#for more than one reason that has less to do with me and more with some things I

[queenrizzardnthelizardscissored]

ithink the really striking thing here is that like they got thinner but they didnt get that much thinner in a way that counts. like either way from the bottom laptop to the top laptop that is still taking up ur entire laptop compartment in your backpack or in ur super cool gay leather briefcase (okay thats just me) it is not like you would be carrying more stuff if u had the thinner vs the thicker one, the lighter vs the heavier one.

i have owned a thick laptop (thinkpad t440) and a thin laptop (t490s, framework laptop) and there was never a moment ever where i broguht my thin laptop but would not have brought my thick one. both come to class, both come to coffee shops, both come on trains and planes, both sit unused in my backpack for way too long while i use my actual main pc lol. so like what was the point of the technological advancement that lead to this thinness? why not keep this thickness and improve everything else about it? like imagine the battery life and performance you could cram into a thick one with modern tech and you could give it such a big radiator that it wouldnt even need fans for 90 percent of everything. but instead of making the product better we spent most of our energy into making it thinner.

idk it just really showcases how useless this all was, how it was to sell thinner n thinner machines with no real purpose. like my mom hates windows machines in general and needs too many specific apps to use linux, but the issue is that new macbooks have a sharp edge on the keyboard, which cuts and scratches her arms and wrists as she uses it, and so she has to have a thicker machine that is actually designed well. why did we go this route? every year thinner after thinner after thinner and its like. what was the point? the framework laptop or a thinkpad are really the only reasonable laptop options if u want to h ave anything you can repair instead of throw away that is also comfortable to use and not some janky diy contraption. i have to go out of my way to find a phone with a headphone jack and like all th e options are years old or wayyy too expensive unnecessarily powerful 'enthusiast' phones who have like dedicated communities of old white men discussing exactly one product. and all the while we have these advancements and its like? for what? why do we need the thing to be 5% thinner and 5% lighter and 20% worse. its just such a blatant attempt to upsell year over year and while i think ppl are finally catching on (more due to wage stagnation than any like. shift in understanding.) it took way too long for it. at the same time we are lacking variety,. like all the goofy old laptop designs with some degree of 'charm' are gone. so its like. what are we left with? a bunch of same-y increasingly thin and sharp metal slabs with low travel keyboards for laptops n fragile glass sandwiches for phones with n+1 cameras compared to last year but less and less features?

[gonkaccino]

hey hey another thing. Everyone noticed how subdued movie Elphaba is relative to book/musical Elphaba, right? Book Elphaba's whole thing is being loudly independent and making her own bold choices (then getting [metaphorically] pushed down 5 flights of stairs for having the gall to exist). Musical Elphaba is less of a reddit atheist than her book counterpart, but still plenty abrasive and, ultimately, forges her own path (with its own relatively less tragic consequences).

Movie Elphaba? She doesn't choose to go to Shiz. Her father's planning on keeping her tucked away in their family home until the day she dies, where she can't hurt anyone or further embarrass the Thropp name. Morrible's the one who gets her enrolled, fully aware that Elphaba has no choice if she doesn't want to spend the rest of her life stuck at home, only ever leaving to accompany Nessa. This Elphaba doesn't choose to go to school, she doesn't choose to go to the Emerald City, and, really, she doesn't even choose to defy gravity -- there is no alternative, she can't live if she stays with the Wizard, especially not after Morrible's preemptive announcement of her wickedness. Movie Elphaba's trapped by her destiny, walking the path laid out for her. With one crucial exception, of course: Glinda, baby, that's right, the only thing this Elphie's ever chosen for herself, the only thing she's been allowed to choose, is to have Glinda at her side!

This softer, more noticeably scared Elphaba creates the extremely juicy dynamic of visibly relying on Glinda for support. As soon as they become pals, Elphaba's latched onto her, the only person who isn't scared of her magic, the first person to care for Elphaba's well-being. She chooses to befriend Glinda, she chooses to bring Glinda to the Emerald City, she chooses to ask Glinda to defy gravity with her. This is what makes this version of Defying Gravity so delicious: Elphaba's never truly believed in herself! The only reason she ever started was because Glinda was there to encourage her, and now, at this crucial moment, this Elphaba, who has lived her life so terrified of the harm she could cause others, has the confidence to not only risk her own life with a spell she's never tried, but the life of her one and only friend!

And Glinda refuses! And it's totally understandable now! Of course this Glinda would say no -- she's not scared of what could happen to her, she's scared of what will happen to Elphie, and standing there, she gets it. She understands the role she's played in Elphaba's life. Glinda knows Elphaba wouldn't be there, ready to declare war on the Wizard, if Glinda hadn't been by her side the entire time, and she has to refuse. She has to. Elphaba's request isn't come with me, we're stronger together, it's I can't do this without you, I'm not strong enough, and Glinda KNOWS that's not true. The only way she can express this is by sending Elphie off on her own, to straighten her hat and wish her luck. It's the only way Elphie will take flight and finally realize that she's got the power to do anything she wants, if she just tries.

[felassan]

David Gaider on Zevran, under a cut for length:

"I was going to skip over Zevran, honestly, as I felt like I didn't have a lot to tell in the way of stories about him... but I know he still has some (ardent) fans. Plus, on reflection, I thought maybe I DO have a few things to say. 😅 Sooo we'll see how this goes. Zevran came along much later in the DAO process, as we were trying to round out the cast of party members. Alistair and Morrigan were well underway (as "main" characters, they were concepted very early) and I'd just started to consider who our Rogue followers might be when... things changed, a bit. See, BioWare had released a game not long beforehand called Jade Empire. It had included some same-sex options in its romances - not obscured like the way Juhani's "romance" had been hinted at in KotOR, but explicit. To this day, I have no idea who on the Jade Empire team was behind it, or why. More to the point, the same-sex options had received a lot of attention and praise - almost universal praise, in fact. In 2005, everyone was just pleasantly surprised. And I don't recall if I went to James and asked about it or if he came to me to suggest DAO should include it. The latter, I think."

"You might ask "Aren't you gay, Dave? Weren't you already pushing for this?" And the answer to that is, emphatically, "no, not at all". It might seem odd looking through the lens of 2024, but there was no talk of 'representation' or 'diversity'. Not at any level where we were aware of it, anyhow. Today, fans argue about how MUCH representation to include and whether it's done well enough... the idea that, less than twenty years ago, it being included *at all* was very much in doubt feels so far away. But, back then, I'd always assumed my private life and my work in games would never meet. So I think it was James who brought it up, because I remember being startled. Pleasantly so, of course. Now I had to look at our two rogues and figure out how this would apply. I sketched out the female of the two (who was taken on by Sheryl Chee) and then looked at the male - he who became Zevran. I'd been reading about the CIA and one thing that stuck with me was how they'd (allegedly) recruit gay men as assassins because they rarely had familial ties. Zevran wasn't going to be gay (bisexuality wasn't a question of representation, but a cost-benefit compromise) but that was the inspiration."

"Then there was the question of how "flamboyantly" I was writing this character, whether that might be too stereotypical? I don't remember how it arose, but I had too many "flamboyant" friends to do anything other than double down. This character was gonna be Zorro the goddamn Gay Blade, that's what. So that's how Zevran happened. Fun, a bit nihilistic, maybe a bit too overtly flirty for today's audience but very confidently *sexual*. Everything I'm not, so I'll admit it was an interesting exploration to dig down and find that voice somewhere inside. He was the anti-Alistair, and I needed that. Casting him was difficult. Caroline always tried to go for authentic accents, when we could, but for some reason this was getting us nowhere. I think back, and I suspect it's because I hadn't yet learned the lesson to not use terms in casting descriptions I thought were universal... but were not. What do I mean by that? Well, there was one write-up that said "drow elf". Now, I know what a drow elf is. It wasn't even important to the description, but the director saw the word "elf", and you know what we got back? A Keebler elf. Like a leprachaun, high and sweet and cutsie. Can you imagine?"

"In this case, I think it was the use of the word "assassin". Combine that with the sorts of roles many Hispanic actors in LA probably are asked to play, and all the auditions we were getting were 150% dark, mean, and gritty. 🫠 So we widened the casting call a bit, and this led us to Jon Curry. I knew Jon wasn't Hispanic, but what I wasn't prepared for when I flew down to meet the DAO actors was that he's this extremely tall, extremely Nordic looking dude who just happened to do the most amazing Antonio Banderas impression. Watching THAT man channel Zevran was... more than a bit surreal. 😅 And he had fun with it. As soon as we gave him the go ahead to play the fun and flirtiness to the hilt, that's exactly what he did. Over the few days where we found Zevran's voice, it totally supplied me with something I could hold in my head when I went back to Edmonton and finished writing him. Zevran was funny enough that the fans liked him. The only part of the reception I thought odd was the occasional comment by a male player who felt "tricked" into having sex with Zevran. "You mean... that part where he invites you to his tent for a sensual massage?" "Yes! I was expecting a massage!" "He literally says the massage is sensual." "Well he wasn't clear enough!" This is where I first came to the conclusion that a certain number of our players just don't know how to people. And that maybe an adjustment to the way we approached the messaging (or massaging lol) of romance was in order. If I could go back, would I change anything? Maybe I'd remind the systems team Zevran should really be able to pick a lock. And maybe not allow him to die. We had no idea we'd need to import these choices into the future - we kinda thought DAO was "one and done". Not so much, as it turned out. 😁"

[source thread]

David Gaider: "there's something to be said about how Zevran flirted and even had sex with you because he thought that's all he had to offer... not just you, but anyone. And when he realized you wanted something deeper, suddenly he was on unsteady ground and it truly unsettled him. It was fun to explore." [source]

User: "So David - besides loving the fact that the third image you picked is a gay sex scene - what happened in DA2(DAE - come on) with Zevrans design?" David Gaider: "Check the ALT text. It wasn’t a custom sculpt, so that’s as close as they could get it. Which… was not close." [source]

User: "Just to make sure I fully understand: the director (was it the voice director?) saw the word "elf" and thought you were looking for someone high, sweet, and cutesie?" David Gaider: "Yeah, this was from back before we managed VO in-house. The voice director in this case just didn’t have an association with “elf” like some familiar with fantasy would." [source]

[prettyboykatsuki]

mixed messages | r. sukuna

✮  tags ; gn + afab!reader, unhealthy relationships, not cheating but reader flirts with gojo while tipsy for fun, undefined relationships, fingering / making out, jealousy, modern!sukuna, sukuna and yuuji r brothers 18+

✮ wc ; 2k

✮  a/n ; a snippet / extension of my modern sukuna post for @arguablyferal. i hope it gives a clear-ish idea of what he's like!!

some more like. relationship explanation in an authors note at the end.

✮  synopsis ; you've never been able to get a good read on him. would he really come to a party just to keep you from flirting with another guy ?

somehow you doubt it.

He's hitting on you.

Gojo is, you think. Though you can't be sure since it feels...a little conceited to believe that a guy like that suddenly developed a genuine interest in you. You can think of a couple reasons he would hit on you, all of them to do with getting on Sukuna's last nerve in their never-ending rivalry.

But it's weird because it doesn't really feel like he's just messing around. As in, it doesn't seem like it's just for that reason.

You know Gojo. Not as close as Shoko or Getou might but enough to comfortably call yourself a distant friend. A little more than acquaintance but less then close.

He's facetious—melodramatic, really—totally by design. By necessity, some of it is an act, but you're good enough at reading him to know what's playful and what's not.

That's why you think that Gojo is really hitting on you. He's using the fact Sukuna, your...whatever, isn't here attending with you. He was supposed to be here but he flaked last minuted on coming with you. You ended up taking Yuuji and his friends though, anyhow.

You're letting him do it. He's serious about hitting on you, and he probably knows you're not very serious about returning his feelings.

But you're entertaining it, despite yourself.

Everyone you know is looking the other way while it happens too. Gojo is leaned close, sitting next to you in a plastic chair, and you're just a little bit buzzed. Humid summer air warms your skin, makes you want to sink into the night.

You're not touching, but you're too close for not-quite-friends. Gojo edges on touchy. A soft nudge here and there, the kind of proximity you shouldn't have. Gojo is a breath away, sober because he doesn't like alcohol.

And he's super friendly, which is nice.

A beat of silence settles between you as the night rolls in a little heavier.

Gojo says you what you assume he's been thinking about all night, without any real introduction.

"You should break up with him," He says, just over a can of soda with a kind of sincerity that makes you restless. You feel your nerves flip.

Your mouth moves before your mind has a chance to fill in the answer. You laugh. "I know."

"You're really too good for him, tsk," Gojo laments, clicking his teeth. Playful again, using just enough drawback so that you don't suffocate in the honesty. You shouldn't entertain this but the attention is nice. "And gosh, you're so much more fun without that dark cloud hanging around you, y'know"

You giggle unconsciously at the thought of Sukuna as a dark cloud. Big and broad with a deep voice—it's an astute comparison. Shaking your head, you give him a playful glance. "Am I really more fun? I feel like I'm not as good a conversationalist as a certain someone,"

Gojo smiles at you proudly. "I'm having fun at least."

You close your eyes and take another, much longer drink. "Yeah, me too."

"If you know you can do better, why bother with him? I figure that bastard might be holding you hostage but," He's serious again, brows raised. "You've got more options, you know?"

You shrug, absently. You don't know the answer yourself. It's one thing that Sukuna never quite lets you leave but it's another thing you come back to him every time. You settle on your reply with closed eyes then laugh a little too loud. Gojo doesn't startle.

"Who knows? But you know, thank you anyway. It's good to have options. Maybe it'll knock some sense into me,"

Friendly again. He's a nice guy you think.

"If it doesn't, make sure to give me a call. I'm pretty great too, y'know."

You give him a lighthearted smile.

It's hard to hear much over the loud thump of music. You're not very in touch with your surroundings and the pleasant air around you all but swallows you.

It takes you a minute. Longer than you care to admit, to realize that someone is approaching you. Even longer to realize who.

Sukuna is looming over you and Gojo when you finally look up.

"Having fun?"

You blink, pulling away to make sure you're hearing correctly. Sinking back into your chair, your eyes flicker up to whats casting shadow overhead. His voice almost bellows, deep and coarse but not loud.

"I thought you weren't coming," Is all you can think to say. Sukuna rolls his eyes.

"Yeah. I thought so too,"

He doesn't ask you to get up as much as he tugs you towards him. He's careful not to pull too hard but you come up still on a stumble, drink still in hand, and face in his chest. Your heart thumps, embarrassed by the sudden warmth. His hand sits on your lower back and suddenly there's a conversation happening overhead.

"Quit sticking your nose where it doesn't belong," He spits. He's talking to Gojo you realize.

"Be careful there, nii-san. You're gonna make it seem like you care."

Sukuna tenses under you before he relaxes again - rolling his eyes. He's not happy about it but you can hear that he's trying not to let it show.

"Stay out of it." Sukuna demands. Gojo whistles.

"Sure, sure. You two have fun there."

Sukuna turns you around like that, your face still in his chest as he drags you away. You hear Gojo laugh faintly as you walk further away from the crowd.

__

You don't really get any explanation from Sukuna as he packs you and himself in the backseat of his car.

He's quiet the entire walk there, and the air is so heavy your lungs can't find a breath around it. He doesn't say anything to you even as he opens the back door. He tells you to get in but doesn't show any emotion you discern.

Instead you end up laying in the backseat with Sukuna over you - cramped as his tongue slips all the way into your mouth and his hands grab your waist. All too sudden, without any ceremony at all.

You kiss back because he's being so suffocating and it's all you can think to do to appease him. As soon as he lets you breathe, you put a hand on his chest and push him away.

You make eye contact but he still hasn't said a word. "Are you mad?"

He sneers. "You tell me,"

He ducks down again to kiss you and you let him this time, doing your best to gauge what exactly he's thinking. You know he's upset, rather - but it's weird. Something is different about it.

His mouth is hot as he hands slide underneath your shirt further- his knees keeping your legs apart as his thigh presses against your clothed sex. You shiver, moaning into his mouth and Sukuna swallows the noise. Gasping, you pull back again.

"All you do is piss me off you brat," He tugs your lip back between his incisors as he speaks, voice bordering on a snarl. "You should know better than to cozy up to that idiot."

You squirm. "I wasn't cozying—"

"You think I'm fucking stupid? Think I don't got eyes to see with?" And then, like he's predicting your next question. "Yuuji texted me."

"And you came?" You stop, keeping him from going any further. "You came 'cause Yuu-chan sent you a picture of me and Gojo-kun....?"

He ignores your question. "Take your pants off,"

You make a face at him but oblige, hands unbuttoning your jeans as Sukuna practically tugs you out of them and your panties in one go. He sits back up on his legs and maneuvers carefully to keep his hands between your thighs. His middle finger runs through your slit, palm putting pressure on your clit.

He's rushing more than normal, mouth crushing yours again in a kiss so heavy it makes you gasp. You feel like you're imagining it but each time you pull back - his teeth sink into your lips until they're throbbing from how hard he's bitten them up.

He's possessive. Always has been. He's territorial over you in one way or another over everything, but it's usually only when you threaten to leave. There's a merit to what Gojo said about keeping you held down. But even in that, there's never any emotion stronger than annoyance to follow your little tantrums. You wouldn't call what you feel now desperation by any stretch.

But it's something more then simple possession and it makes you ache.

"I wasn't gonna do anything with him." You say half-way between a breath. You see his jaw tick with irritation at the mere thought. "It was just for fun—"

He quiets you with his fingers. With his hands, rough - spitting hard on your clit from where above making it splatter against your thighs. His fingers fingers the thick layer of spit and drag them down against your throbbing clit to make it wetter. He touches you hard and fast, places kisses against your jaw and collar before sinking his teeth into the clothed shape of your tits.

His fingers find your pussy not long after. Thick, scarred, intrusive - he slips them in one at a time. As much as he knows you can take until he touches that spot inside of you that leaves your whole body tingling. Knuckle deep, he presses his palms up against your clit to make sure you have the right friction. You moan his name loud, eyes rolling up into your head,

The windows are starting to fog.

"Sukuna,"

He grabs hold of your face with free hand, bordering on a snarl. It's mean you think, but more then that there's a genuine frustration to it that makes you shiver almost shamefully.

"You're mine." He sneers. You feel your cunt twitch unhelpfully at but Sukuna doesn't budge. Doesn't even go to make fun of you He just keeps growling, leaning in to kiss you - forcing his tongue into your mouth and pulling away again. "Get close with that bastard and I'll kill him."

Your stomach flutters in arousal at the aggression in it. The unreasonable, unhelpful, trained part of your brain nearly screams. He wants you, he wants you, he wants. It makes you wanna—

"G-gonna—gonna cum, fuck, Sukuna."

He kisses you again, murmuring against your lips. "Cum,"

Your thighs clamp around Sukuna's wrists as he continues to finger you, grinding yourself the edge of his palm as you ride out your high. Your voice pitches into a high whine, spine arching. It's rushed but intense, scratching the itch but not enough to tamp down the heat completely. You squirt around his fingers in a full blown gasp and find you can barely get your head above water.

You cum hard, convulsing. He doesn't move his hand until you grab him by the wrist and shake your head. Surprisingly, he listens easily and pulls away.

You pause and stare at him after you've caught your breath.

"What's wrong with you today?"

"Stay the fuck away from that guy."

You roll your eyes. "He's right. It's starting to sound like you love me or something. I wasn't gonna sleep with him anyway so chill out."

He scoffs. "Don't even fucking dream of it. I'd kill you both."

You take a second to look at him. You can't read him to save your life. But he's looking back at you, into you maybe, in a way that makes you wonder if there's something about him you're missing. You wrap your arms around his neck just to see if he'll tell you to stop clinging.

He doesn't though.

"Did you really come all the way here 'cause of what Yuu-chan sent you?"

He glares at you. "Are you deaf? Didn't I say that?"

"But then it sounds like you were jealous."

He rolls his eyes. "You're stupid."

"....You were jealous? Really?"

"Shut up already," He says. And maybe it's the alcohol but you swear his face goes warm. "And seriously stay away from that idiot. If I see some shit like that again I'm locking you in the house and chaining you to my bed."

"Weird proposal but okay."

"Dumbass."

"You love me,"

He rolls his eyes and goes to kiss you. Doesn't deny it, you notice. You pretend not to be giddy.

"Whatever."

✮ extended authors note ; hi!! i hope sukunas personality made sense here.

my point with sukuna in modern is that i think it takes away a lot of his unsavory aspects but the deep sense of possession and ownership sort of stays. this is a modern au so he's different from canon in many ways.

he has a hard time committing but he also does not do things he doesnt want to so him spending time with you and wanting your loyalty are both genuine desires. he understands why you're entertaining gojo's flirting and rationally knows it's unfair to want loyalty from you.

but he's into you so he gets. fucking pissed anyway. skjsjd. anyways i hope u liked it and i hope it made sense!! i just wanted to add this incase!!!

[chocoqtelle]

inner child pac reading

🦀 pile one,,

I know we're used to being super helpful, but it's good to help yourself too. you should always make sure you're okay first. It's important for us to be okay, even if other people don't think so. we should think so. things are gonna be okay for us. they always are. I want to do the things we like. I don't understand why you care about what people think now. I think we should try doing what we like more, even if it's embarrassing. it doesn't have to take a lot of time. it's just good to have fun sometimes. maybe you can get back into some of our old interests if you want?

it seems like this pile had to mature quickly and was overly generous in childhood. this likely led to some people pleaser habits. when the world said "be nice" and "care about others" you took it to heart, but it felt like you were the only one who did. you felt like you had to be the adult in your childhood and care for other people around you. for some of you, you may have had to care for a parental/older familiar figure or your siblings. you're used to changing your words and your personality to be more digestible and gentle because this strong fear of conflict. you were scared of people being mean to you, so you avoided making anyone mad. it was like you were always tiptoeing over eggshells. now, you don't have to, so there's no point in worrying about people who don't worry about you. you'd be doing yourself and your inner child a favor by doing what you want. it might feel wrong to be yourself, but at least try. I won't delve too much into this part, but I believe some people in this pile also dealt with being oversexualized or being hyper sexual at a young age. I think it's important to know you're more than what you can give others for this pile. please also take a break for the love of god.

🐸 pile two,,

It's hard to feel loved if nobody shows you. at the same time, i don't think I'd want to be loved. it seems weird and uncomfortable. I'm not used to it so it's scary. I still wish that someone would care at least. it feels like nobody else cares. I'm really tired of things being silent and boring all the time. I want to do something fun. I want friends but I want to be by myself. people think I'm weird, but I think they're the weird ones. they can avoid me but I wouldn't wanna be friends with them anyway. it doesn't matter if it's lonely, I don't feel less lonely around people anyway. some people think I'm mean. I don't think I'm mean. i heard I look mean or I act mean sometimes, but what if that's just who I am? I don't try to be mean to people. I just don't want people to hurt me.

holy neglect trauma... there's a lot to unpack here 😓 first off, I hope you're alright. it seems like this pile never really learned how to interact with people and is probably still a bit of a people hater. this pile has had to keep strong boundaries and walls on to protect themselves from unfamiliar experiences (being spoken to positively.) if you've never experienced something, it can be scary but you have to stop thinking every little thing is gonna go wrong in your life. it's fine. separate note but I think someone's ancestors are very present here, might want to connect with them if you don't already. you can try to shut down the feelings of loneliness and pretend connection won't help but it does. you're probably not connected with your inner child or you're ashamed of yourself for some reason. trying to be cold won't undo anything or save you from the feelings you're hiding. you'll have to acknowledge them at some point. escapism and forcing ignorance wont help forever. hopefully it'll be sooner than later, but that's your choice. it's okay to be soft, btw.

🐕 pile three,,

I know what I'm talking about. I'm serious. I wish people would take me more seriously. i get good grades, I study hard, I always prove how smart I am. for some reason, people still act like I'm too young and stupid to have opinions or that what I say is just silly, especially with emotions. they act like having emotions makes you a less rational person. some people look down on me for who I am, too. it's not something I can change. whether it's gender, age, or whatever, people always want an excuse to ignore how I feel or what I have to say. I know I'm right though. I don't want us to stop expressing ourselves. I wanna share how I feel to the world.

this pile is extremely opinionated and knows how to share their emotions. this pile is for the "bossy" kids who "should have been lawyers" or "a CEO" according to every adult around them. you were emotional as a child and it was always ignored or joked off as if your feelings were invalid. this pile is definitely natural-born leaders so if you aren't/never have been aspiration-driven or "extra" this pile probably isn't yours. the most healing thing you can do for yourself at this point is speak up. continue to speak about everything. share your opinion more, it's safe now and people will actually take you seriously. be emotional, be too much, be annoying, be talkative, be over-opinionated, be everything you feel like being and don't let anyone talk you out of it. lead your life how you want to. call everything out, even if it means being weird. I definitely feel like some people in this pile had the gifted kid experience or liked to read a lot when they were younger. there's also some unresolved anger that might need to be taken care of. I think speaking up more instead of bottling feelings up will definitely help that, though. you're not stupid or weak for being emotional. just be yourself unapologetically and that's the best thing you can do for your younger self.

[xinganhao]

✏️ sociology major!junhui x reader.

your roommate junhui has a habit of using his major on you ✶ part of my svt university milestone event

⤿ friendship, fluff, and they were roommates!!!, an academic paper for the hc. more content under the cut. ♡⸝⸝ prompt from @ore-pheus!

The Sociology of Love, Julia Carter Annotations by Wen Junhui

Love is interesting sociologically for so many reasons... It is a word that is used prolifically to mean so much, which means it is incredibly difficult to define and study. Love is interesting because it is everywhere and has a significant impact on our culture, society and lives, and yet we can know relatively little about what it actually means. Love is not something we can ‘know’- we have to investigate how it is represented socially and culturally. (Carter, 2015)

ANNOTATION: Carter positions love as an all-encompassing yet unknowable emotion. At the risk of sounding cocky, I don't think that love is particularly difficult to understand or find. This is simply because of recognition.

I recognize love. It's in the care and consideration of my parents. It's in the brotherhood of my friendships. It's in my roommate, who tolerates my incessant questions, who lets me get away with almost everything, whose fondness for me is sometimes more than what I deserve.

Love is everywhere. Carter is correct in that regard. It's simply a matter of seeing it, of calling it as it is, of spelling it out. Otherwise, we might spend the rest of our lives trying to justify our cowardice behind the guise of love as a 'mystery'.

So why does love have such power? Whether a private emotion, organising institution, normative expression, commodity, societal glue or legitimating ideology, love is clearly an important concept to understand and interrogate in modern society. (Carter, 2015)

ANNOTATION: Sociologically, the word 'power' is thrown around too lightly. Carter's implication that love is equivalent to power can be dangerous, because I am of the firm belief that it's not the emotion that wields the power; it's the person.

Love, on its own, is just an intense feeling of deep affection. The question then because: What do people in love do? Some shy away from it. Some run. I've found myself taking it day by day. Love has me learning. Love has me listening. Whether I act on it or not is indicative of my own power, and not the power the emotion may/may not have over me.

There's discussion to be made about how love can render one 'powerless', but it all falls on the individual. We are only as good as the loves that we act on.

There was, however, evidence from my research to support the normative notion that love should be romantic, once-occurring and lifelong... suggesting that ‘real’ love should only be experienced once and this should not come to an end. (Carter, 2015)

ANNOTATION: Once again, I find myself unable to agree with Carter's findings. Love as a lifelong feeling or commitment is understandable, but the notion of it being 'once-occurring' is significantly flawed on two counts. First, there is the manner of which it discounts romantic relationships and how they shape how we are. To love and lose someone does not mean you loved them any less or, in this case, did not love them at all to begin with. It is a disservice to downplay our own emotions just to subscribe to the credo of a 'one true love'.

Alternatively: I find myself falling in love with the same person over, and over, and over again. I have fallen in love with them on our walks home. I have fallen in love with them first thing in the morning, when they're bleary-eyed and can barely finish brushing their teeth. I have fallen in love with them even when there was distance between us— on long breaks, where they're the person I think of during the first snow of the year.

And so Carter is only half-right. Love is romantic. Love can be lifelong. But it has not happened to me only once.

... love has become a quiet, private project for couples in a society that worships coupledom and romance. (Carter, 2015)

ANNOTATION: While I have spent majority of this paper arguing against Carter's sociological view of love, I find myself wholly agreeing with her at least on this point. I'm often described as an outgoing and loud individual. For the most part, I thought that should I ever encounter romance, I would view it the same way.

But I've found love in the quiet moments. Bowls of breakfast cereal. Midnight trips to the convenience store. A shitty Netflix romcom playing in the background as the two of us cram essays.

If this love is only ever mine, ours— if no one else is ever made privy to our shared affection and all the rituals that come with it— then so be it. It will be enough for me. This will be more than enough for me.

[rebelliousstories]

Home for the Holidays

Relationship: Logan Howlett/ The Wolverine x Reader

Fandom: X-Men

Request: No

Warnings: Fluff, Angst, Mentions of Alcohol

Word Count: 2,190

Main Masterlist: Here

X-Men Masterlist: Here

Summary: If there is anyone that can convince him to stay home, it was her. And if there was any time for him to stay home, it was now.

Consider Donating: Here

“Logan!”

“Logan! Come back!”

“Logan! Wolverine!”

Too many times had he heard the call of his name by those he loved. Too often did he refuse to turn back to go to them out of his own stupid pride. And, because of this, far too much did he miss out on fun events and memories. That had apparently went out the window the second that he decided to date his girlfriend.

Do not be mistaken, Logan still manages to find ways to slip away from the school in order to not join in on festivities. But it had been greatly reduced since she came along. A mutant who has the ability to decay anything with a single touch, that somehow fell in love with the man who could not seem to die.

Logan was picking up the keys to his motorcycle when she came to fetch him.

“Log, hey honey.” Her wide beam smile threatened to infect his own face, but he let a small tilt of his lips escape.

“What do you want, darling?” He grumbled, plopping his heavy body on the machine.

“Will you stay home with me tomorrow?”

Her eyes begged him, oh so cutely. But he knew what that was code for. It was what she did each and every time.

“Nope.”

“But, Logan.” He began to start the bike up, which drowned her out for a second.

“No. You’re not dragging me to another party.” The rumble of the beast underneath him was a calming feeling and sound. It was part of the reason he went on so many drives on it. Silence was so hard to achieve when you could hear things most people could never.

“Log, wait just a second,” her arms wrapped around his shoulders, keeping him right where she wanted him. “Please, it’s Thanksgiving. Just stay home with us please. With me?” Her pleas seemed to fall on deaf ears.

“I don’t do holidays. Besides, I’m Canadian.”

As he drove away, Logan could still see her crestfallen face in his side mirrors. Once he was out on the open road, he tried to put her upset expression out of his mind, but found he could not. This happened every major holiday; even the minor ones too. It was not that he did not like spending time with her, quite the opposite really. But it was that he did not care for the major celebrations.

Too many smells and sounds. People pretending that they wanted to be around him when in actuality they could not care less. As they got closer to the holiday season, people spent money that they did not have to impress people who would still think those same nasty things about them. The falseness of the months of November and December repulsed him.

But the long he went, the more he thought about her. This was their second Thanksgiving together, and he had done the exact same thing last year. Driven off on his bike, camped at a dingy motel for the next two days with a constant supply of alcohol, before returning on Friday. Would it have truly been so bad for him to stay at home with her, and suffered through the festivities?

A ding broke his gaze from the road. He was running low on fuel. Sighing, Logan kept his eyes out for a gas station along the deserted road he was on. There was nothing he hated more than to run out of gas before he got to a place to fill up. Thankfully, that was not the case.

An old station that had probably not been repaired since the mid 70’s came upon his journey. There was a lone truck at the pumps when he pulled in, and another around back meaning that there was at least two people inside the building. For some reason, Logan felt the need to go inside and grab a snack. As soon as he stepped through the door, a warm scene greeted him.

There stood a dad with his children who were laughing while their mom checked out with their snacks. All of them were so happy with each other. Even the woman at the register was smiling because of them. Logan could hear their conversation, and it was all so hopeful. The children were talking excitedly about what they wanted to eat for the holiday, and which cousins they would see. Their father was happily listening to them, and prompting them to talk more about what they wanted to do.

It was so beautiful to watch that he was a little sad that they had left afterwards. He set his pack of beer and chips on the counter, but let his mind wander. Logan had long since given up on the concept of having a family himself, even though he would like one. With his mutation, it was probably not possible. He very well could outlive his own children, or whoever was their mother, and that was not a fun thought for him to have.

Getting the case of beer and food onto the bike took a bit of maneuvering, but the mutant made it happen. Instead of going back to the school though, he just continued down the road now that he was refueled in more ways than one. What was once a peaceful drive meant to clear his head and heart, had quickly turned to quiet for him.

All he could think of now was being home with his girlfriend for Thanksgiving. During the school year, he loved watching her interact with the younger children. It always stirred something in him that he kept dampening down whenever it sprung up. This was part of the reason that he was so reluctant to spend holidays with her.

She always made sure that the kids who had no family to go home to were taken care of; unfortunately, that was a majority of the students at Xavier’s School for Gifted Youngsters. But she never made them miss out on fun festive activities. He knew that leading up to the big day, her lesson plans always took some time to make decorations. The younger kids had made hand turkeys, while the older ones used the changing leaves outside to make their own collages or scrapbooks.

That was just how she was. Even though her mutation caused destruction, her spirit repaired others. There was nothing that she was not willing to do if it meant making others happy. It often caused some insecurity to sprout in Logan’s chest. Because, how was someone so kind, so caring, so lovely, so precious, dating someone like him? A mutant who tried to find solace in the bottom of a bottle, and kept killing bottles to find it. A mutant who got into fights whenever he felt like it, and kept true to his lone wolf personality.

The motel that evening did not provide the comfort he was looking for. Usually, there was a little ease associated with it. A nice, calm, stable environment for him away from the hustle and bustle that he knew was overtaking the school at this very moment. As Logan cracked open his first beer, he thought about how shut down she was when he drove away. His pride would not allow him to admit that he was wrong, and frankly, up until this point, he had not believe that he was wrong. And yet, there was just a little something in his chest that tugged on his heart as he went to sleep that made him believe other wise.

After Logan had left, she went back into the mansion with a frown etched deep onto her face. But there was little time to dwell on the fact that her boyfriend was leaving once again. There was so much to do for the big meal tomorrow. Cooking for an entire school was an arduous task, but one that her, and the other adults, took on gratefully.

Her mind was kept free from thoughts that would damper her mood all through the rest of the day. So many people had joined together that year to make their feast. Different dietary restrictions, different cultures, and different preferences had made for one interesting prepping day. She did make sure to include a couple turkeys on the table that had to be prepped, but there was just so much variety.

However, sleep continued to evade her that night. The blame was partially on the lack of her space heater lover not providing adequate warmth for her. During the colder months, Logan’s ability to run warm was her favorite thing about him. He was just a big, hairy, perfectly warmed teddy bear to latch onto in the middle of the night.

But most of the blame was on the fact that she would, once again, be alone on the holidays. Sure, she had her friends and the kids, but that was not the same as having her Wolverine. He would be doing whatever he was doing for the next two days, before coming back like nothing had happened.

And that was how she found herself in the kitchen, stress baking, at four o’clock in the morning. Her ever so popular iced lemon cookies were on the menu. It was a process that she had done so much, that she did not need to think about what she was doing. She knew that these would be going like hot cakes tomorrow, or rather today if someone wanted to be technical. So she did not worry about making too many; there would never be enough.

Five am came far faster than she ever thought. There were a few of the older people that had begun trickling in, and here she was. Still baking. Charles got his morning tea before retreating into his office. Scott made his and Jean’s cup of coffee and left to go to their room. Storm, however, stayed. She made both of them a cup of coffee before starting on food preparations while the other woman finished off her baking.

They snacked on cookies and remnants of food for breakfast while the rest of the school woke up. Remy and Rogue both came down to share a plate of eggs and toast in the dinning room, aiming just to stay out of the way for now. However, as soon as they were done, they were put to work warming up side dishes that had been prepped the day before to save on time.

In a few hours, the adults had the perfect Thanksgiving meal on the tables. Everything was served buffet style, with additional chairs and tables inhabiting the dinning and game room. Every one fixed themselves a plate with a little bit of everything they wanted, and sat down to enjoy a nice time together. But she just watched from her little corner.

Sure, she had a plate of food, but it did not seem too appealing right now. Right now, she was just enjoying watching everyone enjoy themselves. She saw Scott and Jean laughing, feeding each other bites from their plates, and chatting with the youngsters they had come to take in as their own. It made her a bit bitter on what was supposed to be a day of thanks. Pushing around a bit of Rogue’s green bean casserole, she did not know what she was expecting when someone cleared their throat behind her.

Logan was the last person she expected to see, though.

He stood a bit awkwardly. His hands were shoved deep into the front pockets of his jeans, right next to the big belt buckle he loved wearing. The flannel covering his arms and chest was the one that she had gotten him as a belated Christmas present last year. Not because she forgot to give it to him on Christmas, but rather because he was not there for it. Logan cleared his throat again before trying to speak.

“Mind helping me fix a plate, darling?” Her shock was recovered quickly as she stood, leaving behind her own plate. She talked him through each dish, and helped load up his plate with things that he may not have understood, but would definitely enjoy eating. There was a little something that was nagging her as they went to go sit down again.

“What are you doing back so soon?”

For once, Logan did not have what seemed like an appropriate response. He never bothered with giving a good answer before because he never cared who took offense to what he was saying. Now, he was terrified to upset his girlfriend even more.

“I just figured I would give this thing a try.” Logan tried to keep his eyes to his food, and shoveled a bit in before he could speak more.

“Well,” she began putting together her own first bite, “thank you for humoring me.”

“Don’t get used to it, darling.”

Anyone who did not know Logan would assume that he was being serious. But she knew better. That twinkle in his eye let her know that she just might turn his cynical heart around yet.

[naamahdarling]

So, the other night in an effort to show a friend that LLMs can produce very credible fiction and relatively inventive ideas, I played with ChatGPT for about 10 minutes I was able to make my point flawlessly. Don't get up my ass about this, that's juvenile.

ChatGPT has watched enough Dropout to be able to reasonably (and genuinely amusingly) impersonate Brennan Lee Mulligan and, to a lesser extent, Sam Reich. It's successfully produced a script for Game Changer where the show was entirely about cats and Brennan couldn't win, and parts of it were actually funny. It also produced an AITA post from the point of view of Brennan Lee Mulligan AS DM OF DIMENSION 20 that was in places absolutely hilarious.

It is able to very successfully postulate a set of G1 my little ponies that do not actually exist, complete with colors, cutie marks, and back card stories. It had a little trouble with G1 versus G4 due to the sheer glut of content, but its ideas were genuinely appealing because the source material it was drawing on was designed to be appealing.

It generated a list of birthday party themes that would terrify an arachnophobe, two or three of which were really good. A request for it to generate a list of queer pride birthday ideas didn't produce anything particularly original, but it was all appropriate and convincing.

It produced a short script where Johnny Sims from the Magnus archives receives birthday gifts from his coworkers, and one of those was a knife-wielding tentacle. This script was in places a little less sharp than the actual writing, but it absolutely nailed the speech patterns, and each gift was appropriate to the character giving it. It was genuinely funny. In places it was clever. It actually made me laugh.

I have most of these saved if anybody wants to see them instead of playing with it themselves.

It really isn't a question of what has been dumped into the data set. We can just assume it has been dumped in there somehow.

We can't undo what has been done and we're never going to be able to name all of the people whose work has been used to train these datasets.

I have both positive and negative feelings, strong ones on both sides, about this technology. If someone wants to use this technology to create a script for a movie in the Predator franchise, or a sequel to their favorite book, or whatever, that is a neutral act. Profiting from that is highly questionable, passing it off as the real thing is completely indefensible, using this technology to replace writers and artists and real people doing ANY work where there is no benefit to humans (like identifying cancer cells -- "AI" does that) is the second worst thing that can be done with it.

That's what worries me about this. It could produce infinite Simpsons episodes without the need for a single writer. Eventually it will be able to animate them so accurately you could ask it to make it look like it had been recorded on a video cassette and it would be completely convincing. It would be able to imitate the voice actors perfectly.

We do not want corporations to have that power. Worker protections are critical. It isn't that AI produces art that is bad or soulless or whatever. Those are completely spurious arguments and irrelevant to any true discussion of whether or not it is ethical.

What matter is is that we keep this shit out of the hands people who want to delete us from the workforce. They aren't going to delete the data. We need to protect workers.

P.S. Artists, Disney and Adobe do not have your best interests at heart. Copyright issues are more complicated than they are being presented, and if you find yourself on the side of one of these companies in any capacity, re-examine literally everything you think immediately. Unions. You want unions.

For reference, because I think it's really important to bring this up as often as possible, the worst application of this technology I can think of would be deliberately or accidentally misapplying data that could be used to affect things like a person's medical care, criminal record, and credit score, all of which are actually currently things that a single company can do, APPRISS, now owned by Equifax, yes that Equifax, and fucking nobody, none of y'all, are freaking out about that even though it's the single most frightening thing I have seen in 20 years. I cannot overstate its potential to utterly destroy the lives of literally anyone who comes into contact with the system that uses it, and those are unbelievably common. They are currently selling their product to law enforcement so that cops and businesses can use it to predict who will engage in criminal behavior, I'm literally not kidding about that, they come right out and say it. It is being trained on existing data and refined constantly.

Enjoy breaking your leg and needing painkillers, which get you flagged in a medical database that will try to prevent you from accessing them in the future (already happening), and also entering you into a law enforcement database that knows you have taken them. Then add in whatever eldritch fuckery bringing credit bureaus into it would cause.

We aren't fucked, I'm not a doomer who insists that all people are terrible and that we have no future and we might as well let things burn, I do actually care about the world we live in and the people who populate it and I consider humans a delight rather than a plague, but we need to start seriously resisting the use of this shit by entities more powerful than us. They are already way ahead.

“I can now say with absolute confidence that many AI systems have been trained on TV and film writers’ work. Not just on The Godfather and Alf, but on more than 53,000 other movies and 85,000 other TV episodes: Dialogue from all of it is included in an AI-training data set that has been used by Apple, Anthropic, Meta, Nvidia, Salesforce, Bloomberg, and other companies. I recently downloaded this data set, which I saw referenced in papers about the development of various large language models (or LLMs). It includes writing from every film nominated for Best Picture from 1950 to 2016, at least 616 episodes of The Simpsons, 170 episodes of Seinfeld, 45 episodes of Twin Peaks, and every episode of The Wire, The Sopranos, and Breaking Bad.”

😡

[cherrybomb107]

After making that essay about all my gripes with act three, I wanna delve into what rubbed me the wrong way about episode seven. Now, don’t get me wrong, it is my second favorite episode of the season (right behind episode four) but everything just felt off, and now I’m able to explain why.

It felt fake. Artificial. Too good to be true. Too polished. Everyone in Zaun was basically a Piltie lite and I hated to see it. I know Zaun doesn’t even technically exist, as it never did officially get its freedom, but Piltover and Zaun are known as twin cities for a reason. They are intertwined, yes, but also completely different. Zaun has its own vibe. It’s punk, patchwork, unpolished, mismatched. But also vibrant, brilliant, thoughtfully crafted and beautiful in its own way. It’s unique. It feels so real, and for the au to strip all that away and make Zaun feel like a shell of its former self was not it.

Zaun has such a rich culture. Not without its own host of flaws ofc, but what culture is perfect? And obviously there are political reasons for why Zaunites do things the way they do (it’s because Piltover’s oppressions forces them to get creative). While I resent the reasons as to why Zaunites have to be so resourceful and creative, I adore the things they were able to build in spite of their hardships. Makes me identify with Zaun even more. The au took all that away. Everything that made Zaun what it is wasn’t there, and I didn’t care for it.

Furthermore, the whole au falls apart if you stop and think about it. Why would Vi’s death be anything more than a drop in the bucket to Piltover? They had been oppressing Zaun for centuries? Vi is not only a Zaunite, but she was also a teenager. There’s a lot to be said about how teenagers aren’t really seen as kids by a lot of folks, and are “less innocent” and their lives are seen as “less important” (though ofc no one would admit that have that kind of bias). Plus when you consider that by virtue of being a Zaunite, Vi would already be considered “less than”, her life would not matter to Piltover WHATSOEVER. Best case, and I do mean best case scenario, they give Vander some financial compensation so he could afford to give Vi the proper funeral she deserves. But I’d bet money they never would’ve even considered doing that if I’m being realistic.

Also, that’s just a horrible message to send. Vi, the parentified child, who spent her whole life fighting like hell to protect her loved ones, had to die in order for not just her family, but her city to flourish. HUH??? That’s an awful thing to imply! Vi dying would NOT have lead to everyone else being fine. It would not have led Vander and Silco to forgive each other. It would NOT led to Zaun prospering economically. It would not have led to Zaun becoming just like Piltover in the worst of ways. That doesn’t even make any sense! Correlation does not equal causation, but those two things have no correlation to begin with! Obviously I know that’s not the message the writers meant to convey, but that’s what they ended up doing imo, and I don’t like that.

Lastly, why are we acting like Hextech is the problem? The oppressive system of Piltover existed way before Hextech came along, so why would its lack of being there affect things that much? Cause if not Hextech, some other revolutionary technology would’ve been invented that somehow only benefits some and hurts everyone else who isn’t as privileged. And yes, ofc I know Hextech only exists precisely BECAUSE of the systemic inequalities between Piltover and Zaun, but it is by no means wholly responsible for these inequalities. Responsible for widening the gap between Piltover and Zaun? Yes! Responsible for the existence of the gap in the first place? Hell no! And it felt like it was framed that way.

Anyways TL;DR I wasn’t a fan of the au episode because I felt like it unintentionally sent a horrible message and didn’t stay true to what makes Zaun, Zaun. It ripped out all its best parts and functionally turned it into Piltover Jr. and a fan of that I am NOT

[myceliacrochet]

Reblog if answer tysm!!

Eleven Urgent Campaigns

Hey guys, I know several people are waiting on me right now to make posts for you, and I apologize🩷🩷🩷 I am struggling to get everything done on my to-do list, especially since it is hard for me to get as much done due to disabilities, but rest assured that most of the items on my to-do list are for Palestinians🩷🇵🇸🍉 I made a lot of progress tonight on flyers to distribute in person for several families -- @manal-ghorab3, @sham-moner, Hala, Ayat, and Fatima. I also worked on job applications and my application for government assistance so that I can keep doing this work and so I can have a small amount to donate.

For now, I want to draw attention to several campaigns, each of which are urgent:

🇵🇸 Contact the WHO to ask them to evacuate nine-year-old Mohammed Alchear now for EMERGENCY LIFESAVING TREATMENT instead of in less than two weeks, when the child would be dead. The WHO has the permission of Israel, they just need to move quickly before the child passes.

🇵🇸 Hala and her daughters are starving to death in north Gaza, where all life is being exterminated at an even higher rate than the rest of Gaza. Hala said they are praying that an angel will save them. Hala's campaign is dangerously stagnant and needs extra support because applying for vetting will be a challenge for her due to loss of hope.

🇵🇸 Ayat (26) and her one- and two-year-olds are also starving to death and in serious danger in north Gaza. Like everyone on this list, they desperately need emergency food, provisions, and evacuation.

🇵🇸 Moneer (19) just got out of major surgery, and his family -- who just lost two extended members to a raid -- is struggling to find most of the basic necessities, even clean water.

🇵🇸 Mariam, her little girl, and her baby are stranded in a refugee camp in Syria so dangerous that the organization that ran it, the World Food Programme, no longer brings food. She is trying to keep her head up. Like every Palestinian family I am advocating for, Mariam's family is freezing cold. She has enough food for the end of the month, but not enough cooking fuel, and she needs power.

🇵🇸 Sameer al-Kilani's (21) campaign is dangerously stagnant and he is starving. He needs community support.

🇵🇸 Neveen and her four children feel abandoned and overlooked by the world, and they are getting flooded with icy cold rains.

🇵🇸 Manal and her family of five need medical attention and emergency food, and their campaign needs more consistent support.

*Edit: Her GoFundMe campaign keeps getting shut down, and she just lost all her campaign money for technical reasons. Please help this family gain back the donated money they keep losing!!

🇵🇸 Shorouq, Sameer, and their three kids need the same, and they fear for the coming winter of even worse flooding, freezing, and famine.

I might need to post using this kind of format in the future for time's sake so I can get to everyone... Let's see how this one goes

@erectiledisfigurement @vague-humanoid @plomegranate @rainbowywitch @chronicsheepdeprivation @danielladadasworld @win-rrar @shizukateal @sweetsweethate @hexxeh @heydreamchild @knavewoods @katherinefh @variouscontent @blvvdyindustries @morelinesandscribbles @monstermashpotato @wellsbering @tolbachik @akajustmerry @comrademango @superdragonjpeg-thing @afropiscesism @ihavenotfallenyet @fly-sky-high-09 @remindertoclick @slowbrobutch @insanitysmiles @wirehairwiredstare @everypores @pregnantseinfeld @seeyouguyslater @innovatorbunny @ohlorde @imjustheretotrytohelp @awetistic-things @theinconvenientlifestyle @riding-with-the-wild-hunt @sea-shame @faacethefacts @craigthetourguide @blomstermjuk @mythiedew @operationladybug @fifthnormani @disinfobot @beserkerjewel @hellootoodlesxoxo

[mao-likes-2-draw]

i love rise from the ashes so much. it has: little ema. it has the classic ace attorney dysfunctional tragic siblings. it has lanamia. it has STARRSKYE. its got jake “manifest destiny” marshall with also tragic siblings on the side of that. it has the most pookie victim ever bruce goodman. it’s got GANT and his ORANGEness and he has ORGANS in his character theme. we have workplace tea and drama. we have forgery and morality and tragedy. we have strong themes of corruption in the police and legal system. we have edgeworth angst carrying a whole body in his car. we have a double murder and the victim IS THE SAME PERSON TWICE. we have THE BLUE BADGER. we have angel’s insane testimony. we have edgeworth suicide foreshadowing which HURTS. we get mia and maya foils. we get narumitsu with a sense of foreboding dread.

rise from the ashes is one of the best ace attorney cases of all time and i do not care that it was long and tricky. oh the absolute TEA these cops have to share. i cannot stress my love for them enough.

bruce goodman is babygirl.

the amount of narumitsu in this case is less than goodbyes but to me it somehow feels more tragic. for some reason edgeworth wasn’t really up there for me as a main character, but this case changed everything. it is batshit and insane and had me gasping the whole time.

YES you may tell me about the horrific incident that caused an unbelievable rift and singularity of grief in your friend group. YES give me all the corruption and regret and ends justifying the means. OH MY GODDDD.

literally always remember rfta. please im begging you

[abbysimsfun]

Sims In Bloom: Generation 2 Pt. 94 (The Body in Brindleton Bay)

cw: dead body and a blood puddle, discolored / shadowed by the lighting, just to be less graphic tbh. For that reason I also don't zoom in on the body that closely, but text mentions who it is and there's no trick! That is who it is, even without a close-up!

Conrad met his young, eager partner, Zion Spangler, at the docks. His last partner, Josephine, had stuck around a few years longer than planned, but she was so close to retirement she deferred almost all her field work to Conrad and Zion. The sergeant liked the newly-minted detective's ambition and his instinct, and they approached the crime scene with caution.

A body laid at the edge of the pier in a pool of blood, already slightly washed away by the heavy, wet coastal snow of Brindleton Bay.

"The owners of the Salty Paw said someone knocked on their door about a body by their patio tables, but everyone was inside because of the cold and no one saw anything," explained Zion.

"Did you find any clues at the scene?"

"None. The snow washed away every footprint and fingerprint we might possibly find."

Zion got down on his knees to brush through the snow surrounding the body in search of clues. But Conrad took one look at the victim and knew exactly who they needed to look for. "Any ID on him?"

"Everything. Even his money. Vic's name is Jameson Bower."

No it wasn't. Not really. "Run that name through the database back at the station. Make sure he doesn't have any aliases, check his record."

Conrad could have offered to do it himself to cover his tracks. But he wanted to mentor Zion to be as good a detective as he could be, and he knew what the body of Jimmy Stefano represented. Surveying the grisly scene, his heart raced.

When Conrad backed out of the search for Rafa, Ximena called his bluff. This was his jurisdiction. He couldn't ignore a dead body connected to the cartel in Brindleton Bay. He didn't know whether Ximena wanted to hurt the cartel or bring him down, but she wouldn't let him walk away.

He'd all but asked for this when he agreed to meet her in this very spot months earlier, hoping he could get her to disappear by giving her what she wanted, helping her brother in the process. But Ximena hated to go quietly, and if he'd ignored her she wouldn't have let him be, either. It probably always would have come to this, but that didn't make it any easier to swallow.

He called Heather to check in. "Did you get to your parents'?"

"We're fine, Conrad. Lavender's asleep again and I'm just hanging out with Sammy." She tilted the camera on her phone to show off River and Cass' infant son, quietly drinking from a bottle. "Is the body related to the cartel?"

"It is."

"What are you going to tell your boss?"

"The truth."

"You could lose your job for sneaking around."

"Wouldn't I deserve it? I had to come clean to you first, and now it's time to come clean to everyone else."

"Conrad, I love you," she said. "I'm so mad at you for lying to me that I don't even know what else to say right now, but I need to be mad at you in one piece. We can talk more if you make it here this weekend."

"I love you, too." Zion called him then to return to the precinct. "I have to go."

As much as it burned to leave their conversation on that note, Ximena had forced his hand. If he didn't come clean to his coworkers and his boss, he'd lose his job. He might, anyway, but he couldn't move in shadows anymore.

With the scene documented and cleared and the body moved to the morgue, Conrad and Zion returned to the station. They worked through the night, and by morning it was obvious the victim was Jimmy Stefano, a low-level member of Los Tigres de Selva, one of the most violent cartels in Simlandia. "Do you think it's a new turf war?"

Conrad shook his head. "I don't think Los Tigres has operated out of Brindleton Bay for years."

Zion cocked his brow in confusion. "Well, what stopped them? They operate just fine out of everywhere else."

"They don't need Brindleton Bay when they've got hold of the ports in San Myshuno," he said, but his attention turned when their captain arrived. The man barely said hello, immediately shutting himself inside his office. Conrad didn't know if it was just that he'd had to come to work on a Saturday, or this specific case, but he had to come clean.

He knocked on the door. With a look, the captain waved him inside. "Sargent, you look tired." He laughed as if he'd made a joke.

"Been a long night."

The captain's expression changed. "Go ahead and shut the door, Sargent."

Conrad sat with an anxious expression, knees together, eyes down like he was about to be reprimanded in grade school. "About the docks victim, sir. I knew him."

The captain nodded plainly. "I read your file when I took over. But you're not the first cop who turned toward the law when they could have easily gone the other way."

"The thing is, I've been working a case under the table for a while now. I found Jimmy Stefano and filed a report against Ximena Bonilla."

"After everything done to bail you out and send you through the academy, you thought it was a good idea to investigate the cartel runner you once dated? For what reason?"

"She found my address, scared my fiancee. Ximena told me her brother was missing, and he and I were close. He was so young, and I wanted to help him."

"You didn't want to help San Myshuno PD? Ximena Bonilla's brother is a wanted man..."

"I would have told him to turn himself in and work a plea," he insisted. "My old precinct would look good, and I hoped Rafa could turn his life around with a little encouragement from someone other than his sister."

"Are you still in touch?"

"No, sir. I told her two days ago I was done searching for Rafa because I thought she was trying to trick me into investigating the cartel. Blocked her number. After the body showed up I tried the number I had but it's been disconnected."

"So she's the prime suspect."

"I think she might've figured out Jimmy talked to me and she wanted to get rid of him. If she didn't kill Jimmy herself - and she might have - I think she ordered the hit to draw me into an investigation against the cartel that could get me killed and endanger my family."

"Do you think she's working with Los Tigres?"

Conrad shrugged. "I don't know. I did a bit of digging and it looks like the cartel itself might be in a bit of disarray. Power vacuum after the murder of one of their higher ups (go on Frida!), so a turf war seems unlikely. I think the safest way to do this is to treat Ximena like a lone wolf. The cartel's not even supposed to be operating in Brindleton Bay these days."

"Since George Brindleton pulled his guys from the ports, they could have moved back in."

Conrad's stomach flipped. "George Brindleton?"

"George Brindleton lost his boats, but he didn't lose his security business. Pulled his men just before he left for Sulani. Said he was cutting costs at the port during the dead season, but I think he's just trying to remind us how important he is after his son went to prison. We upped patrol to try to deal with the lack of security down there, but his guys don't abide by any constitutional rights...I don't admit this outside these walls, but Brindleton's ports have always run better under private security."

"Was this before or after the restraining order I took out on him for Heather and the kids?"

The captain excused Conrad to think, soon calling him back with Zion and another officer who typically dealt with the press. "This is the plan. Our suspect is Ximena Bonilla, but we don't announce it. We look for her, or her brother, and no one else. We say the investigation is ongoing until we've found one or both of them. And Spangler, you're taking point on this one."

"Why me? Gordon's the sergeant."

"Gordon's too close to this one. I want him focused on looking for Rafa Bonilla, not Ximena, but he'll cooperate with you and help behind the scenes. She might try to reach out to him, and if she does, you'll be the first to know. And if you're not, he's a suspect, too." They nodded with understanding. "And Gordon? No more bullshit under the table or I'll put you on leave and find a way not to pay you."

Having worked through the night, Conrad relinquished his files to his mentee, but he left the precinct with a sense of unease. He still had a job, and he could still search for Rafa without needing to hide anything from his coworkers, but while Ximena was unaccounted for he would scarcely be able to relax.

After a nap in the break room, Conrad prepared to drive to Henford-on-Bagley and face his fiancee. ->

<- Previous Chapter | Gen 2 Start | Gen 1 Summary | Gen 1 Start

NOTE: I reinstalled TOOL to place the body. The blood isn't placed underneath the victim properly, but I was working at the edge of what was visible in a fully zoomed out screen, and for my second ever placement of a build/buy item and first ever placement of the teleporter off a lot in-game, I'm happy enough with the fact it looks like he bled out from the knees. 🤷 Maybe he did, I don't know, I didn't get detailed about the condition of the body because it doesn't advance the plot. Who and why is more important than how.

WCIF Poses & CC? @simmerianne93's Injured poses pack #1, which is a great set - so cinematic. One of the injured poses has the victim with eyes closed and looks a little like EA's curled-up death animation to me, and that's the one I used. And Blood on the Floor from the There Will Be Blood set by Lore from SimsRebelCreators. Several swatches (including red!) and different spatter patterns if you need some blood for your storytelling!

[srslylini]

I'm so sorry to tell you this OP, a micro expression that I need to pause the show for to see does not equal good writing. A show, and media in general, has to take our hand and guide us through it, I hate this stupid fucking sentence "you just want the show to take your hand" YES I DO, YES MEDIA NEEDS TO.

I don't want it to put everything infront of me and just carry me through it, I want it to fucking MAKE SENSE and GUIDE ME AS IT SHOULD. I do not want to sit here and decipher some weird fucking ass background to see "oh look the curtain split in the background indicates how this character is actually split in their decision🥺". That is NOT how this is meant to work. It is a nice addition but should not take away from actual character development.

Saying people rightfully calling this madness out "have an inability to read in between the lines" when what you are doing is adding your own context the show never gave or just straight up ignoring how "character" in media works

Them fucking in a cell was quite disturbing and disgusting. I'm a lesbian. I should be glad we got a lesbian scene. Yes, it has weird as fuck implications. Why are you talking as if your interpretation is the only one that can be right and now everyone needs to yield to it? Huh. Implications can and will happen unwillingly and willingly, by the way.

Caitlyn has war crimed her way through the Undercity, ruthlessly threw people into prison for no reason (they did actually show that, woah sick right), was ready to SHOOT someone with a child on their person that either would have hit the child or would have left the child with serious trauma, HIT VI INTO HER STOMACH AFTER SAID FACT, TOLD A PERSON WHILE SHE DIDNT YET WANT TO, SHE WOULD THROW HIM INTO THE DEEPEST DARKEST DUNGEONS, called people of the undercity animals, etc.

and you say 🥺actions mean more guys uwu🥺 shut up, genuinely.

Oh plus glorified suicide is never justifiable, wtaf. Do NOT dare to even say "but she lived". They SHOWED HER, a suicidal character, WILLINGLY JUMP WHILE PLAYING THE MUSIC SHE PREVIOUSLY TRIED TO KILL HERSELF WITH. They also made the other 2 characters that attempted sacrifice themselves. I watched this shit. I saw them imply a suicidal characters worth is to die as a sacrifice. This is not redemption. Redemption means a character getting better and hey, I think a character getting better kinda means they have to live, woah insane concept, right? I do not owe anyone any kind of private information about my person to talk about this, BY THE WAY.

They acted as if classism is a thing that simply disappears 🥺when faced with a bigger fiend guysssss die with us in our clothes, ignore how we treated you for years and years and how we killed and imprisoned you injustly and acted as if you were less🥺 yes, they fucked up Implications between Caitlyn and Vi never being addressed is insane. No "actions" (literally huh) do not mean more than words here.

edit: I'm gonna repeat, implication happens and will happen unwillingly and willingly and implications will also not be the same for everyone. If people tell you the implications of episode 7 with Vi's death was weird then that holds as much value as what you say it implies to you.

I knew we would eventually reach a point where masses of people would misinterpret Arcane, but I never imagined it would be this bad.

Yes, I absolutely agree that season 2 was rushed, especially Act 3, and it is undeniable that the series would have benefited from at least one more episode if not an entire act. However, the current discourse about the show is so superficial that it's impossible to have a conversation about anything deeper but a mere synopsis of the characters and story.

So many of you expected this series to hold your hand and dumb everything down so you can understand it. But when it wasn't the case, you all started rioting and calling the characters vague, the plot bad, and the ships underdeveloped.

The amount of people who value spoken text more than the actions of the characters is worrying. And more worrying than that is the amount of those who interpret the said actions so superficially. I can't believe it needs to be explained that it wasn't Vi's death that led to the "good" timeline, but the lack of hextech. The result would have been the same if either of them had died. It wasn't about Vi, but about the child that died because of dangerous technology and that therefore that technology must not be used. The mischaracterization of Vi in general is insane. Call me biased and unfair, but the moment I hear you don't like her I will assume you didn't understand the show.

Also, the whole discourse around Caitvi scene in episode 8 is giving brainsmooth. No, Vi didn't choose Cait over Jinx, quite the opposite. No, Cait didn't plan all of it to fuck Vi. No, Vi didn't do it because she felt forced or because she is a horny animal who doesn't care about her sister. No, them fucking in a cell is not about the class difference, but about the fact that Vi felt an insane rush of emotions after realizing that Cait would let go of her revenge and help Jinx escape, all for her. Yes, I do agree that it would be nice if we got a longer conversation between Vi and Caitlyn and it would feel great to hear Cait apologize, but I'll always value actions over words. Her talking to Jinx, recognizing that she is just as bad as her, and choosing to trust Vi that her sister can change, thus letting Jinx escape will always mean more than any verbal apology and I'll die on that hill.

Also, it was Jinx's decision to let go and walk away. It was not about Vi trying to get to Vander, but about Jinx being tired of everything. Even if that fight didn't happen, the result would be the same: Jinx would leave because she knows that Vi couldn't do that. She knew that the two of them couldn't have a normal life together and that Vi would never give up on her. Jinx didn't "die" because Vi pushed her or failed her, but because she loved her too much. Whether you believe that she is dead or that she escaped, it's her decision either way.

Again, I agree that too much happened too quickly, but stop confusing your stupidity and inability to read between the lines with the quality of the series.

Arcane is flawed but still brilliant.

[sk-touchthesun]

It has been a bit over a month since the first time I watched Dead Boy Detectives and I now have watched it from start to finish four times. Oops. I don't know how that happened—I certainly wasn't prepared for this level of love for a series.

Since I haven't really been in any fandoms or tumblr in, like... ten years or whatever, I wanted to write about why I fell in love with Dead Boy Detectives when I saw the series for the first time. I don't know if anyone's interested in reading a long-ish post, but in case you are, buckle up because this is going to be pure love and positivity from start to finish. It's mainly about Edwin and Charles, though.

I started watching the show without any background information and never having seen the Sandman either. I rotate streaming services and it was Netflix's turn. I read queer fiction quite a lot and watch queer movies and series as a hobby, and remembered someone mentioning Dead Boy Detectives.

The beginning on the series was intriguing enough already, but it was during this scene that I knew I was going to watch the entire thing:

This leads me to the reason I love the series so much: the carrying force of the story is the love Edwin and Charles have for each other, be it platonic or romantic. I'm a sucker for themes like found family and being loved as your authentic self because that's something I crave. I have always been more or less lonely because of social anxiety and struggling with social situations. Perhaps that's why stories containing those themes have such a profound effect on me each time.

Of course, the way the series combines elements of horror and comedy with heartwarming and wholesome sweetness is delightfully refreshing in itself. Dead Boy Detectives kept me glued to the screen so that I finished it in a day the first time I watched it. However, the characters are what makes the show so brilliant. I think the cast in general is phenomenal, but it's the love between Edwin and Charles that I felt most while watching.

This obviously is where I have to praise George Rexstrew and Jayden Revri for their acting. I think it's largely thanks to them that I love Edwin and Charles so much. Their characters' chemistry and the fond way Edwin and Charles interact with each other in the series is something I felt viscerally right from the beginning. It's obviously ingrained in the overall plot, but the love can also be felt in the smallest gestures. How many shows do you have where your favorite character dying is one of your favorite moments in the series because it's so sweet? (I'm sure you can deduce my favorite character from this...)

Personally, I also think that George Rexstrew and Jayden Revri's acting is particularly spellbinding during the moments their characters break down and show raw emotion. In an odd way the characters' suffering is what makes episodes like The Case of the Devlin House and The Case of the Very Long Stairway so brilliant. The characters' emotions during their most vulnerable moments are so tangible.

I know there has been talk about how season two would look like if the series was revived, and honestly, I think there's one crucial thing that should be kept as it is or the entire thing would be ruined: the carrying force of the show being that Edwin and Charles are willing to do anything to not to get separated.

I can't see any universe where someone becomes more important to the two main characters than what they're to each other. Charles says that Edwin is the only person he'd go to Hell for. We know how Edwin feels. The love is there already. If either of them had a long-lasting romance with someone else, the love interest would get two with the price of one. Equally important? Well—possibly. Love isn't finite. More important? Never.

I'd like to see Edwin and Charles get together, though. They're like an old married couple already and I can't imagine them being together with anyone else in the long run. At least the first season left things open enough for interpretation, with the cancellation and all.

Last but not least, it's a bit crazy that I only saw the show for the first time a bit over a month ago and was ready to splurge on a cameo. It was my birthday during the gameoden week and I got a birthday message! It was very sweet and has cheered me up ever since. I'm not sharing it here because I feel it's a bit personal with my birthday and all, but I loved it.

In case you ended up reading all this, thanks for reading my love letter for the show and the characters and the actors!

[zvtara-was-never-canon]

The only way i could see Canon Katara interested on Zuko is if he somehow did his Heel Turn long before the start of the show and has become a freedom fighter akin to Jet, but without the murder.

Obviously, this is impossible, there is no way that a young Zuko could become a better person without his exile, his enviroment is just not place that encourage

Sorry for the last question i send, i made a mistake and send it sooner than i wanted.

But anyway, what i tried to say that, even if that ridiculous scenario that i propossed where to happen, Zuko would be a very different characther from his Canon self. Plus even if he has become Katara's type, there is no way to know if Katara would be Zuko's type on that scenario lol

***

Once again, guys: pre-scar and exile Zuko was already dealing with a ton of bagagge, and post-redemption Zuko was already a "freedom fighter but without the murder." Katara saw him at this worst during all of book one, at his somewhat less of dick moments (Ba Sing Se), and at his best after his redemption - and she wasn't attracted to him at any of these points.

"I don't support war, genocide and/or murder" is the bare minimum for Katara to not want somebody dead. Compassion is an obligation, not something that immediately makes a guy be a potential boyfriend in her eyes.

We have the answer of what would take for her to be into Zuko, and that answer is not "He can't be a villain anymore" but rather "He can't be Zuko." He can't be a dork that says the wrong thing in a funny way, she'd get mad. He can't want to live in the Fire Nation, there's nothing there for her. He can't be as stubborn as she is, otherwise they're gonna fight (just look at how many times she fights with Toph). He can't take himself too seriously, she'll just mock him for it (ask Sokka).

She wants the guy that literally sweeps her off her feet to charm her, or the guy that notices she's feeling left out at a party, dances with her, and smoothly tells her to ignore everyone's eyes on them because "it's just you and me." She would NOT react well to a guy that screams "SHE'S NOT MY GIRLFRIEND!" in the middle of their date (just see how well it worked for Aang when he went "I mean, if it was between kissing you and dying")

And we do know what Zuko's type is: Mai. Gloomy yet sweet, bitchy yet unbothered, out-spoken yet doesn't feel she owes anybody any explanations ever, can handle herself but likes being pampered, apathetic yet caring, has nothing prove yet can be quite arrogant, stubborn yet understanding, aloof to the world in general yet obviously crazy about him in particular.

Zuko might catch brief feelings for someone like Jin (nice, sweet and cheery), but long-term he needs someone as messy as himself so he can relate, but with the kind of mess that balances him out instead of encouraging his worst traits - the yin to his yang. He was not kidding when he said "You're so beautiful when you hate the world"

Katara loves life in general too much for her and Zuko to relate to each other in that regard. She doesn't even know what the word "apathy" means. She doesn't have an "unbothered" bone in her body. Girl went through a ton of trauma and still wasn't anywhere near gloomy, quite the contrary. And she has a bad temper, just like Zuko, which they both know is a bad combo, hence them surrounding themselves with more chill people (Aang, Iroh, Hakoda, Mai, etc).

They're not each other's type AT ALL, hence there being no spark when they become friends. Hence them being not just embarassed, but weirded our and uncomfortable when people mistake them for a couple.

There's a reason zutara fics re-write their personalities completely: there's no other way to force them together because they're fundamentally incompatible. The real Zuko would NEVER be attracted to the real Katara, and vice versa.

[oodlyenough]

continuing my arcane s2 ted talks i guess, i've been trying to decipher how i feel about the medardas' plotline in s2 and i never really land anywhere but a sort of disgruntled marge simpson groan.

i think anyone who paid any attention at the end of s1 or spent even ten seconds theorizing probably knew mel was a mage and her shield magic would protect some or all of the council. i was surprised this reveal didn't happen right away, and i liked that initially we see an overhead shot showing her totally-undamaged bubble around her seat. i could roll with jayce wondering why he survived and mel sort of shrugging it off. the black rose stuff in act 1 i also found intriuging and the action scene with amara was cool. i was excited that kino would be more relevant

but then act 2 ... it felt like we put mel in the torture labyrinth only to draw two conclusions, the first being that she's a mage (no duh; we could've revealed it in the first episode) and the second being that she's a bastard child from a secret love affair her mom had. and then we uh. didn't really explore that second part at all. we learn, sort of, that her mom has some beef with the black rose; if you don't play League you have no idea who or what they are; they claim Ambessa let Kino die and only wants Mel as a weapon; when confronted Ambessa only half-answers and seems to disdain mages; Ambessa ends up fighting Mel, gets killed by Mel's double bluff, and then Mel takes over the Medarda clan for... some reason (does she want to? does she HAVE to?)

mostly it ends up feeling like a backdoor pilot for a future noxus spinoff. and a future noxus spinoff starring mel isn't a bad idea; it's just that it feels like a lot of screentime in an already-frantic final season for arcane was then spent on a plotline that doesn't really resolve.

also in season one i thought mel and ambessa's relationship was very interesting and i looked forward to more of it. i thought the idea of ambessa sending mel away because mel's big puppy eyes made her feel guilty for doing what she felt she had to do, and mel feeling that as a rejection/banishment/lack of love fit nicely into the general themes of s1. i... just don't really know how the secret mel magic that ambessa hates and/or covets (unclear) adds to that rather than weakening it. their two conflicting worldviews alone set them up nicely to butt heads in season 2, especially with caitlyn potentially stuck in the middle, torn between both of their guidances and philosophies. instead it's like mel mostly inhabited a different show for most of her screentime.

i'm also not super convinced ambessa was written with the same level of sympathy characters like silco got in season 1. it certainly seems to me she gets less of that from fandom, anyway, who treat her like a uniquely evil character even for a major antagonist. it's hard for us to understand her motives when we don't really know what they ARE, the origin of her black rose feud, who tf the rose are to begin with, the true circumstances around kino's death and mel's banishment, etc... if this is all the unofficial pilot for a Noxus spinoff it might as well have just waited until then and let us use this screentime to expand on the other things in s2 that needed to be expanded/wrapped up in their final season.