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pparacxosm · 3 months ago

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uta hagen

(divorced!art donaldson x reader; tw divorce obviously; tw sporadic mentions of violent or otherwise shitty partners; that sounds intense but this is actually a fun time i swear; cw a little smut; as a treat; tw ironic intimacy; kaz write a normal romance where one or both people aren't hypercritical of the other challenge ((impossible)); tw group therapy; tw condensing of tashi duncan's character for narrative reasons but i hope you know me well enough by now to know where my heart lies; whoever came up with the art donaldson calvin klein campaign headcanon i owe you a kidney; tw exploiting therapeutic exercises for sexual tension lol; tw hamfisted closure; raymond carver easter egg for all who have the eyes to see)

Before anything happens, Art Donaldson is just another guy in the “Learning to Let the Ex Go” group therapy session you signed up for.

It occurs to you, pretty quickly, that Art Donaldson has zero intention of letting his ex go. Dr Harper has this question he asks all the newcomers.

You’re having circle time with a bunch of adults on a Friday afternoon. So that look of longsuffering on the new guy's face isn’t particularly remarkable. You note a few furtive whispers and glances his way. But then this sad little workshop is mostly comprised of weepy middleaged women. They, too, kicked up a ruckus when that silver fox with the Harley—Rick—deigned to grace the room with his impossible biceps for a single, cigarettescented session two weeks ago.

What you’re saying is you know he’s handsome.

And, anyway, you’d never hold anything against your motley crew. Agnes invited you to her neighbourhood book club. Padma brings little clingwrapped trays of desserts every other week. These are your gal pals. Your bereaved bosom buddies. You wouldn’t begrudge them their eye candy.

Dr Harper says, “So,” and claps his hands the way he starts every session, narrowing his eyes with that scarily sentimental smile and sweeping his gaze around the circle. He makes a point to make eye contact with every single person for two whole seconds, as though he knows something you don’t. Then, “As you can see, we are not as few as we once were.”

He tends to speak in that meandering sort of way. He makes a flourishing gesture with his clipboard, as if setting a stage, and says,

“If you wouldn’t mind introducing yourself, and letting us know…” He pauses for effect. He tends to do that, too. “… Why can’t you let your ex go?”

You do the guy the favour of not laving him in that expectant stare people seem to love doing here. You fiddle with your fingers and listen to the uneasy knell of his sneakers against the linoleum. The stilted whine of his little plastic foldout chair. You cast him a glance as stands. He’s sort of tall, but not imposing. His fingers fidget at his sides like he’s awaiting a time bomb.

When he speaks, he looks so upset you’d think he’s getting a root canal. “Uh, hi. I’m Art, uh… just Art.”

And, at the time, you think this is kind of strange.

The next week, when Dr Harper brings a purple tennis racket with Just Art’s face on the front to get him to sign it for his daughter—which you already think is unprofessional and a bit presumptuous, considering how few people actually return for a second session, and how fascinatingly tortured he looked all throughout the first—you will think oh. And then his whole humble kicked puppy thing will feel a little annoying. But that’s besides the point.

On that first day, while he’s standing there awkwardly, and every shriek of his shoes against the ground is making him wince like he’s sporting stab wounds, and he keeps casting very conspicuous glances at the clock, Dr Harper asks why can’t you let your ex go?

And the thing about that question is it’s mostly rhetorical. Sure, it’s supposed to make you think. But the ultimate unearthing there is of the truth that there is no real reason. And such is the first step to selfactualising change and so on and so forth. You get it.

There’s a couple answers you come to expect. The notably lachrymose will get to weeping straight away. Because I’m pathetic! you remember someone wailing, which made you feel like a bit of a sadist, just sitting there and watching. You’re pretty sure you’d said a less than kind, I don’t fucking know, on your first day, but you’ve grown since then, and you appreciate Dr Harper’s abiding effusiveness despite that.

But Just Art releases a contrite sort of exhale and says, “Because I still love her.”

Which—okay—strikes you as a bit overkill.

A tissue discreetly finds his palm, but he only rumples it into a ball.

Dr Harper nods sagely, leaning back in his seat, steepling his fingers under his chin.

“Go on,” he prompts in that gentle, needling way he does.

You don’t Google him. You don’t really need to. Dr Harper keeps intentionally-unintentionally peppering sporadic little pearls of information about him into conversation like some sort of bizarre BINGO game.

Like—for example—when he’s passing out little notepads and outlining your task of writing unflinchingly honest farewell letters to your exes, he tacks on, “—it’ll be tough, but it’s no Wimbledon, am I right, Donaldson?”

And Just Art’s ears will turn a dazzling shade of crimson.

You file these little tidings away in some less important corner of your mind, passively constructing a criminal profile.

Padma brings her son to a session, which you’re pretty sure she’s not allowed to do. Luckily, the kid doesn’t internalise any of Padma’s scathing anecdotes about his father because he’s too busy marvelling at his own freshly signed Art Donaldson racket.

There seems to be a new racket to sign every week.

You doubt people actually give this much of a shit about tennis. But—anyway—you suppose if fucking Michael Cera rocked up and joined the circle, everyone would be hauling a Superbad poster out from some dusty corner, too. Such is the nature of celebrity.

Dr Harper, for one, appreciates the effervescence. He seems to think the mere presence of a famous athlete will motivate everyone in the room to face with renewed fervour their own pathetic little romantic quagmires.

Well, it’s that, or a strange personal infatuation he houses with the guy. Probably both.

You don’t Google him. You don’t Google him, nor his conceivably equally famous exwife. You don’t need to. Dr Harper seems to think it necessary to give you all regular progress reports on that whole imbroglio.

You know there’s news—perhaps unfortunate news—by the colour of Dr Harper’s voice when he says, haltingly, “And Art… how have you been doing?”

By the severity with which Dr Harper nods as Art reads his letter. (“Tashi,” he begins, and one of those not so furtive whispers ricochets around the room, another tissue in his hand; you think it’s Agnes who’s slipping them).

By the abject enthusiasm with which Dr Harper declares what real progress Art is making. Like he’s one of those zoo animals being parallelreared with a human child, and he’s starting to glean the art of speech without being prompted.

This is all saying something, for whom you know to be an already colourful, severe, enthusiastic Dr Harper.

What you gather is a vague impression that Art’s exwife tortured him psychologically by wielding his body and tennis career as serrated edges by which to flay their marriage intricately, slowly. And then there’s something about her repeatedly sleeping with his exbestfriend? Which—big whoop. Eleanor’s boyfriend tried to kill her, which you feel is a marginally more exceptional love story.

A month in, you realise what’s really bothering you is the untruth.

Art Donaldson has zero intention of letting his ex go. He still loves her. He opened with that.

He reads his letter (that reads a lot more like a draft for vow renewals) aloud to the room. Everyone looks at him with these misty eyes like he’s just chainsawed his chest open and wrested his heart from his arteries while simultaneously reciting Sappho.

Which is to say—and you’re no doctor, but—what fucking progress?

You don’t think you’re the patron saint of therapy or anything. But you’ve paid decent money to be here, and you’ve spent more afternoons than you’d stomach admitting on guided meditation. You’re doing The Work, as they say.

You get it; you do. Losing a relationship can feel like a death. Losing yours certainly felt like the Sun had imploded. But Eleanor—you’ll mention again—could be dead. Your jaded inner voice struggles to identify with this probably deplorably wealthy Adonis who can't seem to cut the racket strings.

So you think it’s a little irresponsible to glorify the abject pining of this crestfallen man. All flaxenhaired and broadshouldered like Prince Charming lamenting bedside of Sleeping Beauty.

This is a class about severance.

Art Donaldson seems to weave himself inextricably around something. The love of his wife, sure, that’s obvious enough. But there’s something. Something. Something very sad, sure, but not sad in the way you’re all so sad around here. A different kind of sad.

You’re trying to figure it out.

So you spend some time doing that. Trying to figure him out. You expect to start to hate him the more you stare. The more you note the weird slope of his nose, his selfdeprecating laughter.

But you don’t.

In fact, you find it delightfully, uncomfortably strange. He carries himself like an interloper to despair. Not like he thinks he’s above it necessarily—you’d thought that (reproachfully) for a while—rather like sadness is one of many things stored at the other side of the city, and he keeps missing the train.

Like these brilliant sorrowers are deigning to include him in their orbit, even though he doesn’t belong. If he remains silent, maybe they won’t notice that he’s not one of them. Better yet, conceivably, he’ll actually belong one day.

That’s what it’s like. Like he’s striving for sorrow. Like he’s working with something worse than sorrow and is saying, you know what? I’d rather take the sorrow.

In the exercise you’re doing this week, you’re supposed to personage your ex and act out your final argument. Take your scene partner’s hands and look into their eyes and everything. Dr Harper makes a big deal about how he's not trying to trigger anyone's relationship trauma, but that feels like a lie. You can’t imagine a productive reason to make a bunch of lonely, divorced adults hold hands in a cruel parody of their last brush with fleshdeep connection.

And anyway, fuck this shit.

That doesn’t mean you won’t communicate circles around it. You’re doing The Work, after all.

But fuck it hard.

His hands sort of swallow yours. They are warm and calloused and a little sweaty.

You were, at first, excited by the idea of this proximity. Excited in the way a cultural anthropologist would be, at the prospect of conducting participant research. But now you’re here. Sitting at the edges of your little plastic foldout chairs. Your knees between his. And his fingers are curled pretty firmly around yours. He looks about as comfortable as a grade schooler called to the chalkboard. And you’re the one who’s been sitting around observing him from a distance and gleaning your data and passing your judgement all this time, but it is he who makes—and holds—eyecontact.

His eyes are dusky and intent—molten navy—like he’s seeing past your skin and bone. And you are less than pleased by this subversion.

So when he shifts and his knee brushes your outer thigh, a potent shock of heat resounding through the denim, and he clears his throat and mumbles, “Sorry,” you say,

“You could back up a bit.”

His expression falters. You must admit, there is something alluring in his being disappointed by your little rejection. Anyone looking at it from the outside would find the whole thing pretty ludicrous. That you could say no, that he would even ask.

Dr Harper comes up and puts his hands atop both your heads, which feels more than a little patronising. He squats to be eye level between the two of you and whispers, “Do you know why I paired you two together?”

For a moment, you almost roll your eyes. When all is said and done, and the skull speaks and the bell tolls, your primary takeaway from your time Learning to Let the Ex Go is that Dr Harper has a spectacular penchant for assigning meaning where there is absolutely none.

If he paired you with Art based on eyelash hue, would he come up with some reason for that? Probably, you think.

But what he says next manages to throw you.

“You two…” he begins, pausing for effect. Because, of course. And Art shifts his weight uncomfortably, quite literally wincing as he accidentally bumps your knee again. He glances fleetingly in your direction, ears gone florid, but you have little time to delight in this before Dr Harper stands up straight again and delivers his verdict, “… have the same problem.”

You make a face like you have just seen a lizard eat a bird.

And fucking Art, of all people, has this look in his eyes, this look that’s almost hopeful. Like some explanation is finally to be offered for what the hell is wrong with you.

And you don’t care for that shit. At all.

You bark out a laugh. “I don’t think so.”

Which is, of course, when Dr Harper’s gaze sharpens like a scalpel and locks on you, like you’ve said exactly what he predicted you would say.

Which you care for even less.

He doesn’t look smug. Not exactly. He doesn’t even look vindicated. The only way to describe that look on his face is total delight. Cat with the canary in his maw.

Art seems very committed to staring at the ground, now. Trying, perhaps, to evade something of a brewing storm. You’re tempted to reach up and flick his head for his cowardice, but his hands are—very tightly, now, you’ll note—still holding yours.

“You two are both at mercy to judgement,” Dr Harper declares, and he’s still got your head in his palm like a basketball, and all that selfregulatory yoga feels fucking useless right about now.

You shift to look up at him better. “I’m not at mercy to judgement,” you inform him as calmly as you are able, and maybe you’re disproving his point in this moment by being so affected by this analysis, but you sincerely believe that you’re generally pretty hardwearing.

Dr Harper pauses for effect. “You are at mercy to your own judgement...” Another pause. And you’re about to tell him that—nice fucking try, but—you’re actually a remarkably selfassured person who rarely, if ever, gives yourself to negative selftalk. But then, “... Of others.”

And now it occurs to you that the fucking room has gone silent. And you feel like your eyes have all but crossed in simmering anger. Because—okay—everyone here is crazy, and miserable, and a little fucking pathetic, but you’ve prided yourself on being the least crazy one here.

And fuck.

Fuck if you’re not proving his point right now.

When you open your mouth to argue—because you are going to disagree, if only for the sake of disagreeing—Art Donaldson’s fingers screw up firmer around yours, like he’s some sort of sentient lie detector, and you’re about to ask him where the fuck he gets off, but Dr Harper isn’t done.

He turns, now, to Art.

“And you…” he says. You’re getting seasick with all the pausing. “Donaldson. You’re at mercy to others’ judgements of you, my man.”

So Art, you see out of the corner of your eye, looks like he’d rather debone himself than be sitting here.

And fine.

Okay.

Let’s all agree that that much is true. That Art Donaldson lives and dies by the judgement of others, and you live and die in the name of it. Fine.

Even so, you can’t help but think that these are directly antithetical problems to have.

And, in practice, if you’re a callous shrew, and he’s an open wound, you’ll probably kill him. Or something.

But now Dr Harper’s pushing your heads together like a ref before a rugby match. And he crouches down again. And Art’s nose brushes yours, and your lash swipes his cheek, and you can smell the coffee Dr Harper was just drinking.

And he says, “Let. First serve.”

Then he stands again and pats Art’s shoulder like they’re old friends, and gives a wink to the room at large.

He saunters away. Art looks like someone is pointing a gun to his head. But really it’s just your—heartlessly selfrighteous, apparently—forehead still against his. His skin is feverwarm.

You pull away.

Of course no one takes the exercise seriously.

In its defense, you think, there’s very little that goes down in this room that can be veritably labelled a ‘serious’ event. Most of it—the guided meditations, the writing exercises, Dr Harper’s entire vibe—feels like you happened to miss some crazy event that tore reality asunder and tipped you over into a sadistically tragicomedic alternate universe.

But if you all were to sincerely sit here, knees to knees with mourning strangers, and concretise this litany of other strangers who have wounded you all irrevocably in different ways—shit—Harper’d be sitting with a fetid heap of weeping corses.

So—well.

Eleanor’s chasing Ally around the hall with a her fingers hoisting an invisible shiv yelling, I love you, I love you, you bitch. Which is certainly one way to contend with a murderous exlover, you guess.

Padma and Colin are treating this as a gossip session. You can tell because you can hear that delighted peal of laughter she emits whenever someone interjects one of her—deeply engrossing, by the way—caustic vignettes about her exhusband with a little observational jab at the guy.

Most people are laughing. Or making fun. You catch fleeting dregs of remarkably hilarious conversation from all angles and are reminded why you keep coming back here.

The only person, however, who seems to have really taken Dr Harper’s thought experiment to the harp of his heart—much to your horror—is Art Donaldson.

He sets his elbows on his knees and leans forward. You get a waft of him. Something acerbic like citrus, and maybe pine. He blinks up at you with this almost regrettable intensity. Like he’s about to tell you that he has to pull your teeth. But he’s not thrilled about it. You’re still deciding if you’re flattered by the notion. He’s looking at you like he’s trying to glean the pattern of your sinew with his eyes alone.

“I’ll be you,” he says, his voice low and soft. And there’s a hoarse quality to it, like he’s just run up a staircase.

You’re suddenly very aware of all the noise around the two of you. The laughter, the bedlam. Something faintly percussive.

His thumbs swipe over your knuckles, which you’re hoping is an absent thing.

You blink. Your face is overcast with a less than kind, more than unimpressed glower.

“You’re serious?” you deadpan.

He looks serious as the end times. His fingers twitch around yours. You feel his knuckles like piano keys against your palm.

Dr Harper has essentially told this man that you have something he doesn’t. Something he needs. And now—with a tenacity you can only imagine churns through his bones by rote—he seems determined to find it.

He’s gripping your hands like you’re the fucking racket.

He leans down further, elbows pressing into his thighs, and his face gets alarmingly close to your fingers. A whisper of heat against your nailbeds.

When his tongue dips out to swipe the chapped coral edge of his upper lip, you nearly flinch, because you think that wet will touch you. But it doesn’t.

He peers up at you intently. You see the way his throat shifts under his wan skin as he swallows.

“I’m as serious as you want me to be,” he says. He is absurdly sincere, but also something else.

Your brows twitch, and you frown, because you are now realising that, even after several weeks of careful observation, you do not have even a remote understanding of this man to speak of. You feel like an academic whose thesis has just been rejected, and now they’re back to square one of some miserable odyssey. Moreover, this is all just unutterably ridiculous, so you sigh and roll your eyes and shift in your seat, your knee knocking against his inner thigh.

“Fine,” you say, “You be me.”

Art’s face is set in what you first think is determination, but are incredibly unnerved to discover is him getting into character. He’s trying to emulate that vaguely bitter perennial scowl of yours. He looks like a bitch—which means he’s pretty fucking dead on.

You’re almost impressed.

Of course, he still looks sad. There’s a vulnerability his mimicry cannot conceal. But you think he’s finding something cathartic in wearing the hue of your passive vitriol.

You tell him to express a perfectly reasonable grievance to you—and you yourself are now rolling your shoulders and slinking into the ethos of a gaslighting asshole—like how you never wash the dishes. Like, ever.

He clears his throat.

“You never do the dishes.”

You swallow.

“Right…” you murmur.

You’re still a little facetious about this whole thing, but there is that intensity in his gaze that wrests you into the moment like a fervid point of gravity.

“Well, now I—as my ex—would probably tell you—” You roll your eyes again, but now it is at the memory you’re unsheathing. “—oh, you’re being dramatic. I was just about to do them. Why are you always on my ass?”

And Art’s nose wrinkles, like the memory is offensive to him, too.

He looks you over like a sawbones trying to determine a patient’s symptoms. Mapping out the incision.

“Then I—you—would say…” He’s speaking really slowly, too. Like he’s giving you the chance to object where you see fit, on grounds of mischaracterisation. “I would say that you always say you’re going to do all kinds of things. But you never actually do them.”

“Exactly!” you blurt, kneejerk. But then you catch yourself. Flex your fingers a bit in his. Clear your throat and put on your best impression of a total dolt again. “Okay—oh, maybe you’re too busy focusing on the little stuff I don’t do to recognise the large sacrifices I make for our relationship.”

He scoffs.

It’s your scoff. A facsimile of that incredulous ire you seem to always be evincing. It’s deeply disturbing.

“What sacrifices?” You can’t tell who’s asking.

“W—” You falter. Swallow. It takes you a moment—like you’re emerging from deep water—to answer, as your ex, “Well, I moved here, didn’t I? Packed up all my shit and left my friends, my family, fucking everything. To be with you.”

“I didn’t ask you to move.”

“You didn’t,” you confirm quickly. And you can’t tell who’s saying that, either. But you put on the voice again, and say, “You didn’t. But I still did it for you. And I don’t think you’ve ever said thank you. Or sorry.”

A beat.

Your hands go slack in his. You sigh. “You never say sorry.”

Art’s eyes search you like a probe.

Your shoulders are stonerigid and the blood is rushing like torrent through your ears because—somehow—this feels uncomfortably like a fight. Like that fight. And your body seems keen on adjusting the scoreboard accordingly.

His thumbs rub your knuckles again, in a way that feels a lot less idle this time.

“I’m still not going to say sorry,” he guesses with a marginal tentativeness, but a general certainty in his assessment.

You swallow again. “Yeah,” you rasp, “You’re not.”

It occurs to you that this exercise is a little like immolation.

He’s supposed to be acting like you. But he’s acting like you at your worst, and doing so—to his credit—a little more accurately than you’d like to admit.

It strikes you as unfair. And excoriating. And you picture yourself tackling Dr Harper to the ground and choking him out.

And then Art says, “We’ve been having this fight for…?”

“Two months,” you mumble. You’re not even doing the voice anymore.

Art clicks his teeth, a sentimental crease at the corner of his eye. “I think we should break up.”

You sigh. “Yeah, probably.”

“It’ll be really hard for me.”

A guess again, but then you’re here. Doing The Work. Holding hands and roleplaying. It’s not inconceivable that you didn’t take the breakup exceptionally.

Your lip twitches. “You’ll survive.”

He pushes off his elbows and sits up straight, his knees sidling fully around your thighs, now unashamed. He gives you a look. A different one. His mouth purses to the side in some alloy of pensive amusement, a dimple delved into his cheek. His gaze coruscates with a deep cornflower intrigue.

“I think I will, actually,” he says finally.

And he has the nerve to smile. Revoltingly soft and sympathetic.

He gives your hands a parting squeeze before dropping them in your lap, his chair scraping loud the linoleum as he backs off.

You call your ex that night.

��Hey, listen,” you say, “Sorry.”

Dr Harper’s probably somewhere creaming his pants so fervently as to have rendered himself numb in a state of gleeful stupor.

“Hey,” husks your ex—who, for his flaws, has always been more magnanimous than you—before chuckling, “No worries.” You can hear that easy smile of a life unburdened by you in his voice.

Which is fine.

“How are you?” he asks then, “You good? You surviving?”

You smile wryly. You feel like you’ve been flogged by four consecutive eighteenwheelers. “I think I will, actually.”

You Google Art Donaldson.

You’re having a drink with Eleanor and Ally and Colin and a few others from the group, and you’re basically shitting all over the whole programme in a very hush-hush sort of way because you all know what an Opportunity For Growth this has been, when Art walks into the bar and spots your table and nods at the whole gang. The mood quickly shifts. Excitement, sure, but a collective wordless agreement that the lighthearted gossip between real friends ends here. You feel bad. It’s not his fault.

Art slides into your booth with beer floats and greets Colin, who’s looking at him with a senex’s disdain because he was just telling you all how he’s thinking of getting hair plugs. Again, not Art’s fault.

Art’s in camouflage, with his baseball hat and T-shirt, which you think is unnecessary because—again—you’re still quite certain no one gives enough of a shit about tennis as to recognise him in a bar.

When he slides into the booth—into the space between you and Colin—he’s careful to leave a distance between the two of you. Which you only really notice at all because you’re acutely aware of exactly how much space occupies the expanse between the two of you at any given instance.

A bunch of people at the table are already looking at him like he’s some sort of foreign dignitary.

You don’t think athletes are necessarily charming by nature, and you refuse to give Art Donaldson that kind of credit, but he doesn’t have to try very hard to make himself agreeable to everyone.

He buys a round for the whole group. He asks after jobs, and the state of marriage, and family, and life. He seems sincere enough.

You all start chatting about the various horrific relationships that lead you here, as though they were all particularly uninteresting ham and cheese sandwiches. Colin’s exfiancée diagnosed with early onset dementia. Ally’s exgirlfriend developing a heroin habit. You’ve all jabbed and scrutinised these woes to deflated nothingness, by now. None of it hurts anymore. Is that the whole point? You still don’t know.

No one knows by what fancy Dr Harper pushes you all about in his great cosmic dance of personal selfimprovement.

You do know that Art remains quiet. Generally inconspicuous, but then you’re you, so you’re paying attention. And you don’t think he should get to sit there like an archaeologist recording the fossils of your collective melancholy, as though his own warm and living bones are out of the question.

Maybe you all can pull up the People.com article, A Comprehensive Timeline of Art and Tashi Donaldson’s Perfect Relationship and Messy Divorce, and have it contribute to the conversation.

Eleanor’s telling a story about the time her ex wrested her from bed and lobbed her out of the house at 2 AM in midwinter.

“And we lived in Duluth,” Eleanor’s saying, and she’s laughing in that disconcertingly manic way she does when she shares these things. “And I sleep halfnaked, so I’m fighting frostbite, and I’m just totally mortified that one of my neighbours will see me.”

“There’s nothing embarrassing about being halfnaked,” Ally shrugs.

And then you say, “Ha, yeah, I mean Art would know.”

Art—who, until now, looked like he was studiously contemplating the meniscus of his beer, or the grain of the table—flicks his gaze up to you.

You snort. “What, I’m supposed to act like everyone here hasn’t seen you oiled up and smouldering to the camera for Calvin Klein?”

A brief hush descends upon the table like a falling guillotine.

Then, laughter.

Eleanor snorts her gin and soda with such force that she coughs for a solid minute afterwards. There’s tears in her eyes and Colin is laughing at her and Ally is laughing at them both. And Art looks as embarrassed as a woman strewn porchside in her panties in midwinter in Duluth.

And—okay.

You were trying to be tongueincheek about it. But his discomfort levels are seemingly off the charts. He doesn’t know how to react and it makes him unhappy. Clearly, ten and something years of public scrutiny—and, in your defense, actually doing that photoshoot—have not prepared him for this moment.

You lean forward and awkwardly bump his fist with yours. “Hey, I’m kidding.”

But you’re not, because it was technically true.

“I thought it was artistic,” says Ally.

Eleanor, still crying laughing, “What, the fullpage spread of him fully waxed and laid out on a clay court surrounded by Great Danes?”

“Someone paid attention,” Colin chuckles, and Eleanor erupts into vibrant giggles again. Colin gives Art a courtesy clap on the shoulder before saying to Ally, “Maybe I’m old fashioned, but a Billboard of a guy wearing whities so tightie you can see his dickprint isn’t exactly Starry Night. But maybe I don’t get it.”

“You don’t have to worry too much about that. The art has to get you,” Ally says, pointing at him with a fry. Ally studied theatre. “I mean, we are the most complicated machinery in our lives. You have to take yourself seriously to do something like that.”

Everyone’s looking at Art like he’s some kind of colourful textbook.

It’s not often people sit beside a guy of whom they can confidently guess the naked physique.

And maybe you’re thinking that, too; you brought it up, after all. His arms look strong in his T-shirt sleeves. Not, like, bodybuilder strong. But lean and cut. And there’s a sort of animal grace to his movements. Like a fox, or something. Even as his ears burn a practically neon shade of carmine in the dim lighting.

He clears his throat. “I doubt anyone took that seriously,” he says dryly, the corner of his mouth ruefully, if hardly, upturned.

Eleanor shoves Ally playfully, swiping her tears away in a blissful mascara smear. “My God Al, will you stop scaring him with your Uta Hagen spiel?”

The conversation meanders to other topics. Fringe stuff, briefly, like the societal implications of male sexuality and modern advertising. But then things branch off entirely—The Fast and the Furious franchise, artificial intelligence, Colin’s stepson’s career aspirations of becoming a TikTok street interviewer. Et cetera.

You hope Art isn’t looking at you when you chance a glance his way, but when have you ever been so lucky?

So he’s looking at you. He looks at you like he’s taking inventory of you at your expense. He gives a slow blink, an almost imperceptible smile, then he lifts his beer towards you and takes a swig.

At the end of the night, he asks for your number, which feels like a boot to the loins. Not because it’s profoundly unbelievable. Maybe a little surprising, but, if anything, it’s the conclusion you’ve halfanticipated all night. That’s the way he’s been looking at you, at least. It’s just the finality of it all.

But what are you gonna say? No?

You call him that night.

“Hey, listen,” you say, “Sorry.”

God, what have they done to you?

Art, on the other end of the line, presumably lounging in his stately mansion, remains cautiously silent. You sigh like you’re losing something here.

“I hope I didn’t upset you,” you say, but realise your tone is too grudging, so you adjust, “I got awkward, I was trying to be funny. Which we both know by now that I’m not. I’m just a bitch. So, I just wanted to say… you obviously look fucking amazing. And your shoot was great. Everyone can see that.”

You swallow the dryness in your throat.

Art makes his own pained noise across the receiver. “Everyone?” he groans, and you cannot tell if you’re imagining the fleeting hue of amusement you discern there. “Please no.”

“I don’t know what you want me to say here.”

“You called me,” he scoffs. It’s a good scoff, if such a thing can be said. But he still sounds pretty incredulous with you, and not in a way that says he thinks you a moral paragon. You think he thinks you’re a bit of a monster. Which doesn’t offend you, actually. “To apologise.”

“And I did!”

“Okay?”

A silence befalls you like a yawning maw, stretching out. He could hang up on you. He doesn’t.

“Look, you can internalise the things I say at your own risk,” you say.

“You’re telling me.”

“But it was a nice photoshoot. And, you know… pretty hot and stuff, which I guess was the intended purpose.”

You feel like a corpse whose arteries are being drained of blood and filled with embalming fluid.

“Pretty hot and stuff?” he echoes. You roll your eyes.

If you’re lucky, he’s tipsy, because you guys didn’t only indulge in beer floats. So, maybe—by God’s impossible mercy—he’ll have forgotten this conversation in the morning.

“I—” you hesitate, adding a small laugh, kind of hoarse, kind of unconvincing. “I—honestly—I can’t stop watching it.”

It’s not a joke, you both realise.

His voice drops an octave. “Really?”

And—fuck. Fuck, right? But you’ve made it this far.

“Really.”

You feel his eyes on you, not Tashi. Harper has you all thronged around a burn barrel in the community centre parking lot at 8 PM on a Wednesday. Scintillating honeygold flames lick at the night and shadow his face at pretty angles. And he’s reading his letter—that letter—and looking at you.

That’s bad.

This is supposed to be a cathartic and utterly sexless exercise in closure.

But you feel like a filthy fraud.

You’re crossing your arms, and blinking off the flameheat, and pretending not to stare at the scarp of his Adam’s apple and his tendons working beneath the skin of his hands.

He clears his throat, and his lips are moving like he’s trying not to laugh.

“Tashi,” he starts.

Her name, when he says it, still sounds like a tender orison. But last time he’d been reciting this thing, his eyes had been all flushed, raw, and misty, his voice abraded at its edges. Now—well—Agnes hasn’t slipped him a tissue in weeks.

“I still love— do we have to do this again? Can’t I just throw it in?”

The group sputters into giggles. You don’t know who brought the sweet Moscato.

Dr Harper pinches his nosebridge like an enervated preschool teacher. You think he, of all people, ought to be pleased—and you suspect he furtively is, but doesn’t want to discourage your good spirits with his approval—because, as much as you’re loathed to acknowledge it, all his forcible, unwelcome attempts at conjuring vulnerability amongst the lot of you have actually kind of worked.

The fire warms your brows to dampness, the saccharine acidity of the spirit seeping through your flesh and sweltering the rest of you. You should’ve worn a thinner sweater.

“Art,” says Dr Harper, “Your feelings are valid. Even—” The group interjects with a smattering of jeers, a slurred, densetongued amalgam of fuck you! and get a life, Harper! and other stuff to that effect. “—even your reluctance.”

The flames thrash deep indigo and copper. No one can quit laughing.

Dr Harper continues, “But the whole point of the exercise is—”

“Come on, Doc, we’re still pretending these exercises have points?” someone heckles.

“We’re still calling these exercises?” says someone else.

“Hurry up and cry already, Donaldson, I got work tomorrow.”

“Alright, alright,” Art raises a hand and everyone wanes to a simmer of firewarm drunken murmurs as though he’s some sort of Biblical king.

You roll your eyes, but you keep thinking of Great Danes on tennis courts and tightiewhities.

Everyone cheers like this is fucking Madison Square Garden when Art holds his hand out for the bottle, teeth scintillating in the pyreglow with a wry slanting smile.

He takes a long, healthy swig. You think you hear someone whistle. His lips gleam with moisture when they pop off the glass bottlemouth.

“You wanna see me cry?” he grins, eminently rueful and amused and resigned, all at once.

And everyone hurrahs and hollers and maybe some people even bark. He’s being pushed around affectionately from all angles. His gaze is sharp and garlanded by flames and trained on you. You raise your brows at him wryly, perhaps a little dubious, before lifting your hands and joining in the applause.

He clears his throat and sweeps his tongue over his upper lip and flicks the paper out like a Shakespearean scroll.

“Tashi,” he starts again.

You watch the fire lave and singe and swallow all your bitter, pathetic epistles.

Tashi.

I still love you. I’m still sorry. For something, or everything. For anything, really. It’s mostly okay, but it’s worse at night. And on weekends, and with Lily, and when the microwave starts making that shitty sound that you hated.

I miss you deep in my bones. I—

The flames scorch his words to flickering cinders.

You look at him, and he looks at you, and his bottom lashes glisten with tears. But he’s grinning widely. He’s laughing. He’s laughing a lot. Padma sings ‘Auld Lang Syne’, for some reason.

The goodbyes are a little maudlin, but sincere.

It’s time for you to all go home and actually get over your exes, which feels a bit jilting.

Art walks you to your car, and you let him, and you even let him get in your car, which is probably not a good idea. But it’s the end of the stupid workshop and you want to spend more time together. There, you can admit it.

You even say it out loud.

“I’m gonna miss this corny bullshit.”

“Yeah, me too,” he says, a little more quiet.

When the middle backseat belt buckle is digging sharply into your hip, and he’s got you pinned beneath him, and his hands are everywhere—seriously, it seems he was just waiting for your permission, because he’s squeezing all the flesh he can reach, slipping his hands under your shirt, between your thighs, just absolutely no decorum on this guy—you think to yourself, this motherfucker.

A spherule of spearmint gum slips from his mouth and into yours.

You’d thought, too, that he’d be more deft with this. And he is, but he’s also very clunky. Maybe because your car’s quite small. He’s not huge, but he is still fairly tall and broad and trying to fit himself between your thighs while covering you with his body in this small space, so it’s a bit chaotic. You don’t really mind.

And—yes—you have thought about it.

There’s a shot of him, in the Calvin Klein campaign, sprawled across the court in greyscale, his hand resting on his middle, his other arm above his head.

You know they edit those photos. That there’s some kid, fresh out of graphic design school, rubbing one out while airbrushing these halfnaked men to oblivion. But you now see—feel, more than see, really; there’s a streetlight nearby, but it’s blown, so you’re all touch—that such satin cannot be contrived. He really is that smooth. There’s not a bit of fat on him, but he’s oddly liquidfeeling, skin sloughing off like cream.

He’s always looked almost uncomfortably boyish to you. But you’re realising now that there’s an abrasiveness to his haggard breathing, and that potent, vaguely olid, mannish fume to his skin.

It's really doing it for you.

In that shot, he was lying right beside the polyethylene net and the sun was beaming down, searing alabaster, through the lattice, at an angle that splayed shadows all across him. The lines warping over the slopes of his body.

You feel the phantom crisscross of those shadows between your thighs now.

His eyes are still a little wet. He tells you he’s wanted to do this since he saw you giving him the jettatura while he was signing that racket for Harper's daughter. He also tells you he bets you’ve wanted to do this since you saw him in tightiewhities lying under a tennis net.

Can he be your tennis net?

You don’t even know what that means.

You laugh a little, but then he slips a finger inside you and latches his mouth to your pulse, and it is hot as magma, and you forget all about Great Danes and apologies and fires.

You would think they do some computer magic to make the cocks look bigger in those things, too.

They don’t.

To be fair, he doesn’t have some kind of doubletake worthy, John Holmes ordeal or anything, in the pictures. But the slope beneath the cotton, the bend of his hips like the handle of a water pitcher, all that pearlescent skin—so what if your saliva gathered on your tongue as you leaned in (way too closely) toward your laptop screen?

You feel especially shameless now as he slides into you.

Sure, the buckle is a bitch and the seatleather’s sort of chafing your ass and your elbow’s in a cup holder. But you take furtive pleasure in thinking that some people’s fantasies about him probably go like this.

The softest thing is his hand cupping the back of your neck, dragging your head up. It’s a weird contrast to the way his dick is pumping erratically in and out of you. Like he’s trying to control himself, maybe add a little romance.

You keep your eyes open to watch the way his body moves. Fuck it, you wanna see what all the fuss is about.

The talented Mr Ripley whose volleys (and probably orgasms) are intensive, frenetic affairs of selfpersuasion. Unless, of course, he’s fucking the random, judgy woman he met in a group therapy session. In this particular case—though laboured all the same—he comes harder and slower and you hear his panting groans in your ear as you shudder through your own pleasure.

He pulls your hips closer and empties himself in you and you rub yourself against him and you try to keep your eyes open, but, ultimately, you concede that you can only experience this pleasure in the dark.

You keep feeling his muscles work beneath your hands, though.

Dr Harper strongly recommends that you two not start seeing each other. He does just about everything but get on his knees and beg. And even that he nearly does. He reminds you that, on your Vision Tree, you mapped yourself single for at least the next two years.

But Art says he’s had enough of other people saying what’s good for him.

And your Vision Tree also forecasted you taking up jogging, which—come on.

#challengers #art donaldson #art donaldson x reader #art donaldson angst #art donaldson fluff #art donaldson smut #the art donaldson calvin klein campaign is canon to me #challengers fic #uta hagen was team tashi #dr harper is his own trigger warning #i am actually an artashi divorce denier #but i was too compelled by this idea #tightiewhities #tag yourself i’m eleanor trauma dumping on a fun night out

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caelanglang · 2 years ago

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Shhhh…. They’re busy recharging and being in love

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samkerrworshipper · 9 months ago

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the monsters gone

part 3 of beautiful girl series -> part 1 -> part 2

leah williamson x reader, jordan nobbs x reader (wobbs as moms)

warnings: drug addiction, drug abuse, talks of illicit substances, depression, intrusive thoughts, would not advise for people in a bad mental headspace

You wanted her to leave, or you were desperate for a fix and well aware that it wasn’t going to happen until she was gone and you could retreat up to your room like normal.

You scratched at the incision on your forearm, it was hidden underneath your hoodie but you could feel it all the same, it made you feel guilty.

You’d never felt guilty for taking drugs, why would you? It was your choice, your body, your brain that you were fucking with. Yet for some reason, the little mark that you knew was sitting right on top of your vein was making you feel guilty. You didn’t want to admit it, but it felt oddly like the start of something, you weren’t sure what though, whatever it was though, it didn’t feel good.

When the door clicked open around 2 o’clock you felt far more at peace, watching your mom hobble through the door with Lia following her. Jordan stood up almost immediately and if the room hadn’t already been awkward then the awkwardness found a whole new definition as the two women looked at each other.

“Hey Jord, thanks for hanging around, you’re looking good.”

Your mom looked relieved to see Jordan, your ma on the other side looked slightly terrified as she eyed up the two women.

“It wasn’t an issue, you know I love spending time with my chick.”

Leah smiled, looking down at you on the couch, you buried your head in your phone, ignoring her gaze.

“Whether she admits it or not she likes seeing you as well.”

Your ma laughed awkwardly, it took everything in you to not burst out laughing at all of the tension between the two of them.

“Look I’ll be heading off, gotta me back in Birmingham for game review tonight but can we talk for a minute though Le?”

Your mom’s head cocked to the side, a look of curiosity evident on her face.

“Yeah sure, come with me.”

Lia watches them with the same look of curiosity as you, your eyes meeting as the trail back from the doorway to Leah’s office that they both step into.

“They’re talking about me.”

Lia doesn’t bother trying to ignore you or deny what you’re saying, she nodes her head.

“Probably, that’s what most parents do.”

It’s a absentminded answer, and for a second your aware that maybe Lia is in on whatever is happening, that she knows exactly what is going on behind the door. If anything important came from the phone call earlier you know Lia would be the first to know, she was like the third parent you never asked for nor wanted, but somehow ended up with.

“Ma thinks that Mom’s parenting is shit.”

Lia cocks her head, she’s harder to read then your moms, more calculated, more clean, less obviously emotional.

“She just disagrees with some of the things that your mother does, so do I. Nobody else is in her shoes though, she makes the decisions that are necessary and best for you.”

Lia sounds convinced of her words, even though you doubt them.

“Ma doesn’t think so.”

Lia bit down on her bottom lip, finishing with tucking her kit bag away so she could focus her attention on you.

“She worries about you.”

You did your best to suppress the eye roll, it didn’t work.

“She worries that mom is too nice and isn’t strict enough.”

Sometimes you thought that your mom compensated for the void between the two of you by letting you do whatever you wanted, other times you were reminded by your grandma that she’d told Leah she needed to go easy on you and that not everyone could be as perfect as Leah Williamson.

“Your mom knows what you need better than anybody else.”

The conversation paused, the two of you flinching at the sound of yelling from the other side of the door, you couldn’t make out what was being said, both of them were yelling though.

“Set the table for lunch for me, kiddo?”

You couldn’t pull your eyes from the door, you hadn’t hear your moms yell in a long time, it took you back to when they were breaking up, when they tried to act like they weren’t, when they saved the fighting and yelling for when you’d been tucked into bed and they’d thought you were asleep.

“Kiddo, table.”

You stood up from the couch, your eyes staying stuck to the door, even as you pulled cutlery from the drawer and laid it out with the placemats on the table. Eventually, the yelling ceased, and the room was over come with a silence like no other, only being broken by the door opening and your two moms walking out, both of them looking far more content considering that it had sounded like they were screaming at each other, not thirty seconds ago.

“Bubba, Jord is going to head off, if you want to say bye.”

Jordan’s arms opened up to you and as mad and confused as you were, you weren’t going to deny her. You walked around the table, leaning into her hug, wrapping your arms around her the same way she did for you, letting her hold on for a little bit longer.

“I’ll be back when I can chicky, I love you so much.”

You wanted to tell her she was lying, that they were all lying, they didn’t fucking love you, it was so fucking obvious. But for the sake of keeping the peace you didn’t.

“I love you too Ma.”

Jordan let go of you, pressing a kiss to your forehead. The same way she had when they’d adopted you when you were eight, the same way she had after your first game when you were 12, the same way she had when you were 14 and you’d been top of your form and given an award, the same way she had when she’d left for good when you were 16. It was the same kiss, yet everything about it was different, the meaning, the purpose, the intention, it was all different.

You watched as she walked out the door, the same as every time, you listened to the sound of her car starting and the sound of gravel underneath her tires as she pulled out and onto the road.

Once you were sure she was gone you turned around, sliding into a seat at the table, across from your mother, staring at her.

“What were you guys talking about?”

Leah looked at you, poker face as good as ever.

“Football, some other stuff.”

It was a obvious lie, both you and Lia knew it.

“You were talking about me, what about me?” Leah rolled her eyes at you.

“It was a conversation between your Ma and I, not for your ears.”

You didn’t bat an eye as Lia set lunch down in front of you, to fixated on your mother.

“You don’t yell over nothing, what were you talking about.”

Leah pushed her tongue out against her lips.

“Your ma had some concerns about you, that’s it, I told her she had nothing to worry about and that we were doing just fine.”

You knew that even if you didn’t want to admit it, Jordan probably had some valid points, your mom seemed unphased though.

“That’s it?”

Leah looked at you, and you could tell that she was holding something back.

“She told me that you’d told her you smoked weed last night and that you were vomiting this morning.”

You tried to keep your face from changing, keeping the confident exterior even if you were slightly scared on the inside.

“I got drunk, I had some fun, it was no biggy.”

Leah’s eyebrow rose in the trademark question.

“It’s a biggy to me because you told all you were doing was vaping and a little bit of drinking, you said you’d be honest with me and it’s clear you haven’t been.”

You hesitated for a second, the air thickening around you as suddenly the tension was between you and your mother.

“I was just having some fun mom, I didn’t do anything stupid, I was safe, just like you asked.”

Leah’s face shrivelled up as you used her words against her.

“You were out with friends I’ve never met, at a house on the opposite side of town that I’ve never been too, Jord said you looked like you’d been on a three day bender and I told her that I didn’t believe her but now you’re here admitting it.”

You reached into your pocket for your vape, desperate for something to take the edge of the conversation off, to make you feel calmer.

You pulled it out and Leah’s face immediately pointed inwards.

“How many times do I have to say no vape at the table?”

You frowned, shoving it back in your pocket.

“It was just a bit of weed mom, it’s what kids my age do.”

Leah shook her head.

“It wasn’t just a bit of weed, I’ve been smelling it on your clothes for weeks and trying to tell myself I was being delusional because you’d told me you were just on the vape, that you had no interest in drugs and yet you were lying to me, you have been for a while bubba and I don’t know how to feel about it to be honest. I thought we were closer than most parents and kids, I thought we had boundaries and that I was giving you enough space, and now I don’t know what to think.”

You pursed your lips, struggling to find words.

“And if you’re lying to me about weed then what else is there? What else is there you aren’t telling me because there has to be more. I let you drop football, I relaxed on the school because I know you were struggling but this doesn’t work if you aren’t honest with me.”

You really didn’t know what to say, your mind was in a million different places, the container underneath your bed, the joints on your windowsill hidden behind the curtains, the three vapes in your bedside table, the drug dealer numbers in your phone, what had happened last night, the meth track mark on your arm.

“Nothing, it was just some weed, I just wanted something to take the edge off, it was no big deal.”

Leah’s eyes closed for a second and you knew this was all about to get a lot harder.

“Except it was a big deal because you’ve been doing it behind my backs for weeks, I’ve tried to be understanding bubba, I have, I know it’s been tough for you with me and Jords breakup, you’ve had a really hard year, I let the vaping slide, I let your attendance drop at school, but drugs bub, it’s no joke.”

You took a deep breath.

“It’s just some weed, I don’t know what you want me to tell you.”

Leah wants to say that if you’re this relaxed about being caught doing weed then she doesn’t want to know what else you’re hiding from her that would make you less relaxed, but she keeps it to herself, or for this moment at least.

“I want you to bring me whatever you have of it, I won’t have you smoking illicit and illegal substances underneath my roof.”

You figured there were worse things that could happen, she could find your stash, she could take your vape, she could ground you or make you go to school.

“Okay.”

Your mom nodded, happy she had at least won a small battle.

“After lunch.”

You nod again in agreeance, looking down at the caesar salad in front of you and stabbing your fork down onto it, picking up the different pieces of lettuce and chicken scattered throughout.

You make it through half the meal before you grab your bowl and pick it up, walking into the kitchen to do you washing up, your mom follows behind you, her bowl empty.

You take the dish from her, cleaning it out and stacking both of them in the dishwasher, knowing whats to come now.

You slow yourself down on the stairs giving her the time to follow behind you as she dragged her bad leg up every individual stair.

Leah had been putting in hours everyday for her rehab, it was her main focus, over everything else.

Eventually the two of you made it to the top of the stairs, and eventually to your bedroom door.

You hesitated before opening it, you couldn’t remember the last time Leah had been inside it, way before her acl, ever since she’d gotten injured she’d been avoiding the staircase.

You opened the door, hand pausing on the cold metal doorknob for a split second before pushing it open.

Your room was still freezing, you didn’t miss how your mother shivered from the breeze that hit her face immediately, coming straight from the open window.

“Jesus kiddo, you trying to replicate antarctica in here? You know I pay good money for heating, right?”

It’s a lighthearted joke, yet somehow it hurts for you, you don’t know how or why, you just know that it does.

“I like it cold.”

Leah looks at you, both brows furrowed inwards.

“Alright then polar bear.”

You try not to flinch away when her hand reaches up to ruffle your hair, it’s something she’s done to you since you were a kid, it feels wrong now though.

“Let’s just get this over and done with.”

You walk over to your windowsill, reaching behind the curtain and reaching for the bag of joints that you have stashed behind the material. Leah frowns as you walk back over to her, shoving the bag into her hands before she can even ask.

“This is all of them?”

She looks completely unconvinced, you probably would be too, most kids don’t give up their drugs willingly.

“Yes.”

Leah looks at you, eye to eye, like she’s trying to reach into your soul, or read your mind.

“Bubba, this is your chance, I’m giving you an opportunity to be straight with me, and whatever you tell me or give me I won’t be mad about. I might want to sit down and question your decisions, but I won’t be mad. Teenagers are stupid, they make mistakes, they try new things, I get it. Be honest with me bubba, please.”

You didn’t really know what Leah was insinuating, but it was clear that she knew there was a bigger picture here.

“That’s it mom.”

You had to tear your eyes away from her, you couldn’t handle the way that she was looking at you, the mix of disappointment, resentment and worry mixed into her blue irises.

“Bubba, don’t make me search your room, don’t make me have to ground you, don’t make me have to call Jord and get her to turn the car around to help me out.”

You brought your eyes back to Leah’s.

“That’s it mom, I don’t know what you want me to tell you, I don’t even know what you’re talking about.”

You were lying through your teeth and the fact you couldn’t look eye to eye with Leah would have been enough of a warning sign of that.

“Drugs bubba, that’s what I’m talking about, you’re lying straight to my fucking face right now, I don’t know what about or why but you are.”

You didn’t know what to say, you weren’t going to admit it, you couldn’t, but you needed to say something. Fuck, you were so fucked.

You tried to spin it in your head, tried to think about how you could make this work out. You were caught, you were done, this was bad.

Your eyes darted to below your bed, rookie fucking mistake.

Leah caught your line of sight, and you knew as soon as she did that it was all about to go to fucking shit, that you were done for.

“Lia.”

Your mom’s voice was urgent, a yell that had the swiss woman bounding up the stairs in a matter of seconds.

Fuck. Fuck. Fuck.

You were so fucking fucked.

You were frozen in your spot, your mom’s eyes looking at you like she’d just been stabbed in the heart.

“Bubba, you can get whatever you are hiding from me or I will get Lia to tear this whole room a part, I’m not fucking around.”

You felt torn down the middle, your brain couldn’t think, you felt the same sickness sink in from this morning, instead of it being withdrawals from drugs though it was the realisation that your whole life was about to be turned upside down.

You tried to think, tried to think about how you could spin this, make it a little bit better than it really was.

Lia looked more uncomfortable then possible, you wished a blackhole would randomly pop up and swallow all three of you.

Something hit you, it wasn’t a full resolution but it was better than what you currently had going for you.

You walked over to your bed, with unsteadier legs then last night when you were so drunk the world was spinning, crouching down when you got to the edge, feeling for the familiar container that held all of your deepest darkest secrets, or at least that’s how it felt.

It took you back to a time when you’d made Leah check under your bed everynight for the monsters under your bed, now though she was looking for the monsters in your head, the monsters that had turned her little perfect girl into whatever you were now.

Your hand eventually met the hard plastic, you pulled it out, biting down on the inside of your cheek as you stood up and sat down on the edge of your bed.

Leah took a couple steps closer to you, standing directly in front of you.

“Look, it’s not mine, I only did it twice, my friends bought it over, I swear.”

Half of it was true.

“Open the box, bubba.”

You felt your throat tighten, you felt like you were going to vomit, or pass out, or have a heart attack.

“Mom, I didn’t want to, I don’t even like it, I just did it because my friends were, I swear.”

It was also another half truth.

“Bubba, open the box.”

You bit down even harder on the inside of your cheek, reaching for the edge of the plastic box and opening it, revealing the two baggies of white powder inside of it.

Leah’s face fell, in a way that you’d never seen, you’d seen her disappointed before, this wasn’t it, it was something else entirely and you weren’t sure what.

“Bubba.”

Your mom was a overly emotional person, you couldn’t handle her crying right now though, you couldn’t do it, you couldn’t deal with her pretending she gave a shit when this was the first time in months that it felt like she cared, and it was all because of Jordan, not on her own volition.

“I swear mom, I swear, it’s not mine, I promise.”

It wasn’t a lie, it hadn’t started out as yours, you’re friends had left it behind after a weekend hangout and had never asked for it back, so it technically wasn’t yours, technically.

“Bubba, what is it?”

Leah reached for the box, picking up the two bags, the bags that you felt like held your whole life together.

“Cocaine, it’s just a little bit of coke, my friends were using it before parties, I didn’t like it, it made me feel dizzy and it hurt my head.”

The cocaine bit was a lie, but the fact you didn’t like cocaine wasn’t, it was the kind of stimulant which put you into over drive, the high lasted no where near as long and it made you feel like you weren’t making sense.

You were hoping she would believe the cocaine, inevitably, cocaine was a pissy drug. Leah would have been at thousands of parties were cocaine was handed around, hell, you were fairly certain your mother had taken plenty of it. Cocaine was less addictive, good cocaine was also stupidly expensive, the value of it was fucked. Meth was cheap but a thousand times more addictive, cocaine was a better like.

“Lia, get rid of it.”

Your mom handed the bag of joints over to Lia, as well as the bags of drugs, shoving them into her hands like they were burning her hands. “I don’t even know what to say to you bubba.”

Your mom looked genuinely at a loss for words, her eyes kept darting between your eyes and your hands, which were shaking in front of you.

“Mom, I promise, it was only a one time thing, really, I was just keeping it for my friends.”

As soon as the tears started spilling down Leah’s face you knew it was about to get bad.

She walked over to your desk, pulling the chair out from it and dragged it across the room until it was directly in front of you, your mother taking a seat.

Her hands came out to rest on your knees, they were shaking like yours, not as badly but still shaking, though for different reasons you assumed.

“You told me the weed was a one time thing, that was a lie. I don’t know what to believe anymore, you’ve put me in a impossible situation, bubba. On one hand, I want to believe you. I want to believe the kid I raised, on the other hand you haven’t given me reason to. You broke my trust, you lied to me, you broke the house rules. I don’t ask a lot of you, I let you get away with more than your ma would let you, and I was fine with it because you were showing me you were a good kid, but now I honestly don’t know what to think. You told me it was just the vapes, I thought you were using a little bit to much nicotine and now it turns out that you’re smoking pot and doing drugs. You’ve been hiding and lying and I just don’t get why. Why bubba? Tell me why.”

Big tears were dripping from your mothers eyes, big, wet, fat tears pooling in her icey blue eyes.

“I don’t know, okay? I’m sorry mom, I’m really sorry. I’m sorry. I love you, I didn’t mean it, it was just some fun, it was a one time thing, I promise.”

Leah pursed her lips, the same way you were, the sleeve of her shirt was pressed to her face, picking up the tears that were dripping down her jaw.

“I’m going to go and call your ma, this is a discussion we need to be having together, I need her here for this.”

Little did they know how bad it really was.

Leah stood up, you thought she would just leave, heading back down to make a call to your ma that would inevitably change your life, instead, she sat down next to you, her arms opening up.

You leaned into her side, letting her wrap both of her arms around you.

“I’m sorry mom, I’m sorry.”

It was the only thing you could think of saying, the only thing that sounded right coming off the tip of your tongue.

“I love you so much my beautiful girl, we’ll figure this out, your ma and I, we’re all going to figure this out.”

Leah held onto you for a little bit longer, her arms tightening onto you like you were holding her down to earth, like she would float away if she didn’t.

Eventually she let go, her face was puffy and red, her sleeves were red and she sounded all sniffly.

“I’m going to go and phone Jord, we’re going to sort it all out, we’ll figure this out, okay? We’re both here for you, we both love you so much, you’re our little girl.”

You found it weird how easy it slipped off of her tongue, you wondered if she actually believed that she meant it, you wondered if when your mother said it that she meant it without really meaning it. There were words but there were no actions to support those words, just empty syllables and letters all formed together in a intricate lie.

You watched as Leah limped her way out of your room, her bad leg trailing behind her good one, rule number one of parenting a child you now know is drug addicted, never leave them alone in a room they can escape from when you’ve just confronted them.

#woso #woso community #sammykworshipper thoughts #leah williamson #arsenal wfc #leah williamson x reader #jordan nobbs x reader #jordan and leah #jordan nobbs #wobbs breakup #its painful #trauma dumping #tears were shed #woso imagine #woso angst #sammykworshipperfics #pain sweet pain #fluff is coming #maybe

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thybreadmolds · 2 months ago

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Ghoap and some Oc stuff. I do apologize if it’s eye straining! My tablets color is dulled.

I don’t know why I put Ghost in traditional gothic makeup….

Vulture and Fuse doodles. :0)

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http-shield · 2 months ago

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inspo: prompt three from this post

“Fuck, you turn me on so much.” Bucky groans and throws his head back, breathing ragged.

Your hands stop their work, fingers bloody as you hold the gauze against the wound to his ribs. "What the actual fuck is wrong with you?" you screech, quickly refocusing your thoughts and press harder against the bleeding gash.

"You just, fuck. It's just you." Bucky whines, and you don't know if it is pain or some weird, sick pleasure he is feeling. "You were so hot screamin' at me."

"Jesus Christ, James." you huff, no longer thinking of berating him further for his ridiculous actions in battle. "You... I can't even tell you off now."

Bucky smirks and shifts, grimacing at the pain radiating through his side. "Come here." he holds up his arm and beckons you with two bloody fingers.

"No, I'm not playing into your weird shit, Barnes." You glare at your partner. "You're bleeding, I need to secure the wound."

"I'm gonna be fine. Just come 'ere, baby." the name has your scowl softening.

You hold one hand to his abdomen, keeping pressure as the blood slows, and lean towards him, weight braced on your free arm. "that's my girl." he praises, words breathy.

Bucky slides his hand to the nape of your neck, securing his fingers in your hair. Your faces now inches apart, he lets his eyes slip shut. "I'm gonna to be fine, sweetheart. You worry too much."

"You don't worry enough."

"That's why I've got you. You stress enough for the both of us."

Bucky leans forward and presses his mouth to yours, the kiss slow and sloppy as tries not to move unnecessarily while his body stitches itself back up. His lips move languidly against yours, tongue brushing against your bottom lip in a way that is too casual for the impending doom you have just escaped from. You pull away, the taste of blood on your tongue, and frown at Bucky, his grin lazy and stupid.

"I'm serious. You turn me on so much."

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http-tokki · 10 months ago

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Levi comes up beside you, hand sliding over your waist to rest on your hip and hold you close.

"I don't know how to approach this so I'm going to break it down." there’s a hint of apprehension in his voice.

"Uhh, okay?" you're confused and look up at him to give him a look.

"You know I respect you right? and that I know you're not an object?" he waits for your answer.

A huffed laugh leaves you, "Yes? why, where are you going with this?'

"So thats been established. I don't see you as an object to possess or own?” another pause for your acknowledgment. " I just want to make that clear because I don't want to say anything that's gonna make you think that I own you or-

"Levi, what are you talking about?'

"There's a guy over there," he nods his chin in the direction of said man. "Who has been staring at you all night and I really don't like it and I wanted to talk to you about it but I didn't want you thinking I was being possessive. I just don't like the way he is looking at you, like he wants to own you or something but you belong to - wait never-mind, I just don't like it."

"Levi?"

"Yes, love?"

"Do you belong to me?"

He pauses for a moment to really think about how to answer you. "Yes, I think I belong to you."

"And do you think I belong to you?'

"Well, I like to, I hope you do."

"Then I do."

"But you know its not in a toxic way, I'm not being controlling.”

"Yes, baby I know, but for all intents and purposes, you belong to me and I belong to you.”

#http tokki #₊˚ෆ⊹₊ ⋆ levi #levi ackerman x reader #levi x reader #draft dump #levi x y/n #levi ackerman #levi ackerman x you #aot fanfic #levi ackerman fluff #levi x you #levi imagine #attack on titan levi #levi ackerman x reader fluff #levi x reader fluff #levi ackerman x y/n #levi ackerman imagine

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kokodrawings · 1 year ago

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Kannabi bridge AU

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idiotmf · 6 months ago

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Alien scientists who just really want to study you

Another one of my most recent favorites is my alien boy Xyon. Can you tell I'm a whore for 'y' in names? It's a curse, really.

Also, in case it's not blatantly obvious... I'm introducing characters and beings that I wanna write some good ol' smut on later. (▰˘◡˘▰)

For good measure: Minors scram, for the rest: there's going to be NSFW themes but they are more biological in nature.

A/N: Please feel free to point out typos and grammar wrongdoings so I can obsessively fix them. I write these on my phone and chances are I'm fat-fingering this tiny keyboard, since I use my thumbs for typing. Also, English isn't my first language, so there's also that.

This post is pretty long and covers a more in-depth explanation of this Alien species because I wanna use this as a reference sheet later...

Anyways, here's some random lore dumping about Xyon, Xenians and Xen'jai, their native planet.

As you may have already noticed, I loooooove naming patterns. In the previous post it was my shadow demon boys Aryllus and Oryllion, here it's Xyon, his planet Xen'jai and as you'll come to find, most of the other things related to his planet also start with an X. Here is why:

1. Language:

In the native language of Xenians, the X represents a prefix referring to a life form. Xenians are the people, Xen'jai is their planet, and Xyon is a person. Linguistically speaking, especially for humans, the X doesn't translate as such, it is a complicated sound that a human cannot reproduce and the closest possible sound for an accurate translation. (Can you tell I spend way too much time world building?)

Speaking of their native language, Xenians do not speak the same way as humans do; rather, they communicate via a mixture of various noises, including clicking and verbal sounds that could only be described as waving sheet metal in the air. Imagine this but less goofy and with various pitches, echoes and clicks.

For storytelling convenience, they of course possess a translator that can both pick up foreign languages and translate their own. Although I have one story where they just fully cannot communicate for a long time and that one's wholesome as heck.

2. Appearance:

Xenians are in principle considered humanoid. They have two legs, two arms, a head and a torso. Their posture is slightly different, due to the differing gravity on their planet, so their spines are entirely straight, rather than curved like a human's, which gives them a rather uncanny look at first glance. Although if you do meet a Xenian, honestly that is probably the last thing you notice about them.

The first thing is most likely their height. Xyon himself is between 2.5 meters (approx. 8'2) and 2.8 meters (approx. 9'2), which is considered average for a male of his species, with females being slightly taller on average at 3 meters (10 feet). A male Xenian, if threatened or putting on a mating display, can stretch its spine and torso to appear larger and more threatening. Females are incapable of doing so, but as larger and more intimidating presences, they have no need for it.

The bodies of Xenians are covered in fine, dark blue fur, even if it appears as skin to the naked eye of a human. Like the fuzz you have on your face, but more prominent.

Their gray skin underneath is almost leathery to the touch, which can be examined on their long, almost reptilian tails that serve multiple purposes, such as balance, showing emotions and affection, or can be simply used as an extra arm to grab onto things.

Their faces aren't exactly faces. It resembles more the face of a cat, featuring a short snout and a flat nose, although there are no visible nostrils, as Xenians have millions of microscopic openings in their noses to absorb and filter air. Just like felines, Xenians have sharp teeth and retractable claws, paw pad like palms and soles and most importantly, slit pupils, making some humans speculate that perhaps they are a species of highly intelligent bipedal felines. Xenians do not have whiskers or any of the like, since their tail does most of the work for them.

Unlike humans, Xenians do not wear clothes. Despite being a highly advanced race of what used to be carnivorous hunters, Xenians have no sense of embarrassment from appearing naked. They do wear an exoskeleton which serves various protective functions, however their genitals are sheathed, making Xenians appear genderless to the unschooled human eye.

3. Social Constructs:

Xenians are social creatures. They live in large groups, much like humans, often with their families until they are old enough to train for their purpose.

Unlike humans, Xenians are born with a 'purpose', a path chosen for them that they must follow; Xyon's purpose lies within studying intergalactic life forms. Thanks to their technology, calculations for things such as possible base intelligence, strength and overall health are possible before a Xenian even hatches, promoting not only the growth and increasing intelligence of an already highly advanced race but also unethical practices, such as culling of unhatched eggs with undesired traits. This may appear highly disturbing to humans but is extremely common and even considered a relief amongst Xenians, as they lay between five and twenty fertilized eggs that may hatch, yet only ever one to three Xenians hatch and reach maturity due to culling, keeping their race from overpopulating their rather small planet.

Xenians, while not the sole creatures of their planets, are the most intelligent, much like humans on earth. They have moved past their need for food, instead consuming gel-like substances with all their needed nutrients and calories, yet they will occasionally initiate fake hunts with competing parties as entertainment, much like a human would play a game of soccer with a friend. However, they do not kill any animals, rather using their own version of AI to calculate intricate escape routes and keep the game interesting.

While Xenians have both male and female as a base sex, gender and gender roles do not exist to the same extent as with humans. Taking care of hatched eggs is usually done by either of the parents, sometimes a different party entirely, as some Xenians live in mating groups. It is usually the male-coded Xenians that try to impress female-coded mates with their displays of stretching their torsos, however, same sex relationships are common, since mating isn't about offspring but mainly about spirituality.

Which brings us to the point you probably came here for lol...

4. Mating:

Unlike humans, Xenians mate for life, using pheromones present in their sexual fluids to claim each other once a bond is established. Mating is considered highly spiritual, finding a mate is an extremely important part of a Xenian's life.

As mentioned before, some Xenians will live in mating groups, featuring various different partners, which is a fairly new occurrence and sometimes frowned upon by followers of traditional mating practices, which are still upheld on Xen'jai but due to their beliefs in equality, those who frown upon this practice are usually frowned upon themselves.

Xenians with male genitalia possess two sheathed and usually hidden phalluses, which are extremely close together, like fingers on your hand. Both can be slightly moved and serve different purposes. The upper, smaller one can be quite similar to that of a human in both size and shape, it serves to fertilize eggs present in a Xenian with female genitalia, which renew with a new cycle of their native moons. This smaller phallus is extremely sensitive, much like a clitoris and the only of the two that can ejaculate.

The larger one on the bottom is solely used for pleasure, as female-coded Xenians have a mechanism that only allows for impregnation during heightened pleasure, thanks to an additional opening inside their equivalent of a vagina, which only stretches during arousal to let sperm through. Being used for pleasure, their larger phallus has evolved to be able to bring just that. It is both thick and long, covered in small bumps that secrete lubricant for ease of mating but also serve to stimulate the insides of their partners.

As you may be wondering, does a Xenian of the female sex have two vaginas, then? The answer is no. During mating, eventually both phalluses may be inserted into the female, which is a lot easier than you likely imagine, since their insides aren't as tight as that of a human (which is a delightful discovery Xyon makes when he gets to fuck a human for the first time).

Unlike female humans, Xenians do not possess a clitoris, another delightful find for Xyon, all of their pleasure is derived from the nerves inside of their vagina, most of them connected to the muscle that controls whether sperm can be let through or not.

Just like humans, Xenians have contraceptives, since sex is occasionally rather casual. They work differently, however. It is a gel, that must be applied to the smaller phallus, killing sperm as it comes out and blocking the production of mating pheromones that initiate a bond, by triggering the partner to release their pheromones as well. In case of a relationship that is made of two males, both must apply this gel, in case of female only, it is neither but can be triggered with a pheromone dispenser to initiate a female-female pheromone bond.

This is considerably longer than I thought it would be and I still left a lot out to shorten it... Like I didn't even mention that you have to teach him what kissing is and Xyon gets obsessed with it, or that they subconsciously wrap their tail around things and people they like, which... I'm sorry but that is adorable to me... (╥﹏╥)

At first I tried doing the cool headcannon thing some people do with bullet points but I just cannot keep myself short enough to do that*. I also just have a preference for flowing sentences, rather than bullet points. But man...

Anyways, yes, this is a reference sheet once I get into writing some good ol' Xyon x reader smut. (≧◡≦)

I also have another Xenian boi, Xenon, who is a geologist, rather than a biologist but he is still very new and there isn't a lot established yet. Xyon is far more fleshed out and I'm going to introduce him a bit more too, maybe along with some smut.

* as evident from this ending note lmao

Dear gods, I have so many established fantasy worlds I wanna share, so my next lore dump is probably in sight, if I'm not already writing another one.

#monster kink #monster fluff #monster fuqqer #alien fucker #monster bf #alien x human #exophelia #teratophillia #monster smut #monster fucker #monsterfucker #alienfucker #lore dump #alien species #alien lover

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