#fornarina

[sixtoesss]

Tokidoki X Fornarina

[tragediambulante]

La velata, Raffaello Sanzio, about 1516

[saucedwho]

[styleofdiamandis]

PHOTOSHOOT: FOAM MAGAZINE

If there was a way to sum up the "Electra Heart" era in fashion — I think this shot did the job

On July 7th, 2012 Marina Diamandis was photographed by JUCO for Foam magazine in Los Angeles. Glam by Amy Chance, hair by Aaron Light and manicure by Michelle Saunders.

Simple as it may be, this is precisely the look, the beauty, and the styling I would have selected for this shot. Powerful in its stark simplicity. 

For our first look, she wore this lime-colored slip dress ($295.00 - sold out) with contrasting black lace details from Emerson's Fall/Winter 2012 collection.

Jeweller Erica Courtney seems to have been assigned as the official bauble provider for this editorial, as Marina dons several of her pieces such as these white pearl, yellow-gold and diamond drop earrings ($31,700.00 - sold out).

For the next set of photos, Marina is posing on a bed while wearing Aussie label SHAKUHACHI's mint-green and pink lace block cut-out dress ($525.00 - sold out).

As in jewelry, the Greek-Welsh beauty rocked a pair of Jared Jamin's green flower and pearl drop earrings ($220.00 - sold out), along with Erica Courtney's platinum and diamond white pearl fancy charm necklaces ($10,000.00 - sold out) and 18k gold and diamond London blue topaz Zoey ring ($7,200.00 - sold out).

Marina completed her girly ensemble with these to-die-for metallic green penny loafer pumps ($275.00 - sold out) by Fornarina.

This retro-inspired look includes a vintage beaded and fringed cream pencil dress which was paired with the stylist's own sheer silk scarf and jewelry by Erica Courtney which included the Super Cool gold coin charm bracelet ($20,000.00 - sold out) and Pillow Top ring ($19,000.00 - sold out).

My favorite look of this editorial includes Marina wearing these apple-green and purple cut-out lenses – fruit of the collaboration from Prabal Gurung and Linda Farrow for Prabal's Spring/Summer 2012 runway!

I wasn't able to ID her outfit down but Marina wears yet another stunning design by Erica Courtney. On her, we can spot a blue topaz version of these romantic chandelier earrings with diamonds.

For the penultimate look, Marina posed outside while wearing her stylist's own beaded vintage cardigan on top of a vintage white silk blouse, and vintage grey leather daisies-embroidered belt sourced at Modern Vintage Today.

Her white and black polka-dot organza circle skirt ($450.00) was created by emerging designer House of Ronald.

This very feminine look was further enhanced with the Serefina Dagger stud earrings ($50.00 - sold out) and her aforementioned Fornarina pumps.

For the final look, things get bright and pink with this SHAKUHACHI neon-pink poplin blouse ($263.00 - sold out) which Marina paired with a vintage rose lace pencil skirt from Hot Mess Vintage.

The jewelry for this look is by none other than Erica Courtney and featured the namesake Erica diamond stud earrings ($11,000 - sold out) and Shayne pearl and diamond pendant necklace ($44,000 - sold out).

Last but definitely not least, Marina completed the look with these Kurt Geiger Spring/Summer 2012 white and pink perforated leather platform wedges!

[julijem]

need this tokidoki x fornarina collab badly

[videoxsgames]

candice swanepoel for fornarina ads

[wyatt2cool4you]

Obsessed with Fornarina x miss van collection. So hard to find pieces tho

[deepdwnbodythurst]

https://www.vinted.it/donna/borse/borse-a-spalla/2693357348-borsa-a-tracolla-fornarina

[artschoolglasses]

La Fornarina, Raphael, 1518-20

[conformi]

Raffaello Sanzio, La Fornarina, 1520 (detail) VS Miuccia Prada and Raf Simons, Prada Spring Summer 2022 Ready-to-Wear Collection

[mermaidsirennikita]

whenever people get into discussions of whether or not there is a way to have an objective standard about what makes any kind of art "good art" (there isn't) I think we end up circling back to some kind of restatement of "Van Gogh barely sold any of his work when he was alive" or "Modigliani died penniless and his works now fetch some of the highest prices on the market"

which is true, and isn't without value, but I think more of how Raphael da Urbino (THAT Raphael) was considered the "Prince of Painters" during his lifetime and was arguably more favored than Michelangelo or in some eras Leonardo after his death, but has more recently fallen in estimation among many Early Modernist art historians, to the point where sure, he's still considered one of the three grand maestros of the Italian Renaissance, but he's by far considered the "most mid"

which I find incredibly fucked and wrong personally, BUT. it's still very much a thing; and I am sure that at some point in the next century or so, it won't be a thing, and we will have circled back to another point

anyway, in conclusion: the concept of what makes any work of art, regardless of the medium "good" is ever-changing, and while communities may reach (general) consensuses about certain works and artists, there will never be an objective way to verify what is good and what will be considered good in the canon forever and ever. INFLUENCE may last and be hard to debate--but shit, lol, you can see Raphael's influence on countless artists in years following his relatively short (comparatively) career, and he still gets a bit of a brush-off today.

[themuseumwithoutwalls]

MWW Artwork of the Day (1/12/23) Jean-Auguste-Dominique Ingres (French, 1780-1867) Raphael and the Fornarina (1814) Oil on canvas, 64.8 x 53.3 cm. Harvard Art Museums/Fogg Museum, Cambridge MA (Grenville L. Winthrop Bequest)

This composition, the first of six versions, articulates Ingres’s conception of the art of painting. For him, the oeuvre of the Renaissance artist Raphael was the pinnacle of artistic achievement. Here Ingres draws on Raphael’s relationship with the woman known as “La Fornarina” (the Little Baker), which, according to the biographer Giorgio Vasari, led to the young artist’s death from an excess of lovemaking. Raphael has just sketched the famous portrait of her, and his beloved subject sits on his knee. But Raphael has eyes only for his own creation, which, like Ingres’s representation of its model, meets the viewer’s gaze. This triangle of glances is complicated by the presence of the Virgin in Raphael’s "Madonna of the Chair," seen against the back wall, where she resembles the artist’s lover.

Ingres is one of the featured artists in this MWW gallery/album: https://www.facebook.com/media/set/?set=a.727184920720213&type=3

[empirearchives]

Raphael and La Fornarina (c. 1813-14)

By Jean-Auguste-Dominique Ingres, French

[bebemoon]

"90's bitch", requested by anonymous . | fornarina technical denim overall dress, unif "imp" baby tee, tank girl (issue #3, 1995), paperback copy of "sybil" by flora rheta schreiber, heaven by marc jacobs double-headed teddy friendship necklaces, demonia "pace-01" wedge platform sandal, sandy liang "ninety" bandana in flower grid, ultimo cosmetics (on etsy) "jade monkey" loose green shimmer eyeshadow, peace sign silver-tone toe ring, heretic "poltergeist" eau de parfum, ashley williams "cute" crystal hair pins, yoshitomo nara zippo lighter, baggu small nylon crescent bag in lemongrass, bikini kill buttons, bonne bell: lip smacker "lip sparkles" clear vanilla-scented glitter lipgloss, bonne bell: nail gear nail polish "lucky-scented" top coat, & vivienne westwood "jasha" safety pin earrings

[somedaywewillshinetogether]

vintage fornarina black knit ribbon top with keyhole