#first one's obv a commission!

[catallarii]

splat splat

[floorpancakes]

oh btw!!! I posted this on my art twitter too but since this months project sekai outfit contest theme is 'anything goes' and I have other stuff to finish first if anyone has a concept they rly want to see in game lmk ok!! i might be able to do it! ill be thinking of ideas myself obviously but i think it'd be a nice opportunity in case anyone has a vibe or concept they want to see in game like super badly

[ckret2]

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

[ohnoitstbskyen]

Hi Skyen, hope you're well! I'm seeking some advice and since you used to work doing mainly art commissions I figured asking you was worth a shot.

I'm a furry artist and I'm looking into doing commission work as a side gig while I finish animation college, and hopefully acquire enough experience/clients/notoriety to turn it into a full time job once I graduate.

Do you have any advice for someone literally just starting out with fresh accounts and zero following? Especially when it comes to reaching people and getting your first clients, and anything that one should take into account when working with NSFW specifically. Also advice for pricing your work is always useful 😅

No need to answer obvs but I'd appreciate your viewpoint if you want to share!

Got 2 asks on this exact subject so I'll write up what advice I can. One big caveat: I haven't worked as a commission artist for like half a decade at this point, and this job has a tendency to change fast, do not take anything I say as gospel. This is advice from a limited perspective, be critical of what I say and trust your peers and the people you are in community with before you trust me.

building audience

Step one is getting people to notice the artwork you create. Literally nothing else can happen until you have eyeballs on your work, and the most consistent and reliable way to make that happen is fanart. Ideally you'd want to produce fanart in a fandom you are personally engaged with and passionate about and familiar with, and which also has a sizeable community whose attention can help you build recognition and a base of followers.

This isn't always possible, and there's many a working artist who creates work for fandoms not out of deep personal connection, but because the fandom is large and relevant and a good way to capture the goodwill of algorithms and content feeds.

This approach has some downsides. For one, genuine fans can usually tell when someone's engagement with Their Thing is shallow, and for another it can be deeply creatively exhausting to chase the algorithm. I don't recommend this approach, but it is a valid means of building a business.

Another important consideration, especially when you are early in your career, is that volume tends to trump quality. Every artist will eventually learn that their shitty joke-doodle they sh*t out in ten minutes on a whim will get a billion reposts, and their complex personal work that took eight weeks to finish gets 2 likes from their closest mutuals and a comment from a bot saying "wow!"

In the age of the algorithm, what machines and for you pages value is a consistent, high-volume of output that generates user engagement. You will generally get further, faster, by producing a lot of work than you will producing great work. Again, this can be rough on your mental state, and a fast way to burn the fuck out, so please be careful and mind your health before all else.

The best way to build something that will last is to build your audience in communities and around fandoms and themes and ideas you genuinely care about and enjoy exploring and interacting with. Being your authentic self and creating work from your authentic interest is generally both healthier and long-term better for your career than trend-chasing. Treat trend-chasing and volume > quality output as tools in your toolbox, as creative and business decisions you can make to achieve a specific purpose, never ever EVER let them become the center of your praxis or your philosophy. Never ever EVER allow the Numbers™ to be your source of validation and accomplishment.

building business

Ok, so you've got eyes on your work. You've got some followers. How the hell do you get them to commission you?

Well, again, by demonstrating a capacity to create kinds of art for which there is demand. In the furry community, there's brisk trade in things like ref sheets and character design, for example. For most fandoms, ship art is a product which tends to be in demand. Being able to do really good expression sheets is a marketable skill. Being able to create compelling and clear emotes for streamers and creators is a marketable skill.

Showing the capacity to work in a wide range of styles is valuable. Showing the capacity to work in a wide range of genres is valuable. If you can do both comedy and romance your appeal expands. If you can do shonen-like action and angst as well, it expands again.

Equally, being incredibly good at a specific niche is valuable as well. Focusing hard on an under-served niche of work can give you a lot of opportunities to be the Go To person for that specific kind of thing.

Perhaps the hardest part of all of this is marketing yourself. Not only showing that you have the skills, but actively informing your audience that you are available, eager and willing to practise your skill for a fee. You have to sell yourself. It sucks, but you have to do it. You have to advertise what you can do, and you have to suffer the rejection and annoyance that comes along with doing that.

You have to ask people to commission you. You have to raise your hand and demand attention. It's not fun, but it's business.

Walking the line between self-promotion and being a person is hard. I can't help you that much with it, it's a very personal balance to find. Stay in touch with your soul, but kill the part that cringes at yourself.

Ultimately, you best marketing asset is your portfolio. Every time you do work, show it off. Repost it, retweet it, spread it around. If someone is happy with what you've made for them, do your best to make sure that other people see that happiness. Ask your clients (politely) to tag you when they share your work.

Oh, and for the love of god, sign everything you create, slap watermarks on anything that's likely to get reposted, and make it impossible for someone not to find your business email on your profile.

building network

If you're a commission artist, you are in community with other commission artists. You share interests, you share experiences, you share needs.

Practise solidarity. Absolutely seek out professional peers to help your business, but equally seek out opportunities to help them with theirs. If someone comes to you for art and you don't have commission slots open, point them at a colleague who you know can do the work too. Gas up your peers and spread their work.

Be a symbiote, not a parasite. Respect the craft of your peers, and don't chase celebrities and big names in the hope of coasting on their coattails. It will fail.

smut

If you're a working artist, at some point you have to reckon with smut and r34.

These genres are excellent sources of income, and fertile ground to build a business and network of customers. BUT. Do not ever make the mistake of thinking that they are "the easy way" or a shortcut. Do not ever make the mistake of thinking you can simply offer to draw tiddies and rake in the cash.

It's work and graft same as literally any other form of labor, it's challenging on both a technical and creative level, and the audience can sense if you're looking down on them. If you approach this from a position of shame, of "eugh, I'm debasing myself by doing this for rent money," it will not work, and you will lose standing and respect in the eyes of every peer whose support you need to succeed.

Just as in all other forms of creativity, if you treat the audience as morons who will slurp up whatever slop you serve them, then you will attract clientele that agrees with you, and you will deserve the misery they will inflict upon you.

If you are going to work in smut, establish your boundaries and enforce them. Know that good clients will feel safer and more comfortable with an artist who clearly states their red lines and earnest interests than they will with someone who tries to attract more clients by pretending to be open to work that they are actually uncomfortable with.

Never, ever, EVER let a client push you to create work you are not comfortable creating. It scars your soul in both the short and long term.

Also, when working with this kind of content, know the rules of payment processors and know how to hide the nature of your business from them. PayPal should never, EVER know the details of the content you sell with their service. Frankly, neither should your bank, most likely.

Look to your peers for advice and best practises about this. And be meticulous about your bookkeeping.

money

I want to tell you to charge at least minimum wage for your time. I want to tell you to charge substantially more than that, because your labor is specialized and highly skilled.

But the economic reality of commission work is that there is a crushing downwards pressure on the labor price of art, which has only been made more devastating by the rise of generative AI, and especially when you are a young artist just starting out, you're going to find yourself in a position where charging even minimum wage for your time will turn away a huge proportion of your potential customers.

Again, your portfolio will be the greatest argument for the value of your work, but you have to build that portfolio first, and very often that means doing a f*kton of work for not remotely enough pay until the pressure of demand finally works in your favor.

I don't condone or justify this state of affairs. It is horrid and I hate it, but I don't know how to fix it either.

Making a living from content creation of any kind requires you to get lucky, on top of working obscene hours and foregoing rest and vacations. It's not a safe or sensible plan for a career or paying your bills.

My sensible advice is to get a "normal" job you can survive doing, and do your creative work on the side, and resign yourself to the possibility that the creative work may never actually pay your bills.

And that is soul-crushing, but I cannot stomach pretending that hard work and gumption will guarantee anyone a decent living if they just try hard enough.

There are people who are better at every aspect of my work than I am, and they struggle harder and work for longer, and they will never see half the success I have, because I happened to get lucky, and they happened not to. It's wretched.

I'm not telling you not to chase your dreams. I'm telling you to do it with your eyes open, and with compassion for yourself first before all else.

All of this to say: I can't tell you what to charge for your work. It depends on everything from your competition to your niche to your genre to your community to your economic situation. You have to figure it out on your own.

All I can tell you is never forget that your work is worth more than the market will let you charge, and to raise your prices as soon and as much as you can. Try to reach at least minimum wage for your time as fast as possible.

in conclusion

Again, I haven't been a commission artist full time for a long time, please do not take any of this as gospel. Listen to your peers before you listen to me.

But trust me about the solidarity. It will save you when all else fails.

[whileyoureinschoolidothisallday]

Fixing MHA's Ending So It Follows Through With Its Core Themes (And It Basically Fixes Itself)

I don't like retconning at the best of times, but turning what started as essentially a Hope focused narrative into a "realistic" tragedy at the very last second is some wild work.

So I'm gonna do what I do best as a fic writer and fix it!!!!!

The Summary

So, I'm pretty sure all of us were on mostly the same page up until the very last panels of the Shigaraki fight (Having AFO being just "born evil" was probably the start of things not being great, but I'm willing to let that slide because it doesn't really effect the overall function of the story that much). Once that and the epilogue started is where I mostly saw people being like ????????? to a lot of choices, so I'm going to focus on those two sections only.

We're gonna be rewriting:

-The deaths of the Villains + Kurogiri (obvs)

-The overall post-War actions and reactions

-The continued existence of the Commission and the Hero Rankings

-Hawk's fate

-Spinner's fate

-A liiiiitle tweak to Chisaki's fate

-Slight tweaks to the Todorokis

-and finally What to DO with the Villains + Kurogiri now that they're alive

And we'll be starting with...

Toga

Now for a battle that was so beautiful, this really did end up completely falling apart.

I'm not gonna justify every single Villain Rescue I do, but Toga's really comes down to one simple reason for me:

Her bullies literally wanted her to die as atonement.

You don't...typically make your character's fate agree with their bullies or abusers (otherwise???? why are you explicitly portraying them as bullies and abusers to the audience if you want us to ultimately agree with them?????)

Throughout most of the story prior to this, Hori made it a staple in the show that dying for the cause, hurting yourself for the cause, martyring yourself or otherwise telling someone to kill themselves for the cause is a vile thing to do. So, it makes ZERO sense why he would suddenly retcon this at such a critical moment, especially since he already set the stage for it to be wrong in the first place.

(also does anyone also think it was weird/creepy that Hori LITERALLY has her do this with Twice and she very explicitly says "Don't be stupid I don't have to give all of my blood away"? No? Just me?)

Everything happens the same, she still thinks she's sacrificing herself, "If only, if only", blah blah blah

AND THEN...

Hawks

This is such low-hanging fruit plot-wise it actually feels offensive that it went nowhere

Nothing happens with Hawks. We all say it, fans and non-fans alike. He is wasted potential incarnate. His story is a circle and it so easily did not have to be that way because of one simple writing decision:

Hawks and Toga share a blood type.

Up until now, it really did seem like Hawks learned nothing from Jin's death. The first thing he says when he sees the clones is, "We have to kill them now!" But then, picture him still battered and broken from his fight with AFO, wingless, but there is still SOMETHING he can do to save someone's life.

And he puts the needle in his arm instead, and before she can question it, he tells her Jin would want her to live. He's not gonna make the same mistake twice.

(I also think it'd be nice if he said something like how lucky she is, to really go full circle with the Jin story, but I'm not trying dialogue here lol)

And that leads us to...

Shigaraki (and Kurogiri!)

This is a double feature because with the way I'm doing it, I can't save one without the other.

So, something that happens during this and is super anti-climactic and seemingly pointless is Midoriya losing his hands. He gets em back in like 2 seconds, because Eri gives him a surprise rewind almost immediately after. The actual point of it was just to show the brand new rule that physical damage that happens in the vestige world also happens in the real world, so that killing Shigaraki a few chapters later would still make sense.

We're gonna get rid of that rule entirely and just say that Midoriya does not lose his actual arms in the fight, and psychological damage in a ghost world does not reflect physically in reality (or idk. If you DO want that to happen, then just say the embers of the vestiges protected him one last time or something).

And because he doesn't lose his arms, Eri still has a surprise rewind to use.

But before we get to that, we actually have to save Shigaraki. So, here's the super complicated rescue rewrite I came up with. Ready?

Kicking AFO out of his brain and giving him back full control over his body simply does not kill him.

That's it!!!! That's really all that needed to happen!! It was a very conscious choice to make that kill him! It's actually more work and details to kill Shigaraki than it is to save him!! Hori already went out of his way to say that Nana's vestige protected him so that he wasn't completely swallowed by AFO, just so he could say goodbye before fading away anyway. What if, considering the fact that hatred of Nana is what damned him, love FROM Nana actually just plain ol saves him? Full stop? We come full circle. It would make it a fantastic mirror to the Todoroki fight and solidify the theme that love from your/a family, even a broken one, will save you!!

And then further in the background, Bakugou doesn't randomly kill (?????? Even after reading it again I'm still really confused about how Kurogiri dies. I think this is what happens?????) Kurogiri, and instead starts to lose control like they feared. But then, refusing to give up on him, Aizawa hits him with the now-available Rewind Juice and it finally, finally stabilizes his mind for good.

The day is saved.

And that just leaves...

Touya

Unfortunately my stupid husband can't stop trying to kill himself for 2 seconds despite my best efforts to convince him otherwise, so there's really nothing I can do about the extent of his injuries

However, there's LOTS I can do about the way we're treating said injuries! =D

First of all, because Touya is my favorite, I do wanna allow myself the space to briefly rant about how his entire situation was handled because brother. first of all. It's so incredibly obvious that he was supposed to die on the battlefield with his comrades. That man had no fuckin eyeballs by the end of that fight, bffr. And then it was like Hori remembered the thing about the noodles and was like 'oh shit I better at least wrap that up lol' so he brought him back--eyeballs and TEARDUCTS magically intact btw so naturally the audience with reading comprehension was like 'oh he's healing somehow I guess'--just to get that specific moment on the books (and maybe just to draw Touya in his Batman Who Laughs era because I mean he does look pretty sick in the tank) and then turned around and killed him again. With no explanation what the random functioning tearducts and magical regrowth of eyeballs was about.

Like...my guy, you ain't gotta do all that. Again, it's so much harder and more complicated to kill him than it is to keep him alive. Not to mention he was killed OFF-SCREEN. WE DON'T EVEN GET TO SEE ANY--IF ANY--CONVERSATIONS HE HAS WITH SHOUTO OR HIS FAMILY, WHICH WAS THE WHOLE POINT OF NOT KILLING HIM ON THE BATTLEFIELD. INSTEAD OF THE SEXY SHIRTLESS SERVING-FACE-AT-A-FUNERAL IMAGE OF TOUYA WE COULD'VE SEEN A FLASHBACK OF THEM TALKING AND HIM SMILING AND BEING HAPPY WITH THEM FOR WHATEVER TIME THEY HAD AND THAT STILL WOULD'VE BEEN MORE SATISFYING. Y'KNOW. BECAUSE THAT WAS THE WHOLE FUCKING POINT OF THE TODOROKI PLOTLINE?????????????VSSSBBNM,.;;PUSAAXXGHIIRWDFGG

But anyway.

Fixing Touya's death is really simple. We can do two things, actually.

Work with the deus-ex Ice Quirk a little bit, make the Phoenix Theory canon. Ice heals him, the tank is a giant fridge. Lo and behold, it would explain why he magically healed eyeballs and tearducts. It's an incredibly slow process, but eventually he'd heal enough to be out of the tank and in a normal hospital setting for the rest of his recovery. It also gives him a goal to pursue for the future, I.E learning how to control the new side of his powers and mayybeeee getting interested in studying Quirk Biology in the process 👀

He simply!!!!!! Doesn't die!!!!!!!!! Out of ALLLLLLL the MHA characters, I would 100% believe you if you told me that Touya Todoroki nevertheless persisted. That's like...his entire character. You don't even need to give me a reason. His entire character up until now has been 'the one that's somehow still alive' to the point that the fucking Dr. Eggman lookin ass mad scientist that brought him back to life in the first place (in WORSE condition) was like 'yeah no idea how he's still here that's scary'. I'm sorry, the entire fucking show I've had to see A. An old man without a face with a back alley ventilator system shoved directly into his stoma that's somehow fine and talking perfectly, and B. Another old man missing his ENTIRE digestive tract for years and is still up and walking around somehow with no G-tube or colostomy bag to be seen, so I think by the power of God and Anime, Touya could probably survive his injuries and it would be within the realm of believability for the show. In fact, it's LESS believable that he stayed alive through all that by spite alone and then when he finally gets offered love and acceptance, that determination and tenacity to stay alive suddenly goes out the window. If anything, it should've made him MORE determined to live.

Sorry I got carried away with that one. But there. Everyone is saved and the core themes are intact.

Now we just have...

The Overall Actions and Reactions Post-War

Gonna sum this up really quickly:

-The cameras never turned off. They're built for Quirk resistance because they're a fucking newscast in a Hero society if their technology broke every time there were heavy Quirk exchanges there would never be any fucking news. Making them conveniently lose footage so none of the civs can see the Villains humanity is just rubbing salt in the wound and serves no narrative purpose in line with pre-established themes. Everyone saw what was recorded, and it helped the Villains' cases for rehabilitation.

-We do not censor out this battle in future history books. Everyone is very familiar with the final fight and the events and circumstances leading up to it. It is not erased from public memory as soon as possible. In fact, it's frequently studied and referenced when making new policies to avoid making the same mistakes. Hori. Wtf.

-We do not reinstate the Hero Rankings in any way shape or form, and Shouto is the biggest voice in dismantling this system. Voila, this is now actually the story of how they all became the greatest Heroes, because they aren't ranked. They're all literally the greatest Heroes, and so will everyone after them.

-This IS actually portrayed in the epilogue, but yes, let's be LESS reliant on Heroes and police and MORE invested in the community!!!!!!! Even more so than what's portrayed!!!!! Take another bit from Spider-Man: Anyone can wear the mask!!!!!! Let's make a world where Heroes have too much time on their hands and not just make more of them, right????????? Remember that????????

-WE DO NOT REINSTATE THE COMMISSION. WE GOT RID OF THEM CORRUPT HOES FOR A REASON!!!!!! NO A CHANGE OF THE GUARD IS NOT ENOUGH TO FIX IT WE'RE NOT 7YRS OLD!!!!! HORI. WTF. The only thing I want them to be in charge of is licensing Heroes. I want these fuckers to be the DMV of the Hero world and that's IT!!!!!!!

Which brings us to...

Hawks' Fate

I don't even fuck with this man like that, but he did not deserve to become CEO of the organization that groomed and abused him since he was a child when all he wanted to do was chase tail and fuck off to a beach somewhere. Considering the fact that he also, like, killed people he shouldn't have, let him retire like Endeavor, please. We're done giving the old guard power and privilege, especially when they explicitly did not and do not want it (and when they did have it, they misused it). The only thing I want this man involved with is Toga's recovery alongside Uraraka. Specifically, I want him paying for it and anything else she might need. Fuck it, you know what, make HIM Endeavor's personal aide instead of Rei!!!! He gets to be a little simp and Endeavor gets a replacement son to fill Natsu's spot. Everyone wins.

(He does deserve that hairline tho. I ain't fixin that.)

So that leaves...

Spinner's Fate

I'm not changing much here, besides the fact that now Shiggy is alive and I think they should be ✨Roommates✨ eventually (and obviously he's gonna be much less riddled with survivor's guilt). I still think he should write that book, but I also think that with his multiple Quirks, he should team up with scientists to understand how Quirks work in the body (and maybe get some of them removed from his).

And next...

Chisaki's Fate

I just think this guy needs to be in the same place as the other Villains, at least for a fraction of the time. Why is he just...out. He was also in that daycare and could definitely use some help before we just let him loose in the streets because he said sorry (Can the League just say sorry then??????????).

I do think afterwards he should get involved with something chemistry related tho, cause those bullets of his came in clutch.

And on that note...

The Todorokis' Fates

And by Todorokis I mean two of them, specifically Rei lol

Yeah, she's not gonna be Endeavor's nurse for the rest of her life lol. That man has more money than God, he can hire an aide like everybody else. In fact, they're not even living together. Do you remember how earlier in the series, he gave them a new house? So they could live away from him and he would be in the old house by himself? I liked that plan. Let's go back to that plan. I'm not gonna go as far as to make them divorce, if they're together they're together, but I think separation is a necessary must at this point because if they MUST stay together, they should at least try dating for once???????? Girl was actually bought like maybe they figure out if they even still like each other at all, or ever did.

(Also, I have to laugh as a motorized wheelchair user that Hori drew her pushing Endeavor all happy and blissfully. Motorized wheelchairs are not meant to be pushed like that lol. They have push features for emergencies and small around-the-house distances of course, but uh, mine's 350 pounds without me in it. It's not usually anyone's first choice.)

But there is one more Todoroki I have a lot to talk about, so that finally brings us to...

What Do We Do With The Villains + Kurogiri Now That They're Alive???????????

We take everything from comic books except what would actually makes sense with the story lol

Surprise!!!!!! We're doing Arkham!!!!!! This is another low-hanging fruit thing that I'm almost a little offended that it wasn't implemented. Obviously Arkham has its problems in the Batman canon that we're gonna try to avoid, but I honestly think Batman villains and the core MHA Villains are pretty similar in their execution in that they are primarily mentally ill victims of society who have done very terrible things, but the audience (and Batman himself) is actively rooting for them to get better over just rotting in jail or being killed. Two-Faced has killed sooooo many people and has relapsed a ton, but I ultimately still want to see him get better because he was Batman's best friend once and a good man, and what happened to him was a tragedy. I think all the Villains deserve a space where they can humanely heal from their issues and gain support, while also being safely separated from society while they're still dangerous to themselves and others.

Oh, but Batman and his endless money bought Arkham. Who do we know who has access to trust fund money, an investment in the mentally ill, and the bonus of a medical background that could fund such a thing?

Ladies and Gentlemen, please put your hands together for...

Natsuo Todoroki!!!!!!!!!!!!!!!!!!!!!!!

My mans graduates from college and immediately uses his money as a doctor and his inheritance to open up Rindou Sanctuary, in honor of his mother Rei and named after her favorite flower (I don't think he'd want to give Enji the satisfaction of his last name attached to his greatest achievement). He's head doctor on site and the board, and visits Touya every shift once he's healed enough to be transferred to the facility. He is very invested in his brother's treatment and refuses to lose him again--at least not until they're proper old men.

It is publicly funded by donors and taxes alike, and Enji, naturally, is always the highest donor. Call it reparations.

And there you have it! That's how to fix the epilogue. It took longer to type than think about. I could care less about canon shipping, so y'all can keep that (or not). I'm just here to fix the structural problems that have no reason to be here at this point. As I said, once I redrew lines Hori already set up and just abandoned, it pretty much fixed itself.

Hope you enjoyed it and I hope it eases the grief a little!!!!! They're alive look I fixed it!!!!!! <3

(also feel free to use anything I said in here in your own fix-it fics!!!! Just tag me so I can read them 👀)

[choccy-milky]

OKAY HEAR ME OUT CHOCCY SEB GIVES CLORA A SNAKE RING?!?!

Soooooo rereading the fic and I’m back to chapter 33, and it totally popped into my head that they are IN THE VICTORIAN ERA and do ya know what was super popular after the engagement ring that Queen Victoria was given by Prince Albert? A SNAKE RING

AND IF THAT AINT SEB TREATING CLORA LIKE THE QUEEN SHE IS THEN I DONT KNOW WHAT IS 😭💙💚✨

Thank you for coming to my ted talk 🫣😂

LMFAOO YESS TRUST ME, IVE SEEN THIS AFTER DOING MY OWN RESEARCH ABOUT VICTORIAN RINGS, ITS SO PERFECT!! AND THE FACT THAT ITS GREEN TOO LMAO, prince albert was a possessive slytherin confirmed!!🤪 but yea ill DEFS be incorporating a snake into the final design of cloras ring HAHA. i basically HAVE to...yknow, for period accuracy 🥰

WOO YAY im glad i could inspire you to start writing!!!🙏and i get it, writing fanfic is defs self indulgent and for ourselves first and foremost, but obvs nobody wants to release their work into the void😩 as for how my own fic got popular, one of the main things is defs timing. i published the first chap basically within the first week of the game being out (it came out on the 10th and my chap was on the 18th) so it was there right at the peak/start of the fandom. but i also dont wanna attribute it all to timing BAHHA cuz i think im a pretty good writer and that helps....my fic also didnt get popular right away, but i was consistently posting every single week + eventually started adding art every single week, and was just really dedicated to not only writing but also drawing art for it (which is also obvs another huge factor/probs the biggest factor). ive had so many ppl tell me they started reading my fic bc they saw my art on pinterest or something LOL, and some ppl have even read it fandom-blind bc they were into the seb/clora dynamic??? which is another point actually. i always joke about how i love my cliches and good girl+bad boy dynamics, and that im unashamed about loving them LOL, but also...they're cliches for a reason!!! lots of us eat that shit up!!!😤so i think thats defs another factor, vs if my fic was a bit more niche and avant garde LOL the fandom is also (understandably) a lot slower than it was at the beginning of the year so itll be harder in general, but maybe you could commission art to go with your fanfic? ive seen a lot of other HL fanfic writers do it, and i think it defs helps to draw attention! GOOD LUCK and i hope you keep writing!!!🫡💖💖💖🙌

huh??? go with the tide pods instead, THAT shit looks bussin😩😩

AWW TYY😭😭I LOVE THAT HAHAH AND IM GLAD U THINK SO💖💖 my friend also asked me this question after seeing my recent ask, and i STILL have no idea what i would have named it instead LMAOO, thats how bad i am at naming things. even a year later im like bruh idk!!! clora and sebs bizarre adventures??? i guess id probs make it something light/dark themed in retrospect, or something more specific to the ancient magic, but i still have no idea what LOL

[lightningstar1389]

hiiii big fan of your work. i wanted to ask as someone who wants to work in illustration similarly to you, how do you go about getting hired for comic covers or illustration work?

Late reply but uhhhh hey!

Thanks so much, I really appreciate your support 🙏😊

As far as getting hired for freelance work: there's no exact answer for set of rules, it varies a lot, even in an established industry like comics, which can be very frustrating but also very nice sometimes. I can really only give you tips to help improve your chances. First and foremost is that getting freelance gigs is 50% your portfolio and 50% who you know or being in the right place at the right time. Shoot your shot and apply for every opportunity that you can! You never know when a project will present itself! Some general tips:

- have a well presented, up to date, portfolio. I use my own website, and you can make plenty of free urls, or use a social media if you'd like. Just something that's up to date and has a link that you can just copy and paste whenever and opportunity pops up. For reference, my portfolio is Lightningstar1389.com

-make sure your contact is easily visible on your social medias and portfolio. Editors will overlook you if they can't figure out how to get a hold of you.

- Quality > Quantity in your portfolio. It's better to put 5 great pieces than 15 mediocre ones.

- include fanart if it's relevant to the job. For example, IDW Sonic wants to see examples of Sonic art obv. Don't limit it just to fanart though, original stuff carries you a long way.

- YOU NEED SEQUENTIALS if you want to work in comics. Even just as a cover artist. They want to hire people that can do anything and everything, so make sure you have comic examples ready, even if youre aiming to just do covers.

- keep up with editors and people involved in the comics, that way you can be ready if they ever post about looking for an artist! Big plus if you're able to connect with and meet them in person at cons and show them some of your work :) a lot of comics also have letter columns where you can submit fanart/fanmail, and that goes directly to the editors. Just to get your work in their mind.

- take commissions! It can help give you some experience for what it's like to work with clients.

- don't give up! Keep applying and working on your portfolio! You won't always get accepted right away and rejection is part of the process. It will work out eventually, I promise.

It's a tough industry, but really rewarding. Best of luck!!! You've got this !!!

[creeky-cricket]

god this took ages

MYSTREET x NINJAGO!!! (pt 1)

before people question my choices, im gonna plead my case.Garroth got first pick, he didn't really watch Ninjago so he just went with what he was told he should be, which was Jay obv. Katelyn got second choice, and of course, she went with the one that she thought was aesthetically badass, which was Cole! (also hasn't watched Ninjago) Zane was next, he was whining and having a paddy about how Katelyn got Cole, so Katelyn chose for him. 'dude, just take that one! you literally have the same name.' (has watched a little of Ninjago) Travis was next and ofc he got Lloyd, it was perfect. (this motherfucker is the biggest Ninjago stan, he loves it passionately) Laurance and Dante rock paper scissored it for who would get Kai, Dante lost. (Laurance has watched Ninjago and is indifferent to it. Dante hasn't watched it but from what Travis tells him he thinks he would like it.)

+ ive started commissions!!

https://linktr.ee/CreekyCricker :3

[literallyjusttoa]

Hey guys! I'm putting out a call for my commissions again for two big reasons: One, Emergencies have caused me to be low on funds when I wasn't expecting it, and that kind of sucks actually. Two, I have a project that I've been dreaming about for years but have actually been able to start working towards in the last couple of months, but to finish it I need to not be living paycheck to paycheck for like a month at the very least, which brings me back to point one :(. I will talk more about the big project under the cut, bc I think it's something you all might really enjoy!

But for now, I will link my commission sheet: Here (It's also my pinned post)

And my new Ko-fi!: Here for if you just want to donate, which would be literally incredible and I would owe you my soul actually.

Ok now for big Project Time!!!

I am in the process of editing and revising my first Youtube video! This has been an on and off dream of mine for like 7 years at this point, but I've finally taken the plunge and gotten to work on a channel. I wanna talk about all sorts of fandoms (including the riordanverse ofc) With videos ranging from plot and character analysis, to trends in fandom culture in general, to fun little ranking videos and speedpaints. All around, I just want the channel to be a fandom hive, where everyone can find something they enjoy.

I already have PNG's created of my sona to use as assets (And I have a sparkly new sona, the one in the pic above!) and I have two finished scripts, with the first one being fully recorded as well! One for my first video, which will be a retrospective on Gravity Falls, and one for a video about the Percy Jackson TV show, the inherent differences between TV and books as mediums, how I think the TV show could improve, and the things I think it got perfectly. I also have a bunch more ideas, such as:

BIG Trials of Apollo video essay, with a focus on how the books and the fandom have effected me over the years.

Ranking all of my favorite characters from all of the media I've been a fan of over the years (This would be over 70 characters)

Explaining the Iliad, but make it funny (with a side of Troy apologia)

Reading Lore Olympus and pointing out how it deviates from myth (the things I'm willing to do for you people /j)

Canon vs. Fanon, where I compare a characters canon characterization with their fanon counterpart and try to figure out how things turned out the way they did.

And more, but I don't want this post to be 5000 words long.

Now here's the big question. As I said in the part above, I'm struggling a bit now money-wise. And I really wanna make this project work, but there's also, you know. Tuition. Rent. Food. Stupid other adult stuff. So if anyone is amenable (and this is totally up to demand, I don't wanna pressure anyone into doing anything!) I was also thinking of maybe making a Patreon. Now, I'd have to do research for this, bc I wanna make sure anyone who signed up would get the right rewards and really get the bang for their buck. I'm pretty sure there's not gonna be much interest in this rn, cuz like, I'm not that big of a blog oof. But if anyone is interested! Here are some of the perks I would definitely be implementing! (sry it's another list)

Early access to videos, and behind the scenes looks at art assets and video creation

the ability to request topics for videos

Patrons names being shown in the videos. And higher tiered patrons getting custom chibis that will be shown in videos as well (and given to the patrons obv)

This ones a bit complicated, but I want to create a cover of a song that has to do with each video to play during their outros. So like, for the gravity falls video, I'm gonna record a quick cover of the Disco Girl song from the show. Only a small section of the song would be in each video, but patrons would get access to the full covers, and be able to request songs to be covered.

Discounts on commissions

A monthly speedpaint that would be exclusive to patreon. Patrons would be able to vote on what the drawing would be.

All of these ideas I'm 100% sure I want to add to a patreon if I make one, but obv there could be more that comes up later. I'm just gauging interest on this idea rn, so let me know if that's something you'd be down to sign up for! Maybe I'm jumping the gun here but I'm just really excited to create and give back to the community and aaahhhhh

Now, no matter what, I'm gonna have this first video out by mid-September at the latest. Because stupid money troubles are not gonna stop me from making this a thing dangit. So look out for that, I'll link the vid here when it releases! But I am just really stressed rn and any support would go a long way towards making this dream come true. And on that note, one more sappy real talk if I am allowed it?

If you've read this far, from the bottom of my heart, thank you. This community and fandom is truly incredible. My blog is about to reach 5 years old, and I've never seen a group of people so accepting and creative and just fun to be around. You guys have truly changed my life, and I wouldn't have the courage to try for this if I didn't have the support you've given me. I know this is super dramatic for just trying to make a youtube channel, but making a place where I could just talk about all the nerdy and overly specific things I care about and share them with the world is something I've wanted for my whole life. You guys gave me that with this blog, and if this channel works out, it'll be thanks to you, so you'll have given it to me twice. I don't have the words to express how much I love this community and all the incredible people in it. So even if you can't support, just know that being here for however long you have been, whether it's the whole five years or the last two days, has done more than you'll ever know. You guys are the best, thank you for everything <3

[valeffelees]

Oh do tell about that snowbaz au of yours 👀

I WOULD FUCKING LOVE TO, thank you so much tumblr user pidgelikethebird (and also my most beloved and loyal companion @drowninginships) for providing me the enrichment i need to survive the winter.

ok gimme a min here to turn my thoughts into comprehensible words. i'm gonna say right now: this post is gonna be a LONG one, but 10 out of 10 scientists agree you should read to the end.

so, if you didn't know, The Beauty Inside is a Korean romcom from 2015, based off an American short film of the same name; the orig short film i linked is an extremely quick watch (only 6 episodes, each one 4-10 minutes long) and i would absolutely recommend it, but the very basics of the premise is that: a man wakes up in his bed on his 18th birthday to find he's in a completely different body than his own, and every day since then, he wakes up as somebody new.

AND OBVS I JUST HAD TO FUCKING SNOWBAZ THAT, which is how my AU, titled In the Many Ways of Loving You, was born:

Simon Snow wakes up every day as somebody new; the only person who knows the truth is Penny, his best friend and roommate, since she's been by his side since it all began ten years ago.

he works on commission as a custom bookbinder—like, he has an Etsy or some shit, i dunno, some kinda online shop where people can commission him in a variety of ways to rebind their favourite books, either by paying extra for Simon to buy the book himself and rebind it from new and send it to them, or sometimes collectors will send their personal copies to him to have him rebind them, and he's very good at it, and N E WAY the point of this is that he has a small bookshop he's been going to regularly for the last eight or so years, because it's close to his and Penny's flat, and where the story begins: Baz is a new employee that just started working there about two weeks ago and Simon has a massive crush on him.

ok, now. day one: when we meet Simon for the first time, he wakes up and he's lovely and blonde and brown-eyed and ok, yeah, i've just made him look like Agatha bc i thought it'd be kinda funny, esp since Agatha's not actually in the fic otherwise.

and Simon has to pick up a copy of some random book from the bookshop today bc someone bought a custom binding of it, so he goes down and, as usual, since it's his job, Baz has to come over to talk to him and is like, "hey, can I help you with anything?" and Simon doesn't need any help bc he's been coming to this shop for years, but every time Baz asks he says yes bc he wants the excuse to talk to him, and on this day Simon is like, wait. i'm so hot rn. so he asks Baz out—

and Baz is like [finger guns] absolutely not.

and Simon is like 👁️👄👁️ welp i'm in fucking agony.

but whatever, fine. a guy like Baz is prolly already in a proper relationship, and it's always a bad idea for Simon to get involved with someone he has to see on the reg. he had to start going to a different coffee shop that's twenty minutes out of his way bc he went out on a great date with one of the baristas at his old spot and then obvs couldn't go out again after just that one time, and it made him super emo, so really, Baz saying no was prolly for the best.

TIMESKIP, it's been a few days and Simon has to go down to the bookshop again. but this time he's a bloke. and so Baz comes up to ask if Simon needs help and he says yeah, as usual, and the two of them end up having a bantery convo about the book Simon's looking for bc they've both read it and Baz hated it, but Simon loved it, and it's just very cute and casual, and then Baz is like. so, my shift ends in liiike... four hours. are you doing anything?

and Simon is like. OH. OH!!!

that whole "it's prolly for the best" thing? yeah, fuck that, that was Simon of the past, he doesn't know what the fuck he's talking about bc cute bookshop guy wants to hang out and so they go out and have the most fucking insane romcom date ever.

'cause you gotta remember, Simon only gets one real day with people, so he doesn't do like casual coffee dates or movies or whatever. they go out and like fucking B&E a museum after hours bc Simon knows someone like the janitor or something (i dunno) leaves one of the back doors unlocked so he can step out for a cig every few hours, so they sneak in and have the time of their life running around looking at art while trying not to get caught, and we're going to use the suspended disbelief bestowed upon us by the power of romcoms to pretend security cameras aren't a thing, and it is BRILLIANT. like, Simon and Baz have so much chemistry, and when the night ends Baz is just like all smiles and creased eyes and messy black hair and, breathlessly: "I want to see you again."

and Simon's heart drops. because he wants to see Baz again, too, but he can't. no matter how much he wants to, he can't. when he wakes up tomorrow he's going to be someone new, so he can't, he can't, he can't, he—

"Yeah," he says. "Tomorrow?"

SIMON NO!!!

"It's a date."

FUCK!!!

ok, so now we have a problem. Simon can't just stand him up, i mean he could but he doesn't want to, and he really does want to see him again, so he does the only thing he can think of: he stays awake. all fucking night.

Baz, the next day: "You look exhausted."

Simon, wired asf on caffeine and trying to be smooth: "Had someone on my mind all night."

and then they go have another wicked date, but i have nothing in my notes about what it is. oh, i have them living in Canada in this fic btw bc as a rule, if a fic doesn't have to be set in England, i move them to Canada for comfort. so i might have them go cliff jumping or something? who knows. we'll go with that for now.

cue the romcom montage.

[mother tongue starts playing SO DON'T SAY YOU LOVE ME FALA AMO, JUST LET YOUR HEART SPEAK UP AND I'LL KNOW]

ok. post-date. Simon is so dumb and infatuated with Baz and does something only a boy who is dumb and infatuated and sleep-deprived would do in his situation, and he goes back to Baz's flat with him to "watch a movie", or in other words: the movie starts and then they prolly have sex, but in my notes this is written as "??? smash ???" so i guess it's kinda up in the air.

either way, Simon passes the fuck out at Baz's place bc he was properly exhausted by that point, and he wakes up to Baz screaming at him bc obvs he looks like a different person now.

Simon, half-asleep: [PANICKED FLAILING] BAZ IT'S ME!!! STOP THROWING THINGS!!! BAZ!!! IT'S ME, IT'S SIMON!!!

and Baz is like: WHAT THE FUCK

and Simon is like: I CAN EXPLAIN

and Baz is like: HOW DID YOU GET IN HERE

and Simon is like: I CAN EXPLAIN!!!

so, here's a detail from the orig film that comes into play here: in the orig movie, the MC keeps a video diary, logging every day what his face looks like, and in this, Simon does this on his phone and backs them up to his computer every hundred days, so he gives Baz his phone and tells him the whole story while Baz scrolls through these short like minute long videos of Simon on various days going, "Hey, this is me today. I have [this and such] thing to do, blah blah blah."

and the thing is, Baz recognises him in some of them. bc Simon is always coming into the bookshop. he stops watching when he gets to the day Simon looked like Agatha, and Simon has been quiet for a while at this point, just letting Baz process.

Baz: "I want you to leave."

Simon takes his phone without a word and goes. Penny picks him up on the corner a block over and drives him back to their flat. she doesn't ask what happened. she already has a pretty good idea.

when Simon's next commission comes in, he thinks about going to another bookshop, he really does. but this one is so convenient, esp since Simon can't drive bc he can't risk getting pulled over carrying a licence that doesn't have his face on it, and he's been going there for eight years and it's not like Baz will recognise him anyway.

so, to the bookshop he goes, but this time when Baz comes up to ask if he needs help, Simon is like, "haha, no that's okay," and goes back to looking for things on his own, and Baz kinda lingers awkwardly for a moment before going on his way, but then when Simon comes up to the till to pay for the book, Baz just stands there staring at him. and Simon is so uncomfortable, like, he just wants to leave—

"Simon?"

SORRY, YOU WHAT?

"What?" Simon gapes at him. "How did— how did you? But I'm—"

"Can we talk?" Baz asks.

"How did you know it was—"

Baz shouts over to the other employee on the floor that he's taking his lunch break, and Simon just slowly follows him out of the shop with the book forgotten, unpaid for, at the check-out.

and here's the deal, Baz liked Simon a stupid amount considering they'd only gone on two dates, but they were good dates, and Baz doesn't date much, so he's a bit hung up on just how much he liked Simon and the weird way shit ended, so he's basically like. i want to see it again. and Simon is like, see what? and Baz is like, you. the... whatever that you do, i want to see you change.

and that's how Simon ends up bringing Baz back to his flat, and btw: Simon has a rule about never bringing people back to his flat bc it's weird as fuck. his room is really tiny, and it's cluttered as fuck in a Howl's bedroom type way. he keeps to the same cheap, casual style for all his clothes, but he needs things in a bunch of sizes. shoes are a nightmare. he has to take care of his hair in a million different fucking ways. so he has the lives of a dozen people shoved into a room the size of a shoebox, and his mattress has no frame. that shit is just on the floor, so it takes up less space. and there's this mirror, a wide full bodied mirror, propped up against the wall facing the bed, so that the first thing Simon can do each day is roll over and look at himself.

Simon and Baz have supper together, they talk, they pretend this isn't weird as fuck and, even though it is weird as fuck, they still have so much chemistry, and this is a fanfic, so they just end up having sex again but it's supposed to be kinda emo and tender and look, it's what my heart wants, ok?

morning comes. Simon wakes to Baz's hands on his face. which is already and improvement compared to last time. Baz is looking at him very seriously, but also very like. softly. he's touching Simon's features, tracing them, and Simon is quiet for a very long time, watching him do this, until he's just like. what are you doing.

Baz: "Getting to know you." A pause. "Why does it happen?"

Simon: "I don't know."

Baz: "Are there other people like you?"

Simon: "I don't know."

Baz, sighing: "Well, what do you know?"

Simon: "That I'm still me. Inside, I mean. Like... if you had a book, and every day you gave it a new cover, the story wouldn't change."

Baz: "You must get lost on a lot of shelves."

Simon: "Yeah."

and from there, Baz is just a part of Simon's life the same way Penny is, he knows the truth, and he deals with it. for the first time in Simon's adult life, he gets to really date. he and Baz do a bunch of domestic shit together, for months, and it's so good. all of it is so good, all the time, and they fall so fucked up deep in love with each other.

(detail from this point that is relevant later: Baz and Simon make a game out of Baz recognising Simon at work on days when he hasn't seen yet what he looks like. Simon will come in and try to act like a stranger, but Baz can Where's Waldo him every time.)

but then Christmas comes. and Baz has to go home to see his family. and i don't have an exact idea of how this convo goes, only that it is not a fight of any kind, like, it is a normal convo about the holidays but Baz apologises to Simon during it for not telling his family about him, he says they'd want Baz to bring Simon home if he did (bc i just don't wanna fuck with homophobia in this so we've shot Malcolm with the ally beam) and he wouldn't know how to explain Simon's whole... thing to them, and Simon kinda realises that like. he can't ever be the type of boyfriend Baz can bring home to his family. he can't ever be the type of boyfriend Baz gets to have a normal life with.

SO SIMON GHOSTS HIM.

like, Baz comes back from his family's place, annoyed that Simon hasn't returned any of his texts or calls, only to find that Simon and Penny have literally fucking moved flats in the two weeks he's been gone. and obvs he's fucking devastated and confused by this and desperately trying to get Simon to respond to him, but he won't.

Simon goes out of his way to find a new bookshop to go to, and that's the end of things for about a week or so, and i haven't actually decided what happens here exactly, but the general idea i wanna go with is that Simon goes to the bookshop Baz works at just for the sake of seeing him, checking up on him, bc he misses him.

but remember that game they played? so yeah, Baz walks up to say his usual like, "hey, can I help you find anything?" but he fucking clocks Simon after like ten seconds.

scene change: they're in Simon's new flat, like maybe Baz demanded that if Simon is going to break up with him he owes it to him to do it goddamn properly, but i dunno. details, details. but they end up getting in a huge fucking fight and Simon reveals the reason he ghosted Baz was bc he realised Baz can't have a real life with him and Baz is like:

"You don't get to decide that for me! You're still you, you're still lovely—"

"You don't even know what I look like!"

"I don't care what you look like, you fucking moron, I care that you're Simon Snow! There's a person inside you that exists every day, even when everything else changes, and he's lovely. I love him. The rest doesn't matter, how can you not see that? Stop telling me I'm not allowed to love you however you are, I'll love you a hundred different ways, Simon. Any size, any shape. I'll love you over, and over, and over. That's a life for me. A real life for me. You!"

and then Simon throws his arms around Baz's neck and hugs him like he needs him to breathe and Baz clings to his shirt and they're both prolly crying all loud and gross, but it's fine. they're gonna be fine.

the next day: Simon wakes up to Baz's mouth on the back of his neck. "Like this one, then?" he says.

"Loveliest yet." Baz brushes his knuckles over the slope of Simon's shoulder. "Freckles, curls, broad shoulders... Mmm, maybe we should stay in bed today."

Simon laughs and rolls over to pin Baz to the mattress, grinning at him. he goes to say something, prolly rib at him the way they do, but as he does he catches his reflection in that mirror he keeps by his bed and he freezes.

"Holy shit!" he shouts, and shoves himself up onto his knees. "That's me!"

Baz rolls his eyes. "Yes, yes, I told you—"

Simon shakes his head furiously. "No, it's. Baz. I'm. Jesus fucking Christ, that's me. Baz, that's me."

Baz sits up slowly. "Do you mean—"

"Fuck, holy shit!" Simon grabs his curls with both hands. he hasn't touched these curls in ten fucking years. he looks older than he remembers himself, which is a given, but it's definitely him. his father's eyes, his mother's chin. the moles on his cheek, above his eyebrow, below his ear.

Simon freaks out in a way that kinda toes the line between being happy and being a breakdown, he throws himself at Baz, and they both fall back onto the bed and Simon is laughing and he's shaking and he doesn't understand, he doesn't get it, but holy fuck, he has his own face, he has his own body, he has his own hands. Baz pushes them apart so he can get a look at him, and Simon is actually kinda self-conscious when he does, which is a new feeling. he never has to feel self-conscious about anything, usually, since he knows every flaw or insecurity isn't really his, and will be gone the next day, but this is just... him.

Baz takes Simon's face in his hands and then, breathlessly, "Hello, Simon Snow."

AND THEN THEY KISS bc what else would they do here.

and uhh, yeah. so. Simon goes out to the kitchen where Penny is making breakfast and she loses her shit when she sees him. big hugs all around. Baz really does take the day off work to spend it with Simon, even though that just means lying around on the sofa watching movies while Simon works on his current rebinding commission. when Penny gets home that evening, they order takeaway and sit around the lounge room playing boardgames together until late, late, late into the night. Penny falls asleep in the armchair, and now it's 3-am.

Simon is tired. he's looking at the clock, sitting with his knees up and his arms around them, with Baz beside him. Baz has his forehead on his shoulder, an arm around his waist. he doesn't want to go to bed, because what if... what if it was only for today. how long will it be until the next time? what if there is no next time, what if, what if—

"We'll still be here," Baz whispers, exhausted. "And you'll still be you. No matter what, Simon."

and so they go to bed.

Simon wakes up to Baz's mouth on the back of his neck.

"Good morning, Simon Snow."

AND YEAH, that is the entire plot of my The Beauty Inside AU.

i told you this was gonna be a long one, but if you've made it all the way to the end of this mess, thank you kindly again for indulging me!

[blue-thief]

@galaxynajma here are the actor/artist/writer isakainess hcs i mentioned earlier 🫡 (this got wayy longer than i was expecting it to be so it's basically a fic outline atp

kaiser started off as a child actor which explains... everything

when he was really young he popped up in a few roles for some pretty big movies

his biggest role as a kid though came when he was about ten where he played a big supporting character in a long-running kids' sitcom (think stuff like hannah montana, icarly, etc)

he's more or less cut off contact with his parents but he was fortunate to get a hold of his money once he turned 18

he's since moved out, rents out his own modest apartment, and he's shown up in a few moderately successful things

he's far from being an a-list actor but he's got a decent following

even though most people wouldn't be able to recognize his face, he can mention the stuff he's been in and people will be like "ohh yeah i've heard of that, i've been meaning to check it out"

he usually has to wear makeup to cover up his tattoo. most of his notable roles came before he cut + dyed his hair

his goal is to become an oscar-winning actor and he was able to get the lead role for a really serious film. his new hair just happened to suit the role

meanwhile there's ness the writer

he started off studying something STEM-related to appease his parents. besides, he needs a backup plan just in case the whole writing thing doesn't work out

but he soon dropped out due to being overwhelmed by how intense his competition was

fortunately enough he's still in contact with an ex classmate and he got some money doing copywriting for their side gig's website

on top of that he started submitting flash fiction and poetry to different competitions and magazines like CRAZYYY just to make a little more money

kaiser stumbles across one of his pieces, looks into him a little more, and finds ness's personal blog

he reads up on ness ranting about his parents and how he has no money

at this point kaiser's kinda fallen in love but he doesn't wanna seem too weird

and he reaches out to ness saying, "hey ik this sounds kinda weird but if you really wanna pursue your dreams but you're low on money you can become my roommate"

at first ness is like "wtf is this guy gonna try to kill me"

but he's late on rent and about to get evicted so he's DESPERATE

he agrees to meet kaiser to assess the vibes

and well. obviously ness falls head over heels in love with kaiser

(obv kaiser isn't gonna kill ness but don't follow in ness's footsteps guys you probably won't end up being as lucky)

and it works out great. kaiser's more than happy to cover most of the rent, he's out most of the time filming, and ness just has this bigass apartment where he's got ample space to work

anyway while kaiser's out and about one day he's at this cafe

there's this one worker on break, still in his apron and everything

he's off in the corner doodling something

the worker is isagi

and kaiser notices isagi is drawing HIM

kaiser goes up to him all smug like "wow, are you a fan? you want an autograph?"

and isagi's like "bro idfk who you are i just really liked your tattoo"

they talk a bit and isagi tells kaiser where he can find more of his work

isagi's mostly focused on digital art and commissions but he's also studying animation

kaiser finds his instagram and commissions isagi

"that napkin doodle you made of me was pretty good but i'd love to see how well you can capture my beauty given ample time (and money) ;)"

kaiser quickly becomes isagi's most frequent and highest paying client

you can say he's basically become isagi's (and to an extent ness's) sugar daddy

but kaiser likes to think of himself of those wealthy patrons from the renaissance

kaiser loved swinging by the cafe to ask about isagi's progress on his latest commission

one day he overheard isagi panicking about not being able to pay rent

and kaiser's like "you can move in with me and my roommate if you want"

and well. isagi does exactly that

ness kinda gets all crazy and possessive like "WHO'S THIS HOW DID YOU MEET HIM HOW DO YOU KNOW HE'S NOT-"

suffice to say he and isagi don't get along at first

but kaiser's never home so it's mostly just them on opposite sides of the apartment, sending glares at each other every now and then

it's BECAUSE kaiser is never around that isagi and ness are forced to bond with each other eventually

FUCK THIS POSTED INSTEAD OF GETTING SAVED AS A DRAFT

oh whatever i'll probably make this into a fic and fill in the rest that way 😭😭

[eminigalaxy]

Devlog #9

Working hard on the boring boring code aspects is tiring so I’ve taken a bit of a break. As soon as I finish building my parser I can actually move faster with the code; but just like with the other program I was using the parser is the most tedious part. I hope that I can make the process faster by making a template for any other parser games I’m planning but since Dilvemma is the first it’s the one that will take me the longest >.<

Anyhow here’s a portrait of me drawn in the style I chose for Dilvemma. #selfobsessed. Obvs now I have to find somewhere to put my self insert. Also considering maybe doing pixel commissions in the future especially in this style but idk…

[princess-of-the-corner]

I was thinking a timeline of when everyone meets their Soulmates, but also a general "Katsuki & Izuku: the Aldera Years". Like, how long are the kids at Aldera before 1 of them decides "nope, we aren’t doing this" & tell the parents? I think we said they transferred, what school would that be? Do they meet any familiar faces, or is it random OCs, do they make any new friends, that kind of thing.

Ah!

Okay so I think they're probably about 8-ish when the transfer happens. They don't exactly tell their parents so much as like..... altercations with students got kinda brushed off as kids roughhousing, but when Katsuki loses her temper on a /teacher/ that has her parents ask more specific questions and Katsuki elaborate on why. At which point it comes out on how the Aldera staff are treating the situation. It doesn't take long for the families to cut their losses.

I think I'm gonna have them go to a still-local school but not really with any of the other characters. I like the dynamic of just them, ya know? I think they'd have a few people they consider friends at the new school, but they're the only ones who make it past UA's exams and get in.

Oh I have Katsuki coming out as trans happen in between elementary and middle school! Because this AU she has somewhat more confidence in her parents listening to her/having a fallback no matter what.

Unfortunately we still have the Sludge Villain incident during the last year of Middle School but on the bright side they get to meet All Might so. Canon happens from there.

As for different Soulmate sets and when/how they meet and a few extra tidbits about their own timelines.

Main 5 - Izuku and Katsuki meet when they're roughly 4-ish. The two of them run into Ochako and Kiri at UA's Entrance Exam so we're up to four! They meet Shoto on the first day of class.

Fumikage and Eimi - obvs they met when they were born lmao. That was a real weird 24 hours for their parents because imagine baby 1 comes out with bird head then baby 2 comes out and whoops baby 1 is now shadow and baby 2 is bird.

Himiko/Hagakure+Sato - Hagakure and Sato meet either during UA's Entrance Exam or during the first day of class. Himiko clicks into the Bond during the LoV's attack at the forest training camp arc, but she doesn't get to properly meet the other two until sometime after that but I'm not exactly sure.

Momo and Shigaraki - the bond connects at the USJ. Shigaraki doesn't notice it, Momo does. But she doesn't know who it is other than one of the villains that attacked. She figures it out later (either from learning via Villain News about Shigaraki's Quirk, or I have them run into each other during the mall arc). Shigaraki doesn't really connect any dots until after he stops taking the meds and is able to open the connection. He probably finds out about her after Kurogiri drags him into finding his own Soulmates and things get talking.

Aizawa/Oboro/Mic - Met either at the UA Entrance Exam or around campus. Oboro/Mic were the Day 1 swap, so they thought it was just them but sometime later the three clicked on to Aizawa too. (I like the 'Aizawa was only in GenEd but transfered after winning the Sports Festival' headcanon, so it'd be sometime after that when he's in the class and befriends them.). Oboro 'dies' and the connection is cut then we jump ahead to canon when Kurogiri stops taking his meds and then Aizawa and Mic are like '????? Why are we suddenly swapping with that villain????'.

Enji/Hikari/Rei - Enji and Hikari meet and swap at the UA Entrance Exam. When Hikari turns 16 the Bond fully opens and they connect to Rei. Obvs Hikari still dies, and sometime after that Enji meets Rei the same way he did in CC. Rei never gets to meet Hikari and that bothers her.

Toya/Hawks - their first Quirkswap is on Hawks' 16th birthday. He's already being trained by the Commission at this point so he lies about knowing his Soulmate's Quirk. Toya has mixed feelings on the ideas of Soulmates and also lies about it to his family when he can. They meet a little bit after Hawks' debut as a Hero, clock the other as a Soulmate, but very much hesitate. That lasts several months before they start meeting in secret only for Toya to fucking die lmao. A few years go by then Hawks feels a tug on the connection and swaps Quirks, finding the new additions and 'oh FUCK he's alive???'. Re-meets Toya as 'Dabi' around the time the LoV is recruiting new members.

Fuyumi/Rumi - First swap happens on Fuyumi's 16th birthday and she does tell her family. Sometime after Mirko shows up as a Hero, Endeavor pulls her aside like 'hey kid does your Soulmate happen to have an Ice Quirk because my daughter's Soulmate has rabbit ears so...." and she's dragged into the chaos that is a Todoroki Family Dinner.

I thiiiiiiink that's all the sets of Soulmates I have so far? I haven't hammered out everyone's matchups.

[19calicos]

can you show what everyone's skateboards look like?? please im begging 🙏🏼

anon YES! A MILLION TIMES YES OMG OMG I DONT KNOW WHY I DIDNT DO THIS YET LMFAO

this will include the skater cat fan club gc & kuroo!

when someone in the gc fucks up their board, they'll buy a plain deck from ace and hand it over to yn so they can practice and go ham with the board. it always turns out super cool, and yn not only paints something dope af on the deck but they'll also customize the grip tape as well, usually by painting on it. they’re not opposed to grip tape cut outs but its tedious work to them

more below! tap on pics to expand bc im lazy as hell. these will cover current boards (let's just say they're all the standard popsicle shape), so there are some nods to small details that i've already written so far. ignore decks that dont look painted lmfao dont think abt any details too hard ok

also none of these images are mine! all of them were gathered from pinterest.

yn's current board! the nose of their old deck got badly chipped after it hit kuroo's head and flew into the corner of some wall, and it wasn't worth it to try fixing it so they bought a basic black deck, yanked the aux cord from suna, and went ham with the board. they were really nervous about if they were going to fuck up the thermal hands or not, but obv it turned out fine. suna wrote the "overthinking will fucking kill you" text on the nose of the new board and ended up totally shredding the posca marker he used for it

suna's board is pretty old in comparison to everyone else's – he snaps the least amount of decks (but to be fair, everyone can only afford cheap ones at this time). red is his favorite color so yn has made sure to incorporate it into all his decks that they get their hands on. they also wrote his name on the grip tape (ignore how it doesnt actually say suna) for funsies since they wanted to practice a new font

wanted a domo board SO bad after he and samu went home for a weekend and helped their dad clean out the garage. he found his and samu's old domo hats and could not stop thinking about a domo board. his board at the time was fine and everything too but once he was back in tokyo he bought a pink board (the brown one looked too much like shit bc he stared at it too hard) and presented the idea to yn ...... obv they said yes. they threw in the poser text on his grip tape for funsies lolol they wanted to try out the thrasher fire font

no grip tape paint for samu bc yn was practicing the spider web grip tape cut out on his board. usually yn paints on grip tape but mattsun was commissioning yn at the time and sent them a vid of some guy doing web grip tape on a board. yn figured it was easy enough but they still wanted to use samu's new deck as a guinea pig. he was fine with it and to make up for possibly messing it up, yn brainstormed something extra cool to paint on his deck. samu is considering displaying this one since this one is extra cool

noya snapped his last deck clean in half from skating on rails lmfao. he and yn watched spirited away the night it happened so that's where the no face on the nose comes from. he goes through the most decks out of everyone bc he's always attempting some crazy ass rail trick. coincidentally he works the most shifts at ace since he's gotta pay for these decks somehow

kuroo has accumulated two boards so far: his first one that yn picked out at ace (shown above) and the one that yn made for him at community day. he's not planning on skating with the second one for preservation reasons. after finding out that yn designs decks though, he asked if they could customize his somehow, so they doodled gir (in disguise) from invader zim, one of kuroo's favorite tv shows as a kid.

bonus!

ukai doesn't skate as often anymore, but sometimes, if he's at ace, he'll join a sesh right after ace closes for the day. yn designed this board for his birthday last year, and he usually keeps it on display in the shop since it's one of yn's best works. it was definitely a process for them to make and took a lot of experimentation, but it paid off and is one of their best performing decks on their socials

[indigosabyss]

Sponsor A Pride Fic!

On a more serious note, I'm a closeted, broke aspec genderqueer guy in an extremely queerphobic household, and the discomfort is choking me.

I'm rewriting this post bc I got a bit venty in the last one, so let me cut to the chase. I need to get out. But I don't like begging for money, so I'm offering the one service I can provide: writing.

You can always commission me if you want something written, but in the spirit of pride month, below are twelve fic ideas from my list of plot bunnies with queer-centric themes.

If you like any of them, donate however much you want to my ko-fi including a message about which prompt you want me to do, and also if you want me to thank you by username. Any of my patrons can claim one for June's fill. I'll try my best to write all of the ones people request by the end of June, but some may bleed into July.

Once a prompt has been paid for, the text will turn purple. I might livestream writing some of this on twitch, but I also can't use queer terminology out loud in this house, so that may be impossible.

Thank you, if you decide to help.

yes i understand you can just take the fic idea and use it yourself, i don't particularly care if you do. prolly not going to make even twenty bucks off this exercise so ur free to do whatever with these pitches.

Fics Sponsored (1/12)

[Dr. Stone] High school student council QPR SenGen based off Bloom Into You. I've written some of it here. (Gay, and aromantic feels. And alterous attraction discussion.)

[Naruto] A "Team Minato time travels to the era of the Rokudaime Hokage" fic except in this Kakashi's a trans guy whose egg cracked after Minato died. So there are some identity shenanigans. (Obvs trans themes.)

[Bloom Into You] The entire student council is aspec except for Doujima. (aromantics and asexuals from all ends of the spectrum)

[Crossover: Way of The HouseHusband x The Disastrous Life of Saiki K] Kuboyasu is taken under the wing of Tatsu (Kubokai features a heavy part of this, so the gay themes are undeniable.)

[Inside Job] Brett Hand is AroAce. That's it. That's the fic. Someone has to explain to him what attraction is. (aromantic. asexual.)

Since Marvel ones take up half the post, I'm separating them over here:

Kamala, Nakia, Bruno, and Zoe going to pride together each thinking they're the only queer ones in an otherwise straight-but-ally friend group. (Not romance. Mostly about community. Very queer.) [Spoken For By Patron]

Gwenpool and Kid Omega from Earth-616 get teleported into X-Men First Class (sapphic relationship between Gwen and Raven, Gwen realizing she's aroace and working through that journey, and a lot of gender feels)

Shipfic: Miles Morales, Sam Alexander, and Kamala Khan meet in Princeton researching multiverse stuff like Miles mentions in ITSV (polyamorous throuple, and also all three of them are bi.)

Carol Danvers character study fic, regarding parenthood and authority, and her relationship to both. (Danbeau. Lesbians.)

Samkamiles Bingo - additional list of prompts all centering around the Sam, Kamala, Miles ship. Pick any from that, or just have me do a random one.

Samkamiles Shipfic: Teenage Love Triangle In Space AU

Monica Rambeau-as-a-kid fic. Growing up with Carol and the shenanigans she got up to while her mother made S.W.O.R.D. and that kinda deal. (Lesbians. Bc Maria and Carol)

[midnightsun-if]

A hc close to my heart about vamp fam is that before cameras were invented and such whenever there's an important event such as then adopting a baby they would comission a famoly potrait. A great huge one that hang at the halls so imagine the moms and a baby cienna, and then later on baby Penelope with adult cienna standing by them and so on. Just painting lots of pictures when photos werent a thing like baby first step, baby's first A grade exam and stuff obv its not possible because painting takes lots of time for such small events but still, its a cute hc for me😌

You’re not too far off, actually! The Family does have paintings of when the siblings were still human/from when they were younger (most of which was commissioned by Elizabeth as gifts to Helena). Although for Christian, Percy was still fairly young as they’re fairly close in age.

That’s an absolutely adorable HC! Thank you so much for sharing it with me! 💜