#flynn rossellini

[marmiteprinter]

With that, it's the end of the round for this family!

Lucas is now 62, Talia is 32 and Flynn is 6.

Let's see how Lucas' other daughter, Talia's twin Verity, is getting on next!

[denimbex1986]

'...with Ripley, the writer-director Steven Zaillian does the unthinkable and unmentionable, he shoots in high contrast black and white and stretches his drama long, and some might say thinly, over a total of eight episodes. But although the series has the feel of a younger generation in terms of its directorial emphases, Zaillian is technically an old man, probably in Shakespearean terms in stage six of the seven ages of man: the lean and slipper’d pantaloon, with spectacles on nose and pouch on side; yes, he is indeed 71 years young but with an impressive and substantial track record behind him: an Oscar for the screenplay of Schindler’s List and a successful collaboration with Martin Scorsese in Gangs of New York, amongst much else. This surely allowed him to basically dictate his terms to Netflix, which included engaging a genius of a lighting cameraman, Robert Elswit, who lit the masterpiece, There Will be Blood. Indeed, Ripley runs the risk of the camerawork overtaking the content and this is an ongoing near-run thing.

But just as Citizen Kane in anyone else’s hands but Orson Welles would have first and foremost been praised for its cinematography, as indeed might Charles Laughton’s only great stab at directing, The Night of the Lonely Hunter, the intense collaboration of director and cameraman in the case of Ripley pays multiple dividends, even on the smaller screen. It invokes the Italian milieu of Rome in the 60s, of La Dolce Vita, Visconti and Fellini, but not curiously the one director who experimented seriously with documentary style shooting- Roberto Rossellini. whose Rome Open City was shot in grainy black and white. Zaillian etches everything in exquisite detail, wet streets, rain falling on a terrace, pens and cigarette lighters all dance to his sombre tune. This series would look even more spectacular projected onto a large screen.

Interestingly, Zaillian’s work has split opinion right down the middle, with a rave from The New York Times and a thumbs pointed firmly earthwards from The New Statesman. Both draw comparisons with previous versions, with the latter much in favour of Anthony Minghella’s The Talented Mr Ripley, and being much more impressed with the colourful sun-drenched scenes than the rain soaked black and white ones.

One question worth asking of this latest effort as well as the best of the previous ones, is what on earth is the attraction of Ripley, almost always portrayed as a blank canvas, to both actors and directors? I think it is precisely for that very reason, that Ripley can be anything or anyone to whoever is contemplating him, and this metaphor of the blank canvas is cleverly taken up by Zaillian, making the subject of Ripley’s first murder, Dickie (Johnny Flynn), an amateur painter. Ripley is not Ripley in anyone and everyone, the great difference is that when he acts, he does so decisively without pity, regret or concern other than an obsession with clearing up any mess he may inadvertently leave behind. If anyone wants to learn how to lie, cheat, steal, seduce and ultimately kill, Highsmith’s novel can provide a comprehensive training manual for the uninitiated.

Most of you literature and film buffs will be familiar with the story, so I intended just to concentrate on elements of the series which seem to me to bend and occasionally break rules to considerable effect. To begin with, during the first two episodes at least nothing really happens, and that is for approaching two hours screen time. But the almost hypnotic engagement that the cinematography engenders allows us to take time with the characters as they slowly reveal more about themselves. Interestingly, Zaillian does not cast 20 or even 30-year-olds in the main parts, as imagined at least by Highsmith in her original novel. Instead, he opts for Andrew Scott (Ripley) at 47 and Dickie (Johnny Flynn) at 41. They are in fact middle-aged, but as portrayed by Scott and Flynn appear younger, but at the same time, almost ageless. This gives an additional twist to the strange ambience in which the drama takes place. Characters take much longer to frame their thoughts, to react and to initiate actions. It is as if they are somehow under water, and it is water which is the most intrusive element in this version (as opposed to sunlight in Minghella’s). Right up to the point of the first murder which occurs on top of, and within water. In Zaillian’s world, the streets are always wet and his characters frequently find themselves in baths, seas or simply the victims of relentless rain clouds.

All in all, this is very clever stuff, and not just from the director, but the writer as well. It is an object lesson in how to balance form and content and to reference parallel elements obliquely and very cleverly. Caravaggio is mentioned and his work shown to us quite frequently. Why, one wonders? Simple. Caravaggio is a painter who became a murderer; Tom Ripley is a murderer who became a painter.'

[gaygirlgoodgirl]

The Beautiful Women of David Lynch

[miguelmarias]

The Roots of Heaven (John Huston, 1958)

Selvático y extremadamente romántico —hasta en su cinismo de viejo lobo de mar—, The Roots of Heaven es un film maldito y olvidado no ya por su postura vital (conocida de sobra por los que apreciamos el cine de Huston), sino porque nos muestra a su director desnudo, sin la protección y el prestigio que guiones más perfectos y mejores condiciones de producción le han otorgado con frecuencia. Es decir, que Las raíces del cielo nos presenta a Huston como el ilustrador que de hecho es siempre, hasta cuando —como suele ocurrir— se ilustra a sí mismo. Porque si Huston tiene un mundo propio y coherente, y una personalidad no sólo bien definida sino simpática, que incita a la complicidad, no es por ello un autor cinematográfico, sino un autor literario que se expresa a través de actores, decorados, imágenes y sonidos (es decir, del cine), pero sin un estilo personal y consistente. En Huston la imagen no hace surgir la idea —Hitchcock, Buñuel— ni la acompaña —Godard, Rossellini, Hawks—, sino que la ilustra, la comenta, la «pone en escena»: las películas de Huston corren tras sus guiones, y en esta carrera, no siempre victoriosa, está su interés y su fuerza, y también su limitación, ya que el resultado final depende en exceso de la calidad del punto de partida, puesto que determina el punto de llegada (por eso sus mejores films son The Misfits, Key Largo, Moby Dick, The Asphalt Jungle, The African Queen, The Unforgiven, Freud-The Secret Passion, The Night of the Iguana, Sinful Davey, The Treasure of the Sierra Madre).

Las raíces del cielo son los viejos elefantes, a punto de extinguirse a manos de caprichosos cazadores y que Morel (Trevor Howard) intenta preservar. Reaparecen así viejos y queridos temas hustonianos: el exterminio de animales (de Moby Dick a The Misfits), el grupo exiliado lejos de su patria, el retorno a la naturaleza, la lucha desesperada por un ideal, la soledad y la aventura, pese a que Romain Gary poetice en exceso la quijotiana gesta del cazador cansado y sus compañeros de empresa (entre los que destacan un Errol Flynn alcoholizado y agonizante de tristeza y una Juliette Gréco no por previsible menos eficaz). Hay muchos errores y limitaciones, insuficiencias y tropiezos en esta película, pero consigue ser, a pesar de todo, un árbol bastante enderezado en el bosque hustoniano, que nos dice mejor que otros más elevados lo que Huston oculta tras su ironía. No es por eso extraño que sean los «hustonistas» (Benayoun, por ejemplo) los más severos para con esta endeble película, frágil pero hermosa, que nos muestra a Huston en lucha con la adversidad y superándola a veces, y no manteniéndose bajo la línea de flotación de una genial novela de Dashiell Hammett (The Maltese Falcon). Con esto quiero decir que, si bien The Maltese Falcon es mejor y más perfecta, The Roots of Heaven representa una mayor victoria.

Publicado en Nuestro cine nº 100/101 (agosto-septiembre de 1970)

[leanstooneside]

the Bering Sea

JENNIFER MEYER'S VINEGAR HAIR

SIENNA MILLER'S RAISINY HAIR

ISABELLA ROSSELLINI'S RAISINY HAIR

BENICIO DEL TORO'S GRIPPY HAIR

LARA FLYNN BOYLE'S ROUGH HAIR

JUSTIN THEROUX'S OPULENT HAIR

L.A. REID'S FLAMBOYANT HAIR

GABOUREY SIDIBE'S GRASSY HAIR

LIONEL MESSI'S SWEET HAIR

JULIAN MCMAHON'S FRESH HAIR

CHRIS HEMSWORTH'S VANILLIN HAIR

JADA PINKETT SMITH'S DENSE HAIR

ROSE MCGOWAN'S VEGETAL HAIR

IDINA MENZEL'S DEPTH HAIR

JILLIAN MICHAELS'S LEES HAIR

EMILE HIRSCH'S FOOD FRIENDLY HAIR

KELLY ROWLAND'S FLAT HAIR

GABRIELLE UNION'S CIGAR BOX HAIR

KERR SMITH'S GRIPPY HAIR

BARBARA WALTERS'S FRESH HAIR

RYAN SEACREST'S FLABBY HAIR

KIM KARDASHIAN'S EARTHY HAIR

BETHENNY FRANKEL'S VEGETAL HAIR

BRAD GORESKI'S LEAN HAIR

BLAKE LEWIS'S CONCENTRATED HAIR

[ifitzpatrick]

Since the new Twin Peaks is out tonight, I thought it would be a cool idea to introduce you guys to some David Lynch films that you may or may not have watched. If you don’t know who David Lynch is, he is basically the embodiment of, what multiple sites have called him, “a renaissance man of modern filmmaking” and does just about everything you can think of a person doing. He is a director, screenwriter, painter, photographer, musician, and producer. He has created a TON of cult classics that have not only blown peoples’ minds, but changed their perspectives on a lot of things, especially living in small town or Los Angeles, but at the end of the day, David Lynch is a surreal and complicated filmmaker at heart.

Now, I’m not saying you should watch these films in order, but I’ll lay out the important ones first and then get into stuff that you can see any ol’ time. So, let’s get started.

1. Eraserhead (1977) This masterpiece was David Lynch’s first feature length movie that combines surrealism and body horror all mashed into one. The plot is pretty damn simply… complicated. Henry Spencer (Jack Nance) is a man who is left with a lizard or serpent like child, born from a one night stand with his then girlfriend Mary X. Henry, however, starts to also have hallucinations and vision of strange things that may or may not be real. The film is known to be a great cult classic and is one of the coolest midnight movies with El Topo (1970), Night of the Living Dead (1968) and Pink Flamingos (1972) to name a few. If you’re gonna start with some David Lynch weirdness, why not try out the best of the best first.

2. The Elephant Man (1980) The Elephant Man is one of the most heartbreaking films on this list. The Elephant Man tells the real life story of Joseph Merrick, a severely deformed man who was exhibited in freak shows before he was taken to a London Hospital. The film takes us into that history with John Hurt, playing John Merrick and Anthony Hopkins, playing the doctor Frederick Treves, who takes him from out of the freakshows. It’s a heartbreaking movie and incredibly acted from start to finish. Fun fact: the Academy created the Best Makeup and Hairstyling because this movie had the best of that year.

3. Twin Peaks (1990) You knew this was coming. Twin Peaks has become a cult classic over the years and for good reasons. It’s one of the most bizarre and brilliant television dramas that have ever been produced. Created by David Lynch and Mark Frost, the show focuses on the death of high school teen and homecoming queen Laura Palmer (Sheryl Lee). FBI Dale Cooper (Kyle MacLachlan) is sent to Twin Peaks to investigate and teams up with Harry S. Truman (Michael Ontkean) to investigate the case, but it’s not a straight up murder that they’re investigating. It can’t be that simple guys. There’s something deeper, shady, and sinister going down in the town of Twin Peaks and you’ll never see it coming.

4. Blue Velvet (1986) I actually still don’t know how to properly describe Blue Velvet to people, but I will try very hard for you guys. Jeffrey Beaumont (Kyle MacLachlan) is just a normal guy, but one day he finds a ear in a backyard. (I know, I know, just hold on for me guys.) He goes on a small investigation to find out where it comes from, but takes a very sharp left turn into bigger investigation a nightclub singer Dorothy Vallens (Isabella Rossellini) whose being held hostage by some f*cked up group of people, including ether-loving Frank Booth (Dennis Hopper), who tortures her in brutal ways. Jeffrey discovers that there is way more to the surface of the small town and himself as he becomes intertwined with Dorothy’s life. Guys, just watch Blue Velvet. It’s a really great psychology, wtf of a movie. 5. Twin Peak: Fire Walk with Me (1992) I know what you’re thinking Twin Peaks fans. “Why would you even put this anywhere near a list?” Well… because it’s Twin Peaks. No matter how you feel about Fire Walk with Me, it’s still a piece of the Twin Peaks history and dammit, it should be watched at least once! Directed and written by David Lynch and co-written by Robert Engels, the films tells the last seven days of Laura Palmer’s short life while going into the investigation of Teresa Banks. Most of the cast had returned for the movie except for Lara Flynn Boyle, who was replaced by Moira Kelly and Sherilyn Fenn because schedules suck. The film was met with… not so happy people and even though it was met with negative reviews, again, still apart of Twin Peaks. Also, you gotta watch this before you get into the series!

6. Mulholland Drive (2001) Another movie that I can’t properly describe, but goddamnit, I will try! Betty Elms (Naomi Watts) is an actress that wants to make it big in L.A. Fresh into her environment, she meets a amnesiac woman Rita (Laura Elena Harring) and try try to figure out what happened to her and get back her memories. I can’t say much else without giving away most of the plot so I’ll just leave it there. I can tell you that there is a super cool (kinda?!) twist at the end of this psychological mystery film. The fun part about this movie is that it very much lets you come to your own conclusions of what the ending might mean. Nothing is right, nothing is wrong. Mulholland Drive will always be there. Fun fact: Mulholland Drive was inspired by Audrey Horne’s character in Twin Peaks. They meant to send Audrey into a spinoff where she goes to Hollywood, but it didn’t pan out.

7. Inland Empire (2006) Love is apparently a super f*cking dangerous when you’re on the set of a film that is cursed. That’s what Inland Empire presents us and it’s a really well done film by Lynch. Inland Empire follows the story of Nikki Grace, an actress whose perception of reality gets surreal and distorted as she falls head over heels for her co-star Devon Berk (Justin Theroux). She also starts taking on the characteristics of the character that she’s playing in a film that is cursed. Yeah, f*ckin’ bonkers. Laura Dern is outstanding in the lead role, she does a great job in Blue Velvet and Wild at Heart, but this movie, Laura just goes all out!

8. Dune (1984) Dune is a great accomplishment, but I will warn you that when you go into Dune, be prepared to sit for awhile. Based on Frank Herbert’s 1965 novel with the same name, Dune is set in the future where there is a war brewing between families for control of Dune, or Arrakis. They mainly want it because the time travelling drug, “the spice” is vast on the planet and it’s the only place it can be found. I’ve watched this movie a couple of times and I’m still very unsure about it’s meaning, even though I totally should know what it’s about right now. In the scope of things, this was one of David Lynch’s most *raspberry noise* of movies. It was regarded as a flop, but I kinda disagree, for what it was at the time, Dune is an epic movie on a global scale and Kyle MacLachlan sports some pretty hair. OH, ALSO, THERE’S STING, so, yeah…. Watch it.

Honorable Mentions: Lost Highway (1997), The Alphabet (1968), Wild at Heart (1990), The Amputee (1974) and Six Men Getting Sick (1967)

[jungle-cruise-teljes-film-online]

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Frank Wolff egy karizmatikus hajóskapitány, aki némi készpénzért segítséget nyújt az eltökélt tudósnak, hogy teljesíthesse küldetését és rátaláljon a gyógyító erejű Életfára. Csakhogy a kalandjuk során nem csupán a dzsungel állataival, de egy német kutatócsoporttal is szembe kell nézniük, akik ugyanazzal a céllal érkeztek az őserdőbe, mint Dr. Lily Houghton. Vajon melyikük ér célt hamarabb?

felszabadított: 2021-07-28 Runtime: 127 percek Műfaj: Kaland, Fantasy, Családi, Vígjáték Csillag: Dwayne Johnson, Emily Blunt, Edgar Ramírez, Jack Whitehall, Jesse Plemons Rendező: James Newton Howard, Paco Delgado, John Davis, Beau Flynn, Joel Negron

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Angol megfelelője, a „cinema” (ejtsd: szinema) azonban már az iparágat is, illetve a filmművészetet is jelenti. Modern definíciója szerint olyan művészeti ág, melynek lényege élmények szimulálása, történetek, ötletek, érzéseket vagy atmoszféra közvetítése mozgóképpel, illetve más stimulációkkal, például zenével.[1] Dzsungeltúra 2021 Teljes filmadatlap,A film kulturális ereklye, amely rengeteg kultúrában jelen van. Reflektál a kultúrára, mi több, hat arra. A film az egyik legfontosabb művészeti forma, modern szórakoztatási eszköz és remek módszer a nevelésre, valamint propagandák sulykolására. A film vizualitása hatalmas erő a kommunikációban. Egyes filmek világhírűek lettek, hála a feliratozásnak, illetve a szinkronizálásnak, mely módszerekkel más nyelvekre lehet fordítani a szöveget. Dzsungeltúra 2021 Filmezek, Szokás a filmművészetre mint a hetedik művészeti ágra hivatkozni.[2] Radványi Géza filmrendező egy interjúban úgy fogalmazott, hogy az objektíven keresztül „objektíven kell nézni a világot, és felnagyítani az ember és ember, ember és világ közötti összefüggéseket – a láthatatlan összefüggéseket is”.[3] Dzsungeltúra 2021 online letöltés,A közönségfilmek (tömegfilm, zsánerfilm, műfaji film) a populáris kultúra részét képezik, a tömegek számára készülnek. A készítők célja a profitszerzés, ebből kifolyólag a nézők szórakoztatására összpontosítanak. Szinte mindig besorolhatók egy-egy filmműfajba. Régi, jól bevált történeteket elevenítenek fel, a jó és a rossz örök harcát mutatják be, ahol szinte mindig a jó győzedelmeskedik, az ábrázolási módokban nem igazán kísérleteznek. (A leggyakoribb műfaji filmes irányzatok: burleszk, western, film noir, bűnügyi film, melodráma, romantikus film, vígjáték, művészfilm, akciófilm, horrorfilm, thriller, filmdráma, bábfilm, rajzfilm, animációs film stb.) Ebből a kategóriából a legjobban kitörni vágyó irányzat a film-noir, nem véletlenül erre az irányzatra építkeztek leginkább a francia új hullám (a szerzői film) megalapítói. Dzsungeltúra 2021 teljes film videa,A szerzői filmek (rendezői film) a magaskultúra részét képezik. Az uralkodó jegyük nem a műfaj (általában többműfajúak), hanem a stílus, a rendező személyisége ugyanis átüt a filmen. Jacques Rivette meghatározása a legelfogadottabb, miszerint: „a szerzői film az, amikor a rendező egyes szám első személyben beszél.” Témájuk általában a hétköznapi élet; a mindennapi élet egyszerű embereinek láthatatlan drámáit mutatják meg. Gyakran nagyon eseménytelenek és befejezetlenek. A rendezők szívesen alkalmaznak egyéni megoldásokat, így pl. összekeverik az idősíkokat, az ok-okozati viszonyok néha nehezen érzékelhetők. A szerzői filmek célja legtöbbször nem a puszta szórakoztatás (még Chaplin esetében sem), inkább a szellemi továbbgondolás előidézése, az „elgondolkodtatás”. Ebből következően a szerzői film sohasem egyműfajú, s ezáltal lesz több az egyszerű, redukált tömegfilmnél. Azonban a szerzői filmeken belül is meg kell különböztetni a nézők (és producerek) felé is „kikacsintó” tömeg-művészfilmeket. Éppen ezért lesz örök harc, hogy a választás ki mellett dőljön el: Jean-Luc Godard vagy François Truffaut, Buster Keaton vagy Charlie Chaplin, Roberto Rossellini vagy Vittorio De Sica, Szőts István vagy Radványi Géza, Fehér György vagy Tarr Béla… Dzsungeltúra 2021 teljes film magyarul videa,A szerzői film precízebb osztályozása során – a tömeg-művészfilm mellett (és/vagy helyett) – meg kell különböztetnünk a fesztivál-művészfilmeket is. A teljesen autonóm, független szerzői filmek és a fesztivál-művészfilmek között az a lényegi különbség, hogy a tisztán (valódi) szerzői filmek esetében (l. Buster Keaton, Jean-Luc Godard, John Cassavetes, Michelangelo Antonioni, Robert Bresson, Jean Renoir, Jean Cocteau, Orson Welles, Roberto Rossellini, Jacques Rivette, Agnès Varda, Jacques Demy, Jean Eustache, Philippe Garrel, Jacques Doillon, Christian Petzold, Szőts István, Gaál István, Novák Márk, Fehér György, Dömölky János, Bódy Gábor, Huszárik Zoltán, Zolnay Pál, Hajdu Szabolcs, Horváth Lili stb.) sohasem érdekelte a rendezőt (szerzőt) a filmjeinek népszerűsége – akár a közönség, akár a kritikusok, akár a (vagy egy) fesztiválzsűrik részéről – vagy hogy egyáltalán eljut-e valaha a filmjük a közönséghez (vagy sem). Csupán egyetlenegy cél lebeg(ett) szemük előtt: álmaik minél tökéletesebben való filmvászonra vitele. Dzsungeltúra 2021 teljes film indavideo,A 20. század végére mind a nézők, mind a filmkészítők számára világossá vált, hogy a filmgyártás fő vonalát egyértelműen az amerikai film képviseli. Egészen pontosan a hollywoodi filmgyártás; ez a dollármilliós költségvetésű, még több dollármilliókat hozó filmekre specializálódott „gépezet”. A műfajt, sztorit, színészeket, technikai elemeket és – sokszor utolsóként – a rendezőt gondosan választják ki, mindent a gazdasági haszon érdekében. A legnagyobb amerikai filmrendezők közé tartoznak Charlie Chaplin, Orson Welles, a magyar származású George Cukor és Kertész Mihály, Alfred Hitchcock és Stanley Kubrick, a ma élők közül Francis Ford Coppola, Steven Spielberg, Martin Scorsese, Woody Allen és a független filmes Quentin Tarantino. (A leghíresebb amerikai filmsztárokat lásd a Hollywoodi filmsztárok listája szócikkben!) Dzsungeltúra teljes film magyarul letöltés ingyen,India a világ legnagyobb filmgyártó országa. Az indiai hagyományokat követő zenés tömegfilmek mellett több világhírű filmalkotás fűződik Szatyadzsit Raj és Mira Nair nevéhez. A japán filmművészet világhírű mesterei Jaszudzsiro Ozu és Akira Kuroszava. A kínai film a 90-es évek óta ér el komoly nemzetközi sikereket, elsősorban Csen Kaj-ge és Csang Ji-mu alkotásaival. Meg kell még említeni a grúz Tengiz Abuladze filmjeit, az iráni Dzsafar Panahi, Mohszen Makhmalbaf és Abbasz Kiarosztami különleges filmkölteményeit, valamint a koreai rendező, Kim Ki-duk filmjeinek legújabb nemzetközi sikerét.

[italianaradio]

Gary Oldman: 10 cose che non sai sull’attore

Nuovo post su italianaradio https://www.italianaradio.it/index.php/gary-oldman-10-cose-che-non-sai-sullattore/

Gary Oldman: 10 cose che non sai sull’attore

Gary Oldman: 10 cose che non sai sull’attore

Gary Oldman: 10 cose che non sai sull’attore

Gary Oldman è uno degli attori che ha letteralmente fatto la storia del cinema, grazie al suo talento e all’abilit�� dell’essere versatile e sempre brillante. L’attore ha sempre avuto la capacità di scegliere ruoli iconici e rimasti nell’immaginario collettivo grazie anche alle sue eccellenti ed ineccepibili interpretazioni. Ecco, allora, dieci cose sa sapere su Gary Oldman.

Gary Oldman film

1. I film e la carriera. La carriera dell’attore inizia nel 1982, quando debutta nel film Remembrance, per poi lavorare in alcune serie come Meantime (1983) e Summer Season (1985). In seguito, lavora nei film Sid e Nancy (1986), Doppio inferno (1989), Stato di grazia (1990), JFK – Un caso ancora aperto (1991), Dracula di Bram Stoker (1992), Triplo gioco (1993) e La lettera scarlatta (1995). La sua carriera è proseguita con Il quinto elemento (1997), Hannibal (2001), Harry Potter e il prigioniero di Azkaban (2004), Batman Begins (2005), Harry Potter e il calice di fuoco (2005), Harry Potter e l’Ordine della Fenice (2007), Il cavaliere oscuro (2008), Cappuccetto rosso sangue(2011), Harry Potter e i Doni della Morte – Parte 2 (2011) e La talpa. Tra i suoi ultimi progetti vi sono Il cavaliere oscuro – Il ritorno (2012), Il potere dei soldi (2013), Apes Revolution – Il pianeta delle scimmie (2014), Child 44 – Il bambino n. 44 (2015), L’ora più buia (2017) e Hunter Killer – Caccia negli abissi (2018).

2. È anche doppiatore, regista, produttore e sceneggiatore. L’attore non ha svolto solo questa attività, ma, ad esempio, ha prestato la propria voce diverse volte per film come La spada magica – Alla ricerca di Camelot (1998), Planet 51 (2009), Kung Fu Panda 2 (2011) e Tau (2018), oltre che per alcuni videogiochi come The Fifth Element (1998), Call of Duty: World at War (2008) e LEGO Dimensions (2015). Inoltre, ha vestito i panni del produttore, lavorando ai film Punkett / Macleane (1999), The Contender (2000), Nobody’s Baby (2001), oltre dirigere, sceneggiare e produttore Niente per bocca (1997).

Gary Oldman Dracula

3. Ha frequentato lezioni di canto. L’attore ha assunto un insegnante di canto per aiutarlo ad abbassare la propria voce di un’ottava affinché potesse dare a Dracula un timbro più sinistro.

4. Non andava d’accordo con Winona Ryder. Pare che sul set del film tirasse una brutta aria, determinata dal cattivo rapporto con la co-protagonista. Il resto del cast era rimasto sconvolto da questa cosa, anche perché i due erano stati amichevoli durante le prove, per poi arrivare ad odiarsi a vicenda, come se tra di loro fosse successo qualcosa di irreparabile.

Gary Oldman moglie

5. Si è sposato cinque volte. L’attore ha avuto una vita sentimentale abbastanza turbolenza in passato e culminata con ben cinque matrimoni. Oldman si è sposato la prima volta nel 1987 con Lesley Manville, per poi divorziare nel 1990 e, nello stesso anno, sposare una giovane Uma Thurman con cui è rimasto legato fino al 1992. Cinque anni dopo, si è sposato per la terza volta con Donya Fiorentino, da cui si è separato nel 2001. Nel 2008 ha dato vita al suo quarto matrimonio con Alexandra Edenborough, da cui ha divorziato nel 2015, per poi sposarsi l’ultima volta con Gisele Schmidt nel settembre del 2017.

6. È padre di tre figli. Il primo figlio, Alfie, è nato nel 1988, dall’unione con la sua prima moglie Lesley Manville, mentre gli ultimi due, Gulliver Flynn (nato il 20 agosto del 1997) e Charlie John (nato ben febbraio del 1999) sono nati dal matrimonio con Donya Fiorentino.

7. È stato fidanzato con la figlia di Rossellini. Tra il secondo ed il terzo matrimonio, Oldman è stato fidanzato per due anni, dal 1994 al 1996, con la collega Isabella Rossellini, conosciuta sul set di Amata Immortale.

Gary Oldman Harry Potter

8. Ha suggerito l’hairstyle. Sul set di Harry Potter e il prigioniero di Azkaban, film in cui Sirius Black compare per la prima volta, pare che Oldman abbia fornito egli stesso dei suggerimenti circa l’acconciatura del suo personaggio.

9. Si è fatto aiutare da Cuaron. Per costruire il suo personaggio, pare che l’attore abbia tratto ispirazione da come Alfonso Cuaron aveva descritto Sirius, ovvero “con tanto entusiasmo e gioia di vivere”, comparandolo con John Lennon.

Gary Oldman: età e altezza

10. Gary Oldman è nato il 21 marzo del 1958 a New Cross, a Londra, e la sua altezza complessiva corrisponde a 174 centimetri.

Fonti: IMDb, Ranker

Cinefilos.it – Da chi il cinema lo ama.

Gary Oldman: 10 cose che non sai sull’attore

Gary Oldman è uno degli attori che ha letteralmente fatto la storia del cinema, grazie al suo talento e all’abilità dell’essere versatile e sempre brillante. L’attore ha sempre avuto la capacità di scegliere ruoli iconici e rimasti nell’immaginario collettivo grazie anche alle sue eccellenti ed ineccepibili interpretazioni. Ecco, allora, dieci cose sa sapere su Gary […]

Cinefilos.it – Da chi il cinema lo ama.

Mara Siviero

[marmiteprinter]

Talia finished her romantic evening by pouring her newfound romantic feelings into the painting she had started. It might not be the best thing ever, but she was proud of what she had accomplished.

[malte1mj-blog]

2014 Movie Awards

Best Picture: Birdman Boyhood Mommy Nightcrawler Whiplash HONORABLE MENTION: Wild, Dear White People, Foxcatcher, Guardians of the Galaxy, Two Days One Night, Obvious Child, Captain America: The Winter Soldier, Gone Girl, Edge of Tomorrow, Snowpiercer, Under the Skin Best Director: Damien Chazelle, Whiplash Xavier Dolan, Mommy Dan Gilroy, Nightcrawler Alejandro Gonzalez Inarritu, Birdman Richard Linklater, Boyhood HONORABLE MENTION: Jean-Pierre Dardenne & Luc Dardenne, Two Days One Night; David Fincher, Gone Girl; Jonathan Glazer, Under the Skin; James Gunn, Guardians of the Galaxy; Bong Joon-ho, Snowpiercer; Doug Liman, Edge of Tomorrow; Bennett Miller, Foxcatcher; Gillian Robespierre, Obvious Child; Anthony Russo & Joe Russo, Captain America: The Winter Soldier; Justin Simien, Dear White People; Jean-Marc Vallee, Wild Best Actor: Jake Gyllenhaal, Nightcrawler Oscar Isaac, A Most Violent Year Michael Keaton, Birdman Channing Tatum, Foxcatcher Miles Teller, Whiplash HONORABLE MENTION: Steve Carell, Foxcatcher; Ellar Coltrane, Boyhood; Ansel Elgort, The Fault in Our Stars; Chris Evans, Snowpiercer; Ralph Fiennes, The Grand Budapest Hotel; Jake Gyllenhaal, Enemy; John Lithgow, Love Is Strange; Alfred Molina, Love Is Strange; Dave Oyelowo, Selma; Joaquin Phoenix, Inherent Vice; Antoine-Olivier Pilon, Mommy; Chris Pratt, Guardians of the Galaxy; Eddie Redmayne, The Theory of Everything; Tony Revolori, The Grand Budapest Hotel; Tyler James Williams, Dear White People Best Actress: Marion Cotillard, Two Days, One Night Anne Dorval, Mommy Jenny Slate, Obvious Child Tessa Thompson, Dear White People Reese Witherspoon, Wild HONORABLE MENTION: Jennifer Aniston, Cake; Emily Blunt, Edge of Tomorrow; Emily Blunt, Into the Woods; Jessica Chastain, The Disappearance of Eleanor Rigby; Marion Cotillard, The Immigrant; Essie Davis, The Babadook; Scarlett Johansson, Under the Skin; Lisa Loven Kongsli, Force Majeure; Gugu Mbatha-Raw, Beyond the Lights; Julianne Moore, Still Alice; Elisabeth Moss, The One I Love; Rosamund Pike, Gone Girl; Tilda Swinton, Only Lovers Left Alive; Agata Trzebuchowska, Ida; Shailene Woodley, The Fault in Our Stars Best Supporting Actor: Riz Ahmed, Nightcrawler Ethan Hawke, Boyhood Edward Norton, Birdman Mark Ruffalo, Foxcatcher J.K. Simmons, Whiplash HONORABLE MENTION: Brandon P. Bell, Dear White People; Jamie Bell, Snowpiercer; Josh Brolin, Inherent Vice; Albert Brooks, A Most Violent Year; Matt Damon, Interstellar; Kristofer Hivju, Force Majeure; Eyles Gabel, A Most Violent Year; Ed Harris, Snowpiercer; Logan Lerman, Fury; Jonathan Pryce, Listen Up Phillip Best Supporting Actress: Patricia Arquette, Boyhood Suzanne Clement, Mommy Elisabeth Moss, Listen Up Phillip Rene Russo, Nightcrawler Emma Stone, Birdman HONORABLE MENTION: Rose Byrne, Neighbors; Jessica Chastain, A Most Violent Year; Carrie Coon, Gone Girl; Kim Dickens, Gone Girl; Polly Draper, Obvious Child; Minnie Driver, Beyond the Lights; Carmen Ejogo, Selma; Anna Kendrick, Into the Woods; Agata Kulesza, Ida; Teyonah Parris, Dear White People; Kristen Stewart, Still Alice; Meryl Streep, Into the Woods; Tilda Swinton, Snowpiercer; Naomi Watts, Birdman Best Original Screenplay: Birdman -Armando Bo, Alexander Dinelaris Jr., Nicolas Giacobone & Alejandro Gonzalez Inarritu Boyhood - Richard Linklater Dear White People - Justin Simien Mommy - Xavier Dolan Nightcrawler - Dan Gilroy HONORABLE MENTION: The Babadook, Beyond the Lights, Force Majeure, Foxcatcher, The Grand Budapest Hotel, Ida, The Lego Movie, Listen Up Phillip, Love Is Strange, A Most Violent Year, Two Days One Night Best Adapted Screenplay: Gone Girl - Gillian Flynn Guardians of the Galaxy - James Gunn & Nicole Perlman Obvious Child - Elisabeth Holm, Karen Maine & Gillian Robespierre Whiplash - Damien Chazelle Wild - Nick Hornby HONORABLE MENTION: Captain America: The Winter Soldier, Edge of Tomorrow, The Fault in Our Stars, Inherent Vice, Into the Woods, Snowpiercer, Still Alice, 22 Jump Street, Under the Skin Best Ensemble: Birdman Dear White People Gone Girl The Grand Budapest Hotel Love Is Strange HONORABLE MENTION: Beyond the Lights, Boyhood, Captain America: The Winter Soldier, Force Majeure, Foxcatcher, Fury, Guardians of the Galaxy, Inherent Vice, Interstellar, Jersey Boys, The Lego Movie, Mommy, A Most Violent Year, Pride, Selma, Snowpiercer, Wild Best Limited Performance - Male: Timur Magomedgadzhiev, Two Days, One Night Tom McTigue, Boyhood Adam Pearson, Under the Skin Henry G. Sanders, Selma Lakeith Stanfield, Selma HONORABLE MENTION: Mike Birbiglia, The Fault in Our Stars; Cliff De Young, Wild; Martin Donovan, Inherent Vice; Billy Magnussen, Into the Woods; Peter McRobbie, Inherent Vice; Bill Murray, The Grand Budapest Hotel; Jeremy Shamos, Birdman; Russell Tovey, Pride; Michael K. Williams, Inherent Vice; Jeffrey Wright, Only Lovers Left Alive Best Limited Performance - Female: Jeannie Berlin, Inherent Vice Lindsay Duncan, Birdman Michele Lituac, Mommy Alison Pill, Snowpiercer Tilda Swinton, The Grand Budapest Hotel HONORABLE MENTION: Connie Britton, This Is Where I Leave You; Ellen Burstyn, Interstellar; Hong Chau, Inherent Vice; Cindy Cheung, Obvious Child; Leslie Jones, Top Five; Jena Malone, Inherent Vice; Donna Mitchell, St. Vincent; Vanessa Redgrave, Foxcatcher; Isabella Rossellini, Enemy; Lorraine Toussaint, Selma; Menna Trussler, Pride; Oprah Winfrey, Selma Breakthrough Performance: Ellar Coltrane, Boyhood Ansel Elgort, The Fault in Our Stars Antoine-Olivier Pilon, Mommy Tony Revolori, The Grand Budapest Hotel Agata Trzebuchowska, Ida HONORABLE MENTION: Lilla Crawford, Into the Woods; Pierre Deladonchamps, Stranger by the Lake; Lisa Loven Kongsli, Force Majeure; Johannes Bah Kuhnke, Force Majeure; George MacKay, Pride; Jack O’Connell, Unbroken; Ben Schnetzer, Pride; Noah Wiseman, The Babadook Best Film Editing: Birdman - Douglas Crise & Stephen Mirrione Boyhood - Sandra Adair Edge of Tomorrow - James Herbert & Laura Jennings Nightcrawler - John Gilroy Whiplash - Tom Cross HONORABLE MENTION: Beyond the Lights, Captain America: The Winter Soldier, Dear White People, Foxcatcher, Gone Girl, The Grand Budapest Hotel, Guardians of the Galaxy, Last Days in Vietnam, Life Itself, Mommy, Obvious Child, The Overnighters, Snowpiercer, 22 Jump Street, Under the Skin, Wild Best Cinematography: Birdman - Emmanuel Lubezki Foxcatcher - Greig Fraser Nightcrawler - Robert Elswit Under the Skin - Daniel Landin Whiplash - Sharone Meir HONORABLE MENTION: Boyhood, Edge of Tomorrow, Gone Girl, The Grand Budapest Hotel, Ida, The Immigrant, Inherent Vice, Interstellar, Mommy, A Most Violent Year, Selma, Snowpiercer, Wild Best Original Score: Birdman - Antonio Sanchez Gone Girl - Trent Reznor & Atticus Ross The Grand Budapest Hotel - Alexandre Desplat Nightcrawler - James Newton Howard Under the Skin - Mica Levi HONORABLE MENTION: The Babadook, The Boxtrolls, Edge of Tomorrow, Fury, How to Train Your Dragon 2, Inherent Vice, Interstellar, The Lego Movie, A Most Violent Year, The One I Love, The Theory of Everything, Whiplash Best Original Song: Begin Again - "Lost Stars" - Gregg Alexander & Danielle Brisebois Beyond the Lights - "Blackbird" - Terius Nash Divergent - "Beating Heart" - Ellie Goulding & Joe Janiak The Hunger Games: Mockingjay, Part 1 - "Yellow Flicker Beat" - Joel Little & Ella Yelich-O'Connor Selma - "Glory" - Common & John Legend HONORABLE MENTION: Begin Again - "Like a Fool"; Begin Again - "Tell Me If You Wanna Go Home"; Beyond the Lights - "Grateful"; Beyond the Lights - "Masterpiece"; Big Hero 6 - "Immortals"; The Boxtrolls - "The Boxtrolls Song"; Boyhood - "Split the Difference"; The Fault in Our Stars - "All of the Stars"; The Hunger Games: Mockingjay Part 1 - "The Hanging Tree"; The Lego Movie - "Everything Is Awesome"; Muppets Most Wanted - "The Big House"; Muppets Most Wanted - "We're Doing a Sequel" Best Art Direction: Birdman - George DeTitta Jr. & Kevin Thompson Gone Girl - Donald Graham Burt & Douglas A. Mowat The Grand Budapest Hotel - Anna Pinnock & Adam Stockhausen Interstellar - Nathan Crowley & Gary Fettis Snowpiercer - Beata Brendtnerova & Ondrej Nekvasil HONORABLE MENTION: The Babadook, Big Eyes, Captain America: The Winter Soldier, Dear White People, Divergent, Edge of Tomorrow, Guardians of the Galaxy, The Hunger Games: Mockingjay Part 1, The Imitation Game, Inherent Vice, Into the Woods, Jersey Boys, A Most Violent Year, Selma, X-Men: Days of Future Past Best Costume Design: Captain America: The Winter Soldier - Judianna Makovsky The Grand Budapest Hotel - Milena Canonero Guardians of the Galaxy - Alexandra Byrne Into the Woods - Colleen Atwood Selma - Ruth E. Carter HONORABLE MENTION: The Babadook, Beyond the Lights, Birdman, Divergent, Edge of Tomorrow, Gone Girl, The Hunger Games: Mockingjay Part 1, Ida, The Imitation Game, Inherent Vice, Interstellar, Jersey Boys, A Most Violent Year, Only Lovers Left Alive, Pride, Snowpiercer, X-Men: Days of Future Past Best Makeup: Beyond the Lights The Grand Budapest Hotel Guardians of the Galaxy Snowpiercer X-Men: Days of Future Past HONORABLE MENTION: Birdman, Captain America: The Winter Soldier, Edge of Tomorrow, Foxcatcher, Fury, Gone Girl, The Hunger Games: Mockingjay Part 1, Inherent Vice, Into the Woods, Jersey Boys, Only Lovers Left Alive, Pride, Selma, The Theory of Everything Best Sound Mixing: Birdman Captain America: The Winter Soldier Guardians of the Galaxy Under the Skin Whiplash HONORABLE MENTION: Begin Again, Boyhood, Edge of Tomorrow, Gone Girl, The Grand Budapest Hotel, How to Train Your Dragon 2, The Hunger Games: Mockingjay Part 1, Inherent Vice, Interstellar, Into the Woods, Jersey Boys, The Lego Movie, Mommy, Nightcrawler, Snowpiercer, 22 Jump Street, Wild, X-Men: Days of Future Past Best Sound Editing: Birdman Captain America: The Winter Soldier Edge of Tomorrow Snowpiercer Whiplash HONORABLE MENTION: American Sniper, Big Hero 6, Divergent, Fury, Gone Girl, Guardians of the Galaxy, How to Train Your Dragon 2, The Hunger Games: Mockingjay Part 1, Interstellar, The Lego Movie, 22 Jump Street, Under the Skin, X-Men: Days of Future Past Best Visual Effects: Captain America: The Winter Soldier Edge of Tomorrow Guardians of the Galaxy The Hunger Games: Mockingjay, Part 1 Under the Skin HONORABLE MENTION: American Sniper, Birdman, Divergent, Interstellar, Maleficent, Snowpiercer, 22 Jump Street, Unbroken, X-Men: Days of Future Past Best Foreign Film: Force Majeure - Ruben Ostlund Ida - Pawl Palikowski Mommy - Xavier Dolan Stranger by the Lake - Alain Guiraudie Two Days, One Night - Jean-Pierre Dardenne & Luc Dardenne HONORABLE MENTION: N/A Best Documentary: Art and Craft - Sam Cullen & Jennifer Grausman Elaine Stritch: Shoot Me - Chiemi Karasawa Last Days in Vietnam - Rory Kennedy Life Itself - Steve James The Overnighters - Jesse Moss Honorable Mention: CITIZENFOUR, Finding Vivian Maier, Happy Valley, I Am Divine Best Animated Film: Big Hero 6 - Don Hall & Chris Williams The Boxtrolls - Graham Annable & Anthony Stacchi Ernest & Celestine - Stephane Aubier, Vincent Patar & Benjamin Renner How to Train Your Dragon 2 - Dean DeBlois The Lego Movie - Phil Lord & Chris Miller HONORABLE MENTION: N/A Every 2014 Film I've Seen: Ranked

[politiciandirect]

Nolte: Why Did NBC Spike Hollywood’s Biggest Scandal Ever? Weinstein Is a Democrat.

Nolte: Why Did NBC Spike Hollywood’s Biggest Scandal Ever? Weinstein Is a Democrat.

Errol Flynn tried and acquitted for statutory rape? Lana Turner’s Mafioso boyfriend killed by her daughter? Joan Crawford’s wire hangers? Ingrid Bergman’s affair with Roberto Rossellini? Not even close. Eddie Fisher dumping America’s sweetheart Debbie Reynolds for sexpot Elizabeth Taylor? Elizabeth Taylor dumping Eddie Fisher for Richard Burton while nearly putting 20th Century-Fox out of…

[marmiteprinter]

Before either of them knew what was happening, they were swept up in the romance and found themselves sharing their first kiss and even making out, right there in Talia's lounge.

By the end of their dream date, Talia watched almost mournfully as her new girlfriend walked away up the stairs. She had her own daughter to care for, after all, and needed to collect her from her dad's, but Talia was already missing her. Freddie who? And was that a love heart above Felicity's head?

[marmiteprinter]

Talia put on some gentle romantic music and asked Felicity to dance. Together they moved slowly to the music, gazing into each other's eyes and whispering about their respective dreams and wishes. Before they knew it, they were best friends as well!

[marmiteprinter]

Talia took a chance and asked Felicity out there and then. She was sure she could sense some heat between them and, luckily for her, she was right! Felicity said yes and they started flirting sweetly, quickly getting crushes on each other.

[marmiteprinter]

Talia had the day off so she decided to invite Felicity Saunders over. She had the vague idea of starting some kind of single mums group in the neighbourhood and was starting with Felicity. They went down to the lounge and started chatting, discovering that they both really enjoyed grilled cheese and could converse easily.

It wasn't long before they were friends. They also had two bolts of chemistry and Talia found herself really attracted to Felicity and wanting to ask her on a date. Well, okay then!

[marmiteprinter]

The following morning was Flynn's first day at school. He was a bit nervous so Lucas suggested that he use his dolls to play school.

"Hello! My name is Flynn. Are you going to be my friend?" the boy said, pretending one doll was talking to the other. "No, I don't like you! Go away!" he 'replied' to himself.

Lucas observed quietly then sat down next to his grandson. "You know, my sister is the teacher at the school. Her name is Mrs Neetor and she's really lovely. She'll look after you and I promise you, you will make friends. Everyone is really lovely here."

Reassured, Flynn gave his granddad a hug and skipped onto the school bus.