#former villain tony
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starker-sorbet · 2 months ago
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⚘ Winter Aconite ⚘ - symbolizes hope, rebirth and new beginnings
Former villains Tony and Peter getting fatigued with constantly battling with the Avengers when they haven't even done anything to earn the heroes ire. Having to restart their lives over and over again until one day they decide to do something drastic to ensure they have peace. And so they set about faking their deaths before setting off to a new life together with their new daughter Morgan
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just-aake · 2 months ago
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Flustered Crushes
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Pairing: Natasha Romanoff x fem!reader
Summary: The Black Widow does not get flustered. So why is it that Natasha can’t seem to stop embarrassing herself in front of you?
Warnings: fluff
Words: 2795
At the edge of the bustling hangar bay, Natasha leans against the cold, metallic wall, her arms folded tightly, a faint frown etched across her brow as her sharp gaze observes the scene unfolding before her. 
Near the base of the Quinjet’s ramp, you are engaged in animated conversation with Carol Danvers, who happened to arrive at the compound for a quick visit precisely when you returned from your mission.  
You've been with the Avengers for a few months now, a former SHIELD agent seamlessly adjusting to the team dynamics. 
Over time, you've connected with everyone—including her. 
So, Natasha’s made an extra effort to help you feel welcome. 
Clint often teases her about her behavior, insisting her attentiveness borders on something more personal, something like a…crush. 
Natasha dismisses his comments each time with a roll of her eyes. 
She’s just being nice. 
After all, it's only natural to want a solid, dependable relationship with a new teammate, especially someone she'll be working closely with.
That’s the only reason why she came to greet you when you return from your mission.
At least, that’s what she tells herself as she stands there, alone, on the sidelines…not with you. 
Natasha watches Carol say something that makes you laugh, causing her faint frown to deepen.
The flash of amusement in your eyes as Carol grins back makes Natasha roll her eyes and look away, unable to take the sight anymore as a pang of irritation tightens in her chest.
She tries to shake it off, but it doesn’t disappear.
After all, it’s not like she got here an hour before your scheduled return and waited to see you…just to end up watching as the blonde space beauty swoop in, effortlessly captivating your attention.
Deciding she’s had enough, Natasha pushes herself off the wall, preparing to leave.
However, her abrupt movement catches others around her off guard, and she ends up bumping into a passing cart loaded with tools and equipment. 
A clattering sound echoes across the hangar as wrenches and bolts spill onto the floor. 
Natasha curses softly under her breath, a mix of pain and embarrassment coloring her cheeks as she drops to gather the scattered items, apologizing hastily to the technician she collided with before quickly exiting the area.
In her haste, she doesn’t notice your gaze, the subtle smile tugging at your lips as you follow her with amused eyes, tracking her every flustered move across the hangar bay, even as she slips away without a backward glance.
~~~~~~~ ⧗ ~~~~~~~
“So, how’s it going with your crush?” Clint asks, a playful glint in his eyes as he watches Natasha.
Natasha shoots him a warning look that would strike fear into the most fearsome of villains.
Without a word, she grabs the coffee pot, filling his mug before pouring some for herself. She replaces the pot with a decisive click.
“There is no crush,” she states firmly, taking a sip as though punctuating her denial.
“Are you sure about that?” Clint asks skeptically before continuing, “Whenever Y/n’s around, it’s like you lose all of your charm and coolness.” 
Natasha gives him an unimpressed glare. 
“Really? Coolness? That’s the best you’ve got?”
Clint smirks, raising his mug in mock salute.
“Ask me again after I finish this coffee.”
She rolls her eyes, holding her mug close, feeling the warm comfort seep into her hands.
Just as she brings it to her lips, the doors swing open, and Tony strolls into the kitchen, spotting them with their drinks. 
“Oh, coffee! Pour me a cup, Romanoff.”
“Pour your own,” Natasha mutters, savoring her next sip. 
Tony feigns hurt, pressing a hand to his chest in mock shock. 
“FRIDAY, remind me, who owns this building?” 
“You do, sir,” the AI replies smoothly. 
Tony gestures upward triumphantly at her before pointing towards the kitchen. 
“So, technically, that machine is mine, the beans are mine, and...oh, right, that pot of coffee is also mine.” 
Natasha rolls her eyes but eventually reaches for the pot, lifting it begrudgingly.
Tony holds out his mug with a victorious grin. 
But just as she hovers the pot above his cup, she stops short.
“A ‘please’ once in a while wouldn’t hurt.”
Tony’s eyes widen, and he gasps in exaggerated disbelief as Natasha raises a brow in expectation.
Huffing, he mutters, “Can I have some coffee, please?”
“See, that wasn’t so hard,” Natasha quips with a smirk, preparing to pour him his coffee.
At that moment, the elevator dings, and the doors slide open to reveal you, fresh from your morning workout, dressed in your training gear.
You walk by the kitchen, spotting the other Avengers gathered around. 
A delighted smile spreads across your face. 
“Ooh, coffee! Can I have some, too?” 
Natasha’s response is instant. 
“Sure, I’ll make you a new pot.” 
Her tone is warmer than usual, surprising even herself.
You beam at her, and Natasha feels herself pause, momentarily captivated by the sight. Distracted, she almost misses your following words. 
“Thanks, Natasha! Let me change, and I’ll be right back.”
You slip through the doors, leaving Natasha blinking, still trying to regain her composure. 
Tony watches with raised eyebrows. 
“Wait a second—she didn’t even say ‘please,’ and you’re making her a whole new pot?”
Natasha’s eyes narrow as she holds the pot just out of reach of Tony’s mug. 
“Do you want coffee or not?” 
Tony grumbles before muttering a grudging “Yes, please.” 
Satisfied, Natasha pours the coffee, keeping her focus steady. 
“Natasha?” your voice catches her off guard, and she glances up to see you poking your head back into the room. 
“Yes?” she replies a little too quickly, immediately focusing on you. 
Both Clint and Tony fall silent, watching the two of you with curious eyes. 
“Steve’s got a mission tomorrow,” you explain. “Would you mind if I train with you in the meantime?”
Natasha’s mind races for a moment before she steadies herself to answer.
“Uh—yeah, sure. Anytime you want.” 
“Great!” you say enthusiastically before glancing worriedly at the counter. “I think that’s enough coffee.” 
Natasha follows your gaze, eyes widening as she realizes Tony’s cup is overflowing, dark liquid pooling across the counter. She yanks the pot away with a muttered curse. 
“Oh sh—!”
Tony steps back just in time, glaring down at his soaked countertop.
“Really, Romanoff? This is a new suit!” 
Rolling her eyes, Natasha grabs paper towels, unruffled by his dramatics. 
“Calm down, it barely even touched you.”
You let out a small laugh. 
“I’ll be right back,” you say, shooting her a smile as you exit.
“Okay,” Natasha murmurs, her attention lingering on the door.
Clint chuckles as he takes another sip, eyeing her knowingly. 
“You’re right, Nat. It’s not a crush,” he says, leaning back with a smirk. “It’s way worse.”
~~~~~~~ ⧗ ~~~~~~~
Natasha flashes one of her most charming smiles, leaning just slightly forward as the receptionist fumbles through her files, cheeks tinged with a rosy hue under Natasha’s intense gaze. 
“Here you go!” the receptionist says, her voice soft as she hands over a key card. “I’m sorry again for the mix-up.”
Natasha’s fingers rest lightly over the receptionist’s hand as she accepts the card, her eyes warm and a playful smile tugging at her lips. 
“No problem at all,” she replies, her tone smooth. “I don’t mind the delay with such lovely company.” 
The receptionist blushes deeply, tucking a strand of hair behind her ear and giving Natasha a flustered smile. 
Natasha’s confident smirk grows as she watches her charms take effect. 
Quick and efficient, she slips the USB drive from the computer, seamlessly hiding it under her palm as it rests over the key card. For a moment, she feels pleased with herself, effortlessly pulling off her usual charisma.
See, she thinks to herself, Clint has no idea what he’s talking about—she’s got plenty of charm.
“Nice job, Natasha,” your voice suddenly crackles in her earpiece, startling her. 
Her hand slips in surprise, almost knocking over the items on the counter. She turns it into a casual adjustment, but not before the receptionist gives her a curious look. 
Natasha quickly smiles, grabbing the key card and offering a polite nod before walking away toward a secluded corner of the lobby.
Pressing a finger to her comms, she mutters, “Y/n? Where’s Clint?” 
“He had to step out for a minute,” you answer. “He asked me to take over. Is that okay?” 
“No–I mean—yes, of course,” Natasha says, the words tumbling out a bit too quickly. 
She straightens, running a hand through her hair as she tries to regain her composure. It’s not like she hadn’t expected you to assist with missions, but the thought of you watching her…
She tamps down the sudden flutter in her chest and forces herself to stay focused.
“Your next target is on the same floor as the key card you just picked up,” you continue, your voice warm and steady in her ear. 
“Got it.” 
“I’ll explain what you’re looking for.”
Natasha nods and begins striding toward the elevators, hoping her sudden focus will drown out the distraction of your voice in her head. 
She tells herself it’s just a mission—professional, routine.
But now, with you guiding her through the next steps, each word falling from your lips makes it harder for her to maintain her usually calm, steady demeanor. 
Her heart beats a little faster, and her cheeks feel a bit warmer than they should. She brushes off the thoughts and keeps walking, determined to stay cool and collected.
“Um…Natasha?”
She stops mid-step. “Hmm?”
“You’re…going the wrong way.”
Natasha freezes, blinking in surprise. She glances around, realizing she’s heading in the opposite direction from the elevators.
A wave of embarrassment sweeps over her as she lets out a quiet curse under her breath.
“Right,” Natasha says, turning with as much dignity as she can muster, her face heating as she finally heads in the correct direction.
Oh, she thinks to herself, she’s definitely going to kill Clint.
~~~~~~~ ⧗ ~~~~~~~
Natasha steps out of her room, her leather jacket slung over one arm as she adjusts the zipper. 
Your voice calls her name from down the hall, catching her off guard and making her slam the door shut in a startled motion. She spins to face you, only to be tugged back by an unexpected resistance.
Natasha looks down with a sigh, spotting her jacket sleeve caught in the door. Tugging at it proves ineffective, as it stays firmly wedged in place.
Hearing your footsteps approaching, Natasha hastily shoves the jacket behind her back, trying to appear composed. She leans casually against the door, hoping the awkward moment has gone unnoticed.
“Hey,” you greet with a warm smile as you reach her.
“Hey, Y/n,” Natasha replies, attempting a relaxed tone.
You eye her with a hint of curiosity. “Are you…okay?”
“Yeah, I’m fine!” Natasha says quickly, forcing a casual smile. “Just, um, examining the door. Thought it could use a closer look.”
Your brows raise in amused surprise at her peculiar explanation, but you let it go. 
“Well, once you’re done with that,” you say, playing along, “I made a reservation at that new place downtown. I was wondering if you’d like to join me?”
“Just the two of us?” The words slip out before Natasha can stop herself. 
A flicker of excitement and amusement crosses your face as you nod. 
“Yeah, just us,” you say softly.
Natasha’s heart gives a small flutter, but she maintains her composure. 
“I’d love to,” she says, a smile slipping through despite her best efforts to stay calm.
“Great, it’s a date,” you say, grinning. “I’ll meet you in the garage.” With a playful smirk, you add, “After you finish your ‘inspection,’ of course.”
As you walk toward the elevator, Natasha watches you with a lingering smile.
Once you’re out of sight, she finally frees her jacket and heads to the garage a few minutes later, finding you waiting by her motorcycle.
You hop on behind her, wrapping your arms around her waist in a snug embrace. 
The warmth of your presence makes her feel a fluttering sensation in her chest she can’t shake. Distracted, Natasha blindly reaches for her helmet and slips it on—only to be met with complete darkness.
With a soft sigh, Natasha’s head drops to her chest, realizing she put it on backward. 
The chuckle that escapes your lips behind her is quickly muffled as you clear your throat, your hands reaching to help her. 
You gently remove the helmet, your fingers brushing her cheek as you pull it off.
When Natasha glances back, she catches the playful look in your eyes as you bite back a grin.
Seeing this, Natasha lets out an exasperated sigh. 
“Can we just pretend the last few minutes didn’t happen and start over? I swear, this doesn’t usually happen to me.”
You laugh, unable to hold back anymore. 
“Oh, I know all about the smooth and charming Black Widow,” you say, your gaze warm and teasing. “But I think this side of you is pretty cute too.”
A faint blush spreads across her cheeks at your words, and Natasha takes the helmet, this time slipping it on correctly, with a soft smile she can’t quite hide anymore.
~~~~~~~ ⧗ ~~~~~~~
It’s another one of Tony’s famous parties, where glittering lights reflect off polished floors and music pulses softly through the spacious hall. 
In the middle of the dance floor, beneath the warm glow, Natasha sways with you, her hands resting gently on your waist as you move together to the rhythm of the soft melody. 
You wrap your arms around her neck, leaning in and drawing her closer until your lips meet hers in a tender, lingering kiss. 
Natasha smiles softly against your lips, and as you pull back, she rests her forehead gently against yours, eyes half-closed in a moment of quiet contentment. 
Even as the music fades into the background, her hands remain firm on your waist, as if she has no intention of letting go.
“Why don’t we get something to drink?” you suggest, glancing over at the bar lined with sparkling glasses.
Natasha only pulls you closer, her fingers brushing lightly along the small of your back as she murmurs, “Or…we could stay right here and have another dance.” 
Her voice is a soft suggestion, and she leans in slightly, her green eyes filled with warmth and alluring charm.
You raise an eyebrow, a knowing smile spreading across your lips. 
“It’s cute how you’re trying to be smooth.”
Natasha’s expression shifts, feigning innocence. 
“I have no idea what you’re talking about,” she says, though the faintest blush colors her cheeks.
With a playful glint in your eye, you tilt your head at her in challenge. 
“How long has your bracelet been stuck to my dress?” you ask, giving her a teasing look.
Natasha glances away, the blush deepening as she realizes she’s been caught. She’s spent the past few moments subtly trying to free her wrist from your dress, but to no avail.
“In my defense,” she murmurs, attempting to deflect, “you distracted me with how beautiful you look tonight.”
You chuckle softly at her excuse, reaching up to pull her even closer. With a playful grin, you press a gentle kiss to her lips before leaning in to whisper against her ear.
“Think of the bright side—if you can’t get it loose, I’m sure you could just rip this dress off me.”
Natasha’s breath catches, and for a split second, she’s utterly still, her mind stalling at the suggestion. 
You pull back just enough to watch her expression, and a delighted smile grows on your face as she stares at you, wide-eyed and flustered, clearly caught off guard.
It only takes her a moment to catch on, her eyes narrowing in realization as she shakes her head with a playful huff. 
“You’re trying to embarrass me on purpose,” she accuses, a hint of a smile breaking through.
Unashamed, you bite back a laugh and nod. 
“It’s nice to see the calm and collected Black Widow all flustered for once.”
Natasha’s lips curl into a smirk as she pulls you flush against her, her free hand sliding up your back, fingers grazing along your spine. She leans in, her lips just a breath away from yours, the warmth of her gaze intense.
“Only for you,” she murmurs, her voice a hushed promise before closing the distance, her lips capturing yours in a kiss that makes you forget the world around you, the room fading away as you melt into each other’s embrace.
~~~~~~~ ⧗ ~~~~~~~
a/n: just a short fluff with a soft Natasha that I had finished some time ago. after everything that has happened yesterday and today, I wanted to give some kind of happier distraction, even if it may be only a temporary escape from everything. I’m still going between disbelief, sadness, and anger myself about the situation while also trying to be prepared to continue on. But hopefully, this was able to bring some of you some sort of break from everything else.
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ingravinoveritas · 4 months ago
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Lovely new article about Michael in Paste magazine. Article is behind a paywall, so here is a transcription (with thanks to the person on FB who transcribed it, and the parts in bold are my own emphasis).
There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.
As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.
But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.
Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.
As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.
Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.
Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.
Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.
I love this so much. The thoroughly well-deserved praise for Michael's incredible performance as Aziraphale, but also that Aziraphale and Crowley's relationship is specifically described as a "romance." And of course, the first sentence of the last paragraph that acknowledges how much Michael and David are indeed a "matched set" that cannot (and should not) be separated...
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hanahanumana · 4 months ago
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From AnaMaria Abramovic on Fb
Paste magazine has done an article about Michael and how underrated he is in Good Omens and I found a transcript since it's behind a paywall. Here's the link if anyone wants to subscribe. 💙
https://www.pastemagazine.com/tv/amazon-prime-video/good-omens-michael-sheen-underrated-performance-explained-streaming
There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.
As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.
But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.
Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.
As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.
Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.
Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.
Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.
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etherealstar-writes · 7 months ago
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ORDINARY LIFE | ARSENAL WFC X TEEN AVENGER OC | PT 1
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pairings: arsenal women x teen avenger oc (platonic)
summary: in which a sixteen year old just wants to live an ordinary life away from all the superheroing madness and play football for her club, trying to hide her past as a former teen avenger from all her teammates.
part one: beginnings
✦ ——— ✦ ——— ✦
Ameris Adarlan knew her life was anything but ordinary. She had grown up amidst the chaos of heroes and villains, her parents' affiliation with SHIELD and their close friendship with Tony Stark shaping her childhood in ways she never imagined.
From a young age, Ameris had been thrust into a world of secrets and danger, her parents' untimely demise serving as a stark reminder of the perils that came with their line of work. A planned fatal car accident that claimed their lives had left her ten year old self scarred, both emotionally and physically, the jagged line running across her left eyebrow a constant reminder of the tragedy that had torn her family apart.
Tony Stark, her father's closest friend, had then taken her under his wing, and Ameris grew determined to avenge her parents’ deaths, joining the Avengers at the young age of thirteen, intent on aiding them however she could.
Ameris didn’t have any powers that made her outshine like most of the other Avengers, choosing to remain in the shadows of the spotlight. But she did possess a special talent, the ability to predict the movement of others or objects by reading their body language and initial movement. 
While everyone around her told her that she was an Avenger prodigy, that she was gifted with this talent, and made her feel like that she should consider herself lucky because of this ability, no one knew how hard she worked on this skill and trained to be where she was at, spending years trying to read every individual’s mannerisms and body language.
But as the years passed, with each mission assigned to her remaining victorious, came the daunting realisation that their heroism came at a cost. A cost that Ameris couldn't bear to pay like her parents had.
So, at the age of sixteen, she had finally made the decision to leave it all behind. With a heavy heart and a determined spirit, she bid farewell to the Avengers and the life she had once known, hoping to seek solace in the simplicity of a world untouched by chaos and strife.
It was a decision born out of necessity and self-preservation, a choice to reclaim the appearance of a normal life she had been deprived of for so long. With London beckoning her with open arms, Ameris decided to move there and pursue a career in football, a passion she had shared keenly with her father, but hadn’t had the strength to pursue since his death.
Not until now.
And so here she stood, outside the doors of Arsenal Football Club, feeling a surge of anticipation course through her veins. The crisp London air filled her lungs as she took a deep breath, the cool breeze blowing her dark hair locks back.
She steeled herself for the new chapter that awaited her, ready to leave behind the shadows of her past, and entered inside. Making her way to the reception area, she greeted the staff with a warm smile, her nerves masked behind a facade of confidence.
"Hi there, I'm Ameris Adarlan," she said, offering a smile to the receptionist. "I'm a new signing."
"Ah, yes, Miss. Adarlan. Welcome to Arsenal,” The receptionist greeted her with a warm smile, her fingers flying across the keyboard before she slid a clipboard over to her to sign some papers. “I'm afraid the captain and vice-captain are currently tied up with the other new signings, but they'll be with you shortly."
Ameris shrugged nonchalantly. "No worries. I can wait."
The receptionist handed her a badge with her name imprinted on it, a small gesture that made Ameris feel oddly official. 
"Feel free to roam around the facility in the meantime," the receptionist told her.
Ameris nodded her thanks and set off to explore, her curiosity piqued by the prospect of getting to know her new surroundings. She passed the hallways with photos of the team framed each year, and couldn’t help but stop for a moment in front of the trophies’ display to admire it.
“Hey there!” 
Ameris shifted her gaze to the person that gained her attention, watching the brown-haired woman make her way towards her with a steaming cup of coffee in hand, dressed in the Arsenal training kit. 
“Hi,” Ameris greeted her with a sincere smile.
“I was excited when we were informed that we were getting a teenager signing, and an adorable kid, no less.” Ameris chuckled while the woman extended her hand politely. 
"I'm Steph, by the way. Welcome to Arsenal." Of course she knew who she was. She’d done her research on all of them. 
“Thank you. And I’m Ameris,” she replied back as shook her hand firmly, noting the genuine warmth in Steph's demeanour. “But I think you already knew that.”
“You’re right about that.” Steph grinned before pointing at Ameris’ badge that hung around her neck. “And I read your name on that.” 
“Oh, yeah.”
“Has Kim or Leah gotten to show you around yet?”
Ameris shook her head. “Not yet, no. They were still busy with the other signings.”
"Well, I’ve got nothing better to do, so how about I show you around? Consider it a little welcome gift from one teammate to another," Steph offered.
"Sure." Ameris smiled.
She fell into step beside Steph as they began their impromptu tour of the club. 
As they made their way through the training facilities and locker rooms, they came across Katie McCabe and Beth Mead, two of Ameris' new teammates.
"Hey there, newbie!" Beth greeted Ameris with a friendly grin. "I'm Beth, and this here is Katie."
"Hi," Ameris greeted them warmly, returning their smiles. "Nice to meet you both. I'm Ameris."
Katie's eyes sparkled with curiosity as she studied Ameris with interest. "So, what brings you to Arsenal, Ameris? You must be pretty talented to get signed at such a young age."
Ameris chuckled softly, rubbing the back of her neck in a modest manner. "I guess you could say I've had some practice. But honestly, I just love the game. Football has always been a passion of mine."
Katie nodded in understanding. "Well, you've certainly come to the right place. Arsenal is like a big chaotic family, and we're thrilled to have you join us."
With a smile of gratitude, Ameris felt a sense of warmth wash over her. Maybe, just maybe, she could find the ordinary life here she had always longed for.
✦ ——— ✦ ——— ✦
hey everyone! i love reading comments and they really motivate me to continue writing so pls feel free to comment your thoughts <33
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puppetdaily · 7 months ago
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Sexy Puppet Tournament Round 1 SKEKSIS vs TONY THE TALKING CLOCK
Skeksis (entire species, The Dark Crystal)
Gluttonous, nasty, cruel, the Skeksis represent all the worst impulses of humanity. Their spindly, reptilian forms hide surprising power and capability, and an odd sort of beauty lurks in their haunting features. A monster-fucker's dream? Or are they far too ugly to have a chance?
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Tony the Talking Clock (Don't Hug Me I'm Scared)
Tony seems to be a perfect archetype of a Tumblr sexyman, and is in fact one of the originals: villainous, theatrical, put-together, with limbs like overcooked noodles. He inspired hundreds of humanizations and a plethora of ship art, a shockingly low percentage of which involved moustaches. Well, it's 2024, and staches are back in fashion. Can Tony return to his former sexy glory?
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dolche-tejada · 2 months ago
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So I wanted to point out the usual nonsenses coming from Tony Stark antis and luckily enough, one of them made a post quoting pretty much most of their popular "arguments" (if I can refer to them as such), so let's take a look at this user’s main points and see how solid they are.
"Let's talk about the horrible shit Tony has done in the MCU"
Please keep in mind the "horrible shit" term all along during your reading.
"MCU Tony has mortared a city full of civilians"
Okay so first point and it literally never happened. USA's government did that to Wanda and Pietro's town, not Tony so I hope it wasn't too painful to pull this nonsense out of your ass.
"Been a complete dick to all of his teammates"
Oh no... he was mean to Steve and his coworkers during their first movie ? What a complete tragedy, what a heartless monster. Please stop the violins, otherwise I might weep.
"Made multiple misogynistic comments about women mainly Natasha (looking at you prima nocta scene)"
Okay so you gave only one example to back this up and it's when he was obviously joking with his friends. Even if that joke may be in very bad taste, that doesn't make him a horrible person like you tried to demonstrate, you're just nitpicking.
"Manipulated a 16 year old into getting into a war with his former teammates"
A) "a war" please don't make me laugh. For most of the only fight Peter take part in, both sides were joking with the other while fighting and weren't even fighting seriously, they were just trying to incapacitate each other. Things only get messy after Tony ordered Peter to step back.
B) Tony didn't manipulate shit. He hid no vital informations to Peter and while bringing a 16 year old to an arrest was indeed a stupid decision, he knew Steve wouldn't harm him and that Peter was strong, competent and equipped enough to deal with him.
"Thought he was completely justified for trying to kill Bucky for something Bucky did unwillingly cuz he was fucking brainwashed"
Why the fuck are you lying ? At no point Tony justified himself for this. He tried during the whole Civil War plot to ease things with Steve and this even after his best friend got disabled for life because Steve escalated the situation at the airport, only to learn then that his friend lied to him all along about his parents' death.
At this point Tony just didn't care anymore and while he was obviously wrong for trying to kill Bucky, it's not like he had no understandable reasons to go after him. Brainwashed or not, most people would try to obliterate their parents' murderer if he stood right in front of them.
"Repeatedly mocked Bruce Banner who was filled with self loathing and even tried to kill himself because of how much he hated being The Hulk"
Firstly he joked with him, not about him. Secondly, Tony was the only one who respected Bruce from the start and never treated him like some ticking bomb ready to explode.
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"Created most of the villains in the MCU (Mysterio and Co., Vulture, Aldrich Killian, The Maximoff Twins, Justin Hammer, The Flag-Smashers etc)"
Okay, where do I even begin on that.
Quentin Beck was a narcissistic asshole who got mad because his boss called his invention "B.A.R.F", that and Tony tossing it aside because this tech was way too expansive for its very limited applications. So not Tony's fault if Beck had an ego more fragile than a soap bubble.
Hammer tried to destroy Tony's image and Stark Industries first, so Tony defended himself by revealing he crippled a man by trying to replicate his tech. Hammer fucked around and found out, not Tony's fault if he's an hypocritical idiot.
Concerning the Flag Smashers, the reason they became terrorists wasn't caused by Tony bringing back half of the universe, it was due to the Global Repatriation Council's disastrous resources management.
About Toomes, Tony had no prior knowledge of the contract he signed with NY and even if he did, leaving dangerous alien tech in the hands of random people is quite a moronic idea, as evidenced by what they did with this tech for years. Not Tony's fault if Toomes is delusional and sucks at his job.
Aldrich Killian ? Be fucking real, he became a super-villain just because Tony ignored him, an archetypal greasy-haired nerd who literally drools as he talks, for a pretty chick on New Year's Eve.
Like obviously, when a serial killer stab someone to death, the most logical reaction is to blame those who assemble knives at the factory rather than the murderer himself, makes perfect sense to me.
The Maximoff Twins, my god this argument again... Yeah let's blame the guy who designed and sold weapons to his government rather than, oh I don't know, the fucking guys who used them against civilians ??
"Which also means he's also had some hand in the deaths caused by all these characters"
Literally none of the characters you quoted became super-villains because of him.
"Created Ultron"
He intended to create a security system against other alien invasions and it resulted in a genocidal robot, which only happened because Wanda mindraped him some hours before. Tony is responsible for Ultron's creation, Wanda for what he became.
And I don't want to see anybody whining in my mentions that he already planned to design Ultron prior to her mindraping him, not when she had this fucking grin after seeing Tony taking the Mind Stone with him.
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Let alone when she threw this line, later in the movie : I saw Stark’s fear. I knew it would control him, make him self destruct.
She knew letting him take the Stone would cause something awful that might also kill him and she used her powers to make him even more paranoid. She's responsible for Ultron going from "A suit of armor around the world" to "Genocidal Murder Bot", not Tony.
"Thought it was a good idea to have a newly created AI be exposed to The Mind Stone which caused Ultron to kill JARVIS and go rogue
A) Which again wouldn't have happened if Wanda hadn't mindraped him the same day.
B) He didn't consciously exposed Ultron to it, the Mind Stone corrupted the AI on its own, something Tony and Bruce had no way to predict.
C) Still not his fault anyway. Ultron is sentient, he takes his own decisions. Tony being his "father" doesn't change anything to this state of fact.
"Profited off of war by making weapons of mass destruction and selling them"
Something he's spent over a decade to make amend for, notably by closing his weapons division and dedicating his life and resources to helping people and saving the world.
"Bought illegally obtained vibranium stolen directly from Wakanda by Klaue"
False too. All we know is that they met each other at the time Tony was still designing weapons ; and that Klaue told him he was looking for something new. At no point was it implied Tony illegally bought vibranium from him.
"Technically responsible for more vibranium being stolen from Wakanda by Klaue due to Ultron"
This vibranium was already stolen by Klaue when Ultron met him.
"Being responsible for everyone who died in Sokovia's death because he made Ultron"
So following your reasoning, I guess Jeffrey Dahmer's parents are responsible for every murder their son committed from his own free-will ? Did I get that right ?
"Being unwilling to help Steve and the others fix the Blip cuz muh daughter"
My god, how dare he... being against playing with time and rather trying to accept what happened while taking care of his family.
And this when we know screwing up with time can cause world-ending events.
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Truly a proof of how horrible of a human being he is, indeed.
Btw I like how you ignored that Tony changed his mind and helped them afterwards.
"Supported The Sokovia Accords which need I remind you all Tony is technically responsible for The Accords being made because A. he's the one who killed Wanda's parents (blah blah blah, a lot of false attributions later...) causing her to kill Crossbones and a building full of people"
Still isn't him who dropped those mortar shells on her house. Just like it's not him who pushed Crossbones to go suicide-bombers, wrote the Sokovia Accords and incited 119 countries to sign them.
"and B. he is literally responsible for what happened to Sokovia BECAUSE HE MADE ULTRON"
Already answered to this shit, let's continue.
"Referring to Wanda as "a weapon of mass destruction" in Civil War"
Lmao because she isn't ? No one forced Wanda to join a terrorist organization, pal. Just like no one pushed her to act as a weapon of mass destruction, by using her powers to send Hulk on a rampage across Johannesburg or by enslaving Westview.
"meanwhile HE is the REASON SHE has her powers in the first place"
Sure, Tony whispered in her ear every night to go serve as a guinea pig for Nazis in order to get her revenge on him. I forgot this part of Wanda's backstory, silly me.
"Falsely imprisoning the heroes that didn't sign The Accords because he's a cunt"
Tony don't have any power or authority to imprison people, and the heroes he stopped got incarcerated because they indeed broke the law, you jackass.
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"Being technically responsible for all the deaths caused by Wanda in Wandavision and DSATMOM because if he didn't kill her parents with his mortar..."
I don't think you know what "technically" means.
"then her and Pietro wouldn't have went to Hydra thus not getting their powers from The Mind Stone"
You know what would have actually prevented all the deaths Wanda caused ? Her not willingly joining Nazis to get her powers and going on a murder spree.
"And you are probably thinking "But he sacrificed himself at the end of Endgame !""
To save the whole universe indeed. That and quite a few other things, such as :
Outright refusing to help terrorists and getting tortured as a result.
Risking his life to save Yinsen.
Saving Afghans villagers from terrorists.
Saving Pepper and SHIELD's agents from Obadiah Stane.
Actively saving people on a daily basis, and this for a decade.
Developing a shit ton of armors to protect people more efficiently.
Saving New York and the world overall from Chitauris.
Stopping Killian from taking over the USA.
Curing Pepper from the Extremis treatment.
Designing Veronica with Bruce.
Fighting Hulk to protect Johannesburg.
Saving the world once again, alongside the Avengers.
Awarding promising students with the funds to develop their own projects and inventions.
Granting his tech to Peter and designing for him two suits that allowed him to save many lives.
Saving Stephen's life from Ebony Maw.
Helping the Avengers to travel in other timelines.
"Let me ask you this : If Strange had hold Tony that the only way to defeat Thanos is if Tony sacrificed himself would Tony do it"
It's literally what happened during Endgame, you fucking bozo. What do you think was the meaning of this scene ?
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And it's not like it was something new, he was always ready to die for others' sake, right from the start, did you even watched the first Avengers movie ?
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No wait, even better : Have you at least watched the beginning of his first solo movie ?
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I wasn't expecting anything from Tony antis but sucking that hard at watching a movie is quite impressive ngl.
"Bottom line is MCU Wanda sucks and Tony Stark sucks"
Yeah no shit, that's pretty easy to say when you're making up lies to support your hate boner.
So in conclusion, this dude has no idea of what he's talking about and neither does Tony antis in general for using these bs as arguments.
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rainbowpopeworld · 3 months ago
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(So you don’t have to deal with all the annoying ads on The Mirror’s website, here’s the whole article interview)
EXCLUSIVE: David Tennant reveals his wife Georgia's role) in his 'huge' Rivals series decision
By Nicola Methven
“David Tennant says he jumped at the chance to star in Jilly Cooper’s 1980s bonkbuster Rivals - because his wife said it would be “sensational”.
The former Doctor Who star said she was thrilled when the first script arrived. “I told Georgia and she was convinced that this was something I had to be involved with,” he explains. “She said, ‘This series is going to be huge. This is going to be exactly what the country needs, exactly what the world needs.’
"She knew the books from her teenage years, as I understand, and knew that this was going to make sensational television.”
He duly accepted the role of Lord Tony Baddingham, one of the show’s main villains and was delighted when Georgia eventually got to watch the episodes, and loved them.
"Her reaction was so positive and so joyous," he says. "I know when she's being genuine."
Tony is a grammar school boy with a chip on his shoulder about not being a proper toff. His character runs a regional TV station facing franchise renewal and has a dependable upper-crust wife, played by Sherwood's Claire Rushbrook, but is also having a very steamy affair with the new TV executive he's lured over from New York (Nafessa Williams).
The actor, 53, argues that poor old Tony is just horribly misunderstood. "From the inside, no character believes they're a villain, do they? I think Tony's motivations are very clear. He's very easy to understand in many ways. Tony sees himself as hard done by and someone who's just struggling to survive and to win."
While he can remember the 80s quite clearly, Tenant says that filming Rivals felt very much like being on a period drama. "It's almost like being on the set of a Dickens novel," he muses.
"The 80s seems quite recent history to me, but once you start recreating that world, you realise it's actually very different. That's wonderful fun to film - to be on a time capsule of a set is glorious."
As the Doctor he got to time-travel all over the place in the TARDIS but Tenant says he loved spending time in the 80s, not least because of the music. When you're a teenager at the time, a lot of it, however good it is, is uncool, and therefore you're not really allowed to like it," he says. "Whereas now, as a jaded 53-year-old, I can just go, 'Oh, do you know what I loved? A-ha'."
And what else did he love? "I didn't have to ride a horse, which was a mercy, because I'm a little bit allergic."
Tenant admits that filming the incredibly saucy bedroom scenes was a bit awkward but he felt there was safety in numbers thanks to the huge number of them. Barely any of the cast don't end up getting involved in one way or another.
"| mean, sex scenes are never comfortable, you know? But again, because everyone was in the same boat, there was a lot of discussion about, 'When are you doing that scene?' and 'Have vou done that yet?'
He believes it's fine for Rivals to be labelled a “bonkbuster" - it's full of sex at the end of the day - but only if it's said with due respect for what Dame Jilly achieved with the Rutshire Chronicles. "There are a generation of readers who were so influenced by her, and for whom these novels meant so much, it means that that writing is obviously better than some would have you believe," he says. "The way she writes character is timeless, and people having sex is pretty timeless. So these books have been tenacious for a reason." The actor says an early scene where the pathologically competitive Tony leaps from his helicopter onto the croquet lawn is his favourite career moment so far.
"That hole-in-one, I would like you to know, was probably the greatest day of my professional life," he laughs. Instructed by the director to "whack it" from 30 feet away he was told the cameras would keep running until he managed it. "I thought the crew are gonna hate me by take 402," he remembers. "And I nailed it on take four. I've never felt more pleased with myself than that moment. I felt like a sporting God."”
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docgold13 · 5 months ago
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Heroes & Villains The DC Animated Universe - Paper Cut-Out Portraits and Profiles
Goons of Gotham
There was no shortage of goon, miscreants and scoundrels in Gotham City, far too many to list individually in this project.  That said, here are several of the more prominent goons that batman has had to contend with throughout the years.
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Germs and Bell
A pair of neurotic goons in the employ of Roland Daggat, Germs and Bell handled the illegal dirty work that allowed Daggat to conduct his illegal affairs while keeping his hands clean and maintaining plausible deniability.  Unsurprisingly, this did not work out well for the pair of ne’er-do-wells and both ended up defeated and apprehended by the Dark Knight.  
Actor Ed Bagley Jr. provided the voice for Germs while actor Scott Valentine voiced Bell.  The cads first appeared in the fourth episode of the first season of Batman: The Animated Series, ‘Feat of Clay Part One.’    
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Carlton Duquesne 
A renown mobster in Gotham City, Carlton Duquesne ran highly successful protection rackets for The Penguin. Duquesne teamed up with the Penguin and Rupert Thorne in a potentially lucrative scheme to sell illegal weapons to the war torn nation of Kaznia.  The operation was taken down by the mysterious Batwoman and Duquesne and his coconspirators were sentenced to prison.
Actor Kevin Michael Richardson provided the voice for Carlton Duquesne with the character appearing in the animated feature, Batman: Mystery of The Batwoman.  
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Ma Mayhem
The villainous Ma Mayhem was an old-fashioned criminal in the futuristic Gotham City. With her two sons in tow, Ma Mayhem committed several robberies that eventually led to her running afoul of Batman (Terry McGinnis).  Although Batman initially struggled in dealing with the villains, the hero eventually prevailed and Mayhem and her two boys were captured and incarcerated.
Actress Kathleen Freeman provided the voice for Ma Mayhem with the matriarchal menace  first appearing in the nineteenth episode of the second season of Batman Beyond, ‘The Egg Baby.’  
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Captain Clown
Not much is known about Captain Clown, other than it was absolutely terrifying.  It was a powerful android of unknown origins that The Joker had obtained and dressed up as a sea-faring clown.  The android was programed to follow The Joker’s instruction and aided the Clown Prince of Crime in his scheme to use a garbage barge to embank all of Gotham with his toxic laughing gas.  
It was quite difficult for Batman to defeat Captain Clown, only succeeding when he was able to trap the android in an industrial car crusher that compacted it into a cube of metal and wires.  Distraught over his robotic minion’s demise, The Joker exclaimed ‘You’ve killed Captain Clown!’
The frightening android appeared in the fifteenth episode of the first season of Batman: The Animated Series, ‘The Last Laugh.’  
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Armory
A former Special Forces operative, Jim Tate later acquired advanced degrees in electronics and engineering, with which he made an impressive career as a small arms weapons designer.  After he was fired from Wayne/Powers, Tate became desperate to maintain his tony lifestyle.  Utilizing his training and expertise in experimental weaponry, he became the villainous Armory yet was ultimately taken down by Batman.  
Actor Dorian Harewood provided the voice for the Jim Tate with the character first appearing in the tenth episode of the first season of Batman Beyond, ‘Spellbound.’ 
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Nitro
An explosives expert and arsonist, ‘Nitro’ Nelson took great glee in blowing things up.  He was hired by Roland Daggett to set off a series of bombs that would level the Park Row neighborhood of Gotham.  Actor David L. Lander provided the voice for Nitro, with the villain appearing in the twelve episode of the first season of Batman: The Animated Series, ‘Appointment in Crime Alley.’  
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Golem
Nelson Nash was a student at Hamilton High School who was frequently bullied by a fellow student.  Pushed too far, Nelson decided to get his revenge by stealing a Galvanic Lifter Machine so to destroy his tormentor’s car.  This Galvanic Lifter Machine (nicknamed a ‘golem’) was an enormous robotic loading device with a roughly humanoid shape.  The machine was operated by way of a neural-syncing headband that enabled the operator to control it through mental command.  
After destroying the car, Nelson used the Golem to menace another classmate he had a crush on.  At this point Batman interceded and debilitated the Golem unit with an electrified battarang that caused it to short circuit and shut down.  The feedback into the neural headband caused Nelson to be shocked into unconsciousness.  When he awakened, however, he found that had somehow cultivated psychic powers that enabled him to control the Golem even without the rural headband.  
Actor Seth Green provided the voice for Nelson Nash with the young villain and his robotic companion first appearing in the fourth episode of the first season of Batman Beyond, ‘Golem.’  
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Garth
An early subject outcome of Doctor Dorian's experiments, Garth was a gorilla with enhanced intelligence and other rudimentary human-like capabilities.  Not as refined a subject as Dorian’s later creation, Tygrus, Garth did prove useful as muscle to execute the scientist’s schemes.  
Actor Jim Cummings provided the voice for Garth, with the brute appearing in the thirtieth episode of the first season of Batman: The Animated Series, ‘Tyger Tyger.’ 
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Ian Peak
An ambitious and unscrupulous television journalist, Ian Peak was the host of ‘The Inside Peak,’ an infamous tabloid newscast that dished the dirt on the influential people of Gotham City.  After stealing an experimental intangibility belt from a scientist, Peak used the belt to garner all manner of secrets regarding the luminaries of Gotham.  He even discovered Bruce Wayne’s secret identity as Batman.  Unfortunately for Peak, however, the belt ultimately caused his body to lose structural integrity and he perished when his body defended down into the earth’s core.  
Actor Michael McKean provided the voice for Ian Peak with the villainous paparazzi appearing in the eighteenth episode of the second season of Batman Beyond ‘Sneak Peak.’   
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Doctor Belson
Gregory Belson was a transplant surgeon who had previously worked in the  cryogenics laboratories at GothCorp where he was a colleague of Victor Fries.  A series of poorly thought through investments resulted in Belson’s finding himself in a dire financial situation.  Mr. Freeze was able to leverage Belson’s debts as a means of getting him to conspire with him in a dastardly plot.  This resulted in the craven Belson meeting a fiery end.  
Actor George Dzundza provided the voice for Dr. Belson, appearing in the animated feature, Batman & Mr. Freeze: Sub-Zero.
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The Repeller
Dr. Suzuki was a researcher working in the medicinal technologies department of Wayne-Powers.  He and his colleague developed the ISO field generator rings which could generate a magnetic forcefield around a living being.  Suzuki stole the device and used it to commit crimes as the villains ‘Repeller.’  Batman was ultimately able to surmise the Repeller’s true identity and take the villain down.  
Actor Gedde Watanabe provided the voice for the Repeller with the villain appearing in the second episode of the third season of Batman Beyond, ‘Untouchable.’   
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Vincent Starkey
Also known as ‘The Shark’ Vincent Starkey was a mobster and drug dealer who had previously been put away by Detective Harvey Bullock.  When Bullock was receiving death threats, he was certain that the recently paroled Starkey was behind them.  Aided by Batman, The Shark was taken down as he was starting up a new narcotics racket.  Although it turned out that it was actually Bullock’s landlord who was behind the death threats.  
Actor Gregg Berger provided the voice for Vincent Starkey with the villain first appearing in the fourth episode of the fourth season of Batman: The Animated Series, ‘A Bullet for Bullock.’  
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Falseface
The mysterious mercenary known only as Falseface possessed the ability to shape the contours of his face so to imitate any man of his size and stature. The villain was hired by the terrorist organization known as Kobra to smuggle a deadly virus into Gotham.  The plot was thwarted by the combined efforts of Batman and Stalker.
Actor Townsend Coleman provided the voice for Falseface with the villain appearing in the twenty-first episode of the second season of Batman Beyond, ‘Plague.’  
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Montague Kane
Doctor Montague Kane traveled around the world publishing works on debunking the supernatural.  He showed a particular interest in magicians, revealing to the public the non-magical ways of how their illusions worked. 
The stage magician known as Zatanna was aware of Kane's reputation.  Revealing the secrets of stage magic was very much frown upon and Zatanna was eager to stump him with a trick he would not be able to figure out.  Although Zatanna was practiced in real magic, she relied on traditional sleight of hand in her stage act.  And she had created an illusion utilizing mirrors that would make it appear as though ten million dollars had disappeared from the Gotham Mint.
Kane was actually a cheat and a thief.  He learned how Zatanna was planning to pull off her trick and seized upon it as a means to steal this money for himself.   And Kane's expertise of illusions allowed him to rig the trick so that it would seem the money was there, while it was already stolen.
Kane and his lacks tried to make a quick getaway with the stolen money but were stopped by Batman and Zatanna.  Kane was delivered to the police and Zatanna was cleared of all charges.
Actor Michael York provided the voice of Montague Kane with he villainous skeptic appearing in the fiftieth episode of the first season of Batman: The Animated Series, ‘Zatanna.’
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Bigtime
Charlie ‘Big Time’ Bigelow was an ambitious hoodlum and former friend of Terry McGinnis.  Three years prior to Terry becoming Batman, Charlie and Terry were arrested for burglary.  Charlie was eighteen and tried as an adult, resulting in a three year prison term; whereas Terry was still a minor and hence avoided jail time.  
Following his release, Charlie fell in was a gang of thieves who planned to steal an experimental chemical from a Wayne-Powers facility.  
The robbery went awry and Charlie ended up doused in the mutagenic chemical.  This caused him become physically deformed, yet also bestowed him super human strength and durability.  Going by the alias of ‘Big Time’ Charlie used his newfound powers to become a super villain and had multiple altercations with Batman.
Actors Stephen Baldwin and Clancy Brown provided the voice for the villain, first appearing in the fourth episode of the third season of Batman Beyond, ‘Big Time.’  
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Mutro Botha
The killer known as Mutro Botha was a top lieutenant within the mysterious Society of Assassins.  When the Society found itself hunted by Curaré, Botha attempted to extort Batman into protecting him.  The plan did not work and Botha ended up killed by Curaré.  
The legendary Tim Curry provided the voice for Muto Botha, with the desperate criminal appearing in the fifteenth episode of the second season of Batman Beyond, ‘The Final Cut.’  
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merchantziro · 6 months ago
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DC (With Optional DP x DC and/or Marvel x DC) Writing Prompt
The Justice League have not yet revealed their identities to each other for one reason or another, but at some point a villain starts mysteriously targeting rich figures with a lot of influence for unknown reasons (up to you).
The Justice League needed an idea to ensure they could keep the potential targets safe.
This leads to Bruce Wayne and Oliver Queen both waking up exhausted, the last thing they remember was attending a Gala before suddenly everything went black, surrounded by members of the Justice League who have kidnapped them took them to someplace safe to be guarded until the heroes sort this out.
Now, as much as Bruce and Ollie would like to tell their fellow League members their true identifies to not be babied for the next who knows how long and actually help, unfortunately people like Lex Luthor among other rich influential figures on the planet are among them so there's not really a way to reveal their identities without someone at least becoming suspicious they have SOME PERSONAL TIE to the Justice League.
Meanwhile the Justice League have been trying to call Batman and Green Arrow for hours but they haven't picked up. Though it seems Black Canary is amused enough with Mr. Queen.
Or... The Justice League kidnapped numerous billionaires (including Bruce Wayne and Oliver Queen) to keep them safe from a villain targeting rich influential figures, hilarity ensues.
For added optional chaos...
- Bruce's publicly known children are among the ones there with Spoiler and Red Hood (if you wanna say Jason Todd is still LEGALLY dead) amused to no end.
- Vlad Masters and/or Tony Stark are among the rich figures. The former is absolutely annoyed and is unable to escape so easily due to so many heroes keeping an eye on him, while the latter considers calling an Iron Man suit here to assist the Justice League because it's not like him being Iron Man is a secret.
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thisis-an-original-name · 1 year ago
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thinking about the goofy ass situation that is taylor swift’s nyu commencement address. take a walk with me for a moment.
you’re 22. you’ve just graduated from the new york university. you worked your ass off to get in, worked your ass off for the four years after that, and paid a FUCK TON of money because we live in a capitalist hellscape and it’s nyu. you’re on top of the world.
now it’s time for the commencement speech. previous speakers include the former president of the United States, a Supreme Court justice, and the attorney behind a key same sex marriage case. and who is it this year? taylor swift. ok. previous speakers also include pharrell williams and alec baldwin so maybe it’s just one of those years.
then, ms. swift proceeds to make a half an hour long speech in which she only makes profound observations if she can connect them back to her own music. she then references her next album and dips.
ok. that was… weird. but it’s over now (insert taylor swift reference here.) but wait, what’s this? taylor, musician and speech-giver extraordinaire, has suddenly been granted an honorary degree from the school that you just dedicated 4 years of your life and several hundred thousand dollars to.
Neat. Cool. Excellent. If I was NYU class of 2020, Taylor Swift would be to me as Tony Stark is to every MCU villain. The villain origin story. The final straw.
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holylulusworld · 1 year ago
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Kinktober vs Flufftober 2023
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Like in 2019, 2020, 2021 & 2022, I will post a kinky, fluffy, angsty or scary one-shot from October 1st till October 31st, 2023.
Please consider none of the stories are available until the set release date. Titles may change (all titles are working titles until the release date.). The release date may change at any time.
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ANGST/SMUT/FLUFF
October 1st: Forbidden Lust (2) sequel to Forbidden Lust
Pairing: Stepdad!Bucky Barnes x fem!Reader
Kink: Homewrecker kink
Requested by: @jayyyyyyy-stuff
October 2nd: Rekindle
Pairing: Chubby!Thor Odinson x Exgirlfriend!Reader
Trope: Reunion
October 3rd: Very tight places sequel to Cramped & Tight places
Pairing: Soulless!Sam x fem!Reader
Kink: Claustrophilia
October 4th: Footloose
Pairing: Loki Laufeyson x fem!Reader
Trope: Enemies to lovers
October 5th: Serve your Soldier
Pairing: Soldier Boy x fem!Reader
Kink: Collars
October 6th: Falling leaves
Pairing: Bucky Barnes x Reader
Trope: Sunny vs grumpy
October 7th: Blaze of glory
Pairing: Dean Winchester x fem!Reader
Kink: Glad-to-Be-Alive Sex/Victory sex
October 8th: Two Bikes (1)
Pairing: Jax Teller x fem!Reader; Biker!Bucky Barnes x fem!Reader
Trope: Angst
October 9th: Golden Retriever
Pairing: Jake Jensen x Reader
Kink: Crops / Spanking
Idea by: anon
October 10th: One autumn night
Pairing: Alpha!Dean Winchester x Omega!Reader
Trope: a/b/o
Idea by: anon
October 11th: I'm the best
Pairing: Tony Stark x Reader
Kink: Breeding kink
Idea by: anon
October 12th: Breathless sequel to Take my breath away
Pairing: CEO!Bucky Barnes x fem!Reader
Trope: Secret crush
October 13th: One Summer night
Pairing: Cultleader!Thor Odinson
Kink: Sex Cult
October 14th: Snuggle time
Pairing: Lee Bodecker x Plussized!Reader
Trope: Cuddling & snuggling
Idea by: anon
October 15th: The cabin in the woods
Pairing: Winter Soldier x fem!Reader
Kink/Trope: Choking
October 16th: Not in my car
Pairing: Sam Winchester x fem!Reader
Trope: Love confessions
Requested by: @dawn-petrichor-world
October 17th: Backpack
Pairing: Jax Teller x fem!Reader
Kink: Thigh riding
Idea by: @dawn-petrichor-world
October 18th: Sex you up
Pairing: Henry Cavill x Chubby!Reader
Kink: Size kink
Idea by: @sultryfandoms
October 19th: Fulfilment
Pairing: Dean Winchester x fem!Reader
Trope: Pregnancy
Idea by: @elle14-blog1
October 20th: Triad (1)
Pairing: Omega!Stucky x Alpha!Reader
Kink: Dom / Sub
Idea by: anon
October 21st: Autumnal love
Pairing: Thor Odinson x fem!Reader
Trope: Carving pumpkins
Idea by: anon
October 22nd: Unwanted Mate (Bucky's version)
Pairing: Alpha!Stucky x Omega!Reader
Kink: Threesome
October 23rd: Rescue you
Pairing: Jax Teller x fem!Reader
Trope: Rescue romance
Idea by: @dawn-petrichor-world
October 24th: Right there
Pairing: Soldier Boy x Reader
Kink: Pegging
Idea by: @flory-alexandra
October 25th: Deepest love
Pairing: Dean Winchester x fem!Reader
Trope: Friends to lovers
Idea by: @elle14-blog1
October 26th: Demon knife
Pairing: Dean Winchester x fem!Reader
Trope: Friends to enemies
October 27th: Sunrise sequel to Beyond the soldier & After the eclipse
Pairing: Bucky Barnes x fem!Reader
Kink/Trope: Quirofilia/Nursed Back to Health
Requested by: @clarinette07
October 28th: Naughty School Adventures (1)
Pairing: Janitor!Sam Winchester x Teacher!Reader x Gymteacher!Dean Winchester
Kink: Cucking
Idea by: @moosekateer13
October 29th: Unwanted Mate (Steve's version)
Pairing: Alpha!Steve x Omega!Reader
Trope: Unrequited feelings
October 30th: Taped on video
Pairing: J3 x fem!Reader
Kink: BDSM
Requested by @moosekateer13
Halloween Specials: ANGST/SMUT/HORROR
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October 31st: The past always catches up
Pairing: Winter Soldier x former Hydra!(fem) Reader
Trope: Villain Reader
October 31st: Dreams of sharp teeth
Pairing: Werewolf!Walter Marshall x fem!Reader x Werewolf!August Walker
Trope: Monster AU
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Find all other Bingos and Special Events here: Special Events
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caw4brandon · 5 months ago
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We Like, Are Totally Spies
When we think about shows that will appeal to boys. Action is the easiest to relate. Something like; Ben 10, American Dragon Jake Long, Avatar: The Last Airbender, and Justice League will be on the list. It has drama, it has fights and it's cool!
However, there has been a movement in that era where specific cartoon shows aim to get girls into action. Kim Possible, Juniper Lee, My Life as a Teenage Robot, and The Winx Club are perfect examples of such shows.
There is an odd case for more girl-centric shows. Something about the need to balance femininity with action. The show needs to feel like an action that happens to have the main characters be girls. This is where today's topic comes in. We're talking about how;
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- How's the Mission, Spies? -
< Totally Spies > by Vincent Chalvon-Demersay and David Michel follows three teens; Sam, Clover and Alex from Beverly Hills living a secret life being Super Spies for WOOHP (World Organization Of Human Protection) under their boss; Jerry Lewis.
Their missions involve travelling the world. Fighting mad scientists and twisted outcasts who seek to dominate the world with style and gadgets that conceal themselves as fashionable equipment.
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The trio plays specific archetypes. Sam (green) is the brains, Clover (red) is the fashionista/ boy obsessive and Alex (yellow) is the athlete and occasional nerd. Despite their differences, they share several common interests such as their love for shopping and spy skills of agility, hand-to-hand combat and espionage.
Across six seasons, the girls matured from high school to university students. Confronting the daily struggles of homework, social lives and their petty arch-enemy, Mandy.
As a vibe, < Totally Spies > fully leans into the Beverly Hills lifestyle of fabulous fashion and some familiar pop culture names of that era. The show has a mix of the James Bond type of super spy world filled with dull henchmen, high-tech machines and some tacky villains.
- Time to go to Plan B! -
The episodes are condensed into their own episode. Although there have been some arcs that follow specific villains who have a bit of history with the main characters.
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Tim Scam is a former agent who went rogue against WOOHP and Terrence Lewis; twin brother to Jerry and a sore thumb to WOOHP. There also reoccurring allies as well. Brittney (cyan) who joined the team as a trainee, Dean from the three-part series < Evil Promotion Much? > and Blaine a freelance agent who dated Clover.
The conflicts, if we can even call them conflicts at all have aged rather strangely. Some of the villains commit petty crimes like kidnapping celebrities due to jealousy or act extreme. Like being anti-consumerist with the solution of destroying malls.
Yet, some are still relatable to this day such as a kid villain who is mad at his father for being busy as a commentary on how parental neglect can cause warped ideas in a child. Whatever, it's a pre-teen show. Let's not look into it too deeply.
The world of Totally Spies is also interconnected with several other shows; [The Amazing Spiez] and [Martin Mystery].
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< Martin Mystery > follows Martin, a paranormal investigator for the Center with Martin's step-sister, Diana Lombard and Java the Caveman. Fighting monsters, urban legends and aliens.
According to a special crossover episode. Martin's boss; M.O.M (Mystery Organization Manager) and Jerry know each other. Likewise, in Amazing Spiez; Jerry is also the boss of the Clark siblings. Lee, Marc, Megan and Tony. Sadly, these shows were short-lived and cancelled.
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It does raise an interesting point. Why is Totally Spies more popular? As a guess, I think it's because the chemistry between the characters is a lot more interesting and fun.
The three girls are best of friends and while they sometimes bicker over boys, responsibilities and opinions. They will always put their friendship and mission first above all else. It feels more real, in a superficial way.
That an actual girl would have a girlfriend group this tight-knit and if they ever become a part of something bigger than them. They would do it together.
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- Here We Go Again! -
Tacky villains, cute super spy girlfriends and awesome gadgets aside. The show has a few good jokes here and there. Its art style borrows a lot from Anime and its colors are groovy to the eyes.
For a show that was meant to attract girls into action. The show has also garnered a large following from boys as well. I think another secret to the success of < Totally Spies > can also be because of its approach to the subject. Like I said in my introduction.
There is an odd case for more girl-centric shows. Something about the need to balance femininity with action. The show needs to feel like an action that happens to have the main characters be girls.
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This show is a girl's show. The girls are unapologetic being girly. Doing girl things like shopping, manicure, dating and going on dream vacations but with their secret life as spies. The show balances it out with good action and is still using that girly theme to add to its gadgets.
Heck, some of the gadgets are stuff that I would personally want to have. The Jet Pack backpack, The Wind Tunnel 3000 Tornado Blast Hair Dryer, Lazer lipstick and the Compowder are on my list. Especially with its costume change function.
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It's a show that embraces both ends of the spectrum and allows it to show its respective strengths rather than shy away from the themes. With the announcement that this show is going to have a season 7/ soft reboot. It does look promising with several concerns.
But I am hopeful that for a beloved show such as this. The girls will have a proper return and inspire a new generation of girls (and boys) to be < Totally Spies >
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spooky-donut-ghost-house · 5 months ago
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It's always mindboggling to find a person that is anti MCU Wanda but pro Tony Stark
Like look I hate MCU Wanda as much as the next guy but I don't really think you should be talking about the awful shit MCU Wanda has done and then go defend the shit Tony Stark has done
My thing is however I hate Tony Stark and MCU Wanda for two different reasons sorta
I hate all the awful shit MCU Wanda has done but I hate even more that she was whitewashed and not to mention that MCU Wanda is nothing like comic Wanda
Tony on the other hand I just don't like at all
Aside from all the shit he did in the comics biggest example is Superior Iron Man and everything he did in The Civil War comics
Let's talk about the horrible shit Tony has done in the MCU:
MCU Tony has mortared a city full of civilians
Been a complete dick to all of his teammates
Made multiple misogynistic comments about women mainly Natasha (looking at you prima nocta scene)
Manipulated a 16 year old into getting into a war with his former teammates
Thought he was completely justified for trying to kill Bucky for something Bucky did unwillingly cuz he was fucking brainwashed
Repeatedly mocked Bruce Banner who was filled with self loathing and even tried to kill himself because of how much he hated being The Hulk
Created most of the villains in the MCU (Mysterio and Co., Vulture, Aldrich Killian, The Maximoff Twins, Justin Hammer, The Flag-Smashers etc) which also means he's also had some hand in the deaths caused by all these characters (and yes that includes Goblin killing Aunt May because Aunt May wouldn't have died if Goblin wasn't transported into the MCU which wouldn't have happened if Peter didn't have Strange cast the spell several times which wouldn't have happened if Mysterio didn't reveal Peter's identity which wouldn't have happened if Tony wasn't responsible for Mysterio's descent into villainy)
Created Ultron
Thought it was a good idea to have a newly created AI be exposed to The Mind Stone which caused Ultron to kill JARVIS and go rogue
Profited off of war by making weapons of mass destruction and selling them
Bought illegally obtained vibranium stolen directly from Wakanda by Klaue
Technically responsible for more vibranium being stolen from Wakanda by Klaue due to Ultron
Being responsible for everyone who died in Sokovia's death because he made Ultron
Being unwilling to help Steve and the others fix The Blip cuz "muh daughter"
Supported The Sokovia Accords which need I remind you all Tony is technically responsible for The Accords being made because A. he's the one who killed Wanda's parents thus causing her and Pietro to go to Hydra and get their powers eventually causing her to kill Crossbones and a building full of people and B. he is literally responsible for what happened to Sokovia BECAUSE HE MADE ULTRON
Referring to Wanda as "a weapon of mass destruction" in Civil War meanwhile HE is the REASON SHE has her powers in the first place
Falsely imprisoning the heroes that didn't sign The Accords because he's a cunt
Being technically responsible for all the deaths caused by Wanda in Wandavision and DSATMOM because if he didn't kill her parents with his mortar then her and Pietro wouldn't have went to Hydra thus not getting their powers from The Mind Stone
And more
And you are probably thinking "But he sacrificed himself at the end of Endgame!"
Let me ask you this
If Strange had told Tony that the only way to defeat Thanos is if Tony sacrificed himself would Tony do it? No because he's selfish
And look I don't wanna hear Tony stans talk shit about Elon Musk either because guess what? RDJ is friends with Elon Musk and based his portrayal of Tony Stark on Elon Musk
AND ELON WAS IN IRON MAN 3
Bottom line is MCU Wanda sucks and Tony Stark sucks
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themattress · 4 months ago
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So I've always had a fondness and appreciation for Jadeite, the Starter Villain of Sailor Moon, but for a long time he was the least popular of the Shittenou (Four Heavenly Kings) by far. Only in recent years has he become more appreciated, matching and sometimes even passing Kunzite in many polls. For a while, I didn't quite get it: yeah, he's pretty nondescript in the manga and has a stock villainous personality in the anime lacking the nuances and dynamics with others that his colleagues have, but he's so entertaining as a villain! It's fun to see what variation on the same scheme and which thing to lure in humans he pulls, it's fun to see him dress up in disguises Team Rocket style, and it's fun to see him being such a smug asshole who ends up falling from grace and getting more and more frustrated as a result.
But now, I have finally identified the problem. His voice.
For years, the Sailor Moon fan community dealt primarily in the subbed original Japanese version of the 90s anime. And as you can hear above, Masaya Onosaka's performance is....not great. He was a fresh new voice actor at the time of casting (something not true of literally every other Dark Kingdom villains' casting) and it shows in the way he delivers Jadeite's lines. It's smug and villainous, yes, but there's no (ironically enough) ENERGY to it. There's no oomph, nothing that takes advantage of the material and elevates it into being something particularly enjoyable to hear. Fans saw Jadeite as just a bland villain because, well, he sounds like just a bland villain. Even his evil laugh sounds astonishingly half-assed!
Now, obviously Onosaka improved as a voice actor overtime. But his Jadeite sucked. Daisuke Kishio voices Jadeite in Sailor Moon Crystal, and he sounds better. He'd have to deepen his voice a little to be Jadeite from the 90s anime, but he's got the talent to do that.
The DiC dub of the 90s may be a butchery of the source material, but Tony Daniels as Jadeite...er, "Jedite", understood the assignment. He was also a fresh new voice actor but he knew that his character should sound like a campy, sneering supervillain and relish his wicked lines. He also did much better conveying a sense of desperation when faced with setbacks, defeat and ultimately execution. Those screams at the end actually sound real.
And then we have Todd Haberkorn, voicing Jadeite in the Viz dub of the 90s anime and its dub of Sailor Moon Crystal. He is, IMO, the absolute best Jadeite voice: not only does he make his performances for each version sound distinct (with the former sounding deeper, harsher and more villainous while the latter is higher pitched and more immature sounding which makes it easy to switch over to good once he's cleansed), but he is especially fantastic for 90s anime Jadeite. He sounds like Daniels if he toned down the ham while amping up the douche, making Jadeite sound like the kind of overconfident, pretentious, misogynistic jerk you want to deck in the face. And he's just as perfect at selling his anger and, in the end, his fear. He reads the same lines as Onosaka, but he gives them so much more character.
(4:12 is the best part, btw. I literally expected "Foiled again!" to follow. :P)
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sineala · 7 months ago
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Hi there. I just got interested in 616 Steve and Clint dynamic recently, and I wonder if you can recommend some titles highliting their relationship? Thank you. 🥰
Steve & Clint's friendship is seriously one of my favorite things about Avengers comics. We start out with Clint annoying the fuck out of Steve, and over a period of years we evolve to Clint continuing to annoy the fuck out of Steve except they care deeply about each other now. Clint learned how to be a leader from Steve, is extremely, extremely loyal, and will defend Steve in basically any circumstance. This is not to say that they don't disagree, because man do they ever disagree. But they're good friends. I think Steve likes having friends who aren't afraid to disagree with him.
(I didn't know until I read Young Avengers v1 for the first time last week that Kate became Hawkeye while Clint was dead, because Steve gave her the name, because he was impressed by how she stood up to him. You might have thought Clint would have given her the name after he came back to life, but no. Whoever annoys Steve the most gets to be Hawkeye. Apparently that's the rule. What's really funny is that Steve also does this again to someone else in the current miniseries Avengers Twilight, for the same reason. Who gives him the most shit? You're Hawkeye now! It's great.)
So! A list of Fun Comics About Steve And Clint!
The obvious starting place is the Kooky Quartet era of the Avengers. This begins in Avengers #16 when Clint joins the team. For those of you who don't have this issue memorized, in Avengers #16 Steve is off fighting villains by himself in another country, when the rest of the founding Avengers decide they need a break. So Steve finds out when he gets back that they're all leaving, that he's the new leader, and that his new teammates are Quicksilver, the Scarlet Witch, and Hawkeye, none of whom he knows, all of whom are former criminals and/or villains. I don't know when the Kooky Quartet era officially ends, but I can tell you that the team mostly contains Pietro and Wanda until #47, so I suppose that's the end of the Quartet. I read up to #35 relatively recently so I can tell you there's good Steve & Clint stuff up to at least that far, and probably farther. You get to see their relationship evolve into them deciding that maybe they actually like each other.
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There are also a lot of retellings of early canon (and newer stories set in the past) that will give you glimpses of the Kooky Quartet era with a more modern sensibility. The thing I'm thinking of here is Avengers #1.1 to #4.1 by Mark Waid, which was a miniseries released in 2017 as part of Mark Waid's Avengers v7. I think the wiki lists it under v7; it was released in trade with the title Avengers Four, which isn't confusing at all. Anyway, it's all Kooky Quartet and it's great. You know how Waid's Man Out of Time series kind of rewrites and expands Avengers #4 to tell a new story? This is like that but for Avengers #16.
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You might also consider series that are entirely early-canon retellings like Avengers: Earth's Mightiest Heroes (the miniseries, not the cartoon); I know that definitely goes up to the Quartet and beyond. There are two volumes of this series.
I unfortunately can't tell you what happens in most of v1 off the top of my head, but I can give you a list of Avengers v1 issues in which both Steve and Clint are on the team, because I have a big list of team rosters. After Avengers #62, Clint changes his codename to Goliath for a bit, but he's still there until #111 (mostly with Steve also on the team), then #142-147, then #172-177, then #181-182, then #221-232. This takes you up to the mid-1980s. After that, except for a few scattered issues, Clint and Steve aren't both on the Avengers again until volume 3, in 1998. (You will note that this is also true of Steve and Tony, and in fact it's for the exact same reason -- both Clint and Tony are on the West Coast Avengers, in California, for pretty much the rest of v1. Clint's other Avengers v1 appearances are #305, #309, #313, #397-401. So it's not a lot there.)
But, don't worry, Clint also has several cameo appearances in Captain America v1. Unlike Avengers, I don't have a handy list of these, so you can probably just go through Clint's appearances list on the Marvel wiki and see which ones are in Cap comics. I can tell you the three that stick with me, though! Two of them are Cap #316 and #317, where Clint and Bobbi come back to New York for a visit, and Steve and Bernie break up so that Bernie can go to law school in Wisconsin, and Bernie throws a party on her last night there that Steve is supposed to attend, except Steve fucks off to go superheroing with Clint. They talk about their love lives and Clint gets to use Steve's shield and Steve gets to use Clint's bow. Steve gets back to find out that he has entirely missed the party and Bernie has finally left him. Can't imagine why.
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My other pick is Cap #401, which if you are a Steve/Tony fan you will know is the issue after Operation Galactic Storm where Tony finds Steve in a bar to apologize for everything he's ever done. But the reason Steve is in the bar in the first place is that Clint got sick of Steve sulking and came and jumped on his bed until Steve gave in and went out for a drink with Clint.
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Clint does then of course make him talk about his feelings. It's a very sweet interlude of Clint cheering Steve up in his own unique way.
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Volume 3 is the next time Steve and Clint are together on the Avengers since Clint left for the West Coast -- and, I mean, it's a good read anyway. This is when I set the one Steve/Clint fic I actually wrote, so here we see my biases. Clint starts out on the team right in Avengers v3 #1, and he stays there until #10, which is when he leaves to lead the Thunderbolts. (Note to self: read Thunderbolts.) You'd think at this point that Clint wouldn't be back with Avengers for a while, but he immediately comes back in #12 and brings his new Thunderbolts and gets into a fight with Steve about whether the T-Bolts can be trusted. Clint later pays the team another visit in the Avengers/Thunderbolts crossover "The Nefaria Protocols" (Avengers v3 #32-34, Thunderbolts v1 #43-44 -- but, you know, in more of an interspersed order) which is a lot of fun and I'm not just saying that because I have a 160,000-word Steve/Tony WIP that is set during it. Anyway. Kurt Busiek started out writing both Avengers and Thunderbolts in this era of canon, but by the time this crossover happened, Fabian Nicieza had taken over Thunderbolts.
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There is also a second Avengers/Thunderbolts crossover during this timeframe, the 2004 miniseries Avengers/Thunderbolts #1-6, by Busiek and Nicieza. I haven't actually read it because I wanted to read more Thunderbolts first, but I can tell you it does have both Clint and Steve in it, although it's set after Clint has stopped leading the T-Bolts and has returned to the Avengers.
Yes, Clint does actually rejoin the Avengers proper toward the end of v3 -- he's there from #75 right up to #503 (it renumbered to #500 after #84), although I suspect that that's when he actually dies, because that's Avengers Disassembled. The only Steve & Clint interaction in that time period that really sticks in my mind is Avengers v3 #77, in which Clint takes it upon himself to give Steve some romantic advice that Steve definitely isn't asking for.
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(If you've seen any of this issue at all, it's probably an out-of-context panel of Steve telling Clint he didn't say he wanted a woman.)
Once again, Clint also makes some cameos in Steve's comics, in Captain America v3. The one that's memorable to me is in the Capmania arc of Cap v3, which is the very first arc, #1-7. The TPB version of this appears to be called To Serve and Protect. Mostly I remember Clint giving Steve shit about Captain America's new, massive popularity (which turns out to be an evil Skrull plan).
So after Avengers Disassembled, Clint is dead until after Civil War, at which point Steve is also dead, so they're, uh, not interacting much. However, even though Steve is dead, you probably want to read Fallen Son (specifically #3), which is the issue where Tony learns that Clint is alive again and then immediately tries to get him to be Captain America because Tony only has the best and healthiest coping mechanisms when Steve is dead. Clint tries out the shield and uniform and then basically tells Tony to go fuck himself. So that's a no from him. While he's running around dressed as Captain America is also when he meets Kate for the first time and finds out that she's Hawkeye. Everyone is very angsty about everything because that's just what Civil War comics are like.
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(I guess I should have known after reading this comic how Kate got her name, but, as I said. I hadn't read Young Avengers until last week, so everything the Young Avengers did in this comic didn't really register.)
The next time Steve and Clint are both alive at the same time is Avengers v4. Clint is on the team for the whole run (#1-34). Technically Steve is Commander Rogers of the Secret Avengers up until after Fear Itself, so he doesn't actually rejoin the team until #18, but he spends a lot of the first half of the run hanging around the Avengers anyway for some reason (it's because he's deeply weird about Tony). So you might as well start from the beginning because Steve's there a lot despite technically not being on the team. I can't say that Steve and Clint have any memorable moments in v4 that are coming to mind right now, but they are both there and it's a reasonably fun run.
Speaking of the Secret Avengers, Steve runs the Secret Avengers until #21. Clint runs them from #22 onward (Steve stays for the first couple issues of Clint's tenure, #22 and #23). Don't ask me how Clint can lead the Secret Avengers and be on the regular Avengers at the same time when Steve apparently can't do this, but this seems to be a thing Clint can do. It's probably because Clint's not weird about Tony. Anyway, the issue you actually want to read is Secret Avengers #21.1, where Steve actually hands the Secret Avengers over to Clint and they do some superheroing together, just like old times.
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Clint was on the Avengers during Hickman's run, as was Steve, because pretty much everyone was on Hickman's Avengers at some point (seriously, have you seen those team rosters?) but I don't know that Clint and Steve had any really good moments. There was that bit in one of the Original Sin tie-ins (#30) where Future Clint told Steve he should kill Tony but I don't think that was a very good moment. I'm not sure that Steve and Clint have been on a team together since then because I honestly don't think Clint's been on the main team since then, though they've both shown up in events and so on. I guess you could read Avengers Millennium. That had both of them and it had some fun moments for them, by which I mean that one panel where Clint watches Steve punch out a lion.
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In terms of Clint's cameo appearances in Cap comics of this era, I know Clint's been in Brubaker's run, although the only moment with Steve I can honestly remember is when he gets mad at Steve for not telling him Bucky was the Winter Soldier, in the Trial arc. And -- not by Brubaker but at the same approximate time -- there's a Captain America & Hawkeye series (#629-632).
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It's part of the same series of Cap team-ups that includes One Night In Madripoor (Captain America & Iron Man #633-635), and in fact these are the issues that are right before One Night in Madripoor.
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It's fun. Steve gets turned into a dinosaur.
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So you might wonder at this point whether Steve appears in any of Clint's solo comics, and sadly I can't really answer that because I haven't read a lot of Clint's solo comics and the ones I did read didn't have a whole lot of Steve that I remember. Mostly I've read Fraction and some of the really early Hawkeye minis. @blossomsinthemist recommends the miniseries Hawkeye: Blindspot (2011), which I have not read but which does have Clint and Steve on the cover, which seems promising in terms of its potential to contain both Steve and Clint.
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I looked at the beginning and it appears to be set in early Avengers v4. You see what I mean about Steve just hanging around the team. This is apparently following on from the events of the 2011 miniseries Widowmaker, and it's about Clint going blind. All the angst.
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There are probably more Hawkeye solo comics that feature Steve but I don't know what they are.
To recap, in list form, vaguely ordered by Avengers comics in an era and then Cap comics in the same era:
Kooky Quartet: Avengers v1 #16-47
Avengers Four (Avengers v7 #1.1-4.1)
Avengers: Earth's Mightiest Heroes v1 & v2
Avengers v1 #48-111, #142-147, #172-177, #181-182, #221-232, #305, #309, #313, #397-401
Captain America v1 #316-317
Captain America v1 #401
Avengers v3 #1-10, #12
The Nefaria Protocols: Avengers v3 #32-34, Thunderbolts v1 #43-44
Avengers/Thunderbolts (2004) #1-6
Avengers v3 #75-503 (esp. #77)
Captain America v3 #1-7
Fallen Son: The Death of Captain America #3
Avengers v4 #18-34
Secret Avengers v1 #21.1 (and #22 and #23 if you want)
Avengers: Millennium #1-6
Captain America & Hawkeye #629-632
Hawkeye: Blindspot #1-4
I hope that gives you someplace to get started!
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