#finy

[finisnihil]

I’m tired of people acting like Zhongli is a serious and chill guy who would never cause problems on purpose as if he isn’t one of the biggest menaces out of the Seven. He used to throw mountains at Venti for annoying him. He, the god of history, starts fights among historians for shits and giggles. He tried to gaslight the Traveler into thinking he was totally not at the Chasm guys really Aether/Lumine you must be seeing things maybe you should go see Baizhu. When Qiqi wanted “Cocogoat” milk he was like “Oh yeah sure totally let’s go look for it” knowing damn well it was a wild goose chase. He made the Traveler sing to a flower and then was like “Oh would you look at that” when a Whooperflower jumped out to maul them. I love him. He’s like a cat pushing things off the counter to see how people react. I would pay to see him interact directly with Neuvillette because I know for a fact he’d get on that man’s nerves and argue about water tasting just to feel something. Furina used freedom from godhood to take a nap and Zhongli used it to give psychic damage to anyone who talks to him longer than 5 minutes. Iconic.

[random-brushstrokes]

Leonor Fini - Portrait of Princess Francesca Ruspoli (1944)

[fordarkmornings]

Leonor Fini (Argentine-Italian, 1907-1996)

The Coronation of the Blessed Feline, 1974

[cubbihue]

Not sure if its been answered but how did the converstion about timmy becoming a fairy went when cosmo qnd wanda told him about it?

While Cosmo and Wanda did discuss the plausibility to Timmy, it had been Jorgen who gave him the full run down. After all, it's Jorgen who has the final say on whether or not a child is taken to Fairy World. He has to weigh the risks and rewards to ensure that only the right children be taken.

Overall, Jorgen was brutally honest with Timmy. The transformation. The Changelings. The loss. Jorgen was with him every step of the way, and carefully guided him until Timmy was confident enough to make his own choice.

For this, Timmy is forever grateful to his Uncle.

Bitties Series: [Start] > [Previous] > [Next]

[dykedvonte]

Curly's little blurb on his steam trading card just keeps reminding me he is a much more miserable person than people realize.

We don't get a lot of his thoughts, inner confliction that aren't bogged down by what Jimmy says or does. Even in the The Last One and Then Another, his dialogue is reflective, not the Curly before the crash but the result of everything. Parts of the him he was are there of course, but also disfigured and warped beyond recognition just like he is physically.

Curly really doesn't think much of himself and desires. He clearly chases fleeting moments of happiness. He doesn't really have prospects for himself, assumes in a similar way to Swansea, that if it should make it happy then he is happy. Though, he hasn't reached the point Swansea did to admit it doesn't. He neither sees the glass half full or empty, it's just water, something he needs and he'll take it from any perspective.

He wasn't running from anything but he's never really been going towards something either. He's listless. I've been using the term complacent to describe how he feels about his life and the closest people (really just Jimmy) in it, but now that word feels too neutral, too nice. Happier than Curly really was. There isn't just one word for it, he's unfulfilled, uncertain, uninspired. There are no active problems he faces and that's the issue, why should he be upset?

I believe he really is a person who doesn't know who he is or wants to be. He follows a structure. I don't think he's suicidal, but he clearly doesn't think about what makes him happy. He's numb. I suppose that is a better word than complacent, used to the feeling even if he hates it. It doesn't hurt so why stop it?

[firstfullmoon]

in her introduction to albert camus & maria casarès’ correspondence, catherine camus wrote that their letters made the earth larger, space brighter and the air lighter just for having existed. & in one of his last letters, camus wrote that a single heart had beaten within them so that it would still be heard in the mystery of the world even after both of them had vanished

[weirdlookindog]

Leonor Fini (1907-1996) - Extrême nuit (Extreme Night), 1986

[jsketch12]

Tapu Fini's waters

[gideonisms]

sequence of dyke drama in atn is like so: harrow gets furious that ianthe fooled around with gideon while she was gone (tried to do surgery on her), attacks ianthe with skeletons -> this gets ianthe wet -> gideon gets mad harrow is attacking someone ELSE with skeletons instead of her -> gideon starts flirting with ianthe in front of harrow to make her jealous -> ianthe flirts back because she loves it when harrow is mad at her -> all of this drives them into ianthe's most heavily anticipated threesome but she spends the whole time in a chair to the side while harrow and gideon cry on each other and have something that technically could count as sex (alecto is also there but she's just standing in a corner)

[sacredwhores]

José Mojica Marins - The End of Man (1971)

[console-pokeballs-rupees]

Pokemon x Card Captor Sakura by valoo_art on Instagram

[finisnihil]

“They finally made this theme more blatant-" Why does it need to be blatant. What's wrong with subtlety? Concepts can be underused but subtlety is not neglect.

Blaring all your concepts and themes is not good writing. It's so disruptive to a story's flow when the characters look off the screen to be like "See? This is the concept. The idea. The theme."

If you can feel the hand of the author becoming too heavy that's bad.

For example: I see people saying Azula's abuse in ATLA is more blatant in the live action and it's good because "it's being discussed more". It already was discussed at length. The show made it clear she was a victim at every turn, every behavior, every reaction, it came from a place of trauma. It was made clear that she was scared of ending up like Zuko because Zuko was an example of what would happen to her if she failed. When she says she's better than Zuko it wasn't just because she was raised to think hersef superior to him but because Zuko failed and failures get mutilated and exiled, failures are abandoned. In that final Agni Kai the music is morose and somber because this isnt some epic battle its a fucking tragedy, the burning out of "Ozai's brightest light" and Azula finally succumbing to her terror and trauma she was repressing now that her worst fears are realized. How can you see a fourteen year old girl chained to a sewer grate wailing and writhing and breathing fire desperately as unsympathetic? Even Katara and Zuko are horrified as to what has become of her.

The writers weren't looking us in the eye and saying "See? She's a victim too" when they wrote this, they weaved it in. They weaved it into her obsesison with symmetry, her extreme perfectionism, the way she talks about Ozai, the ways she calls herself a monster, her isolation from those with healthy home lives, all the ways she held herself together and ultimately all the cracks and seams that she shattered down when she fell apart. It did not need to be blatant to be clear.

[thunderstruck9]

Leonor Fini (Argentinian, 1907-1996), Rogomelec, 1978. Oil on canvas, 125 x 60 cm.

[milksockets]

'leonor fini wearing a feathered mask, in vogue, 1946' in the surreal body: fetish + fashion - ghislaine wood (2007)

[diioonysus]

"purple is a color that sparks imagination and awakens the spirit."

[weirdlookindog]

Dora Maar (1907-1997) - Leonor Fini, 1936