what Kaoru goes through in a zillion Hika/Haru fanfictions or Kaoru’s own nightmares. This culminates in the date, where Kaoru basically brings Haruhi on the date he asked her on first (before giving it to Hikaru) and hitting every single mark that Hikaru missed. Not that anyone is enjoying themselves regardless to be honest. 

And of course, at the end, he kisses her and Hikaru sees and runs off upset. 

Except we, the audience, know Kaoru kisses Haruhi on the cheek. It’s a clear enough stage kiss from the art. Just close enough for us to understand that, from Hikaru’s perspective, Kaoru kissed her on the mouth. We’re bystanders, watching this plot unfold. Hikaru is Kaoru’s intended audience– that’s who he’s performing for. 

So what’s the difference then between this scene.

And this scene?

Well, first: what else can be the one thing Hikaru and Kaoru can’t share? If you go one level further, I think you come to the conclusion that Hikaru is the one thing they can’t share. After all, Hikaru cannot keep giving half of himself, half of his time, energy, love, self etc. to Kaoru all the time, and grow up. They suffer a classic case of enmeshment. Kaoru determines that Hikaru needs to be shoved out of the nest– and that the only way to do that is to stab him in the back. 

I don’t think Kaoru is trying to make Hikaru hate him. I do think what he’s trying to do is make Hikaru realise that he’s a person? Who is capable of betraying him, just like any other person. As long as Hikaru believes that Kaoru is “the only person he can trust,” he’s never going to grow up. By knocking himself off that pedestal in Hikaru’s eyes, Hikaru is forced to see him differently and Kaoru is prepared to accept however Hikaru might feel about him in the aftermath (though assuming he’ll drastically distance himself). 

(Side note. I think Hikaru and Kaoru internalise their maid-related-trauma slightly differently. While Kaoru’s fear is abandonment, Hikaru’s fear is betrayal. They just manifest similarly because there’s a lot of crossover. This is sooo long already, I’m not getting into it unless someone asks lmao.)

Loop back to the image again then. What’s the difference here? Well, it’s still a stage kiss! They both are. But, with one fundamental difference. 

Image one, Hikaru is Kaoru’s audience. He is performing to trick Hikaru (and possibly anyone else, like Hani and Mori, watching). But reality is clear to us, the reader.

Image two, you are Kaoru’s audience. He is performing to trick you. (but reality is clear to Hikaru, the participant)

Like, that’s pretty in your face huh? Faces obscured in a way that you don’t infer it as a cheek kiss as easily as you do with Kaoru and Haruhi. It’s also on the left page of the physical edition, meaning you have to skip to the next page to see the aftermath:

Kaoru’s not just tricking the audience. He’s queerbaiting the audience. Typical.

Firstly, I do think one can be led to the conclusion that if the one thing they can’t share is Hikaru, not Haruhi, that means Kaoru is not in love with Haruhi but is in love with Hikaru. In fact, I think that’s kind of the point with these panels. It’s framed as a bait-switch, which only works if the audience misinterprets the kiss. My ultimate conclusion therefore is that there is no textual romantic incest occuring. It is enmeshment at a bare minimum though. But that's another topic, another day, for somebody else.

Secondly, I think this is because the audience is, regardless, on the wrong track. Or at least not the full track. We have access to the narrative when other characters don’t, but we’re still reading the story Kaoru is telling. We’re still the audience to his performance of the story. It’s easier for Kaoru to tell a story that’s all about his brother– he’s been doing it his whole life. He’s not the main character, after all. So he’s telling us a story where the one thing they cannot share is Hikaru, telling all the other characters a story where the one thing they can’t share is Haruhi. 

So the one thing they can’t share is something more nebulous. It’s the identity. 

Which feels like a contradiction in a way, because the identity is Hikaru, isn't it?

They can’t be one double act, split down the middle. They can’t be one seed sprouting two leaves. They can’t be two halves of one cookie, or two halves of one soul. And the problem is, Kaoru views everything as something Hikaru has split down the middle and shared with him– and now he has to give it all back. 

I don’t really think Hikaru views “their room” as being “his room, that I share with Kaoru.” But I think Kaoru does. I think Kaoru views everything as something Hikaru has shared with him, right down to his own personality, his own face. Hikaru cannot leave, cannot grow up, unless Kaoru stops pretending to be him and gives him the half of his identity back to make one whole, true Hikaru. 

Only problem is, Kaoru has to cut that tricky spare leaf off. After all, when he gives Hikaru back the identity, Kaoru won’t have one. Kaoru is defined as being “the one who is not Hikaru.” My brother is Hikaru. The one who is not my brother is me. And how do you define that? When your brother is no longer there, who are you? 

That’s why it’s important that Hikaru dyes his hair. Because I don’t think him dyeing his hair matters if the issue is Haruhi (Haruhi can tell them apart anyway). I don’t think it matters if the issue is Hikaru (this would not, in isolation, fix Kaoru's thought process). 

It is however enough for Hikaru to be able to illustrate to Kaoru that their identity is inherently interwoven, not necessarily shared. It doesn’t matter if Kaoru is the same as Hikaru or not– because Kaoru is who he is. That may have been affected by the fact that they’re twins, but his identity is not negated by it. Kaoru's identity is not inherently a performance just because it reflects Hikaru, and he doesn't lose it when he ceases to reflect Hikaru.

(breathes)

CAVEAT AS ALWAYS: I am reading the English translation. While it is the official Viz Media translation, something is always changed in translation, localisation, and interpretation. With the assumption that everyone here is reading the manga in English (sweeping assumption, sorry) this is therefore a reading of the text inherently coloured by the site of circulation (English translation, volume compiled) and the site of audiencing: aka the fact that I am an English-speaking, European, media studies/animation academic, speaking on an largely American blogging platform to the like, twelve Kaoru stans that follow me. It also means your interpretation may be very different to mine! Anyway If you read this far, congrats! You deserve a cookie– whatever that might or might not signify.

[serahadmoni]

I keep coming back to this even though I have about a thousand other things I SHOULD be thinking about. While I’m 100% on board with Bodhi being the embodiment of work-smarter-not-harder and him not really wanting to be wingleader because there’s no compelling reason he has to be….

I don’t think it was offered to him at Basgiath.

Though it all sort of depends on whether you have to submit your name for consideration or if leadership simply appoints. Which we don’t really know.

If the faculty assigned positions are posted the night of graduation (which they are) leadership would have been working to define the new command structure in the intervening week between War Games and graduation. The entire Resson contingent has been either presumed dead or deserters for days which means they haven’t been a part of the conversation. So much so that the third years’ orders have to be handwritten. When Dain stepped in to run Fourth Wing from Eltuval during War Games, he became the de facto candidate. After his supposedly adequate performance in an ad hoc capacity, they wouldn’t have taken it away from him without reason. Especially if Aetos Sr and Varrish participated in defining the command.

Honestly, sadly, I think it’s more likely whomever was supposed to have been Tail Section Leader got bumped in an emergency pow-wow to determine what, if any, changes needed to be made because the Resson crew is not actually dead.

How did Bodhi not get promoted to Wing Leader when they moved to Aretia?

(I mean, I know Dain came too so Fourth Wing had a wing leader)

There were two open positions! Who the fuck is beating out my man??? Why is nepotism not doing anything for him?? They couldn’t have moved him to another wing??

The council really looked at his resume:

- second in line for the Tyrrish throne

- was made a section leader executive officer as a second year

- unquestionably the most powerful rider in the green dragon den (at least in Aretia)

- a good enough fighter to fend off assasination attempts when he’s completly unprepared and unarmed

- has been in battle against Dark Weilders and Wyvern

- brought the most cadets out of any section to Aretia

- had the iron squad in his section

- unique rare signet that’s powerful enough and honed enough that he can defeat the person who trained him

And then DIDNT PROMOTE HIM???

Justice for Bodhi Durran.

[f4nd0m-fun]

I keep coming up with cryptid!Batfam ideas, and @hallowsden is a very helpful coconspirator.

This is the Hell-touched AU

Constantine paused as the figure coalesced into a human shape, though his magic sight was privy to the multitude of eyes and shadows that stretched as far as he could see. "Bloody hell," he muttered, pulling out a cigarette, only to pause as several eyes bore into him, shadows slinking over, refusing to let him light the smoke.

"Perhaps I should have brought the swear jar." While the voice seemed normal at its most audible point, there was echoes and screeches buried beneath the words.

Before John could finish processing the jar comment, Batman stepped fourth and spoke in some language not of earth.

Constantine may have been magically versed in many languages but even he could only catch a few words, one of which angled somewhere towards 'caregiver'.

"Bats?"

"Not now, Clark." Part of his words dipped into the incomprehensible tongue, almost an overlay before he cleared his throat. "An issue has come up in Gotham, I am needed."

Gotham... somewhere the hellblazer refused to step foot in, the land reeking of sulfur and rotting magic, the air stagnant with pain and hopelessness, a city chained by greed and insanity.

The monstrosity's form layered over itself and Batman, before the two were gone with hardly a sound, no hint but the lingering scent and magic showcasing that they had ever stood in the room.

John shuddered and finally lit his cigarette. "Bloody Gothamites, the whole lot is cursed."

In this AU, Gotham is a part of hell, whether it was originally so and rose to the mortal realm, or because of the demon chained to its land - Lady Gotham. Whatever the reason, curses run rampant, and Lady was already weakened by being forced into the mortal realm. Because of this, she cannot do much, but nearly everyone in Gotham is demon-touched in some manner, but some also have inklings of being angrl-touched, some more than others.

The Waynes and Kanes are among the most hell-touched due to their long lineage in Gotham, but there are those Gotham tries to welcome with open arms and, in doing so, warps them to be more demonic than they should be as a newcomer. This does not always turn out well, as the chains on her limit her control

Some who are hell-touched have demonic traits, usually very minor and easy enough to excuse as meta traits if anyone ever asks. Others have much stronger traits, and there's the lucky ones who can morph their form, though they will never fully lose the traits of their demon-blood.

----------

Alfred seems the epitome of a normal butler from the outside, until you realize how unflappable he was towards Gotham's chaos, or hear his tales of being a veteran in years long gone. Perhaps he's yet another demon, right? But no, not even that fits him. And perhaps you'll never be privy to the full truth, but the Waynes and Gotham herself know. Alfred is no mere demon, he is eldritch, from before the world was even a speck in the Creator's eye. And while the children are physically fighting for Gotham, he is there for them, but he is also there for Gotham, spiritually untangling what he can from her.

Bruce Wayne's appearance doesn't seem to relay his ancestry as much as one might think, but his fangs and claws are clear for any to see, as well a his piercing blue eyes, glowing life sulfur flames amidst a backdrop of black sclera. Batman, on the other hand, has stiffly curving horns arcing over his head, leathery bat wings and a sturdy tail, with digitigrade legs and talons, perfect for scaring enemies or for carrying what appears to be his young.

Dick Grayson was never truly one of Gotham's. She certainly granted him care and consideration and treated him as kindly as her curses would let her, but he was never able to accept more than the slightest blessings, if they could be considered as such. He never learned to fly like Batman did, but he became faster and stronger, his only visible demonic traits being nails and teeth slightly sharpened. Even so, he put forth as much effort as the rest of the colony, doing his utmost to help anyone he could.

Barbara may have lost her ability to walk, but that doesn't mean she's defenseless. She still has her claws and horns, and a unique affinity for technology that she's worked hard to hone after what happened to her.

Jason Todd had wings too small for much more than gliding, but his autumn rich curls hid the beginnings of majestic horns, his pale blue eyes shining with a hope few in Gotham could muster. But Robin had augments to his wings, enabling short flight to follow his mentor, at least until his grounding. Gotham could not let go of him for long, and dragged him back herself, but failed to do so completely, watching him be whisked away by Talia. Red Hood never regained his wings, not fully, more bone than flesh, what few feathers left struggling not to fall off. Pain arcs through his body from time to time, but he has a duty to Gotham and her people, one he would willingly choose any day. As for his pit rage, it is the equivalent of eating something you cannot process, as his system already had its fill of demonic energy from Gotham.

Tim Drake was born in Gotham, but his family's adventures dragged him throughout the world until the tender preteens. Before that only, he had been loosely tutored on the travels, but now his parents had deemed public school of importance, and also thought he could help organize their collections when he was not learning. One night, while cleaning up a gallery, he found an artifact he apparently had not put away yet, a statue that Catwoman would find quite fascinating. Upon interacting with it, pain ricocheted through him. When it finally stopped, his form had been twisted. For anyone else the statue would have merely given one the abilities of a cat, perhaps a curse to go with them, but his supernatural features were malleable enough for the power to take advantage of, turning him into a human feline. Eventually, he went to join Batman as Stray, knowing he needed a Robin but not wishing to take the name on himself. Many rogues seemed to think him a child of Batman and Catwoman, and they oft went uncorrected. He likes to perch on his family.

Cassandra is demon-touched primarily through the league and proximity to the pits, but nothing strong enough to truly take root until Gotham welcomed her to her new home. While her features are limited to black sclera and not much else, she is strongest in the ability department, able to literally move through shadows and hide in them at will, though she cannot speak while doing so and it can be hard watching for a shadow signing. Due to her past and being hell-touched, she is a bit stronger than Dick, though not as physically strong as those who grew up in Gotham.

Duke is more angel-touched than the others are, resulting in the enhanced strength of his light abilities and visions. That doesn't mean there isn't demon in him though, it just showcases itself more quietly.

Stephanie may very well have the sharpest claws and fangs of the family, but her razor wit is one of her best attacks depending on who you ask. Her and Cass sometimes seem joined at the hip, and, while their styles are somewhat opposite, they work quite well together.

Damien was created with the blood of Bruce Wayne and Talia Al Ghul, grown in a Lazarus Womb. He looks like a tiefling, with skin dark like Talia but tinted the slightest bit red like his father, burning green eyes like Talia but black sclera like Bruce, and the very same Wayne horns and talons that dominate the generations. He does not have wings and it seems unlikely he will ever have them, but that does not stop him in his tracks.

[girlfriendsofthegalaxy]

tuesday again 6/18/2024

might flood today! might not! who knows! i live in the paved over swamp! mackintosh’s main concern is this bowl of grapes

listening

sligo river blues performed by john fahey. part of the point of doing this weekly is when i sit down to draft these, i am occasionally forced to go "ooh. i forgot to listen to music while pacing around last week. maybe that's why i was a tremendous cunt and wanted to claw out of my own skin."

anyway i care about two people on tiktok and one of them is a couple renovating a stunning house in the pacific northwest from a level 5 hoard (DK Dreamhouse), and one is this guy dylanwesch who is i guess music nerd tok? a lot of ambient stuf which i love to click around on the computer to. listened to part of this album while debugging a GIS problem this week

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reading

i read six books this week, which is really the clearest possible sign i need to up my antidepressants. read the shepherd king duology by rachel gillig (Fine but i had some issues with the authorial style, felt very YA as opposed to NA, did have a very cool magic system, unfortunately i liked the second couple’s banter and relationship Way More than the main couple’s). finished the last three books in the temeraire series, i have not much to say about them except i adored them wholeheartedly. also before i read those i wrote all the below in a fit of pique

the great state of west florida by kent wascom. instagram kept serving me ads for this book and i am once again a little unnerved by meta's advertising.

publishers' weekly synopis

In Wascom’s wacky and wild fourth adventure for the Woolsack clan (after The New Inheritors), lawless gunslingers and reactionary Christian nationalists face off in a divided Florida. The year is 2026 and 13-year-old orphan Rally Woolsack is rescued from the abusive foster family who brought him to Louisiana by his long-lost uncle Rodney, who regularly responds to challenges of mortal combat on the app DU3L. Rally is thrilled to get away from his tormentors and return to Florida, although it turns out Rodney has pulled him from the frying pan into the fire. Troy Yarbrough, a state legislator whose family runs a creepy evangelical Christian college in its mansion on Florida’s panhandle, has introduced a bill calling for the region to secede from the state. Rally, reckoning with the long-running bad blood between his family and the Yarbroughs, derides Troy’s vision as a “Jesus-riddled white ethnostate with a beachside pastel tinge.” With the bill on the floor of the state legislature, and with everyone packing firearms, the Florida Wars begin. Fans of pulpy dark humor will relish the climactic showdown between Yarbrough’s henchmen and those loyal to an elusive figure called the Governor, as right-wing nutjob Troy is saddled by mad cow disease and Rally is rescued by his crush. This high-octane satire feels all too plausible. Agent: Gail Hochman, Brandt & Hochman Literary. (May)

i had some trouble with this one! on its face it seems like the kind of thing i would eat with a spoon. in practice it's more of a coming-of-age than a just-before-the-apocalypse story and i have a lot of trouble relating to a thirteen-year-old boy. even if he is bisexual. in this interview wascom says he's "re-mythologizing the Western" which i can kind of see? it's very pulp and ultra-violent in a spaghetti western kind of way, and seems written in a way easily adaptable to the screen. not quite vaporwave but a lot of anime influence: the author thanks twelve Japanese directors and manga artists at the end of the book.

there's an odd authorial quirk where the thirteen-year-old boy often points out (internally and externally) that the adults in his life are just talking at him about politics. which is a pretty accurate portrayal of childhood, but lampshading it in this way doesn't really make me excited about wascom's authorial chops? this is your fourth book. this book revolved around a couple brutal fight scenes (and one giant setpiece crowd scene, which has vibes and atmosphere in spades), and that's a perfectly fine reason to write a book, but if that's your strength i would be very happy to have you focus on that instead of sections where both the kid and i the reader are bored.

there's a scene with babysitter/babysittee sexual abuse that unlocks how the abused character makes decisions for the rest of his life, but it was extremely graphic and i wasn't really prepared for that. i don't know that i would have read this book if i had that knowledge aforethought.

overall not quite what i wanted it to be: the author in this interview said he's been working on it for over a decade and had to keep throwing out parts coming true during trump's presidency. i picked this pulpy novel up as an escape from the terrible politics of today, which is not what this books is. i don't know if i buy that he was simply too good at predicting the future, but i do like the choice stated in his interview "I abandoned the predictive stuff and tried to tell a story like it was written on an obelisk in the future, like what Denis Johnson did with Fiskadoro, or Joanna Russ with The Female Man". it does feel very much like the narrator from Mad Max 2 telling his story of meeting Max as a feral kid. again, some interesting ideas in here, does deliver on the Southern Gothic doomed political family aspect, as well as the same flavor of heat-wave climate tragedy as JG Ballard's The Drowned World, but i would have liked to focus more on his cool furiosa-like aunt in a white mustang with an anime mech arm. criminally underused character

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watching

watched The Hunter (2011, dir. Nettheim) because of the Temeraire books! they used an archaic name for Tasmania that made me go “where the Fuck is that” and then i looked at the media mentions section of the wikipedia page. beautiful film in a very spare way. lots of long loving shots of willem defoe in the wilderness enduring various weather conditions.

i don’t know if it stuck the landing quite as well as i would like, but like defoe you fall in love with the land and the family so slowly it’s very startling when you finally do fully realize it. i think i was supposed to cry at the end but didn’t quite manage it. one of my favorite springsteen songs is part of the diagetic score in a way that made me cry, which i also did not expect.

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playing

shoutout to the Thing Matching genre of phone game. this one is very much watch-ads-to-win but the levels are pretty long and i like shuffling objects around while listening to podcasts and trying to fall asleep

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making

fallow week