#for people that want to learn about storytelling and theatre history my best recommendation is to read the classics. like all of them.

[sanstropfremir]

Hello! ✨🎥 anon back from the dead. I saw that someone asked you about recs on books a couple of days ago and I wanted to ask about it. Which plays would you recommend (as you said on the notes)? And what would you recommend to expand on technical knowledge about dance? If you were to cover these things on that pending ask that you talked about, then I'll wait for that. Thanks!

HI HELLO how are you!!!! let me do the plays right now since i can spit them off the top of my head pretty quickly. however on the other hand i do not have any good recs on expanding technical knowledge of dance bc literally everything i learned was orally. it also depends on what type of dance? if you're looking for ballet i'd recommend looking at the ballet russe obvs but also balanchine! i got nothing for any other type of dance though.

so some plays that were very influential to me (a lot of these are not perfect and i fully acknowledge that):

the tempest - shakespeare

macbeth - shakespeare

twelfth night - shakespeare

cat on a hot tin roof - tennessee williams

any of anne carson's translations of the greek classics

oedipus rex (actually for real it's a fucking incredible play)

rosencrantz and guildenstern are dead - tom stoppard

arcadia - tom stoppard

eurydice - sarah ruhl

dead man's cell phone - sarah ruhl

blood and ice - liz lochhead

if you can find any eng trans of wayang kulit or wayang wong scripts, but this may be difficult since the only way i read them was bc i took a class with like the one guy in the west coast of canada who's dedicated his entire life to indonesian theatre and translated a bunch of them himself and i think only had them published in a $100 textbook. they are however usually stories from the mahabharata or the ramayana, which are easier to find translations of

i read a bunch of translations of noh when i was like 13 and i cannot for the life of me remember the names of any of them but noh and kabuki are really good for looking at storytelling structures

hamlet - shakespeare

this is a pretty short list bc i've read a LOT of plays in my life, but these are ones that have had a profound impact on my artistic career in some way.

[dycefic]

Hello, I recently read some of your work and I really really like your writing style! I’ve loved everything I’ve read so far and if it is not a burden to you and you are okay with doing so, I was hoping you could answer a few questions?

I was wondering if you had any formal writing education? Any advice for writing? Also wondered what kinds of books and authors you read, if you read?

I am sorry for all the questions, and if they’ve been asked before (I tried to find any answers you may have given to these or ones similar and I’m sorry if I missed them but direct me if need be).

I am also a writer and I’m always very curious about writers I look up to/ really like- most of them just happen to not be among the living so I do t really get to ask them any questions. Thank you for your time! It’s a pleasure to be able to read your writing!!

Thank you!

I am blushing extensively, thank you for all your kind words!

As for writing, I have had no formal education in it. I tried - and might not have dropped out of university if I'd succeeded - but creative writing required higher general scores than I got in school. I've read a lot of books on writing... like, a LOT... and always taken an interest in plot structure. I'm pretty sure I'm the only person who walked out of House Of Flying Daggers (I saw it in theatres, I'm that old) rhapsodizing about the way they visually represented traditional storytelling metaphors (ie 'a rain of spears').

I will note that while it seems that absolutely everyone recommends Stephen King's 'On Writing', I've never read it because a) I found the little bit I read wordy and self-indulgent, and b) the very mention of that man's name enrages me because my partner once got into a serious hyperfixation and we didn't have a single conversation in which King's name was not mentioned for OVER A YEAR. This is not King's fault, but the name still fills me with intense fury.

Books on writing I would recommend:

K. M. Weiland's 'Structuring Your Novel': I like her 'voice', and her chosen examples, and pacing longer stories is one of the things I have the most trouble with.

J. Michael Straczynski's 'Complete Book Of Scriptwriting': It's an old book now, but it's still one of the best I've ever read, and my long-standing favourite. There's a ton of fascinating history about the evolution of screenwriting, and a lot of very pithy advice that applies just as well to novels and short fiction as it does to movies and television.

Chris Baty's 'No Plot? No Problem!': I haven't reread this in quite a while, but I remember it as being really helpful as well as fun to read. I also recommend NaNoWriMo in general. I've been participating since 2002 - this year will be my twentieth anniversary of NaNo - and my writing has improved enormously in that time. Writing is like everything else, insofar as the more you practice, the better you get. I've hit 50K every year since the beginning, so even if I never got a novel I wanted to finish, polish, and put out there (and a couple of them are promising), that's still 950,000 words I've written.

Also? Fanfiction. Fanfiction is a GREAT way to practice the craft. Because the characters and universe are pre-built, you can focus on the writing itself, on things like examining nuances of character, identifying and using tropes, and building a compelling story. Between NaNo and fanfiction, over the last 24 years, I have written over 2,000,000 words, and you can't do ANYTHING two million times without getting better at it.

As for who I like to read, I can't recommend Diane Duane, Tamora Pierce, and Georgette Heyer too highly. Not only do they write good stories, they were/are very, very technically skilled. Reading their work is an education in itself. I also recommend consuming narratives from other cultures - I learned a lot about different narrative conventions from things like reading translated novels, myths, and fairy tales, reading manga, and watching Chinese and Korean movies and dramas. It really gives you a different perspective on the mechanics of storytelling, and shows you how many 'default' or 'obvious' plot tropes are actually really culturally specific. (I have consumed every re-telling, re-imagining, or re-translation of Journey To The West, including the old tv show AND the Hallmark movie. I really recommend this, as it is FASCINATING how many ways different people interpret the same story. The Korean 'Korean Odyssey' and Netflix's 'New Adventures Of Monkey' are my favourites)

Bonus reading: When Books Went To War, by Molly Guptil Manning. It's not about writing, but it's about why stories are important, the lifeline a novelist can throw to someone experiencing the darkest of times, and what I believe may have been publishing's finest hour. I cry every time I read it, and it makes me proud to count myself a writer. If you ever wonder why you're slogging away so hard at learning so fickle and difficult a craft, this book will remind you.

“The therapeutic effect of reading was not a new concept to the librarians running the VBC (Victory Book Campaign). In the editorial Warren published on the eve of commencing her tenure as director, she discussed how books could soothe pain, diminish boredom or loneliness, and take the mind on a vacation far from where the body was stationed. Whatever a man's need—a temporary escape, a comforting memory of home, balm for a broken spirit, or an infusion of courage—the librarians running the VBC were dedicated to ensuring that each man found a book to meet it.��� ― Molly Guptill Manning, When Books Went to War: The Stories that Helped Us Win World War II

[sentrava]

Staying in Tennessee for Spring Break? Here are 26 Fun Ideas for You

Staying in Tennessee for Spring Break while the rest of your friends flock to the beach, big cities and everywhere in between? Lucky you—there’s plenty to do in our gorgeous Southern state that neither requires a flight or hotel room. Here are some of my favorite Tennessee day trips in all corners of the state. Feel free to add your own ideas in the comments below!

Explore Memphis’ musical heritage

Any musical pilgrimage in Tennessee begins and ends with Memphis, from its bluesy and gospel roots to its present-day superstars like Justin Timberlake. You could spend weeks in Tennessee’s largest city hopping around live music venues, big and small, and never go to the same spot twice. So many of my favorite artists like Johnny Cash have deep ties to the Bluff City, and there’s no better way to get a sampler platter for the city’s musical past, present and future than an afternoon with the Mojo Tour with Backbeat Tours.

Related post: A Weekend Guide to Eating + Drinking in Memphis

Go waterfall chasing in Southern Middle Tennessee

With record-high rainfall this year, the falls in Tennessee are absolutely gushing! Want the ultimate waterfall loop? Start at Cummins Falls, loop down to Burgess and Fall Creek Falls, then end over near us in Beersheba Springs where you can tackle Greeter Falls, the Blue Hole and Foster Falls. For a milder waterfall experience, Coffee County is full of them, from Old Stone Fort State Park to Machine Falls and Rutledge.

Related post: A Day Trip to Burgess Falls

Shop along Franklin’s stunning Main Street

Franklin may be known internationally for its Civil War history, but it is also an insanely popular destination among both locals and tourists for its well-preserved downtown and abundance of well-curated, independently-owned shops flanking its main drag, plus a growing number of restaurants (GRAYS on Main, 55 South and OBJ are my downtown favorites). Once you’ve spent some cash, posed in front of the Art Deco-style Franklin Theatre and had happy hour at Frothy Monkey, head over to the Factory at Franklin or out to Leipers Fork at sunset.

Related post: Travel Franklin’s Masters & Makers Trail

Drive (or bike) up to the Domain

I may be biased as I was a student there for two years, but Sewanee is, in my opinion, one of Tennessee’s greatest treasures. Hike the Perimeter Trail, have a specialty coffee from Stirling’s, wander the campus aimlessly, grab a bite and a beer at Shenanigan’s, drive out to Natural Bridge, then end your day at the iconic Cross, overlooking the valley below.

Related post: A Hike Out to Sewanee’s Natural Bridge

Take a food tour of East Nashville

I’m in love with Karen-Lee Ryan’s passion for food and Nashville history, both of which are evident in the trio of tour routes she now offers through Walk Eat Nashville. My personal favorite is the Five Points route, though I’m a sucker for SoBro’s growingly diverse palate, as well. Really, with Karen-Lee at the helm, you can’t go wrong no matter which tour you pick!

Related post: Eat, Sip, Stroll: The Best Food Tour in Nashville

Rent a paddleboard and SUP on Percy Priest

Percy Priest Lake is a reservoir that snakes its way through Davidson County; when arriving by plane from the south, it’s often the first thing you see of Nashville before touching down. And Nashville Paddle Company just happens to be based out of the lake’s Hamilton Creek Recreation Area. Take a SUP Yoga class, join a moonlit group paddle, or even invest in your own board as SVV and I did a few years ago. (Pro tip: Buy one of the gently-used models from the previous year and you’ll save money.)

Related post: My Outdoor Fitness Routine

Spend an afternoon learning about Murfreesboro’s Civil War history

Murfreesboro is full of old 1800s buildings, as well as bluegrass and Americana music, but it’s also Tennessee’s first capital and was one of the more active spots in Middle Tennessee during the Civil War. Ever heard of the Battle of Stones River? How about Hoover’s Gap? You can do your own self-guided tour of the prominent battles that took place in Rutherford County (and maybe even give your kid extra credit for learning over Spring Break!).

Related post: Bluegrass & Americana Music in Murfreesboro

Visit Smyrna’s historic downtown

Who knew that Smyrna’s old train depot and the historic district surrounding it were getting a reboot? Thanks to non-profits like Carpe Artista, the area is brimming with arts—from music classes to rock camp—as well as a cafe, ice cream shop, and a growing number of murals. In warmer months, the depot also boasts a great farmers’ market.

Related post: Rutherford County’s Artistic Epicenter Looks Toward the Future

Hike out to Stone Door

South Cumberland State Park is made up of nine different sections, including the nearly 16,000 acres and 55 miles of hiking trails comprising Savage Gulf State Natural Area that houses one of my favorite easy hikes and scenic overlooks: Stone Door. Once you get out, you can take a narrow staircase down to a couple of spectacular rock formations and slot canyons. Nearby is the Fiery Gizzard Trail for those looking to get their steps in.

Related post: Hiking with Dogs in Middle Tennessee

Spend an afternoon in Lynchburg

Jack Daniel Distillery brings in nearly a half-million tourists a year to the tiny town of Lynchburg. And for good reason: It’s one of the most recognizable brands in the world, plus the tour is just plain fun (if you truly want to taste your way through Jack, I must recommend the Angel’s Share experience). Don’t like whiskey? The tour is still fun, whether you imbibe or not. Plus, the square has an old-timey general store and other curiosities, not to mention Miss Mary Bobo’s Boarding House, the place to eat if you’re passing through. The delightful hostesses will give you an earful on the history of the area as you stuff your face with Southern treats, both savory and sweet. Looking for a whiskey twofer? My home of Tullahoma is the next town over and lays claim to the distillery of Jasper Daniel’s famous pal, George Dickel (now called Cascade Hollow Distilling Co., an unfortunate rebrand in my opinion).

Related post: On the Whiskey-Fueled Tennessee Backroads

Test your balance on Tims Ford Lake

Love waterskiing? Always wanted to try wakeboarding? Want to be hooked up to the back of a ski boat and go for a spin on an oversized float? Middle Tennessee’s largest lake recreational facility is totally for you then. Tims Ford State Park sits at the cusp of three counties—Franklin, Coffee and Moore—and draws the adrenaline junkies en masse. We’ve always launched from Holiday Landing Marina—if you don’t have a boat of your own, you can rent one for the day there—but the new Twin Creeks development has added even more options, including a dock restaurant, Drafts & Water Crafts.

Related post: Introducing Tims Ford’s Latest Lakefront Development

Take a trip back in time to Bell Buckle

If you want to time travel, there’s nowhere quite like Bell Buckle for a dose of old-fashioned fun paired with a MoonPie sundae. It barely has a couple hundred residents, yet Bell Buckle is one of the area’s biggest tourist destinations, and with plenty of antiques malls, a quaint square and a mighty fine cafe, it’s easy to see why.

Related post: The Charming Town of Bell Buckle

Get tipsy on the Tennessee Whiskey Trail

Obviously, you’ll need a designated driver (or the assistance of Lyft) for this one, but you know I love the two-year-old Tennessee Whiskey Trail, which now boasts more than 30 member distilleries. Don’t have time to do the full trail? A few of my favorites—including Nelson’s Green Brier and H Clark—are in Middle Tennessee so you can base yourself in Franklin or Nashville and make the most of your day or weekend.

Related post: Traveling the Tennessee Whiskey Trail

See a drive-in movie

I love me a good night at the movies; it’s one of the few times I shut my brain (and phone) off for a two-hour stretch. And what’s better than seeing a movie beneath the twinkling stars? Drive-ins are a dying breed, but Estill Springs right near where I was born has a two-screener, Montana, and I’ve also always wanted to go to Stardust Drive-In Theatre in nearby Watertown, as it just screams nostalgia. Bonus: You pay for one movie and can stick around for both showings if you please.

Check out Lebanon’s charming square

As Nashville booms in all directions, its neighboring cities get that much cooler. Growing up, we only went to Lebanon for the outlet mall or sports tournaments, but now it’s a bona-fide destination itself, not only because of its I-40 locale but also the revitalization of its darling town square. Also worth visiting while you’re in WilCo: Sweet Biscuit Company, Long Hunter State Park, Voodoo Smokehouse and the towering Cedars of Lebanon State Park.

Related post: Discover Majestic Pogue Creek Canyon in Jamestown

Rent a houseboat out on Center Hill Lake

Just 45 minutes east of Lebanon is one of Tennessee’s most popular lakes—and for good reason. Center Hill Lake was a dam constructed by the U.S. Army Corps of Engineers in 1948 and now is a popular recreation destination with houseboats, marinas and campgrounds aplenty.

Related post: City Dog Explores Edgar Evins State Park

Channel Johnny and June

In the town of Bon Acqua, Johnny Cash’s legacy very much lives on. Though he and June Carter Cash got rid of all of their pastoral properties over time, they did hold onto one: a 107-acre farm in Hickman County where they resided for three decades. A few years back, it was purchased and revived; it’s now the Storytellers Museum that not only honors the Cash memory, but also has a weekly “Saturday Night in Hickman County” singer-songwriter show.

See a show at the Opry

So many people I know journey from all over the world to see a show on this iconic stage. Yet so many Nashvillians I know have never in their lives been to a show at the Grand Ole Opry. How is that possible? Shows take place several nights a week year-round, are very affordable, and introduce show-goers to a bevy of talent, some newcomers and the others industry veterans. Don’t miss the VIP Backstage tour.

Related post: Date Night at the Grand Ole Opry

Get your thrills at Dollywood

Good golly, Miss Dolly is my favorite Tennessee resident by far, and her theme park Dollywood is every bit as fun as the songbird herself. While you’re there, see one of her dinner shows, and check out a pair of my favorite East Tennessee distilleries, Sugarlands and Old Forge.

Related post: Planning a Dolly-Themed Vacation to the Smokies

Experience the peaceful side of the Smokies

Not looking for the bright lights of Sevier County? There’s a quieter side to the Great Smoky Mountains, and it’s located in Blount County. Rent a cabin in Townsend or stay in Maryville, bike Cades Cove, tube down the Little River (once it opens later spring) and explore this more peaceful mountain experience.

Related post: Sip Your Way Through East Tennessee’s Moonshine Culture

Learn about science and nature at Discovery Park of America

Up in the northwestern Tennessee town of Union City is the ultimate family playground: 70,000 square feet of interactive indoor exhibits and 50 acres of outdoor space comprising Discovery Park of America. From lessons on wildlife education to how to build a cardboard boat, the park’s offerings are wide-ranging and appeal to all ages, plus there’s currently a Towers of Tomorrow with LEGO® Bricks exhibit through May showcasing Lego renditions of the world’s most impressive skyscrapers. While you’re in the area, be sure and check out Lake Isom National Wildlife Refuge and Reelfoot Lake, which was formed by an earthquake more than two centuries ago.

Experience peace and quiet in Ijams Nature Park

Over the past few years, Ijams Nature Center’s lush 300 acres has become one of my favorite Knoxville retreats in warmer months. It’s got 10 miles of hiking trails, a pair of quarries, an adventure center—oh, and did I mention it’s FREE to visit? The activities like zip lining do cost money, but you can also just go hang by the water or check out the blooms and not pay a penny.

Related post: The Perfect Weekend in Knoxville

Geek out at Beechcraft Heritage Museum

This may or may not be one of SVV’s favorite places in Tullahoma (it definitely is), and it’s easy to see why: Beechcraft Heritage Museum hosts regular fly-ins of world-class planes, but even when there’s nothing going on, the aviation museum is open and full of glimmering beauties.

Related post: Don’t Miss These Must-See Spots in Manchester and Tullahoma

Blast off into space at the planetarium

You don’t have to be a budding scientist to love the hands-on experiences at the Adventure Science Center in Nashville; the 44,000 square foot building lays claim to 175 exhibits running the gamut of biology, astronomy, physics, earth science, energy, weather, sound and space. Most notable is the Sudekum Planetarium, featuring various shows in the giant, 63-foot domed theater, as well as fun special activities like Yoga Under the Stars on the last Saturday of every month. The themed laser shows set to soundtracks like Led Zeppelin or Pink Floyd are not to be missed.

Related post: How to Do Nashville with the Whole Family

Fore! Golf at the Honors in Chattanooga

My golf-loving brother-in-law Josh tells me the Honors is the Holy Grail for golfers in Tennessee. Given that he’s racked up his own set of honors (by way of countless trophies and golf championships) in the four years he’s been a Tennessean, I’d defer to his recommendation on anything sports-related. This Pete Dye-designed, 18-hole course in the northeast Chattanooga suburb of Ooltewah was born the same year as me and, according to the website, “was considered radical in the 1980’s because of its acres of tall, native-grass rough, unusual Zoysia grass fairways and terrifying speed as lightning greens.” Bear Trace at Tims Ford is another top-notch course I’ve actually had the good fortune of playing.

Mural hunt in Nashville

You may have noticed, but Music City’s street art scene is booming. And SVV and I have photographed more than 100 Nashville murals and put together this handy map for you.

Related post: Check Out These New Downtown Murals in Nashville

I could probably go on with 26 more ideas for day trips to take in Tennessee, but each of these are relatively manageable to plan last-minute if you’re looking for something to do, like, this weekend or even tomorrow.

What are your favorite ways to take advantage of Spring Break in Tennessee?

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Staying in Tennessee for Spring Break? Here are 26 Fun Ideas for You published first on https://medium.com/@OCEANDREAMCHARTERS

[colourupuniforms]

4 best dance schools in Sydney

There is no greater form of individual expression than through dance. Whether you need important wedding dance lessons for your big day or just want to rip up the dance floor on a casual weekend, learning to move your body to music is simply a great way to have fun, learn and get some exercise all at the same time.

Needless to say though that not everyone out there is born to move it like Jagger. Perhaps you are a tad uncoordinated, lack the confidence to execute properly or just unsure about how to partake, it can really help the situation to get a bit of advice from a professional before venturing forward with your unique maneuvers.

This leads us nicely to an industry that is one the rise, both internationally and domestically. Dance studios do have quite the overlap with two different and distinct fields – entertainment/the arts and gyms/yoga studios.

The balance between fun, expression and fitness is not lost on those that join in with a friendly and open dance studio, making it a more enjoyable pastime than lifting weights or running on a treadmill; or the pressure that comes with performing in front of an audience.

Many looking in from the outside might know of one or two alternative styles of dance, but the array of options is almost limitless. Deriding from a variety of cultures all across the globe, modern dance studios can teach you everything from:

Mambo

Rumba

Salsa

Zumba

Cha Cha

Ballet

Flamenco

Blues

Jazz

Waltz

Folk Dance

Tango

Breakdancing

Krumping

Twerking

Grinding

Whatever your personal taste or necessity, there will be a dance studio out there for you to cater to this need. For any Sydney locals who are on the search for an open environment that teaches groups and individuals how to get the most out of their dancing moves, check out the following four locations.

Care To Dance

Situated in the heart of Sydney’s Inner West, Care To Dance is the invitation you will have been searching for. Open to appointments and only closed on Sunday, this enterprise is considered an elite boutique dance school that places a priority on a personalised teaching experience.

The majority of visitors usually arrive from one of two different scenarios – either among a social group wanting to bond and socialise over a dance activity, or individual students who will often have an event coming up like a wedding or performance of some description.

Classes and sessions are held for parties from both disciplines, yet Care To Dance will specialise in the following styles:

Ballroom

Disco

Rumba

Tango

Salsa

Waltz

The organisation seeks to give people an added move to their repertoire, allowing them to dance with confidence rather than watching others enjoy all the fun when the music starts.

If their own press does not exactly convince you that Care To Dance is the place to be to receive these helpful tips, then take it from those who have experienced it for themselves.

The glowing 5-star reviews illustrate how well instructors Alexia and Christian go about their work, catering to amateurs that require a great deal of patience, or those that are wanting to fast track their education.

Giving customers a cup of tea or coffee while they wait or have a much warranted break from the slick movement on show, everyone from their late teens to late 70s or 80s have championed the wonderful atmosphere that doesn’t lecture or preach to newcomers.

Issuing 5 stars at Big Review TV, Celeste Poulton has been blown away by her time with the studio:

“My fiancé and I started taking lessons here to build our dancing confidence and have fun together,” she wrote. “We are having the best time! After two lessons we already have so many more steps to use than I thought I’d ever remember. It is so much fun.”

Kylie Davis echoes those sentiments, arguing that the techniques given to the students makes the process all more easy, even without you realising it at the time.

“We love our lessons at Care To Dance. Christian is a great instructor and they have their program really well thought through that breaks down the different dances into segments.”

L.I.K.E. Dance

For those that take their dance a little more seriously than just a hobby or for a one-off event, then L.I.K.E. Dance at St Leonards would be a better option.

Having recently been handed the 2017 Studio of Excellence award at the Rainbow Dance competition, this studio is considered one of the greatest breeding grounds in Sydney for children and adults who are keen on developing their choreography and articulating dance through a mode of storytelling.

Open to studio rental for people or parties that would like the space for their own dancing ventures, L.I.K.E. Dance offers a first up free dance class for newcomers and even performers for hire for those wanting professionals on hand at an event.

This incentive to draw people in clearly works, as their program is open to all manners of styles and disciplines of the craft:

Children classes between 3 and a half years old to 17

Adult classes that range from technical to hip-hop, jazz, modern and contemporary styles

Acrobatics classes

Classical ballet

Competition groups

Wedding Dance

Private classes

The team led by creative director Elena don’t just see dance as a happy past time, but a mode of expression that demonstrates character and emotion. Her team is complimented by some of the most gifted and certified dance teachers in the city, including acrobatics coaches Jackson, Josephina, Lana and choreographer Katerina.

Fees will vary depending on the nature of the class you have selected, but they do offer one month of free classes under the following conditions:

Bring a friend along for an introductory class before they enroll in at least two classes per week, under the explicit understanding that they were introduced by yourself

Spotted only 10 minutes walk from St. Leonards train station, this spacious surround between the Small, Medium and Large Halls are kitted with air conditioning, mats, bars, mirrors and sound equipment to ensure the acoustics elevate the dancing experience.

Dance Central

With a proud history that dates back to 2002, Dance Central is a thriving hub of activity with a legion of great teachers.

From new age styles to the old classical dances, professionals from B Boy Red to Dan Hu, Jean Chritz, Kate Turner Mann, Rosie Cicchitti, Crystal, Yannick, Sam Woods and many more can cater to a variety of cultures and interpretations.

The challenge with Dance Central is not trying to find a dance that suits your needs, but sifting through the sheer weight of options on hand. Essentially every dance genre possible is on the table, including sub-genres that delve into the techniques and meanings behind the movements.

Take any number of these dances as a study, either individually or as a group:

Burlesque

Afro Fusion

Break Dance

High Heels

Jazz

Samba Reggae

Tap

Modern Tango

Hip Hop Beginner/Street Funk

Belly Dancing

French Cancan

Club/Party Dance

Musical Theatre

Jamaican Dancehall

Hawaiian Hula

Contemporary

The studio happens to be an open venue ready to hire for private events, inclusive of Hen’s parties. Dance Central hosts the annual Tour De Dance to showcase their array of talented performers, kicking off in October to put on a show complete with Brazilian Samba, Hip Hop, Burlesque and much more!

Brand new workshops are being developed consistently, such as Loren Robinson’s “Filthy” Hip Hop workshop in recognition of Justin Timberlake’s new album. These workshops are a great method of expressing the teacher’s creativity with new material, something that you will not find across many studios in Sydney.

To sign up to one of these programs, you must have been pre-paid and pre-signed, yet Dance Central is an environment that welcomes first timers to Surry Hills. Recommended to attend at least 5-10 minutes before an open class begins, no bookings are required to get involved.

Crossover Dance

The XO Crossover Dance Studio situated in Sydney is the city’s premiere location for all things dance. Performers from all over the country have congregated to this center to learn, educate and showcase their skills on the dance floor.

There are a number of features that illustrates why this enterprise is on the cutting edge of the industry. For starters, there is an online Crossover App available on Google Play and the App Store for regulars and occasional visitors. This allows a 10-Class Pass for a cut down price of $150 (until April) and is designed around ease of use and speed of access.

Class registration is accelerated through the app and bookings can be made instantaneously. Each consumer who switches their 10-Class Pass onto the app also scores free water.

This modern dance facility is home to variety of dance styles:

XO KPOP

Breaking

Street Dance

House

Popping

LA Style (Urban)

Locking

Hip Hop

Catering different groups of instructors to these respective disciplines, Crossover provides specialty wedding classes that involve the salsa, waltz and various street interpretations for the couple’s big day.

The Asian influence runs throughout the studio, taking inspiration from the culture of the southeast region. Each and every instructor brings their unique interpretation and experience to the center.

As the owner and director of Crossover Dance Studio, Jaye Sutanto is considered one of the true pioneers of Kpop dance in the Western world.

That background translates to the team of teachers and artists he has personally assembled, bringing aboard forward thinking and bold dancers who strive to push the boundaries and discover something new about the industry.

The central objective that Jaye embodies is to provide a studio that is fun and interactive where Sydney locals and outsiders can get involved. His personal profile has amplified after various segments on Google and SBS PopAsia, providing the groundwork to feature at The Sydney Opera House and Sydney Town Hall respectively.

Modern music is a common thread that also happens to run through the studio. From Kpop to Jazz, R&B and House music, this is an ideal environment for teens, 20 and 30-somethings to really tap into their love for music and dance. Although it must be noted that this is not an ageist policy – open to people of any generation.

The location is ideal for commuters traveling by foot, bus or train just minutes away from Central and Town Hall stations.

Once you feel confident in your dancing ability, it’s time to enjoy yourself and reap the rewards of all of your hours of practice! Invite your family or friends out to a dance class, party, bar, or club. Alternatively, you can invite them over to your home for an informal night of dancing and fun.

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[rang-de-basanti7472]

Rang De Basanti

When Rang De Basanti released on 26 January Jan 26, 2006, I remember watching the film with a very fidgety, very confused audience reacting as we all to unfamiliar experiences, with embarrassment and heckling.

The film adopted a unique format to tell the story of a freedom that we all have taken for granted. The film unfolds through the eyes of a young British documentary maker Sue (Alice Patten) who comes to India to shoot a documentary on the Indian freedom struggle. The story of Rang De Basanti is told in two time zones. In the past , Aamir Khan cast as Chandrashekar Azad, Tamil star Siddharth as Bhagat Singh, Atul Kulkarni as Ramprasad Bismil, Kunal Kapoor as Ashfaqullah Khan and Sharman Joshi as Rajguru. The same actors were also seen in contemporary times grappling with the grammar of socio-political corruption.

After watching the film, I was stunned by director Rakeysh Omprakash Mehra’s audacity and creative energy. I knew I was watching a film that would create history. But I also felt, wrongly, that it would be a box office disaster. As usual I underestimated the power of the Indian audience to absorb and assimilate unique cinematic experiences.

I remember speaking to Rakeysh (now a dear afriend) after watching the film. Rakeysh was confident of the impact his film would make on the audience. Looking back he says, “Rang De Basanti is a younger film. But I didn’t consciously choose a subject that would be more accessible to audiences than my first film Aks. I knew I had to make this film. Since Aks, my storytelling technique had improved. You learn from your past mistakes and new experiences. This time I had the luxury of living with my script for four years. So many people joined me on the journey that was Rang De Basanti. It was no longer my film. When it released it became the audiences’ film.”

YouTube screengrab.

Looking back at Rang De Basanti, I am struck by how effective the entire cast was, and how miscast Aamir Khan was as the college brat. In fact he was so over-age for the part that the director had to write in a dialogue explaining why his character DJ chooses to hang on to his campus days long after he has crossed his student days.

Rang De Basanti came when patriotism was passé. There were 4-5 Bhagat Singh films that didn’t connect with the audience. Then there was Aamir Khan's disastrous Mangal Pandey.

Rakeysh was determined to make the film. He says, “It’s a collection of many circumstances. In school I wanted to join the air force. It didn’t work out for me. In college in Delhi I was predominantly a sportsman. It didn’t work out because I was from a lower middle-class family. And the first priority was to bring money back into the family….As kids in Delhi on 15 August when we flew kites, we could hear India Gandhi speaking…On the other side there were the patriotic songs on the loudspeaker….Ae mere watan, Mere desh ki dharti…We were looking at the idea of our country through a kite….Films like Mother India, Do Bigha Zameen, Naya Daur touched all of us. This was the era when escapism hadn’t seeped into cinema or real life. That was the era I wanted to re-capture in Rang De Basanti.”

Seven years ago even before his first film Aks, Rakeysh wanted to make a film called Awaaz. There are shades of Awaaz in Rang De Basanti.

Recalls Rakeysh, “Awaaz was about a bunch of boys working in a garage, the haves and have-nots. I wanted to make it with Abhishek Bachchan. Then I wanted to make a film on the life of the revolutionaries. What I didn’t want to do was to shoot them with halos ….I wanted to shoot them as normal youngsters . I wanted to call it The Young Guns Of India.”

Initially Rakeysh wanted to make a film on the life of Bhagat Singh. Then the race for Bhagat Singh films started. Several of Bhagat Singh bio-pics hit theatres one after another.

Recalls Rakeysh, “Initially I wanted to enter the race. Then I realized we were all insulting his memory. Attention was diverted by who would get into theatres first. I moved on….I did a focus group in Delhi and Mumbai. I took a new story idea to youngsters between 17 and 23. Our survey showed that for our generation a relationship meant, ‘Let’s get married and make babies together.’ Not to this generation. The youngsters we spoke to were driven by ambition. And I didn’t even know how to get on the internet! Anyway, we then moved into surveying them about the country and the tri-colour. The borders of patriotism had blurred. Pagdi sambhal jatta was no more relevant. Not too many kids knew who Chandrashekhar Azad was. I told my writer Kamlesh Pandey there was no point in making a film about the freedom fighters. He insisted , reminded me of the passion that Manoj Kumar’s films used to incite. But that was a different era.” This, says Rakeysh, was when Rang De Basanti born. “I sadly abandoned the original idea and hit on another idea of a British documentary filmmaker coming to India to make a film on the Indian armed revolution. She finds kids who are more western than her. Two lines… the past and present run together. They intersect. There are sparks. Then the rooftop scene where the line between past and present blurs when Soha Ali Khan asks her friends to kill the raksha mantri… Suddenly the original idea was replaced by this new idea.”

It cost Rs 25 crores to make Rang De Basanti.

Rakesh is all praise for his cast. “Aamir didn’t dominate the film. And yet he has brought in everything require.The whole Punjabi accent for his Mona-Sardar character was his idea. There was an attraction between Siddharth’s and Soha’s characters. We couldn’t bring it into the forefront because of lack of space. In any case love stories don’t have to have a happy ending. Today’s generation is very mature about love and its end.”

The film's controversial ending, where the protagonists gun down corrupt politicians, has been perceived as fascist. Rationalizes Rakeysh, “Every story has to follow its own course. When heroes in a mythology enter the caves to fight the demons , they’ve to perish. Mani Ratnam’s Yuva didn’t work for me after the heroes went into the parliament….What jolted the audience is, they love my heroes and they don’t want them to die. Too bad. You love and lose the best people in your lives. It isn’t a heroic but a poetic ending. But they become heroes because they die. What I’m trying to say is, we got independence from the goras. But we got enslaved by our own. Now we’re killing each other. You’re from Bihar. You know what I mean. There can be no neat solution to the problems we face. Rang De Basanti is a conversation with the masses.”

Published Date: Jan 27, 2016 12:27 PM                                                | Updated Date: Jan 27, 2016 12:29 PM                                            

                                                   tags:                                                                  

#Aamir Khan

#BuzzPatrol

#Madhavan

#Rakeysh Omprakash

#Rang De Basanti

#Soha Ali Khan

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                                                                                                               Kartik Aaryan sings for Kareena Kapoor; Akshay Kumar, Suniel Shetty pose together: Social Media Stalkers' Guide                            

[stevie-coleman]

5...6...7...8

It is the start of every great dance number. And also this blog.

(Extra points for you if you immediately started doing choreography from A Chorus Line).

I should start this by saying that I am not a performer. While I wish I had the subtle grace you’d think a person who took dance classes for many years would have or a beautiful voice that moves people to tears like Audra McDonald, I don’t. I am, however, a self-identified theater nerd. I am certainly not the best or most knowledgeable but as I learn more about theater, I fall more and more in love (and that’s what counts, right?).

So when I said I don’t perform, I should have said that I don’t perform anymore. I’d like to think of myself as more of a retired child star. My performance history started when I played the role of Dorinda in a three-person production of the Cheetah Girls that debuted and closed in my childhood bedroom. I then went on to achieve directing and producing credits for variety shows that I forced my younger cousin to co-star in with me in my living room. I took my acting chops into the real world for the first time as Mary in my church’s play about the birth of Jesus, and let me say, when I walked out with a fake pregnant stomach, there wasn’t a dry eye in the house. Additional credits include one time when I sang a two verse solo at a school chorus concert, where I was told by a fellow classmate that I was the second best soloist of the night; many many dance recitals; and stage managing for a children’s Easter show, where only one kid tried to walk off in the middle of a song. Needless to say, I’ve had my time and prefer to enjoy the world of theater as a fan.

All jokes aside, my love for theater and performing arts did start at a young age. While my exposure to Broadway was limited, mostly due to the fact that I was raised in Fayetteville, North Carolina, what I did experience has stuck with me to this day.

My very first time experiencing anything remotely close to Broadway was when I was about 9 or 10 years old at a dance recital. If you know anything about those, they last all day long and if you’re in multiple genres, buckle up because it’s going to be a long day for you and your family. I had been there since the morning for ballet but had to stay until the evening for jazz and hip-hop. Another thing about dance recitals is that there is never enough space backstage for the millions of people who perform that day, so they often make groups sit in the audience until it’s their turn to dance. So there I was, sitting in a seat in the audience, counting down the dances until it was my turn. Suddenly, some people in charge of props rolled out what looked like bars from a jail cell and I looked at the program and saw that the dance teachers were about to do something called the “Cell Block Tango”. From the first 30 seconds, my interest was piqued. I was amazed by the way they were telling stories with song and dance. It was strong and dramatic and by the end of the performance, I, a small child who had never been married or even been in a relationship, was convinced that he did, in fact, have it coming. It was the first time I had ever seen anything like that and I loved it.

The next time I experienced Broadway was probably a few years later in the most bizarre way. Still, to this day, I don’t know how or where my aunt acquired the movie version of Rent but I know that it suddenly showed up in our lives and did not leave for what felt like several months. The themes were probably not appropriate for children as young as my cousin and me, but I have no regrets about how I encountered this show (shout out to my Aunt Drena). This movie was on so many times in my aunt’s house that I remember when it used to skip because of the scratches on the back. I also remember my aunt listening to “One Song Glory” repeatedly and trying to get my cousin and me to harmonize to “Seasons of Love.” Again, I loved it all. Even as a kid who hardly understood the AIDS crisis, I could still jam to “La Vie Boheme.” When I was younger, I also had Hairspray and Dream Girls on DVD as well as the Dream Girls soundtrack, which lived in the car radio for months. It was for this reason that I sang every part in “Without Love”, knew the choreography to “You Can’t Stop The Beat” and attempted to belt “And I Am Telling You I’m Not Going” many times. Whether it was a high energy dance number, a romantic duet or a soulful solo, I have always been and continue to be amazed by the theatre.

While I have actually only seen three shows on Broadway, I am slowly but surely educating myself through cast albums, librettos and scripts. If there’s one thing I’m learning, it’s that there’s something for everyone when it comes to Broadway, and that may be one of my favorite things about it. It’s not all musicals and it’s not all plays. It’s not all big dance numbers and it’s not all monologues. It can be high energy that makes you want to get up and take on the world and it can be the most heart-breaking song or line you’ve ever heard. It tells the stories of so many people, real and made up, who you can identify so deeply with that it scares you. It is so many things and it’s constantly changing. If you have ever had a human experience, then there is something here for you.

But even if you’re not into theater, fear not! My love of storytelling and general habit of being a fangirl extends to other things, like Star Wars or watching The Bachelor, which is truly a love-hate relationship. And like any good blogger, I have tons of opinions about them all that I’ll get to share here. Until then, I’ll probably be blasting something from Heathers or Next to Normal and if you have any recommendations on cast albums that are a must, send them my way!

GIF credit source

[londontheatre]

There was a hushed excitement in the packed auditorium at The Capitol Theatre in Horsham. Many of the audience who’d come were obviously Elvis fans with all the studs, glitz and slicked backed hair they could muster (I swear I saw some blue suede shoes!). All were waiting to celebrate, remember and enjoy the music of ‘The King’ at this very special 40th anniversary tribute evening. They weren’t to be disappointed. The opening drum solo by Steve Rushton was pure quality and left everyone raring for more. His drum playing was a masterclass in precision and rhythmic gymnastics and I could have listened to his playing all night. For this performance, Pace had left his band behind and this was a duo performance with drums, piano and vocals only. The connection between Pace and Rushton was tangible. They worked together as one to produce a sound that was full, vibrant, complex and sensitive. The energy that pulsated from the stage was truly awesome and didn’t let up for the whole evening – no mean feat for a two-man band. It was obvious that Rushton and Pace had collaborated closely to produce this show. The ease with which they worked together and read each other’s musical intentions cannot be produced overnight. This was a highly professional performance by Pace and Rushton which reflected a diligent and dedicated approach to their craft.

Nothing was left to chance, the detail was there and from the opening bar, it was clear that this show had been conceived, developed and considered with insight and thought over a long period of time. The Capitol Theatre in Horsham is well equipped with good lighting and sound facilities. It seats around five hundred people and is an intimate and comfortable space. The air-conditioning works well and there is plenty of leg space. The car park opposite the theatre and its large glass open reception space make this a welcoming place for an evening out.

Many of the audience were local, but others had travelled some distance to be at the show having experienced Elio’s Billy Joel tribute act previously. Elio Pace has a unique way of connecting with the audience from the start. His blend of storytelling, virtuoso piano playing and vocal renditions of Elvis favourites had the audience hooked from the beginning. There were people of all ages in the theatre that night and they all had a fantastic time. I took my mother with me and, although she claimed to be, ‘much younger than Elvis’ she is, in fact, a contemporary of his. Her verdict on the evening was ‘magic – pure magic’. However, she did say she was glad Elio didn’t do the whole rhinestone look and kept the gyrating to a couple of fun thrusts in the second half! I think that this was appreciated by the diehard fans too – this wasn’t another Elvis impersonator but a talented musician celebrating the musical genius that was Elvis.

Elio’s sensitive performance was interjected with a narrative which informed but didn’t bore the audience. I certainly learned a lot about Elvis – both his personal and professional life. In the interval, I heard many people saying, ‘I didn’t know that – did you?’ It was during the interval that I met Jane and her friend Beverly, who told me they’d been to Graceland three times and just ‘wanted to be somewhere special on this anniversary evening’. When I asked if they were enjoying their evening they said, ‘we were worried that it would be a tacky Elvis impersonator but a friend, who had seen Elio before said that we would be in for a treat. He wasn’t kidding – this evening has been wonderful’. Duncan, who had been dragged along by his girlfriend said, ‘she loves Elvis and it’s her birthday so I bought the tickets but I’m surprised by how much I am enjoying the show’.

Kerry practically screamed at me ‘it’s the best birthday present EVER’. Matt, a local musician in his thirties, was impressed by Elio’s vocals, ‘he has a powerful, rich voice and the tone, musical phrasing and vocal clarity is polished without losing grit and integrity – that’s not easy you know!’. I bet it isn’t easy but Elio makes it seem so. His ease on stage and his obvious affinity for the music kept the audience in the palm of his hand. Although there were no scene changes, no support group, no theatrics the show worked on every level.

Elio’s virtuosity made for an evening of memorable music. He sang a repertoire from every stage of Elvis’s life from spiritual numbers to his well-known rock and roll pieces. Some of his lesser known music was celebrated together with some of his earlier pieces. I especially enjoyed hearing some of the music that isn’t normally played. Towards the end of the show, our travels with Elvis came to an end with his death. Using a radio broadcast from the time Elio sang with such passion that some members of the audience were wiping away a tear. Quietly and gently the high-octane performance slowed down and the significance of the moment marked with a reflective, almost spiritual repass.

However, the evening didn’t end there as we were soon dancing in the aisles again with a compilation of numbers linking a myriad of different audience requests together. I do believe that everyone in the auditorium that night heard their favourites and their appreciation was obvious. Elio and Steve had several standing ovations during the evening and they were very well-deserved. I was delighted to hear that Elio has planned to tour this show as well as his well-received Billy Joel Songbook performances. If you have a chance to go I would highly recommend it. I am not a diehard Elvis fan, I haven’t been to Graceland or married in the white chapel but after this evening, I may just look around for a pair of blue suede shoes!

Review by Elizabeth Lickiss

Any Elvis Presley fan will tell you that August 16th, back in 1977, was the day the ‘King of Rock and Roll’ died at only 42 years of age. To mark the 40th anniversary of that momentous day in music history, acclaimed singer-songwriter, Elio Pace honours his childhood musical idol with this very special, personal and powerful performance featuring many Elvis Presley classics as well as some rarely-heard and forgotten gems.

A SHOW LIKE NO OTHER Elio’s sensational singing and electrifying piano-playing is accompanied on stage by the dynamic and percussive power of only a special guest drummer. Never before will you have seen or heard Elvis’ catalogue presented like this.

ELIO PACE presents ELVIS PRESLEY at The Capitol Theatre, Horsham Wednesday, 16th August 2017 http://ift.tt/2wjJJgR

http://ift.tt/2xynAtH LondonTheatre1.com

[larryland]

LENOX, MA (February 28, 2017) — WAM Theatre’s Artistic Director Kristen van Ginhoven announced plans for the company’s 2017 season today. The Berkshire-based professional theatre company celebrates its eighth year with two Main Stage productions, a thought-provoking series of play readings, and several exciting new collaborations and initiatives.

“In a time when the courage to stand up for one’s beliefs is paramount, WAM is re-energized to be a place where Arts and Activism Meet,” van Ginhoven explained. “Our 2017 season bravely explores a broad range of perspectives around issues affecting women and girls. Now, more than ever, we must listen carefully, act thoughtfully and speak out bravely. WAM is proud to take action for women and girls through our spirited storytelling and our impactful philanthropy.”

Already this year WAM was honored to be one of the organizers of the official Pittsfield Sister March Event in Solidarity with the Women’s March on Washington, held at the Colonial Theatre on January 21. More than 1,600 people came through the theatre to make art, learn about local activist groups, watch a live-stream of events from DC, and enjoy a reading by regional artists and writers.

WAM THEATRE GIRLS ENSEMBLE

Assistant Lia Russell-Self joins Teaching Artists Barby Cardillo and Amy Brentano at the February 17 performance of “What’s That Sound?”

The entire 2017 Girls Ensemble Cohort takes the stage at the Elayne P. Bernstein Theatre.

Just last week the Second Cohort of the WAM Girls Ensemble out of school program presented their original devised theatre piece, What’s That Sound? at the Elayne P. Bernstein Theatre at Shakespeare & Company. Under the leadership of WAM teaching artists Amy Brentano, Barby Cardillo, and their assistant, Lia Russell-Self, the girls have been rehearsing since the beginning of the year to create this piece which tackles questions about identity, race, gender, fear, age, history, and protest.

The Girls Ensemble will attend an International Schools Theatre Association (ISTA) Festival in Atlanta, Georgia, March 16-19. There they will join students from schools around the world to spend three days devising theatre around the theme of race, inclusion, prejudice, and oppression.

After they return, the girls will tour What’s That Sound?  to local schools and present another free public performance on April 8 at the Spectrum Playhouse in Lee.

FRESH TAKES PLAY READING SERIES

We kick off our fourth season of Fresh Takes Play Readings on Sunday, March 12 with The Flora and Fauna by Alyson Mead, directed by Fresh Takes Curator and WAM Artistic Associate, Molly Clancy. The play, which chronicles the celebrations and challenges of a female friendship that spans almost 30 years, is the winner of the Arizona-based Bridge Initiative: Women in Theatre New Work Contest.

  “I’m excited about our national collaboration with The Bridge Initiative and our local partnership with The Berkshire Festival of Women Writers who will receive a portion of the box office proceeds from this first reading,” Clancy said.

The season continues with Really by Jackie Sibblies Drury, directed by Alice Reagan, on Sunday, May 7; and The Droll by Meg Miroshnik, directed by van Ginhoven and co-produced with local professional actor Jennie Jadow, on June 4. Reagan directed last summer’s acclaimed production of Or, at Shakespeare & Company, where Jadow is a long-time actress and Theatre Educator.

“The Flora and Fauna” playwright Alyson Mead

“Really” playwright Jackie Sibblies Drury

“The Droll” playwright Meg Miroshnik

“The Droll is a play that has captured my attention and imagination for quite some time, and when Kristen expressed her long-standing interest in the piece as well, a collaboration naturally followed,” Jadow explained. “The play’s central theme of awakening a child to the power of theatre, so that a future generation can carry forth an awareness of culture and art, even in the darkest of times, and, potentially, at great personal cost, highlights for me the active role of the artist in our society.”

Sponsored by The No. Six Depot Roastery and Café in West Stockbrige, with additional support from the Dramatists Guild Fund, the Fresh Takes Series occurs on select Sundays at 3:30 pm and features a talk-back with the cast and director following the play reading.

SPECIAL EVENT: FINAL 2017 FRESH TAKES PLAY READING IN WILLIAMSTOWN

In another exciting collaboration for WAM’s 2017 Season, Williamstown Theatre Festival will be hosting a WAM Theatre Fresh Takes play reading this summer – stay tuned for more details.

Mandy Greenfield, Artistic Director of Williamstown Theatre Festival said, “We are thrilled to host Kristen van Ginhoven and WAM for a reading at the Festival this summer.  We look forward to supporting her wonderful work to benefit women and girls.”

Further information about the date, time and specific location of this reading will be forthcoming.

LIMITED-RUN REMOUNT OF Emilie…

A critical and popular success our 2013 production of Emilie: La Marquise du Châtelet Defends Her Life Tonight by Lauren Gunderson, directed by van Ginhoven, returns with its entire original cast for a two week run at the Tina Packer Playhouse at Shakespeare & Company. The first preview is on March 30 and the Opening Night/Press Night will be on Saturday, April 1 at 7:30 pm. After that the show runs through April 9. This production is sponsored by Greylock Federal Credit Union. A special weekday matinee for school groups, sponsored by Berkshire Sterile Manufacturing, is planned for April 6 at 3 pm.

“I’m not only honored to have WAM re-mount Emilie…, I’m inspired,” Gunderson wrote.  “WAM’s commitment to powerful stories combined with their artistic excellence and their civic impact makes me want to write more plays like Emilie… about complex women changing the world. WAM truly manifests my belief that theatre actively and intentionally changes hearts, minds, and the future of a thoughtful and empathetic nation.”

“Emilie…” playwright Lauren Gunderson.

Emilie du Chatelet is best known for her fifteen-year liaison with Voltaire but she was more than a great man’s mistress. She was one of the leading interpreters of modern physics during the Age of Enlightenment. In this play Emilie must defend her life by tallying her achievements in Love and Philosophy-and searching for a formula that will convince the world of her worth.

This is the first of three WAM events that will take place on the Shakespeare & Company campus in 2017. Artistic Director Allyn Burrows states: “We are delighted to host WAM for three exciting programs this year, and are honored to be able to provide a venue to a company whose mission is vitally important to the community at large.”

WAM’s 2013 production was hailed as “Highly entertaining and highly imaginative” by the Berkshire Eagle. Berkshire Fine Arts deemed it “An absorbing evening of theatre for a sold-out audience.”  This remount features the original cast: Suzanne Ankrum, Brendan Cataldo, Joan Coombs, Kim Stauffer and Oliver Wadsworth.

(Full Flickr album of 2013 Emilie…production photos here.)

  In keeping with WAM’s double philanthropic mission, a portion of proceeds will be donated to this production’s beneficiary: Flying Cloud Institute. WAM’s donation will support scholarships for public school girls who attend Flying Cloud’s after school Girls Science Clubs, so girls who show promise and interest in science can join the Young Women in Science summer programs where they conduct experiments with women scientists and engineers working in laboratories at Bard College at Simon’s Rock.

WAM and Flying Cloud Institute also have support from Mass Humanities to engage 25 girls who attend Reid Middle School in Pittsfield and are part of Flying Cloud’s after school STEAM Team. These girls will conduct science experiments and participate in theater activities that will heighten their appreciation when they attend a matinee of Emilie….. on April 6th, that features a panel of women scientists after the show.

SUMMER GALA

WAM is doing it again! Save the date of Wednesday, July 12 for our 3rd Annual Stars in the Orchard Summer Gala at Hilltop Orchards – a magical midsummer night’s cocktail party with wonderful music, stellar entertainment, delicious food, and wine made on site by Furnace Brook Winery.  The evening’s guests will be the first to learn about the fall production and beneficiary. As part of the entertainment this year, award winning audiobook narrator, bestselling novelist and comedienne Alison Larkin will read a short excerpt from her new audiobook Fairytales of the Fiercer Sex.

These are the fairytales of strong, brave, independent, and, at times, irreverent girls and women who take charge of their lives, go on their own adventures, rescue themselves and sometimes even save the men they love. A perfect fit for a WAM evening!

BERKSHIRE LEADERSHIP SUMMIT

We are excited to announce WAM will be hosting the first pilot Berkshire Leadership Summit – an event for women aspiring to leadership positions in the non-profit theatre in both artistic and operational tracks – on October 28 & 29, 2017 in the Elayne P. Bernstein Center at Shakespeare & Company.

Kristen van Ginhoven attended the Women’s Leadership Conference in San Francisco at the American Conservatory Theater in August 2016. Inspired by that experience, the idea was born to create The Berkshire Leadership Summit to continue the work of shifting consciousness and perception around women and leadership in the non-profit theatre world.  This first pilot Berkshire Leadership Summit is informed and supported by the research that American Conservatory Theater commissioned from the Wellesley Centers for Women. The HowlRound blogpost about the study can be found at: http://howlround.com/women-s-leadership-research-results-and-recommendations

This inaugural two-day, in person, pilot Summit will provide deep-dive, nuts and bolts sessions into four areas that female theatre professionals identified as main barriers to leadership positions: Fundraising, Producing, Building Relationships, and Building Awareness/Creating Opportunity.

The Summit has three central aims: providing participants with an experience that grows their network of allies, enriching vocabulary that supports the current industry while advocating for their future as women leaders, and expanding concrete skills to apply on their path to leadership.

The steering committee for the Summit, who all joined forces at the August Women’s Leadership Conference in San Francisco, is Akiba Ababa, audience development manager at ArtsEmerson (Boston), Rachel Fink, Managing Director at Theatre Bay Area (San Francisco), Shafer Mazow, Senior Grants Manager at The Exploratorium (San Francisco) and Kristen van Ginhoven, Artistic Director of WAM Theatre (Berkshires).

Additional details on this first pilot Berkshire Leadership Summit will be announced by WAM Theatre in the coming months and will be available at: http://www.wamtheatre.com/berkshire-leadership-summit-2017/

FALL MAIN STAGE PRODUCTION

We are delighted to announce that this year our fall Main Stage play will be a the Northeast regional premiere of The Last Wife by Canadian playwright Kate Hennig, which WAM first presented as a Fresh Takes Play Reading in 2016. This is the first Fresh Takes play reading to be selected for a Mainstage Production. The show begins previews on October 13, and closes on November 5 at the Elayne P. Bernstein Theatre at Shakespeare & Company.

A contemporary retelling of the compelling relationship between Henry VIII and his sixth wife, Katherine Parr, The Last Wife  is a funny, powerful examination of patriarchy, sexual politics, and women’s rights. The play had its premiere on August 14, 2015 at the  Stratford Festival of Stratford, Ontario, where it played to sold-out houses and had several extensions.

Kate Parr is smart, confident, and passionate: a rising star in a world of intense competition. But her obligatory marriage to Henry is rife with the threat of violence and lure of deceit; her secret liaisons with Thom, her husband’s former brother-in-law, could send her to an early grave; and her devotion to the education and equal rights of Henry’s daughters is putting an even bigger strain on her marriage. Does Kate risk her life to gain authority in both her relationship and her political career? Which love will she be led to if she follows her heart? And what kind of future is there for her children if she makes a crucial mistake?

“Last Wife” playwright Kate Hennig.

“I hope the theatre audience in the Berkshires — a region recognized (even by your Canadian cousins) for its abundance of arts and culture, and steeped in its own rich and complex history — will enjoy the story of Katherine Parr from many perspectives,” Hennig said.  “They’ll see how perfectly Kate’s actions echo the WAM mandate ‘to benefit girls and women’, and the provocative nature of taking such action in the current political climate.”

In another new collaboration, WAM Theatre will bring a reading of The Last Wife to the Nora Theatre in Boston in October as a special event.

“The Award winning Nora Theatre,  helmed by Artistic Director Lee Mikeska Gardner, has a mission that includes sharing works that speak with a feminine voice on human concerns and endeavors,” van Ginhoven explained. “A fitting collaborator for WAM, we look forward to bringing a reading version of our production of The Last Wife to Boston in October.”

In keeping with WAM’s double philanthropic mission, a percentage of the box office proceeds from WAM’s production of The Last Wife will be donated to an organization that creates opportunity for women and girls. The beneficiary of this production will be announced at the July 12th Stars in the Orchard Summer Gala.

WAM THEATRE’S 2017 SEASON HIGHLIGHTS

March 12

Fresh Takes Play Reading The Flora and Fauna by Alyson Mead Winner of the Arizona-based Bridge Initiative: Women in Theatre New Work Contest directed by Molly Clancy

Sunday, March 12 at 3:30 pm – talkback following at No. 6 Depot Roastery & Café 6 Depot Street, West Stockbridge, MA Admission $20

A portion of box office proceeds will be donated to the Berkshire Festival of Women Writers

March 30-April 9 Emilie: La Marquise du Châtelet Defends Her Life Tonight by Lauren Gunderson directed by Kristen van Ginhoven

Featuring Suzanne Ankrum, Brendan Cataldo, Joan Coombs, Kim Stauffer, and Oliver Wadsworth

March 30 & 31, April 1, 7 & 8 at 7:30 pm April 1, 2, 8 & 9 at 2 pm April 6 at 3 pm

Presented at the Tina Packer Playhouse at Shakespeare & Company 70 Kemble Street, Lenox MA Tickets from $10-$40 413-637-3353

A portion of box office proceeds will be donated to the Flying Cloud Institute

April 8

WAM Girls’ Ensemble What’s That Sound?

Friday, April 8 at 7:30 pm at the Spectrum Playhouse 20 Franklin Street, Lee MA

Admission free Suitable for ages 10+

May 7 Fresh Takes Play Reading Really by Jackie Sibblies Drury directed by Alice Reagan

Sunday, May 7 at 3:30 pm – talkback following at No. 6 Depot Roastery & Café 6 Depot Street, West Stockbridge, MA Admission $20

June 4

Fresh Takes Play Reading The Droll by Meg Miroshnik Directed by Kristen van Ginhoven Co-produced with Jennie Jadow

Sunday, June 4 at 3:30 pm – talkback following at No. 6 Depot Roastery & Café 6 Depot Street, West Stockbridge, MA Admission $20

July 12

3rd Annual Stars in the Orchard Summer Gala Wednesday, July 12 at 6:30 pm At Hilltop Orchards 508 Canaan Road, Richmond, MA

Date TBA

The Williamstown Theatre Festival hosts a WAM Fresh Takes Play Reading Date & Time TBA Location TBA

October 28-29, 2017

Berkshire Leadership Summit in the Elayne P. Bernstein Performing Arts Center at Shakespeare & Company

Additional details as they become available can be found at: http://www.wamtheatre.com/berkshire-leadership-summit-2017/

October13-November 5

The Last Wife by Kate Hennig Northeast Regional Premiere Director TBA

Dates: October 13 – November 5, 2017 Presented at the  Elayne P. Bernstein Theatre, at Shakespeare & Company

A portion of box office proceeds will be donated to a beneficiary to be announced at our July WAM Gala

Date TBA

Reading of The Last Wife

at the Nora Theatre Company in Boston

OUR SEASON SPONSORS

WAM Theatre is funded in part by Mass Humanities, which receives support from the Massachusetts Cultural Council and is an affiliate of the National Endowment for the Humanities; and by the Massachusetts Cultural Council Cultural. Our 2017 sponsors include Adams Community Bank, Berkshire Magazine, Berkshire Sterile Manufacturing, Blue Q, Brabson Library & Educational Foundation, Canyon Ranch, Custom Business Solutions, The Dramatists Guild Fund, The Dylandale Foundation, The Feigenbaum Foundation, Futures Education, the Garden Gables Inn, Greylock Federal Credit Union, Guido’s Fresh Marketplace, In Touch Printing, International Schools Theatre Association, Interprint, Dr. Jay Wise, DDS & Dr. Casey Jones, DMD,  Lee Bank, Massachusetts Cultural Council, MAXYMILLIAN Technologies, Methuselah Bar and Lounge, No. Six Depot Roastery and Café, Pittsfield Cooperative Bank, RB Design Co., The Rookwood Inn, Rouge Restaurant & Bistro, The Dr. Robert C. and Tina Sohn Foundation, T Square Design Studio, and a. von schlegell & co.

WAM Theatre is also supported in part by grants from the Alford-Egremont Cultural Council, Dalton Cultural Council, Lenox Cultural Council, New Marlborough Cultural Council, Pittsfield Cultural Council, Cultural Council of Northern Berkshires, Otis Cultural Council, Richmond Cultural Council, Sandisfield Cultural Council, Stockbridge Cultural Council, Washington Cultural Council and West Stockbridge Cultural Council – local agencies that are supported by the Massachusetts Cultural Council, a state agency.

ABOUT WAM THEATRE

Based in Berkshire County, Massachusetts, WAM Theatre is Where Arts and Activism Meet. The company was co-founded in 2010 by Canadian director, actor, educator, and producer Kristen van Ginhoven. WAM’s vision is to create opportunity for women and girls through the mission of theatre as philanthropy.

Inspired by the book Half the Sky: Turning Oppression into Opportunity for Women Worldwide by Nicholas Kristof and Sheryl WuDunn, WAM donates a portion of the proceeds from its theatrical events to organizations that benefit women and girls.

Since 2010, WAM Theatre has donated more than $30,000 to eleven nonprofit organizations and provided paid work to more than 200 theatre artists. In addition to the main stage productions and special events, WAM Theatre’s activities include a comprehensive educational outreach program and the Fresh Takes Play Reading Series. For more information, visit http://www.WAMTheatre.com

WAM Theatre Announces 2017 Season LENOX, MA (February 28, 2017) — WAM Theatre’s Artistic Director Kristen van Ginhoven announced plans for the company’s 2017 season today.

[sentrava]

Staying in Tennessee for Spring Break? Here are 26 Fun Ideas for You

Staying in Tennessee for Spring Break while the rest of your friends flock to the beach, big cities and everywhere in between? Lucky you—there’s plenty to do in our gorgeous Southern state that neither requires a flight or hotel room. Here are some of my favorite Tennessee day trips in all corners of the state. Feel free to add your own ideas in the comments below!

Explore Memphis’ musical heritage

Any musical pilgrimage in Tennessee begins and ends with Memphis, from its bluesy and gospel roots to its present-day superstars like Justin Timberlake. You could spend weeks in Tennessee’s largest city hopping around live music venues, big and small, and never go to the same spot twice. So many of my favorite artists like Johnny Cash have deep ties to the Bluff City, and there’s no better way to get a sampler platter for the city’s musical past, present and future than an afternoon with the Mojo Tour with Backbeat Tours.

Related post: A Weekend Guide to Eating + Drinking in Memphis

Go waterfall chasing in Southern Middle Tennessee

With record-high rainfall this year, the falls in Tennessee are absolutely gushing! Want the ultimate waterfall loop? Start at Cummins Falls, loop down to Burgess and Fall Creek Falls, then end over near us in Beersheba Springs where you can tackle Greeter Falls, the Blue Hole and Foster Falls. For a milder waterfall experience, Coffee County is full of them, from Old Stone Fort State Park to Machine Falls and Rutledge.

Related post: A Day Trip to Burgess Falls

Shop along Franklin’s stunning Main Street

Franklin may be known internationally for its Civil War history, but it is also an insanely popular destination among both locals and tourists for its well-preserved downtown and abundance of well-curated, independently-owned shops flanking its main drag, plus a growing number of restaurants (GRAYS on Main, 55 South and OBJ are my downtown favorites). Once you’ve spent some cash, posed in front of the Art Deco-style Franklin Theatre and had happy hour at Frothy Monkey, head over to the Factory at Franklin or out to Leipers Fork at sunset.

Related post: Travel Franklin’s Masters & Makers Trail

Drive (or bike) up to the Domain

I may be biased as I was a student there for two years, but Sewanee is, in my opinion, one of Tennessee’s greatest treasures. Hike the Perimeter Trail, have a specialty coffee from Stirling’s, wander the campus aimlessly, grab a bite and a beer at Shenanigan’s, drive out to Natural Bridge, then end your day at the iconic Cross, overlooking the valley below.

Related post: A Hike Out to Sewanee’s Natural Bridge

Take a food tour of East Nashville

I’m in love with Karen-Lee Ryan’s passion for food and Nashville history, both of which are evident in the trio of tour routes she now offers through Walk Eat Nashville. My personal favorite is the Five Points route, though I’m a sucker for SoBro’s growingly diverse palate, as well. Really, with Karen-Lee at the helm, you can’t go wrong no matter which tour you pick!

Related post: Eat, Sip, Stroll: The Best Food Tour in Nashville

Rent a paddleboard and SUP on Percy Priest

Percy Priest Lake is a reservoir that snakes its way through Davidson County; when arriving by plane from the south, it’s often the first thing you see of Nashville before touching down. And Nashville Paddle Company just happens to be based out of the lake’s Hamilton Creek Recreation Area. Take a SUP Yoga class, join a moonlit group paddle, or even invest in your own board as SVV and I did a few years ago. (Pro tip: Buy one of the gently-used models from the previous year and you’ll save money.)

Related post: My Outdoor Fitness Routine

Spend an afternoon learning about Murfreesboro’s Civil War history

Murfreesboro is full of old 1800s buildings, as well as bluegrass and Americana music, but it’s also Tennessee’s first capital and was one of the more active spots in Middle Tennessee during the Civil War. Ever heard of the Battle of Stones River? How about Hoover’s Gap? You can do your own self-guided tour of the prominent battles that took place in Rutherford County (and maybe even give your kid extra credit for learning over Spring Break!).

Related post: Bluegrass & Americana Music in Murfreesboro

Visit Smyrna’s historic downtown

Who knew that Smyrna’s old train depot and the historic district surrounding it were getting a reboot? Thanks to non-profits like Carpe Artista, the area is brimming with arts—from music classes to rock camp—as well as a cafe, ice cream shop, and a growing number of murals. In warmer months, the depot also boasts a great farmers’ market.

Related post: Rutherford County’s Artistic Epicenter Looks Toward the Future

Hike out to Stone Door

South Cumberland State Park is made up of nine different sections, including the nearly 16,000 acres and 55 miles of hiking trails comprising Savage Gulf State Natural Area that houses one of my favorite easy hikes and scenic overlooks: Stone Door. Once you get out, you can take a narrow staircase down to a couple of spectacular rock formations and slot canyons. Nearby is the Fiery Gizzard Trail for those looking to get their steps in.

Related post: Hiking with Dogs in Middle Tennessee

Spend an afternoon in Lynchburg

Jack Daniel Distillery brings in nearly a half-million tourists a year to the tiny town of Lynchburg. And for good reason: It’s one of the most recognizable brands in the world, plus the tour is just plain fun (if you truly want to taste your way through Jack, I must recommend the Angel’s Share experience). Don’t like whiskey? The tour is still fun, whether you imbibe or not. Plus, the square has an old-timey general store and other curiosities, not to mention Miss Mary Bobo’s Boarding House, the place to eat if you’re passing through. The delightful hostesses will give you an earful on the history of the area as you stuff your face with Southern treats, both savory and sweet. Looking for a whiskey twofer? My home of Tullahoma is the next town over and lays claim to the distillery of Jasper Daniel’s famous pal, George Dickel (now called Cascade Hollow Distilling Co., an unfortunate rebrand in my opinion).

Related post: On the Whiskey-Fueled Tennessee Backroads

Test your balance on Tims Ford Lake

Love waterskiing? Always wanted to try wakeboarding? Want to be hooked up to the back of a ski boat and go for a spin on an oversized float? Middle Tennessee’s largest lake recreational facility is totally for you then. Tims Ford State Park sits at the cusp of three counties—Franklin, Coffee and Moore—and draws the adrenaline junkies en masse. We’ve always launched from Holiday Landing Marina—if you don’t have a boat of your own, you can rent one for the day there—but the new Twin Creeks development has added even more options, including a dock restaurant, Drafts & Water Crafts.

Related post: Introducing Tims Ford’s Latest Lakefront Development

Take a trip back in time to Bell Buckle

If you want to time travel, there’s nowhere quite like Bell Buckle for a dose of old-fashioned fun paired with a MoonPie sundae. It barely has a couple hundred residents, yet Bell Buckle is one of the area’s biggest tourist destinations, and with plenty of antiques malls, a quaint square and a mighty fine cafe, it’s easy to see why.

Related post: The Charming Town of Bell Buckle

Get tipsy on the Tennessee Whiskey Trail

Obviously, you’ll need a designated driver (or the assistance of Lyft) for this one, but you know I love the two-year-old Tennessee Whiskey Trail, which now boasts more than 30 member distilleries. Don’t have time to do the full trail? A few of my favorites—including Nelson’s Green Brier and H Clark—are in Middle Tennessee so you can base yourself in Franklin or Nashville and make the most of your day or weekend.

Related post: Traveling the Tennessee Whiskey Trail

See a drive-in movie

I love me a good night at the movies; it’s one of the few times I shut my brain (and phone) off for a two-hour stretch. And what’s better than seeing a movie beneath the twinkling stars? Drive-ins are a dying breed, but Estill Springs right near where I was born has a two-screener, Montana, and I’ve also always wanted to go to Stardust Drive-In Theatre in nearby Watertown, as it just screams nostalgia. Bonus: You pay for one movie and can stick around for both showings if you please.

Check out Lebanon’s charming square

As Nashville booms in all directions, its neighboring cities get that much cooler. Growing up, we only went to Lebanon for the outlet mall or sports tournaments, but now it’s a bona-fide destination itself, not only because of its I-40 locale but also the revitalization of its darling town square. Also worth visiting while you’re in WilCo: Sweet Biscuit Company, Long Hunter State Park, Voodoo Smokehouse and the towering Cedars of Lebanon State Park.

Related post: Discover Majestic Pogue Creek Canyon in Jamestown

Rent a houseboat out on Center Hill Lake

Just 45 minutes east of Lebanon is one of Tennessee’s most popular lakes—and for good reason. Center Hill Lake was a dam constructed by the U.S. Army Corps of Engineers in 1948 and now is a popular recreation destination with houseboats, marinas and campgrounds aplenty.

Related post: City Dog Explores Edgar Evins State Park

Channel Johnny and June

In the town of Bon Acqua, Johnny Cash’s legacy very much lives on. Though he and June Carter Cash got rid of all of their pastoral properties over time, they did hold onto one: a 107-acre farm in Hickman County where they resided for three decades. A few years back, it was purchased and revived; it’s now the Storytellers Museum that not only honors the Cash memory, but also has a weekly “Saturday Night in Hickman County” singer-songwriter show.

See a show at the Opry

So many people I know journey from all over the world to see a show on this iconic stage. Yet so many Nashvillians I know have never in their lives been to a show at the Grand Ole Opry. How is that possible? Shows take place several nights a week year-round, are very affordable, and introduce show-goers to a bevy of talent, some newcomers and the others industry veterans. Don’t miss the VIP Backstage tour.

Related post: Date Night at the Grand Ole Opry

Get your thrills at Dollywood

Good golly, Miss Dolly is my favorite Tennessee resident by far, and her theme park Dollywood is every bit as fun as the songbird herself. While you’re there, see one of her dinner shows, and check out a pair of my favorite East Tennessee distilleries, Sugarlands and Old Forge.

Related post: Planning a Dolly-Themed Vacation to the Smokies

Experience the peaceful side of the Smokies

Not looking for the bright lights of Sevier County? There’s a quieter side to the Great Smoky Mountains, and it’s located in Blount County. Rent a cabin in Townsend or stay in Maryville, bike Cades Cove, tube down the Little River (once it opens later spring) and explore this more peaceful mountain experience.

Related post: Sip Your Way Through East Tennessee’s Moonshine Culture

Learn about science and nature at Discovery Park of America

Up in the northwestern Tennessee town of Union City is the ultimate family playground: 70,000 square feet of interactive indoor exhibits and 50 acres of outdoor space comprising Discovery Park of America. From lessons on wildlife education to how to build a cardboard boat, the park’s offerings are wide-ranging and appeal to all ages, plus there’s currently a Towers of Tomorrow with LEGO® Bricks exhibit through May showcasing Lego renditions of the world’s most impressive skyscrapers. While you’re in the area, be sure and check out Lake Isom National Wildlife Refuge and Reelfoot Lake, which was formed by an earthquake more than two centuries ago.

Experience peace and quiet in Ijams Nature Park

Over the past few years, Ijams Nature Center’s lush 300 acres has become one of my favorite Knoxville retreats in warmer months. It’s got 10 miles of hiking trails, a pair of quarries, an adventure center—oh, and did I mention it’s FREE to visit? The activities like zip lining do cost money, but you can also just go hang by the water or check out the blooms and not pay a penny.

Related post: The Perfect Weekend in Knoxville

Geek out at Beechcraft Heritage Museum

This may or may not be one of SVV’s favorite places in Tullahoma (it definitely is), and it’s easy to see why: Beechcraft Heritage Museum hosts regular fly-ins of world-class planes, but even when there’s nothing going on, the aviation museum is open and full of glimmering beauties.

Related post: Don’t Miss These Must-See Spots in Manchester and Tullahoma

Blast off into space at the planetarium

You don’t have to be a budding scientist to love the hands-on experiences at the Adventure Science Center in Nashville; the 44,000 square foot building lays claim to 175 exhibits running the gamut of biology, astronomy, physics, earth science, energy, weather, sound and space. Most notable is the Sudekum Planetarium, featuring various shows in the giant, 63-foot domed theater, as well as fun special activities like Yoga Under the Stars on the last Saturday of every month. The themed laser shows set to soundtracks like Led Zeppelin or Pink Floyd are not to be missed.

Related post: How to Do Nashville with the Whole Family

Fore! Golf at the Honors in Chattanooga

My golf-loving brother-in-law Josh tells me the Honors is the Holy Grail for golfers in Tennessee. Given that he’s racked up his own set of honors (by way of countless trophies and golf championships) in the four years he’s been a Tennessean, I’d defer to his recommendation on anything sports-related. This Pete Dye-designed, 18-hole course in the northeast Chattanooga suburb of Ooltewah was born the same year as me and, according to the website, “was considered radical in the 1980’s because of its acres of tall, native-grass rough, unusual Zoysia grass fairways and terrifying speed as lightning greens.” Bear Trace at Tims Ford is another top-notch course I’ve actually had the good fortune of playing.

Mural hunt in Nashville

You may have noticed, but Music City’s street art scene is booming. And SVV and I have photographed more than 100 Nashville murals and put together this handy map for you.

Related post: Check Out These New Downtown Murals in Nashville

I could probably go on with 26 more ideas for day trips to take in Tennessee, but each of these are relatively manageable to plan last-minute if you’re looking for something to do, like, this weekend or even tomorrow.

What are your favorite ways to take advantage of Spring Break in Tennessee?

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Staying in Tennessee for Spring Break? Here are 26 Fun Ideas for You published first on https://medium.com/@OCEANDREAMCHARTERS