#flaneurmagazine

[stochastique-blog]

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#anotherplacemagazine #pellicolamag #thezonezine #phornography #huntgram #myfeatureshoot #lekkerzine #thephotographersgallery #noicemag #banalmag #onbooooooom #gupmagazine #archaicmag #paperjournalmag #lensculture #phasesmag #subjectivelyobjective #phroom #minimalzine #abstractphotography #dergreif #thenewtopographicmovement #phornography #subjectivelyobjective #minimalzine #newtopographics #ffimalmö #streetphotography #contemporayart #flaneurism #flaneurmagazine #cinematic https://www.instagram.com/p/Co4RQKUomzP/?igshid=NGJjMDIxMWI=

[3standardstoppage]

FLANEUR MAGAZINE #7: TREZE DE MAIO, SÃO PAULO @flaneurmagazine For issue 7, they've immersed ourselves in the complex layers of São Paulo’s Treze de Maio. In collaboration with multi-disciplinary artists, academics, and locals, Flaneur Magazine embraces the street’s complexity, its layers and fragmented nature with a literary approach. this time, the fragmentation of narratives is more than ever reflected in the art direction and editorial approach, one that can mirror the flow and interconnectivity of the magazine’s months-long production. The street Treze de Maio (13th of May) here is both, a place and a time, the 13th of May 1888, the day of the official abolishment of slavery in brazil. In that way the issue reads the city layer by layer, forming a multi-voiced collection of contributions that are interwoven with the editor’s outsider voice that explores the reoccurring themes within them. Contributors: Tatewaki Nio, Paulo Nimer Pjota, Karoline Barros, André Penteado, Camila Svenson, Pétala Lopes , Jose Fernando Peixoto Azevedo, André Meirelles Collazio, Noemi Jaffe, Guilherme Wisnik, Karlla Girotto, Alessandro Marques , João Bandeira , Viva Meyer, Amanda Vieira, Rafael Monteiro, Felipe Russo Editorial Assistant: Anna Ferkingstad & Karoline Barros This issue is bilingual, English & Portuguese. #3ssbookselect #flaneur #flaneurmagazine #sãopaulo #trezedemaio #3ssstudios #3standardstoppage (at New York, New York) https://www.instagram.com/p/CMufhM5lF1F/?igshid=o3g4s2w52tbr

[mcmahon-salvador]

A roll of Ilford HP5 was shot. It was sent in the mail. The recipient reshot the roll. Here's a frame and a quarter from it.  2020. #mailart #correspondenceart #ilford #blancoynegro #analogphotography #experimentalphotography #filmphotography #blackandwhitephoto #alternativephotography #analoguevibes #flowerphotography #portal #doubleexposure #captured #flaneurmagazine #flowermagic #springtime #abstractphotographies #multipleexposure #naturephotography #summertime #paralleluniverse #somewheremagazine #contemporaryphotography #hp5 #filmisnotdead #handdeveloped #35mm #gardenphotography #alternatereality https://www.instagram.com/p/CIvgauIjEaC/?igshid=mh1j925hlgcx

[missreadberlin]

Interview with RICARDA MESSNER- Flaneur Magazine at  MISS READ 2016

Video commissioned by MISS READ and produced by PRESSURE.

MISS READ: The Berlin Art Book Fair 2016 took place on June 10 to 12 at Akademie der Künste Berlin and brought together a wide selection of some 200 publishers, art periodicals and artists/authors.

Founded in 2009, MISS READ is Europe’s Art Book Festival, dedicated to community-building and creating a public meeting place for discourse around artists´ books, conceptual publications and publishing as practice. Admission is free.

Featuring 200+ international participants with 2016´s special focus on Spanish-speaking countries, MISS READ was accompanied by series of lectures, discussions, book launches and workshops, exploring the boundaries of contemporary publishing and the possibilities of the book.

www.missread.com

http://pressure-berlin.tumblr.com

Camera: Federico Gomitolo / Director: Carlito Schilirò

[tratist]

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A post shared by Eric Wong (@ericwongart)

“The Serenade” #ewfoundfinds #flaneur #flaneurmagazine #flaneurs #flaneurism #thethingsisee #airdrumming #rockstar #emo #fadetoblack #videooftheday #topofthecharts #indiemusic #indierocker https://www.instagram.com/p/B2xKbSKlRQx/?igshid=1fz0x0kzsptwz

[architectsindependent]

As seen in Paris... • #paris #france #flaneur #flâneur #photography #design #art #architecture #moment #moments #architectsindependent #thomasmodeen #asseen #french #finnish #finland #doha #qatar #yearofculture #qataryearofculture #minimalism #minimalist #minimal #flaneurmagazine #parisflaneur #maysaaalmumin #fashion #details #detail #momenti (at Paris, France) https://www.instagram.com/p/CD0-T1yAApg/?igshid=836kbcte2q8k

[mappingcologiesglobalsouth]

what has publishing become? where is it going?

The evolution of contemporary art magazines is markedly entwined with ongoing developments in digital publishing. The way in which audiences consume art media today is an intricate activity that concerns a number of issues including the junction of text and images, copyright, accessibility and the human eye-brain system. Indeed, it feels assuredly natural for contemporary art magazines to publish online as a means of responding to technological advancements and possibilities - such as Web 2.0 - while disseminating their content with breadth and conviction.

Questions surrounding the nature and future of art magazines are as painfully cliched as they are important; and it is clear that digital publishing demands constant reconfiguration. Orin Gat discusses the manner in which IOS and other handheld devices allow for images to be embedded in “a variety of formats: slideshows, moving images, animated GIFS” and so on and so forth. It would appear that utilizing the vertical (or horizontal) scroll while maintaining the history and dignity of print, is symbolic of the greater balancing act of art publishing; one that requires constant editorial and cultural recalibration. According to East of Borneo editor Thomas Lawson, art magazines have, “a purposefully old-school attitude to the idea of the art journal as something deliberately out of time”. East of Borneo, along with other publications such as Mousse, South as a State of Mind, Flash Art and Flaneur (to name a few), strive to embrace the benefits of online media while incorporating certain strengths of traditional print publishing.

Slowness and temporality are, for example, two associated traits of traditional arts publishing that warrant consideration as digital publishing moves forward. However, through embracing user and reader contributions - on top of their own editorial line and agenda - publications such as East of Borneo etc are able to “develop depth over time as material accrues”, allowing them to work towards “becoming substantial repositories of information and interpretation”. As beautiful as this strategy sounds, such notions are probably excessively idealistic and egalitarian at this point in time, as they glaze over some of the key complexities of art publishing today. As an interested party, however, I find the serial tension and confusion that engulfs contemporary art publishing to be richly attractive.

[i-i-ira]

Poster for Flaneur magazine, Moscow issue http://flaneur-magazine.com/buy/issues/

[modmag15]

Grashina Gabelmann, editor-in-chief, Flaneur

See her speak at Modern Magazine conference 2015

[michaelborringphoto]

#anotherplacemagazine #pellicolamag #thezonezine #phornography #huntgram #myfeatureshoot #lekkerzine #thephotographersgallery #noicemag #banalmag #onbooooooom #gupmagazine #archaicmag #paperjournalmag #lensculture #phasesmag #subjectivelyobjective #phroom #minimalzine #abstractphotography #dergreif #thenewtopographicmovement #phornography #subjectivelyobjective #minimalzine #newtopographics #ffimalmö #streetphotography #contemporayart #flaneurism #flaneurmagazine #cinematic (på/i Sevilla, Andalucía, España) https://www.instagram.com/p/Co4QteFIkfH/?igshid=NGJjMDIxMWI=

[3standardstoppage]

@flaneurmagazine Issue 8: Kangding Road / Wanda Road, TAIPEI . . The eighth issue of ‘Flaneur’ is devoted to the intersection of Kangding Road and Wanda Road in Taipei, a crossroads of layered colonial and urban histories. Taipei had always held a certain fascination for the editorial team, so when the opportunity arose to do a three-month artist residency at Taipei Art Village Treasure Hill, they seized the moment. In an interdisciplinary, collaborative effort, the axis is mapped out from different angles, revealing the layers, colonial implications, unvoiced stories, and contradictions of this place of displacements. With diverse contributions by more than fifteen local artists and writers, the magazine delves into the oldest part of the Taiwanese capital. . Sold out, but welcome to stop by the store for reading. . #3ssny #3standardstoppage #flaneurmagazine #taipei #kangdingroad #wandaroad (at 3Standardstoppage) https://www.instagram.com/p/B6YncbtgWSy/?igshid=ma904g869vzd

[mcmahon-salvador]

A roll of Fujicolor 35mm was unraveled in the dark. Bang snaps were thrown at it. The roll was mailed. The recipient threw more bang snaps at it. The roll was developed and scanned. 2021. #galactic #analogphotography #alternativephotography #contemporaryphoto #correspondenceart #c41 #colorfilm #ghosts #destroyedfilm #destructivephotography #experimentalfilm #willothewisp #fujicolor #experimentalphotography #fotografiaexperimental #filmstills #filmphotography #instalike #auroraborealis #landscapephotography #mailart #35fuckingmillimeter #multipleexposurephotography #moonlight #processart #shootingstars #flaneurmagazine #nightphotography #fireworks #explosive https://www.instagram.com/p/CK7U55inVjm/?igshid=1uq8obrcwvenc

[theveryomelette]

[stephaniepowermfa]

[qved]

Speakers: Ricarda Messner & Michelle Phillips of Flaneur magazine.

Ricarda: Born and raised in Berlin, Ricarda Messner completed her degree in Communication at the Berlin University of Arts in 2011. In addition to her studies, she gained experience in various disciplines - from writing for a German daily newspaper, working at art galleries and magazines to PR work in the cultural field...

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Michelle: Y-U-K-I-K-O is the creative studio of Johannes Conrad and Michelle Phillips. Y-U-K-I-K-O works within and around the field of graphic design, photography and film. Johannes studied fine art and Michelle studied graphic design at the University of Brighton, however they did not meet until later... 

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