#flint is like... twice her size literally

[totally-not-deacon]

Mar's feeling a bit inadequate today for some... very small reason.

[load-session-zeta]

It’s time for another yap post! While Flint sits on the back burner for more fine tuning I’ll turn my attention to the technical Main Character of the story: the ever whimsical glue of her group! As always spoilers are present.

Lily Rhodes - The Witch of Hope

Witch - Active Changing Class, manipulates the nature of their aspect on their surroundings to the benefit of themself

Hope - Faith, Radiance, Positivity, Harmony

Witches manipulate their Aspects in ways that quite literally break the rules of their aspect (basically making them #1 on the shitlist of the average Doombound) see how in canon Jade Harley, a witch of space, managed to manipulate the size of whole planets or how Feferi Peixes, a witch of Life, was able to create a tangible afterlife with the help of the horrorterrors.

Lily, as a Witch of Hope, is basically a beacon of her aspect. Witches are entrenched in their aspect so much you could mistake them for a fully realized Heir… that is until they hit a hurdle where they simply buckle. They haven’t ever struggled with their aspect before but suddenly that one part of the aspect feels like a wall they can’t climb.

In Lily’s case it is an, obviously yet to be seen, encounter with the true nature of Dionysus’ Party. An easy way to summarize how little Lily realizes the cracks and flaws in the shoddy facade before Noah and Noel show up would probably be how I immediately clocked her quest on LoMaV almost perfectly matching the lyrics to Grand Feast Daydream.

Dionysus’ Party is a never-ending masquerade cloaked in an intoxicating vapor that puts the average person’s body into a state of constant euphoria. It seems fine on the surface, right? Then it sets in that the party NEVER ends. This ties directly into why I chose Dionysus for Lily despite Dionysian allegories being more focused towards the, prophetically ragebound, purple bloodcaste. Greek Mythology is rather relevant to Homestuck in general given a good few Denizens are named after greek gods; but in specifically the case of Dionysus here he is the god of Wine, Festivity, and Ritual Madness. Naturally; a never ending masquerade where mortal delights are more than plentiful is a dead ringer for a Witch of Hope’s paradise, but what if that perceived paradise were actually a prison?

Lily having to confront the fact that her ideal reality breeds misery for others is what ultimately helps her as a person to realize what she needs to do as the Witch of Hope. Her massive struggle as highlighted by Bria : “Lily is too positive, she’s a cutie patootie but she doesn’t let herself feel negatively at all.” While it’s normal for Hope Players to reject or repress their negative emotions Lily flat out denies herself the feelings beyond the fleeting moment when something bad happens. Lily needs to understand that negativity, doubt, and disharmony are important, because without them the positive becomes a negative.

Onto the impact the move had on Lily. Upon moving from Utah all the way to Australia, Lily was rather adventurous still despite how deadly a lot of Australian wildlife is. She’s definitely been hospitalized at least twice for running around and messing with some creature she shouldn’t have. Though it isn’t surprising that Lily doesn’t fear deadly creatures given her pet snake, Richard (full name Richard Rosé Mockingbird Julius Cocktail Esquire III), is a Diamondback Rattlesnake. She did manage to move out and get her own apartment which is why we don’t directly see her Guardian, all she’s given about him is that he likes ventriloquism.

Just like from A to B, we move onto our next point! Lily’s Strife approach and fetch modus. Starting with the former, Lily’s Strife Specibus is Stickkind but it would more accurately be just her Fire Poker! Lily prefers fighting at mid range so that she can still see her opponent if her glasses come off, she’s sloppy and uncoordinated when surrounded however, she excels solely in isolated encounters. In her one showcased Strife so far she was clumsy enough to accidentally kill one of the imps! She never meant to seriously injure it, though she suppressed that guilt almost immediately. Onto Lily’s Fetch Modus; Trivia. Lily has to solve a Trivia question about any item she wants to withdraw from her sylladex, plain and simple.

Universe B2 Lily

As a reminder, Universe B2 is set during the water apocalypse. Post-Scratch Lily or “Momma Rhodes” is a staunch revolutionary, she fights tooth and nail to oppose Condy at every turn though as such her young Charge is left solely in the company of his home security system; Diamondback. Granted, Momma Rhodes did specifically make sure the home security system would maintain all of her charge’s needs including acting as a friend if need be and having a remote robotic body for physical comfort.

[sm-baby]

Birch kids + Wilbert my beloveds.

Do you think the Smiths and Birches would be friends? Cause of Wilbert and Noah?

Awe...

Noah and Wilbert already get along, Flint baby sits them alot (along with Jun and Poki),

Sheldon obviously already knows James, In fact Sheldon probably taught him a little thing or two with raising a kid. And Sheldon has probably had tea with the guy multiple times before. I imagine Sheldon could easily match Mark's less intense energy to not overwhelm him.

Sheldon could also very easily get along with James' brothers, CATHERINE WOULD DEFINITEY BE THE SAME-

and I just imagine Elsa and Leonardo getting along. Listen.. just a papa bear and a teddybear they are vibing... You know that thing you do where you change depending on who your talking to? Leonardo would be gentler towards Elsa. Woman raised like 4 boys alone twice her size, She could literally do no harm.

Leonardo: oh- sorry. Hey! Who's this guy! Who let this guy in!

Elsa: I just uhh

Leonardo: Shes got a really funny face! I like your face, guy.

Elsa: Thank you!

Leonardo: what a cute funny face. You want a cookie?

Elsa: uhhhh

Leonardo: CAN SOMEONE GET THIS GUY A COOKIE!? Youve got a very soothing face, I like looking at it. Its like a Matisse painting!

Elsa: Woaahh!! 🍪🍪

[x]

[litwitlady]

whatever walked there, walked alone - part one

My Halloween fic which I love writing too much to abandon. Content warnings: mentions of child abuse, Alex is dead and not coming back to life, blood, emo poetry.

Michael Guerin exits the city limits and heads west. The sun is beginning to set, framing the mountains in flames of orange and red, painting the sky in purples and pinks. His phone GPS says the house is 13.3 miles from Roswell city center. A scant ten-minute drive.

A few miles later, the ironwork of the property’s fence comes into view. The house is hidden behind several large hawthorn and plum trees, creating a dense canopy that protects the mansion from the blazing desert sun.

Michael parks outside the gate and pulls a bolt cutter from the bed of his truck. The ornate ironwork is buried in English ivy. He clears the vines away and breaks through the chains locking the gate doors, swinging them open. They creak and moan as the rusty hinges strain after years of disuse.

It’s like walking into a dream. Or a nightmare. Another planet, maybe. The desert disappears and suddenly there’s thick grass beneath his boots. Flowers bloom despite the heavy tree coverage and everything green is overgrown. But the house is finally visible – the cornices crumbling, the menacing marble lions shrouded in yellowing moss.

A breeze rustles through the leaves, sending a shiver up Michael’s spine. He feels eyes on the back of his head and spins on his heels. A cat hops out of a maple tree, sending several birds flying from their perches. Michael laughs to himself and turns back towards the house.

Dead, drying leaves are scattered across the stone steps. The giant wood doors are also locked with chains. Michael makes quick work of them and pushes against the splinted oak. But the doors won’t budge. The moisture and heat have warped the wood. So, no matter how hard he pushes, there’s no give. With a sigh he climbs back down the stairs. Vows to come back the next day with the necessary tools.

And maybe not alone.

But as his boots sink back into the grass, he hears the doors open. A thick, musty scent settles in around him. When he glances over his shoulder, the doors are gaping at him like a hungry mouth ready to swallow him whole. The cat dashes past him, through the doors, and he swears he hears his name whispered from somewhere deep inside.

He swallows hard and pulls out his cell phone. But there’s no reception. If he’s being honest, he doesn’t want to go inside. Definitely not by himself. Wants, instead, to head back to Isobel’s and crawl inside his warm bed. Wants to forget this dilapidated old house even exists.

Michael takes several deep breaths, reclimbs the stairs. And then he forces himself to cross the threshold into the darkness.

The foyer floors are filthy. Covered in muck and grime, the black and white checkered marble barely visible. Spiderwebs crisscross from surface to surface, collecting dust and other debris he’d rather not think too much about. The windows are all curtained with heavy, velvet drapes – allowing no light to pass.

Michael runs his fingers along a gilded mirror, eyes catching on a group of picture frames still hanging from the garish floral wallpaper. He leans forward, blowing the dust from the glass. Sneezes several times. The photos show a family. Father, mother, and four boys – the youngest just a baby. In most of the pictures, the father is dressed in full military regalia. His wife pretty and unsmiling. The children with hands in pockets, devoid of that devilish charm so common to young boys.

He begins to notice a pattern as he follows the frames down the hallway. Three of the boys start to grow up – getting taller, shoulders broadening. But the youngest never grows past eight, maybe nine years old. Michael feels a sadness clutch at his heart. Wonders what happened to the little boy. Suspects it’s nothing good. And likely the reason the house has been left to rot for so long.

The cat reappears out of a hall closet. Michael startles and watches him dash towards the curving staircase, bounding up the stairs. He looks back at the front doors, making sure they are still open. The sunlight is entirely gone now. He pulls out his phone and clicks on the flashlight app. Continues further into the belly of the house.

In the kitchen, he finds the cabinet doors all removed – probably stolen by some house foraging flipper – but the bowls and plates left behind. An eight-burner stove takes up a third of the room. The gigantic commercial refrigerator another third. There are two center islands and clearly the kitchen was for catering lavish parties. Michael is unimpressed by the cold austerity of the space and is already mentally remodeling.

He putters through the cabinets and stumbles upon a collection of toddler-sized sippy cups. There are four – each with a boy’s name painted across the top. Clay, Gregory, Flint, and Alex. He reaches up and pulls the one labeled ‘Alex’ from the shelf. The cup is cracked and chipped around the rim. The tiny hairs on the back of his neck shiver, sending another chill down Michael’s spine. He drops the cup onto the floor, the crash echoing down the hallway.

Upstairs the cat screeches.

Michael hears his name whispered again.

And then the doors slam shut.

***

‘The house is haunted, Iz.’ They are at the grocery store, restocking for the week ahead.

She rolls her eyes at him while grabbing more cereal. ‘There’s no such thing as ghosts, Michael. It was just the wind.’

He stares back at her like she’s stupid. ‘There’s no such thing as aliens either. And there was no fucking wind.’

Isobel, hands on hips, stops mid-aisle. ‘The place is a gothic nightmare. It got in your head and freaked you out. The sooner you sell that place the better.’

Intellectually, Michael knows she must be right. But he can’t ignore doors closing on their own and floating voices calling his name.

‘Do you know what happened to the original family? I think their name was Manes?’ He’d pulled the old deed. There wasn’t much to go on other than the name Jesse Manes. ‘I don’t remember them from when we were kids.’

She grabs a bag of rice. ‘Jesse Manes was a General in the Air Force. Served as Chief of Staff to the entire USAF when we were in high school. Really big deal. His kids all went to some military academy on the east coast.’

‘Was? Is he dead?’ He sneaks two boxes of pop-tarts into the cart.

‘Not that I know of. He was dishonorably discharged. Not too long after his youngest son died. Something about an extortion scandal.’ Isobel shrugs her shoulders and turns onto the next aisle.

‘His youngest son? The little boy – Alex.’

She narrows her eyes at him. ‘Alex Manes. Yes. But he was 28 when he died. Killed overseas. Maybe he’s your ghost.’

‘Wait – that doesn’t make sense. That house looks like it’s been abandoned for at least a decade.’ He tries to do the math in his head. Three years might lead to some broken windows and cobwebs, but not the level of decay he’d discovered. The grime on the floors alone would have taken at least twice as long. And the bannister was literally rotting.

‘Don’t know what to tell you. Happened three years ago. I was working with the General on a military fundraising event. And then, poof! He was just gone. Nothing left behind but newspaper gossip. And that house.’ She looks down at her shopping list. ‘I’m going to grab some milk – meet you at checkout.’ She gives a little wave and rolls off.

Michael leans against the row of shelves. Thinks about what Isobel’s told him. He doesn’t know why Edna May Rollings bequeathed the property to him in her will. Or all that money. Sure, he’d mowed her grass a few times – changed her oil. But the Manes property was worth well over a million dollars.

Nothing was making any sense.

*

Later that afternoon, Michael decides to do his own research at the town library. He pulls up article after article from the Roswell Gazette highlighting the many philanthropic endeavors of the Manes family. Jesse Manes often lauded as a hero. His sons all highly decorated military officers themselves.

In all the articles, he only finds mention of an Alex Manes once. In his obituary dated October 14, 2018. The paper mentions he’d been killed by IED while serving in Iraq. There’s a grainy, black and white photo above the obit. Captain Alexander Manes in his uniform, blank expression on his face. And it’s a good face – cheekbones for days, expressive eyes, and a full bottom lip. Michael stops for a minute to admire the handsome soldier and to lament his early demise.

He pulls out his notebook and writes down the names mentioned in the obituary. All of the survivors – mother, father, brothers, distant relatives. Surely, one of them lives within driving distance. If not, there’s always the phone or email. He intends to find some answers.

Michael leaves the library and drives to the Roswell cemetery. The plots are arranged alphabetically, for the most part. And he finds the Manes family relatively easily. Alex’s tombstone is the white marble of fallen soldiers. But there’s no inscription beyond his name or the relevant dates of birth and death. It’s odd not to see a ‘beloved son’ or ‘cherished brother’. He’s beginning to suspect the Manes family buried more than just their son three years ago.

*

The next day Michael heads back to the house. But this time he’s not alone. He’s accompanied by an entire cleaning crew and Isobel. Who merely intends to rifle through the family’s forgotten belongings and steal whatever trinkets catch her eye. And to tease him mercilessly about his ghost.

Michael does his best to avoid everyone. He has his own mission in mind and doesn’t want to be disturbed. The upstairs hallway leads to all the main bedrooms – master on the left and the four smaller rooms on the right. Each of the secondary bedrooms is nearly identical in shape and size. Except for last room – tiny and dark. A single bed compared to the doubles next door. He knows deep in his bones that this was Alex’s room.

A terrific sadness envelops him when he steps inside. He tries to flip the light switch, but nothing happens – the only light whatever sun fights its way through the dirty window.

Michael starts there – wiping the glass clean. He sweeps and mops the floor, dusts the baseboards, and removes the cobwebs. Opening the closet door, he finds a torn cardboard box tucked inside. Pulling back the battered flaps, he discovers several yellowing journals. Pages and pages of scribbled notes and poems and the various ramblings of a teenage boy. He takes the journals to his truck immediately, stashing them beneath his seat.

As the day stretches into night, there’s no sign of any ghosts. No weird noises. No strange whispers. Isobel has taken every mirror in the house among several crystal dishes. Most of the rooms are as spotless as they’re going to get, the smell of bleach giving him a headache. But the place is starting to feel less creepy.

After everyone else leaves, Michael takes one more trip up to Alex’s bedroom. Sits in the middle of the room and waits. For what, he’s not sure. A presence maybe. Which he knows is insane, but something or someone called his name the day before.

The sun is nearly gone. The room is dark and still. That sadness from earlier still pushes at him, but he doesn’t feel afraid. Oddly enough, he feels safe and warm. And then the floor creaks. Not just once. Over and over again. Like someone’s pacing from the window to the bed and back again.

‘Hello?’ His voice sounds scratchy, dry and nervous.

The footsteps stop. Michael’s breath catches as he strains to listen. ‘Alex? Alexander Manes?’ Something blows across the back of his neck. He swallows but stays still.

‘I’m going to bring your journals back. I promise.’ Making a ghost angry is probably a bad idea. ‘I just wanted to get to know you better.’

Nothing happens. And he feels a sinking sense of loss.

*

At Isobel’s later that night, Michael is curled up in his bed staring at Alex’s journals. He’s anxious about reading them. Worries that what he’ll discover is worse than anything he could have ever imagined. Worries that he’ll meet someone in these journals that he’ll come to love. Someone that he’s already lost.

The first journal is marked 2003. It’s plain black with a Further Seems Forever sticker peeling along the spine. Opening to the first page, Michael is struck by how neat the handwriting is. His own is nothing but chicken scratch. But this kid wrote in neat, tidy letters – not a smudge in sight.

July 2003

Today I am a teenager. And I missed mom for the first time in forever. I came home and dad was drinking. Started yelling at me to put his ladder back where I’d found it. But I never, ever touched his stupid ladder. That was Flint. He didn’t care. And now my ribs hurt. Happy Birthday, Alex.

I’ve only been home for two weeks, but I already want to go back to school.

Michael’s fists clench but he continues.

August 2003

Flint got his learner’s permit today. Dad is teaching him how to drive stick. Will probably even buy him a car to take back to school. I fucking hate Flint.

I wrote a poem or maybe a song that I actually like. Here it is:

‘The hallways are empty

And I am blind

Locked in this castle

Where no one is kind’

I know that’s not much. But it’s a start. Been saving up for my guitar. Greg is going to buy it for me once I have enough money.

September 2003

It’s because I’m gay. Why he beats me and no one else. I will try so hard not to be gay anymore.

Tears burn Michael’s eyes. He picks up another journal. This one gray with lots of cartoon doodles marring the cloth cover.

September 2007

Senior year has begun. The Academy finally feels bearable. No upperclassmen to avoid. My fucking dad has me flying out this weekend to interview at the Air Force Academy in Colorado. Fourth son, fourth branch of the military. None of us got a choice, but of course he saved the Air Force for me. Of fucking course.

I snuck out with Maria last week to sing at an open mic night at her mom’s bar. I’ve never felt like that before – enjoying all those eyes on me. Most times I just want to disappear. Forget I exist. There was a guy – curly hair, big hazel eyes. He was beautiful and I worked up enough to courage to talk to him, but he wouldn’t stop staring at Maria. So.

I guess someone at the Pony must have known my dad. Because he was waiting up for me when I crawled back through my bedroom window. I didn’t beg this time. Just let him do what he was going to do. Honestly, I felt like I deserved it. For thinking that guy might actually want to talk to me.

Michael stops breathing. He tries to recall a night at the Pony from fourteen years ago. But he can’t remember ever meeting Alex. He had dated Maria, briefly. Maybe it wasn’t him – maybe he wasn’t the curly-haired, hazel-eyed boy. But the possibility lingers thick in his chest.

December 2007

I’m not going home for Christmas. Even though mom has agreed to show up for appearance’s sake. A perfect fake fucking family. I won’t be missed. Dad laughed when I called and told him. Called me a coward and hung up. He won’t have his favorite punching bag and I hope that means he won’t turn his fists to someone else. Like mom.

Things with Danny haven’t progressed at all. I thought he was flirting with me at the football game, but he hasn’t talked to me since. He’s shy though – kind of like me – so I think I may still have a chance. He’s not going home either – his parents are overseas on some mission trip. Maybe I will be brave enough to kiss him. I’ve never kissed anyone and I’m already 17. Pathetic.

January 2008

Sometimes I look up at the stars

And your eyes look back at me

Filled with the fire of an exploding sun

Sometimes I look up at the stars

And there’s nothing there at all

Just empty space, hollow and undone

So, Danny is dating a townie girl. I’m always so, so stupid. But I’m not giving up on myself no matter how hard this world tries to beat me down. And it’s trying pretty damn hard.

March 2008

Dear Alex,

you are blue and black and yellow

bent and bowed like the dying myrtle tree outside that window

your pliant plentiful petals putrefying in the blades of summer grass

you are unseen and forgotten, disgraced by the midday sun

blown apart like the dandelion waste of suburban landscapes

wilted and wallowed and left without a trace of your own dignity

June 2008

My father’s hands have spent so much time taking. Splitting me open and unthreading the blood, the sweat, the tears of me. Spilling my insides and then stuffing the gore back deep in the darkest recesses of my heart.

I want hands that will take but give something back, leave something behind. Hands that will heal and stitch the splintered parts back together. Hands that will shape the dark edges of me into something bright like hope. I want hands with wings to fly me out of this nightmare.

But instead I’m going to war.

After Alex graduates the military academy, there are no more journals until 2017. Michael spends the next several hours poring over the earlier ones – meticulously kept records of a broken childhood. One abuse after another. Cracked ribs, a shattered wrist, and a never-ending deluge of bruises.

But also, so many dreams. Alex was a hopeful kid, despite the sad poetry, with music in his future. There are pages and pages of songs – the scratching down of harmonies and verses. Intricate details of chord progressions and key changes. Michael grabs his own guitar, strums through some of Alex’s notes. The songs are simple but refined. He wishes he could hear them sung with Alex’s voice.

The 2017 journal stares at Michael from his nightstand. It’s dirty and pocket-sized, bent and beaten at the edges. Caked in blood. He opens to the first page. Alex is in Iraq – the place where he dies – and Michael’s not sure he wants to read further. But he also can’t stop himself.

November 2017

The desert here is different. Hotter, I think. I am always sweating and never clean.  

February 2018

There was a boy. In the carnage. Riddled with bullets. Bullets that may have been my own. I tried to feel something. I did, really. I tried.

March 2018

Only two more months. And then one war exchanged for another. Clay is getting married. I think I’d rather stay here.

The next several pages are stuck together with the dull, brown ink of dried blood. Michael can’t make out more than a word or two through the thick stains, but the entries seem longer and more rambling. The back half of the journal is empty – filled with nothing but blood splatter.

Michael pulls out his laptop. Something about the timeline feels off. Alex’s obit and his tombstone both marked his date of death as October 14, 2018. That’s months after this journal stopped. Months after whatever nightmare caused all this bleeding. He thinks briefly about calling Liz and asking her to ID whoever all this blood belonged to.

He googles ‘Alexander Manes Iraq death’ and nothing obvious pops up in the searches. But on the next page he sees a newspaper article from a Virginia paper, clicks it open. It’s from summer 2018 and includes a list of purple heart recipients. A Captain Alexander Manes among the names.

So, he made it home. Hurt but alive. Michael’s best guess is that he returned to Iraq before his death in October.

He runs several searches for Alex’s brothers. He gets a hit on a Gregory Manes. Local newspaper photo of him with several kids from a science fair. The school is near a reservation in the northwest corner of the state. He jots the information down but decides to start a little closer to home.

People in Roswell must know the Manes family. And so that’s where he’ll begin. Starting with local business owners. First thing in the morning.

[victoodles]

Fleur Sauvage

yeehaws but softly. back again, read it on AO3 and i hope you enjoy

Arthur is uncomfortable.

The sleeves of his stupid tuxedo are too tight and the cotton of his stupid bowtie is too itchy against his neck. But mostly, it’s because he’s surrounded on all sides by pompous displays of how the other half live.

Arthur has been encircled by wolves before, ravenous beasts of varying shapes and sizes. Unfortunately this time around he can’t shoot his way through the pack. If he had a say in the matter, he would take fangs and claws over coiffed hair and expensive suits any day of the week.

But he doesn’t. He rarely does, so here he stays.

The air is heavy with cigar smoke and foreign chatter. Arthur always presumed other languages would have an essence of beauty to them. Though as he overhears these gentlemen prattle on, cackling at their own self-proclaimed witticisms, he finds it to be extremely grating. Dutch insists though, as he is prone to do, that they continue to meet with the true master of Saint Denis.

Angelo Bronte.

A man with all the charm of a cottonmouth snake and twice as deadly. Every word that falls from his mouth is dripping with so much venom, Arthur is surprised listening to him hasn’t been fatal. Among those words is the promise of money; a key to freedom from the shackles of a modern word.

Now Arthur is the one to insist that Dutch reconsider his faith in this “parasite", as Arthur so fondly described. Dutch disregards it, telling him that home is just “one more score” out of reach. Arthur thinks that these grandiose fantasies are going to get them in over their heads more so then they already are. Hosea shares the sentiment but their unconditional loyalty has them tethered to this plan for the time being.

Angelo cackles from his perch on the manor’s balcony. He finds himself (both literally and figuratively) above the party-goers and that seems to fill him with malicious glee. They are merely bugs under his expensive shoes, and he’ll go well out of his way to stomp on them.

He sorts through the crowd one by one, expressing his contempt and expansive knowledge of Saint Denis’ denizens. Each one has a filthy secret that Angelo pours forth like fine wine. A jeer follows every name until his gaze falls upon a certain young lady, arm secured around Hosea’s.

“And who is this? I’ve never seen her before,” Angelo turns to his men with a smirk, “I’d certainly remember one so pretty.” Arthur tracks Angelo’s leering gaze to you, and his ire is sparked like flint. Taking a step forward to act, he aims to silence this lecherous cretin permanently.

Unfortunately, he is promptly stopped by Dutch’s hand, a silent plea to contain himself. It’s a small one and Dutch hopes Angelo doesn’t notice, they’re already on thin enough ice. Thankfully, he doesn’t.  

“Is she one of yours?” It’s posed as a question but Dutch knows he expects an answer - the right answer.

“Yes,” he answers immediately, “she’s like a daughter to me.” Dutch is careful not to give out too much information but still emphasizes you are no part of their meeting. “Just wanted to show her a good time away from the debauchery of our lifestyle. We think she deserved it, didn’t we Arthur?”

Every muscle in Arthur’s body is wound tight, ready to fight if you’re put in Angelo’s crosshairs. He clenches his jaw and manages to grit out an affirmation.

Another smirk spreads across Angelo’s lips. “Is that right?” He says something in Italian to his men, most likely a derogatory comment, before turning his attention back to the outlaws.

“It’s quite a crime to keep a flower like that out of reach. Such a beauty should,” he pauses to take another drag of his cigar, licking his lips lasciviously afterwords, “be enjoyed by all.”

Angelo seems to revel in the heat of Arthur’s rage; he’s garnered what you mean to him by reactions alone. Arthur’s trigger finger is suddenly restless; he wishes he had the sense to conceal a weapon. Dutch speaks again before Arthur sets this whole party ablaze.  

“We shall keep that in mind, Signore Bronte. Now, if you’ll excuse us,” Dutch begins to lead Arthur back inside.

“Yes, yes go! Enjoy, my friends!” He says with a dismissive wave before he returns to his own festivities. Angelo wears a mask of gracious host but Arthur can see the cracks in it, revealing the true monster underneath.

That doesn’t matter right now though. Arthur needs to get back to you.

As the two of them head back downstairs (Arthur a little more briskly in contrast) Arthur starts up with Dutch. “I told you bringing her along was a bad idea,” he growls. It’s clear Dutch doesn’t have the patience to placate Arthur right now.

“And I told you that we needed her! She still can speak their pretentious language. Discover leads that we couldn’t with our “barbaric” intellects.” Dutch says sardonically, paired with a roll of his eyes.

“Dutch,” Arthur warns but is once again interrupted.

“I will keep her safe, son. As I have done for all of us.” Dutch smiles fondly then. “You’ve got yourself quite a woman there, a true sheep in wolf’s clothing. I gather she won’t need much assistance from either of us.”

Arthur is momentarily rendered speechless. It was true, you were beyond capable of fending for yourself. But he still did not want to take any chances.

A man who held the world in the palm of his hand? What could someone with that type of power do to a woman closely associated with a (potential) enemy gang?

Arthur didn’t think himself overly imaginative but he could picture possible outcomes vividly. Too vividly.

One of many servants opened the main doors before those thoughts could evolve into more grotesque nightmares. Arthur is cruelly reminded of the events transpiring just beyond. However his racing mind is thankful for the distraction. He finds on the other side a dapper Hosea and Bill, looking even more miserable than himself.

But no you.

Arthur opens his mouth to inquire and Hosea has the answer before he can ask. It seems everyone’s in the habit of cutting Arthur off tonight.

Hosea tilts his head towards the courtyard. “Down there. She’s getting a head start on the mingling,” he informs his frantic son. Arthur’s feet carry him so fast he barely catches Dutch’s request to stay out of trouble. Wishful thinking but he’ll try his best regardless.

To Arthur, you stand out amongst the throng of people, clear as day. Your pink dress (you tell him it’s peach) compliments you completely. From the way it hugs your waist to the roses embroidered along the skirts. How fitting of a design, a wild rose with her own kind.  

An array of golden hair pins - courtesy of Miss Grimshaw’s heydey - keep your complicated braid in place. They shine like stars in the lamplight, twinkling faintly with every turn of your head. Your decolletage is bare of any jewelry, save for some cream colored lace along the sleeves of your gown. Arthur is oddly more distracted, eyeing the exposed skin hungrily.

Your beauty doesn’t hold a candle to any of the satin clad or feathered fan socialites. You are elegance personified and he aims to immortalize that within the confines of his journal later.  

Arthur makes his way forward, drawn to you as he often finds is the case. Obstacles in the form of other guests stand in his way and he wades through them. He doesn’t mean to push and shove; he is quite colossal when next to these dainty women. An apology comes in the form of a flute of champagne as to not stir up any more trouble before he presses onward.

Your company is being enjoyed by the mayor himself and his entourage. The gentlemen are enraptured by whatever it is you’re regaling them with. Hanging onto every pretty word and starring at you like you hung the moon. Arthur finds himself in the same position more often than not.

Laughter, airy and delicate, tugs at Arthur’s heart as he approaches. It envelops him; it’s a warmth he still isn’t accustomed to, especially in his line of work. But you coax him into it, and he learns his hands are still capable of gentleness.

You notice Arthur, a grin playing on your lips, and you stop mid-sentence to acknowledge him.  

“Oh Tacitus, my darling,” You coo, waltzing up and wrapping your arms snugly around Arthur’s neck. He fights to contain his guffaw at your act: the high society primadonna. It’s your favorite role to play whenever Hosea needs you for a swindle. And you play it exceptionally well.

A kiss is placed on his cheek, tantalizingly close to the corner of his lips. It’s a promise of more to come.

The mayor and his colleagues chuckle at this impromptu display of affection. “It seems your new bride is quite taken with you. What a shame for us, eh gentlemen?” The mayor asks, feigning disappointment which earns him a wave of laughter. You titter yourself, finding a new place around Arthur’s arm this time.

Arthur looks at you bemused, but humored. You take that as your cue to subtly fill him in on your little game. You smile affectionately at Arthur before turning attention back to the mayor. “I’m terribly sorry my good men, but my heart utterly belongs to my Tacitus,” you keen, dramatically casting a hand over your chest. If he wasn’t an actor in this play, Arthur would quite enjoy watching the performance.

"Mon coeur, it is broken!” The mayor jests and you playfully swat at his hand.

“Ne sois pas bête!” You tease back.

This French tit for tat goes right over Arthur’s head but he does understand something. Dutch was absolutely right in bringing you along. Not even an hour later and you already have a major city official wrapped around your finger. Color Arthur impressed (and slightly jealous). But then he remembers he is your “husband” after all, and the petty emotions are assuaged.

“And,” the mayor finally turns his focus to Arthur, “whose pleasure is it to have this delight of a woman for a wife?” Arthur sheds his skin of an outlaw and adapts, following your lead.

“Good evening,” he says smoothly, extending a hand out. “Tacitus Gilgore.” The mayor seems pleased at the gesture and eagerly shakes Arthur’s hand. You’re beaming at Arthur’s side at the interaction.

“Well it certainly is a pleasure Mister Gilgore. Henri Lemieux, mayor of this fine city.” There’s a hint of disgust in his words; Arthur doesn’t blame him. Henri gestures to his surrounding accompaniment and begins to introduce them. Arthur tunes it out - they don’t matter. Finding the mayor was his goal, not these buffoons.

Though his attention does perk up at the mention of a familiar name. “And this is Monsieur Evelyn Miller.”

“Like the writer?” Arthur inquires, earning another giggle from you.

“Yes darling,” you chirp enthusiastically. “He wrote all those books your father positively adored.” Your conversation takes a turn. “Tacitus is the sole inheritor of his father’s oil company,” you inform with a coy smile. A few of the men raise their eyebrows, impressed. The mayor included.

“Ah an oil proprietor?” Henri inquires. “Well, congratulations are in order. A beautiful wife and a flourishing business? You sir, are a very lucky man.” He reaches out and takes Arthur’s hand firmly in his.

“I look forward to speaking more with you, Monsieur Gilgore. But for now,” he relinquishes his hold on Arthur, “why don’t you and your young bride enjoy yourselves?”

Arthur places his now free hand on the small of your back. The satin feels soft under his calloused palms but he yearns more for skin to skin contact. Time and place, unfortunately.

“I think we will. Thank you for your hospitality, good sir.” Arthur takes his leave with a tip of his head before he escorts you away from the crowds. He thinks he deserves some semblance of peace for now. While the excess of unwanted company isn’t ideal, as long as you’re there he feels calm.

An impressive gazebo at the apex of the courtyard is devoid of any guests. It seems the majority of them strive to be in the limelight of this affair for reasons Arthur can’t seem to care about. Regardless, he is grateful for the temporary isolation as he leads you there.

The crowd begins to progressively wane much to Arthur's delight. A few still linger and you placate them with your arsenal of bonjour's and merci's. Once again Arthur finds himself grateful for you. He's reached his "mingling" threshold for the night a long time ago. Your's on the other hand seems to have just begun as you keen and wave to every passing sir and madam. It's rather amusing and Arthur chuckles lightly.

"Another minute there and I think he woulda' handed you the key to the city," Arthur teases. It's a rare occurrence for his bark have no bite, just playful nips You welcome it eagerly.

"That would've been ideal. I could have given it to Dutch so he can sell all of Saint Denis for a few mangoes." You respond back coolly. Arthur snorts.

"Seems like a fair trade."

You nudge him for his cheekiness. "Mind your tongue, Gilgore," you jab. He concedes to your wishes (as always).

"My apologies to my lady." Arthur's inner gentleman (the one he vehemently refuses is there) is showing. You want to say something, acknowledge the sides he wants to reveal. 

But now isn't the place for him to sink into that place of vulnerability. The predators here are too hungry. So you continue on as if it were a game still, keeping things lighthearted.

Placing a finger to your chin, you pretend to mull his words over. "I suppose," you begin, twirling out of his arms and swiftly dashing up the gazebo's steps. "I can forgive you," you spin around a column, "if you come sit with me for a moment?" You plop down on one of the many benches facing the river, tapping the empty space next to you. 

Arthur finds your impishness endearing, but now isn't the time. There's work to be done, people to mislead, men to k-

You can practically hear the discordance in his head. "Just for a moment," you plead, hoping it will alleviate some of his tension. It does, and he wordlessly complies as he sits down with you.

While Arthur doesn't claim to be an expert on the finer things in life, he is awestruck at the view. The gazebo seems to be on its own wooden isle in the middle of the water, surrounded on all sides by flowers. Gentle waves lap at the platform and it creates a steady, lulling rhythm. Petals drift lazily along the river, continually cascading down from the gentle push of an evening breeze.

The swamp he detests is transformed into an ethereal landscape as the lanterns’ reflections sparkle on the water’s surface. It appears that the rich can even buy the better parts of nature as well. Who would’ve thought.

The two of you are settled in comfortable silence, admiring the picturesque scenery as the party’s twittering becomes mere background noise.

Arthur speaks first. “So,” he begins bashfully. In this suit, he looks as awkward as he feels. A familiar hand on his knee, while slightly flirtatious, is a kind reminder he can be himself. It’s a freedom he still has trouble getting accustomed to at times. He lets his shoulders relax, “You think yer folks are around ‘ere somewhere?” It’s a question made in jest and you answer with a dry laugh.

“My parents wish they could be invited to a mayoral affair,” you say with a scoff. “Would’ve tried to sell me off twice as young if it meant they could eat the leftovers.” Though you try to hide it, Arthur picks up on hurt in your voice.

You hear it too, and you turn your head away from him for a moment. On instinct, you look out to the shoreline and see the manor you once called home. It's the same despite the ten years that have gone by: imposing and grand. You wonder if mother and father are awake, scornfully starring over at what they have continually failed to achieve. A jovial party serving as a painful reminder. The irony makes you feel a little bit better.

Walking up to that house every day for sixteen years had instilled fear into your core. Now, it was just an ugly scar across Saint Denis. The pain wasn't permanent, but you would always remember it. You're regarding the house apathetically, not being able to bring yourself away.

Arthur notices and begins to worry. “Hey,” Arthur begins gently, tracing circles over your knuckles. His voice summons you back and you look at him expectantly, gaze tender. You render him speechless; he’s ensnared and the simple control you exude over him has his nerves singing.

Arthur manages to compose himself and finds a way to bring your smile back. “What will people think if they see my beautiful wife so upset?” Again you laugh, this time sincerely. He finds himself smiling back, "They'll say I'm a beast of a man."

Tears threaten to spill from his sincerity. You try to shoo them away. “Oh lovely Tacitus,” your accent is back full swing. “You are just the kindest husband. How in this cruel world did I find myself so blessed?” While the titles are just pretend, he’s finding himself addicted to their honied sweetness. He wants more and your lips have the power to temporarily quell his want.

Leaning closer, falling further in love.

His lips are a whisper away, practically feeling the heat of your blush radiating off you. There’s a crowd of people just beyond a few white pillars but he doubts anyone is paying them any mind. And if they do, well, Dutch didn’t specify his distaste for getting into an upper class brawl.    

“I ask myself that question every day,” Arthur says reverently, a hand coming up to rest on your cheek. Your eyes flutter shut as his places his lips against your own with a gentleness reserved for you. This is a song and dance he is pleasantly more accustomed to, moving against you effortlessly. Each pass of his lips draws a sigh from you satisfied than the last.

Inhibition rears its ugly head again once Arthur thinks he actually has the luxury to enjoy himself. He pulls back slightly, much to your dismay but you don’t pursue. Like a deer, you don’t want to startle him. Instead you wait, a patience that Arthur is grateful you provide.

Arthur almost forgot why they’re here, and loyalty has always come before his happiness. “I gotta,” he mumbles. “Gotta do something for Dutch. I-” his words fall short when you silence him with another kiss. It appears chaste, but there's a fire behind it that’s nipping at his lips as the tip of your tongue traces over them.

Your poor cowboy would deny himself everything, so long as Dutch said the word. So you took some of the weight off his already bad shoulders for him.

Arthur’s eyes go comically wide as you withdraw from him, hand sliding down between your breasts. Realization (and relief) sweeps over him when it returns with a small envelope in tow, labeled "Classified".  

“What? How did you-”

“I wasn’t just talking to those old men for the caliber of their conversation,” you simper, tucking the envelope securely back into your bosom. “Managed to pilfer these documents pertaining to Cornwall off poor Monsieur Lemiux,” you purse your lips in a faux pout. Arthur continues to stare at you in awe.

You may have been planted in a gilded garden, but you had uprooted yourself, new roots digging their way deep into the forest floor. Growing thorns and blooming within the wild: free and untamed.

Wolf in sheep’s clothing indeed.

“So,” Arthur’s musing is ceased by you. Let him enjoy himself, as many this night have told him do. Yes he was on a mission, but let him have a moment to breathe. With you.

“Worry about what you ‘gotta’ do for Dutch later. But for now-” you lean in and purr against the shell of his ear, “let’s just be.”

The softness of your words is paired with a clap of man-made thunder cutting through the sky followed by a brilliant array of colors. Fireworks begin to dance across the night and gasps of wonder fill the air. The stars are met with blooms of blues, greens, and yellow to rival them. It's quite the spectacle; Arthur had never seen fireworks before. He had only heard Hosea' numerous tellings about taking Bessie to see them. The concept fascinated him; gunpowder igniting but instead of death, it brings magic.

But as they continue to burst, casting vibrant shades of gold and red across your face, Arthur thinks he’s found a new kind of magic to believe in.  

[thebrazenquill]

Remnants Short Story I

Lulu wasn't sure what happened. One moment was the best point of her life, even if it was only eleven years long. The next moment, she couldn't speak, and everything looked...different.

When she awoke the next day, she was very uncomfortable. She felt as though she slept on the ground, and had mud in her hair as evidence. The first thing on her mind as she rose through her unconsciousness was...

"Fort?"

He was nowhere to be found. She had remembered being outside with him just that night. Why would he leave her out there, alone? Usually he was much more protective of her. That's when the second thought of the day came through her gut. She remembered then that she hadn't eaten; Fort asked her out to the hill, and she didn't eat beforehand.

She walked back home, which wasn't so far. Her father had prepared her breakfast, a feast fit to fill her up, and then proceed to fill the bellies of another two people. After she broke her fast, she left to find Fort, and give him a piece of her mind.

"Hold up, Lulu," said her father, De.

"What is it? I gotta go see Fort, he's in big trouble this time!"

"...What were you two doing last night?"

"Nothing! But I woke up in the woods, and he should have at least tried to carry me home!"

"He just left you out there?"

"He wasn't around when I woke up!"

"...Let us see what Castle has to say about this."

The road to Fort's house was somehow emptier than it normally was. Something was wrong, and Lulu could feel it. Her head knew he would be at home, that everything was alright; Her heart told her something else. She began to worry. The road stretched in front of her. Everything suddenly seemed so much bigger. Why would he just leave her like that? What had even happened last night? How would Fort explain himself? Was there even an explanation?

The chieftain's house was quiet. Lulu's father approached the door, but Lulu knocked. De was surprised the door still stood. Castle of Unprecedented Size opened the door promptly, and his shoulders fell.

"Is Fort here, Mr. Castle?" Lulu asked.

"I was hoping you were he. Or at least," Castle hoped, "that he were with you."

"Did you know your boy met up with my daughter last night?" De looked serious.

"Yes, but he was expected to return last night." Castle turned to Lulu. "Did he give you a birthday present?"

"Mhm. He told me how he felt, and he showed me some new magic. But then he just...disappeared. I just went straight home when I woke up..." Castle's face adopted a form neither Lulu nor De had ever seen. He was worried about his son.

"Let us check in town, to make sure he isn't with Eva or Flint."

De and Castle led the way to town. Lulu fell behind a few steps. This was a Grown Up problem now. The Grown Ups were dealing with it. She couldn't just leave it like that, though. She knew it must have been something that had happened last night. She couldn't remember clearly; maybe she said something bad, or maybe she scared him?

Her throat closed up as they approached Evabella's house. Castle rapped on the door twice. An elderly woman answered the door. Evabella's grandmother looked at the trio, and her countenance fell.

"Good morning, Ruby," Started Castle.

"Judging by the way you three look, I'd say neither you nor I believe this morning is a good one. I see two fathers but only one with child in tow. Where is your Fort?"

"We were hoping Evabella could tell us. Fort of Indeterminate Strength never returned home last night."

"Neither did my Evabella. That is two children missing, Castle. What do you intend to do about it?"

"I have a bad feeling about this. Please call the village together. We can-"

"Lulu!" A voice came from behind, shortly before it jumped on her.

"Eva! You're all right!" Lulu felt relieved.

"That," said Flint, just a few steps behind Eva, "Is what we're saying."

"What?"

"You disappeared last night," said Eva. "We've been up all night looking for you!"

"Fort, too?" Lulu asked, hopefully.

"He called us, but we split up last night. We haven't seen him in a few hours." Eva looked up to Castle. "He didn't return home?"

"No, and I begin to worry," answered Castle. "Your grandmother is assembling the village. We will take care of finding my son. You three have been through a lot. Please leave things to us and retire to Chef De's house. He will make sure you are fed, and then you all go straight to bed."

Lulu, Flint and Eva did as instructed, and left with Lulu's father to their family restaurant. After a time, a true repast awaited them. As they ate, Eva's curiosity could bear no more.

"Lulu, where did you disappear to?" She asked.

"I don't know. One minute I was making a promise to Fort, and the next I woke up in the woods."

"Try and remember, Lulu. It may be important. What was your promise?"

"Well, he promised me to stay by my side, and he promised to love me. I thought he was all talk, but then he..." Lulu drifted off. She remembered the spell. It showed her everything. Fort literally showed her how he felt, how he saw her. He showed her how she looked through rose colored memories, and in them, she was beautiful, and she was strong. Above all, she was...

She was loved.

Lulu felt her face grow warm. And saw Eva and Flint react with surprise. They were older than Lulu, but now they seemed to be bigger. If anyone should be surprised, Lulu felt, it should be her.

"What?" She meowed.

She thought about that for a second. She seemed much warmer now, and even a little...small. Her ears itched, and so she scratched them...with her hind legs. She thought about that, as well.

She tried to ask what was happening. Instead, she meowed again.

"This isn't good," said Flint.