#first name lay last name zay
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redninjaoutfit · 2 months ago
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maladaptive-ninja-returns · 3 years ago
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Into The Thick of It (1)
Loki x Female Reader
Chapter 1: The Cult
Series Summary: Her work as an agriculturist nearly takes the readers life is not for a stranger (and his weird looking dog) who later turns out to be the God of Mischief. Thrown into a completely different realm, you want to figure out a way home while trying to stay out of the way of this literal God. But fate has its own plans for the two of you.
Written for @tarithenurse and her #Taris1Kchallenge
Warnings: torture, sacrifice, undertones of rape
Word Count: I am on a break. It feels good to just breathe without dreading the rest of the day. Why is work so punishing?
MASTERLIST in bio, darlings. Tags are open (check bio)
One single machine whirrs in this dull laundromat. The light above you flickers at intervals so regular you have already made a beat out of it. The only other sound distracting enough is some old music playing on the radio at the front desk where no one sits at this hour. And that fan that seems to be breathing its last over your head. "Yeah, it's unbelievably quiet here," you mentioned in a soft tone before looking around the empty space. "I guess I'm glad I only had to stop for three days here." "What? Are you not going to explore this place?" your friend, Zaira's voice crackles through the phone. You shrug despite knowing she cannot see you. "I don't know, Zai, this place gives me the creeps for some reason. I am only hanging around here because Prashant wants to revise the reports I sent him of the soil composition before he gives me a green light to leave this place." "Damn! That bad?" "Oh! You have no idea!" You look around once again. The front desk guy has just come back in his old Chevrolet and the clock has struck nine. "Zai," you whisper in the lowest tone possible, watching the man whistle as he gets out of his car without closing the door, "there are no kids in this village-slash-town." He walks to the back to open the trunk of his car, whistling a somewhat familiar tune. "That's...not haunting at all!" Zaira's sarcasm can be heard in her surprised tone. "Well, what's more haunting is the fact that the youngest person here is an eighteen-year-old boy who keeps showing up anywhere I go and keeps staring at me funny." The man shuts the hood with a loud thump and you can see a fresh bundle of store-bought rope, a baseball bat, a bottle of some chemical-probably for cleaning- and a pair of rubber gloves as he starts walking to the entrance. "Allah-" Zaira takes the Lord's name in surprise- "no wonder they have The Sacrifice playing somewhere there." The man sets everything on the front desk, still whistling the same tune, which you now come to realise is the song that is currently playing on the radio. "The...the what?"
"The thing playing in your background," Zaira comments, "it's playing on a two strong instrument with a looping chorus. It's a pagan ritual song that is sung by some orthodox communities that still present a sacrifice to their pagan gods. We learned this in the summer session for cult studies, boo. Oh, wait. You were back home that time. The chorus basically says 'here's your sacrifice, now pay my dues'." Not a word of what Zaira said is heard after the pagan ritual song because suddenly all the materials resting on the front desk are making sense. So is the creak of the back door that opens to let the only teenager of the town in. Your body is frozen in place, your mind has gone blank. One moment you are running for the exit. And the next, you are lying on the floor with the two men hovering over you while the song calling for your sacrifice slowly fades away. . It is the discomfort from the heat that wakes you up. The sweat and stickiness all over your body slowly registers in your brain that alerts of a throbbing ache at the back of your head with a bang. Everything is a blur for a few moments; till the lights morph into fire beacons and the sun transforms into a bonfire, the figures moving around you become humans with faces smeared in blood. Your clammy skin shines in the light of the bonfire, your hair sticking to any part of you. Tears are rolling down the edge of your eyes while your brain is registering this new pain altogether from the gag in your mouth. You try to move your hand to touch your skull where it hurts, but are unable to do so. My hands...I can't move them. Your dizzy brain gives your body the command again but in vain. "She's awake!" a raspy voice pierces through the air.  And within a speck of a second, all the memories start rushing in. Y/N? Hello? Babe, can you hear me? Adrenaline shoots up in your system and your senses are heightened. The smell of kerosene is heavy in the air along with the crippling stench of burning flesh. You have been bound to a pole with your hands behind you, the bonfire in front of you, the forest surrounding you from every corner and the moonless sky on top of you. The faces in the fire are all familiar. The residents of this town, all staring at you while you struggle to get out of the ropes cutting through your skin, stop their movement to pick up the bowls kept in front of them and drink its contents. Your cries are muffled; partly because of the gag and partly because of the sobs that want to escape your throat just like your tears. Your already broken body jumps when the oldest woman in the group starts shouting phrases in a language unknown to you. And just as she begins, everyone around her takes out a dagger and starts moving in your direction. Your heartbeat seems to drop for a moment. They can see the horror in your eyes. But that does not stop their moments. The woman's chants grow heavier as her hand moments grow more vigorous. The youngest of them all skips a step or two to straight away jump on the platform where you are kept on display. He looks around once and turns to you to move your sweat laden hair strands away from your face. His pale fingers are cold, almost icy to the touch. "Don't worry, I'll get you out of here," he whispers close to your ears. Your sobs turn to sniffs to hear his words and look into his eyes. Those grey irises are trying to dig straight into your soul. "Trust me." Your instinct- which has never been wrong in your life- is already moving your leg to bend the knee and get his balls. And you do. Watching him writhe in pain for one long satisfying moment as he curses you from heaven to hell. But he gets back up, with the eyes of a madman ready to kill. You are crying out still, for anyone who will listen, in heaven or hell, as he takes you by your throat. The venom in his hold is enough to take your life. "The only way out-" he says close to your face- "is through, you cunt." One last prayer comes out of you as a whimper before you wait for his dagger to meet you.  In the next heartbeat, everything turns white. . Everything is blinded by a white light. It does seem to be the end. Why did I have to die like this dammit?! A Buzzfeed Unsolved episode?! But something does not sit right.  The white light should be the end, right? Then why can feel something wet under my h- Before you realise you are tumbling down the steepness of the forest. Your body can feel every rock and every pebble on the way down the seemingly endless slope. It seems like a long while when your limbs finally skid on flat rocky terrain, bringing the ringing pain to a halt before it can bounce all over your body a bit louder in the deafening silence. The first thing your senses do is look for any sign of danger around you. The forest is dark. And apparently different than the one you were in before. The trees are taller and with trunks that would not fit in your hugs. You cannot see their ends in the sky from where you lay. Not weird at all. The silence too sends your wounded heart into an anxious stir. Not even the cicadas speak here. Am I...dead? Now that definitely stirs something out there. A twig breaks in the distance. You pause your breath and shush your racing heart. A soft rustle of leaves can be heard somewhere that lets your sweat run cold all over the body. It is hard to breathe through the gag as it is, and you are standing nowhere near a hiding spot, making your basic instincts run wild with any shadow you see in this treacherous night. So all you do is stand as still as a trembling mouse and wait. And that wait isn't long. Call it nature's mysterious ways or just a random event happening at the right time, a cool breeze stirs the air for the first time in this place. From where you stand, the breeze hits your back, tickling those sweat beads on the nape of your neck before letting you smell the odour of blood it carries with it. All the neurons inside you make you turn around and face a familiar figure emerging from the shadows with a dagger in his hand. The basic instincts inside you are already making your body break into a run in the opposite direction. The rush of the flight instinct is overpowering all the injuries and you forget for a second that your hands are still tied behind you as you speed straight ahead. But that devil of a man is fast. He has already closed the distance and his hands are grabbing your hair, pushing you both to the ground. He presses you down with his body, not giving you any room to get up or free your limbs. But he does untie your gag before turning you around and holding your neck in a choke-hold. "Please, please, please..." Nothing else is coming out of you at this point; except for hot tears streaming down the side of your face.  "Well," the bastard sighs, pressing down his pelvis on your abdomen while having the audacity to smirk when looking down at you, "we had to sacrifice a virgin. But surely it's going to work the same if I put that mouth to work." The dread of his words does not set in till his free hand reaches for the button on his pants to undo it. The more you try to push away from him, the tighter he grips your throat. Oh, Gods! Just let me die instead. He is halfway undoing his zipper when a sound cracks through the air. It almost sounds like a very quiet motor either just starting or just stopping. And the closer it gets, it starts taking the shape of a growl coming from the throat of an animal. The man is distracted now; looking for the source of the sound. Loosening his grip a bit, he turns around to let his vision get as far in the dark as it could to look for anything out of the ordinary. And while he is busy, it is you who notices its presence and choose not to make a sound. The man turns around to look right into red eyes gleaming at him from a distance of three inches, sending him jumping up and crawling back on the ground as far away from you as possible. Huge white canines visible even in this darkness are on display as this four-legged creature growls in your captor's direction. A twisted horn rests majestically on each side of its head. Paws as huge as a lion's, but claws twice as big and dark as the night are resting on either side of your shoulder. The fur seems dark and dense except for where pointed bones are protruding out on its back. The growl revving in this creature's throat is enough for the predator to crawl back further with his heart stuck in his throat. And before he can figure out what demonic hell this creature had walked out from, he comes to discover another wave of fear when he sees a shadow behind it in between two trees. That shadow seems human. Human enough at the very least until he thought he was hallucinating that figure with gleaming green eyes. "Wh-who's there?!" the man's voice starts in a scream ends up in a squeak. "Get that ugly dog away from here!" The 'ugly dog' shifts from your side to take a few steps towards the bastard, metaphorically pinning him in between the roots of the trees he was sweating in. "Hey!" he shouted again at the shadow, "can't you hear me?!" You sit up, watching the creature slowly ready itself for attack mode. Turning around, you too are able to see a figure. It looks tall and is evidently clad in something heavy. Is that a sword in his hand? But that sword is not as concerning as those illuminated green pupils. "You son of a bitch! Get the fuck out of here before I stab you and your filthy farm ani-" "Rífa hann í sundur," is all you hear in a low hum from that figure's end one second. The next, there are growls and blood-curdling screams emerging from behind you; haunting enough to make you jump and curl up where you sit but never move your eyes away from that shadow that still stands as still as a rock. Tears still fall from your eyes; your legs pulled as close to your chest as possible. The screams continue to come out for a long time...long enough for you to notice a snowflake fall on your knee. More snowflakes come after the first one. And once the screams die down, you feel something brush your hands, almost making your heart fall out, only to realise that creature standing right behind you nudging at your ropes to gnaw your hands out of them. The adrenaline rush has diluted now. The pain and exhaustion that comes with it now lie heavy in your bones. Your eyes cannot take it anymore. But they still want to see that figure which now takes the liberty to walk out of the shadows underneath the clear light of the nearest moon. Your body is ready to fall but the creature provides some support to your lifeless limbs. Its fur feels so good on your cheeks. And that pale face coming to a stop in front of you feels almost angelic. Those green eyes are looking at you with both concern and judgment but what your brain registers first is the moonlight falling on those otherworldly cheekbones framed with clean braids. You want to keep looking at that face for a few more minutes. But there is only so much your wounded body can take before everything is a blur. . You have already hit deep slumber when the God comes to stand before you. He gets down on his knees to get a close look at your face buried in the hound's face.  "What do you think she's doing here, Agni?" Agni huffs and shifts enough to let the God have a better look at the face marred with wounds and bruises. A face that still looks so serene after putting up such a fight. The long pale fingers move those few strands of hair away that are blocking your features under the light of the moons. Calculations have already been done in that mind. What's left is to figure out whether to leave you here in the depth of the endless garden or... "Agni-" that voice commands with zero emotions, still studying your features- "call out for help. We are taking this one back to the camp."
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shujiful · 3 years ago
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EMBARRASSED MYSELF N PISTED THIS ON THE DASH BC I WAS WROTING IT IN MY DRAFTS OH MYBGIODNBJFGHF HI WOW FIRST TIME IN YOUR ASKS(?) AND ITS ME BEING EMBARRASSING WOW FUCK JGDBFDHH HELLO HI
so what i orIGINALLY came to say was happy 500 :’) congrats to 500!!!!!!! 💃🏽💃🏽💃🏽💃🏽 here’s to many many more happy milestones to come! i’ll be honest your event interested me so here i am, ready to potentially be slutted out as usual but yk
so, my name’s zaire/zai! my pronouns are she/her and i’m a female. in three words i’d describe myself as…motherly, empathetic, and intuitive. for kinks lol im a slut for praise (giving n receiving idc), being instructed (does that count ????????), and impact play edging :’) for lingerie i’m kind of a soft gal so nothing really strappy unless it’s like…delicate looking yk? i like looking soft so probably babydolls and teddys..and slips! i don’t quite vibe with mitsuya, izana or kazutora though :’)
once again happy 500 n im h OPING YHIS SENDS TO YOUR ASK BOX AND NOT THE FUCKING DASH AGAIN THIS TIME OH MY GOSDNDBDJFNSM
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CLIENT: WAKASA IMUASHI
wakasa doesn’t come to the club often and, when he does, it’s usually just to drink and observe. however, once his eyes land on you, he can’t seem to look away. you stand out among the rest of the girls, dressed in a pastel pink babydoll set instead of the typical red and black lace, but the thing that seals the deal is your eyes— they’re kind, crinkling at the edges when you smile at customers passing by. pulling his lollipop out of his mouth, he tosses it into a trashcan as he strides over to where you’re seated on the couch. 
he politely introduces himself, bringing your hand to his lips and pressing kisses across your knuckles. he’s sweet and charming, his voice thick like honey as he instructs you to take your panties off and lay down on your back. within seconds, he’s in between your legs, smearing his precum over your folds, gathering your slick and using it to ease into you. his pace is slow and sensual, the tip of his cock grinding against your cervix with every roll of his hips. when he feels your walls start to tense up around him, he stills, his lips twitching up into a smile when you whine. “shh, you’re a good girl, aren’t you?” this continues for nearly an hour, wakasa edging you until you’re clinging to him and begging for him to let you cum. it’s not until tears well up in your eyes that he finally decides you’ve had enough, his slow and steady pace changing to rough, deep thrusts that have your eyes rolling back. you don’t last long, but neither does he, a loud groan falling from his lips when your walls flutter around him. he pays you extra for the mess he leaves inside of you. 
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peter-pan-on-neverland · 4 years ago
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Opposites Attract
Request: hey may I request a one shot for your Peter Pan story if yes can you, use my real name (Zai) instead of Y/N if you please and can you have me pans total opposite like sweet, shy everything he would hate but in the end he falls for her and becomes really protective
Pairing: Pan x Zai
Warning: None
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Part 2 >
It was so surreal, everything around me seemed to move in slow motion as if I were a character stuck inside of a movie, high pitched ringing pierced through my ears and stung my brain like a thousand tiny knives pricking it. An uncontrollable tremble grabbed a hold of my body refusing to let go, toying with my muscles as though I were nothing but a puppet on a string dancing for the demon that now had possession of my tiny frame.
The air was cold, so very cold, nipping and scratching at my fare skin as I silently sat on the leaf-covered floor. So many questions ran through my mind, too many to count, too many to keep ahold of. What was this dark place I had found myself in?
Dirt and pinecones filled my nostrils as I took heavy, deep breaths in and out, in and out, in and out.
A pair of eye's shot daggers at the back of my head, sending shivers to travel up and down my spine. The knotting in my stomach became apparent, growing tighter and higher by the second. I tried my hardest to fight off the fear which coursed through my veins and stole my heart, but I couldn't. There was no power in the world, no bribe was big enough, and no prize was worthy enough to get me to turn around and meet the eyes staring at me.
As time passed I felt more and more eyes creep up behind me, taking their place and just silently watching. That's when I heard them, footsteps, shuffling, whispers in the night running through to cold air from person to person, or perhaps from monster to monster.
"What have we got here boys?" A jovial voice sounded, too old to be a child's but it held the power and wisdom of a thousand lifetimes.
"We-we think it's a girl, Pan." Another said.
Pan, so that was the creature's name. In any normal circumstance, someone might jump for joy at the sign of another person, but this was no normal circumstance and the confirmation of other people only made my skin crawl. Every red flag was waving and alarm bell ringing, I was not safe, not one bit.
"She might be dead, or unconscious," Someone sounded, "she hasn't moved in a while."
Whoever this Pan was leant down close to me, so close I could feel his breath travel down the nape of my neck. He placed two gentle fingers on my pulse, paying for a second.
"She's not dead," He confirmed, "James and Dan set up a tent for her, Felix see if she has any wounds and take care f them if she does."
It was Clear Pan had authority over everyone else there as if he were some kind of mayor or leader, the boys named did nothing to displease him as their footsteps grew quieter and quieter.
"Where are you going, Pan?" A rather deep, husky voice spoke, curiosity dripping off every word yet he was confident in his ways. Maybe he was somewhere higher up on the food chain in this strange land that he had to power to question and possibly even disobey.
"To ask the shadows why they bought a bloody girl to the island." His tone had changed, sounding more aggravated than intrigued.
There were no other words exchanged between the two and I could feel myself being lifted off the cold ground, I felt weightless in the arms of this stranger that I was too afraid to look at.
Perhaps I would become a burden to the boy, but I had no energy left to think about that, I had no energy left to think about anything. I wanted nothing more than to drift off into a peaceful sleep but my body would not allow it for the danger had not yet passed, it kept trying to fight and fight but finally lost the battle and sleep had won out.
I woke up, my head pounding like there was no tomorrow. I found myself in a white tent, laying upon a mattress, only a thin blanket keeping the cold from consuming me. Swinging my legs over the side of the make-shift bed I walked towards the fabric flaps, sunlight poured into the room as I pulled them back, almost blinding me.
A tall figure hovered over me, blocking out the sun. For a split second, he looked like a dark, black giant but once my eyes adjusted I took a closer look at his face. Is pale blue eyes stared at mine for what seemed like a few minutes, becoming familiar with my brown ones. I noted down the scar that ran down his cheek, how did he get it?
"Pan," He called, "she's awake."
My eyes averted to the boy, who looked no older than seventeen, quickly stalking towards us. Panic flashed through my body enduring my paralyzed, there was nothing I could do but watch as they got closer and closer despite the urge of wanting to run and flee.
His eyes stood out to me the most, the vibrant green colour seemed to radiate off him, capturing and gaze and holding it there. This boy had power, that much was obvious, what scared me was how he used it. There's no doubt in my mind that he could mortally wound or even kill me if I looked at him the wrong way, the safest route is to be obedient otherwise I could end up dead.
"Follow me." He said sternly, I didn't dare speak, I didn't dare to even breathe I just nodded my head in his direction before silently following after him like a little lost puppy.
One step after another I felt more and more eyes scanning over my body, however, I would never meet anyone's gaze. I wouldn't dare give any of these people the satisfaction, after all, they still need to tell me how I got here in the first place. I felt like an animal caged up in the zoo, just a pretty and unusual thing for them to stare and gawk at, all the meanwhile missing my home.
A pain shot through my chest, a deep aching at the thought of my family and friends, at the thought of everything I had left behind.
"Sit." The leader spoke, snapping me from my thoughts.
I complied without any issues, placing myself onto the wooden stump poking its head out of the ground to say hello to the golden, glowing sun beaming down on everything below it. I hadn't noticed just how beautiful this place was in the day time, the lush green trees, the birds tweeting, the odd deer walking by before scattering and running off from the wild people whom they shared the land with.
I felt his strange green eyes watching me, finally, I had worked up enough courage to look into them. They were filled with wonder and amazement, much like a child seeing snow for the first time.
"You can start by telling me your name," The boy's thick British accent becoming prominent.
"Zai," I whispered, nearly audible but he heard it and so did the forest.
"Zai," He repeated as if he were testing out how my name sounded on his tongue, "Cute. Now, what are you doing on my island?"
Oh, so it was his island.
"I don't know," I said, my tone sickly sweet but the boy in front of me could tell I was being genuine.
"You're a strange one aren't you?" He claimed, tucking a piece of hair behind my ear an act that made my cheeks turn a deep shade of red as I desperately tried to hide my face from his view.
I should be afraid, I should be terrified, running for the hills and never looking back. There was danger behind those vibrant green orbs, so much danged but for some reason that only drew me in more. The very thing that should make me leave is the same exact thing compelling me to stay, how can that be?
I had never been one for diving into the deep end or taking risks, I liked to be in control of my fate and how everything played out, I know this boy could never give me security so why am I being pulled closer and closer t him?
He's attractive yes, as if he were chiseled by the God's themselves, but it's more than that, it's deeper than that. The risk, the excitement of it all is what drew me in and managed to hold me there. Maybe staying here wasn't as big of a heartache as I previously thought.
"Well I guess that's irrelevant, I'll be sending you home now." He announced.
"What makes you think I want to go home?" I asked, standing up defensively.
He raised a single eyebrow at me, the expression on his face caused me to shiver, "So you want to stay little one?"
I could feel a smile creeping its way onto my face at his words, "Perhaps to do, I could be of use to you,"
I desperately tried to come up with a list of jobs I could do just so he could let me stay, although I was still scared I had this feeling deep inside on me. Way down in my bones as if I were meant to be here as if my soul belonged here.
"I can cook." I blurted out.
Only to be met with a smirk, "My boys can cook too."
"I can clean," I said.
"So can my boys." The leader retaliated.
"Can they?" I asked, raising my eyebrow to him, mimicking his previous actions, he gave a low husky chuckle to my somewhat sassy comment.
"Oh, I'm sorry princess, is it not up to your standard?" The boy smirked in return, toying with me a little. He could sense when I was on edge, I knew he could, maybe a skill he had picked up in the years that he had been alive.
"Please, I'll do anything, anything you ask of me!" I pleaded, hoping and praying that he would allow me to reside here with him.
"It doesn't matter what you want." His demeanor suddenly turning nasty at the flip of a switch, the green eyed boy stalked closer and closer to me until my back had been pressed against a tree, leaning down he whispered, "I don't have girls on my island, you're weak I have no need for your kind."
I felt my blood being to boil, this misogynistic-
I held myself back from doing something that I regret, out of the fear that I could possibly end up dead at any second.
"Maybe they are where you're from," I said in a low yet innocent tone, my words sounding like a smooth lullaby slipping into his mind, "But I am different."
"Fine, I'll be interested to see how long you last around here." He stated, "I'll get Felix to show you around."
He took a few steps back, giving me the space that I craved. I let out a breath that I didn't know I was holding in until now. Pan's comment not only sprinkled fear and dread into me once more but also seemed to excite me as if I had something to prove to these people. One thing was apparent, they were not people I wanted to play with or tourment. I was better off just seeing how this plays out and trying not to end up dead in the process.
Within the day I had circled around the island twice seeing all the beautiful sights and scenery as Felix, who is the second in command around here, told me what was what. His explanations were only met with a nod as I was far too shy and nervous to open my mouth around him or any of the boys for that matter. Luckily for me, Felix wasn't much of a talker either, we spent most of our little adventure in awkward silence.
The more I explored the more I wanted, no longed to stay here. The crystal blue seas, the majestic waterfalls, the tall towering trees, and the white sandy beaches. This place seemed like paradise, shame the people who inhabited it didn't radiate the same energy.
The once pale blue sky turn to a dark navy as tiny, white sparkling dots hang high in the sky, a roaring fire was situated in the middle of the camp the boys all sat around eating, laughing, and having a good time. They all seemed so happy, yet the damage behind their eyes was apparent, they all had the same look behind them.
I felt a presence sit down beside me, "Zai," they spoke, to which I said nothing. I didn't turn my head to look at the person whose voice I had heard not hours before.
Before I knew what was happening a hand was placed under my chin, forcing me to look in their direction, "It's not a wise idea to ignore me, little one."
"Sorry," I whispered, I knew he heard my faint words but I wasn't entirely sure they made that much of a difference.
"Funny, just hours ago we were having a perfectly fluent conversation and now you seem so shaken up you're hardly getting your words out, tell me, why is that?" He knew what he was doing, it was apparent, he knew he had the upper hand, he knew I was still scared.
I shrugged at their so-called king, not giving him the satisfaction he craved, he wanted me to squirm, but I wouldn't allow that to happen.
As the days went by my shyness didn't disappear or get easier, in fact, it seemed to get worse. I was on edge, especially around Pan, it wasn't hard to tell that the boy was ruthless.
It was hot, the sun beaming down on the island. We all slowly walk deeper and deeper into the forest the boys not only thankful for the shade but excited for the activities ahead. Pan had promised us a game of target practice, something that I had learned I was terrible at.
Silently, I watched from afar as the boys took turns shooting apples off one another head. Of course, there were many injuries but they loved the thrill of it. I got many stares, none of which I paid any attention to, but what riled me up the most were to comments.
"What's she even doing here?"
"Why would Pan allow a girl into the camp?"
"Look at her she wouldn't even hurt a fly."
"She doesn't have what it takes to be one of us, she's too sweet."
"I wish she would just go back to where she came from."
Biting my tongue, I tried not to let their words get to me. Sometimes I fantasize about those boys tied to a tree, no means of escape or survival, I would pull the arrow back tight, stretching the string of the bow before letting go. The arrow would soar through the air before landing deep into their skulls with a satisfying think, bullseye.
I could feel the wicked smile on my face grow as my heart became that little bit darker. What was wrong with me? I had never wished ill will upon anyone before, so why was I starting to know. Maybe it was the island, supplying me with anger as if it were some kind of git, some means for survival if in a wretched yet beautiful place.
Suddenly, everything stopped and silence grabbed hold of everyone around. My interest was peaked, I rose from my makeshift seat to see what was going on. There the leader of the lost boys had one of his very own pinned to a tree by an invisible force, choking and spluttering as his legs kicked and kicked.
I wasn't sure what had brought this on, but my gaze was held hostage by the scene unfolding before me, the boy begged and begged apologizing relentlessly, but none of that mattered to Pan. We all stood there and watched, some boys with tears in their eyes as their friend asked for mercy and was not given it, I almost felt bad for the boy until I had realized who it was.
Adam, the little ring leader of the group of boys who liked to push my buttons.
We all looked on as the light slowly left his eyes, his cold body slumped to the floor, no one dared to move.
"Fun's over boys," His powerful voice boomed, echoing all over the forest, "Get back to work."
One by one the boys went back to camp, they were shaken up, but not as bad as I was. I still felt a sense of remorse for the poor boy, but the more I reminded myself of all the things he said the sad about it I felt. I still wasn't able to take my eyes off his lifeless body until there was no one else around apart from Pan.
I looked up at him, but no words left my mouth, they were all choked up in my throat. The smirk on his face let me know he was proud of what he had accomplished a minute ago, what kind of a monster was he?
He left, leaving a wink as his parting gift to me.
A cold shiver ran down my spine, I didn't like what he had done and worst of all I didn't like how he had just made me feel.
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I hope you guys like part 1!!
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chalkrevelations · 3 years ago
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Street Dance of China S3, Ep 3. It sounds like maybe I should step up my pace on these, as they’ve announced the captains for S4 now? (Yibo back, Lay Zhang back, plus a couple of new guys I don’t actually recognize yet.) When is this going to air because it is just LAUGHABLE that I can keep up with 3+ hours of this a week. Particularly if I’m going to keep obsessively re-watching Word of Honor AND try to finally finish Killer & Healer in the miniscule free time I actually have for teevee. There’s certainly no way I can watch and dither on about 3+ hours/week worth of dance show in realtime before January, at least.
ANYWAY, this ep, we get a recap of everyone falling out after the captains’ cypher, and we learn who got the final extra towels and passed through to the next round: Lu Jiao Ni, who we barely see, on Team Jackson Wang; Yuan Ye (as promised) and A Li (who we barely see) on Team Lay Zhang (ETA: Wait, we find out later that A Li isn’t even on Lay’s team, she’s on Yibo’s - he wouldn’t move her on, and she gets one of Lay’s towels instead); Bullet (as promised) on Team Wang Yibo; and Xiao Ming (as promised? maybe? as we’ve barely seen this guy?) on Team Wallace Chung.
This week: Out of 400 people, we’re down to 105. Not all of these faces are familiar, and I suspect I don’t really need to learn 90 percent of the unfamiliar faces. I … am going to go out on a limb and make a guess that one of the dancers whose name has been bolded in one of the past two episode recaps is going to be the ultimate winner, because I have umpty SYTYCD episode reactions on my LJ, and I suspect I know how this works. I wouldn’t even put money on any of those five bolded names in the previous paragraph, quite honestly. Anyway, now it’s time to start culling down to 60. We bring out the team captains, and my first reaction is “MY EYES” because wth are some of you wearing? Wow. Yibo’s shoelaces are all over his jacket. Wallace looks like he rolled a flasher on the street for his trenchcoat. Lay Zhang is wearing a baggy pink jumpsuit, and I guess, OK, it’s easier to maneuver bathroom breaks in one of those when you have a dick, but that’s definitely a fashion trend that should have stayed back in the ‘80s. I guess questionable fashion is an international phenomenon.
There’s also an empty chair for the promised Mystery Guest, and there’s a game with clues, and a lot of guesses from our captains about who the Mystery Guest will be, and Jackson does A Bit through the whole thing. I don’t know whether to be entertained or annoyed by him. He’s the only one without some egregiously questionable fashion choices (so far) this episode, so maybe he gets a pass. Anyway, I don’t have the pop cultural context to understand the guesses, and I also don’t have either the pop cultural context or the knowledge of this area of dance to grok the Mystery Guest’s identity, but he’s Huang Bo, and apparently he had more than 1000 dance performances in the 1990s, so he must be at least as old as me and Wallace, if not older. Yibo takes the opportunity to make the – very NON-politic – remark that maybe HE wasn’t even born yet at the time? That … is not the way to win friends and influence people, Infant. Also, the Mystery Guest is NOT the person Jackson kept doing A Bit about. The reveal is all very dramatic, and he does a lil’ bit of choreography from of each of the four Extant Captains’ videos before he takes off his mask, and they act appropriately impressed, and there are some girls with short shorts among his backup dancers, so that all happened. The show obviously wants me to be very impressed by him. Show also tells us he’ll have a special skill that will be very important and at least leads us to believe that he’s going to be the “life-saver,” so the audience immediately curries favor, or at least plays at it.
Next up: Rules. Eliminations this week involve contestants self-selecting into groups of anywhere from one to five people and performing for a panel of all the captains. Teams pull a number out of a hat for performance order. Thumbs up from all four captains, you go to the next round. Abstentions from all captains, you go home. Thumbs up from some and abstentions from others, you face the possibility of a call-out from other contestants, whereupon you have to dance for your life battle to find out which of you stays and which of you goes. Oh, and we’re only going to keep going until the 60 available seats are filled, and then we’re done. If you’re number 35, you’d better be prepared to battle someone earlier and kick their ass, or you’re fucked, you don’t even get to dance. I’ve said it before: Audentes Fortuna adiuvat. Only wait, ETA: There will be some last minute BS rules fuckery, in a way that is clearly intended to save someone in particular, which I feel some kind of way about - and it is not really the way that almost everyone on the show seems to feel - but I guess we’ll get to that later.
And cue ridiculously long nattering, so we’re going to cut here.
First group is Lin Meng (Team Wallace), Teng Zai (Team Lay), Bing - of the infamous motorbike flirtation - and Dian Men (both Team Yibo), along with a dude we haven’t actually seen yet, Tang Qian (also Team Yibo). Your lack of even B-roll so far is concerning re: your chances in this competition, Tang Qian. I’m just sayin’. Anyway, this is a powerhouse group, and at least Lin Meng and Teng Zai are familiar with each other because they’re from the same crew, and Xiao Bao remarks from the audience of contestants that these guys are going to go through, no matter what. They’re going to do a totally popping routine. My sound drops out at the beginning which … yeah, makes them look even more like a boyband at the beginning, in their matching baseball uniform shirts. So, here’s the thing, they’re a little muddled, they don’t move smoothly around each other on stage - their dance moves are coordinated, but they’re not moving in space like a group that understands each other. (Somewhere in here, my sound comes back, and Yibo already can’t hold still to the music.) The other thing is, though - all of these guys are very good at what they do, they finally hit their stride a minute or so in, and when they do, they hit it hard. I’m frankly surprised they don’t get passed right through to the next round, but Jackson abstains on the vote, and when called upon to explain himself, it turns out he just wants to see them battle. I can understand the impulse, Jackson, but this is already super stressful on all the dancers, and it doesn’t escape my notice that you’re the only one of the four captains without a dog in this particular fight, so a little bit you look like you’re doing this just because you can. Remember this, because it will set a bad example for an 11th -hour vote. Anyway, there’s the chance for a callout, which no one takes because the entire audience is convinced this group is too good to beat. Five of 60 seats taken.
Group two is Shen Kai Xiang – the Jack Ma lookin’ dude. He’s flying solo. He gets to stand around uncomfortably for a while onstage while Special Guest Huang Bo does A Bit making fun of all of the captains’ speech patterns and accents and pronunciation, except Yibo’s, because Yibo apparently never talks. Ha ha. (I’m also wondering if there’s some socio-cultural stuff underlying some of this that I’m not cued in enough to fully understand.) Huang Bo then tells the contestant that Jackson has probably fucked him over by praising him too effusively (he came from Jackson’s team, and Jackson already is displaying a tendency to rhapsodize about how everything is “ART”), so all the captains now will have inflated expectations that Shen Kai Xiang is surely only going to fail to meet. I’m beginning to suspect that Huang Bo’s Special Guest Superpower is not “lifesaver” but “kind of annoying asshole.” Maybe it’s to take that particular spotlight off of Chick. ANYWAY, Shen Kai Xiang FINALLY gets to perform, and he gets a little bit of a slow start, but he packs in a lot of elements and gets a LOT of good air in his moves once he gets wound up. He’s lyrical and super emo about it. I’m kind of “eh” on him – technically, he’s good, but I’m not particularly connecting with him, which I’m willing to admit could be a me thing, as everyone else seems super-impressed. Three captains pass him through. Yibo does not and explains this decision as personal preference – he likes more “underground” styles, more battle styles. Huang Bo brings back the issue of too-high expectations to help explain why Shen Kai Xiang isn’t being passed directly to the next round, even though Yibo just explained his decision and that is literally not the reason he explicitly gave. Anyway, Shen Kai Xiang gets no call outs, which seems to surprise Yibo, and we’re at six of 60 seats taken.
In quick succession, we move through Liang Hua Jie – we don’t see much of him, but we learn that while Wallace likes his musicality, Yibo doesn’t like his face (OK, doesn’t like his facial expressions, which, what can I say? I get this. If I’d had the power to unilaterally send home Lacey Schwimmer on her season of SYTYCD, I’d have done it, that’s how fucking annoying I found the way she’d mug for the camera the entire time she danced. Like I couldn’t even watch her dancing, because I was too distracted by what she was doing with her FACE the whole time.); Jian De Chao (wait, is this Chao from the first episode?) & Chen Zui – who, from what we get to see of them have some good flow and move pretty well together, but can get a little bit mushy in their moves, and Yibo likes their skills, but Lay thinks they don’t feel like a group, which what? Incorrect; and a group that’s dubbed themselves Purple Storm Show, which includes Alex from Jackson’s team and four other people who I can’t even catch – we barely see their performance, and Lay likes them, but Jackson thinks they’re flat. I can’t tell if any or all of these guys were sent through to the next round or sent home, but if they didn’t make it, then  :(  because I liked Alex, and he got hit in the eye for this, he deserves better than to get sent home because his team can’t get it together. We still have no group that’s been passed through by all four captains.
And then, next up is another powerhouse team: Gongsu Wu Ming and Hei Zai (Team Lay), George and Xiao Ming (Team Wallace), and (Xiao) Bai (Team Jackson). Yibo is skeptical about an all B-boy group, and don’t make me fight you, Yibo, because an all B-boy group is like my dream come true (sorry, poppers; sorry, lockers; my heart truly belongs to the B-boys, they are my favorite). We learn they added a flip at the last minute – an assisted flip, with a couple of them flinging George into the air over the other two of them. Wu Ming thinks that George is the only one of all the competitors who could do it, but George – who has a little more skin in the game than anyone else, as the guy who could potentially land on his head wrong - is a bit concerned about whether they’re going to pull it off. They start, and they’re all good, a little bit muddled before they hit their stride, but the slo-mo cartwheel is great, and from there, they’re off and running. This is why I like the B-boys – I know it takes a lot out of you to do this, but there is nothing – nothing­ – like the magnetic energy they can generate when they’re in their performance headspace and everything is flowing. This is a performance, and Wu Ming has talked a little bit about wanting to step up breaking, and if this is the sort of thing he wants to do, I’m all for it – give him the platform now. I’m going to take just a minute to single out Bai and say that he’s better when he’s not doing A Bit like he did in his initial performance for Lay Zhang – he’s much more electric here, and someone else’s choreography may make the difference. Jackson, Yibo, Lay – they’re all out of their seats, none of them can hold still in the face of this. We get to the end, and unfortunately, everyone else is kind of cluttered and mushy moving into position for the flip – that is not a way to go out guys, DO NOT DO THAT at the last minute – but then George f’kn NAILS the flip, so that’s thankfully the last impression they leave. The captain’s faces are a picture. (Except Wallace, who’s suddenly too cool to give us anything, apparently.) FIRST ALL-PASS. George’s assessment: “Not bad.” :facepalm: OK, Mr. Cool Guy. They also cut in a post-interview bit with Bai about the performance, and he notes that they all know each other, they’ve been battling each other for like, a decade, now. Dance together more, guys.
Moving on, we fortunately have another very strong group to follow them: Gai Gai, Wang Tao and Huang Xiao, all from Jackson’s team, and you can tell he badly, badly wants to start in on the ART! bit but he (loudly) keeps his mouth shut about this group until after the performance. The only one of these three we’ve seen so far this season has been Gai Gai, but they all dance in the same group together, and they seem to be well-known by a lot of the other competitors, particularly Huang Xiao, both as a dancer and a choreographer. They say they’re doing jazz, although I’d be more likely to call this contemporary, if I was going to put them in a box. They are gorgeous – lyrical, fantastic dance vocabulary, amazing choreography, beautiful musicality, and the way they move together as a unit is … :chef’s kiss:  I think Huang Xiao may be the best of the three, technically, but there’s something ineffably charismatic about Gai Gai that’s pulling focus a bit – just a bit – more than the other two in this performance. If there’s a weak link, it’s Wang Tao, and really, that’s only by comparison with the other two, which is a really high bar. We get some shots of the audience of competitors worrying about Yibo’s reaction, given his preference for the old-school battle dancers and an apparent “strictness” with urban dancers and related genres, but these three also get an All-Pass to the next round, and Yibo talks to them a little bit about the choreography and his (complimentary) reactions to the performance before they leave the stage.
And then. Oh, dear. Then we get a group of three – Da Mao, A Li and Tall(? Maybe? It looked like he was going to get out of this anonymously – probably lucky for him – but then the subtitles threw up this name on him at the last minute) – who are the only krumpers who’ve made it this far. Lay Zhang is really promoting them, because he really wants to see a bigger krump presence, and he’s really nervous about their performance, and he really, really should not have pinned his hopes on these three, because I hate to say it but they are a hot fk’n mess. They are … not good. I can’t believe any of the three made it this far, and in fact, we learn after their performance, while everyone is sitting in a kind of stunned horror (and y’all, I am not exaggerating for effect there), that Yibo did not pass A Li on from his team, that she got one of Lay Zhang’s final extra battle towels. I mean, there’s an obvious gap in the quality of this performance compared to everyone else we’ve seen. There’s also a lot of pacing around and standing around instead of dancing. They’re trying for the attitude, but they’re not managing it. They do manage to get an embarrassed reaction from Chick, which says something all on its own, as I wasn’t aware that he had any shame. Other competitors also are doing the embarrassment-squick cringe in the audience. Lay Zhang is literally hiding behind his clipboard. This is the first All-Out we get, where they’re directly eliminated – not even Lay can bring himself to vote “yes” on them. Now, all the krumpers are gone, and Lay is visibly sad and frustrated, but as we appear to move to a little bit of a break, Yibo displays the most emotional intelligence of anyone there and asks Lay to teach him how to krump, to distract him and get him actually doing the dancing he enjoys for a little bit. It’s also a chance for Yibo to learn a new thing, and he talks about his chance to improve in a little interview bit from later on that’s cut in here. I mean, yes, that actually was kind of a sad attempt at krump during the cypher, my dude, so this can only help you, but you also are being an extremely good guy, giving your fellow captain some emotional support right now. Thumbs up.
Next up, we have AK Dong (Team Wallace), also flying solo, and they give us a little heart-tugging B-roll about how he doesn’t have a team with him there, so he’s going it alone. He’s fantastic right out of the gate - good musicality, clean and precise, and he’s got a nice texture to his performance, it feels … full even though it doesn’t feel as big and expansive as some of the other dancers. Unfortunately, Lay doesn’t agree with me (incorrect), says he wants a performance that’s more elegant and “balanced,” and is the single holdout vote, which opens my dude up to a call-out challenge. This is the guy who looks like comedian Hank Chen, which has overshadowed his dancing twice now, because he had to listen to it from Haung Bo when he came out to dance, and he CANNOT catch a break, because now he gets challenged by three teams, including Bouboo’s team, which also includes Klash, Bullet and Colin (all Team Yibo), plus Boris (Team Lay), who we’ve only seen B-roll of so far although he speaks good Chinese, despite being from … I’m not sure where, but not China? AK Dong complains about how Boris looks at him with innocent eyes and tells him that they have no option other than to challenge, which is true (ETA: insofar as we know at this point), because they’re #36, and the 60 slots would almost certainly fill up before they even get a chance to dance. This team wins the bottle spin against the other two challengers, and I mean. :hands: This is a slaughter. They’re five-on-one, and they’re all really good at what they do, they make it look effortless, and AK Dong’s face is going to kill me. Wallace actually does vote for him, but the other three vote for the team, and that’s five more seats filled, and AK Dong eliminated, and I’m annoyed (although not as much as I’m gonna be) because I liked him, and I would have liked for him to get a chance to dance without having to listen to the Hank Chen nonsense at least once.
Next, we have Li Yue & Sha Sha, who appear to dance together on the regular. They have a kind of sultry number put together as the Green Snake and the White Snake that is … hm. I don’t know if we’re classifying this as urban or jazz for the purposes of the show, but it’s another piece that fits more into my contemporary box, if we were classifying them for most of the Western dance spaces I’ve seen. They’re good, as befits this stage of the competition, but a little inconsistent, technically. Also, I don’t find them particularly exciting to watch – I feel like something’s missing, although I can’t quite put my finger on what. I’m not sure their flow is consistent, and they’re probably not helped by following Gai Gai, Huang Xiao and Wang Tao. They get three yes votes from Lay, Yibo and Jackson, although they are … enough to maybe make Yibo a slight bit uncomfortable, being the shy and fragile homosocial forest creature that he may be, or that he may be getting edited as, who knows. Huang Bo pokes at Lay Zhang about his reaction to and vote for them. He also basically says that Wallace didn’t vote for them because Wallace wasn’t turned on by them, because Wallace is still doing his imperturbable cool-as-a-cucumber routine. Wallace’s hold-out vote opens them up to a call-out, and several groups come down to challenge, including – bad luck for Li Yue and Sha Sha – TI, who win the bottle spin. This group includes choreographer Zheng Jian Peng, as well as Su Lianya, who I didn’t realize was a TI member, both Team Wallace, along with … oh my god, Wei Ming, who’s the “Sir, what are you doing?” guy from Episode 2 when Wallace was giving out towels to poppers like candy, and I’m kind of pleased he’s made it this far, just based on that moment, alone, never mind any dancing skills. Rounding out the group are Long Long and Wei Lin, both from Team Yibo, and I think we got B-roll of Wei Lin at some point during Yibo’s eliminations in the first couple of eps. I know nothing about Long Long at this point. At any rate, everybody in this group is so good, I can finally see how they got their rep – fantastic musicality, and a great job of working as a unit. They feel like a team, even when they don’t manage to be quiiiiite synchronized. I’m not really feeling their costumes. Su Lianya continues to be a standout, even in a group that sets the bar this high. Wallace’s composure finally breaks when the other team captains evince interest in poaching her, and oh my god, he still has the hair elastic that he held for her at her initial performance, that they said would be a token of their vow to go all the way in the competition together. OK, I give Wallace a lot of shit, but this is actually kind of adorable. He literally pulls it out of his pocket to tell the other captains they can’t have her and to plead with her to remember their promise to each other. TI gets three votes and moves on. (Lay, still apparently captivated by the snake ladies although not enough to bald-facedly vote for them in the wake of TI’s performance, abstains.)
Next up are Tao and CiCi, and OK. I’m going to be honest here. I think they’re leveraging the “couple” schtick for all it’s worth, and good for them, it looks like they can pull it off, because I think some of the amazed reaction we get from the captains and from the audience is influenced a lot by their coupleness, but at the same time, I think some of the amazed reaction we get from the captains and from the audience is actually influenced by their coupleness rather than their dancing. I mean, Su Lianya and Wei Lin are in the audience of competitors clutching each other’s hands and crying, and it seems to be just as much about Tao telling CiCi out loud that he loves her just before the music starts and the fact that they kiss as part of the piece, if not more than it’s about their actual dancing. The show is also really pushing me on this, because whereas, with everyone else, it tosses up closed captions that tell me what moves are happening (in addition to dialogue subs), now I’m getting things like “heaven-made match.” They’re good, but I think they actually also suffer a bit from following the Gai Gai/Huang Xiao/Wang Tao powerhouse, because I think we’re unlikely to get anything on the lyrical side of things that’s going to match up to that for the rest of the day. Tao and CiCi are better than Li Yue and Sha Sha were, and it is pretty badass the way she manages to make herself so small and compact she literally disappears behind him for that last little bit, and if they’d won the bottle spin on the last callout, they would have won the challenge, I have no doubt. But. :hands: I think the show has actually done that thing Huang Bo accused Jackson of earlier and set my expectations too high. I’m’a sound like Yibo – or like Yibo normally would, because he also seems to get suckered into the overwhelmed reaction for this – and say that I think Tao was better in the less lyrical style when he danced with Yibo and Bing in the Ep 2 towel battle. They get an All-Pass from the captains and talk about their inspiration for the piece, which apparently is a couple who confessed their love to each other the day before the girl had to go into COVID quarantine, and well, now I guess I feel like just a little bit of an asshole for not appreciating the COVID love story properly? Anyway, the captains then keep asking them intrusive questions about their relationship, and Huang Bo mocks Lay for apparently never being in love so he won’t understand what it’s like, and I’m cringing in my seat a little before Jackson gets us back on track and Tao and CiCi finally go sit down.
Then Huang Bo takes the chance to go over to the contestants who haven’t performed yet and stress them out about how few of the 60 available seats are left. I mean, I guess it’s part of competition, but come on, dude.
ANYWAY, next up, we have a group calling themselves Team Wake Up – it’s the waackers, and this group includes Xiao Bao and San Jin from Team Lay, along with a guy we haven’t seen yet, Tu Zi; Meng Di from Team Yibo; and Gao Shi Yu, who we also haven’t seen, from Team Wallace. They start working it, and I’m like, oh wait … and then they hit the Cat Walk, and I’m like, oh shit, and a light bulb finally goes off, because I’ve been super-fk’n slow, but now they’ve shown me what this genre is about, and I’m interested to see what they do here, because a lot of this performance could be straight off the floors of the ball scene. The entire group is pretty good, although I do think Gao Shi Yu is the weak link, she’s not quiiiiite up to the standard of the rest of them. They move well as a group, though, good coordination, sharp and clean, fantastic musicality, high energy all the way through, with EXCELLENT attitude, which is half the battle, because if you’re not confident for this kind of thing – or if you can’t at least fake it flawlessly – you might as well not even be out there. They all do lose a little bit of focus when they’re in the background as they break out for their individual moves, and they fall apart a tiny bit near the end. Also, Meng Di’s belt is off-center, and I know that sounds super picky, but it kept distracting me, so I wish that hadn’t been the case. Xiao Bao is definitely still the standout here – he takes the lead from the minute they come out, with the mic, and never really relinquishes it. We finally get to see San Jin perform, and his extension could be better. Tu Zi must be lacking in the charisma department to not have shown up before this, because he’s better than I expected. Before they started, the group that Xiao Jie and Yang Kai are in together – who still haven’t performed – were debating if they should challenge this group, but Xiao Jie advised waiting to see how good they were, and then after the performance is all, “nooo, we should not challenge,” and props to you for not just writing off the waackers, my man, because they get an All-Pass, and there’s not even a chance for a callout. Before we move on, Wallace clams he’s learned some waacking during the show, and the other captains (led by Jackson, who calls him gege) make him demonstrate, and the contestants, who know what side their bread is buttered on, applaud.
Available seat check. Yibo participates in further stressing out the contestants by saying “Like, a dozen?” All y’all need to be challenging whatever chance you get. Now I bet you’re sorry you didn’t challenge Shen Kai Xiang back at the beginning, aren’t you?
Next up is our group of X-Crew representatives, hop-hop, and Yibo is excited. I almost expect him to do a little dance in his seat. Yang Kai helpfully lets me know that this group is from the top hip-hop crew in China. Oh, hey, that’s Qin Yu, from Team Wallace, the guy who Gongsu Wu Ming immediately recognized as the weak link in one of the towel battles and got up on; the guy who subsequently got taken out by Teng Zai, My Beloved. Qin Yu, the guy we hadn’t even had B-roll on, and still don’t. I wonder if I’m reading too much into that. He’s joined by Flea (which I’m assuming is a direct translation, as it doesn’t sound like “flea” when he says his name?) and Ding, also from Team Wallace - neither of whom we’ve seen before, I think - along with Ting and Lei Xiao Yang from Team Jackson. This is also the first time we’ve seen Lei Xiao Yang. I … feel weirdly unconfident about the famed X-Crew, given we haven’t seen more of them before this. Then again, we’d only seen Gai Gai from her group, so maybe this is a BigSurprise!edit … Ting comes out hard and heavy, and I actually think this is the best performance we’ve seen from her so far. She spends a lot of time out in front on this one, and I don’t think I got from her initial appearance or from her towel battle performances just how good she actually is. Overall though … I am … not that impressed with this group. They start out strong, but then they get sloppy. They have trouble working as a unit, which is surprising from people who supposedly have experience dancing together. They’re all very good, but they’re not synchronized. A lot of their solo showcase bits lack complexity, and that is an understatement. Qin Yu still has some of that nice fluidity along with his pretty face, but he’s not balanced, and he absolutely does not have the finesse he needs to pull this off. They all do move into the end strong, together again, hard, power behind their moves - almost everything from the slo-mo move is good - but … it’s a little late, y’all. That took way too long to get back together. And then, they inexplicably descend into … it’s not even sloppiness, it’s an utter hot mess during, like, the last 15 seconds of the performance, which is absolutely not the final impression you want to leave. And … wow. Shit. There are captains who actually agree with me on this. Sometimes you see the expected top dancers allowed to slide some in these early rounds of competition shows, but not this time – Wallace and Yibo both vote yes, but Jackson and Lay both abstain, and Jackson … wow. Wow. Is disappointed in them and expected more. Despite the fact that he’s like, 12, and that he’s done this to past groups just because he wanted to see them battle, a little bit this actually has a vague feeling of your dad telling you how much you’ve let him down. The audience is shocked, but I’m glad to hear someone say it. It was a good - if spotty - performance but certainly not the best we’ve seen.
So, we have a callout, and the group with Xiao Jie and Yang Kai, which also includes some guys named Shen Zi Hao, Xiao Zhi Bin and Oscar, pounces. And that is a very deliberate word choice, because these guys are on X-Crew like a lion on the trailing gazelle. They’re in their Men In Black suits (ETA: Wait, no, I think maybe they’re Agent Smith suits), and the audience of other competitors is losing it. Xiao Bao is very excited about Xiao Jie. Both Yibo and Jackson look like they’re in actual physical pain, to be forced to make the choice that’s coming up. Ting looks like she’s getting ready to throw up – she’s accepting this with less equanimity than she did the possible results of her initial performance, at least on the surface. I … am dreading losing her, actually, because I suspect that’s what’s getting ready to happen, and I am so so sorry, baby, that you worked so hard to carry your crew like that and they couldn’t keep their shit together. On the one hand, I’m impressed they’re pitting this level of competition against each other so early. On the other, I feel Jackson’s and Yibo’s pain. God. God. The Xiao Jie-Yang Kai group is here to f’kn battle. This is shaping up to be a slaughter. They are fast, clean, precise, great musicality, complex moves, super performance. They’re synchronized, high energy, fantastic animation – which could be a little cheesy, but they’re confident and fearless enough to pull it off - fun and interesting. They are maybe a little bit too gimmicky to be perfect for my taste, but I’m not the one voting them through, and what they’ve come up with is perfect for the audience that matters – the captains, the majority of which are 20-something-year-old boys – and knowing your audience, and performing for them, is a skill, too. BIGGEST (and frankly, only) ISSUE: Somebody fucked up a move, right at the beginning … I think maybe Yang Kai? (ETA: Yah, it was Yang Kai, ugh, what a time for that to happen.) If you’re going to fuck up, best to do it at the very beginning, I guess, and then give this performance afterward, to mitigate it as much as possible, but that one misstep gives the captains enough excuse put off a decision they really don’t want to make, like it’s not just going to make it worse to kick the can down the road a few minutes. Split vote, 2-2 (I thiiink, Yibo and Jackson for X-Crew, Lay and Wallace for the challengers?), which throws it to a further battle. Ting and Xiao Jie, one-on-one, and both of them are feeling the pressure of competing for their entire team instead of just themselves. Two rounds, hiphop and locking. So, each of them is better in their specialty. Ting’s got some fantastic, precise moves for the hiphop round. Xiao Jie is not as good in this round; I do notice he’s got a more directly confrontational style when he’s battling. I feel like she’s doing more waacking than locking in the locking round. Overall, she’s cleaner, more precise, he’s got a little bit more energy. I wouldn’t want to make this decision, frankly. I think Ting was better technically, but Xiao Jie might be the better performer – better at all that other stuff that adds up to stage presence. I do wonder how much of the captains’ decision is influenced by the groups, and who the captains are or aren’t willing to lose, even though it’s supposed to be based on this 1x1 battle. Just looking at who the show has put emphasis on already, we’ve got Ting vs. Xiao Jie AND Yang Kai, and I don’t know that they’re going to want to let that one-two punch go. Wallace votes Ting and X-Crew. Yibo and Lay vote Xiao Jie and the challengers. Jackson, the coward, abstains. Looks like Ting and X-Crew are going home, and this is the first cut that I’m genuinely upset about seeing. Ting feels bad for letting her crew down, but they let you down first, baby, or you wouldn’t even have been in that position.
Available seat check: 12. Dancers left: 27. Well.
We’re coming up on two hours now, and there’s clearly some kind of drama we want to get to, because we whip through the next few performances – few names, limited time spent on them. The ones who do make it through are likely cannon fodder in the next couple of rounds. There’s a group of four in khakis that gets sent through to the next round; Yibo liked their moves. Guy named Zhan Ke in a suit goes through to the next round. We’ve turned into a clip show now, and the screen literally says “ … ” at one point as each group of competitors gets 3 seconds of airtime. Cut to three seats left out of the 60. There’s about seven people left, and … that includes Chick. I have a sinking feeling this guy is going to be the real focus, at this point. He’s paired up with some dude named Long, and they have lost the bottle spin on callout after callout after callout, so they’ve never had a chance to challenge, and now, look at these morose motherfuckers, still sitting in the bleachers. I almost feel bad for them.
So, three seats left, and the next group is three people: Yang Qi aka “Apple” from Team Jackson, Lin from Team Lay and Bobo from Team Wallace. Urban dancers. I lose sound on them right at the beginning, but they’ve got some nice sharp moves, good choreography, they work well as a unit. Solid performance, if not the best we’ve seen. Apple’s got the best technique, I think. Audience likes them a lot. We get a cut to Chick and the other competitors who haven’t danced yet as we count down for the vote, and they are all dying. Three votes yes. Yibo abstains. Huang Bo is so prepared for this group to be sent right through that he starts clapping and congratulating them, and Yibo has to be all, “Wait, no. Not yet.” The captains give their reasoning: Jackson says that he felt their power, emotion, speed all deserved full marks. Yibo agrees.
Yibo agrees.
...
Their faces in response, y’all. Their little WTF faces as he explains that he really just wants to see the other dancers, too. Oh my god, Yibo. You can’t just say that out loud. Are you serious with this, you can’t even make up a thing to fake critique them on? Cut to a later interview with Bobo, who’s been the least able to school his face journey in response to this: “Wang Yibo, I won’t forget.” Also, Bobo says, you’re not even hot. (lol) Joking aside, the group goes on to make all the correct noises about sure, it’s a competition, you face competitors, it’s what happens, because what are you gonna say? Meanwhile, to be completely honest, I’m probably the person who’s been least able to school their face journey in response to this, because come on, Yibo. It’d be one thing if you were making some kind of statement about the way they set this up from the beginning, with all competitors unable to participate, but I’m pretty sure you’re actually doing this to give Chick another chance, because you have been inexplicably all up on his jock since he showed up, what is it about this guy? I don’t get it. At all.
So, we get a callout, and everyone left challenges, of course, because this is probably the last chance. The audience is rooting for Chick. I still don’t get it. Bottle spin ends up on … Zhao Hai Jie, from Team Wallace, who we’ve never yet seen perform. Here’s the thing: If he can win this battle, then he only takes one seat, leaving another two seats available. However, he is NOT going to win this battle, not without ripping off any figleaf of fair competition that the show may have, because he’s just not that great. If he wins, there’s no way around the fact, right in your face, that it’s a strategic vote. He does not win. Four votes for Apple, Lin and Bobo. Sixty seats filled.
HOWEVER, just in case you were worried there may be any integrity here, director Lu Wei comes ambling out to say, hey, you know those rules we have in place? Well, fuck ‘em. Who cares. Let everybody left battle, and whoever wins that battle can have a seat along with the 60 other people. I’m going to translate this one, because despite the limitations of my Level 1 Duolingo Mandarin, I have umpty SYTYCD episode reactions on my LJ and I feel like I’m pretty fluent in Dance Show BS: “We really want to keep somebody who’s left, so there’s going to be some chicanery on our part.” They really do not want Chick to go home, y’all. I know it’s him. It’s super extra obvious they’re desperately trying to save him, at this point. And I am here to tell you that if Chick ends up on this show and Ting goes home, there will be nothing on this earth that could possibly resurrect Chick from the Pit of My Dislike.
Anyway, we get Dai Dai from Team Lay, who describes herself as a fusion dancer and is pretty good for the first 40 seconds or so of her music and then completely loses the thread and kind of falls apart. The captains do not seem impressed. Possibly they also know we’re just killing time until we get to Chick. Up next is Su, who is Very Dramatic. He doesn’t say what team he’s from, but given Wallace’s reactions, I suspect he’s from Team Wallace. I suspect Yibo’s not going to like his face. His performance goes increasingly off the rails as he goes on. He’s got a lot of goodwill from the audience of competitors, but no. This is not a winning performance. And then we get Chick & Long, literally the last to perform. Chick spends the entire time doing A Bit. Long, who anyone barely remembers is even there, does 2/3+ of the dancing. Everyone – everyone – is apparently vastly entertained by Chick, and I just … :hands: Fine. He’s a character, but I have yet to see anything in three episodes, across, like, 7 hours, that lets me see whether he can really dance or not. Yibo literally tells Jackson, “He doesn’t have many tricks, but he’s got a ton of ideas” and later says he’s a B-boy without a power move. Anyway, one vote for Su (Wallace), three votes for Chick and Long. We’re at 62 dancers, and I cannot believe I’m going to be subjected to Chick’s continued clownery when Ting has to go home.
Thank GOD we’re activating the Special Guest Host Powers, the first of which is “REVIVE,” i.e., bring someone back who was eliminated. Yibo is immediately like, omg, the hip-hop group. Then we do Yet Another Bit where the captains cater to Huang Bo so that he’ll take their advice on who to revive, and it goes on too long when we are, my god, two hours and fourteen minutes into this. Meanwhile, Yibo reiterates, the hip-hop group. Yeah, Yibo, this I approve of - if I gotta watch you fall all over yourself over Chick, you need to get Ting back for me. So, we’re finally getting the captains’ actual recommendations: Jackson says the hip-hop group, possibly feeling bad about the fact that he’s the one who spiked their chance the first time around? Yibo is all, me too! Yes! That one! It’s kind of adorable. Also, yes, Yibo, you need to get Ting back for me. Lay says Li Yue and Sha Sha, the white and green snakes. Wallace recommends a popping group that I don’t even know if we saw perform? At any point in the past 7+ hours of three episodes? Wallace, are you high? Anyway, THANK GOD, Huang Bo brings back the X-Crew group. We’re at 67 dancers.
Second Special Guest Host Power is … “battle?” So, we’re setting up Qiang Qi Da Zhan, aka Seven to Smoke, which they’ve apparently done in past seasons? Each captain picks two people – eight total – to participate. Twenty minutes total. Increments of 30 seconds each to battle. And I guess you have to accumulate seven points in various battles. We don’t get to hear the captains’ picks, but I can see that AK Dong is called back for this one. Also, I spot one of the krumpers. (:eyeroll: Really, Lay? Because I know that was you.) We see some clips of this. We see AK Dong get to six points. He … maybe gets his seventh point? Anyway, he says in the last interview clip that he’s here. I guess we officially find out the Seven to Smoke results next ep?
Also next episode: Divided into two groups and battling by genre for the next elimination. Five rounds. Also looks like captains might get a chance to poach from other teams. Also some wacky fuckery with the dancers’ heads that looks like it’s going to be stomping all over my embarrassment squick, argh.
Finally, we get a peek at hotpot, and it sounds like they ended up with 70 dancers, so three people managed to get seven points in Seven to Smoke? And somebody’s mom is apparently coming to hotpot, but I’d have to watch the actual hotpot show to find out whose mom, and we’re out.
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rexlapi · 4 years ago
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i know no one who follows me is into genshin bUT im so proud of this au so i’ll post it anyways
moongod!zhonglixmotal!childe, chang’e/hou’yi au (no previous knowledge of the mid autumn festival is needed, hopefully i explained it well enough in the fic)
am i yours?
rating: teen for inexplicit self harm  wc: 2k
ao3
- -
It had only been a century since the god of the moon, known to the people as Morax, had first come to the barren rock he would soon have to call home. He had no emotional attachment to the place, however he had no other place to call home. Too many years since the man who had once been Zhongli had last seen his love, too long since he had known happiness. 
The earth was rising into view from his palace on the moon, the blue waters always reminding him of his lover’s bright eyes. Zhongli stood on the cold stone floor, staring out into the distance. It was the anniversary of the day when Zhongli had first ascended to yue, a day many mortals celebrated, offering him yuebing, or mooncakes, in hopes that he would bless their families. Every year, he found it in himself to smile upon those who still remembered his story, hoping that one day, his good would come back to him in the form of the one he loved. But of course, the world was a cruel place, leaving the immortal nothing but a barren rock to live his sad eternity on. 
Despite the people’s celebratory gifts, this day was always one of sorrow for Morax. He had only experienced a few decades of imprisonment on this rock, yet somehow Zhongli felt so, so very old. This day only ever reminded him of what he’s lost, of what he will never have again. To be fair, almost everything reminded him of his Tartaglia, from the waters of earth to the orange of the sun. More than anything, these things reminded him of his biggest mistake.
There was nothing in this that the moon god regretted more than his reckless action that got him stuck on this barren rock, never to see the face of the one he loved again. 
The day that ruined Zhongli’s life had been a beautiful day, one of the most beautiful days he had ever seen. The skies were a vibrant blue, streaks of puffy white clouds dotted throughout the sea of blue, the sunlight warm and bright. He had planned on proposing to Tartaglia that day He had everything prepared, an elaborate basket of luxurious gifts for the other man’s family, as well as a lovingly self-crafted pair of matching dangly earrings, for each of them. Zhongli unconsciously brushed his hand over his ear, toying with the rare orange jade bead at the end of his. 
He had been waiting for Tartaglia to return home from an assignment when one of his own students had broken into his house, looking for the small potion of immortality Tartaglia had received for shooting the excess suns out of the sky. His Tartaglia had always been an adept warrior, being proficient in nearly every weapon. Zhongli smiled to himself, wishing he could see the way Tartaglia bounced on his toes before every right, his face stretched into a broad grin, ready for the rush of adrenaline that every fight gave him. 
Zhongli had always loved teaching, wanting to impart his knowledge and wisdom on the next generation of bright minds. He would never forget the look of horror his student wore when Zhongli angrily shoved a spear through their stomach, snatching the elixir out of weakening hands and downing it in one gulp. It wasn’t until Tartaglia returned home shortly after the incident when Zhongli realized what he had done. He remembered how Tartaglia’s eyes had widened, his voice calling out for him, but Zhongli could already feel himself floating away, becoming weightless, as if he had become a spirit. The distraught cries from his love that morphed into sobs, calling his name, begging him to stay, telling him he loved him These cries would forever ingrain themselves into his memory. The elixir would have let them be happy and together forever. Instead, it separated the two of them for the rest of time.
Every year on this day, he would talk into the sky, hoping that maybe, one day, Tartaglia would hear him. Hoping that maybe one day he could see him smile, hear him laugh again. This year was no different. Zhongli busied himself in the kitchen, preparing some of Tartaglia’s favorite foods. He would eat a bite of each dish before leaving the rest as offerings to whatever greater powers lay above him, asking them for mercy, for freedom for this barren rock. Though, behind all of these, he would always ask to see his love, one last time. 
Please, Celestia. This is all I can offer for you. Please, I’d like a way off this rock, freedom from my past mistakes. He looked off into the distance, at the painting he had done of Tartaglia. Please, I’d like to see Tartaglia again. Please.
Years like this one passed. Years became decades, and decades became centuries. Time passed quickly for the immortal, and though it may pass fast, it had no end. Every year, Morax asked the same things of Celestia. Every year, he received no response. He had grown so very tired. 
On his 8880th mid-autumn festival, he awoke to see a sharp periwinkle dagger wrapped in silver silks sitting on the edge of his bed. He carefully unwrapped the fabric to reveal a beautifully carved glaze lily embedded on the handle. A small piece of paper fell out of the wraps, peaking Zhongli’s interest. He carefully set the dagger down onto his bed, picking up the small slip. 
A note, written in elegant, looping, traditional Liyuen. It read: Morax, your prayers have been heard. Celestia sends its regards as well as apologies for taking so long to process your request. Take this dagger as the key to the next journey in your life, where the one you love is waiting. It has been enchanted so there will be no pain. However, if you decide to take this chance, do know that it is irreversible. Do as you wish with it, take the chance or do not. 
I hope you find your peace, Zhongli.
The note was not signed, but somehow Zhongli felt as though he knew the person who had written the note. “Thank you.” he croaked out, his voice rough from lack of use. His hands shaking, he picked up the dagger once more. It was the perfect weight, a perfect balance of light yet solid. It had been, well, ever since he had come onto this rock since he had held a weapon. Not a weapon, a key. A chance. Hope. 
He took a walk around the empty palace where he had lived in solitude for thousands of years, as if saying goodbye. It was a goodbye he was happy to say. He retrieved the hand carved wooden box containing his most prized possession from it’s secret location, securing it in his pocket. He carefully rolled up the scroll containing the image of a smiling Tartaglia and slipping that into another pocket, scared that if he did see Tartaglia again, that Zhongli wouldn’t be able to recognize him. 
He stared down at the dagger in his hands, his fingers curling around the elegant glaze lily. He felt his grip grow tighter, then he felt his hands start to shake. Taking a deep breath, he closed his eyes. He was ready to leave this barren place behind. I will see you again, Tartaglia.
As promised, the blade brought him no pain. 
... 
Zhongli opened his eyes to see an ethereal forest, the trees not quite opaque, as if they weren’t quite there. He looked down to see the beautiful blade that had been gifted to him stained with golden blood. He wasn’t bothered by the golden blood, for it was the blood of immortals after all. He was however, awed by the trees he saw. He hadn’t seen vegetation in what felt like years, not having to eat food in order to sustain himself after ascending to godhood, saving human food for very special occasions. 
He looked around, though he didn’t see anyone. Where the one you love is waiting, the note had said. Zhongli wandered around the forest for what felt like days, looking for a head of bright orange hair or a pair of deep ocean eyes. He saw neither. Had the sender lied? He couldn’t help but lose a little bit of hope, though wherever he was now was still certainly better than the hellhole of a rock he had resided on for millennia. He took a deep breath of the fresh air, feeling more and more energetic by the moment. 
Say something. His brain told him. He was running out of options, so he did as his inner monologue asked. Clearing his throat, he recalled the song he would sing to his Tartaglia. Humming the first few lines to get warmed up, his hope growing with every beat. 
“Xu ni sheng shi shi, wu jue qu de ai,” His voice shook as he switched from his native Liyuen to lover’s Snezhnayan. “Always and forever, in this heart of mine…” The forest was silent. Zhongli felt his heart shatter, not wanting to accept that he really would never see his Tartaglia again. He knelt on the ground, his hand clutching the blade of the dagger, a cascade of golden blood dripping onto his spotless black-gold hanfu. He wished he could feel the sharp pain of the cold blade biting into his skin. 
“Xu ni sheng sheng shi shi, wu jue qu de ai,” 
Zhongli had never stood faster in his entire life, the dagger falling to the ground, forgotten. His eyes widened as the familiar face of his beloved appeared from behind a tree. He stood stunned. The sender didn’t lie.
The sun seemed to illuminate the younger boy, his orange hair glowing golden, his typical gray ensemble billowing in the breeze. Zhongli had never seen such a beautiful sight in his thousands of years of existence. “Always and forever, in this heart of mine… longer than the heavens, and the stars that shine…”
Zhongli and Tartaglia both rushed forward at the same time, the orange haired boy taking the other’s bleeding hand in his, while Zhongli gently placed his uninjured hand on his lover’s face. “Xiang si qing nan nai, yuan yu ni tong zai,”
They both broke out into smiles filled with grief and disbelief, their voices shaking as they finished the verse together. “I am yours, I am yours, forever”
Collapsing into the other man, Zhongli let himself cry. “Tartaglia I-”
He felt strong arms hug him tighter, only making Zhongli sob harder. “Shh it’s okay, I’m here now. You’re here now.” Tartaglia had begun to cry too, having fallen to the ground with Zhongli, the two a tangle of limbs and tears. 
“I love you so much.” Zhongli choked out, letting more and more of his years and years of pain and loneliness fade away with every moment in the other boy’s arms. 
Tartaglia kissed Zhongli through teary eyes, trying to convey the words he couldn’t say in the action. “I’ve never stopped loving you, even after all these years. I love you, Zhongli. So much. Please, don’t be an idiot again and cause us another eight-thousand years of separation. I don’t think I can go through that again.”
Zhongli laughed through a sob, placing a kiss on Tartaglia’s cheek. “I’m not going anywhere, I promise.” He pulled out the box he had carried around with him since he had been banished to the moon. Carefully, he pulled out the other earring he had crafted all those years ago, the same shape and pattern as the singular one Zhongli himself wore. “Tartaglia, would you be mine forever?”
“Only if you’re mine forever" He responded, the biggest shit-eatting grin on his face. 
Zhongli nodded solemnly, completely serious in his consideration of the agreement. “That is a fair contract.”
Tartaglia laughed before kissing Zhongli again. “It was a joke, of course I’ll be yours.”
He dipped his head down, allowing Zhongli to attach the earring to his ear. Perfect. Zhongli couldn’t help but think. The blue jade matched his eyes perfectly, just as Zhongli’s earring matched his own amber eyes. “Forever?”
“Forever."
~~~~~~~~~~
Xu ni sheng shi shi, wu jue qu de ai -> Let your love live forever,
Xiang si qing nan nai, yuan yu ni tong zai -> Love-sickness is unbearable, I wish I were with you
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soukokuwu · 4 years ago
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Dazai Osamu
➢ more of fluff (dazai x reader)
➢ word count: 800+
➢ so this one is written for @sweet-cynical-writer and it’s a three-part fic, this is part one! i hope you like this, zai~
➢ part two • part three
➢ warning, slight mentions about suicide & attempts because— dazai
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This is our beginning
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Last night you dreamt you held his hand.
And today your dream came true.
A crescent moon hovers high in the sky, lights glittering everywhere, just like stars dropping to the earth. The moonlight threads in his hair; the wind a soft breeze, singing through the trees and brushing smoothly against your skin. It’s exactly how it was in your fantasy, but everything else feels like a nightmare.
It isn’t like a fairytale; it never is in life.
While in your dreams you were both happily walking back to the dorm after a long day of work, hand in hand, your current predicament is darker, much darker. Your hand is intertwined with his; it feels warm, and slightly sweaty.
No, you’re not surprised. You’re scared, and panicking, albeit internally.
Your hands are tangled together with that of the man you are in love with. But he’s currently dangling off the edge of the Yokohama Bay bridge, and you’re not sure how much longer you can hold on. Are you even strong enough to hoist him up on your own?
You try not to let the panic show, but you are shaking, terrified. Your lungs feel constricted, and the feeling grows, as if you are strangled just by the air around you. Panic has you in a silent grip, with your heart racing and your brain on fire, as though on overdrive. The voice in your head screams at you to think of something, and it is then that you remember you didn’t come here alone.
“Kunikida!”
Your blonde colleague rushes in as he sees you struggle, urgent hands enveloping yours. Perhaps upon seeing the trouble he’s caused, the brunette starts to help himself, pulling his body up and over the ledge, back onto the safety of the ground. The first thing his eyes lay on... is you.
His beautiful eyes are a melt of autumn tones, staring right at you, unmoving. Where those deep, earthy brown beads were usually vacant, right in this moment you catch a glimpse of something different in them— something glistening.
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It’s an hour later and you are sitting across him, your nervous fingers fiddling with each other, eyes darting all over the room, unable to fixate on anything. You notice the empty cans of crab meat in the corner of his room, and the emptied bottles of sake on his table didn’t go unobserved.
You had followed him back into his room to make sure he didn’t pull any more stunts, at least for today. You did not, however, expect him to offer you a drink. You are thankful though, that you get to spend some alone time with him. You harbour feelings for him after all, which is why you jerk at the sound of your name. He chuckles at your reaction, telling you how cute it was.
“Osamu?” you timidly call out, your eyes focusing on the table, unable to bring themselves to meet his brown orbs.
“Yes?”
“I know I can’t stop you from trying to kill yourself,” you begin, your voice still soft and hesitant. You trail off, afraid of what he might think of what you are about to say.
“Go on, I’m listening,” he tells you, taking another small sip of his sake.
You gather motivation from his encouragement and look him in the eyes, determined to let him know how you feel. “I can’t stop you from attempting, but I’ll always be there to keep you from dying,” you declare, your outburst stunning him into complete silence. Dazai stays in place, observing you as you continue. “You may not see any value in living, but I’ll keep trying to make you see your worth.”
Dazai looks at you with a feeling you can’t quite place. You have never been able to read into his actions— you probably never will— and he isn’t one to be open with his feelings either. He is a total enigma. You know not one person who knows of his past before the mafia. Stress rolls right off him instead of sinking in and twisting his thoughts. Being next to him could feel like a vacation most times, with his comedic personality, and yet he sees no value in the act of living. He is anything but an open book. You think you might never be able to understand him, and that rings true of his next action too.
He reaches across the table and takes your hand in his, his touch gentle and assuring. His bony fingers intertwine themselves with your smooth digits and your heart threatens to leap out of your chest. And as he opens his mouth and utters the next few words, your breath hitches in your throat.
Just like in your dream.
And you can’t believe it.
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tags: @yokelish @gogolparadise
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kingkatara · 4 years ago
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Girl Meets Waitress: Opening Up
Disclaimer: I don’t own Waitress. I don’t own Girl Meets World. This is a fanfiction written just funsies.
Looking around, seeing the same things every day brings
          Maya woke up to darkness every morning. Her eyes peeled open after a mere six hours of sleep and were met with nothing. For a split second, there was only darkness in front of her, around her, within her. It was then that she and the world had their daily battle of wills, the war over who would break the stillness first and stir the other into motion. And always it was Maya who surrendered. Her eyes would adjust to the low light and a hot puff of breath would warm her face, still partly under the covers to avoid that first shiver of a New York morning that was always chilly no matter the season. She sat up in bed and surveyed the smoking battlefield of her bedroom, taking in her losses from the night before and wondering which of them would show on her face for the rest of the day. Beside her, the world’s weapon lay dormant, harmless unless she were to challenge the demands for peace. If she came quietly as the world beckoned her, he would slumber on. She didn’t look at him as she swung her legs over the bed and tapped her toes against the smooth hardwood floor beneath her. Her white flag of surrender was the tug on the long curtains that shielded the sunlight from shining into the apartment through the wide window on her side of the bed. This was her cry out into the world that she would not fight. And then the day would begin.
           Wake up, use the toilet, brush the teeth, comb the hair. Put the hair up. Makeup over the dark circles and fading yellow-green lump above the eyebrow. Panties, bra, uniform. Socks, then shoes. Purse. Nametag out of the purse and on the uniform. Every day, the routine was the same. There was ease to it, but it would be a lie not to admit that it was also repetitive. She didn’t know what her life was supposed to be like, but she couldn’t help feeling that it wasn’t supposed to be like this. It was as though there was some missing ingredient that she had long ago forgotten to include in the recipe, which always left the dish edible, but unsatisfying. A ritual she had not shared with anyone in the six years of living in her Lower East Side apartment was that the last thing she did before giving in to the reality of her life was standing at her window and waiting for the first rays of light to peek over the buildings in her neighborhood. She never watched the sun fully rise up into the sky. She simply waited for it to appear and then raced it to work. She never won.
           The ride across town on the subway would have been daunting at best for a tourist, but for a born New Yorker like Maya, the odd little scenes playing out right before her eyes, even as early as six in the morning, were just as natural to the routine as tying her shoelaces. On the way to work, swaying gently along with the subway car, Maya would pull out her sketchbook (which wasn’t a sketchbook at all, but a pathetic server’s pad on which she took down her orders) and mimic the likeness of what she saw and sometimes, on her lowest days, what she felt. Today, there was a particularly amusing picture of an eccentric woman with some sort of hat, though Maya couldn’t quite bring herself to call it that. It was tall, a violent shade of purple, and topped with hot pink feathers. These feathers were of great interest to a small little girl, whose mother, wearing the scrubs of a nurse, was snoozing against the window of the subway car. The little girl was standing up on her seat, using the handrail for balance, and blowing on the feathers of the woman’s hat. The woman gave no indication of noticing this invasion of personal space and was instead muttering to herself about some sort of building with her name on it. The two of them were immediately transcribed into her notepad in short, quick lines of ink.
           From the subway, she made her way through the streets of the Lower East Side, weaving in and out of passerby with an expression that was as equally bored as it was underground. She didn’t look up at anyone and instead chose to keep her eyes down on her white sneakers. The less she looked open to communication or interest, the greater chance she had of making it to work having avoided any unwanted attention—because yes, some men really were in the mood before seven in the morning. Then finally, there was the diner. Where her life played out day by day, where the routine really began and always finished; the diner was more of a home to her than her own apartment, which, of course, wasn’t really hers at all. But the diner? It was the closest thing to belonging that she felt since being held in the arms of her mother so many years ago. She entered through the door in the back of the building that led to the kitchen.
           “Is it a woman thing?”
           “Excuse me?”
           “The being late. Every damn day. Is it a woman thing?”
           “Oh, shove it up your—”
           “Good morning! Who’s ready to start the day?”
           Of course, no home was complete without its inhabitants. Maya supposed she could have had it much worse when it came down to the universe selecting her partners for this life thing. She didn’t hate the people she worked with every day and she guessed that they didn’t hate her either. With that being said, however…These partners were no picnic either.
           There was Zay Babineaux, the cook. All Maya knew about him was that he was from a small town in Texas and he came to New York when he was a teenager. He still had a slight drawl to his snarky voice, the stubborn southern streak within him that refused to be beaten down by the hustle and bustle of the north. He never offered any detail into his personal life, like why he chose to be a cook or how he ended up at the diner, and Maya never asked. When he wasn’t flipping pancakes on the griddle, he could be found grumbling to anyone who would listen (and that was exactly no one) about how nothing in his life made sense and why women were the reason for that. Though he was technically her boss, he and Maya had an ongoing feud over who should be giving who orders within the unhallowed walls of their place of employment.
           Riley Lawrence was a young woman of thirty who was made up of sunshine and daisies. She married her high school sweetheart right on the heels of graduation and went to NYU for a degree in political science. A year into law school, she dropped out to start working at the diner in order to care for her husband, Charlie, who had suffered severe brain injuries in a freak bus accident. Though all of her dreams were now wasted, she still smiled like sunshine in the rain and danced like a daisy in the wind. It was for Riley’s sake that squabbles between Maya and Zay were quickly put to bed—neither of them had the gumption to disappoint a soul like Riley’s, who had endured so much already and never uttered a single complaint.
           “Me. Thirty minutes ago. Why are you women always late?”
           “Perhaps it’s because we know you can’t afford to fire us.” The newest addition to their band of misfits was Isadora, who for some reason allowed them all to address her by her ridiculous surname: Smackle. Even her nametag introduced her as such to the customers. She was a twenty-three year old grad student living the dream that Riley had once chased and for that reason, Maya and Zay tolerated her. It wasn’t that she wasn’t likable; she was nice enough. It was just that Maya had never met anyone who was more tightly wound. Smackle had a particular way of doing things and though the diner had never been cleaner, more organized, and more efficient than when Zay took her on, Maya simply didn’t appreciate changing her way of doing things just to fit Smackle’s compulsive need for order.
           “Actually, I can. I don’t own the place. I just run it. I wouldn’t lose anything but the weight of carrying this business if I had it my way and kicked you three to the—"
           “Business? It’s a diner. And it didn’t miss us for the fifteen minutes that we were late. But it will miss us for thirty if you keep us from actually doing our jobs with your whining.”
           “Alright, you know what? Get out of my kitchen. Get out.”
           Snickering, Maya led Riley and Smackle through the swinging door that led into the dining area. Though Riley sighed unhappily as they left Zay to his dramatics, the girls easily fell into their habitual duties for opening up. Riley got to work on the register, counting bills and setting up the front desk. Smackle wiped down each table and sorted the condiments in whatever order made sense to her otherworldly brain. Maya got to work on the pastry display case. The first thing she did every shift was rearrange it so she could display her creation of the day, which was dreamt up sometime before going to bed every night and arriving at work each morning. What made all the elbow grease she put into the job worthwhile was found underneath the diner in its basement: the bakery. Each dessert, particularly the pies, was made from the imagination of her mother. Every dressing coating its recipe, particularly the cakes, was designed from Maya’s. Serving the sacred combination to the diner’s patrons, who had no idea that they were seeing into the very essence of her being with every bite, was the most gratifying thing Maya got to experience in a montage of diner meals that left her secretly hungry for something more. In another life, perhaps Maya would have liked to be an artist. But she was living in this life and if she couldn’t be that, she supposed being a waitress that got to bake the cakes was the next best thing.
           “What’s the special today?”
           Maya’s fingers twitched towards her apron’s pocket where the sketch of her subway ride lived frozen in time between the pages of her server’s pad. She was planning on using it as inspiration for some kind of cake resembling that crazy old woman’s hat, but Riley’s hopeful expression was especially sweet this morning. Her brows lifted in the direction of her hairline ever so slightly, creating the barest traces of wrinkles that were not yet etched into the still youthful skin across her forehead. Her lips parted in a preciously premature smile of delight. Maya never wanted Riley to know the harsh truth that she did, that hope was for suckers, and so she never let Zay put Riley’s pie on the menu even though it was continuously requested by the regulars. As long as it wasn’t on the menu, Riley still got to hope every morning, for just a minute or two, that that would be the day that her pie was the special of the day.
         “Why, Aren’t You a Peach Polka-Dot Peach Pie, of course.” Maya painted on an indulgent smile and admired how Riley beamed sunlight at her.
         “Peaches, you shouldn’t!”
         “Too late, I already did. Today’s a good day to serve everyone a little Riley, I think. I know I could use a little of whatever it is you got.”
         “Well, I’m happy to share.”
         “Go check the stock downstairs and make sure we have enough kosher salt. We were running a little low the last I checked and I don’t think Zay is ordering new stock until tomorrow.” Riley abandoned the hostess station where she was organizing the trio’s sections as if they ever changed and raced downstairs into Maya’s sanctuary.
         “When am I going to get a pie made for me, Maya?” Smackle asked without accusation, just curiosity.
         “Maybe it’s not a pie. Maybe it’s a cake. Or a cookie.” The blonde answered thoughtfully, to which Smackle snorted and shot her a grin from across the room.
         “I am at least a brownie by now, thank you very much. How did Riley end up with a peach pie anyway? Because she calls you Peaches?”
         “Nah, she calls me peaches because that’s what the pie is.” Maya explained, “I don’t know, she’s just so nice. It kind of threw me off when we first met, being New Yorkers and all. When she learned about how I make the desserts and dress them up, a peach pie is the first thing I thought of when she asked me what kind of dessert she would be. The polka-dots came later when I thought about how she dresses out of uniform. That’s what makes it Riley.”
         Smackle hummed in understanding. “And what makes it yours, with that kind of personal touch. No one can bake like you can, huh?”
         “No one but my mother. I just try to do it like she would.” Maya answered with a casual shrug and brushed her hands against her apron as she finished up with the display case. Smackle was obviously done with the condiments as she had moved on to adjusting the number of napkins at each table. Maya regarded her for a moment. She wasn’t sure how to say so, but the spectacled girl had unwittingly stirred a feeling of warmth in her chest at the astute (and the very gracious, at that) compliment—the kind of warmth that spread slowly, like a pie crust in the heat of an oven. So she said nothing at all. Maya got through each day by watching the people she saw and jotting her notes down into her art, be it on the dish or on paper. She had never considered that Smackle might do the same. Dimly, she wondered where her coworker took her observations. Perhaps a scholarly notebook; that was presumably what a good NYU student like Smackle would use in her classes at school. Or maybe she just kept it all in that great big brain of hers. It probably was time for Smackle to get her own dessert by now, wasn’t it?
         Without Riley around to peer over her shoulder and ask questions, Maya pulled out the server’s pad from her pocket and flicked through its pages until she found her sketch from the subway ride. Some of her glimpses into inspiration never quite revealed their whole picture and without that, she couldn’t transcribe their stories into a cake. Maya had a gnawing ache deep in her gut that this lady and her crazy hat were one of those torturously brief peeks into something special that she would only ever wonder about for the rest of her life. Sighing, she walked over to the hostess stand, tore the sheet from the pad’s binding, and slid the sketch between the thick cardstock page of a menu and its plastic cover. This was the eulogy of all the subway sketches that never went on to become something more. The idea of one of the diner’s patrons finding it out of the blue and seeing what Maya saw, even if it was only for an instant, was exactly what Crazy Hat deserved. She deserved the chance to connect with a stranger who was not looking for her and make them wonder just like Maya did; if she was lucky, that stranger could do something to tell her story more truthfully than Maya ever could.
         Riley had returned from the bakery downstairs. “I think we should have enough to get through the day!” She announced joyously, waving a carton of the last of the kosher salt they had left over her head just to show them she was sure.
         “Great, but why did you bring it up here?” Maya chuckled, sliding the menu back into the stacks that would be passed around to the customers throughout the day. Riley’s smile faltered for just a second as realization came to her. As quickly as it left, her smile sprung back into place as if it was never gone, albeit the accompaniment of sheepish awkwardness was an endearing new factor in Riley’s sunshine.
         “I…I just…I’ll go put this back.”
         “No need.” Maya offered her a gentle look of reassurance, the expression well-rehearsed for the times that Riley, feeling especially Riley, looked to her for permission to go on exactly as she was. She did this as though Maya would ever want her to change. “I should probably get started anyway before the morning rush gets in. There’s some crust defrosting in the fridge, but I’ll have to make the filling from scratch. I’ll just bring it back down myself.”
         “Well, then get to it! I want my pie!” Riley pitched her the kosher salt that was not even in the same vicinity as her direction, which Maya had to scramble to catch in an almost cat-like maneuver. Smackle made a move to shoo her away in jest, but she was already hurrying along down the narrow spaces between tables to get a move on. She skipped the stairwell leading to the bakery and headed straight for the single bathroom in the back of the building.
         She couldn’t get the door open fast enough and she still had to find the dexterity in fingers that were not so nimble as they were when baking to lock it. The kosher salt was forgotten, carelessly thrown to the floor and forced open upon impact with the ground. Hard flakes of it dug into her bare knees as she dropped and flung her head into the waiting toilet bowl. It was the fourth time this week that Maya had emptied her insides at work. She didn’t think that anyone had noticed this theatrical display of her stomach’s hysterics, but if it went on, it would be impossible to keep hidden. She didn’t want to deal with that intervention, because that’s exactly what it would be with those two goofballs for coworkers, and she certainly didn’t want to have to deal with Zay. She didn’t want to deal with any of this, not at all. She didn’t know how. All she knew was the diner, the customers, the girls and the cook. The desserts. All she knew was being a waitress. If Maya added anything more to her plate, it would not be a matter of whether she would break, but when.
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indestinatus · 5 years ago
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tiva fanfiction author recommendations plz I need some good tiva to read
OKAY SO
This has been sitting in my inbox for a couple of days because I had to think SO HARD about my favorite authors and I was sure I would forget some of them. I started reading fanfiction almost ten years ago, so a lot of the titles and names have been lost in my memory by now. There are some more recent stories (which the authors are active) and the ones I get back to reread, so I’ll list those. Some works are still in progress. Here are some of my favorite tiva stories in no particular order:
Christmas Meeting by @beatrixacs [M, 368,073 word count, in progress]
Christmas 2015. Prague, Czech Republic. An unexpected meeting between two former co-workers after more than two years from their parting in Israel that will make them realize that their feelings towards each other are stronger than before. But will they do anything about it? And what does the future look like for them? AU Season 13.
Kissing Deal by @beatrixacs [M, 247,815 word count, complete]
Tony and Ziva are posing as a married couple in a hotel for a week to keep an eye on another married couple that is involved in their last case and to find some evidence against them. As a part of marital necessities they make a deal about kisses. Will they finally find their way to each other thanks to it?
a crawl to cross the distance by @benditlikepress [M, 6,258 word count, complete]
Tony and Ziva’s first date ended up happening 15 years after they first met, 5 years and 7 months after their daughter was born, and just over a month after they were reunited for good.
leave before the lights come on by @benditlikepress [M, 9,049 word count, complete]
The night before Ziva is assigned to NCIS, she crosses paths with one member of the team in a bar. Set between Kill Ari Pt 2 and Silver War.
That We May Forgive by @justkindaoverhereobsessing [G, 12,875 word count, complete]
Ziva's second pregnancy is nothing like her first (makes a comparison between Tali’s pregnancy and a second child in the DiNozzo family)
We Are an Ocean by @justkindaoverhereobsessing [M, 120,164 word count, in progress]
The first time they sleep together, it's easy. It makes sense, partners transitioning to friends and maybe friends with benefits. Letting emotions in, though? That might be a different story (tiva sleeping together and the repercussions of it throughout the episodes)
Heat wave by jelenamichel [M, 24,685 word count, complete]
What was it they said about excessive heat having an effect on a person's ability to think clearly? A heat wave in DC brings the tension between two agents to boiling point. 
Famiglia by jelenamichel [T, 83,903 word count, complete]
When DiNozzo Senior's health takes a hit Tony finds out about long-kept secrets and lies. His life begins to change as his two families collide, and he battles with who he wants to be versus the man he seems destined to become.
I See You by @storywriter30 [T, 8,491 word count, complete] 
And suddenly, it is the Fall of 2009 and he is seeing her for the first time again. All of her strength, all of her scars, all of their history, lay bare in front of him (Tony finds Ziva is alive in Paris).
The Liaison by @hundan [E, 28,470 word count, in progress]
Some days it's hard to remember why it is you do your job, this was highly evident today for Special Agent Anthony DiNozzo. When he left Gibbs, his boss, in the motherland to take a overseas deployment to Israel he thought the whole thing would be an experience of a lifetime. Maybe he was wrong, but maybe he was right. AU
The Past Forgotten by @hundan [T, 75,315 word count, complete] 
"I'm sorry, I don't know you" Tony said, simply. Like that one single comment hadn't ripped her heart out and stomped all over it. She was his partner, she's not meant to be forgotten by him of all people.
Hoping for Happiness by @jaelke421 [M, 265,887 word count, complete]
Tiva romance. Chronicles their transition from friends to something more. Departs canon after Child's Play. Warning: Mention of rape and torture. 
Cold Tiles and Warm Air by @factoffictionwriter [M, 3,658 word count, complete]
But staring? It just wasn't her thing. Touching, kissing, stroking… these were all forms of intimacy she could get behind. But leave her to look - just look, not touch - and she typically grew antsy. Or worse: Bored. Tag 11x02. Bitter Sweet.
Family Second by @factoffictionwriter [M, 26,865 word count, complete]
Alternate ep 13x24. The team gets ahold of Ziva before the mortar attack. Follows along with the storyline of the episode for the most part. A true to character AU of sorts.
holding on (and letting go) by @thewintersoldierdisaster [G, 1,322 word count, complete]
Tony and Ziva are reunited again. Set in S17.
Cool Hand Luke by @thewintersoldierdisaster [G, 1,959 word count, complete]
Tony and Tali spend Ziva's birthday in Paris.
Of Plenty by Strawberry Shortcake123 [M, 28,748 word count, complete]
While celebrating their reinstatement as NCIS agents, Tony and Ziva drink too much and go too far. They decide to put the night behind them- until Ziva finds out that she is pregnant.
Treasure Map by @belletylers [T, 11,285 word count, complete]
"Tony had always considered himself fairly good at finding people who were missing. Especially if those people were Ziva." Tony and Tali go to Paris, searching for Ziva after the events of 13x24.
A Helping Hand by @loudlooks [M, 16,928 word count, complete]
Ziva comes up with a creative solution to help Tony, who refuses to take painkillers after injuring both arms.
Something I Left Behind by @aksannyi [E, 5,894 word count, complete]
This is a missing scene from Past, Present, Future, which explains how Tali came to be. Yes, the M rating is there for a reason. This is angsty, given the nature of the episode it comes from.
Under Pressure by @aksannyi [E, 4,338 word count, complete]
She didn't need to kiss him then, but she did, and suddenly they were no longer pretending. Tony and Ziva learn a lot about each other while they're under cover. Tag to 3x08, Under Covers. 
Treading Water by Mechabeira [T, 191,744 word count, complete]
"You can still swim, can't you? You're going to have to tow her in, DiNozzo. We aren't going to let her just tread water."
There are so so so many more great authors out there, so I’ll list their FF.net and AO3 pages (the ones I can remember): Zays, jae-vous, brightblue, Anonymous033, Strawberry Shortcake123, AliyahNCIS, quotelation (@quotelation), McGeekle (@mcgeekle), LittleSammy, pro-bee (@pro-bee), xoxonessie (@xoxonessie), alacarton (@ahtlolevad-fics) and MANY OTHERS THAT I SURELY FORGOT (for that I’m sorry, but I tried my best).
Please feel free to fangirl with me about all those stories (haha I’m always opened to that) and to click in their accounts to see more great ones!! I just linked some I like most, but there are authors who wrote about 20-50 tiva stories with the same quality I linked it here. Be sure to check their profiles out!!
ALSO IMPORTANT TIP
From someone who loves tiva fanfiction, the works about it are scattered throughout more than a decade, so there’s A LOT (a lot, no joke) of good fanfiction both on FF.net and AO3. Some of the authors are still active on Tumblr, and if you like someone’s type of posts, try to ask them if they wrote something (what I love here is that most people active on the fandom eventually turn into writers) or even if they haven’t I’m sure they would recommend some great ones!
I hope I could help you somehow, and I’m sure Anthony DiNozzo and Ziva David will still have a lot of new authors to cherish them, their story is not over yet. 
thanks, anon!! xoxo Sofia
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ambitionsource · 5 years ago
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AMBITION Season 2 ♫ “Are We Out of the Woods” [ 2.03 ]
CREATED BY Esther (rapunzles) & Maggie (daphnegolshiri) || S2 Tag || Official Page
WRONG THINGS, RIGHT THINGS – Disaster strikes rehearsals for the fall musical when a major vandalism throws everyone off schedule. As the junior class points fingers at prime suspects, Riley and Isadora attempt to clear a good friend’s name. Although only one student is responsible for the crime, more than one of them is lying.
62 Minutes (16K words) || No warnings apply.
[ ← Second Choice ] [ S2 Synopsis ] [ Valerie De La Cruz → ]
( Follow along with the music on Spotify here! )
A black screen, only for a moment, as NIGEL CHEY cues us in…
Nigel: Once upon a time --
INT. AAA - HALLWAY - DAY
Song Cue ♫ ♪ “Prologue: Into the Woods” as performed by Into the Woods Original Broadway Cast || Performed by AAA Juniors
The orchestration of the seminal Broadway class launches us into the musical-centric episode for the season. The camera eases its way down the hall, students running by in costume or techies giving tasks to one another as they go. A set piece, half in progress, is pushed by JEFF MONROE back into the auditorium through the dressing room doors.
On the wall outside the black box theater, a poster for the musical is up: Into the Woods (in case the first song hadn’t tipped us off). On the bulletin board outside, the cast list is still posted, where all of our main players have initialed next to their given roles.
INT. AAA - AUDITORIUM - DAY
On the stage, set still in progress but nearly complete behind them, our main players are doing a run through of the opening number in real time. This is where our first true taste of the casting comes into focus, RILEY MATTHEWS as Cinderella stage right, CHARLIE GARDNER as Jack with his prop cow at center stage, and FARKLE MINKUS taking on the role of The Baker with YINDRA AMINO as The Baker’s Wife stage left.
Other roles are introduced as they step into the number, such as ISADORA DE LA CRUZ as Little Red Riding Hood, and MAYA HART as The Witch. However, the opening prologue is a lengthy piece, and there’s much more going on that shares focus as we settle into Sondheim’s musical world.
For example, LUCAS FRIAR is in the midst of conversing with DAVE WILLIAMS over the construction of their most complex set piece. It’s nearly complete, and Dave has been slaving away over it for weeks. It’s clear that he considers it his baby at this point. He speaks about it with overt enthusiasm, slapping DYLAN ORLANDO’s hand away as he tries to touch it.
Unfortunately, Lucas isn’t in the mood for enthusiasm. It’s clear Dave is getting on his nerves with his perfectionism, warning him that they’re running out of time to finish the damn thing, so he’s going to have to either hustle or settle for less than perfect.
Dave: You can’t rush art.
Lucas, flatly: It’s a fake hill with fake trees.
Dave: Shh! It’ll hear you!
NATE MARTINEZ exchanges a look with Lucas, assuring him that they’ll get it done. Dave continues to assure the set piece that Lucas didn’t mean it. He’s just stressed, once again in a role he doesn’t want to have. And ain’t that the truth…
Meanwhile, SHAWN HUNTER and HARPER BURGESS are at odds yet again. They’re quietly arguing in the front and center section as the rehearsal progresses, Shawn pointing out that giving Isadora such a large role has seriously depleted her ability to help the techie brigade.
Harper: Perhaps you shouldn’t put such an exclusionary attitude on the techies, and teach some of the performers who didn’t get roles to work.
Shawn: That would take more time than our current crew doing it alone.
Harper: Well, then maybe you should’ve been doing that the whole time. Hindsight truly is 20/20, isn’t it?
Harper is done with the conversation, turning her focus back to the rehearsal. Shawn rolls his eyes, running a hand through his hair before marching off in the other direction.
In the wings, ZAY BABINEAUX is conversing with NICK YOGI and SARAH CARLSON. The boys are dressed in their costumes for their roles as the Princes, looking pretty sharp. Although he seems unbothered, Sarah makes an offhand comment about how Zay was duped for a leading role again by Farkle. That’s a shoddy track record, especially with Farkle being kind of universally disliked at this point.
Sarah: Guess talent really is the ultimate factor, isn’t it?
Zay: Please, time on stage does not equate best performance. The Prince is a far more interesting and fun role anyway.
A true statement, perhaps, but there’s an equal amount of truth to Sarah’s earlier statement as well. Despite how well he brushes it off, there has to be a frustration to constantly taking a backseat to the villain of Adams’ history.
Focus shifts back to the actual number when Maya is laying down the required items for the Baker family to get their wish. As the rest of the rehearsal unfolds and each core character begins their journey into the woods, the performances clearly show off why the show was casted the way it was. As usual, the choices seem to be spot on.
That being said, Farkle’s perfect casting doesn’t stretch into his overall state. He doesn’t seem… on top of things, for what it’s worth. He’s lacking his usual pop of energy, and there are small moments as the last minute unfolds where he’s actually starting to look a little unsteady.
This comes to a head when they reach the final chorus, Farkle front and center as they sing the final harmony. He gets through the note and then promptly collapses, sending the screen into black as everyone reacts in concern and shock around him.
Cue title sequence.
INT. AAA - TEACHER’S LOUNGE - DAY
A blurry visual fades us in from the titles, fading in and out of black until the vision stabilizes: the ceiling with speckled tiles, lighting dim in the lounge to make for a less intense setting.
Farkle blinks, confused as he comes back to consciousness. He lets his gaze drift, allowing more things to come into perspective. This includes the three people looking at him -- Charlie, kneeling next to him with a cold compress, having been the first one to jump to his aid; Riley, watching in concern but not quite ready to be right at his bedside; and lastly Lucas, glaring at him from over his shoulder and reminding him how to feel fear.
Charlie: Farkle? Can you hear me?
Farkle: What the hell is going on?
Zay darts in with another cold compress, exchanging the old one with Charlie. He tries to put it on Farkle’s forehead, but he pushes his help away and struggles into a sitting position instead.
Riley: You fainted.
Zay: Scared the hell out of everyone.
Charlie: People just weren’t expecting it. Are you okay?
Farkle: … oh, so now you all suddenly care? Just because I took a little tumble?
Lucas: Don’t flatter yourself.
Harper enters, tailed by ERIC MATTHEWS and the school nurse. Eric instructs all of the other students to go back to rehearsal and give Farkle a little bit of space. They obey, Zay patting Charlie’s shoulder as he glances back over his shoulder in concern.
While Eric is able to settle right down with the nurse and address Farkle, Harper keeps her distance. The two of them have had a strange relationship from the first week, so she’s even more uncertain how to handle this situation. She awkwardly wishes Farkle well and says he can come back to rehearsal as soon as he’s more steady.
As she leaves, Eric begins questioning Farkle on the status of his health. Has he been feeling sick? Is he drinking enough water during rehearsals? Farkle is able to answer things pretty pointedly, until Eric starts gearing the conversation towards more mental areas. Is he getting enough sleep? How are his eating habits? He dodges by answering vaguely, but it’s unclear whether he genuinely doesn’t really know or if he’s just wary of discussing his current emotional state.
INT. AAA - AUDITORIUM - DAY
Isadora makes her way across the stage towards where the techies are working on the major set piece, getting sidetracked by Maya. She eagerly wonders whether or not Valerie has responded to Isadora’s invitation to come see the show. Isadora claims her starlet mother is in fact planning to be in attendance, and the two of them share a moment of excitement.
Maya lets her go, leaving her to approach her former usual crew. Lucas, Nate, and Dylan are arguing about a feature of the set piece that still isn’t complete. It was supposed to be Farkle’s job as part of his punishment, but considering he’s in rehearsals ninety percent of the time and is now sick, they’re going to have to pick up the slack.
Isadora swoops in just at this moment, asking how things are going. Dylan relays the situation in quick terms, and while Isadora attempts to begin brainstorming like old times, it’s evident that the boys aren’t really all that interested in what she has to offer. In fact, there might be some resentment already in place considering how her focus is split in rehearsals as well.
Nate: Well, you know, maybe you could actually help if you weren’t so double-booked.
The moment passes before she can form a retort, Dylan offering to take up the extra work. They settle it and break without further discussion. Lucas heads off in another direction without waiting up, so Isadora has to jog to keep up with him as he begins the long journey through the auditorium towards the booth. He claims they’re both busy and maybe don’t have all that much time, but Isadora seems determined to have a conversation.
Isadora: I just wanted to let you know that my mom is planning on coming to opening night. I know how you feel about her, so I thought you might like the warning. You know, so you can take your civility shots or whatever you need to do.
Lucas is clearly displeased by this information, but he covers it with nonchalance. He doesn’t buy that she’ll actually show, but Isadora is welcome to get her hopes up if that’s what she feels like spending her energy on.
It’s frustrating, how conversations seem to have this edge between them these days. Isadora charges onward regardless, shifting gears and pointing out how brusque Nate was to her. With Lucas also sort of giving her the brush-off, she attempts to get a read on if they’re really pissed.
Lucas: Look… I don’t know. I guess we just didn’t realize that you doing the musical was going to be like… a recurring thing. I figured after The Miserables --
Isadora, without thinking: Les Mis.
Lucas: … did you just correct me?
Whoopsie. Rookie mistake. Isadora tries to recover, quickly changing the subject and pointing out that they handled the production of things totally fine without her last year. She has no doubt that they’ll be able to pull it off again.
Isadora: Besides, you guys really did a great job with Les Mis --
Lucas: THE MISERABLES.
Clearly, this conversation is not going to produce positive returns. If Isadora was searching for reassurance that her footing with the techies was all well and good, she’s not going to find it here and now.
INT. AAA - BOYS DRESSING ROOM - DAY
Meanwhile, rehearsal must go on, so they’re gearing up to move forward on numbers that don’t require Farkle to run through. Harper finishes telling the boys this before giving them a five minute warning. Zay and Yogi finish getting into costume, their duet as the princes the next one up that fits that criteria.
Zay: Well, if our supposed leading man is going to sleep on the job, Yogles and I will be happy to pick up the slack. Not that we really need the practice --
Nigel rolls his eyes, exchanging a look with Charlie. Charlie can’t help but smile, eyeing Zay as he’s getting ready to march back out onto the stage.
Zay: But, well, the show must go on.
INT. AAA - AUDITORIUM - DAY
Song Cue ♫ ♪ “Agony” as performed by Into the Woods Original Broadway Cast || Performed by Zay Babineaux & Nick Yogi
Perhaps the most straightforward performance we’ll get all episode, Zay and Yogi take their rehearsal time seriously and deliver an entertaining rendition of the princely duet. However, the duet in it of itself is theatrical and over the top, so maybe “seriously” isn’t the right word.
In any case, it’s clear that Zay wasn’t kidding when he claimed they hardly needed much more rehearsal. He completely owns the stage, demonstrating how much that summer confidence has done for him. Harper is thoroughly enjoying the performance, as well as their classmates as they watch from the wings. Riley and Maya laugh along; Charlie is totally enthralled.
When they wrap, Harper gives them a quick congratulations for actually being on top of their roles. Zay gives a cheeky little bow, exiting the stage with a flourish.
INT. AAA - DRESSING ROOM HALL - DAY
Riley is on the hunt for Zay, aiming to tell him he did a great job and potentially thwart any diva meltdown that might be brewing before it can take hold. He’s nowhere to be found, but she accidentally runs into Maya and Isadora instead.
Maya is in the midst of talking Isadora down from stress over the rehearsal process, the latter just finishing up lamenting how she can’t help the techies and that might be becoming a real problem, but she’s stressed that she can’t keep up with the performers either.
They both grow quieter when they realize they’re not alone, Riley giving them a tight smile. She apologizes for interrupting them, but Maya claims it’s fine as she actually has to go get ready for her own number. She backs off, giving the two of them the potential to talk.
There’s still an uncertainty between them, but it’s clear that Isadora isn’t unhappy to see her. Riley timidly ventures some advice based on what she overheard, explaining that she knows all too well how it feels to be the one who can’t keep up. She has no doubt that Isadora will catch up in no time, though, and she shouldn’t forget that she’s in this role for a reason.
Considering the walls Isadora has been hitting with Lucas and the techies, hearing such blatant encouragement is a welcome change. She nods, giving Riley a quiet thanks.
INT. AAA - AUDITORIUM - NIGHT
The doors to the hallway on the opposite end of the stage kick open, Dylan and ASHER GARCIA arriving and declaring that they’ve successfully picked up the new supplies from Home Depot. It’ll take a lot of help to move it all, so all the techies head out to assist.
Harper is pacing the stage, determining who still needs to hang around for evening rehearsal. Farkle returns from the teacher’s lounge, looking less pale but still tired. Still he jogs up to Harper anyway, reporting for duty and asking if he should start working on one of his numbers again. Maybe “It Takes Two,” if Yindra is around?
Uncertain how to address him, Harper sort of blows him off. She claims they can probably hold off on his other performances until tomorrow, and perhaps he could use the additional rest. The last thing they need is another collapse. He grows frustrated at the dismissal, asking if he should then keep working on the set piece, or go back to the script library. There has to be something he can do -- but Harper has made her decision.
Harper: Farkle, you’re done for the day. Go home and rest. We don’t need you here anymore.
The sentiment obviously hits Farkle, although he swallows it rather than lashing back. He backs off as Harper switches back into directorial mode, calling for the cast and crew to meet center stage for a pre-dinner meeting. As she’s taking account of major players, one absence becomes immediately glaring…
Harper: Where the hell is Babineaux?
INT. AAA - COSTUME LOFT - NIGHT
Babineaux, as it were, is in the costume loft. And there’s really only one reason that anyone besides Jade ever goes in the costume loft.
If there’s one thing to know about Charlie Gardner and Zay Babineaux, it’s that perhaps one of the most attractive traits between them -- and what brought them together in the first place, all things considered -- is one another’s talent (i.e. the boys certainly understand Artists Are Attractive). So following such a phenomenal performance of “Agony,” it’s unsurprising that Charlie felt the need to… express some things.
Their banter is playful like usual, the mythos of the costume loft giving them a faux sense of privacy as they kiss. Zay points out that Cinderella’s prince and the lad Jack hooking up would certainly make for an interesting twist, easily emphasized by the fact that they’re both currently in costume. Charlie takes his face, looking him over before shaking his head.
Charlie: Don’t get me started on the costume.
For what it’s worth, it is a good, appealing costume for a good, appealing prince. Jade did an excellent job. Such words aren’t necessary, however, as how eagerly Charlie kisses him conveys the message effectively enough.
Just as they’re getting into it, the doors opening to the loft from down below startle them out of it. Charlie lets out a panicked “shit” before Zay urges him to hide, both of them fumbling for a cover until Zay literally knocks Charlie over, behind a rack of costumes and out of sight.
Just in time, as Maya pops her head up on the ladder to the loft and asks him what the hell he’s doing up there alone. They’re grouping for rehearsal and he needs to get his ass in attendance. Zay nods in agreement and promises he’ll be down in a flash, waiting until she rolls her eyes and disappears again to let out a sigh.
Charlie digs himself out from the rubble and into a sitting position, flushed and obviously dazed. Zay drops down to start helping him, trying to take his hands and help him back up.
Zay: Holy shit, are you okay --
Charlie: I’m -- just go! Go, go, before she comes back.
Zay nods, dipping down to give him a quick kiss before darting down the ladder. Charlie sighs, falling back into the costumes.
INT. AAA - AUDITORIUM - DAY
The performers assemble on the stage in a circle, the techies continuing to move set materials while Harper discusses the rest of their rehearsal plan for the evening. Charlie jogs up and joins the group last, jumping in next to Yindra. When she asks him where the hell he was, he makes a face and shrugs like it’s no big deal. Nothing for her to worry about.
Given that tomorrow is their first full-day weekend rehearsal, and they’re only five days away from opening, the pressure is on to start cracking down. Harper releases the performers for a quick dinner break, and informs the techies that once they’re done moving things they can break for dinner as well. Everyone is dismissed.
All of them begin moving at once, the technicians heading back out the side door to keep working while the performers flutter off. Lucas hesitates when he realizes Isadora isn’t following them, calling after her.
Lucas: … Dora. [ when she faces him ] Are you not going to help?
Isadora: Oh. Well… I kind of want to eat with my castmates. That’s like… part of the bonding thing. You know?
Lucas: … oh, yeah. Sure. That’s fine, whatever. Break a leg, then. [ under his breath ] Maybe both legs.
It’s so hard to tell when Lucas’s sarcasm is dipping into genuine disdain. Isadora takes the spoken acceptance for what it’s worth, nodding and heading in the other direction.
Yindra and Nigel tease Zay about showing up so late to their meeting, pointedly wondering where the hell he was. Maya throws out that he was in the costume loft, to which both of them are like ooh, the costume loft? What could you possibly have been doing there, Isaiah? But the friendly jeers take on a slightly sensitive slant when Sarah throws in her two cents.
Sarah: No wonder Farkle keeps getting roles over you, now that he’s able to help with tech and perform while having a diva meltdown. You can’t even show up on time. But no, you’re clearly above it all.
Zay looks like he has choice things he’d like to say, but Riley distracts him and yanks him back towards the doors for dinner. She states that eating will make him feel better, but Zay pulls away and claims he just wants a few minutes alone to destress. He’ll catch up with her later.
Dave, on the other hand, is in no hurry to head to dinner. He’s still obsessing over his magnum opus of a set piece, growing nitpicky and getting a little too attached to it. Asher and Dylan are pulling him away, claiming that he needs food and like… healthy separation.
Lucas finishes bringing the last of the wood in and encourages his lieutenants to get Dave a good distance from this thing that’s eating him alive, to which they’re like aye, aye, captain. He starts to follow them out, then pauses, glancing over his shoulder at the set piece. Large, impressive, the most important piece of their set design. Then he leaves, casting the auditorium into quiet.
Farkle is the last one present, sauntering out into the auditorium with his things to discover he’s been left behind yet again. He supposes that makes sense, given that he was already blatantly dismissed, but it always feels more pointed when he’s standing all alone. He meanders to center stage, spinning and taking a look at the set. He stares up at it, contemplation coloring his tired expression…
INT. AAA - ERIC’S OFFICE - NIGHT
Harper shares dinner with Eric, taking the chair across from his desk as she vents about the rehearsal process. She feels as though she’s doing her best, but this whole experience is still super overwhelming. Everyone looks to her for answers, and sometimes she doesn’t have them. Not to mention the attitude she gets from Farkle and how that’s morphed into a complicated dynamic she has no idea how to move forward from, and the techies clearly don’t respect her. That’s particularly frustrating, considering she was a techie when she first attended AAA all those years ago.
Eric talks her down, assuring her that she’s doing an excellent job. Especially given that they’ve only had… what, one student ailment and zero tantrums so far? That might be the least trauma they’ve ever encountered during a typical AAA production. What else could possibly go wrong?
INT. AAA - AUDITORIUM - NIGHT
Great question, Eric. As is storytelling tradition, the moment someone asks that rhetorical query, it must be answered.
Dave is heading back into the auditorium before everyone else, in good spirits and eager to get back to work. He’s humming to himself and dancing a little bit as he goes, coming back to the set building area and rubbing his hands to get back to work.
Only the moment he looks up, it’s as though we’ve entered a horror movie. The camera goes close on his face as he stares up above him, eyes wide before he screams bloody murder. Nothing but pure, abject terror -- Dave is quite the scream queen -- but why?
INT. AAA - AUDITORIUM - NIGHT - LATER
The central set piece has been majorly damaged. It’s a hollow shell of the beauty it used to be, pieces broken off and torn and holes through the paper mache. Totally vandalized.
It’s Dave’s worst nightmare. As we ease away from the damage, the full class assembled comes into focus. Isadora is staring up at the destroyed set piece, stunned, while the rest of the class discusses the damage in hushed murmurs.
Lucas jogs in on the heels of Nate, asking what the hell is going on. His jaw drops when he sees the set piece, as well as Dave huddled on the floor in front of it in a total state. Asher and Jade are kneeling on either side of him, attempting to comfort him. Lucas seems genuinely upset by Dave’s reaction, but Dylan pulls him out of it by asking him what the hell they’re going to do.
Riley adds that this is bad news for all of them, considering they only have five days of rehearsal left and that set piece took all production long to make. They simply don’t have time to put it back together at the same rate, at least not the way they’ve been approaching it so far. It’s going to take all of them dedicating time and effort to it while working overtime, including the performers.
Not to mention, as Charlie points out, who is to say that there won’t be more trouble? Only one of them could’ve done this as they’re the only ones in the school this late on Friday. Whoever openly sabotaged the show, they’re guaranteed to be in their midst.
Naturally, such a dark realization instigates a frenzied slew of accusations. After tossing some words around the popular narrative seems to narrow down to three potential suspects.
Haley: It was obviously Farkle. After everything that happened last year, what does he have to lose?
Yindra: Um, news flash, American Girl? Farkle’s not even here.
Nate: Yeah, but he was. He left after the rest of us, and no one saw him leave. Clear motive, clear opportunity.
Sarah: Yeah, except he literally wiped out like an hour before. I don’t believe he could do all that damage with his twig arms, let alone when he’s already running on dead battery.
Yindra and Nigel turn the tables on her, asking if she’s so sure, who the hell does she think did it?
Sarah: Seriously? Is this even a question? [ gesturing to Lucas ] Who is our local delinquent?
Asher/Dylan, in unison: Hey, no way --
Riley: I don’t think --
Lucas: Real ballsy of you to say so to my face, Sarah. Just because you enjoy constantly cutting down the work of your classmates doesn’t mean I get the same sadistic thrill.
Jeff: Yeah, why would a techie destroy another techie’s work?
Good point, but a lot of people seem to think Lucas isn’t a bad argument. He is always angry, after all, and he’s vandalized things before. He scoffs.
Lucas: This is so bullshit. This is profiling.
Zay: That’s not what profiling means, white bread.
Darby: Well I don’t know if I would be so smug, Zay.
Zay: The hell are you on about?
Darby: You’ve been acting kind of weird, too. And you weren’t at dinner until later.
Riley: Yeah, but not long enough to do that.
Zay: Are you seriously claiming I did this?
Sarah picks up the slack on this thread, pointing out that Zay was also pointedly late to their group meet up before dinner. He could’ve been getting everything ready then, and then he could easily pull it off quicker. Zay grows defensive, stating that he has better things to do than fuck with their production.
Nate: Yeah, because you’re always above everything, aren’t you?
Riley steps forward and rubs Zay’s arm comfortingly, obviously not believing it could’ve been him. Charlie also looks like he wants to say something, but as things grow more heated he keeps his mouth shut.
The in-fighting only ceases when Harper returns with Eric, both of them shocked at the state of the set piece. When she frantically questions what the hell happened, a bunch of people start speaking at once and it’s impossible to figure out what anyone is saying. It’s a lot to absorb all at once, so Harper snaps and tells all of them they’re dismissed for the evening. Clearly everyone needs to cool down, and they’ll figure this out during their 12-hour rehearsal day tomorrow.
It’s the first time Harper has raised her voice in front of the class, so everyone takes the demand seriously. They disperse, Eric going to assess the damage as Asher and Jade manage to pull Dave up from being a puddle on the floor.
INT. JACK’S APARTMENT - NIGHT
JACK HUNTER is in the midst of a dinner date with ANNE MARIE WINTHROP, beginning the transitioning from the meal to the… extracurricular portion of the evening. The mood is disturbed when his phone rings, Jack pulling back from her to check his phone.
He states that it’s work, which Anne Marie points out can wait considering it’s the weekend. He’s working on the work-life balance, remember? She regains his attention, gently pulling him back into a kiss… when his phone rings again. She relinquishes him with a sigh, Jack offhandedly explaining that with the musical going on right now, it probably has something to do with that. He’ll be quick, he promises.
Anne Marie watches as he dashes off with the phone, propping her feet up on the couch.
INT. MINKUS HOME - NIGHT
Farkle is in fact home for the evening, half-heartedly eating something for late dinner alone at the dining table. He jumps when his phone rings, surprised to see Riley calling. He answers immediately, not even sure what to say in greeting.
She says she’s simply checking in to see how he’s feeling, and also inform him about the set piece debacle and how that might impact rehearsals tomorrow. To his credit, Farkle seems stunned by the news.
Farkle: What? That’s terrible. It was fine when I left… are they going to fix it? I mean, we only have a few days before opening --
Riley explains that they’re going to get more information tomorrow. Farkle appears genuinely frazzled, but on the one hand, he is an actor. Or it could just be nerves…
He attempts to try and keep the conversation going with Riley, who he hasn’t really spoken to since the end of last year. But she finds an exit route and tells him she has to go, stating she’ll see him tomorrow before hanging up. Not giving him much of an opportunity to reconnect.
INT. MAYA’S APARTMENT - NIGHT
KATY HART is likewise on the phone, deep in a debate with their landlord. She’s talking numbers and clearly trying to negotiate something important, but she abruptly ends the call when Maya stumbles in from rehearsal. Based on her expression it’s obvious something’s up, but Maya does not seem in the mood for talking.
Katy: What’s going on? How was rehearsal?
Maya: Exhausting. Everything is bonkers as usual. Whatever. I’m going to bed.
Katy doesn’t argue the point further. Maya drops her duffle by the door and gives her mother a quick kiss on the cheek, stomping off to sleep.
INT. AAA - AUDITORIUM - DAY
The grueling 12-hour rehearsal kicks off with a tense start, the destroyed set piece looming over the cast and crew as they saunter in early in the morning. People continue to throw around their suspicions, particularly at Farkle now that he’s returned for the day.
Farkle: I’m amazed at the sexism on this stage right now. You all have decided on your three prime suspects, and yet, why are we only assuming a guy could’ve done this?
Yindra: It’s not our problem all y’all boys in this class are emotionally unstable.
Clarissa: Besides, that part of the set piece is too high up for most of us to reach.
Maya: Izzy and I are innocent for sure. We’re tiny.
Yogi: Step ladders exist.
Maya: Which is obviously what you used, you’re the shortest of all of us --
Harper ceases the arguing with her arrival, essentially banning discussion about the culprit. She wants all of their focus directed towards rehearsal and repairing the set, not trying to pin blame on one another.
Yogi: [ singing under his breath ] No what really matters is the blame, somebody to blame…
The investigation, Harper wants them to leave to the professionals. Which in this case, are Jack and Eric. They saunter their way in as she’s explaining the new rules, discussing heatedly as they make their way up to the stage. It’s clear Jack isn’t exactly pleased to be there, although he grows more somber when he gets a good look at the set piece for the first time.
The class, on the other hand, isn’t impressed.
Nigel: Them? They’re supposed to be our grand detectives?
Jack: Believe me, Mister Chey, there are dozens of ways I’d rather be spending my Saturday.
Harper: Principal Hunter and Mister Matthews have narrowed down problematic students before, and I am sure they’ll be able to do it again.
Jade: Yeah, because they did such a good job with the Confessions page.
The rest of the class agrees, lightly clowning the administrative duo. Like, sure. Let them try their best. No one seems particularly threatened by their involvement, and when Harper dismisses them to get into costume and make-up the three of them regroup.
Jack: How did I somehow end up dragged into yet another episode of Adams Unsolved? As opposed to, you know… running the school like a normal principal?
Eric points out never has his role been “normal.” But whatever, they’ll be able to figure it out. Which launches us into yet another classic Jack & Eric interrogation sequence…
INT. AAA - ERIC’S OFFICE - DAY
Jack paces the office while Eric sits at his desk, both them tossing questions to each student that sits opposite them in the hot seat. The discussion tends to drift to what the class has deemed the most likely suspects, although no theory is exactly concrete.
Clarissa takes the seat first, offering her two cents. From there, it’s a game of popcorn. As each student takes the seat, it’s picking up from the last, but of course none are in conversation with one another.
Clarissa: I’m not going to act like I know anything for certain, but I wouldn’t be surprised if Lucas did it.
Eric: Why’s that?
Sarah: Uh, maybe because… he’s a criminal? You two should know, isn’t there like a mega folder dedicated to chronicling his misdeeds?
Jeff: There’s no way Lucas would do another techie like that. Dave worked so hard on that set piece. He’s sort of a dick, but he wouldn’t go that far.
Yindra: Oh, sure he would. Lucas hasn’t cared about anybody but himself since like, last April. If that. He’s a pissed off white boy, they’ll do anything.
Clarissa: Not to mention he’s already sort of sabotaged the show. He was a good stage manager last year, but it’s been a mess this year. He’s all over the place and angry all the time, and that’s when he elects to show up at all.
Still, there are alternative points to his seemingly obvious guilt. Asher and Dylan are the only two students to be interviewed together, seated next to one another.
Asher: We were finishing unloading set pieces when the prep would’ve occurred, and all at dinner together when the vandalism happened.
Dylan: Yeah, and we all saw each other. Therefore, it could not have been Asher. Or me. Or Lucas.
Jack: And you’re sure you had eyes on all of your fellow technicians? At all times?
Dylan: Sure. There was me and Ash --
Asher: And Jade.
Dylan: And Jeff.
Asher: Nate, Dave --
Dylan: And Lucas. That’s everyone.
Then, of course, Lucas has his own take.
Lucas: All this proves to me is that no one in the junior class has a collective brain cell. I was helping the techies with the supplies haul -- because we’re the only ones who ever do any real work. [ nodding to Eric taking notes ] That’s called an alibi, did you jot that down?
Jack: Okay, okay. Cool it, Lucas.
Lucas: The supply move took about a half an hour, and then we were all at dinner together. Did I watch my friends like a hawk, no, but maybe that’s because I trust them.
Throwback to Eric with Dylan and Asher.
Eric: And you’re sure you saw him. The whole time.
Asher: Beyond a reasonable doubt.
Dylan: We’re sure.
With that confirmation, the mystery grows more befuddling. And Lucas is still defensive, but it’s not clear whether that makes him seem more or less guilty.
Lucas: Besides, why the hell would I destroy the work of a fellow technician? Let alone my friends? I’m one of the only people who gives a shit about what we do. Oh, and then there’s the little detail of uh, I didn’t do it!
Convincing delivery. But Lucas has lied before, so it’s not a guaranteed innocence. There are other potential culprits to consider, however.
Yindra: Lucas’s lame attitude aside, I don’t think he did it. I don’t think he cares enough. Farkle, on the other hand --
Charlie: Farkle has been acting kind of weird lately. Not that I think he did it, but I don’t know, he’s seemed on edge since he came back for school. Which makes sense, you know, given how last year ended...
Darby: If he’s been waiting for a chance to get back at all of us or further his reign of terror, this would certainly be a good move.
Solid points. But then, it still doesn’t seem all that simple.
Farkle: This is ridiculous. I was at home because I was sent home, you can call my parents and confirm. Or ask Miss Burgess.
Eric: People said that the vandalism could’ve occurred before you were picked up. There is a window enough for something like that.
Farkle: Mister Matthews, you saw me yesterday. Did I look itching for a scrap? No. I was tired, so I went home as directed and got some sleep. That’s it.
Logically, there are other holes in his potential guilt as well. He’s not the only one who believes in his innocence.
Jade: I mean, I don’t like Farkle, but it doesn’t make a lot of sense. Why would he sabotage a show where he has the lead?
Nigel: He hasn’t been nearly as rabid this year as he was last year. I get why everyone is automatically pointing fingers at him, but I don’t know, I don’t think vicious destruction is his vibe. Now, if we all suddenly came down with hay fever and lost our voices before opening night, then I might consider he did some kind of witchcraft…
Nate: Minkus is a stone cold bitch, but he cares way too much about his time in the spotlight to throw it away over something so stupid.
Charlie: Also, I saw him when he collapsed. He didn’t look good. I don’t think he would be running off to cause trouble after a fall like that.
Sarah: Oh, come on, is that supposed to be a valid excuse? He’s an actor. He could’ve faked the whole thing for attention. I don’t buy that as an automatic pass.
Then, there’s the third oddball suspect to have been afforded potential blame. He comes back into the conversation after Dave’s choked up explanation, slouched deep in Eric’s chair.
Dave: I swear, I left and everything was fine. It was perfect. Asher and Dylan dragged me out to dinner, but I ate really fast so I could come back and do the final finishing touches. And when I got back, it was a mess. It was --
[ Dave can’t speak further. A bit theatrical, yes, but who are Jack and Eric to judge what’s important to a student. Eric slides his tissue box across the table. ]
Dave: Whoever did it, they were prepared. They knew what they were doing. [ blowing his nose ] So either they already have some experience messing things up, or they took the time to be ready.
This throws back to what was observed quite aptly yesterday, which is that Zay has been having some mysterious absences of his own.
Maya: I mean, yeah, I had to go grab him from the costume loft. Which was kind of weird, since people don’t really hang out in there alone, but I seriously doubt Zay did anything. I mean, come on, he’s Zay.
Zay: I’m Zay, okay? I’m not into petty stuff like this. I have no motive and you all know it. I’ve never been a monster diva. I’m just a talented bitch.
Sarah: His motive is exactly that. He’s never been on the same level as Maya and Farkle, and even though he was the summer camp darling, he’s still playing second fiddle to Minkus. That would drive anybody to action, especially since Farkle sucks.
Riley: There’s no way Zay would do something like this. He is the nicest person at AAA, he would never do something so needlessly cruel.
Eric: But you said so yourself that he didn’t go with you for dinner. That he wanted to take some time alone.
Riley: Yes, but… that’s not the point. When he said that, I doubt he meant he wanted to go vandalize the set.
Isadora: I highly doubt it was Zay. He’s just the third party suspect people throw in there so it’s more exciting. He has no motive, and definitely doesn’t fit the profile for potential insanity the way the other two do. The only thing he’s missing is --
Eric: An alibi. If you can give me concrete facts on where you were, then we can clear this and call your whole involvement moot.
Zay: I told you, I went to the dressing room to take a breather and was out to dinner within like, five minutes. That’s not enough time to cause carnage that great.
Jack: If you were prepared, it might be. People said you were difficult to find before you all were dismissed for dinner.
Zay, exasperated: This is inane! I was in the costume loft, Maya saw me.
Jack: But she didn’t see what you were doing. And the costume loft is the perfect place to hide some items if you’re planning to do damage, based on proximity alone.
Eric: Is there anything else you can give us to work with? Anything to prove that you were there when you said you were. Did anybody else see you? Anybody that can vouch for what you were doing?
Zay holds his tongue, obviously thinking. There sure is one option, but whether he’ll talk…
INT. AAA - JACK’S OFFICE - DAY
Case in point, Jack and Eric are exhausted when they wrap up their initial round of conversations. Their takeaway is essentially the same as the class -- that there are two clear obvious suspects and then Zay, but without concrete evidence to his innocence it’s hard to give him a pass while they’re still investigating the other two.
At least, Jack states, they can effectively decide on a punishment. Regardless of who did it, the punishment should be the same, and it should be swift. Eric is a bit surprised by Jack’s rigid stance on this, but he doesn’t argue the point. There’s no point in stressing about punishment when they have no one to punish.
From their outsider perspective, this is going to be tough. It would be more effective to be on the front lines...
INT. AAA - DRESSING ROOM HALL - DAY
Which is exactly what Isadora is thinking as she goes to find Riley. She pulls her aside, checking that they’re in agreement that Zay being under investigation is insane. She proposes that the two of them work together to suss out the true culprit themselves -- or at least, clear Zay’s name, since he doesn’t seem too keen to do it for himself. Isadora also feels bad about all of Dave’s hard work being destroyed, and if she can bring the perpetrator to justice it might get her back in good graces with the techies.
Riley is desperate to help, and the possibility of reconnecting with Isadora through the mystery is a no-brainer. She declares she’s in, shaking hands with her to seal the partnership.
INT. AAA - AUDITORIUM - DAY
Song Cue ♫ ♪ “He Did It” as performed by Curtains Original Broadway Cast || Performed by AAA Juniors
[ Lyrics specific to characters -- follow along here! ]
Although Harper specifically instructed the juniors not to speculate any further, they are hardly going to listen to such a directive. When the cast and crew break for lunch, a series of hushed discussions further deepen the suspicions against our prime suspects. Meanwhile, Dave snoozes in front of the set piece, so protective over it now that he can hardly leave it.
While their classmates share theories, Riley and Isadora eavesdrop and take notes for themselves. They exchange eyebrow raises and inquisitive looks as they creep around the set pieces, aiming not to be noticed by their gossiping peers. Following along with the slightly altered lyrics in this case is a must for the full effect.
As the round begins and the accusations build up, the number comes to an end with Lucas, Farkle, and Zay being backed into one another center stage, their classmates mocking their obvious guilt. But which one actually did it -- if any of them at all?
INT. AAA - JANITOR’S CLOSET - DAY
That’s for Riley and Isadora to attempt to deduce. They’ve taken inspiration from the likes of Buzzfeed Unsolved and American Vandal, using HARLEY KEINER’S office as a home base to set up their mystery board and compile evidence. He assures them he’ll help in whatever way he can, just to give him a holler if they need his assistance.
Thusly, the two amateur detectives start putting together a more comprehensive rundown of the timeline of the vandalism. This includes threading together texts, timestamps, in-person sightings, anything they’ve got. They’re mostly focused on clearing Zay, but if they can narrow down the actual culprit at the same time, then even better.
INT. AAA - DANCE STUDIO - DAY
Zay is less concerned about clearing his name, seeing as it seems fruitless anyway. He’s running through choreography with Charlie in their usual studio, the subject only coming up when the latter brings it up.
He comments on how harsh the accusations seem to be getting, wondering if Zay is feeling okay. He doesn’t deserve to be under the gun like this. Zay shrugs it off, claiming that people always talk. Still, it’s unfair, and Charlie clearly feels for him.
Charlie: It still sucks. Especially because you of all people deserve it the least. I wish there was something we could do, I wish I could help.
Zay hesitates, contemplating whether bringing the issue up is even worth it. But Charlie is looking at him, full of sincerity, so he decides it’s worth a shot. He starts to say that there is a way he could help… by saying that he saw him in the costume loft and he wasn’t doing anything nefarious. The only reason people are still on him is because he doesn’t have an “alibi,” so if he says something…
Charlie’s expression shifts in an instant, going from empathetic to wary.
Charlie: Are you kidding? No way.
Zay: Listen, you wouldn’t even have to say what you were doing there. Just that you happened to see me, maybe at a different time than Maya. Or even just that we crossed paths. Eric isn’t going to grill you --
Charlie: No. No, man, I can’t do that.
Zay: Why not? You said you wanted to help. It won’t matter why you were there, you won’t even have to say --
Charlie, sharply: Yeah? What is the only reason people go to the costume loft, Zay?
Zay makes a face, conceding this point. He figured this wasn’t going to go anywhere, but Charlie’s reaction is admittedly stronger than he anticipated. He’s pacing, breathing uneven as he continues to refute the possibility. He’s on the verge of full-blown panic, a wild look in his eyes as he repeats his refusal.
Charlie: I can’t. No. No, Zay. I can’t, I’m sorry, I can’t --
Zay: Okay. Okay… okay! Charlie, hey --
Zay takes his arms, getting him to stop moving and look at him. He shifts his hands from his arms to his shoulders to his face, trying to get him to calm down.
Zay: It’s okay, alright? Charlie, look at me. You don’t have to do anything. It’s fine.
Charlie, breathless: Well -- well what are you gonna do?
Zay: I don’t know, I’ll figure something out. But it’s okay. It’s gonna be fine. Okay?
Charlie gulps, catching his breath and nodding. Trying to believe it’s true and come back from the edge. After a moment he pulls Zay into a hug, holding him tightly and tucking his head into his shoulder. Zay returns the embrace.
From the way he holds him, it’s so incredibly clear how important Zay is to Charlie. How much he cares about him, how much comfort he gives him and how safe he feels with him. He can’t fathom losing that just yet… even if the chances of problems are slim, it feels like too much to risk...
INT. AAA - AUDITORIUM - DAY
Song Cue ♫ ♪ “Giants In The Sky” as performed by Into the Woods Original Broadway Cast || Performed by Charlie Gardner
A bold transition from the soft intensity of his moment with Zay, Charlie’s eyes are wide and shining in the stage lights as he launches into this energized soliloquy.
Jack’s fictional dilemma of straddling the worlds of giant and mundane somehow perfectly encapsulates Charlie’s own current conundrum -- the pull between being a good Catholic boy, the perfect son, the world of “the roof, the house, and your mother at the door,” versus… well, being himself. Unapologetically. Without hesitation.
A world dazzling and elusive enough to be compared to the fantasy world of giants.
Much like his rendition of “Empty Chairs” from last year’s musical, the solo is bursting with emotion. Despite how he’s handling things personally, there’s no doubt that Charlie knows how to deliver a performance -- even when he so often fades into the background.
INT. MATTHEWS APARTMENT - NIGHT
The full Matthews clan is assembled for the first family dinner in a spell, TOPANGA LAWRENCE keeping up light conversation. Riley and AUGGIE MATTHEWS engage with her, but CORY MATTHEWS mostly keeps his eyes on his plate. Riley can tell that something is up, much in the same way she sensed the dread of the divorce before the blow actually landed.
Topanga doesn’t make her wait too long for the other shoe to drop. As they’re finishing up, she calmly explains that now that the divorce is nearly finalized, things are going to start changing a bit around here. Most imminently, Topanga is going to be moving out of the apartment and into her own place in Midtown.
Riley is totally floored by this development. The notion of her mother actually leaving makes it feel… real, like she is not going to be present in her life all the time any longer. She worriedly asks if Topanga is still going to be around -- is she coming to Into the Woods? -- but her mother brushes off her worries with easy confidence. She’s simply moving to Midtown, not evaporating.
Even still, the revelation is gobsmacking. Silence settles over the meal, Cory notably mute as Riley eyes him across the table. Topanga changes the subject nonchalantly, as if the impact of the moment has already passed.
INT. AAA - ERIC’S OFFICE - NIGHT
Eric and Jack are still at school, working together to organize their testimonies and search for possible clues they might’ve missed. But there’s no clear trajectory, and both of them are well aware there’s a good chance half of the students are lying anyway.
Also, the fact that Jack is distracted doesn’t help. He’s constantly being pulled away from the brainstorm by text messages, his work-life balance equally present at school as at home. Although it’s not a crime to keep his girlfriend updated on their status, Eric isn’t taking to it well. He clears his throat to regain Jack’s attention.
Once they get back to discussing, Jack wonders why they’re still here anyway. Clearly they don’t have an answer, and what should matter is making the consequences of such behavior clear. If they can’t figure out who did it and give them the rightful punishment -- suspension, likely -- then they may as well do some sort of moderate penalization to all three prime suspects and call it a day.
Eric is confused by this perspective, especially coming from Jack. What happened to innocent until proven guilty? And furthermore, this is a far cry from the man who was so torn up over how to handle the removal of a student who was proven guilty only a few months ago.
Jack: Yeah, and how much good did that end up doing, huh? Everything is still in shambles.
Ah. So we’re not handling that as well as we thought. Eric starts to try and get him to talk about it, but Jack shrugs it off. The point is, when the time comes someone will have to face the music. Anne Marie is an attorney, and this is the kind of business she deals with all the time. If there’s no consequences, then no one will ever learn the status quo.
As the girlfriend comes up in conversation again, it’s Eric’s turn to react off the cuff. He points out that Anne Marie doesn’t work at AAA, and this isn't court. It’s high school, and their focus is on the kids and trying to figure out why they’re making the decisions they are rather than coldly punishing them for them. At least, that’s his approach...
Jack is offended at the insinuation, firing back that Eric knows damn well how much he cares about this school and the students. It’s not his fault someone has to be the authoritarian, because if he doesn’t, then chaos reigns as it has for the last six months.
The tension between them is palpable, and suddenly it’s as though they’re back in time. Arguing about the same old things, criticizing one another for things they thought they had moved past or come to appreciate. Jack backs off first, claiming this is going nowhere and they’ll just have to see where things go. They’re not doing anyone any good by snapping at each other.
As Jack departs, Eric settles into his desk chair. He watches where Jack left, shaking his head. Obviously not sure why he got so heated in the first place.
INT. AAA - AUDITORIUM - DAY
As the last three days of rehearsal roll around, the mood is decidedly frantic. People have grown less concerned with who amongst them is a vandal and more so with being able to go on for opening night at all. The techies are running on overdrive to repair the set piece, which is no comparison to its former glory.
Amidst the chaos before another run through, Isadora gets a call. It’s from VALERIE DE LA CRUZ, who beats around the bush before regrettably letting her know that something unexpected came up and she won’t be able to make the show anymore. Promotion for a new project, or something, that she wishes she could blow off…
Isadora swallows her shock, playing it cool on the phone. She assures her it’s no big deal, and she nods along as Valerie apologizes and promises they’ll see each other soon. But as soon as she’s through with the conversation her demeanor shifts. Suddenly, all the chaos around her is too loud, too imposing. She has to get out of there.
She retreats and makes a dash for the dressing room hall. Lucas notices from across the stage at the stage manager’s podium, expression shifting from its recently adopted constant state of irritation. He passes off his binder to Asher offhandedly, going after her.
INT. AAA - HALLWAY - DAY
Lucas wanders at a jog through the halls, clueing in to where Isadora is once he hears her light cursing. He finds her a bit away down the hall, slouched against the lockers on the floor and hiding her head in her hands.
Instantly softer, Lucas approaches and settles down at a crouch next to her. She’s startled at first but seems relieved when it’s only him. Without even saying anything, Lucas reads her expression and gets a sense.
Lucas: It’s Valerie. Isn't it?
There’s no point in denying it. Isadora huffs, nodding and twisting a piece of her costume. Lucas drops down to lean back against the lockers with her, scoffing in distaste.
Lucas: I always knew she was full of shit.
Isadora: I know, I know. “I told you so.”
Lucas: No, I don’t mean it like… look, Dora, it’s fucked that she did that. And you have the right to be pissed about it. I get that you’re trying to, like, open a dialogue with her or whatever, but you don’t have to let her push you around. And you shouldn’t feel bad for being upset that she dropped you again.
Fair points. Tough to hear right now, but it is nice to have someone unquestionably in her corner. She nods, giving him a weak smile and taking a deep breath.
Lucas: … you know, it’s her loss. Her fucking loss if she’s willing to drop Isadora Samantha Miracle “Smackle” De La Cruz.
Isadora: [ with a small laugh ] Did you really have to use the full name?
Lucas: Yeah.
Isadora: Careful. If you don’t stop, people are going to think you give a shit.
Lucas’s turn to laugh. It’s a dry humor, flat delivery from both, but reflects something effortless between them that’s felt off-key lately. Lucas tilts his head and gives her a lazy smirk, causing her to roll her eyes. But when she looks away, she’s smiling too. Something might be clicking back into place…
Until it’s not. The peace is disrupted moments later as Maya flurries into the hall, heels of her boots clicking and voice almost louder than usual as she rushes over to them.
Maya: Hey, I got your text. What the hell happened?
Lucas tosses a puzzled look to Maya, wondering what she’s doing there. It takes him a second to realize her words indicate that Isadora beckoned her -- before she even thought of him. He immediately grows stiff again as Maya comes to crouch in front of Isadora.
The conversation takes an interesting turn as both of them attempt to occupy the space and comfort her, taking very different approaches. Whereas Lucas defends Isadora’s feelings and digs his heels in further about Valerie being reprehensible, Maya encourages her to take a more logical approach. They both know Valerie is busy, and there’s no way this is personal. It sucks, no doubt about that, but no use in getting so fired up about it.
It’s clear Lucas finds Maya’s level head in this situation ironic given her usual behavior. But more than that he feels extraneous, like he doesn’t even need to be there at all. And if he hears one more earnest defense of Valerie De La Cruz, he might projectile vomit. So he excuses himself, bitterly leaving Maya to take over the comforting.
Maya asks if there’s anything she can do, but Isadora claims she just needs a little bit of time to regroup. Maya gives her that, assuring her she’ll catch her up if anything happens in rehearsal before leaving her on her own.
As Isadora pulls herself up off the floor, she takes a long, deep breath. Then she adjusts her costume on her shoulders, the red cape on her shoulders reminding her that she has a major role. And she earned that on her own.
Jeff appears at the end of the hall, calling for her and stating that they’re getting ready for her solo. Eyes blazing with emotion, Isadora nods and marches back towards the auditorium.
INT. AAA - AUDITORIUM - DAY
Song Cue ♫ ♪ “I Know Things Now” as performed by Into the Woods Original Broadway Cast || Performed by Isadora De La Cruz
Isadora delivers a great rendition of her musical solo, the whole performance alight with a certain edge only she could bring to the role. She’s channeling all of the frustration over how this situation has panned out, reflecting how she was tricked by The Wolf (Valerie, in this case) rather than listening to the well-intentioned but rigid sense of her granny (Lucas).
Towards the end, we see Isa leave the stage, her performance over, and check her phone. She has a text from Valerie on the lock screen, but Isa locks her phone and puts it aside.
INT. AAA - BOYS DRESSING ROOM - NIGHT
Zay is touching up a piece of his costume when Farkle enters, the two of them making eye contact in the mirror. Neither of them say anything at first as Farkle heads to his station at the counter, but Zay opts to break the silence.
Zay: It’s fine, you can speak. Given that we’re both suspects in this shitshow of a crime mockumentary, I guess I hardly have the right to act like I’m above your complaints.
Farkle shrugs, claiming he doesn’t have any complaints. The moment this happened he was a guaranteed target, which may very well be what the perpetrator wanted anyway. He finds it more odd that Zay doesn’t seem to be doing much to defend himself, if he’s so innocent. Especially given that from what he’s sussed out, if no one comes forward it’s more than likely all three of them are going to be punished.
This is news to Zay. He scowls and slams down his make-up bag on the counter, fed up.
Zay: This is such bullshit. What, my classmates all decide they’re the Supreme Court and put me on trial for no reason, and suddenly that’s as good as guilty? All because someone had to have another meltdown?
Farkle: Well, don’t look at me. I didn’t do it.
Zay glares at him, obviously disbelieving. But Farkle seems serious, his lack of theatricality lending a weird credibility to his statement. The two of them have their stare down, searching for the cracks in each other’s facade…
When commotion from the dressing room hall breaks them out of it. Yogi darts in, out of breath and somewhere between thrilled and panicked.
Yogi: It’s finally happened. It’s jungle madness.
Zay and Farkle exchange bewildered looks, running to follow Yogi out.
INT. AAA - AUDITORIUM - NIGHT
Tensions seem to be at a boiling point in more places than just the dressing room, and from unlikely culprits at that. The progression of a scene has been derailed by a section of the new set piece falling apart, causing the nearly decapitated Maya to throw some choice words at the technicians. Jade and Asher have stepped up to take defense against the performers, and voices are already at high volume when Zay and Farkle arrive.
Jade points out that all the performers ever do is criticize, when the whole thing could’ve been fixed far more efficiently if they chipped in like they were supposed to. Asher questions if they all magically forgot everything they learned about tech last year, to which Maya retorts that maybe if the set design wasn’t so damn complicated in the first place, they wouldn’t be having this conversation.
Dylan, loudly: Hey, fuck off, beauty queen.
[ The assembled cast and crew reacts accordingly, surprised and somewhat amused. ]
Asher: Dyl, it’s fine, I can handle myself. [ to Maya ] Fuck off, beauty queen!
It’s clear the negative mojo is spreading like wildfire. Riley attempts to get the arguing to stop as Lucas jogs down from the booth with Jeff, questioning what the hell is going on. The performers continue to rail on how everything has fallen apart because of this damn set piece and now the replacement looks like garbage, and Dave finally snaps.
Dave: Well tell that to whichever one of you bent muppets did this in the first place!
Once again the blame train is running, only this time it crashes. The shouting quickly escalates and suddenly the scuffle turns physical, people launching at one another in a frenzy. Dylan holds back Asher by the waist, keeping him from going full scrappy. Lucas leaps in and attempts to hold Dave back from charging half of the ensemble. Charlie yells for everyone to cut it out, getting yanked out of the way by Zay before Sarah can elbow him on accident.
As Harper and Shawn rush in and start pulling people apart, Riley and Isadora zero in on a couple of interesting features to the brawl. Isadora is focused on Lucas, who has allowed Shawn to handle Dave and is keeping Dylan and Asher from completely throwing down with Maya. Something about the moment seems to stand out to her, just slightly off…
Shawn effectively halts the fight, effectively getting them all to head in different directions. He spits out a criticism, obviously over the tension.
Shawn: Have you all gone feral? Absolutely ridiculous!
Harper angrily declares that they all need to cool off and separate. They need to be back in fifteen, and the next person who causes any trouble is out of the production. Doesn’t matter if they’re stage crew of the star of the show.
Riley has her eyes on the opposite end of the room, where a security camera has caught her attention. It’s not facing the stage where the fight is unfolding, but rather a more promising angle -- a perfect view of the costume loft doors.
INT. AAA - JANITOR’S CLOSET - NIGHT
Isadora and Riley eagerly regroup, the latter launching into a breathless explanation of what she noticed. There’s a camera that’s directly facing the costume loft, which is what Zay’s alibi hinges on. If they can get access to the footage and prove that he never returned to the loft within the time stamps of the crime, then they can clear him.
They ask Harley for help, considering he is the local secret tech guru and likely has access to the servers to look at that section of the tape.
Harley: Technically, it would go against the janitorial code to share security intel with students just based on a simple request…
Isadora: We’re not asking to goof around, Janitor Harley. This is a quest for justice.
Riley: All we need is that one section. Please, it’s for a friend. A really good friend.
It seems like Harley is considering it. He gives them both an eyebrow raise.
INT. AAA - BLACK BOX THEATER - NIGHT
Shawn comes to find Harper, commenting that whatever just happened was a major clusterfuck. How the hell does she plan to deal with this? Feeling cornered and overwhelmed, Harper finally lashes out at Shawn.
Harper: Oh, how am I going to deal with it? I’m amazed you don’t already have all the answers. I’m shocked you haven’t already written down every possible solution I could offer and have some snarky, neckbeard rebuttal to every single one!
Shawn is stunned by the dig, starting to defend himself. Only Harper isn’t finished -- she’s far from finished. She posits that part of the reason everything is such a mess is on him, and their inability to work together. That’s on him, because since the moment she arrived he has done nothing but belittle and sabotage her and offer not one shred of solidarity.
Harper: I don’t know what midlife crisis you’re working through, Hunter. I’m sorry I’m not your beautiful, powerhouse girlfriend, and that I’m not here to have sexually charged banter with you when our focus should be on the students. But all I’ve done since I got here is try, and I know for a fact the same cannot be said for you. So before you dish out all the responsibility onto me, I think perhaps you should take a quick look in the mirror you clearly hardly bother to look into on a daily basis.
She doesn’t give him the chance to respond, storming past him. Shawn blinks, trying to absorb what the hell just happened. He glances at his reflection in the mirror wall, tentatively touching at his scruffy beard.
Shawn, petulantly: It is not a neckbeard…
INT. AAA - ERIC’S OFFICE - DAY
We’re close on a laptop, playing the security footage from the costume loft camera. The seconds are ticking by fast, the film on fast forward as Riley searches for the right time stamp. She and Isadora are leaning over either of Eric’s shoulders.
Eric: And how exactly did you get access to this again?
Riley: Don’t worry about it.
Isadora: A respectable investigator never outs their sources, Mister Matthews.
Well, hard to argue with that. Riley doesn’t give him the opportunity anyway, letting out an exhale as she claims she’s found the correct moment.
We’re looking at the doors outside the costume loft, the footage a little grainy due to the lighting and in classic conspiratorial black-and-white. As stated in his alibi, the three of them watch Zay duck into the costume loft. Riley jumps forward a bit, showing the moment Maya enters to retrieve him and he follows out a moment later.
For a second, the clip keeps running… potentially long enough to reveal another junior leaving the costume loft during that same sequence. But right before Charlie emerges from the doors, Riley pauses and jumps forward in the timeline.
The evidence as good as proves it as she lands on the time frame of the vandalism -- Zay never returned to the costume loft. If he was prepping something in there, they would’ve seen him retrieve it. Yet, there’s absolutely nothing to see.
Eric seems pleased to agree that the footage is pretty damning. He feels confident marking Zay off as a suspect. Riley and Isadora exchange relieved smiles, high-fiving behind their counselor. Then they rush back to rehearsal, Riley giving Eric a quick side hug before she goes.
Once they leave, Eric watches the clip back again to double check their findings. Everything checks out, so there’s nothing more to see… only this time he doesn’t hit pause so quickly. He jots down some notes instead, lifting his gaze just in time to see Charlie emerging from the costume loft a few minutes after Zay.
Eric frowns, reaching forward and rewinding to make sure he saw that correctly. He might’ve misseen it, or made it up -- it’s almost a blink-and-you-miss-it exit.
But no. That’s definitely Charlie Gardner, accounted for in the costume loft at the same time that Zay was supposedly in there alone.
He may not be a student, but Eric has been a beloved faculty member at AAA long enough to know the reputation the costume loft has. Suddenly, Zay’s reason for being there is crystal clear -- as well as why he couldn’t provide a compelling alibi considering the shock of seeing Charlie was strong enough to cause him to double take.
Eric absorbs this new bombshell, the frivolity of the vandalism now old news.
INT. AAA - JACK’S OFFICE - DAY
Harper has reached her breaking point. She’s in tears as she occupies the chair opposite Jack’s, succumbing to the pressures of an admittedly rough transition. For all the effort she’s putting into it, the impact she wants to make, nothing seems to be working out. Everything is just friction, not forward momentum.
Jack allows her vent, listening intently. He apologizes again on behalf of the junior class, and commends her for taking the initiative to connect with this particularly challenging group of students so seriously. They’re lucky to have her, even if they don’t realize it yet.
After she’s calmed down a bit, Harper thanks him. She tells him sincerely that he’s a good administrator, a sentiment that clearly touches him given how out of balance he’s felt about his position as of late.
Jack: Yes, well, I’m sure some of them would disagree with you. I’m not exactly the most popular faculty member here at Triple A.
Harper: From what I can tell, you’re the only reason it’s still running. Your unique combination of compassion and authority is what is keeping it from burning itself to the ground.
Jack laughs, thanking her for the support. Pulling herself together, Harper gears up to go face the beast once again. Before she leaves, however, she requests that when Jack and Eric figure out who vandalized the set, they let her know. She wants the responsibility of bringing them down -- and if possible, she wants them expelled.
Clearly, Harper is not happy with how her first production has been so drastically derailed. Jack nods along, still on his authoritarian kick.
Jack: Believe me, Miss Burgess, justice will be dealt.
She nods appreciatively, stepping out.
INT. AAA - JANITOR’S CLOSET - DAY
Mission mostly accomplished, Riley and Isadora begin taking down their investigation materials. Although they work in content silence, Riley takes the initiative to state how nice it was to work with Isadora again. To be on the same page.
For what it’s worth, Isadora feels the same. They exchange tentative smiles.
Isadora: You know, given how much of a mess things seem to be no matter what we try to do… I don’t see why I should be willingly giving up a friend.
Riley’s smile widens. Finally, something falling back into place. Not the same as it was, but better than nothing.
As she finishes gathering her things, Riley claims it’s a shame they weren’t able to narrow down the actual culprit. Even though they were able to clear Zay’s name. Isadora agrees, giving her a nod as she heads out.
Only as soon as she’s gone, Isadora launches back into action. She doesn’t seem at all finished with the investigation, going through certain pieces of evidence one final time and putting pieces together. Perhaps she knows more than she’s letting on…
INT. MAYA’S APARTMENT - NIGHT
Katy is up late, doing research on her laptop and looking particularly drained. It’s hard to see what she’s looking up, but a couple of photos appear to be buildings of some kind. She changes the window as soon as Maya enters, having just finished her nightly routine and picking up her pre-sleep tea from the countertop.
While she has her attention, Maya enthusiastically reminds Katy to purchase her tickets for Into the Woods when they go on pre-sale tomorrow. Not that they’ll sell out, likely, but Maya wants to make sure she’s front and center for her grand performance as The Witch.
From the expression on her face, whatever Katy says next is not going to be pleasant. She gently informs Maya that she has to work a double shift that night, so she won’t be able to make it. Things are sort of tight right now financially, and she doesn’t know if she can spare the ticket.
Maya nearly drops her tea. She doesn’t understand what the big deal is. Money is always tight, and this is one of her dream roles. Katy knows how much this show means to her. She already told her she’d be there. Can’t there be an exception? Just for opening night?
It’s evident that she wants to make an exception more than anything… but for whatever reason, her hands seem to be more tied than usual. Katy apologizes profusely, but Maya merely swallows the disappointment and says she’s heading to bed. But the darkness of the news looms over them, and perfectly sets the tone for Maya’s launch into her lament…
INT. AAA - AUDITORIUM - NIGHT
Song Cue ♫ ♪ “Lament” as performed by Into the Woods Original Broadway Cast || Performed by Maya Hart
Maya spins to face the stage lights, in full costume and makeup for the glamorous version of The Witch. The only thing more stunning than her appearance are her vocals, cutting through the heartbreak of the solo like a knife. It’s haunting, setting the perfect backdrop…
INT. AAA - BLACK BOX THEATER - DAY
For Isadora’s meeting with Principal Hunter. She thanks him for meeting her during the lunch hour, expressing that she thinks she has evidence that might help him solve the vandalism case. She explains that she observed some odd behavior during the fight that broke out at rehearsal, and it tipped her off. So she went back to look through the evidence... and things don’t add up.
Jack takes a look at the timeline she hands him, his expression difficult to read. He doesn’t look triumphant or pleased, that’s for sure. Isadora doesn’t either, simply stating that he should go back and look more closely into the student testimonials -- a couple in particular... but maybe not as a couple at all.
INT. AAA - JACK’S OFFICE - DAY
This is how Jack ends up sitting down with Dylan and Asher, only separately this time around rather than as a given duo. As he discusses with each of them, under the casual guise of just double checking his sources, it becomes clear that there are holes in their story. The moment they’re not together to back one another up, their airtight delivery falls apart somewhat.
Asher claims that around the time of what would’ve been prep for the vandalism, Lucas was holding the door so that Nate and Jade could move a stack of wood; Dylan claims that he was with him unloading the Jeep. However, when Jack goes back to read the testimonies of Jade and Nate about their role in the supplies move, Lucas is never mentioned.
INT. AAA - BLACK BOX THEATER - DAY
Isadora concludes her explanation, stating that the reason she got suspicious was because Lucas jumped in to stop the fight during rehearsal rather than join in or egg them on. Not that he revels in destruction, but if she knows anything about him, it’s that he never lets someone else take the fall for his actions. He wasn’t going to let the performers get roughed up for something they didn’t cause -- even one as aggravating as Maya.
She also begs Jack not to say anything about her involvement -- that she remain anonymous. He gives her a nod, looking back at the evidence solemnly.
INT. AAA - JACK’S OFFICE - NIGHT
We’re following Lucas and his snapback from behind as he makes his way through the halls of AAA, there early to help set up for opening night. He knocks on Jack’s door, claiming that he asked to see him. Jack nods, gesturing him inside and to shut the door behind him.
The conversation starts off with their usual rapport and comfort, Lucas slouching into his chair across the desk from where Jack is standing. He states cheekily that they should probably make this quick, as he’s got lots of stage managing to do and all that. Jack promises not to take too much of his time, beginning a subtle and targeted questioning of how Lucas recalls the day of the vandalism. It seems like they’re simply still beating a dead horse, but he plays along anyway, not even realizing he’s being interrogated until about halfway through.
And by that point, it’s too late. He’s slipped up, said a couple of things that don’t line up with his original alibi or conflict with the other techie testimonies. Then Jack pulls out all the stops, the discussion growing tenser and quicker with each piece of evidence he stacks against him. As he starts laying out the timeline of how things really happened --
INT. AAA - FLASHBACK - NIGHT
We see it unfold in real time. Lucas taking his longer look at the treasured set piece, then ducking out of supplies haul and techie dinner to make moves. Asher and Dylan notice him disappear at dinner, but merely exchange a look and don’t say anything about it.
The flashbacks unravel with Jack’s pointed narration -- and Lucas’s protests -- heightening in intensity right up to the moment flashback Lucas makes the first dent in the set piece and begins the vandalism. Just as the screen is shrouded in black by falling debris --
INT. AAA - JACK’S OFFICE - NIGHT
Finally, finally, Lucas cracks.
Lucas: Alright, ALRIGHT! I did it, is that what you want to hear? It was me! I fucked up the set piece!
The office is cold with silence. Lucas tries to hold Jack’s gaze until he can’t take it any longer, falling back in the chair again and tearing his eyes away.
Jack doesn’t speak with anger when he addresses him again. It’s a gentle disappointment, and admittedly confused. He asks if the vandalism was worth it, why he thought any of it was a good idea in the first place.
Jack: And I don’t understand… to have Asher and Dylan lie for you?
Lucas: I didn’t ask them to --
Jack: And what about Dave? Did whatever you were trying to deal with feel better when one of your good friends had to see their own hard work destroyed?
Lucas: [ almost inaudible ] You don’t get it.
Jack: You’re right, I don’t! I don’t get it, Lucas! So look at me and tell me why the hell you did this --
Lucas: Because it doesn’t even matter!
Lucas’s outburst is fierce, his anger more volcanic than it’s been all semester. Jack found a way to light the fuse and now he’s explosive, ranting about how everything they’re all obsessing over all the time is so stupid and means absolutely nothing. Why should it matter if a set piece gets ruined, when no one cares about what the techies do anyway? Why should it matter if his friends lie, when no one is even going to remember they were here in five years because no one cares about them anyway? It’s a stupid high school show, at a stupid fucking school, where his only talent is messing everything up because he’s a nobody who was never meant to be here anyway.
Lucas: So yeah, I did it. Do whatever you’re going to do. Suspend me, kick me out for good, drop me off the catwalk! I don’t care. I don’t care, none of it fucking MATTERS!
The declaration hangs in the oppressive quiet. Because despite the words he’s saying, it’s pretty clear Lucas does care -- from the way his cheeks are flushed, the way his voice cracks, how it’s almost like he can’t breathe. And the only reason he’s able to look Jack in the eyes and basically dare him to do his worst is because that’s what he wants.
He’s searching for punishment, because he thinks he deserves it.
Eventually Lucas can’t take it anymore, shaking his head and hiding in his hands. Jack stares at him, obviously deep in thought. He’s been preaching about the swift soundness of consequences all investigation long, and finally, the time has come to deliver it...
INT. MATTHEWS APARTMENT - NIGHT
Riley is gearing up to get ready to go, duffle bag ready on the couch. Before she grabs it, she gets a notification on her phone from Instagram. Yindra has tagged her in a series of photos, featuring throwback pictures from Les Mis and a caption encouraging people to come to opening night of Into the Woods to see the same crew pull off another insane performance.
Seeing the Les Mis photos is a true shock. It feels like a million years ago, and as she flips through them again she can’t help but ruminate on how much has changed for the worse. Maya’s tantrum aside, everyone was in much better spirits at the time. She had a tentative friendship with Charlie. She wasn’t on the rocks with the techies. In fact, there’s a particularly cute moment captured of Riley, Isadora, and Lucas in the background of one of Yindra’s photos, prompting Riley to go into her photos and take a look for herself.
It’s all too much. The pictures with Lucas, the photos taken with both her parents, when now one of them is stepping out of their home for good.
Before she knows it she’s in tears, wiping at them frantically without much success. Cory enters from the hall, asking if she’s ready to head out until he realizes what’s happening. He jogs over to join her on the couch, questioning what’s going on and trying to get her to talk to him.
Riley shakes her head wordlessly, trying to catch her breath and stop the tears. She hates crying enough in front of people, let alone her parents. But she’s hit a wall, and there’s no stopping them. She admits that this year is like freshman year all over again.
Riley: Yeah, I’m no longer the target, but no one is happy. People that should be supporting one another are at war. And now my mom is walking out of my life, and it’s like… everything is falling apart. When does it stop? [ tearfully ] I can’t do this alone.
Cory makes her look at him, wrapping an arm around her shoulders. He’s deeply serious as he assures her that just because Topanga is moving out of the apartment does not mean she’s disappearing. And that aside, she is not alone. She is going to get through this, and be stronger for it. But she’s not ever going to do it alone.
Song Cue ♫ ♪ “No One Is Alone” as performed by Into the Woods Original Broadway Cast || Performed by Cory Matthews & Jack Hunter (feat. Riley Matthews & Lucas James Friar)
Cory softly leads us into the first verse of the emotional heart of the musical, attempting to comfort his kind-hearted, empathetic daughter (“Mother cannot guide you, now you’re on your own / Only me beside you, still you’re not alone”). For once, Riley opts to accept the comfort, leaning into him and absorbing the sentiment for all that it’s worth.
INT. AAA - JACK’S OFFICE - NIGHT
As Jack continues to look at Lucas, something in his expression shifts. All plans and procedures go out the window as he takes on the second verse, vaguely insinuating that perhaps there isn’t such a simple solution (“Wrong things, right things / Who can say what’s true?”) It’s evident that he isn’t going to rat him out, and Lucas lifting his head to stare at him in surprise emphasizes how unprecedented it is.
It’s behind them now, but Jack’s continued words of advice serve as a warning to his wayward trouble-making technician (“You move just a finger / Say the slightest word / Something’s bound to linger, be heard / No one acts alone, careful, no one is alone”). He comes around the front of the desk and leans closer, Lucas hanging on his every word. It’s clear that he’ll protect him, but he can’t protect him against everything. He has to be careful...
Together, Jack and Cory go on with the themes about why people make mistakes, both of the moments between mentor and mentee feeling distinctly familial. And as the final chorus unfolds and Riley and Lucas quietly join in, a montage of small moments within other important bonds highlight the exact message that the song is attempting to convey.
Charlie accepts a hug from ELEANOR GARDNER as he heads out the door, wishing him the best of luck. AMBROSE GARDNER gives him a proud nod from his arm chair in the living room.
Haley, Nigel, Clarissa, Yindra, and Zay toast at Chubbie’s, enjoying a quick pre-show meal before showing up for call time.
Eric reunites with ANGELA MOORE as she shows up for opening night, giving him an enthusiastic hug in his office as Shawn watches fondly from the doorway.
The techie crew sans Lucas and Isadora is meeting for their pre-show hangout, laughing together and hyping one another up. They all give Dave a group hug, considering the production cycle he’s had.
INT. AAA - GIRLS DRESSING ROOM - NIGHT
The last of the montage moments belongs to Isadora, who gets a call from Valerie that she opts to answer. Although we don’t hear the conversation, it’s clear from the joy that takes over her features that it’s good news. She excitedly grabs Maya’s attention, sharing the news with her.
Although she’s putting on a happy face for Isadora, it’s clear something about the news stings. Maya chews her lip as Isadora gets back to the call, the believability of her enthusiasm fading.
INT. AAA - BOYS DRESSING ROOM - NIGHT
And as the song comes to an end, we’re back with Farkle -- who is, in fact, quite alone. Behind him, Yogi and Nigel are doing a quick costume change and discussing how opening night is going so far, indicating that we’re already well into Act II. Neither of them acknowledge Farkle as they head out again, although it doesn’t seem to faze him.
INT. AAA - DRESSING ROOM HALL - NIGHT
He lets out a sigh as he heads back into the dressing room hall, quiet save for the light sound from the stage leaking through the doors to the wings.
That is, until he thinks he hears something else. He listens carefully as the sound of crying becomes clearer, coming from the girls dressing room.
INT. AAA - GIRLS DRESSING ROOM - NIGHT
Maya is in there alone, attempting to stifle her tears. She keeps trying to take deep breaths and bring it back, but sometimes emotion demands to be felt.
Farkle pokes his head in, his suspicions confirmed. He debates entering for a moment, even almost turning away before he finds himself heading in anyway. Maya spots him in the mirror, letting out a huff and not bothering to reprimand him for being in the wrong dressing room. Her mind is far from that at the moment anyway.
Maya: How pathetic is it that a world famous starlet can show up on opening night for her bastard daughter, and mine can’t even skip one lousy shift at a run-down diner no one cares about? [ with a sniffle ] Maybe that’s karma.
Farkle approaches without comment, only speaking when he’s close enough that she could lash out at him and she chooses not to. Coast clear, he reaches into a pocket of his costume and retrieves a handkerchief, nodding to her.
Farkle: You’ll ruin your makeup.
Maya lets out a dry laugh, taking another deep breath. Farkle slowly reaches forward and touches up her mascara, dabbing at her tears and doing his best to fix them. It’s a surprisingly tender moment, a resounding echo of the way things used to be. And boy, does it ache.
Still, Farkle made his mistakes, and he has to live with them. Maya says as much, warning him in a murmur that this doesn’t change anything. She’s still pissed at him, and they’re not fine. He responds flatly, expressing that not once did he believe it would be any different. But he finishes helping her anyway.
Once she’s all cleaned up, her gaze lingers on him for a long beat. Then she warns him that he’s going to miss his cue, flurrying out and leaving Farkle in the dressing room. Alone once again.
He twists the handkerchief in his fingers, his starting vocals floating in…
INT. AAA - AUDITORIUM - NIGHT
Song Cue ♫ ♪ “No More” as performed by Into the Woods Original Broadway Cast || Performed by Farkle Minkus (feat. Nigel Chey & Stuart Minkus)
Much like his rendition of “Javert’s Suicide” a year ago, there is a subdued melancholy that drives Farkle’s performances that cannot be understated. Wherever all his manic energy went, it’s been replaced by a powerhouse of emotion that hits at something raw.
While Nigel starts off the song with him in his role as the Narrator, about a minute in the visual shifts and suddenly it’s STUART MINKUS on stage with him. Another Farkle Minkus twist on reality, his busybody father suddenly sharing the song about exhaustion and abandonment. Truly ironic, considering the real Stuart isn’t even in the audience.
But clearly, he wishes he was. There are many things Farkle wishes were different than they are, but he’s powerless to change it. “Like father, like son.” As he gets to the final verse, Stuart is gone too, and all there is to focus on is him. Solitary, center stage, delivering one of the most wrought out and impassioned solos he’s delivered in ages.
INT. AAA - DRESSING ROOM HALL - NIGHT
Jack and Eric bump into one another as they’re both searching for Harper, aiming to wish her congratulations before the show ends and they’re swarmed by everyone else. They have a somewhat awkward exchange, uncertain how to address the last time they conversed and it ended in flames.
Ultimately, Jack opts to take the high road. He states that he figures he owes Eric an apology, as he let his frustration get the best of him the other night. And, unsurprisingly, Eric’s take on the situation proved to be a little more apt than he credited him for. Eric hardly seems like he’s going to hold a grudge, giving him a bracing pat on the shoulder and warm smile as he assures him there’s no hard feelings. It hardly matters anyway, considering there’s no one to sentence.
Before Jack can confirm or deny this, Harper emerges from the hall. They both greet her in enthusiastic whispers, not aiming to disrupt the performance entering its final scenes. She really did manage to pull together an astounding show, in spite of everything that happened. A great first notch in her belt.
Harper is grateful. Eric excuses himself, allowing Jack to share his own early congratulations as well. She accepts it, then questions what ended up happening with the vandalism. Was he able to figure out the culprit (she hopes)? Although there’s a moment of hesitation, Jack informs her that unfortunately, no guilty party ever rose to the surface.
Jack: Suppose the kids were right to belittle our amateur detective agency.
Harper seems disappointed, but Jack redirects her attention and reminds her that she won’t want to miss the final number. She nods, giving him one last thanks before jogging back towards the hall. So Lucas is never outed as the vandal, leaving the crime to remain an AAA mystery for the history books… and the orchestration of our finale pulls us away...
INT. AAA - AUDITORIUM - NIGHT
Song Cue ♫ ♪ “Finale / Children Will Listen” as performed by Into the Woods Original Broadway Cast || Performed by AAA Juniors (starting at 1:00)
We jump into the finale right as Yindra is giving her guidance from beyond, Farkle, Riley, Isadora, and Charlie gathered together at center stage and sharing their story with the new life that has entered their world. Farkle mentions each of them in his retelling to his son, the camera hanging on each moment between them.
As Maya takes over, more of the cast begins to filter onto the stage. As they reach the point of singing as a chorus, the message of the song takes on a stronger meaning as we hang on each of our main players. Focus on Charlie in the front row shifts to Zay behind him, halfway through the recitation of the lines “Careful the spell you cast, not just on children / Sometimes the spell may last past what you can see / And turn against you.”
INT. AAA - NIGHT
And the influence -- or lack thereof -- of family in their lives is paramount. Another post-show reunion with family highlights this well enough. Isadora accepts an overtly thrilled greeting from Valerie, although she remembers not to hug her and sticks to simply lauding her with congratulations. Asher and Dylan take a group selfie with their families in their all-black stage crew ensembles.
Farkle greets his siblings and mother, but the absence of Stuart looms large. Riley shares a tight hug with her mother, Cory watching bittersweetly with Auggie. Charlie chats with the full Gardner clan, Zay glancing over his shoulder towards him from where he’s standing with family across the room. Maya roams, uncertain what to do with herself.
INT. AAA - TECHNICIAN’S BOOTH - NIGHT
Lucas settles into the booth alone, sitting at the lighting booth and looking at the empty stage. He looks at the half-baked set piece, guilt more evident on his face than earlier.
INT. AAA - AUDITORIUM - NIGHT
In spite of all this, the show must go on. The episode wraps with the last minute or so of the musical, the entire ensemble coming together to repeat the final chorus until Riley whips back around to offer one more “I wish.”
Sometimes people leave you halfway through the wood, Do not let it grieve you, no one leaves for good.
Well… we wish.
END OF EPISODE.
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hoffkk · 6 years ago
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A Certain Kind of Love
A Joshaya Fanfic
Story by: hoffkk
Summary:  Maya is full of emotions and mixed feelings on the day of her college graduation and does something no one, not even Josh, saw coming.
Note: Just a little something for all my joshaya supporters out there. I was feeling inspire by Valentine’s Day and one of fav corpanga moments. I hope you like what I came up with! xo.
*******
"Hey, you." Josh greeted with a smile. Somewhere between all the congratulations and the picture taking, he had lost track of his girlfriend, but now, here she was, sitting in the in the same light brown auditorium chair she had been in just a half hour ago, waiting for her name to be called.
"Hey." Maya beamed back as he took a seat next to her, yellow tassel jiggling as she turned to face him.
"I was wondering where you went off to." Josh told her as he took in her appearance. He loved the way the royal blue of her cap and gown brought out the blue in her beautiful, sparkling eyes. However, at the moment, they seemed to sparkle with a certain sadness behind them.  She wasn't crying or anything like that.  Josh could just read her well enough by now to know that something was off.  "Is everything okay?" He queried, brushing a lock of hair behind her ear, delicately stroking her cheek as he did so.
"Yeah, I just... needed another moment." Maya explained.  "I know this might sound strange, but I'm really gonna miss this place."
"That's not strange at all." He replied.  "Most people do miss their college years... the parties, the friendships, the football games..."
"It's not just the fun stuff though."  She interrupted.  "I mean, I am actually going to miss going to classes.  I know that sounds kind of pathetic, but... with as crazy as my home life has been over the years, school has been the one big constant in my life.  It's always been there for me through the good and the bad, and now... it's over."  Maya had had a hard time growing up, dealing with her dad leaving and mom working all the time, then with her mom remarrying Riley's surrogate uncle, Shawn Hunter, and having a new baby.  It was a lot of change.  Through it all, though, school had been her safe place where she could get away and be at peace.  However, after today, she wasn't going to have that anymore, and that realization scared her more than she had anticipated it would.
"Hey." Josh said, tone light but serious. "It's going to be all right.  I mean, I know school is over, but you'll always have your friends."
"For now." She shrugged.  "I mean, I know I'll always have Riles in my life no matter what, and Ranger Rick by association, but in a few months they'll be moving to Texas for Lucas's vet school.  Then, Farkle and Smackle will be a state away, saving the world with science, and Zay is already overseas with the army..." She trailed.
"I get it." Josh said, placing a hand on her knee and rubbing small soothing circles with his thumb. "It's a lot of change. It 's overwhelming."
Maya gave him half a smile. He was always good at reading her mind and listening to her problems.  She was so lucky to have Josh in her life.
"Terrifyingly so." She admitted, toying nervously with the silky material of her robe.. "I just feel like everything that I used to hold close is now suddenly out of reach.  I mean, I'm being thrust into the world as a full adult human being, and I have nothing to hold onto anymore to keep me steady."
"You have me." Josh promised, giving her knee a squeeze. "I'll do whatever it takes to keep you steady."
"You promise?" Maya asked, suddenly feeling very hopeful.
"I promise." He spoke seriously.  "Whatever you need me to do, I'm there."
There was a long pause, then, feeling bold, she spoke up again, "Josh?"
"Yeah?" He retorted quizzically, completely unprepared for the words that came next.
Placing a hand over his that still lay on her knee, Maya said, "Marry me."
*******
Josh smirked as a soft chuckle rumbled through his chest, but as Maya continued to stare doe eyed at him, he realized she was serious and all the humor vanished. "Maya..." He began, but was quickly cut off.
"I know this may seem impulsive, but it's really not.  We've been dating for four years now." She explained.
"Maya..." He tried again to no avail.
"A we both know I've loved you since I was twelve." She continued.
"May..." Josh attempted once more.
"And I'm not just saying this because I'm scared or overwhelmed, even though I am.  I'm saying this because, at the end of the day, I know that I can handle the uncertainty of life and everything it throws at me... as long as I have you to live it with me." Maya smiled sweetly, squeezing his hand.
There was a lull in the one-sided conversation until she added, "Well... are you gonna say something?"
Josh chuckled once more and shook his head, "You, Maya Penelope Hunter, are impossible. You always have to be first."
"What?" She questioned with a quirk of her brow.
"You were the first to make a move, you initiated our first kiss, you were the first to say I love you, and now... you even beat me to proposing." He smirked as he took a small, velvet box out of his jacket pocket.  "You know I've been carrying this around with me all week, waiting for the perfect moment... but it looks like I waited too long."
"Josh, I--" She started as she shifted from doe-eyed to the full on deer in the headlights look, but this time it was his turn to cut her off.
"Nope. It's my turn now." He interjected, taking full control of the conversation. "Maya, you've always been so strong. You're never afraid to do what needs to be done, to make the bold move.  You always know what you want and go for it. You're also kind-hearted, smart, artistic, and inspiring. You say you need me in your life, Maya, well, I need you in mine more. So, yes, I will marry you..." Josh trailed off as he managed to get down on one knee in-between the two rows of seats and open the velvet box. "but only if you will marry me.
A tear of happiness slid down her cheek as she nodded excitedly, "Yes, Joshua Matthews. I will marry you too."
They both beamed at each other as he slipped the ring on her finger.  Maya barely took the time to look at it before wrapping her arms around her fiancé and kissing him passionately.  Truth be told, she couldn't care less about having a ring. As long as she had Josh, she was happy. Truly and completely happy.
Eventually, the two of them managed to pull apart, and Josh said, "We should probably head back to the family, they are probably wondering where we are."
"Yeah, okay." She sighed happily. "Let's go give them the good news."
Taking her newly bejeweled hand, Josh led the way down the left aisle of the auditorium and to the door.
"Wait, I forgot my purse." Maya said suddenly.  "I'll meet you outside."
Giving her hand an extra squeeze before letting go, he headed out to the quad.
Maya returned down the aisle and grabbed her yellow cross body bag, then followed after her fiancé, However, she couldn't help pausing one last time at the auditorium door and giving the room a little wave goodbye.
As her new diamond ring caught the light, her last few feelings of melancholy and doubt dissipated. She realized in that moment that even though life was full of surprises and uncertainty, she had a certain kind of love that would get her though it and make moving on not so scary, but exciting. Yes, life for Maya was about to become a lot more exciting, and suddenly she couldn't wait to see what would happen next.
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yogap · 5 years ago
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Sammy the Sledgehammer and His Wife Keighliegh Pledge $100 Million Worth of Alleged Criminal Assets To Fight New, Deadly Outbreak of D.A.N.C.E. Fever
The outbreak of a virus called D.A.N.C.E. (Degenerate Anterograde Necrotizing Corneal Erosion), has been declared a public health emergency of international concern. D.A.N.C.E. fever – so named for making its sufferers experience a fever and dancing themselves to exhaustion or even death while suffering eye and brain damage - is sweeping the globe.
(Ye Olde Goldyn Appyl Presse, the newspaper from an alternate universe!)
Author: Carla Marks Published: 03/01/2020
Boston, Mass., United States of Vespuccia – Alternative businessman Samuel Balzta D. Wallz, AKA “Sammy the Sledgehammer,” whose alleged vast, international criminal empire is said to make him billions of dollars every year, and his trophy wife Kailegigh Wallz that he won in a pie-eating contest five years ago have been charitable through their organization, The Sam and Keighleigh Wallz Foundation For Making Us Look Like We Give A Fuck, for the last 32 years. And now they are continuing that so-so tradition in a time of great need.
The Foundation will commit up to $100 million worth of alleged criminal assets toward efforts to control the current outbreak, the organization announced on Wednesday. This includes the $10 million the foundation has already committed in the form of diamonds that were allegedly stolen from Second International Bank last year. The donations will go towards various response efforts.
Up to $20 million will go to building medical facilities and mass graves in Xing, Alkebulan, and Atlantis, which the foundation considers to be at high risk due to high concentrations of people living in extreme poverty, thanks to centuries of Europan enslavement, theft of resources, and colonization.
Other portions of the foundation’s donation will go towards research on vaccines, treatments, and diagnostics for the virus, as well as canes and seeing-eye dogs for the luckier survivors, wheelchairs for the less lucky survivors who suffered the side-effect of acute sudden-onset acquired ALS, necromancers to reanimate the dead, hiring people to keep track of individuals with “Do Not Reanimate” orders on their medical records, resources to help the International Undead Citizen Reacclimation Foundation, and finding a better name for the disease than “D.A.N.C.E. Fever,” which is reportedly not being taken very seriously, hence the massive worldwide outbreak. That last one has been a bit more difficult since last year’s outbreak of the virus “2019-DbStp,” which the media freaked out about and immediately dubbed “Ebola AIDS Smallpox Cancer That Turns Your Genitals Into Soup,” a disease that infected 10 people worldwide, permanently sterilized 3, and killed only 1.
This strain of the D.A.N.C.E. Fever, which has been given the scientific moniker 2020-DDR-FN-DIS-KO, was first discovered in a disco hall in Beijing, second in unfortunate hilarity only to 2014’s hRp-BK virus, a form of herpes that causes the penis to become painfully erect and fall off, which was discovered in Bangkok.
Said Global Health Organization spokeszombie Harry Butts Junior, “‘D.A.N.C.E. Fever’ wasn’t our idea for the name. The video of the outbreak in Huan Pablo’s Disco and Bodega in Beijing went viral, if you’ll pardon the pun, under the name ‘Dance Fever Kills 20 At Xingese Disco,’ and within 20 minutes some chucklefuck at 4Chan had named it ‘Degenerate Anterograde Necrotizing Corneal Erosion’ just so he could call it ‘D.A.N.C.E. Fever’ and make it an international meme sensation. I mean yeah, it’s not an inaccurate name, since it does in fact necrotize the flesh of the eyeballs and cornea before working its way into your brain and making you dance until you pass out or die, but like… dick move, user ‘cuminbutts42069,’ dick move.”
We asked Mr. Wallz about the reasons why he donates his allegedly ill-gotten gains to charitable causes, suggesting perhaps he felt guilty about being a criminal, and he responded by saying, “So’s yeahs, we’s was thinkins we’s coulds, ya knows, look like we give a shit or somethin. We lays down, what? $100 million? I makes thats in an afternoons, capice? I was doin’ biggah heists in college, know what I’m sayin! But ya know, it makes the little people feel yanno, like somebody fuckin cares or some shit. Yeahs, I admits I’m an asshole, but at least I’m nots as biguvan asshole as Second International Bank, eh? Sures, I murders dozens or hundreds of people every times I makes a heists, an’ I’s gots whorehouses an’ casinos an’ I smuggle drugs and guns and people around, but the banks, ahhh, theys keeps murderings the moons elves and stealings theirs diamonds bones. The peoples who runs da banks, they ahhh, their ancestors tooks everythings the peoples of Xing, Alkebulan, and Atlantis had and ahhh, built an empire on it. Compared to them, I’m an amateur. Why’s yous so keen on me, eh? Write one a those eck-spoh-zay thingies on them bastards, why not?”
Worldwide, there have been 420,666,069 confirmed cases of D.A.N.C.E. Fever, and 4,200 deaths, according to the CDC. Over 600,000 of these cases – and all but 42 deaths – have been in Xing. As a result, Xing has now tripled its undead citizen population, making it overtake the United States of Vespuccia for the #1 spot, and necromancy is now the #2 growing industry in Xing, beat out for #1 spot only by undertakers.
(Go to page 10 for an exposé on Second International Bank’s theft of its diamonds from the sacred burial mounds of the endangered diamond-boned moon elves, whose culture goes back over 10,000 years.)
(Go to page 8 for an article about the alleged $100 million in bribes the FBCI [Federal Bureau of Criminal Investigations] receives from Samuel Wallz every year.)
(Go to page 9C to learn about the recent FBCI crackdown on illegal soup kitchens for the homeless in Texarcana and Kiowa.)
(Opinion: Do we go too far praising international criminal empires for ‘giving back to the community’ in only the laziest ways? The recent $100 million donation by Sammy the Sledgehammer to fight the D.A.N.C.E. Fever epidemic is less than 0.0000000000000000000000001% of his total net worth. Should we be insisting he do more? Find out what Carla Marks thinks on page 13C.)
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licenselesswriter · 5 years ago
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The One Who Stayed CH13
Lucas slowly and softly gets up from his daughter's new bed. He looks at her sleep, a huge smile on her face, hugging the, way too technological, Star Butterfly Wand that Farkle gives her. Then his smile disappears, even when for Lily was the best day of her short 6 years, and even he was able to say that was a pretty good day, the latest news sends him back into a sadness trail.
He closes the door of Lily's room and walks back to the living room, where Farkle and Mark waited for him.
The silent in his living room was deadly, Farkle and Smackle look at Lucas, and Mark was taking a sip of coffee with a folder in front of him.
- Is this the right call? - Farkle asks him.
- It is - Smackle replies before Lucas.
- Come on - He says trying to defend one of his best friends.
- It's his decision - Mark says.
- I would sign without a doubt - Smackle adds to her argument, making Farkle fake a resentment - Yeah, so watch it, Lover Boy - she says.
- Again, it's his decision - Mark remarks while Lucas walks to him.
- This is it, the final line - Lucas says and sits next to Mark in the couch - Anything you want to warn me? - he asks.
- No, it's pretty legal, pretty even, you will divide her time one month each, also one holiday each - Mark says taking off his glasses - I read it all, 3 times, she didn't even ask money - he adds and Lucas just looks at the folder in front of him.
Lucas just looks at his left hand, then he grabs Mark's pen and opens the folder - To the future - he says, almost like he was raising his glass to it and start to sign the papers inside the folder.
2 hours later, when Farkle and Smackle left, he finally allows himself to breathe again. It wasn't a surprise when a not so subtle tachycardia kicks in, and he sits in the floor. He really wanted to not be like that, he really wanted to not feel the absurd knot he now has on his chest.
Nausea, chest pain, he gets up from the floor, weak knees, tiredness, he gets a glass of Pepsi that was already served, he didn't care the drink was softened by the time, nausea again, this time, tears join, he felt like a total failure, his marriage ended because his wife cheats on him, and now that he just sign his divorce papers, the usual suspects decide to set their tents on his head.
Did I do anything on my hand to keep my marriage?
Didn't I push her to that?
Did Lily is gonna ever forgive him for breaking his family?
"Gods, Lily" he tough to himself, he covers his teeth with his lips and almost bites them off due to his frustration. Tears keep flowing down and he finally does it, he takes off his wedding ring.
He grabs his phone and checks his contacts.
He can't call Zay, not after beating him, even when he deserves it.
He can't call Maya; it wouldn't be fair for her to have her greatest opportunity overshadowed by his confidence problems and his loneliness.
- Fuck it - he says and gets up.
He turns off his phone and throws it into the couch before going to his room. He closes the door behind him and takes off his shirt and his pants. He lays on his brand-new bed and tries to rest a bit.
Divorce is never easy.
Especially when you know it's not your fault.
 The next morning, he wakes up with a little source of heat next to him, and he wasn't able to suppress his smile - Boop - he says and presses his daughter's nose with his finger, only for her to laugh - Morning sweetheart - he says to Lily and she just points him with the wand.
- Breakfast or you'll see - she threats him.
- Ok, ok, just don't shoot - he says and lifts his hands. He gets up from his bed and puts on sweatpants and a shirt - Let's go, Princess Butterfly - he adds and they both walked to the kitchen.
After leftover cake breakfast, they both sited on the new sofa Lucas get for the house and spend the rest of the morning watching Sunday cartoons.
Once lunchtime arrived, he started to look for his phone, thankfully, Lily found it for him, he thanks her and put a kiss on her forehead before leading to his kitchen. He turns on his phone while he filled the electric kettle that Smackle gave him as a congratulation for the new place. Once his phone was completely operative, the chaos begins.
First, he answers Farkle's message with a selfie of him giving him the finger and short message thanking Smackle for the kettle.
Then he answers Riley's messages, telling her that he would stop tomorrow to drop Lily after kindergarten.
He re-uses the selfie he sends to Farkle and sends it to Mark too, with a few curses and the clear message that he didn't commit suicide.
And last, but not least, he answers the ton of messages that Maya left him.
It was easier to call her.
- Hey - he says while the kettle starts to warm up the water.
- Hey - she replies and they both keep silent for good 3 minutes - God this is awkward - she adds.
- It doesn't need to be - Lucas says taking the rice and measuring a half cup.
- You cooking? - she asks trying to avoid the main reason he called her.
- Yeah, people usually have lunch at this time, and we already had leftover cake breakfast - he replies while Lily walks into the kitchen. He grabs the phone and points it to Lily - Say hi to Aunt Maya - he says to her and Maya only heard an enthusiastic "Hello Aunt Maya" - See, doesn't need to be awkward - he adds, starting to chop some garlic.
- I just need you to know that I didn't plan to leave you alone - Maya tries to justify herself, but Lucas cuts her in the second.
- Lily, please go and set the table - Lucas says to his daughter. When he notices that she already left, he picks up his phone again - Sorry for that - he apologizes and puts some oil on a pot - Maya, it's only 3 months, you will get your art exposed in Tate Modern, and trust me when you came back, I will still be here, still trying to get divorced - he lies to her while he put the pot over the fire - For once, don't put Riley, or me, or anything in front of you - he adds.
Maya just goes mute on her end, before Lucas calls her name - Thanks - she replies.
- You're welc... - Lucas wanted to say, but Maya cuts him this time.
- Now I want to fuck you more - she adds.
- Are you serious right now? In the middle of our bonding? - he asks trying too hard not to laugh.
Maya starts to laugh on his end and Lucas fastly joined her, after a few minutes she started again - I'm a bit scared - she confesses.
Lucas put the chopped garlic on the pot and fry it a bit before putting the rice to fry too - Trust me, I still will be here - he says and moves the rice a bit - I just bought this house, and I still have 10 years to pay, so the bank is not letting me go anywhere - he jokes.
- Hey Lucas - Maya calls him - I Love you - she says.
Lucas felt his face change color and temperature; he didn’t remember when he returns to being 15, but what he remembers what happened last night and smiles to himself - I Love you too Maya - he answers, knowing that he was a free man.
- See you today? - she asks.
- Can’t, have a date - he replies and look at his daughter - We're going for ice cream and movie tonight - he adds and on the other side, he only heard a cute giggle.
- Awww big spender, movie and ice cream - Maya jokes making him smile - Don't be cheap and threat her popcorn and diet coke too - she says, making him laugh - Say goodbye to her for me ok? - she adds.
- In your name - he replies before she hung up the phone.
His phone goes to the counter and then he pours some boiled water on the pot with rice, his mind shows her face on his mind and the truth was shown to him. He was in love with that woman, and now, he doesn't need to bury that feeling.
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Two weeks later Lucas drives Maya to JFK Airport, he parked his car and they both stay silent for a few minutes. Lucas grabs her hand and kisses it - I'm gonna miss you - he says.
Maya gets closer to him and kisses his hand - I'm gonna miss you too Cowboy - she replies. She gets even closer to him and rests her head on his shoulder.
Lucas gently rests his own head over hers and then put a soft kiss on her hair - I'm gonna miss you so much - he says, dying to kiss her.
- Do you know what I like about your car? - she asks him while her hand sneaks under his flannel shirt and caress his abs. He shivers to the contact of her cold hands and softly denies with his head - It has tinted windows - she answers, before kissing Lucas' neck.
- Maya... - he wanted to stop her.
- Do you have to? - she whispered in his ear.
- No, I don't - he replies in the same tone lifting her chin and kissing her deeply, slowly and sensual.
Maya refuses to get away from him, and her tongue licks his lips, asking permission to explore, which he gladly gave.
Between kisses, they move to the back seat of his car. Her cold hands unbutton his shirt and he shivers again. He sits first and she mounts him, they try to balance their need for air and the need for each other. He pulled her tank top over her head and his mouth went directly to her chest, letting him hear the moan he's been dreaming to hear. Maya's hand sneak down to feel how hard he is, making him groan to the contact - Looks like you can't wait anymore - she purrs on his ear.
Lucas kisses her with hunger - I've been waiting 15 years for this - he says and grabs her ass before giving her a very lusty laugh.
- Then who am I to stop you? - she replies and unbuttons her jeans.
Lucas, in the last effort to control himself, just covers his mouth, then fastly use that hand to pull down Maya's jeans.
Maya laughs in excitement and helps him with her jeans, she gasps to his touch and he only gives her a sinful smile.
 30 minutes later, Lucas' car stop "moving", inside they share a smile.
- Well, now I can tell - Maya says before laughing next to him.
- Like riding a bicycle, uphill - he says, before turning to look at her - You know I didn't plan this, right? - he asks.
- I don't know - she replies and cuddles to him caressing his thigh - I mean, you were wearing those jeans, and the blue flannel I get you for Christmas - she adds, making him gave her a fake offended posture.
- How do you dare to doubt my motives to wear that? - he asks and then kisses her, just like the time he admitted that he loves her, gentle and tender.
Maya looks at his eyes and kisses him back - Can't my flight be delayed for 5 hours more? - she asks him.
Lucas just laughs - I can't do it that much - he says before taking a deep breath from her neck and kiss her collarbone - At least not in a car - he jokes then.
She laughs and put a kiss on his lips - Let's get dressed, sadly my flight is on time - she puts on her bran when she felt his lips on her hip - Did you just gave me a hickey? - she asks with a lustful smile on her face.
- Just a bit of payback for the constellation you leave here - he defends himself, showing her his chest.
She gets over him and presses her lips against his left bicep leaving another hickey - Hope that helps you to remember me - she jokes.
- Yeah, like forgetting was a possibility - he replies, only to be kissed on the lips again.
The fixed their clothes and walk inside the airport.
Maya checked her watch and a sad smile appears on her face - You owe me a date - she says looking around.
- You know where we are, right? - Lucas asks her.
- You know we just fucked in a car, right? - she asked back.
Lucas blushes and tries to shush her - And I'm ok with the entire JFK not knowing about it - he replies and then grabs her hand - We can have a coffee and some pastries if you want - he adds and Maya gives him a fake offended pose.
- Wow, no class at all, I mean, we just had sex and Starbucks is the best you can think? - she jokes.
Lucas blushes again, but drag her close to him and lift her a bit - If I kiss you will you stop teasing me? - he asks before giving her a smile.
- Totally - she replies and Lucas closes the distance to kiss her - But that only gets you like 3 minutes - she adds and kisses him.
Suddenly they were interrupted by a very familiar voice.
- Get a room - Josh says showing next to them - Ready to be the next superstar? - he asks Maya, ignoring Lucas in the process, only to take a look at him - Friar - he says.
Lucas looks at him with despise - Matthews - Lucas replies.
- My God, cover that - he says fixing Lucas shirt, covering the little purple marks.
- If you're gonna be like this, I'm gonna show you where you can shove the ticket you get me - Maya threats him before Lucas can do anything.
- Care to get us a table so we can have our coffee? - Lucas asks Maya, stopping her from doing anything - Matthews, a word? - he asks Josh, in the less friendly tone he had.
Maya left them alone and Josh just smiles.
- Please, take that smile off your face, it creeps me out seeing you happy - Lucas says, making Josh smile grow wider.
- Come on ex-nephew-in-law, we used to be like brothers in the good times - Josh argues with him, still with a massive smile on his face.
- She doesn't need to know - Lucas cuts him in the spot.
- Friar, she was with us when we acted like that - Josh defends himself.
- Don't play this out asshole, you know what I mean - Lucas says pointing at him very close, making Josh realize something.
- She doesn't know - Josh says, pointing a fact.
- And she doesn't need to know - Lucas adds to his words.
- Ok, I will play your game, it's an interesting one - Josh says and pats Lucas' shoulder - The only question I have is why? - he asks.
Lucas looks at Maya sitting alone at Starbucks glaring at them - She would stay - he replies and Josh smile.
- Zay is right - he adds before walking a bit from him - You should marry her and not my niece - he adds before walking to Starbucks.
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chalkrevelations · 3 years ago
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OK, so, episode reax of WoH Ep 4 is briefly delayed – may be out Sunday, but more likely post M-W workweek. It is coming. Meanwhile, have some more Street Dance of China? S3, Ep 2.
First of all, I have to say that if I had any way of figuring out what some of this music is, I’d have a new Spotify playlist 300 songs long.
ANYWAY, we get a recap of … Wang Yibo being incredulous about coming in last place in a dance competition. Wang Yibo vowing to get back the three colorful towels he lost by coming in last place in a dance competition and therefore can’t use to send three more of his team’s dancers on to the next round. Hip-hop freestyle battles for TOWELS. Wang Yibo getting his colorful towels back. Ridiculous unnecessary drama over whether Lay Zhang is going to win his battle and get EVEN MORE colorful towels, given his competition is Wallace Chung (oh dear. that was kind of blunt.). And that’s what you missed on Glee Street Dance of China 3 Ep 1.
 Snapshots of what’s coming up this week: Everyone has shot their wad on towels and is sweating the fact that they have 59 more dancers they want to send through to the next round and a single towel left. (I TOLD YOU SO. ALL OF YOU.) The only way to get more towels is to battle for them. A hip-hop battle has NEVER BEEN SO IMPORTANT.
Cutting here, I guess, for ridiculously detailed nattering. Hashtag long post (remorseful):
Team Lay Zhang: First of all, Lay Zhang, I just have to note that you’re getting an edit that doesn’t make you look like the brightest bulb in the box. I don’t know if this is just the edit, or if it’s … well. You. I guess we’ll see as the season goes on. Also, in the interim, I have found out that you also are Zhang Yixing, which a lot of your fandom seems to actually call you, so should I call you Yixing instead of Lay? You seem to be going by Lay for this show, so it seems polite to stick to that? Anyway. Gongsun Wu Ming & Hei Zai start us off this episode, and they get off to a little bit of a slow start, but once they pick up, they’ve got a lot of nice air in their moves, that effortless(-looking) almost anti-gravity effect that good breakers can get. Then we almost immediately get a series of ok, that’s fine, oh, wait, no, THAT is actually pretty mediocre poppers, none of whom gets a towel, thank god, because the supply has to be running low. And then Teng Zai appears, claiming to be the best popper, and … OK. OK, alright. Fine. He might be right. His technique and control are fantastic, but you want to know what really sells me, in the middle of this generally fantastic performance? It’s that series of chest pops followed by the little heart held out right on the fk’n music. It’s little details like that, that make or break a performance, and he pulled it off beautifully. I went back to re-watch, it was so slick, yet so charming. OK, maybe I went back to watch more than once. You can’t prove anything. (Also, he gets called their little “Ares” - in quotes, in the subs – by other contestants, more than once, but I can’t pick out the actual sound of that name, which makes me think the subbers have inserted “Ares” as something that will give the flavor of what he’s actually being called. My 1st level Duolingo Mandarin is absolutely not enough to figure out what people are actually calling him, so is there anyone who’s able to give me some insight, here?) Aaaand, Towel Battle 1 (see Footnote 1). Post-battle, we’ve reached the point when all the captains are sweating their lack of towels, so e’rybody is just going to have to battle for towels from here on out. Yuan Ye faces Momo, and a little bit, this is where I expect the knife fight to start (Momo’s bringing the knife). I’m honestly not that impressed with either of them and probably would have saved my towel for someone else, but Lay Zhang decides to send them both through, so what’s the point of a battle to begin with? BUT THEN (dun-dun-dun) some dude calling himself Bon shows up to really cut a bitch, waves away both Yuan Ye and Momo to the sidelines, describes himself as “a boom” and proceeds to give a performance that imo is kind of mushy and all over the place. Lay Zhang looks a little taken aback as Bon sort of grinds up on him but can’t even really commit to that, just before Lin Zi Jie shows up. Lay Zhang makes Zi Jie change his coat - thank god, because you can’t see half of what he’s doing and he actually seems like the most towel-worthy performance out of this whole cluster of flail – and asks for a freestyle battle, which turns out to not be that great on Bon’s or Zi Jie’s parts, actually. I feel like the dance vocabulary here is kind of limited, and we’re left with a bunch of hip-shaking, grinding, and supposedly seductive looks, which is NOT going to cut it in the battles we’ve seen already. Towels to Momo and Zi Jie, rather than putting them in reserve and waiting to see who else shows up, which I think is probably a mistake, but OK, I’m not a pop idol with the clout to star on this show, so. (I know what I like to watch, tho’, and none of that was it.) A promise to Yuan Ye that she gets a Battle Towel. Time for Towel Battle 3 (See Footnote 3).
Team Wallace Chung: So, first off, there’s George, who dances before he’ll introduce himself, and I guess I have to respect a guy who’s going to let his performance be his introduction. And then we get a series of OK that’s fine but not really great poppers, and Wallace, unlike Lay, is handing out towels like candy. OK, my man. If that’s really what you want to do, I guess, but it doesn’t seem like the greatest idea to me. You’re also really fucking with the morale of the dancers who haven’t performed yet, who are gradually realizing that you’re going to run out of towels before you even get to them. Hilariously (for me, if not the contestants), I paused at this point to go refresh my bourbon and managed to freeze on a random contestant, identified as Wei Ming - who I don’t know if we’ll ever get to see actually perform, but he deserves the bolded name for this, alone – looking baffled and concerned, with the English subtitle on his comment reading “Sir, what are you thinking?” I suspect he is not using “Sir” in the sense that I use it when my cat (or Zhang Zhehan) has done something appallingly adorable, but rather when the cat has knocked yet another gd pen off my desk while I’m trying to take notes, just to be a bastard for attention. (OTOH, I guess if you weren’t one of the dancers bold enough to swarm up there in the first couple of hours, you take what you get. Fortuna fortes adiuvat.) We finally get to Lin Meng, whose reputation precedes him, but seriously, if Wallace is just handing out towels to every popper, what does it even mean? Wallace – Wallace – proceeds to basically call Lin Meng an old man before making him bargain for a towel, which is a shame, because Lin Meng deserves to get not only this towel but the four towels you just gave away to some guys who should still be holding Lin Meng’s jacket, Wallace. I mean, seriously, this guy’s technique is fantastic. Even if he does fumble his jacket lapel that one time. Aaaand, Towel Battle 1 (see Footnote 1). Post battle, we get A.K. Dong, who’s got some excellent musicality and a face that apparently resembles a variety show star (Hank Chen?). I mean, I guess it gets him noticed, but it sucks that it seems to overshadow his dancing, because he’s really good. Then we notice our towels are running low, and everybody is just going to have to battle it out. Wallace promises the Battle Towel to some dude who we don’t see perform and don’t get a name for, and with my prognisticatory skills, I’m going to say we won’t need to know his name, because this is the last we’ll see of him. Time for Towel Battle 3 (See Footnote 3).
Team Wang Yibo: First up, we get Bing, whose reputation precedes him, prompting other teams to look around and wonder what all the commotion is about. Bing has a motorbike moment with Yibo, before giving a performance that starts off the tiniest bit mushy before he puts some fantastic technique on display. Yibo pulls out his Perpetual Student schtick and asks for some freestyle with some motorbike elements, which at first makes me suspect you might be fucking with this guy just a little bit, Yibo, but Bing is both game and versatile, and he eventually gets his towel, along with a wish from Yibo to ride together sometime, and oh. (As we say, in A Very Significant Tone, on AO3.) All of that was flirting. OK. On the heels of Yibo giving me yet another clue as to his taste in men, we roll into a seriously uncomfortable segment that stomps all over my embarrassment squick because they’ve cut together several women to look desperate and starstruck and comical and dumb, while Yibo looks increasingly uncomfortable, and I am super not down with this, show. I’ll admit that from what we can see, none of them are great dancers, but I suspect there were a lot of not-great male dancers, too, and I just. Ick. This was unnecessary, you haven’t done it to any of the other captains, and it frankly doesn’t make Yibo look that great, when you set his reactions here against the fact that not only have we not seen approval from him for any female contestants so far, but this segment is the only interaction we’ve seen from him with any female contestants so far. Hard on the heels of this segment, we get Chick, who is very good when he wants to be but also super-extra and annoying, and who fucks around more than he really dances, but the audience seems charmed with him, and Yibo doesn’t give him any of the smackdown he deserves, which doesn’t improve my impression of the previous segment, given the varied ways Yibo iced out some of the women. Meanwhile, Jackson Wang strolls over, and Yibo acts super weird about it, for a guy who was the first one to wander into someone else’s territory, which was – oh, yeah, I remember, Jackson’s – to watch his dancers, and Jackson says that he would give Chick a towel before heading back to his own street, and then Yibo does, even though he fucks with him a little bit first, and then there’s a bit of footage cut in of Yibo making dumbass excuses for this guy, so. I’m not entirely feeling you right now, Yibo. Also, all of this is certainly doing nothing to disabuse me of the notion that you’re about 1000000x more comfortable in homosocial situations, for whatever reason. Anyway, we then get a montage of Yibo handing out some towels to various dancers (including a woman, finally, although she’s intercut with some other people and doesn’t actually get a full segment of her own), and then we get Tao and Cici, who are both good, but Yibo now discovers that he only has three towels and there are two people standing in front of him, so he gives a towel to Tao and promises one to Cici after the next towel battle, which, yeah, Tao is probably better, but this is a hell of time to decide to be circumspect with your towels, Yibo, when you can leave a woman sitting on the sidelines but send her husband through to the next round. :hands: Anyway, it’s time for Towel Battle 2 (See Footnote 2), and I do have to give Yibo props, again, for his teambuilding, because he takes a minute to say, hey, there aren’t a lot of towels left, and there are quite a few of you, so what we’re going to do is all go over there together, and get another towel, as a team. Post-battle, Yibo is still concerned about his lack of towels, and everyone left is going to have to battle it out, although, frankly, the way Yibo’s been going on about how much he likes battles, I sort of think he might secretly be a tiny bit excited about this. He ends up putting person after person into reserve, waiting to see everyone, probably, and then Meng Di shows up, and she’s already got the rest of the group behind her. They know her, they know she has cochlear implants, they respond immediately when she shushes them so she can hear Yibo and the music, they call for the DJ to turn up the music for her, they clap together to emphasize the beat. She’s smart enough to keep six feet between her and Yibo while she dances, so that she doesn’t spook him like the fragile and shy homosocial forest creature he apparently is. She immediately gets her cha cha on when her battle partner holds out his hand to lead her out for her turn. Good technique, even though there are a few bobbles. None of these four performances in the final battle are the best we’ve seen so far, but they’re solid. Yibo is clearly torn about what to do with his one towel, although the audience starts getting kind of insistent that he needs a waacker, and a female waacker at that, and he ends up making Bullet and Meng Di battle again. She’s performing for the audience at this point – I mean, she’s not even pretending about it, she spends most of this round facing them, with her back to Yibo - and she’s also versatile, genre-wise, so I think we can all see where this is going. I think he really wanted to give that towel to Bullet, who definitely is very good, but he knew that he’s painted himself into a corner where he ought to give it to Meng Di, so that he’s got some genre-versatility on the team, if nothing else. Towel to Meng Di, and a promise to Bullet to win another Battle Towel for him. Time for Towel Battle 3 (See Footnote 3).
Team Jackson Wang: First up is Bai, who apparently is a favorite from season one, but I haven’t seen season one – or season two - so I don’t have any history on any of these people. Bai is doing a bit, here, but he’s also generally got some good technique, so OK. Why are they blurring out his left wrist, though? Yang Yu Ting is really good, some more good technique, good musicality. And then we’re already on to Towel Battle 2 (See Footnote 2). Post-battle, we get Shen Kai Xiang, who apparently looks A LOT like Jack Ma, which seems to be little bit like if some Bill Gates-lookin’ mf’r showed up to audition for SYTYCD. Lyrical; good technique; much like Bai, appears to be doing a bit. And, then, as with all the captains, the dearth of towels sets in, and Jackson is going to put everyone in the gladiator ring and make them battle it out. Maybe we can win another Battle Towel. Time for Towel Battle 3 (See Footnote 3).
***
Footnote 1, AKA Towel Battle 1, Team Lay Zhang vs. Team Wallace Chung, 3v3: Team Lay Zhang is San Jin, who they throw up some B-roll on, since the show has spent no time on him so far although he seems to be in cahoots with Xiao Bao (see Ep 1 recap); Gongsun Wu Ming, who’s spoiling for a battle after no one would take him up on it during his initial performance; and Teng Zai, because I mean, come on. Team Wallace Chung is Lin Meng, which should be interesting, since he and Teng Zai are apparently from the same crew, George, and Qin Yu, who we not only haven’t seen before this, that I can remember, but don’t even get B-roll on while Wallace is talking strategy, unlike the other two. Qin Yu, this does not bode well for your future on the show, if they’re not even bothering to give you B-roll, let alone an edit. Both captains are very weird about introducing their dancers, like these guys are some big surprise and aren’t going to dance in front of everybody in a minute and half, anyway. Possibly this is some kind of attempt at a dominance display? I don’t know. It’s won by the host, anyway, who eventually enforces his will and gets some introductions out of the captains. Anyway, Gongsun is up first for Team Lay Zhang, and this dude is just fun to watch, with great musicality and flow, and Wallace’s face while watching him is a picture, let me tell you. He’s up on Qin Yu almost immediately, possibly sensing the weakest link of Team Wallace? Team Wallace counters with George, who’s not having any of that, and gets the first point for his team. Second round, Teng Zai is once again impeccable, so even though someone has lit a fire under George, who spends half his time upside down, he nevertheless loses the point to Teng Zai. Round three, Teng Zai and Lin Meng face off, and they’ve both got great technique, although I feel like Lin Meng has a slight edge there, but I also think Teng Zai did a better job of showcasing strength and control, so I’m not surprised when the judges go for another round, in which Teng Zai is still super-fun to watch and definitely on his game, but Lin Meng steps up with some incredible precision, so I’m a little surprised when the judges give it (unanimously) to Teng Zai and Team Lay Zhang. One more round, and Teng Zai … is maybe wearing down a little bit, coasting on this one, and oh, hey, we’re finally going to get to see Qin Yu, who has some nice fluidity but maybe doesn’t really match up to Teng Zai in the charisma department, which may be why we haven’t seen him before this, and also why he loses the round. Round, battle, and two towels to Team Lay Zhang, and we still haven’t seen more than 15 seconds of B-roll of San Jin. But wait! There’s still a moment to be had, in which Teng Zai suggests donating one of their towels to Team Wallace, namechecks love and peace as a vital part of street dance, and quite possibly cements his place in my – and everyone else’s - heart. Both sides go home with a towel.
Footnote 2, AKA Towel Battle 2, Team Wang Yibo vs. Team Jackson Wang, 3v3 captain-led battle: Oh, they get to choose a song for each other. This should be interesting. I feel like there’s some shit-talking going on here, although I’m not really equipped to catch it and am at the mercy of the subtitles. Does Jackson really ask Yibo, “You WERE a dancer when you were young?” because lol. And Yibo is all, “Eh, kind of?” I do love how neither of them can hold still for songs two and three. So, Team Yibo is also Bing and Tao, while Team Jackson is also Bai and Ting. The thing that strikes me immediately during the minute or so that they get to plan and quickly choreograph is that Team Yibo has everyone there – there’s no point during this planning stage that the entire crew isn’t involved. They’re all part of this. Meanwhile, Team Jackson is just the three of them, separate from everybody, working out their choreography. The whole-team approach IMMEDIATELY pays off, when Team Yibo slams out of the gate with an energy and power and fullness to their performance that Yibo will later comment is fueled by the atmosphere that the dancers at the back create, and he’s right, it’s just like a wave of pressure pushing them forward, not even getting into the fact that the three people actually in the battle are fucking good. Team Jackson is also good, but they don’t feel like a team, the crew in the back doesn’t seem to have it together, and the loss of that – it has an impact. No surprise that Round 1 goes to Team Yibo and their Attitude, which is like an entire fourth dancer on its own. Round two coming up, and the entire Team Yibo is still involved in the planning stages, Yibo’s flannel has come off and we’re down to T-shirt sleeves, and Tao is surprising me not only with his moves – I honestly didn’t expect him to come as hard as he does, given he and Cici were more lyrical in their initial performance – but in his killer instinct, because he’s the one who suggests getting up in Jackson’s face, lit. and fig., by yoinking one of his signature moves. Meanwhile, Yibo is playing gay chicken, and it is just as great an idea as it sounds like (and this is that performance that a clip of it was making the rounds a few months ago); meanwhile Jackson is going high (?) concept, and that is just as bad an idea as it sounds like, although he does attempt some charming self-deprecation when it’s all over (also, omg, one of the contestant reactions later is that he’s “short of brain trust.” I’m not actually sure what the most eloquent way to translate that comment would have been, but it certainly gets an idea across.) Chick actually earns his pay in one of the best moments of the battle that – as much as I hate to encourage it – actually does profit off his general air of douchery, Team Jackson continues to lack the kind of cohesive team feel that Team Yibo is bringing – and second round, battle, and towel to Team Yibo. THIS is the advantage of team-building from the very first minute. Also, fuck, Yibo and the dancers he’s collected are good. Technically, yes, but also, the auditions are getting kind of interminable, but after this battle, I’m excited again, and that kind of audience reaction is a good measure of whether your dancing is successful. (Towel goes to Cici, btw, which, yeah, Tao did fucking earn that for her, so I’m glad you came through on your promise to her, Yibo.)
Footnote 3, AKA Towel Battle 3, all four captains. Cypher. Four rounds. Everyone else’s face when the cypher is announced:  D:   Yibo’s face when the cypher is announced:  >:D  They each get to choose a style of music. Wallace chooses locking. Yibo and Jackson both choose hip-hop. Lay Zhang chooses krump. Yibo’s already moving before the music even starts, to whatever music lives inside his head. The music actually starts, and Yibo is in the center before anyone else gets the chance (probably before anyone else can get up their nerve …) My sound drops out right here, which, wtf, but I can still tell Yibo’s throwing down the gauntlet. He’s beatable, but not by anybody who’s going to coast. Also, goddam, he has legs for days. Lay Zhang is in next, with some good speed and power and crispness to his moves, although I’m having trouble taking that cap with the fake dreads seriously. It’s … actually super interfering with me getting on board with your vibe, my dude. Jackson’s up next, and he has somehow managed to bring my sound back, and he also lands, frankly, the best forward Salto we’ve seen from anyone so far this season, which I have to admit even though he is my inexplicable mortal enemy. Yibo and Wallace, ffs, ice him out in the follow-up, although he then does the same thing to Lay, so who tf knows what’s going on with the actual interpersonals between these guys and what’s for show, at this point. Wallace finally gets his turn and is super-game but horribly out-classed. Yibo gives him props anyway, which, good on you for respecting your elders and their efforts, I guess, baby, but let’s all admit that was an “E” for effort. Judges are frantically scribbling their points down as round 2/4 begins, and Yibo is the first one in the middle, again, and wtf gdi my sound really picks this point to drop out again? I feel like Youku may be fucking with me, at this point. ANYWAY, Yibo is finally, actually all in, and he’s got a fantastic Harlem shake, it’s like his joints are barely connected. I honestly could watch this boy dance all day, that’s how smooth he looks. Here’s the thing about Yibo, and it’s something the other captains haven’t yet achieved, or have only accomplished in slivers of time – he makes me want to dance, too. I watch him, and I want to be doing what he’s doing. You could say that he literally, not just figuratively or emotionally, moves me. And his ability to stoke that is something I really appreciate. Jackson Wang is up next and is pretty good, but I’m honestly more impressed with Lay Zhang, who manages to look almost like he’s being special-effected, that’s how staccato he gets at his best in this round. Wallace dances. The other captains are polite about it. More scribbling from the judges. Jackson’s the first one out there in round three, and he’s honestly looking the least tired of all of them. Stamina is maybe an issue, here. Even with Jackson, some of the finer control is gone. Y’all are maybe a little soft? How long has it been since any of you idols had to endure the workout of an entire concert? There’s a whole ‘nother round to go after this, so you better get your oxygen masks. Lay Zhang is still fairly crisp and pulls off a literal hat trick, although he’s doing a lot more upper body work that lets him stand in place than he is actually moving around. Jackson, with his baby boy enthusiasm and energy, is magnanimous enough to fill up some of Wallace’s time by “pulling” him into the center and then getting out there and dancing with him. I am old enough that I understand what Wallace is going through, but there’s just a noticeable difference in ability, here. Yibo is clearly waiting until last this time, to those of us paying scrupulous attention, although it’s nothing too obvious, and it does buy him enough time that he’s basically recovered by the time he gets back into the middle of the circle, although he’s a little less expansive than he’s been in the previous two rounds. So, strategic, then, too. Judges scribble as we move into the last round. No time for weakness, all of you. DID YOU HEAR ME, because most of you are looking, to be frank, just a little bit WEAK as you circle around and hang out on the edges and try to get your breath and energy back. I’m just sayin’. Lay takes the hit first, and he’s really trying, although he’s not as strong as he was back in the second round. I’m a little bit afraid he might fall over by the end of it. Yibo is sweating but pulls some random dude’s hat right off his head before … at least going all in, even if he doesn’t quite know what he’s doing, krump-wise. He ends by falling on the ground, in a credible WWX-passing-the-fuck-out imitation, which is probably a relief, by that point. Jackson probably has the most energy left, although he’s reduced to pulling off his shirt and posing by the end of his time. Wallace does some dancing. Look. I’m just going to leave it at that. Jackson is still being polite enough to encourage his elder. It’s maybe a little bit endearing. Final result is that Lay Zhang wins, which. OK. I would have placed him second, after Yibo, but I also seem to remember that he won the initial captains’ performance, back in Ep 1, so I guess I can’t be too surprised at this, based on trends. Show director was apparently so impressed, he’s gonna give up four extra towels, one to each captain, which means Lay gets two towels. So I guess towels go to Yuan Ye on Team Lay Zhang and Bullet on team Wang Yibo, if they keep their promises, although don’t know who Wallace and Jackson are planning on giving their extra towels to.
Next ep: Mystery Guest.
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themarchblessing · 6 years ago
Text
EPILOGUE
Dos  Años Más Tarde...
COREY
“Oh..Elle!” I called out. Hopping off the last step I made a quiet advance toward the kitchen. When I stepped inside I instantly went to the pantry. The door is cracked and I can see the pink glitter from Elle’s slippers surrounding the bottom of the door. I decided that I would play with her a bit longer just so she thinks she’s gotten over on me.
“Oh princess Ellena! Where is my beautiful princess?” I called again. Faint giggles from the kitchen almost made me burst into laughter. I’ve come up with all kinds of silly names for Elle and she loves them all. Her favorite is princess. She giggles up a storm when I call her that. And if I call out to her in a funny voice, she’ll definitely laugh.
I stumbled around the house for another ten minutes winding back up in front of the pantry. “I wonder where she is.” I mumbled. Dramatically pulling the door back I spotted Elle holding her jar of cookies, crushing them. “Well would you look at that. The princess got hungry huh?”
She turned her head up at me and did exactly as I thought she would. “Ow me.” she cheesed, pushing her hair out of her face.
“Oh yeah I found you alright. You gonna share some with me? You gonna share with papa?” I asked, leading her out of the closet. Closing the door I took Elle out to the back porch. We lay in the hammock watching people walk down to the beach.
“Daddy..” She said.
Looking at her I opened my mouth to accept the cookie she was giving me. She used my head for support as we took in the beautiful view from here. Seeing my daughter grow up before my eyes over these last two years has really turned me into a soft ass man. Elle gets whatever she wants from me because she’s the baby. Just like her mother and Zay I buy it all. If Elle asks, she gets. I can’t say no to her. Sabrina and sometimes Zay have to step in and be the enforcers so the balance of power is just right.
I’ve also gotten extremely close with Izaiah over the last year.  He’s been curious to know about his childhood and how he got here. Sabrina faced one of her biggest fears and had that talk with him. Zay had a lot of questions and Lori provided him with more than enough in response. He still gets a little upset every now and then when he realizes that I wasn’t around to watch him grow up for so many years. Like when Elle said her first word, took her first steps, stood up on her own, and things like that, Zay will distance himself from us.
I never take his anger to heart but I do empathize with my son. And I also feel angry with myself at times for the same reason. All I have been doing is reminding my boy how much I love him, how proud of him I am, and that I promise to be there for him until I’m no longer living. When Zay does get in one of his moods, Sabrina gets really emotional because she blames herself for it all. She puts all the blame on herself for Izaiah and I building our relationship when he was six instead of when he was a baby. I then have to remind Lori that the way our lives ran its course is not her fault.
We’ve both had numerous conversations about accepting our separate journeys for what the are. Neither of us can change the past but we are learning to live with our paths in life.
“Papa, is mama?” Elle asked, sharing the other half of her cookie with me.
“She’s out shopping but she’ll be back soon. You miss mama?” Lifting my hand I ran my hand over and through her curls. She and Zay both have hair like their mama. Sabrina has these pretty, deep set shaped curls that never lose their shape. In fact after she had Elle, her hair got even curlier, kinkier too. Izaiah has much looser curls that he shockingly still doesn’t want to cut off. And Elle, well her locks are kind of a mix of Zay and her mother. She’s the lightest of the family, complexion wise. Diane is definitely the reason behind my daughters skin tone.
“Yeah.” She nodded.
Elle and I chilled outside for a good while enjoying this weather. Izaiah came home and was in a super good mood so I took the kids to the beach. Elle loves playing in the sand. She always asks me to pick up seashells with her and of course I help her. Every time we leave the beach with new shells I clean them, dry them, and set them in this big glass vase in her bedroom. She’s got these shelves on her wall that we house her favorite things on. Her seashells being one of her top favorite things in the world. I’m sure she’ll ask to count them all out some day.
Because Elle is evolving as a child so rapidly we often let her pick out her outfits now. She likes having a sense of herself when she gets dressed. As her parents, Bri and I feel it’s important to give her the chance to choose what she wears. Two days out of the week she will only wear this one particular set of pajamas all day long. Ravyn came to visit for Elle’s birthday last year and gifted her a set of footie pajamas that have bunny ears and a fake tail. Elle instantly asked for Sabrina to change her clothes. So in the middle of unwrapping her gifts she got changed into her bunny pajamas.
Another big change aside from her trying to talk more is that she’s teething really bad and we’re in the potty training stage. Her gums have been so inflamed for the last couple of weeks because she’s got more teeth coming in. So being that she’s in so much oral pain I give her a lot of soft foods. Yogurt, peaches, bread, grapes, macaroni and cheese is her favorite now, ice cream and just anything that won’t hurt her gums more.
Bri hates that I let Elle eat the way she does but nothing else helps to soothe her mouth. When she starts crying Bri will try and use this safe to swallow ointment that Elle’s pediatrician gave us but lil mama can’t stand it. We hate seeing her fuss about her incoming teeth so we just let her eat all the soft foods she likes. As far as the potty training goes baby girl is getting the hang of it pretty well. I cry sometimes watching her reach certain goals. She’s our little girl and the sight of her growing up scares me.
By the time we got back in the house it was well after sunset. Izaiah ducked off to take his shower leaving me the time to bathe Elle. She more so ended up playing with her toys for the first half of the bath. Then she started fussing about how cold she was so I made her put her toys up so she could get clean.
Picking up her nightgown I fitted it over her head, fanning out the fabric around her little body. Elle went into another one of her baby rampages where she mentioned food and some other things I didn’t quite understand. Once her hair was brushed and she had her favorite princess shoes on, it was dinner time.
I still cook most of the time and I still don’t mind. Truthfully I enjoy cooking more today than I ever have. Being able to feed my family brings me the greatest sense of pride and happiness. Elle and Zay are in the kitchen with me every time we’re about to eat. Elle usually watches us while she plays with her makeshift kitchen toys.
Sometimes Sabrina is down here with us and other times she’s sleeping. Ever since we broke Elle off from breastfeeding, Lori has been napping a lot more. Seeing Elle come off the boob was a huge milestone for us as parents. Sabrina expected to breastfeed for at least a year but that went on to being one year and ten months. Sabrina feels like her old self again not having to share her body anymore. Except with me of course. Now that our kids no longer need their mama to supply them with nutrition, I get all of my wife back. Every square inch of Sabrina Delores Howard is mine and I’m thrilled. She makes constant jokes about how I used to get jealous when Elle wanted to feed for hours. Technically her body was Zay’s first, then it became mine, and then Elle arrived but she’s all mine again.
“Guys!” Mommy’s home. Elle sat upright and turned around looking for her mama. “Donde estan todos!” Bri sang cheerily.
“Mama..” she mumbled. Her arm was outstretched as she kept a lookout. I couldn’t help but smile at how badly Elle wants to see Lori.
“Sit still baby so you don’t fall. Zay, I got this. Go make sure she doesn’t try to jump off the counter.” I can handle dinner by myself right now but I need to make sure Elle won’t hurt herself waiting to see her mom. Zay stood directly in front of Elle to keep her entertained for the time being. Although she realized her brother was the distraction she enjoyed the attention.
Izaiah adores the hell out of his baby sister. She is the perfect child in his eyes. For a boy he doesn’t mind letting Elle play in his room all day long if she tries. He reads to her, watches movies with her if me and Bri are too tired or I’m working on a project or something. He’ll help her eat, brush her hair, and whatever else she wants to do. For a kid who’s on his way to going through puberty in a few short years, he’s not a dick to her. Which is a good sign on Lori’s and especially mine’s behalf. My dad didn’t allow me to be that stereotypical angry black boy. He made sure I used my manners, respected family, worked for everything I wanted and was always kind to loved ones.
The same way my dad was with me, I’m like that with my son. He’s always been a nice kid but the influences of today’s world and kids his own age could change that. Not with who Izaiah’s parents are. We aren’t raising a dickhead for a son.
Lori rounded the corner looking as beautiful as always. The lights caught her rings and then I noticed she did something to her hair. She had her hair blown out looking dark brown with blond-ish highlights fading out towards the end of her hair. Putting the bread in the oven I shut the door and went to take these bags off Bri’s hands.
“Thank you, this stuff is heavy.” She said right away.
“What you got in here anyway?” I asked. Bri kissed me softly and began getting comfortable.
“More pull ups, a few cleaning supplies, and some groceries. You’re cooking early?”
“Thank your daughter. She was getting ready to throw a fit after her bath so I went ahead and got started. She’s been waiting on you. You changed your hair. What for?” Putting only the groceries she brought away I washed my hands and went right back to cooking.
“Yeah..I wanted to do something a little different. I’ve never colored my hair before so I took a risk. You like it?” Looking up from the cutting board I nodded.
“Yeah I like it. It’s different but it suits you.”
“Thank you. Three hours is how long I sat on my butt for her to do this.” She huffed, going over to where Zay and Elle were. “Hi mama’s babies. I missed you guys so much.” They soaked up every second of Lori’s affection. Zay talked her briefly as he came back over to join me.
“When is it due?” Bri asked picking Elle up off the counter.
“Next month. My teacher is giving us three weeks to work on it but I’m already half way done.” Zay checked on the bread first and then he went into the refrigerator to take something out.
“You smell so good my love. You have fun with your daddy and bubba?” Bri smothered lil mama in kisses as she sat across from me.
“Yeah.” Elle nodded.
“How’s your mouth, baby? Is it still hurting?”
“Yeah.” She replied again sounding sleepy.
“Can mommy see?” Elle let Bri check inside her mouth to look for any new signs of teeth.
“Nothing yet?” I spoke up.
Bri told Elle to close her mouth since she was all done. “No sign of her back molars yet but I can tell where they’re going to come in. Her bottom gums are red again.” Bri took out some applesauce and began feeding it to Elle. “I hope this doesn’t last much longer. I hate seeing her in pain.” Bri complained.
“It’ll pass. And besides all her teeth are almost in. She’ll be okay as long as you keep that stuff out of her mouth.” I warned in reference to that cream.
“I know she hates it but that’s what it’s for Corey. She used to be okay with it.” Bri frowned briefly letting her face settle after about a minute. “Here baby..” spooning more applesauce into Elle’s mouth Bri picked up a nearby rag to place over her clothes. Elle can be a messy eater in this terrible two stage that she’s in.
We’ve had enough outfit changes from feedings alone to supply four families with for a whole winter season. That’s how badly Elle can ruin her clothes. And it only happens when she tries to consume too much at once or when she feeds herself. She’s getting much better with getting the spoon in her mouth with all the food on it though. I do give her that.
“How’s your mom doing? Is she ready to move down here?” Bri’s mom has to move close to us due to her health declining. Bri puts a brave face in front of the kids but when it’s just us, she breaks down quite often.
Sighing deeply, Bri finished feeding Elle in silence. I saw what me asking did to her mood so I put that conversation on the back burner until we get alone. I don’t want her to be upset about her mom in front of the kids so I changed the subject. Izaiah noticed and jumped in to help me out.
Sabrina didn’t say much when it was time to eat. She was silent setting up our table, fixing Elle, Izaiah’s and my plate. When we all sat down she was completely tuned in to assisting the baby with her food. Every so often she would respond to something that one of us said so she didn’t mentally shut everyone out. She was on her way to helping Zay with his school work until I stepped in. I let Bri have some time to herself hoping that by the time I get in the room she’ll be in a better mood.
“Is mom okay?” Putting away his art supplies for his project Izaiah sat back on his bed.
Sitting forward with my elbows on my knees I cupped my hands over my mouth.
“Dad?” Zay called quietly. He carefully got off the bed not wanting to wake up lil mama. It’s past her bedtime and if she wakes up it’s going to be damn near impossible to get her down again. Zay closed his door and stood in front of me. “What’s wrong with mama? Is she mad at you?” He asked.
“Nah. She’s not mad at anybody. Your grandma is moving down here to be closer to us. However, it’s the reason behind grandma’s move here that has your mom so upset.” I explained.
“Is grandma sick?”
“Yeah, she’s not doing too well. She’ll be here by the end of the month and it’s scaring your mom. So if you ever see her get really quiet or distant, or she looks like she’s about to cry, be her shoulder. Do whatever you have to to ensure that your mom knows you love her. I’d never wish anything bad on anyone we love but if something does happen to your grandmother, mommy is gonna need a lot of love. From me, you, and Elle. She needs us right now.”
The tightness in my chest and that massive urge to throw up hit me like a ton of bricks. I can’t believe I just said that out loud. I never ever wish any negativity on those I care about. But the reality of the situation is the that Diane isn’t as healthy as she used to be. Losing her husband did her in. That’s when she started to go downhill emotionally. Sabrina’s father dying really affected Diane to her core.
I guess talking about my mother-in-law hit more nerves than I thought. I didn’t start crying in front of my kids because I fought the urge with all my might. I talked to Izaiah for a while about how he can help comfort Bri if she starts to lose it. Elle is back in her bed sound asleep. Now it’s time to check on Sabrina. Walking down the hall I stepped in the room sensing a lot of weird energy.
“Bri?” I said. Turning the corner I walked to the bathroom to find Lori standing in the shower, motionless. She was facing the backyard letting the water pour out over her head. I gave her company whether she was prepared for it or not.
I stepped behind her tracing over her tattoos. She noticeably relaxed under my touch. Seeing her react to my sense of touch hit me deeply, making me understand just how much of an effect on my girl I have.
“I can’t lose her Corey.” She sniffled. “I can’t lose her too.”
I knew this would happen. I knew mentioning her mother earlier on would cause her to break down once she wasn’t in front of Elle or Izaiah. It’s not in my nature to sugar coat but the first thought that came to mind would hurt her feelings. Now is not the time for me to blunt but I can’t mask my honesty.
So rather than causing my wife more hurt I said this instead, “you’ll never lose her. She’s always gonna be with you Sabrina. Always. Just like your dad. Everyday since he’s been watching over you, helping to guide you and protect you.”
“My tio said she’s happy to be moving down here. I however thinks she’s in denial about the meaning behind her relocation. I just hope she can handle this transition okay. After all she’s leaving behind her home and the life she’s known for so long.” Bri threw her head back, squeezing the bridge of her nose with her eyes shut.
Using my hands to gather her hair I set it over her shoulder leaving me plenty of area to play with. “She’s gonna be okay. She’s got a hell of a daughter looking after her. And I know she loves you so much.”
“I just don’t know how I’m gonna deal with losing another parent. And I don’t need you to tell me that death is inevitable because I know that. But that doesn’t make loss any less painful.” Bri turned around to face me. I could see the pain in her eyes as she decreased any space between us. Her head fell to my shoulder, one arm she threw behind my back, and the other across my free shoulder.
“Why are you thinking about losing her already? I could see if your mom was laid up in a hospital but she’s not. She’s still in her prime and you have to believe that. Stop getting ahead of yourself and just live in the moment.” I advised hugging her back. As we stood here chest to chest I thought over possible ways to make Diane’s move easy for us all. After all these years of being in the states, mama Guerrero is coming back to live in her home country.
Somewhere deep down inside I know Lori is happy to have her mother close to her again. It was my idea to get Diane a house just twenty minutes from ours to begin with. The idea came from Lori storming in the house, screaming about her mom going to the ER. This was on the first of this month. She was beyond panicking. Sabrina was all “we have to go” and “we can’t stay here anymore”. Basically saying we need to move to California.
I was against it only because of Izaiah and Elle. Izaiah has moved around and switched schools enough. Even though Ellena is still very young I couldn’t bare the pain of turning her world upside down. A move would only confuse and upset her. I didn’t want to put our kids through a drastic change in lifestyle regardless of how young they are. Sabrina and I have worked very hard on our home and to maintain the lifestyle we’ve grown so accustomed to.
“No matter what happens Lori, I got you for life.” I vowed. Lifting the arm she had on my shoulder I kissed her hand and each of her fingers.
Bri fingered the back of my neck melting in my embrace. “And I thank you. You know you’re never leaving me right?” She stated. Her sass does nothing short of turn me on.
“Why would I ever want to? You ain’t going nowhere either. You’re stuck with me forever. Your soul wouldn’t be able to rest without mine anyways so be ready for the rest of our lives and afterlife to be just like this. I was the first and the last to ever put a ring on your finger and give you beautiful babies. Ain’t no nigga other than me raising my kids.” I joked.
Lori fell out laughing cause she knows I’m right and seeing her happy is all I ever want.
“Ay, eres un pesado..” Standing up right Lori ran her fingers through my hair. The act was relaxing enough to make me close my eyes. “Your mom told me that I’m the best partner she’s ever seen you with. And we both know there have been a lot of women.”
“A hell of a lot of you.” I nodded. She slapped my shoulder because of what I said.
“Anyways...she’s very proud that you quit hoeing around and settled down. So is your dad.”
“I wasn’t hoeing around. I wasn’t content keeping any old girl around. Settling is not my style. Maybe testing the waters and seeing what else is out there but never settle.”
“What about me?”
Opening one eye I saw how serious she was. Quickly I looked at her through both eyes and told her, “you my love are an exception. The difference between you and the rest of them is that I didn’t have to find you. You were always there and I couldn’t be happier for it.”
She smirked. “Oh yeah?”
“Mhm. We’re gonna last. I know that for sure. But you will always be my best friend Lori. First and foremost. That’s not gonna change for anybody or anything.” I have no doubts that Sabrina and I will be each other’s last. No doubts whatsoever.
The End.
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yuniesan · 7 years ago
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One-Shot - Through Her Eyes
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A/N: I haven’t written a one-shot in a long time...... There are a few notes below the cut. This is only going to be posted here for now because I haven’t decided if I want to share it with the world just yet.
Through her Eyes
Prompt: It’s been over a year since Maya last spoke to Riley, the triangle broke apart their friendships, Lucas won’t talk to any of them, Farkle transferred to a different school, and Maya has gotten new friends, she’s the popular girl in school, she sits at the popular table, laughs and smiles with everyone. But is seems as if something has been missing from her life something that has been missing since that fateful night almost two years before. After an accident leaves her unconscious, Maya is sent back to the past to relive everything that happened since yearbook, but through Riley’s eyes… and what she sees makes her realize just how big of a mistake she had made by breaking her best friend’s heart.
A/N: This is an AU so some things will happen in the same way they had on the show while other things will be completely different.
Sophomore year of high school was half way done, and Maya couldn’t believe she had gotten as far as she had. Everyone in the school knew who she was, she was popular and as crazy as it sounds she had good enough grades that she didn’t worry about disappointing her mother. But as the year came to a close she felt something pulling at her heart, something that had been missing since middle school and she couldn’t understand why everything had ended the way it had. It happened the year before as well right around the holidays, as the lights around the city began to glow with festive fairy lights, and those little pop up shops appeared everywhere.
She missed Riley.
The one person that had always been there for her, through the hurt and the pain of her father leaving, through the uncertain times she had once had with her mother, through the good and the bad. She couldn’t figure out where everything went wrong and she lost her best friend, everything had been fine until the summer after the end of middle school. After those two months had passed without Riley who had spent it with her brother at their grandparents’ place. Everything changed after that, Riley had let go of their friendship, Farkle had gone to Einstein Academy with Smackle, Lucas stopped talking to everyone, and Zay just tried his best between the bunch of them. They all separated from one another, and Maya couldn’t understand why it had happened.
At the end of the first month of freshman year Maya went to see Riley to ask about what had happened and why she wasn’t talking to them, to talk about what was happening. Their friendship ring, Riley’s ring was sitting on the center of the bay window, pillows no longer there no bears, no stuffed animals, no color at all. The window was bare, a curtain covering it from the room, she couldn’t see into Riley’s room anymore, the windows had been sealed shut.
It had hurt Maya, more than she let anyone see, but instead of dwelling on how everyone in her life abandoned her, she pushed forward and moved on. Just like when her father had left so long ago. She no longer saw the Matthews, unless she went to see her mother at Topanga’s. She didn’t talk about them, she moved on because she didn’t want to deal with what had happened. She sealed her heart away… she didn’t need these people.
Yet when the holidays came she could feel the pain in her heart, the pain of something missing. Christmas with the Matthews, seeing Josh and acting like she was cool and mature, talking with Riley over hot chocolate at the bay window which was covered in decorations. It hurt to think about it, so she tried to push it aside.
Lucas, Zay, and Riley all went to the same school, but they never saw one another, she never saw any of them at all, the school was too big. Some days she swore she saw the flutter of Riley’s long brown hair, the top of Lucas’s blonde hair in the crowd, or she could hear Zay’s loud voice in the hallway. But they were almost always out of reach. So, she stopped looking for them, and started living her life. Art Club, choir, drama club, keeping herself busy was the way to go.
Everything was going to be fine.
Until it wasn’t.
It had happened on December 8th of all days, Riley’s birthday, Maya hadn’t been paying too much attention as they finished the sets for the school play. Romeo and Juliet. The memory had been playing at the back of her mind, Riley and Lucas that moment just before he kissed her as she lay dead in the play. Just before Farkle interrupted everyone just so he could stop Lucas from kissing Riley. It had been during happier days, in what felt like another world. She knew that she shouldn’t have been distracted, she should have been paying attention, she should have heard them calling out to her telling her to jump away. Instead a piece of the set fell on her and knocked her unconscious.
And this is the story of how Maya learned the truth about what happened to her friendship
When Maya woke up she was looking out into Riley’s bedroom, the room before the forced remodel, before Riley had wanted her room to grow up with her. With bright colors, and swatches of purple and blues all over. She was confused, why was she in Riley’s room, but as her body began to move Maya had realized that she wasn’t in control.
I want to show you, a voice said to her. The truth of how your friendships ended.
Maya was confused, she couldn’t understand why this was happening, but as Riley jumped up and smiled into the mirror, looking at a picture of her and Lucas from their first date, and then a picture of her, Maya and Josh at Christmas, Maya had realized that if she was being shown something, this would help her understand her friendship with Riley and what had gone wrong.
So, she watched, as the day went by, it was the day of the yearbooks, the day where Maya had been named best couple with Lucas. That’s when she felt something inside of her breaking, but it wasn’t her emotions… they were Riley’s. Maya couldn’t understand it, she had lived through this moment with Riley, so why would it cause her best friend pain. But she watched through Riley’s eyes, and felt the hurt inside of her, as Maya’s image stood in front of Lucas and ha-hurred at him, made comments to him. All the while the twinge of pain went through her body.
Maya couldn’t take the hurt anymore she wanted to close her eyes, to shut out the world, but she couldn’t because she was connected to Riley and through that connect she was seeing what she had missed.
She watched as Riley turned dark, and as Maya herself turned into Riley, and there it was again, the hint of pain. The moment Lucas’s eyes had met Maya’s own, the moment where it hadn’t mattered to the whole class that Riley was no longer Riley because Maya could be Riley. She watched as Riley watched Lucas interacting with Maya. And when Maya heard the words.
“Aww, Lucas, you're a very sweet guy. That's why I always liked you since I fell onto your lap on the subway. It's why we should have been favorite couple. Because we're so much alike. You know, it's like we're two sunshiney people from the same sunshiney family. That's why I like you so much. It's like you're my brother. Oh. It's like he's your,” Maya heard herself say.
“What,” Riley had said but the pain inside of Riley intensified.
The rest of the conversation blurred out, she couldn’t hear it over the dull roar around her, the pain of her feelings being pushed aside. This was where it had started, where their friendship had that first real crack in its foundation, this is where Maya realized as she watched the world through Riley’s eyes, this is where she had lost her best friend.
Slowly as the memories flooded through her, as the days passed by, she saw it, the small moments where the cracks began to form. The next happened with the semi-formal, with Lucas not asking her, but the pain became worse after a conversation with Riley’s uncle and his friend, after Riley had seen Lucas dancing with Maya’s physical form. Each passing day the pain slowly grew, as Maya watched on, seeing the world through Riley’s eyes. Acting like Riley during the yearbooks, was nothing like being Riley, like watching the world slowly crumble in front of you.
Riley tried to make herself happy, she had her little awards ceremony after school, she danced around, she skipped in front of everyone. But suddenly the smiles slowly became fake, slowly Riley began to fade away whenever she was alone. When no one else was around.
That’s when the messages began, the texting, the painful moments, a bully.
There was a part of Riley she had never seen during those days, a part of her that Maya should have known, a piece of her best friend that had been hidden away. As Riley stood in front of her mirror every morning before Maya would show up to pick her up for school.
“I am Riley Matthews,” she would begin. “I’m a good person, I can get through the day, I can be happy… I’m fine… I’m fine…”
The mantra would begin every morning as she got up and got dressed for school. They helped Riley with the bully, but in the end Riley had been better about hiding things than Maya could have given her credit for. She had once believed that Riley was perfect, that she couldn’t lie to anyone, but as the days passed she hadn’t realized just how wrong she had been about her best friend. Every morning Riley would tell herself that she was good enough, but would cry herself to sleep at night. With each day Maya could feel the broken pieces of her best friend begin to grow. When they saved the art program, just the act of Lucas saying that he wanted Maya to be happy, a moment shared between the two blondes, had cause a bit of pain. But Riley hid it well, she hid everything.
Once she became a cheerleader, the pain didn’t go away, but it dulled because she was at practice, surrounded by others. She was making new friends, but in the back of her mind it was there, the doubt that anyone truly liked her.
Everything was building up to a single moment, and Maya knew this, but she couldn’t figure out where it was, or where it was coming from. And then, they were in Texas, and Riley understood what Maya had been feeling, slowly everything within Riley shattered into a million pieces. Even though on the outside she acted like nothing was wrong, and smiled like everything would be alright. She saw the moment through Riley’s eyes as she told the world about Maya’s feelings, as she walked away to give Maya and Lucas a moment.
“I can give him up,” she whispered to herself. “Maya deserves to be happy, and if it’s with Lucas… if it’s with Lucas it’ll be fine,” she hiccupped as she tried to regain in her emotions.
Then it happened, something Maya had never known, Riley had seen it, that almost moment between her and Lucas. Riley had walked back to the campfire, she had forgotten her phone and wanted to use it to listen to music. That’s when she saw it, the moment that would define what would happen to them for the rest of the year. Her best friend had known it had happened all along, and all that was left was the feeling of Riley turning around and running as fast as she could. She continued to run until she was far enough from the house, from the campfire, from everyone she knew, and the one boy she loved, she ran until the only sound she could hear were the huffs from the horses, and the sounds of the cows in the pasture.
And when she was sure that no one was around… she cried out to the world, until her voice was hoarse and her body shook.
As Maya watched, and saw everything happening through her best friend’s eyes, she realized just how far gone their friendship had become. The cracks in the foundation were permanently going to be there. For the rest of their lives. There was no going back from this.
So, in the days since they returned to New York, in the days where the truth was revealed to the whole class, Riley’s mantra had slowly become her way of reminding herself that she was allowed to be in pain even for just a little while.
Maya felt the pain, the fractures within Riley growing, as Riley’s own mother passed her along to Maya so that someone else could deal with the problem, as her father tried to teach lessons to them about growing up and moving on. As their friends started to divide themselves trying to figure out where to stand in this new world. As Riley lied to them each and every single day.
Farkle saw, he tried to help, but even he couldn’t see where this was all headed, and Maya could kick herself for not realizing it was happening because she was too lost in herself to notice. Lucas had tried to talk to Maya in the same way that he had talked to Riley, because Texas Lucas no longer existed and that was probably the one version of Lucas that Maya could have liked.
Then the moment she hadn’t expected, it was strange that she hadn’t ever realized that it had happened, but she realized that she never truly knew Riley. The only version of Riley that she knew was the happy go lucky mayor or Rileytown, she hadn’t realized so long ago that the reason why Riley always wore shirts with such long sleeves, was because she had been covering something else up.
It started with a cut, it was small, almost as if she had accidentally brushed up against something, a pain to take away a different pain. It didn’t happen all of the time, it only happened when things built up, when it became too much to watch Maya and Lucas together. They had all missed the signs, they had all missed everything that had happened. Most of the cuts could be blamed on her clumsiness, she had done them in places where no one would question them. But Maya knew the truth, and she hated herself every moment for it as she watched the days go by.
They only increased when Farkle revealed everything to the whole class, and Maya started playing everything back in her head. She had been too busy looking at herself that she had to look back to see the differences in Lucas as well. Maya in the middle, breaking the two of them apart. Even to this day she couldn’t figure out why she had started to like Lucas in the first place, why it had all started in the first place. Why she had hurt her friend so badly. She looked deeper into the recesses of Riley’s memories, and saw them, the looks she sent Lucas, thinking no one would see her, the small moments they shared even though Riley had pushed him away.
It was after the end of the year, the end of middle school, when she had seen someone truly notice something was wrong. That someone was Josh, who Maya hadn’t seen since that day after she had seen him in the dorm when she had made Riley sneak out. The day she told her mother the truth about her sneaking out and making Riley cover for her. Josh who still made her heartbeat just little faster than most boys out there.
“I messed up,” Maya whispered into the void of her own mind.
Maya watched as Josh pulled Riley aside and pulled up her sleeves, his face filled with horror as he saw the scars. The one everyone else dismissed as a part of her clumsiness, he didn’t say a word, instead pulling Riley into a hug and running his hands up and down her back as Riley broke down into tears. Everyone else nearby, close enough that if they had been paying attention they would have noticed that something was wrong. That something had been wrong for so long and they had all missed it.
Instead he pulled her into her bedroom and closed the door, and for the first time since this had all started Maya wished that she could close the gates into Riley’s life and pull away.
“Since when,” Josh said once Riley had stopped crying.
“Since just before new year’s,” she whispered to him, and all Josh could door was look at her with nothing but sadness in his eyes.
“You need to tell me everything, from the beginning Riley, because I want to help you so I want to know what could have caused all of this,” he said pulling her towards the bay window.
Maya watched Josh’s face as Riley told him every detail of every moment that had happened in the time since he had last seen them. He had been too busy with school, working part-time with his father and getting ready for NYU to be able to go back to New York for even a short while. And from the look on his face, he had hated himself for it, because he had missed the chance to help Riley, to help their friendships.
“How about you spend the summer with me and your grandparents in Philly,” he said after she had finished.
Riley had spent the summer with her grandparents, and her little brother, after Josh had yelled at his own brother for missing everything that had actually happened. He yelled at both of the Matthews for not realizing just how much pain Riley had been in, because in the end it was easier to ignore the harsh reality than deal with it head on. No amount of lessons inside of a classroom would have prepared them for what had been happening. He yelled at them for paying more attention to the kids that their daughter was friends with over her, he yelled at them for not being there when she had needed them the most.
“You shouldn’t have let her go to Texas in the first place without an adult there,” Josh had said before rushing off Riley to her room to help her pack.
There had been a fight between the brothers, but in the end, they had all realized just how much they had missed in the months since Texas.
Do you see? The voice said. Do you see how much you have missed?
When Riley went to sleep that night, Maya had woken up in the hospital, a bandage on her head and her mother standing over her, as worry marred her face. She remembered everything, and she wasn’t sure just how much of it had been real.
“Momma,” Maya said looking up at her mother’s relieved face. “I think I messed up.”
Her mother didn’t say anything, Maya wasn’t sure if either of them knew what to say, but in some way Maya understood that her mother had known about what was happening all along and had said nothing. Why would she, Maya and Riley hadn’t been friends in a long long time.
Maya watched as the doctors checked her out, worried about whether she needed to be kept for observation. In the end they moved her into a room and her mother sat down beside her, a look of sadness on her face.
“I know about Riley,” Maya said looking out towards the wall hoping to make herself as invincible as possible. “Why didn’t you tell me?”
“It wasn’t my place,” her mother said after a long moment had passed. “The Matthews had asked me to take care of the café, they weren’t going to be able to run it for a while, they told me that they needed to take care of their kids. I knew something was wrong, but they told me that I shouldn’t tell you because they were afraid of how you would react.”
“So, keeping me in the dark was better?”
“No, but in the end, that had been Riley’s decision. She wanted time to heal, to get pass everything that had happened, because she wanted you to be happy.”
Maya looked at her mother as the words sunk into the recesses of Maya’s mind, she only saw everything up to the day Riley had left, she didn’t know what had happened afterwards. She didn’t know what Riley had decided to do, everything was meant to show Maya that something had happened, the rest was up to Maya to decide.
A knock on the door drew her from her thoughts, as a familiar blonde boy stood in front of her door, his face filled with worry and sadness.
“I’ll leave you two alone,” her mother said before patting her on her knee. “I’ll be down the hall getting some coffee.”
Her mother left them alone, and Maya couldn’t help but wonder what Farkle’s part in all of this had been. She remembered him knowing about Riley holding back, on her feelings on telling them the truth but she didn’t know how far it went.
“Hey,” he said before sitting down in the chair her mother had been sitting in not too long ago.
“Farkle,” she said as fresh tears fell down her face. “I’m sorry for being a bad friend.”
“Maya you’re not a bad friend,” he said but she shook her head.
“I was a bad friend to Riley, I hurt her, and in the end, I didn’t see what she had done to herself.”
“Maya, we all missed it,” he said before taking her hand. “It’s the reason why I went with Smackle to Einstein Academy instead of going with you all. I felt ashamed for missing it and I ran away instead of standing beside her.”
“How long did it take for you to find out about her cutting herself, about her depression, about everything?”
“Too long, I noticed just before graduation, around the time you three had decided on just trying to be friends, and it hadn’t been working for any of you. I noticed only because she had messed up and cut herself somewhere that was impossible for her to get a cut on unless it had been deliberate.”
“And you ran,” she said softly as he nodded.
“I didn’t know what to do, but she got help, even if it hadn’t been from any of us.”
“Except Lucas had spiraled out of control because of it,” she murmured but Farkle had stiffened next to her. “What is it?”
“Lucas doesn’t know,” Farkle said, sighing to himself. “Zay and I decided to keep it from him because he was already in pain. He missed Riley, and he couldn’t figure out where everything went wrong, and he went and got himself drunk on something.”
“Why didn’t I hear about this?” she asked shocked about being kept out of the loop on something else. She had hurt them both in her quest to find herself.
“It was right after Riley had left for her grandparents, we didn’t tell either of you because she asked us not to, she told me she wanted to figure somethings out, except when she came back everything had gone to hell and she was in therapy. Lucas is still working on himself, I hang out with him and Zay sometimes, but without Riley there I think he’s always going to look for that anchor.”
The tears started coming out, she had been the one to push Riley away the most, after she had come back, just because Riley hadn’t spoken to her, because Riley had spent the whole summer without her, without telling her where she had gone. She had felt abandoned by her best friend and in the end, didn’t speak to her until it had been too late. Riley hadn’t forgotten her, she just didn’t want to burden her with what had been happening. All it had taken was three months of radio silence to make her feel like she had lost her friends.
“How did you know I was here?” she said wiping the tears from her eyes.
“Riley sent me a message,” he said to her. “Maya, I know what you’re thinking and Riley didn’t abandon you, she was hurt and confused and so much was happening to her at the exact same time as the yearbooks, and the semi-formal, and well Texas.”
“I was too wrapped up in myself,” she interrupted him.
“We all were, we all had our own lives outside of our friendships, outside of school, we were all trying, the problem is that in the end, we sometimes miss something important.”
“When did you get all grown up?”
“When I realized I had abandoned you,” he said before pulling her into a hug. “You can fix this, the first step is to talk to her, and Lucas, and Zay, because we all need to start fresh.”
“Where do I start?”
“Well that librarian had told Riley back in seventh grade to start at page one, so maybe that’s where you start. Except go through the front door, the window isn’t open right now.”
“Thanks, Farkle,” she said giving him a small smile.
“It’s my job as your ex-husband,” he said with a laugh.
Maya had been out of the hospital for three days before she had gathered enough courage to speak to Riley. In those three days she had blamed herself for a lot of things that had happened, but in the end of it all what had been the real problem was communication. As close as Riley and Maya had been, they never really talked about what they felt, instead they hid it behind masks until it bubbled over enough for someone to notice.
She knocked on the Matthews’ apartment door, someone had left through the front door as she had walked up so she had used it as an opportunity to take her time until she wanted to knock on their door. Now she stood there as Mrs. Matthews opened the door and gave her a wide smile.
“I was wondering when you would be back,” Mrs. Matthews said before opening the door for her. “Riley’s in her room.”
“You know this was going to happen?” Maya said shocked for a moment.
“Yes, we all did, especially after Riley had started therapy, because in the end it was up to the both of you to mend your friendship.”
“But she locked the bay window, she took off her ring.”
“Yes, but she left it there for you, in your spot, waiting for the moment when you would both be ready for this moment,” Mrs. Matthews said as she closed the door and led Maya towards Riley’s room. “Time for the both of you to talk, without interruptions.”
Maya nodded and stood there for a moment as Mrs. Matthews walked away. Maya could feel in her heart that this was a long time coming, she knew that she should have come back again and again but she had been left behind before so she hadn’t tried. She opened the door and saw Riley sitting at the bay window waiting for her with a small smile on her face.
“I heard you coming up here with my mom,” she said as she slowly pulled on the frayed edges of her ripped jeans. Maya watched as she took in the new appearance of her once best friend. Her short bob haircut, an oversized sweater, things she would never have thought Riley would wear. “I haven’t sat on this window in a long time.”
“I guess you were waiting for me to come back,” Maya said with a smile. “Ring power?”
“Ring power,” Riley answered before she started to cry.
“Riley I’m sorry,” Maya started but Riley held her hand up.
“My therapist tells me I need to learn to talk about things better,” Riley started before patting the seat next t to hers. “She tells me that I can’t hold on to things because it hurts.”
“Do you talk about me?”
“Sometimes,” she answered with a shrug, “We talk about my family, my friends, you and Lucas, actually Lucas started going with me a few months ago after I stopped him from getting into a fight.”
“Are you two… together?” Maya asked wondering if they had repaired their relationship without her knowing. She wasn’t jealous, she was more worried, because he wouldn’t have started down this spiral if they had all just stayed together and worked out their problems. But that was the past, and if Farkle was right they had to start at page one for the second time.
“We’re kind of unofficial again,” Riley said smiling at her. The same smile she had once had long ago. “We’re taking it slow, and talking like we used to, but for now it’s one step at a time.”
“That’s good,” Maya said smiling back. “I realized that what I had felt a long time ago wasn’t the same as what you two have.”
“I want to know something,” Riley asked her. “How did you find out?”
“I don’t know some,” she said, it was the same question she had been asking herself for days since she had woken up in the hospital. “Cosmic power made me see everything through your eyes and from there, I guess I realized that I missed a lot of things.”
“I’m sorry for not tell you,” Riley blurted out.
“I’m sorry for listening to what people were saying,” Maya said back realizing that if she hadn’t listened to her classmates so long ago none of this would have happened.
“Peer pressure is a bitch,” Riley said sighing.
“Since when do you curse?”
“Well, it’s still new,” she laughed. “Blame watching action movies with my dad and Lucas.”
“I feel like I missed out on a lot,” Maya said pulling her legs to her chin. “I was too hurt by everything to figure out that I had missed so much.”
“Yeah well it took a long time for me to get to where I am now, I mean I have the scars to prove it, but it took a lot of work.”
“You don’t cut yourself, anymore right?”
“I don’t,” she said before rubbing her hands up and down her arms. “I have the urge sometimes, especially when I miss my best friend, or when I feel like the world is watching me and judging me, but I have a support system in place. I start by texting Lucas, and if he’s not around I go to my mom, or I email my therapist.”
“My mom knew about all of this, and she didn’t tell me,” Maya said wondering where she had lost control over her own life.
“It wasn’t her story to tell, but in the end, you were always going to come back I knew that for sure.”
They spent the next two hours catching up with one another, filling in the gaps in their lost year and a half, Riley telling her about her time in Philly with her grandparents, about the family dinners with her parents and her brother and the work they had to do to get to where they were. She told Maya about the hardest times she had faced, and learning to live with the scars from her decision to cut herself. Maya told her about her clubs, and he classes, about how she had grown closer to her mother, and lived without her friends by making new ones.
“I missed you Riley,” she said after a while.
“I missed you too peaches, but I think we had to go through all of this in order to find a stronger part of ourselves.”
“So, what now?”
“Now we move forward, it’s a new beginning so we find a middle ground and keep moving until we’re comfortable.”
“Can I go with you and Lucas to therapy?”
“Sure, we’ll bring Farkle, Zay, and Smackle too, it’s time we finally find our happy middle, after a rocky beginning.”
“I hope so too.”
A/N: This was an idea, of a reality based reaction towards the triangle, but mixing in all of the things that could escalate to this. The bullying included. Why did I write this? I grew up in an environment where people swore my family was happy, where both parents worked and raised their children. An environment where my own family missed the fact that I had been bullied relentlessly throughout middle school, where I developed self-esteem issues, where I self-medicated myself as a way to try and kill myself because the pressure had been too much. I received death threats even in high school, where one person said to my face that they would kill me because they had believed that it had been my fault that they had been kicked out of a summer program. I have anxiety because of this, I suffered from depression (although now it’s more well managed), and I have issues with the world at large to the point where it’s hard to truly trust others. It takes a long time for me to pull down those walls and feel normal, but I try my best.
So, when I started writing this story I wanted to make it as realistic as possible, and the most realistic thing is that something like this would break Riley from the inside out, but it would also break their friendships to the point where none of them would speak to one another again. The person who the story would be viewed from would blame themselves no matter what, because in the end we will always blame ourselves if something were to happen to someone close to us and we couldn’t do something to stop it. Although I gave it a happy ended because I will always wish for that happy ending for myself.  
The other side of this is that I handed in my master’s thesis on Tuesday, a thesis project which is a memoir about my time in middle school and high school and how I dealt with bullying. So now I think I’m projecting it into this story.... I don’t know if it’s a good thing or not, I don’t know if people will like it, but in the end, it’s just one story in an endless amount of stories.
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