#for more than one reason that has less to do with me and more with some things I

[nereidprinc3ss]

promiscuous

in which spencer reid doesn't like that flirty!reader is going on a date. he makes that known. (bandages universe)

flangst, 18+ for discussions of sex warnings/tags: gn!reader I think, mentions of going to a bar/going for drinks, very suppressed mutual pining, jealousy from Spencer, reader implied to engage in casual sex, reader calls themself a slut somewhat disparagingly but like as a joke, it all gets resolved, he is very sweet, he rambles when he's nervous a/n: oh God I love them so much they are like so in love and they literally have no idea at all because they're so dumb... but WE can tell.. turning point for them

“Penelope wanted me to confirm that you guys are coming to drinks with us tonight?”

It’s something of a standing tradition for the BAU on the last Friday of every month, and usually you’d agree, but tonight, you have other plans. 

“Raincheck for me,” you say, sliding some files into your bag which you do not plan on reviewing. “I have a thing.”

“What thing do you have on a Friday night?” Morgan asks skeptically. You don’t bother looking at him as you hide a smile. 

“A date, Morgan. You jealous?”

“You’re going on a date?”

You’d nearly forgotten Spencer was in the room until he spoke—he’s been in one of those quiet moods of his where he sort of floats around everyone else and makes himself insubstantial. As you cast him a sidelong glance, trying to figure out his tone of voice, you see he’s frowning. Nearly grimacing. His brows are drawn so tight you’re worried he’ll give himself a headache. 

“Uh, yeah. I am.” Suddenly, your parade feels a little rained on. 

“With who?”

You pause, looking back down at your desk with a new frown of your own and shaking your head as if you could clear it that way. “Just… some guy from OT.”

“Dalton?”

Ding ding ding. Somehow he got it right on the first guess, and for some reason, you wish he hadn’t. You don’t want Spencer knowing who you’re going on a date with. It feels wrong. 

“Does it matter?” You evade, shoving your things with a little more force into your bag. 

“Well Dalton is an idiot, so I guess I’m just trying to figure out why you’d go out with him.”

“And if it’s not Dalton?”

“Then I’d tell you all the guys in OT are idiots and you shouldn’t waste your time on any of them.”

“Alright—” Morgan passes between your desks, placing a friendly hand on your back as he does. “I’m gonna let you two hash this out by yourselves.” He gives you a look, eyebrows raised, unsmiling, that means, go easy on the kid. It makes you feel terribly guilty. And more than a little defensive. 

“Night,” you call halfheartedly. He only waves as the glass doors swing shut behind him, leaving you and boy genius alone in the bull pen.

Silence falls, cloistering you as you finish packing up together. It seems to magnify the buzz of the overheads. You notice him intentionally lingering, and you sling your bag over your shoulder with a sigh. 

“Okay,” you say, turning to face him with your whole body. He seems uncomfortable with that, but you’re not letting this go. “What is this? Why are you mad at me?”

“I’m not mad at you,” he mumbles, refusing to meet your eyes. “I just think—”

“Yeah. You’ve made your thoughts abundantly clear. I don’t know why you’re judging me for going on a date.”

“I’m not judging you! I just think you deserve better than a guy who looks like he… snorts protein powder for every meal and has less capacity for intelligent conversation than a mealworm.”

“Okay. Do you have someone in mind?”

The words come out a little sharper than you’d meant for them to. A little louder. Spencer looks like a scolded puppy as he swallows. 

“Not specifically. Just—someone more like you.”

He just doesn’t get it. You fold your jacket over your arm. 

“Yeah, well, until someone more like me comes along and asks me out, Dalton is the best I’ve got. I know he’s not my soulmate, Reid. But he asked me to drinks, and I said yes.”

The room is mostly dark. Only a few fluorescents remain on to cast Spencer in an almost clinical glow against a dark grey background. You’ve been here before. It feels like an interrogation. An environment where you’re practically begging for the truth without saying please, but there’s only room for measured dishonesty. 

Spencer speaks under his breath, fiddling with the strap of his own bag. “He’s not good enough for you.”

“What do you want me to do?” It’s an exasperated, confrontational sigh. Your arms raise and fall heavily back to your sides. Another long grey hallway of silence that leads nowhere. When it becomes clear he doesn’t have the answer, or he’s not comfortable sharing, you straighten. “I’ll see you Monday, Reid.”

Your spirits are completely dampened as you trudge to the elevators. What once seemed like an exciting opportunity now only serves as a depressing reminder that you’re wasting your time with a man who isn’t what you want. Maybe you should just call the whole thing off. 

“Wait,” Spencer calls, half-jogging to catch the open elevator. His bag bobs with every step, pens and things jingling around inside. It’s endearing, even though you’re upset with him. Your arms remain stubbornly crossed, but he makes it anyway. “I’m sorry. I didn’t mean to ruin your mood.”

You laugh dryly. “Yeah, well…”

“It’s just that…” he sniffs and looks down, hair falling in front of his face. He really is sweet, even when he’s kind of a dick. He’s full of so much sincerity he doesn’t know what to do with it all. “I know how you are—you’re special, and funny, and intelligent, and, and Dalton—all those qualities are wasted on him. He looks at you and he just sees a pretty face. It may sound trite, but… he doesn’t deserve you.”

You sigh again, heart squeezing. The glowing light on the panel of floor numbers flickers. “I know your heart is in the right place, alright? But it’s not about who deserves me or who doesn’t. I’m not a prize. I’m a person, and people like to feel wanted. Sometimes, it’s just—it’s about who’s there, and who likes me enough to say it to my face. Sometimes that’s all I need, and I know you didn’t mean it like this, but when you say he doesn’t deserve me, it really seems like you’re not considering what I might want at all. Maybe Dalton is what I want.”

God—this elevator ride is like, comedically long. 

“Is he what you want?”

At least he has the bravery to ask. 

You glance over at Spencer, washed out bloodless and looking like he’s prepared to flinch, like he doesn’t know if he’s ready for the answer. The doors ding and slide open, and stale air whooshes from the chrome compartment into the lobby like a held breath finally exhaled. You swallow. 

“I don’t know why it matters to you.”

“Because you’re my friend and I want to see you happy,” he insists, trailing after you as you speed walk through the lobby. Every click of your heeled boots echos. 

“Then shouldn’t you be supporting me?”

“I’m not going to support you in making the wrong choice.”

The conversation spills out into the bitter-cold parking lot. You turn around to face him. 

“Respectfully, you have no idea what’s right or wrong for me. I don’t like whatever this is,” you say, gesturing with a finger between the two of you, as if the conflict were a tangible thing—a phone line hanging between your hearts. “I don’t know if it’s, like, jealousy, or some misplaced feeling of possessiveness, or protectiveness, or—”

“It’s not like that!” He splutters. 

“Okay—so what is it like? If you want to see me happy, why don’t you support me in pursuing the things that make me happy? And if that’s meaningless sex with some guy from operational tech, so be it! You are not in a position to give your two cents on who I sleep with!”

“I wasn’t trying to—I wasn’t even thinking about—about sex! I don’t care who you sleep with!”

He’s turning increasingly pink. 

“Fine. But if you weren’t thinking about sex, if you thought I was under any illusion that Dalton was going to be my fucking Prince Charming then clearly you’re not equipped to have this conversation. I know he’s an idiot. I’m not looking for my soulmate—thank you, though, for reminding me that it’s completely fucking pointless to even pretend. I love you, Spencer, but grow up. And stay out of my business.”

And with that, you’re turning on your heel and marching toward your car. Spencer calls your name—once. Twice. The wind lashes against your bare arms and stings your eyes as you fumble with your keys. 

It’s just the wind. 

Nothing else. 

-

Maybe you’re simply not meant for love. 

It’s a narcissistic thought in the sense that everyone has it at some point in their lives—everyone falls victim to the delusion that they are so uniquely wretched, so singularly incapable of being understood by another person. It’s the universal illusion of solitude. And you’d thought yourself above it for a long time. In college, there was fling after fling. Your bed was never empty if you didn’t want it to be. In your young adult life, you have other priorities—but you rarely have to be alone. 

Now, though, as you sit on a rickety metal stool deep in the bowels of the Bureau’s records room, banished to sort through files in search of one that had been mishandled during a cold case and is now supposedly relevant again, (although you’re not sure it actually exists) you’re pondering the nature of those connections you’d been so sure your life was full of. Were they all artificial? Designed by you subconsciously to manufacture a sense of complacent satisfaction? To stave off the aching, gnawing loneliness in your gut that you’re only now becoming aware of and has been eating you away in bigger and bigger bites since Friday night?

Morgan was supposed to be just as arm-deep into a box of dusty manila folders as you are now, but he talked his way out of it, and you’re sitting in an awkward twenty-minute-long-so-far silence with Spencer. Which isn’t helping anything. 

The tension comes and goes like the moon pulling the tides. It’s like you can sense it wafting off of each other—you feel it in the prickle on the back of your neck and the buzz in your stomach when he’s about to say something, and you glance over, and he’s already looking at you with his lips parted, and then he doesn’t say anything after all, and the silence reinforces itself. 

It gets frustrating. 

Not to mention this task is equal parts mind numbing and infuriating. Maybe Hotch just hates you. 

Eventually Spencer clears his throat, and you welcome the distraction. 

“What year are you on?”

You give him a long look which he doesn’t reciprocate, because you want to say, really? But eventually you pick up the edge of the box you’re sifting through and double check. 

“Uh… June 1979 through August 1979.”

He nods matter-of-facts. “They should be making us wear gloves.”

Your incoming tangent spidey senses are tingling. It’s not exactly an opportune time, but it’s better than silence. 

Plus—you’re pretty sure this is his idea of a peace offering. 

“Why’s that?” You mutter, flicking through yellowed papers. 

“Wood pulp paper contains an alum-rosin mixture to minimize ink bleeding, but in the presence of moisture such as that introduced in trace amounts by our fingertips it generates a diluted sulfuric acid solution. They didn’t start adding alkaline buffers into paper until 1986, and the cellulose chains that comprise the structure of the paper inevitably shorten and break down over time, so we’re actively degrading these documents by touching them without gloves.”

“Did you say sulfuric acid?”

“I said a diluted sulfuric acid solution,” he clarifies, utterly missing the point of your question as he so often does in that disarmingly endearing way of his. “Sorry, by the way.”

You look up from a photo of bloodied bell-bottom jeans. He’s caught you by surprise. 

“For what?”

“For—”

He struggles with the words—you watch his lips form a few silent ones before he gives up on the nonchalant act and sets his file on his lap. He can’t seem to tear his eyes from it, but you don’t mind. 

“For everything on Friday. I… I know it was none of my business. I sometimes struggle with… keeping my thoughts to myself. Especially when it concerns someone I care about. But I wasn’t judging you, I swear. What you said about—about sex, I—” he sighs, obviously frustrated with himself, and pushes a bit of hair out of his eyes. “That’s not where my mind was at, at all. Whatever you… do, or don’t do, is none of my business. Obviously. You don’t need me to tell you that. You don’t need me to tell you anything. I just really wanted to clarify that I wasn’t shaming you or judging you for—”

“Spencer,” you say gently, cutting him off and reeling him in before he can dig any deeper. 

“Yeah. Sorry.”

He glows under the canned lighting, a soft aura of white blurring the edges of him. The stale room buzzes. It’s otherwise quiet down here. Peaceful, almost. 

From anyone else, you might consider it overstepping. 

You wouldn’t have been willing to forgive them in the first place. 

But it’s not anyone else. 

“Thank you, for apologizing. I really appreciate it.”

He glances up at you, sort of hunched—always trying to make himself smaller than whatever force created him had intended. The deep brown of his eyes is melted and swirling and sweet and nervous. He’s not naturally good at these interpersonal things, but he’s always trying. He’s always pushing himself for you.

Do you ask too much? 

Do you offer enough in return?

Struck by sudden insecurity, you look away. Go back to your files. 

Perhaps you made a mountain out of a molehill and told him to climb it. 

“I mean, I am kind of a slut. I wouldn’t blame you for thinking so,” you laugh airily. “Maybe it was a good reality check.”

A trailing silence. An air conditioner kicks on. 

“What? That’s not—that’s not at all what I was trying to say.”

“Spencer, it’s fine.”

His stool squeaks as he sits up straighter. 

“No, I really want you to understand. Even if I cared or thought about how many people you might sleep with—which I don’t—and even if I determined that you were… sexually promiscuous, I wouldn’t assign a moral value to that judgement. Sexual promiscuity is observed all the time in the animal kingdom, it’s biologically sound and justified and in less misogynistic cultures where bonds forged between humans weren’t socioeconomic arrangements dependent on women being viewed as commodities first and foremost, it’s completely unremarkable. But I haven’t made that determination. All I know is that… you’re you. And that’s all that’s ever going to matter to me.”

Silence falls. Your voice gets stuck in your throat. 

How does he so casually show you more kindness than anyone else has ever managed to show you in your life?

Spencer takes pity on you. 

“And… we’ve talked entirely too much about something that’s none of my business today.”

It’s wry and earns a chuckle from you. Even Spencer manages a chagrined smile. That same strand of hair falls loose as he looks down. Light bounces from his self-effacing smirk. 

You fiddle absentmindedly with the fraying corner of a folder, and you’re about to open your mouth, about to speak into the sparkling cloud that the easy laughter and the melted tension has left in its wake, and tell him how much you appreciate him and how kind he truly is and undoubtedly whatever you say will be made more beautiful because of it—because of the affection you have for each other—and then you stop, eyes catching on the case file between your fingers. You frown. 

“Wait—what’s the case number we’re looking for?”

“91 18 00063 7.”

You hold the file up, eyes alight. 

“I found it.”

Spencer frowns and takes it without asking. You watch as he reviews the number in tiny black typeface along the top of the document. His brow scrunches in disbelief. 

“I genuinely didn’t think we were ever going to find it,” he murmurs after leading through the photos and glances back up at you. “We had thirty years of boxes to look through and you found it in under an hour. You’re like magic.”

It’s impossible not to smile. You feel all warm and sparkly as you snatch it back from him and stand, straightening your jacket. 

“Will you tell that to Hotch?”

“I… will tell anyone who will listen,” he assures you, and you’re confident he’s following as you make your way through the maze of stacks. “Are we not gonna clean up our mess?”

“There are people who will take care of that later.”

“Yeah. Like me. During my lunch break.”

“Don’t worry. You’re going to be well rewarded for your efforts today.”

“What does that mean?” He mumbles, and you can practically hear his blush. 

You smile to yourself. 

Still got it. 

for more of these two, check out the bandages universe masterlist!

[wifes-xxx]

There have been moments, especially when we open our hearts to a husband , where you have felt a distance between you. I know It's as if the door to your heart opens just halfway, holding back parts of you out of fear, caution, or maybe something you now can't quite understand. It struck you deeply like a slap, and you couldn't help but fee this realisation, it sounds like you are being self centred "I can't believe you would be someone so selfish. That you cant give yourself over completely to your relationship. What a dried up and broken woman you have become"

The beauty of exploring love languages and embracing our vulnerabilities lies in their reflection of real-life relationships. These concepts encourage us to examine our own connections, fostering a deeper understanding and appreciation for the complexities of love. It's an invitation to reflect on how we communicate affection and how we can better align with our loved ones, paving the way for more fulfilling relationships

Have you noticed sometimes when you do want it from a your guy , it almost feels like you’re invisible to him?

Are you nodding along?

Has this happened to you?

You already know you’re smitten. With your husband, only…you’re not bold and slutty, so you don’t feel comfortable just walking over and dropping to your knees and unzipping his pants and pulling it out, or telling him that you’re horny and need fucking… now!

So what can you do because you know it’s insulting to him for you to be a boring prude?

It’s fairly easy to get attention, but that doesn’t in any way guarantee that he will want to fuck you. Just something to be aware of. Once you have his attention, you’ll want to really notice what his reaction to you is. Does he smile while listening to every word, or is he busier checking his phone than talking to you? The sharper your observation skills, the less time you waste on knowing how to please him.

Grow up…you’re acting like you’re in middle school. You’re not. There are better, high-value ways to get his attention. Be his wife, his woman and his lover. Show him what you have and let him enjoy you.

Never be boring or distant.

Instead make yourself interesting and be interested in him and his desires. Learn what makes him hard.

Think of each moment like the dating game, you may be insecure about flirting or expressing your interest. It will take practice, but you’ve got this! Show some sexual aggression and really let him know what you have in mind. Use your brain. Or play open docile and ditzy. If it makes him hard and your feeling horny and wet, know in your heart its working for you. Remember that.

Be his good girl a figure out what turns him on and makes him hard, and interested. Usually, within a few minutes of conversation and , you can deduce this. Obviously, look for a bulge, but also keep an eye out for signs of breast gaze and lip gazing what part of your body is he focused upon! Display yourself with abandon like the women these men look at on Tumblr. They are interested atvtmhem for a reason. Forgot you self and think about why men masturbate to these kind of women pictures.

Let it change you prudish self.

Keep the conversation going once you have his attention, and make it clear that you’re not just being normal friendly (you’re being flirty friendly!). Use your language in and out of the bedroom to keep him engaged.

“You make me so wet”

“Never Stop”

“That feels amazing”

“Does that feel good?”

“I can feel your dick throbbing”

“I want you here right now”

“I want You so bad”

“I was thinking about you today”

“ oh fuck me, Just Like That”

“You make me want to scream”

“Fill me up”

” I'm curious honey what porn makes you. Hard“

“Fuck me like you mean it”

“Harder”

“I feel tiny in your arms”

“I love you”

“I love your dick”

“I want your cum”

“Kiss Me”

“Make me cum baby”

“Seeing you right after a workout”

“Taste Me”

“Your cock is stretching me out”

“I'm not wearing my panties today“

Feel free to share you favourites with me.

Oh God, this felt amazingly good to write. I am sooo ready for him.

S_XXX

[loudclan-clangen]

So, here is the pitch:

AU where Siltsplash finds out they are pregnant around the same moon that Eklutna gives birth to the boys. (Rather than an AU where Owl doesn’t cheat because then we wouldn’t have Song, Dance, or Dash and that won’t do)

It makes the betrayal even worse because it’s even more pointless since they were going to give Owl an heir.

Anyway, meet Spindlekit

She will eventually go blind I imagine, but if Owlstar suggest she retire she tells him that he should retire for being old lmao.

Warrior name is open to suggestion

I love her and I’m so mad that she doesn’t exist now.

The fact that Song doesn’t have a little sister is a CRIME. This is what he was born to do.

Not only am I okay with it, I would love to see it!

You are so right, here's a flashback that was cut for time from Moon 28:

Erminepaw has had a crush on Songpaw since they were in the nursery together, he just never called attention to it. He honestly probably doesn't even register that it is a crush, he's doing that thing that kids do where they're like this is my best friend, of course I want to marry him that's how everyone feels about their best friend. Nothing out of the ordinary here! Just my best friend that I must be holding hands with at all times for best friend reasons!

Yes! This is Fox----, he has been causing problems since the literal day he was born. You've met both of his parents, but I would be a little bit surprised if you guessed them correctly. Parental drama is kinda part of his whole deal. He's one of the first 3rd generation cats born in Loudclan.

I have SO much advice, about the images, the recommended size is 1280 x 1920 pixels, that's always a little too short for my panels, so I try to aim for 1280 x 2000 - 3000. It still deteriorates them a little bit, but people can always click on them for better quality. Bigger text and variation in values also help for readability regardless of size. (value meaning how light or dark a color is. if you want something to stand out it's more important to change the value than it is to change the hue generally speaking.) As for grabbing attention, I would recommend making sure that the image you're trying to show is visible above the cut off for longer posts, posts with only text visible are a lot less likely to get interaction. That being said, the most important thing for the longevity of your blog is making sure that it's something you are doing for yourself. There's nothing wrong with liking when your posts get attention, but it's not likely to happen for a long while (I think moon 5 was the first time I got double digit likes which was three months after I started.) I appreciate all of the love that Loudclan gets now, but if I had started with that as the goal I never would have been able to reach the point of it happening. (I actually started posting Loudclan with the intention of proving to myself once and for all that posting art was not a viable endeavor for me, so... I'll consider that a successful failure!)

You CANNOT DO THIS to me anon- "the canadian city"- YOU MEAN JUNEAU? YOU MEAN THE CAPITAL OF ALASKA JUNEAU?!?! JUNEAU?!?! CANADIAN?!?! When I catch you anon- anon when I catch you-

Come here, anon. I just want to talk. I just want to have a word with you.

[phantom-chirp]

Something I think about a lot with Maruki's perfect reality thing in terms of Akechi is how like, defanged he is for lack of a better term. I know Maruki's actual reasoning for things like that is just that his perfect reality removes a lot of the trauma from people, so they would inherently act differently, but to me it ends up just pushing the idea of "you can't be happy the way that you are"

It's reflected in a lot of the characters honestly, since a lot of their trauma didn't happen or is covered up by the reality none of them are themselves. Aspects of their personality caused by the hardships they faced no longer exist

Sumire is also a big example of this. I could talk a lot about Sumire but in relation to this topic, again her perfect reality being one where she is not herself (literally) and doesn't have any of the past trauma or experiences that made her who Sumire is just pushes that idea even more, not even getting into how it also reinforces her own negative ideas about herself by Maruki doing that

In the perfect reality, Akechi and Sumire are both different people than who they actually are, so it's really not a reality in which they are happy, is it? "You're too broken of a person to ever be happy while being who you are" is the message that gets sent across to me, whether or not Maruki intended that

Sumire is Kasumi now, a happy and determined person who isn't bitter and angry and overwhelmed with grief about the death of her sister, a person who doesn't hate herself and a person who doesn't have those experiences. Someone who now never has the chance to explore who she really is and grow and face her struggles head on, someone who will never get to learn that she is worth more than she grew up believing, replaced by the sister who she always felt was better then her

Akechi is now a cheerful and kind person, a reflection of his Detective Prince act, who is no longer resentful and lonely, no longer traumatized from all the actions he had to take throughout his life and someone who could've found happiness if he just had more time. Someone who had people who accepted the parts of him that would make most view him as unworthy of affection, the less palatable person who longed for someone to want him, as he is, replaced by a version of him that's seen as easier to love

[tesseractingrey]

After seeing TIT in Philly, I’ve been pondering on the power of “light entertainment,” as Phil defines it, and why we all watch Dan and Phil. It’s one of the main messages of the show, and so maybe this is all obvious to everyone else, but I would like to yap more on the subject and so I will.

They explore in the show if they should be doing what other content creators do and come to the conclusion that no, that doesn’t work for them. And through their solo monologues they reveal that they aren’t really looking to grow significantly and have mainstream appeal, they really just are happy with us and where they’re at. Their content sometimes is quite funny and as much as we enjoy seeing the parts of the relationship that they want to show us, it’s so much less about whether the truth of their relationship is what we Want it to be or not and more about the fact that they feel comfortable sharing any amount of truth with us. We enjoy their relationship not because we want them to be any sort of way, but because they are happy and that happiness fills their videos these days. Their content is safe and happy, it’s that “warm feeling inside,” and the community they’ve cultivated is the same.

Something we teachers talk about sometimes is who has That Thing. There’s some indefinable Thing that some teachers have and some don’t. When you have it, kids just naturally listen better and trust you quicker and form stronger relationships with you. It sounds crazy spelled out like that, but I know some very experienced and smart teachers who don't have That Thing, and see how kids behave with them versus with a teacher who does, and the difference is palpable, if logically inexplicable.

Whatever That Thing is, Dan and Phil have it for content creation. There's something magnetic about them that draws us in and makes us feel warm and safe and we've built an amazing community together around that. I think That Thing is part of why they are where they are where they are, even though their content is mainly just gay banter with some light gaming mixed in these days. It’s not a perverse and invasive fascination with their personal lives that draws us to them, it’s just them, as they truly are, that makes their content special. As much as we do enjoy seeing their relationship, it’s more in a “providing enrichment in our enclosure” way than a “this is what drew me in and the only reason I’m here” type thing, especially these days. I love their love, but I love their happiness even more.

I’m glad that they are so happy and comfortable now with their lives and continuing to make content, because I look forward to continuing to watch it, in whatever form it may take. I don’t know how I ever lived without this warm feeling inside, and I hope to keep enjoying it for a while. It’s light entertainment and there IS value in that, not everything has to be insanely deep or emotionally devastating to be worthy of our love, but it’s not JUST light entertainment, it matters that They are the ones doing the entertaining. Maybe it’s just parasociality, but I do think we’ve got something special here, and I think they’re something special.

[vigilskeep]

there are so many things in veilguard that have made me go "wait what??? okay i guess i have to totally rethink the character i'm roleplaying now" that it's literally impossible to guess what thing you're referring to as The Thing That Happened. obviously extremely curious to hear what it is once you've detangled it

it’s kind of like that but it’s also less that and more... okay i should probably just say it, i’m being weird and unhelpful and i need to write it out anyway so i can think

MASSIVE SPOILERS UNDER THE CUT for a companion quest, do NOT say i didn’t warn you. also please don’t respond to this if you know more than me i am in distress but i still don’t want spoilers

so i just finished lucanis’ “a murder of crows” quest. and lucanis. first talon. for some reason. (this is the writing choice i’m ??? on. also i’m ??? on lucanis’ whole storyline, frankly. the writing was. well. like i said, we’re not unpicking that right now, i don’t want to get into it at this point, not the conversation i’m having.)

lifelong trauma of being in the crows and fighting to get someone in a talon’s position and keep them there -> the thing that gave sol all their diseases and made them, to be frank, fairly suicidal

viago: ultimately can handle it without them, especially with teia’s backing.

lucanis: CANNOT handle it without them. holy fuck. for like twelve hundred different reasons, unthinkable, completely laughable, that he can handle this. who is going to protect him. the only reason this could be better at keeping sol mentally stable than watching viago’s back is that they will never feel purposeless or need to go looking for an adrenaline rush, because forget crows, an ambitious blackbird could eat that man alive. he can’t scheme. he can’t even SCHEME and the very fact that he trusts sol DE RIVA demonstrates this. sol is a crow! from another house! does he have no memory at all of the fact that his own parents died in crow infighting? sol could have been playing him this whole time, it wouldn’t have even been hard, and if they were that kind of person, then right now the first talon’s house would have just fallen directly in their hands like a gift from the maker, and they can’t even say a part of themself they can’t shut off isn’t thinking about it that way! how is sol supposed to keep someone like that alive?

you see what it’s like trying to sleep while sol is having this discussion in my mind.

ahem. anyway. pathways for sol’s life assuming they indeed make it through the game:

becoming lucanis’ guard dog the way they were for viago, which (even if they could mentally handle that, which they can’t. or can they??) means switching house loyalties which would surely destroy them eventually -> bad

somehow trying to persuade lucanis to give this up, as if that wouldn’t be throwing house dellamorte completely to the dogs, which at least sol can’t imagine any crow is capable of, let alone someone so dedicated to clinging to what remains of his family that he couldn’t even kill a traitor -> bad

going ahead and leaving the crows, but sol now has to leave BOTH viago and lucanis behind and also lucanis is going to die in there because they left him to do this alone -> bad

solution: sol is back on their original “if a blighted dragon eats me by the end of this, i don’t have to experience consequences” train

and maybe they’re right and i should not worry about this because i’m painfully aware it’s VERY bold to start deciding what happens after the game at this point, when they might still get trapped in the fade or turned into paste or something. and admittedly they did know and dread the possibilities from the first moment they felt something for lucanis, which was why they so wanted it to be anyone else, because anyone else in that lighthouse could have given them a different world, and he is the one who regardless of his best or worst intentions can only tie them tighter to a burning building. and SURE, i see the solas/mythal breakup parallels of sol still leaving, i’m looking at them, that doesn’t mean i have to LIKE them

he hasn’t even kissed them. they’re doing all of this unkissed. lucanis dellamorte when i get you

again please absolutely do not respond to any of this with even the vaguest of hints if you know more about the rest of the game than me 🙏 it’s probably best if no-one responds to this at all lmao i am just thinking out loud. you can reply with a “that’s rough buddy”. for sol

[violenteconomics]

remember this post i made about ace and epel (and eventually the other freshmen) pranking their upperclassmen?

yeah, so, here’s an idea for a significantly less funny prequel:

the first-years actually met their housewardens as kids, where they got very attached to one another, but absolutely none of them remember this. 

i’ve got a drabble written for riddle, ace, and deuce, but for the others, i’m completely lost, lol.

^

(warning: mentions of child abuse)

^

4-year-old ace trappola, a pint-sized brat who loses a ball in dr rosehearts’s backyard. since dr rosehearts has an extremely sour reputation around town for being impossible to be polite with, ace decides it’s not worth the patience it’ll take to knock on her door. so instead, he climbs her fence to retrieve it.

that’s when he notices the boy sitting by the windowsill, with a thousand books stacked all around him, looking very intrigued at the book in his hands. ace has never seen someone so engrossed with a book that doesn’t even have a picture on the cover, and having absolutely no filter, even at that age, he simply walks up to him and asks what he’s doing.

at first, riddle tries to shoo him away, knowing how his mother will react when she finds out there’s a random kid stepping on her perfectly-cut grass. eventually, though, ace’s childish stubbornness wins out, and riddle tells him about the history book he’s reading.

[ace is alice and riddle is alice’s sister in this scenario in case you don’t get the reference, they make me insane, okay—]

everyday, ace comes back to the windowsill at the same time (at riddle’s request, because he only has so much independent study time) just to listen to him. everyday, he says that it’s stupid, boring, and he can’t believe riddle actually reads book without pictures. everyday, he comes back to sit under riddle’s windowsill and listen to him go on about food chemistry.

but then dr rosehearts finds out.

ace doesn’t really know what happens after she showed up to their doorstep, looking down on him like he was a bug underneath her heeled feet, but next thing he knows, his dad’s telling him and brother that they’re moving to a different town. he tells ace that their house just isn’t pretty enough, but ace is young— not stupid.

(in the future, whenever ace scores high on a test, and riddle will smile and tell him he’s proud of him. every single time, it leaves a bad taste in his mouth for reasons ace can’t explain.)

^

5-year-old deuce spade only knows ace as “the kid who moved out”, but through some wicked twist of fate, he’s the next person to lose something in dr roseheart’s backyard.

deuce’s mom actually used to work for dr rosehearts as her secretary, but deuce doesn’t really like her, because she used to make his mom work long hours with little pay in return. his mom lived in dr rosehearts’s medical practice more than she actually lived in the crappy apartment they could barely afford. he was so glad when she quit.

but unfortunately, dr rosehearts’s house is right next to the park, and losing balls in her garden is unfortunately very common for most kids in the neighborhood. and since deuce really doesn’t want to talk to her, he jumps over her fence instead.

this time, riddle’s the one who notices him.

riddle’s missing ace a lot (he never found out why he stopped coming around), so to fill the hole in his heart, he invited deuce over. sheepishly, deuce walks over and lets riddle tell him about the book on agricultural trade he’s been reading. deuce doesn’t quite get it as fast as ace did, but unlike ace, he’s patient and hard-working and oh-so earnest in his attempts to understand.

of course, dr rosehearts isn’t going to help this relationship in the slightest. a few weeks later, she waits for deuce right outside the fence, before dragging him off once he’s out of riddle’s view. she mocks his attempts at trying to learn something that’s clearly above his mental capacity, for trying to be someone above his station, for knowing the rules and being too stupid to stick to them.

(“What sort of pitiful education have you received, that you cannot follow such simple rules?”)

when she delivers deuce back to his house, his mother says nothing. when she tells him they’re moving to a bigger house on the complete other side of the queendom, deuce doesn’t argue.

(deuce couldn’t tell you why doing so bad in school frustrated him to the point of becoming a delinquent. he really couldn't.)

[sleepyparalysisdmon]

SVT helping a partner with trauma

Requested? Yes! (and they are still open!)

Genre: comfort

TW/CW: Implications of trauma

A/N: This will be less of a discussion about traumatic events themselves (if mentioned it’s brief only to give context), but rather the feelings and responses one might have afterwards. Trauma is varied and so is everyone's reactions to it, so I tried to include a variety of scenarios so there’s a little bit of something for everyone. 

A/N #2/Warning: Please use caution when reading if you might find the topic triggering. This is meant to be comforting, but if you find that it isn’t, come back later or skip altogether. 

Seungcheol

Money is an interesting topic between the two of you. At first, he thinks that you just like to keep a tight control over your finances, and he respects it immensely, applauding you for being money-smart. But he notices that you deny yourself a lot of things in an effort to penny pinch, and flat out refuse when he offers to ease your burden on little things like needing to replace something around your apartment or pay a bill that has an upcoming due date. In a vulnerable moment, you tell him the abbreviated version of the story - you depended on someone financially and then they left you with nothing, and you refuse to be stuck in that situation again. From then on he encourages your financial independence and for the most part respects your wishes for him to not spend a lot on you, even if it pains him sometimes. But you best believe the moment you accept it he’s already sliding you his card or heading to the store himself. Wants you to know that you can rely on him, but knows he has to earn that. 

Jeonghan 

You’re a flirt. It’s one of the things that he loves most about you. He's kissed you a few times since starting to date, but he notices how you pull back sooner rather than later, putting space between the two of you. You feel safer with words than you do with touch. He’s okay with that. If you ever try to explain yourself - doesn’t matter if it's a simple ‘I want to wait’, or a more detailed reason - he’ll shake his head. “You come to me if and when you're ready,” he’ll say simply without an ounce of teasing. I do believe that if and when you do approach him, he’ll want to have a not-so-sexy but still very needed conversation to make sure you’re both on the same page and he understands your boundaries. 

Joshua

On the very first date, you tell him you don't drink and don’t really like to be around alcohol. Noted, he thinks, and doesn't order another drink beyond the one he already has in front of him. He also doesn’t have a problem not keeping it at home. However, there’s a social element to drinking that is sometimes unavoidable. He sticks to non-alcoholic drinks with you when you have to go to these events and takes you home before anyone you’re with can be too far gone. You’ll tell him that he can have a drink if he wants and that he doesn't need your permission - but he's supposed to be the one that makes you feel safest, so he’ll shrug it off. He doesn’t miss it. 

Jun 

Absolutely respects your work ethic and even admires it. But sometimes he’s concerned by how you always go in early and stay late, take on way too many responsibilities, and never, ever take a sick day or vacation. When he asks you about it, you simply say that you can’t lose this job. He can sympathize because it would be devastating to not be able to do what he does for a living, but he recognizes that it’s not passion, but rather fear, that drives you to overwork yourself. Does little things like driving you to work so you show up on time rather than super early, or making plans right after work so you can’t stay late. He’ll also book a vacation to somewhere that you just can't refuse. Anything to encourage rest, really. 

Hoshi 

Bless his heart, but he's trying to be funny. He hears you come in and hides behind a door, jumping out at you when you enter the room. Does not expect for you to cry and panic, and cries and panics himself, profusely apologizing. Once you both are calm, he doesn't press for details, accepting your explanation that someone that used to be in your life used to do that sort of thing, but that it wasn't all fun and games. Will never, ever be doing that again, and if you're ever around his group members and they get a bright idea, expect that he'll put a stop to it before it even starts. 

Wonwoo

You’ve lost someone close to you. Whether it was a shock or not, whether you were there or not, doesn’t matter. He’s sympathetic to the trauma of losing someone and knows there isn’t a ton he can do to fix it. But he’ll do the little things. He’ll make sure you eat, even if it’s a little and even if he needs to feed you. He’ll make sure you shower, even if he has to get in and wash your hair for you. He’ll make sure you find a balance between sleep and activity, even if he has to gently drag you outside for some fresh air or carry you to bed himself. Also knows you can't really acknowledge any of it right now, but he’ll keep doing it anyway. 

Woozi

You guys don't fight, well, ever. You both are too laid back. But something big happens and you both have had bad days. Jihoon’s not proud when he loses his temper a bit, shouting. Immediately does not like how you fold into yourself and back away. You’ve confided in him before that your home life involved a lot of arguing growing up. He kind of feels like he’s looking at a kid version of you in the past and it makes him feel nauseous. He takes a deep breath, apologizes, and says that you both should cool down. Later that night, you two sit on the couch, talk it out, and promise to call a timeout next time one of you gets upset. Will absolutely never raise his voice at you again.

DK 

He checks your phone for something, not trying to be invasive, but because you had something he needed. He accidentally stumbles across quite a few reminders that you're way overdue for a check up at the doctor’s office. He apologizes that he was accidentally nosy, but asks if you’ve been able to schedule it yet. He can tell that you’re uncomfortable, bordering on scared at the mention of it. You’ve told him before that you were sick as a child and spent a not-so-insignificant time in the hospital and have since then hated clinical settings. So, so understanding, but also so, so insistent that you should take care of yourself. He’ll take off work in a heartbeat to go with you and hold your hand if it will help. 

Mingyu 

You both are working on a grocery list and you ask him to add another case of bottled water. He looks at you quizzically because you already have an untouched case in the closet and the fridge is stocked. You pause, frowning. “But what if we run out?” You’ll say in a small, worried voice. He knows you’ve lived through a natural disaster or two before you moved here. You don't talk about it much, but he’s seen clips on TV before about what that can be like. He nods. “You’re right. I’ll get another one.” He gets two. That closet will never be empty if it makes you feel better. 

Minghao

You’re getting repeated phone calls from a random number. When you tell him this, at first, he nods, kind of shrugging it off. Spam calls happen all the time. (God only knows I get like ten a day from telemarketers.) Still, he watches your anxiety spike every time it happens and gently presses for a bit of an explanation. You tell him shortly that you’ve gotten harassing phone calls in the past and have had to change numbers a time or two because of it. From that point forward, if he's with you and your phone rings from an unknown number, he's holding his hand out expectantly. Doesn't matter if it’s a telemarketer or not. Will always answer the phone for you or simply get you a new number until you’re comfortable. 

Seungkwan

Listen, I think he's ready to fight any day. He’s kind of surprised when you ask if he wants to meet your parents and especially surprised at how anxious you are about it. He sees why immediately because they aren’t nice people. Tolerates very few negative or demeaning comments directed at you and certainly won't tolerate any displays of violence, so I expect this to be a short visit ending with him deciding it’s time to go. Also won’t accept any apology from you for how they behaved and after some consideration will encourage you to limit contact. 

Vernon

When you tell him early on that you don’t drive, he just shrugs. He’ll take the bus or walk with you any day. But one night, you guys have gone out. When you walk out to go home, you realize it’s raining and that you’ve missed the last bus. Vernon shrugs, saying he’ll just call an uber or taxi. You panic and he’s kind of surprised. Still, he puts his phone back up and waits for the rain to stop with you before walking home. You tell him you got into a car accident years ago and your injuries were minor, but you still don't like driving or riding in cars. You say it’s one of the reasons you live where you do, so you can just walk everywhere. Will always stick by you no matter what mode of transportation you choose. 

Chan 

You express that you don't like your new job and he’s surprised, mostly because you were so excited to start it. You tell him your coworkers are kind of cliquey, and you don't feel like you fit in. He understands, telling you that they don't have to be your friends as you can work with them. Still, you tell him you can handle a bit of rejection, but you're afraid that they might become mean or hostile, like the catty women in the last place you worked. He encourages you to focus on work for now and feel out the situation for a little bit longer. It’s not the end of the world if it doesn't work out because you still have him. Cheesy, I know, but it does make you feel better. 

[ijustloveobeymeok]

but you should write about levi's strength

!!! Bless you for letting me talk about Leviathan with reason.

Let me do it in a list format so it doesn't feel like I'm rambling.

-Let's get the facts everyone knows out of the way first -As we all know the order of the brothers are also a determination of their strength. So Levi being the third brother indicates he is the third strongest demon amongst them. -Although he is one of the physically weaker ones, which makes him being ranked third even more impressive. -Which , I still believe it is justified. -To start off with, he is the Admiral of the navy. You definitely need to have a considerably impressive strength if you want to be an admiral and have a whole army under you. -His love (and talent) for games also suggest high levels of focus and strategic skills which plays into him being a good admiral. -This also plays into him having political strength, as he is able to maintain that position and control while being an absolute homebody. -He is also able to summon Lotan, which in itself says a lot about his overall abilities. -I mean you probably got to be real strong to have an ancient sea serpent as a familiar/summon. -It is a canon fact that each demon can overpower the demon(s) below them, so even though he is physically weak, this implies that he can easily bring down his brothers save for Luci and Mammon. -He is also someone that the other brothers have mentioned avoiding winding up, vaguely mentioning how disastrous things can be if he loses control (this was brought up in one of their devilgram posts, I'm sorry idr which one anymore) -Also it is basically canon that the ranking is based off magical power so let's talk about that a little too. -When it comes to abilities via magical powers I think Levi's abilities are one of the most talked about. -It's mostly to do with water (a.k.a controlling a whole element) -He can summon giant floods, breathe underwater (or hold his breath for a scarily long time I've forgotten), and can even communicate with sea life. -Sailor man you really turn me on- -Lastly, and what I believe is a valid theory; their assigned sin/emotion is a huge source of their magic power -The first three, Pride (Lucifer), Greed (Mammon), Envy (Leviathan), are pretty consistent emotions. They're feelings that more or less stays with you. A prideful person is always prideful, a greedy person is always greedy, etc. -The rest of the brothers, their sins are more commonly a feeling that comes and goes. A person will become angry and calm again, a person will become sleepy and will stop once they've slept (yk what I'm trying to say, sorry I'm doing my best to word this in English) -Which is why, I think Lucifer, Mammon and Levi are the stronger demons. -Similarly it may also be based on how their sins affect the world but that's harder to judge/rank.

Bonus: -I do think Levi's insecurities play a big part in locking up his potential strength. -He's never really interested in talking about or showing off his strength (he's more proud of his gaming prowess) -Overall he may be the most peaceful demon amongst his brothers, which makes him come across as weaker than he truly is. -But we should know by now, peacefulness is not the absence of strength.

So yeah, obviously Levi is not the strongest. And I'm sure he has a lot of people telling him he doesn't deserve to be higher than his other brothers. But I beg to differ.

Leviathan deserves his position as the third brother. And y'all should be glad God didn't give him an ego bc if he did you'd all be screwed.

[gaywarcriminals]

On Mouthwashing, Qijiu, cruel characters, and the role of discomfort in blorbo analysis. 

I recently watched a playthrough and some video essays about the indie horror game Mouthwashing (spoilers ahead). For those not familiar, the game follows a man named Jimmy in a crashed spaceship where he reveals himself to be an unreliable narrator and fucked up in a variety of ways as the game progresses. 

Although I’m not immersed in the fandom and thus have a limited sample size, I noticed that people treat him as nearly inhuman. He’s the sole bad actor, a terrible monster destined to hurt everyone. I find this deeply ironic considering the game’s themes of responsibility and accountability: isn’t this kind of dehumanization absolving him of his responsibility to act decently?

It’s also strange to me, because the game goes at lengths to show Jimmy has an enabler. Captain Curly is Jimmy’s friend and boss who is made aware of Jimmy’s erratic and violent behavior multiple times, chooses to do nothing, and ultimately makes possible many deaths through his inaction. Aside from Jimmy’s public outbursts, there are even scenes with a specific member of their crew expressing how unsafe she feels around Jimmy. Despite this, a decent portion of the fandom sees Curly as nothing more than one of Jimmy’s victims, which is curious to me when placed in contrast with Yue Qingyuan and Shen Jiu.

Yeah yeah I’m blorbo-brained, but I think there’s a lot of points for comparison between Qijiu and Jimmy & Curly, at least in terms of their dynamic and social roles. Jimmy and Shen Jiu are both antisocial assholes with an unhealthy fixation on the generally well liked and affable guy just above them on the totem poll. They’re both convinced their superior is looking down on them, and resent the power he has (SJ less so, he has a lot of other reasons to resent YQY). They both use what power they do have to abuse those below them. Curly and YQY, for their parts, are shown to be explicitly aware of most if not all of their friend’s worrying/dangerous behavior, but do nothing meaningful to stop it. 

If they’re so similar, then why in the case of Mouthwashing is Curly often absolved of his complicity in the face of Jimmy’s overwhelmingly awful actions, whereas in the Scum Villain fandom, it’s just as common to see people pin all of SJ’s actions on YQY and vice versa?

Now, there’s a couple obvious reasons for this. For one, Mouthwashing is a horror game and Jimmy very effectively makes himself the antagonist, which lends itself to the interpretation of him as a the monster afflicting the other characters. For another, Jimmy sexually abused a shipmate, which is a particularly despicable crime (although so, I would argue, is child abuse). There’s also the fact that Curly is very physically robbed of agency for most of the game’s runtime, which might make it harder to see his power and agency before that point, but perhaps the most important difference is that to fans, Jimmy is deeply unlikable, and Shen Jiu is not. 

Personally, I think the reason a lot of people make Jimmy out to be a monster and Shen Jiu to be tragically misunderstood is simple: it can be uncomfortable to like a bad person. 

I don’t think there should be any shame in liking characters who are fucked up people that do horrible things, but I think it chafes at some sensibility within many of us, learned or innate, when we feel such deep emotional connection to a character who���s actions we would normally morally condemn. 

I’ve definitely observed that in some parts of the Shen Jiu fandom– it's the kind of sentiment that leads to discounting his canonical actions in favor of fanon. I’ve never found those fanons very compelling because I have never had any discomfort with Shen Jiu’s canonical actions— in fact, him being a despicable if pitiable mess is what drew me to him (I’m typically quite the fucked-up-evil-guy liker). For once, though, I find myself on the other side of this discomfort with Yue Qingyuan. 

I was thinking today about how one of the earliest things YQY says to SY!SQQ— his 9th line in the novel— was telling SQQ that LBH is strung up in the woodshed, where SQQ always leaves him after beating him. It implies not just that YQY knows about this singular punishment, but that this is an extended pattern of behavior. To me, YQY seems uncomfortable with the situation, but he does nothing to stop LBH from being abused aside from telling SQQ to “be less hard on him”, even though he’s the only person in the sect above SQQ, and potentially the only one with the authority to stop him. 

If Yue Qingyuan knew, did Luo Binghe know the sect leader had found out? Did Luo Binghe know he had been abandoned to his fate?

Like Curly, I think that Yue Qingyuan’s most unforgivable fault as a character was enabling Shen Jiu’s abuse of Luo Binghe and potentially other disciples. I think YQY’s motivations made sense, and I understand the choices he made, but when I think about it for too long I can feel a deep pit in my stomach grow. 

Why does YQY’s arguably lesser crime of enabling SJ bother me so much more than SJ’s own direct actions? Perhaps because I still want to see Yue Qingyuan as a good person, whereas Shen Jiu has already declared himself evil. Maybe I’ve been a little bit caught up in our unreliable narrator’s point of view. 

Fascinatingly, despite his adoration for Luo Binghe, Shen Yuan cum Shen Qingqiu never (to my recollection at least), blames Yue Qingyuan for SJ’s actions. Instead, he sees YQY as one of SJ’s victims— someone that SJ as good as killed, even if it was LBH’s orders that loosed the arrows. 

Shen Qingqiu has a tendency to, for lack of a better term, woobify his favs, and although LBH is by far the most frequent recipient of this treatment, I’d argue that YQY actually receives it more consistently. This is partially because he’s relegated to friendly NPC whereas poor Binghe is the Big Scary Protagonist, but the only time in the whole novel I can think of SQQ seeing YQY as a person capable of harm and fucking up is after YQY’s confession where SQQ puts it together with SJ’s flashbacks, but even then, SQQ sees him more as a cautionary tale for him and Binghe than someone who’s hurt others. Given this narrative bias, I’m honestly surprised* that more of the fandom isn’t simping for YQY too.

Ultimately, I think this discomfort is normal and worthwhile– something to lean into rather than away from. I’d even say it's necessary, should we ever hope to be more media literate than Peerless Cucumber.

*well, I’m not, but that’s a whole piece of fandom history better left untouched

[chillicoded]

Lando Norris is NOT an underdog.

This is NOT Lando hate. I don't endorse or tolerate hate towards ANY driver. This is just an opinion.

I had a conversation with somebody on Bumble about the Norris/Verstappen championship battle this season. I was for Verstappen, he was for Norris - no problem whatsoever in itself. After Max's absolute dominance last season, I really can't blame anyone for being bored of Max winning and wanting to see a new driver succeeding. But what Got My Goat is that he said the reason he wants Lando to win the WDC is because "he's an underdog". I sent a (pretty lengthy) message back on why I really don't think Lando qualifies as an underdog, and he never got back to me to defend his position. Maybe I scared him off, or maybe he just wasn't on Bumble to debate the nuances of what it means to be an underdog. Either way, I figured the topic would make a good first opinion post because I'm more likely to get a discussion out of it here, plus I have extra thoughts to add.

To me, an underdog is somebody who is disadvantaged because of the external resources available to them, in comparison to those they are competing against. For an F1 driver, that's the car, the team, the strategy, the experience they have in F1, the track (not just condition, but whether or not it suits their car) and momentary bursts of luck, among countless other variables. A good "underdog coming out on top" narrative comes from a person or character (in this case a driver) performing well or succeeding despite lacking the ideal resources to do so.

It's important to note that I don't think skill counts as an external resource. I also think skill is hard to measure. I personally would measure it in terms of results, consistency and versatility, but even within that, I feel like you need to take all of the external factors into account. For example, DNFing or dropping way back because of a collision, bad luck with the car or a botched pit stop would make a dent in a driver's consistency and results, but it doesn't mean they're less skilled.

Underdog narratives do exist in F1. The Alpine double podium in Brazil was a great underdog narrative. The Alpine car is hardly competitive most of the time. At the start of the season it was an absolute tractor. I don't know enough about the team, strategies, pit stops, etc. to comment on those, but regardless, I don't think anyone was expecting a double podium from them this season because Alpine just hasn't been competing at the front of the field. Yet, despite all that, both drivers finished on the podium and scored mad points in easily the most unpredictable race of the season.

Franco Colapinto performing well and scoring points, despite being dumped into Williams mid-season with a firmly midfield car and no experience, is also an underdog narrative. He's far outperformed Logan Sargeant already and has been battling with some of the most experienced drivers on the grid, and coming out on top. I don't think anyone was expecting all this from him when he was first brought into F1. Personally I saw a lot of people saying that they were booting out one underprepared F2 driver, and replacing him with another underprepared F2 driver. I was part of that crowd too. Sorry Franco. I was not familiar with your game.

Even Carlos Sainz's win at Singapore last year could be considered an underdog narrative. Sure, he started on pole and he's an experienced driver, but everyone was an underdog compared to Red Bull (mainly Max) last year, and Ferrari didn't have a great car or great strategies. He did have the luck of Max being practically out of sight, having been outqualified by Liam Lawson in an AlphaTauri (another great underdog moment, by the way), but it still takes skill to keep the lead, and his strategic use of Lando goes to show that even further than just the win itself.

These are just a few recent examples. Think about them. Seriously deep them. Revel in how they make you feel.

Now think about Lando's performance this season.

His first win in Miami was great. At the time, I was still a hardcore Lando supporter and I was absolutely thrilled. A few laps before the end of the race, when it became apparent that he was almost definitely going to win, I was already celebrating for him. It had been a long time coming and it was amazing to see him realising the potential I knew he and McLaren had. He's won twice more this season so far, and both times he was ahead by a country mile at the chequered flag. Aside from that first ever win, though, his other impressive performances this year haven't quite evoked the same emotion as my previous examples. That sense that he's overcoming disadvantages and delivering even when the odds are stacked against him just isn't there for me. Why is that?

There's no denying that he's a skilled driver. Three wins in a season with 7 different race winners (6 of whom have won multiple races) isn't too bad at all. He's also been relatively consistent throughout the year, never finishing a race outside the points. He's even been able to adapt to a range of tracks and weather conditions. For example, he finished P6 after the rain and chaos of Brazil, which threw off even some of the other skilled drivers mentioned above like Sainz and Colapinto.

But we're not here to discuss whether or not he's skilled. We're here to discuss whether or not he's an underdog.

Honestly, did you even read the title?

Anyway. Skill doesn't make someone an underdog. I established that earlier. If skill makes someone an underdog, Max Verstappen is probably the underest dog on the current grid, and that's obviously not the case. We need to look into those external factors I mentioned above: things like car, strategy, luck and experience, in comparison to what other drivers have had to work with this year. The less he has, the more of an underdog it makes him.

First and foremost, McLaren's strategies this year have been pretty abysmal. The terrible calls made in instances like the Hungarian Grand Prix and the lack of calls made in instances like Monza lap one have been enough to make me stop supporting McLaren as a team altogether. They insisted that they weren't prioritising the drivers' championship, but with the constructors' practically secured, I honestly find that hard to believe. If it is true, they've been doing a disservice to both drivers: to Lando by not giving proper attention to his very real championship chances, and to Oscar by ordering him to give up positions for Lando and act as a second driver at certain points, apparently for no real reason. Overall, McLaren's strategies have been in Lando's favour at times, but they've rarely been good. It's hard for me to compare McLaren's strategy calls to other teams, though, simply because I don't know enough about other teams' strategy calls. Maybe all the teams have been equally rubbish with strategy this year, so it technically hasn't been putting Lando at a disadvantage. I wouldn't know. If you have any insight on this, let me know and I might make a second, more definitive post about this.

As for luck, Lando has had bouts of both good luck and bad luck so far this year. He had some good luck in Miami, ultimately facilitating his first win, and he had some hard luck in Austria with his collision with Verstappen and Baku with qualifying. I'm not at all suggesting that Lando didn't deserve his first win (honestly, I don't believe that "deserving" matters in this sport at all), but I don't think he would've won that first race without the luck of the safety car, and I'm not sure he would've performed as well as he has without the confidence boost from that first win. With the car he's had this season (and I'll talk about that next), it would've come eventually, but I really do think that momentary burst of luck has been a really important factor in shaping this season for Lando. It has definitely had more of an effect than his moments of poor luck. I think few other lucky instances have had as much of an effect for a team or driver, except maybe Alpine's performance in Brazil.

His car has been a seriously influential factor, too. Of course, no driver's success is all because of the car; the driver and the car always go hand in hand. A less skilled driver can't properly handle a good car (see Pérez) and even a good driver can rarely drag performance that isn't there out of a tractor (see Bottas at Sauber). But, like his luck, the MCL38 has massively facilitated Lando's ability to perform this year. It's a car that has been capable of winning races by over twenty seconds, creating final laps that are reminiscent of Max's dominance last season. That alone begs the question, why has Lando not been performing consistently at that level? Where exactly does the balance of success lie between Lando and his car?

It's definitely worth taking into consideration that top teams this year have certainly given Lando a lot of competition to deal with this year. Even with a dominant car, with around six other drivers able to put up a fight against Lando, he's not in as dominant a position as Max was last year. But there is a difference in skill in certain areas, and it shows in moments like Lando's first lap bottles from pole compared to Max's perfect starts last year, for example. Lando is just not as polished a driver as some of his competitors, and that is something that naturally comes with more experience.

It's hard to say Lando lacks experience, though. 2024 is his fifth season in F1. He's not always had a great car, but now that he does have one, it's clear to see that he knows how to handle it decently well. Compared to Oscar Piastri, though, it doesn't look like his experience is giving him the competitive edge you'd expect. With four years of experience over his teammate, you'd think Lando would be performing at a much higher level, but that just isn't the case. As a quick example, Oscar's average finishing position this season is 4.9. Lando's is only 0.8 higher at 4.1. With that difference in experience, you'd expect a much higher gap in performance... or at least I would. Maybe I'm wrong for that. Let me know.

Overall, I really don't think Lando is at any kind of serious disadvantage that would make it fair to call him an underdog. He has issues thanks to McLaren's strategic blunders, sure, but the rest of his problems are pretty much skill issues. Call me back with the notion of an "underdog narrative" when Ollie Bearman is in the championship fight in a Haas next year.

[vryfmi]

there's one major thing that's been nagging on me about l&co adaptation ever since my first watch: if we were to get season 2, how would they set up the conflict of THB?

i can get behind some of reinterpretation of characters and their mannerisms, character traits (i.e. Lockwood dressing less formal and not being a know-it-all, Lucy being less hateful towards George, seeing Kipps as he's actively losing his talent, George Karim being iranian and being very close to his culture in a form of cuisine), some are good, as a fan of books i'd be eager to get to know these characters along side their book counterparts.

but alas, i can't see these characters as the same characters in both medias because too much of their characterisation was changed, and it's really hard to blame on pacing or the lack of screen time. it's the writing. some changes going as far as making me question, what were they supposed to do with this groundwork in the second season.

how would runners set up a conflict of L&Co overworking themselves after gaining fame over solving the bone glass case and accepting all calls they were getting, if show!Lockwood out right says in episode 4 that he's not interested in boring cases? not only does it get rid off of a major characterisation of Lockwood as someone who's, yes, in it for fame, but most importantly he became an agent to "avenge" his family. avenge isn't even the right word, i think. he doesn't want others to be fallen victims to a visitor, doesn't want to see other people lose their loved ones, lose their family to ghosts. not only does it make show!Lockwood rather vain and only fame driven, instead of someone dealing with deep personal trauma, but also loses one of the key points of Holly's introduction to the team. (i also love the reading of LW naming his agency Lockwood&Co as something less selfish and more about him paying a tribute to his family, that without them and visitors taking them away from him, he wouldn't start his agency and wouldn't be able to help other people.)

speaking of Holly's introduction, what exactly would have been her role at the start in the show? L&Co don't seem overworked from the 4 cases they had (2 related to TSS out of 4 in the book, Wimbledon gallows + Bickerstaff's, not counting Wilberforce's ghost and a bunch of not mentioned in dialogue cases i. e. Mrs Barrett's tomb). that already solves the problem of trio not having free time to do chores around the house. but say show says "and now they're overworked" instead of showing, sure, but it doesn't get rid of George's stress cleaning habit.

Holly was introduced as a help, as a support to the way L&Co was already running and over the books she became more than just an assistant but a beloved part of the team. without proper reasoning as to why Lockwood & Co had to get an assistant, Holly's introduction could be messy and unprompted, something like checking a box in the list of what has to happen instead of making it story driven. something like what happened to skull's character.

and a final thing that im iffy about is the ending of the first season. somehow show rushed through and speedran Lockwood's suicidal arc as well as managed to call it out by the end of show's TWS storyline, where books didn't show any progress even by the end of TEG.

but im saying call it out, not resolve. i'd actually appreciate it if show made an effort of showing that such tendencies and lack of self-preservation aren't just resolved in a second, someone saying "stop being suicidal" doesn't magically fix everything. and yet, show still speedran things, especially given that events of the show happen in only 10 days instead of a year, and Lockwood's already made very aware of his reckless behaviour aka throwing himself in danger for people, and, what's even more questionable, for people he barely knows. which, again, contradicts his character and the way he navigates trauma.

these character and plot deviations and inconsistencies may not seem critical at first, but they might build over the course of the series and lead to a complete shift in overall narrative and spirit of L&Co as a story. which i wouldn't want to see as a fan.

to put it simply, i can see why fans want for show to be picked up for a second season, but i can't see how writers could make it coherent because they wrote themselves into a corner.

[turtle-steverogers]

i rlly like ur posts abt how steves rough time with his dad as a little kid affects him later in life. i was wondering do u think the other avengers notice? and if they do what do you think they think/do about it?

also tbh i rlly like ur posts in general lol. i hope you have a good day!

I think the other Avengers notice after some time, considering most of them have similar experiences. I imagine it's sort of an unspoken thing, but it's almost... more notable on Steve, because he's so goddamn young and because when he wakes up from the ice, he's so goddamn stretched thin, that the reserves he usually has to shove all those old habits into a box are low. He's jumpy, the others notice. A raised voice-- especially male-- makes him flinch before he smooths out his face. Making requests is hard for him, and mistakes-- even small ones-- are met with scrambling apologies and frantic attempts to fix the problems.

No one says anything, because they know what it's like, and they don't want him to feel cornered. But there's a hard mission, and he and Natasha are alone in a motel room, and Steve is so clearly low. Kids had been involved. And Natasha had seen the way Steve had shut down to see the marks and bruises on the little boy and girl they'd gotten out of a trafficking situation, and she understood. Albeit for different reasons, but at the core, the pain was the same. They'd both just been kids when they were hurt. Young and lost and wondering what they'd done to deserve the grown ups around them squashing them down and making them feel no better than the dirt.

He doesn't say anything, so she doesn't either. But that night, she can't sleep, and neither can he, and when she hears him shift, roll over. Curl onto his side as the silent tears start, she can't stand it anymore.

Her bed creaks as she slides out, ignoring the rough crunch of the carpet as she pads over to Steve's bed and climbs in behind him.

She crawls onto the bed behind him, stretching out. "Can I hold you?" she whispers. Steve shrugs. He doesn't care. He doesn't understand why she would want to be the big spoon to his hulking frame, but if she wants to, he won't stop her. He's too tired to. He feels her wiggle close and slides an arm over his chest, hugging him flush against her. Her palm rests over his heart and she rubs, soothing.

It eases some of the weight. Some of the ache. He breathes, shaky. She kisses the back of his neck. It's quiet for a long time.

Natasha's voice is soft and private when she speaks. "It hurts, what they did to us, doesn't it?"

Steve freezes, listening. Natasha holds on. He doesn't move her.

"Why would anyone treat children that way? Hurt them that way?"

Steve clenched his jaw, resignation in his gut. "How could you tell?"

Natasha sighs. "I put it together, more or less."

Steve nods and doesn't say anything. It's quiet here, outside the city. The world dark and lacking that telltale bustle. Steve hates it.

"It's alright that you're hurting still," Natasha continues, and Steve wants to beg her to stop, but he's too curious, too desperate for someone to see him that he doesn't. "It's okay that you're still scared. You're safe, darling... you don't have to believe that yet."

He starts to tremble.

"Shh, baby, hey," she soothes and her voice is easy to stomach. Easy to understand. "Breathe for me."

He sucks in a deep breath.

"Did they hit you in the Red Room?" he asks.

"Sometimes," Natasha says. "It was calculated, though. Discipline."

Discipline. Steve doesn't think his father meant for his hits to be discipline. They were just... correction. To get him to shut up. Or maybe so he could get his anger out.

"Breathe," Natasha reminds again. Steve takes another measured breath. "You don't have to tell me anything. But you can. I won't get it all, but I might understand."

Steve considers that. "How old were you? When it started?"

"I don't remember," Natasha said. "Very young. Four, maybe? You?"

"I don't remember either," Steve whispers, and he's furious. Suddenly, he wants to set the world on fire. For the little girl who just wanted a chance to see the sunshine, and for the little boy who just wanted to play. "Maybe the same."

They fall back into silence. Steve can feel his teeth chattering. Natasha starts humming a song, simple and soothing under her breath. He knows he doesn't have to say anything else; she understands. He lets his eyes fall shut again.

[charmack]

okay i’ve had some time to think about this properly so now i’m gonna give my caitlyn thoughts (this will be long):

firstly i think it’s fair to say that the root cause of caitlyn’s arc is indeed her suffering at the hands of jinx (her mothers death, the kidnapping etc). her obsession with finding and killing jinx is what ultimately causes her to lose sight of her morals BUT the only reason this has such a significant impact is because of her privilege! she’s now the head of house kiramman making her one of the most powerful people in the city, she has all the resources she needs to get to jinx at the drop of a hat. this fuelled by her rage and grief causes her to make rash decisions that hurt the people of zaun, who she once was trying to help, like her use of the grey for example.

caitlyn has been raised with the piltover ideology that zaun is the cause of all of their problems, she has only recent escaped this ideology in season one. so then when jinx kills her mother it’s so easy for her to fall back into that way of thinking. the fact that jinx is now the figurehead of zaun makes it so that caitlyn can blame the whole undercity for her problems not just jinx, and this is how it’s so easy for ambessa to manipulate her. caitlyn is angry at the undercity, she’s powerful, and she’s well respected, making her the perfect candidate to be ambessa’s puppet commander

caitlyn’s arc to me represents how easy it is for the privileged to descend into fascism when they experience suffering, and this is because of like i said earlier their power and resources. caitlyn’s trauma is much the same as (if anything less than) plenty of the people of zaun (including vi), she lost a parent to class violence. however the difference is that caitlyn has the resource and opportunities to get her revenge whereas the children of zaun do not. I think the writers are trying to show us that what caitlyn is feeling is not abnormal for someone in her situation, and that it is her privilege that allows her rage to spiral out of control and turn her into something so sinister.

finally, i think it is possible for caitlyn to be redeemed, as i feel as though her actions do not represent her as a person but the horrific oppressive system she is directly benefiting from. i still love her as a character and this arc has made her all the more interesting to me but i understand why some people may hate her now. overall though i really really want that redemption arc and caitvi endgame as i truly believe caitlyn is a good person deep down

thanks if your read all this!!!! i just needed to get my ramblings out somewhere!

[mytearsbuckochet]

What's your most hated Bummy scene?? I'll tell you mine. It has to be the kiss in the hospital lobby and buck getting outed because of his soot covered mouth. Never hated a 911 episode more than that. I love Buck. They just made a mockery out of him by that scene.

Where do I even start.. Couldn't agree more about the soot scene, although I'm more angry at the writers about that one than I am at Tommy, given how important it was to Buck that he came out to Eddie and Maddie on his own terms and how much weight he gave those interactions I feel like even though that one was supposed to be a cute little "hehe look this is very Buck coded", it fell short in that I would've liked everyone else at the 118 to find out in a more heartfelt way ya know??

In terms of my least favourite(s), the whole arc with billy boils was a very interesting play by the writers in that it highlighted the differences between Eddie and Tommy in a meaningful way. On one hand, Eddie, who has presumably been with Buck in the hospital the whole time he was being treated for his boils, is used to Buck's hyperfixations and Wiki deep dives, and finds them wholesome and cute. I reblogged a post a little bit ago where Buck told Maddie about how her and Chim always finish each others sentences and that theyre basically already dating, and then contrasted with how Eddie was finishing Buck's sentences in that scene. Buddie fanatic aside (I will admit im obsessed with these two idiots), THIS is the kind of domesticity I've always wanted for Buck's partners, where they acknowledge and love those little moments that he has.

Now lets go ahead and look at Tommy's side of this whole thing: Tommy's reaction to seeing the boils + how he treated and viewed Buck's obsession as exactly that, an obsession + the graveyard scene??? You can break it down into "oh well Buddie have known eachother since s2, Bummy have been together 6 months", but from my perspective the fact that Buck didn't even realise Tommy didn't like women until their 6 month anniversary (???) just goes to show that they don't really know that much about one another. Tommy was completely right in the breakup scene; he was definitely not Buck's last, and the poor guy is definitely in need of some self exploration (#letbuckfuck) before I'd be happy to see Buddie honestly (and thats not even considering the work that needs to be done on Eddie, my guy is going through it rn with Chris). Anyway; I just read this amazing fic by playinginthundestorms (on ao3) and I think the way they described Tommy (slightly Tommy bashing), was overall how I imagine he sees Buck. It never really felt like Tommy was fond of these little things Buck does in the way that Eddie (and the rest of the 118) are, more seeing him as childish or juvenile as the fic described. And it makes sense, tommy is older than Buck. A whole other can of worms and probably the icing on the cake for me was the Abby debacle, the misogyny really showed??? like man you have not changed since Hen my lord. Calling Abby out for running off with some "himbo half her age" was wild considering thats what he is currently doing with Buck? Especially with all the shit she had to go through with her mum at the time? Like what on earth is your excuse Temu? Anyway, to cut a long rant short, I actually have given you like 50 reasons, but i definitely think that Tommy was a well placed plot device and it was obvious from the start. Also, ABC could've chosen ANYONE to be Buck's first experience with a man and they were like yep lets use the racist homophobe from Chim and Hen begins cos why not?! I probably would've had a far less negative opinion of him if he was a fresh character, and I think that's on purpose, I think it would be really interesting if they go down the road of hen and chim sharing their experiences with Tommy now that they've broken up, and that they didn't say anything cos they just wanted Buck to be happy. Definitely after that heartfelt scene with Hen especially, that I didn't get cos of that bloody soot scene.

[theriverbeyond]

#SPOILERS

ok so I watched arcane s2 act 1 and my immediate reaction is mostly mixed -- I think there was gorgeous art and strong individual emotional beats but I think it all got watered down by everything else -- I did LIKE it, I guess (?) and am reserving full judgement for the whole season until the next 2 acts release, but yeah.

warning for SPOILERS and also critiques below:

the deluge of new characters I have no reason to care about, and whom i am given no specific reason to care about (besides the itty bitty one, and that's just bc they are a child) does not hit. I dojt get it. why are these people special or chosen for the strike squad. they're just randos, and fangirls and one of them is a random dude you all seem to have grabbed off the street (?) also who tf is amara. was she even in season 1 at all?

the integrated music videos felt significantly LESS integrated this season than the last. last season it felt like the "music video" segments were just like.... really well done and stylized parts of the show, here they feel more like clipshows or standalone music videos during which the actual show takes a pause. some of them do advance the plot and all are gorgeously done but like, I dunno. feels a bit much, honestly, especially in a show that NEEDS to be incredibly economical with its time

relating to that, it feels as if nothing really happened at all besides setup, and I guess that was perhaps narratively necessary, but using THREE episodes of a 9 episode season to set up the plot feels..... REALLY wasteful, especially when i feel like those 3 episodes didnt have a tight plot OR tight character focus. everything feels very loose. the timeskip between s1 and s2 is like.... idk! why did we skip that. why didnt we just skip farther. how is Vi suddenly beloved by topside those bitches hate her!!! anyway. there is a lot happening and a lot being set up and, as i said before, a LOT of new characters being introduced and I'm not very emotionally invested in most of them. The differences between act 1 s1 and act 1 s2 are feeling incredibly stark right now.

To me, Arcane has always been a character driven work, so I can forgive it of plot issues if the emotional focus and character arcs are strong. I.... didn't feel that here! and even the big character moments didn't quite hit. for me. like ok CaitVi kissed. but like. they've known each other for a week? Why are they acting married? The most resonant and emotionally intense part of the CaitVi arc in act 1 was when Caitlyn HIT HER with HER GUN, in a way that felt deeply reminiscent of how encorcers probably hit Vi when she was in prison. And that was like at the very end. sorry but the kiss just did not hit for me. sorry. so sorry. you can kill me with Hammers if yuo want to

A lot of characters seem to be making plot centric decisions that simply do not feel within their character. Vi becoming an enforcer -- I literally do not care about the game, it is emotionally inconceivable for show!Vi to do be super down with gassing the undercity. Jinx and Sevika suddenly being buddy buddy is weird, even thought i LIKE it, it just feels.... fast. Jinx's arc, emotionally, feels the best and most consistant, and I feel like there's so much setup happening it isn't given the space it needs to breathe. Caitlyn becoming a facist is like.... fine, I guess. I really like the emotional conflict this inserts to the story but again it just feels inconsistant with her lifelong characterization as someone who is out of place on the force. also didn't she actually get fired lol. why is there a Kiramann supercomputer.

a lot of stuff just feels emotionally really off. Cait going wild with anger in her grief is fine, but then it feels.... bad that the redhead bitch who's CHILD Jace KILLED last season is a villian for wanting revenge also? maybe this is just an inherent weakness of the genre. or the source material. or whatever. i mean season 1 was pretty enforcer-critical at least in the first 2 acts. sorry for wanting a story made by people with money to be consistant in its negative framing of cops :/

l am deeply confused about the Noxian angle here -- I think it serves a meta narrative function of giving Topside and Bottom (aka, all the characters we care about, who hate each other rn) a common enemy to rally against, but there is just. a lot going on, honestly. too much? only time will tell. this all makes me deeply concerned/curious about the governmental system of Piltover though. why is Caitlyn like the town King now. why are they not electing new councilors.

don't even get me started on viktor being undercity jesus

Anyway. things I liked: the opening, especially its contrast to season 1. Jinx & Vi's fistfight was incredible I just wish Vi felt more emotionally consistant BEFORE it happened. I really LIKE jinx being given essentially a second chance in the form of saving and caring for a child in a situation that puts HER in a reversed position from her youth. like OK it definitely feels way out of left field but like, that's fine I guess. I like what they're doing with the kid. the art is gorgeous as always. I love how the enforcer squad is represented like hunting hounds, coming out of the gas. unfortunately i think their gas masks are wildly erotic. anyway. what was i saying?

that's my immediate thoughts. I'm definitely open for comments/explaining, but i really don't like the "it makes sense if you play the game/pay attention to LoL meta" kind of explanations I see thrown around -- it's a narrative weakness to be relying on viewers to know LoL lore, especially on the heels of season 1, which didn't need viewers to know anything.