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[truecrimepromiseversion2]

Who is Los Angeles Jane Doe (September 11, 1991)?

Reconstructions of the victim by NCMEC (The Doe Network)

Reconstruction by Carl Koppelman

Reconstruction of the Victim by Barbara Martin-Bailey

Los Angeles Jane Doe (September 11, 1991)

Physical Description

Age Approximation: 15 - 25

Race/Ethnicity: White/Caucasian or Hispanic/Latino

Sex: Female

Height Approximation: 5′0″ - 5′5″ (60 inches - 65 inches) (152.4 cm - 165.1 cm)

Weight Approximation: 170 lbs (77.11 kg)

Hair Color: Dark Brown to Black

Eye Color Brown

Distinguishing Characteristics

Hair long and wavy with short layers in the front and sides

Marks on her nose

Then lines around her eyes indicated that she wore glasses or eyeglasses regularly

Scars on her right knee and left calf

A raised scar on her right clavicle

Two areas of different pigmentation on her abdomen

Had a severe infection of her upper right lateral incisor which may have caused significant pain

Case Information

Date of Discovery: September 11, 1991 (Unidentified for 31 years as of 04/10/2023)

Location of Discovery: Los Angeles, Los Angeles County, California

Location of Discovery on Google Maps: https://www.google.com/maps/place/34.0522265,-118.2436596

Time of Death: Approximately 4 - 6 hours before discovery

Cause of Death: Homicide

Inventory of Remains: All Body Parts Recovered

Condition of Remains: Recognizable face

Dentals: Available

Fingerprints: Available

DNA: Available

Clothing/Personal Items

On the Body

Blue horizontally striped T-shirt

Light blue denim shorts with black leather pockets

White cloth bra

Black socks

Near the Body

Dark brown or black ankle-height hiking boots with white shoelaces (size 8)

Circumstances of Discovery

On September 11, 1991, around 6:30 pm, Jane Doe was lying on the ground of Green Meadows Park at 431 E 89th St. in Los Angeles.

Cause of Death: Homicide

Missing Persons Exclusions (NamUs)

https://www.namus.gov/MissingPersons/Case#/3063

https://www.namus.gov/MissingPersons/Case#/6575

https://www.namus.gov/MissingPersons/Case#/6410

Krista Dela Rosa (Oregon)

Investigating Agencies/Contact Agencies

Lost Angeles County Corner

Agency Case Number: 1991-08384

Agency Contact Personals

Betsy Magdaleno, Coroner Investigator, Identifications

Daniel Machian

Agency Phone Numbers

323-343-0512

323-343-0754

Agency Email Address: dmachian@coroner.lacounty.gov

Los Angeles Police Department - Southeast Division

Agency Case Number: 91-1825992

Agency Phone Numbers

213-485-4341

213-972-7813

Agency Email Addresses

homicideops@lasd.org

contact.lapdonline@gmail.com

NamUs

Agency Case Number: #UP3838

Agency Contact Personal: Allison O’Neal, Regional Program Specialist

Agency Phone Number: 817-372-4169

Agency Email Address: aoneal@rti.org

National Center for Missing and Exploited Children (NCMEC)

Agency Case Number: 1184173

Agency Phone Number: 1-800-843-5678 (1-800-The-Lost)

National Crime Information Center (NCIC)

Agency Case Number: U533281745

Sources/Further Information/Places of Interest

https://www.namus.gov/UnidentifiedPersons/Case#/3838/details

https://www.doenetwork.org/cases/443ufca.html

https://www.missingkids.org/poster/NCMU/1184173/1#poster

https://www.websleuths.com/forums/threads/ca-los-angeles-hispfem-443ufca-15-20-green-meadows-park-sep91.55140/

[magnify-ing]

8.) Elisa Lam

     Los Angeles, the beloved city of California, is the home of the popular hotel, Hotel Cecil. If the name sounds unfamiliar, the hotel was actually a key concept in creating the storyline for the popular show: American Horror Story. That title may have rang some bells. The fifth season titled AHS: Hotel, showcases a hotel called Hotel Cortez, which was built in Los Angeles, CA. It was recently purchased by Will Drake (Cheyenne Jackson), a fashion designer from New York. Little was known about what happened in the past, why there were strange occurrences and hauntings. As the season went on, the story unfolded. This show is amazing for anyone who finds gore, suspense, and mystery appealing. Regarding so, this story just as interesting as the show that was influenced by it.

    Usually, in any vacation or stay away from home is in a hotel, motel, etc. Anyone would expect nothing too fishy or odd to happen in a hotel, considering whoever stays will eventually go. No one would necessarily have business within a hotel, but that is just an assumption. However, a strange occurrence happened in a hotel quite recently, the year of 2013.

    A twenty-one year old woman named Elisa Lam checked into Hotel Cecil on January 26, 2013. Unfortunately, twenty-eight days after her last appearance, February 19, 2013, Elisa was discovered naked and deceased, inside of the hotel’s water tank located on the rooftop. The autopsy states that the young woman’s body was not tampered with and only suffered from drowning. There were no signs of trauma/internal and external injury and “toxicology studies did not show acute drug or alcohol intoxication.” Her clothes were found inside the tank with her, but they did not display any damage either. As for the crime scene itself, investigators did not find any fingerprints or evidence that would support a homicidal claim. It was wondrous as to how Elisa got to the rooftop and into the tank, she would have needed to climb up one of the three the fire escapes outdoors, get to the lid of the almost ten-foot water tank, open the extremely heavy lid, and close it herself. Very, very peculiar.

    Although, Elisa was diagnosed bipolar which she had taken four different medications for, as previously stated, nothing intoxicating she could have been under the influence during her death was found. It is unknown whether her condition played a role in her death, but there is a popular theory that is quite chilling.

    When Elisa first checked in, she was put in a room with another, but then moved to her own room, because her roommate was struck by her odd behavior. To truly see what her roommate was talking about, Elisa’s last (literally recorded) appearance was in the hotel’s security camera inside an elevator where she displayed such. In the video, it seemed as if she was talking to someone but no one was seen, she strutted in and out of the elevator in a strange way, and she never went up or down a floor in the elevator, she stayed in that area for quite some time. It is also known that the clothing she wore in the recording were the same ones found in the water tank. Since there were no signs of another person or being involved in the scenario, the theory implies that paranormality took place. Take the video for example, her unusual behavior already displayed conversation with someone that was not there. Some people believe that Elisa was talking to ghosts of the hotel’s past. Hotel Cecil was home to two notorious murders, Richard Ramirez and Jack Unterweger, also to the souls of those who committed suicide in the building itself or on the premises. Also, Hotel Cecil was one of the last locations the Black Dahlia was seen before she was murdered. If that name is unknown, an article I wrote about her case was posted a few weeks back, it can be found below. Nonetheless, there is nothing else that can support the theory ; it can be assumed that Elisa was influenced by whomever she was supposedly speaking to near the elevator, but that is only just a belief.

     As for Elisa Lam, I truly believe she did not do such a thing to herself, let alone go through all the trouble she would have to go through. There were no signs of depression or suicidal tendencies shown by the young woman, only happy and joyful, yet strange behavior. She did not go unnoticed though, her case influenced many theatrical productions internationally. In Castle, an ABC television show, an episode’s storyline was based off of Elisa Lam, and so was the movie, Hungry Ghost Ritual, a film produced in Hong Kong. Knowing about Hotel Cecil background, which is very bizarre, I would be too afraid to even be on the hotel’s property. Maybe it is noteable to do some research on a place before living, or just staying there, before even deciding to make it a final resort.

[caveartfair]

8 English Art Terms You Should Know

The words we use to talk about art can often seem opaque—and not just when they take the form of foreign languages like French and German. Yet this lexicon is an invaluable tool to have in your arsenal when thinking about and analyzing art. With roots in far-flung historical moments and art movements, the following eight English art terms will set you well on your way to discussing all kinds of art like a pro.

Canon (Canonical)

Épouse de Francesco del Giocondo, dite Mona Lisa, ou la Joconde (Wife of Francesco del Giocondo, called Mona Lisa, or la Joconde), 1503-1506. Leonardo da Vinci Musée du Louvre

Las Meninas, 1656. Diego Velázquez Museo Nacional del Prado

Differing little in spelling but significantly in meaning from its double-N homophone “cannon,” “canon” comes from the Greek word kanōn, meaning a measuring rod, rule, or model. The term was first used within the context of Christianity to refer to the faith’s accepted guidelines and, later, to official, church-decreed regulations. As early as the fourth century A.D., the parts of the Bible that were considered to be the word of God were deemed to be of the canon, or canonical.

Over time, the concept of a canon expanded to a wide range of fields, from literature, film, and music to philosophy and even geography. Today, it generally refers to the established works, individuals, or theories that form the historical backbone of a particular discipline or genre. Spanning from antiquity through the contemporary era, canonized artworks are generally privileged in art history courses, museum exhibitions, and other art world institutions—venerated as exemplars of the movements they represent, and of art historical progression.

The canon has received its fair share of criticism for prioritizing Western art created by white males, with scholarly efforts emerging at the end of the 20th century to critically assess and broaden it. In addition to the overarching art historical canon, individual artistic movements or national traditions may be said to have their own canons.

Painterly

Starry Night, 1889. Vincent van Gogh The Museum of Modern Art, New York

“Painterly” art is characterized by visible brushstrokes that evidence the hand of the artist and call attention to the nature of the artwork—in other words, to its paintingness. Painterly work is looser and less tightly controlled, contrasting with linear work, which is defined by discrete outlines and borders, as well as smooth, inconspicuous paint application. Linear painting took center stage during the Renaissance, when an interest in creating the illusion of three-dimensional space flourished—though Venetians Titian and Jacopo Tintoretto, among others, also celebrated a painterly technique with expressive, unpolished brushstrokes.

In the centuries that followed, artists who advanced a painterly approach proliferated, from Baroque painters like Peter Paul Rubens, to Impressionists like Pierre-Auguste Renoir and Berthe Morisot, to Post-Impressionist Vincent van Gogh.

“Painterly” need not apply only to paintings; it can also describe elements of works in other mediums that suggest a painted quality. In photography, for example, such works abounded in the 19th-century Pictorialist movement, whose practitioners aimed to elevate the status of their fledgling medium by making their images resemble paintings through atmospheric colors, hazy forms, and surface brush marks.

Figurative

Cabeza, from Portfolio II, 1982-4/2005. Jean-Michel Basquiat Phillips

Young Girl with Blue Dress, 2007. George Condo Phillips

The adjective “figurative” is applied to artworks that contain identifiable, real-world subjects, often (but not necessarily) including the human figure. Most, if not all, Western art created prior to the birth of modernism—which championed abstraction—represents the physical world, and can thus be described as figurative. Called “figuration” in noun form and often termed “representation” or “representational art,” figurative art was dismissed throughout most of the 20th century as artists pursued what they saw as the higher, universal language of abstraction.

Despite that move away from figuration, artists like Alice Neel and Benny Andrews continued to make figurative art in the mid-to-late 20th century, and Jean-Michel Basquiat helped to revive an appreciation for it in the 1980s. In the past decade, the art world has seen another resurgence in the popularity of figurative painting, especially in work that takes an unconventional approach or reflects upon social realities—like that of Peter Doig, Henry Taylor, Jenny Saville, and Lynette Yiadom-Boakye, to name just a few.

Notably, figurative art includes—but is not limited to—realism. Photorealists like Chuck Close and Richard Estes hold down one end of the spectrum, while Pablo Picasso and Willem de Kooning painted figures that are significantly abstracted from reality, yet still include recognizable forms.

Foreshortening

Dead Christ ("the foreshortened Christ"), mourned by the Virgin, a pious woman and Saint John Apostle, ca. 1480. Andrea Mantegna Pinacoteca di Brera, Milan

Beginning in the 15th century, during the early Italian Renaissance, artists like Paolo Uccello sought a convincing way to depict three-dimensional objects in a two-dimensional artwork. Their solution was foreshortening, a technique that is still ubiquitous today, in which the artist adjusts the scale of an object’s parts to convey variations of depth within the picture plane.

Perhaps the most famous case of foreshortening is the depiction of Jesus in The Dead Christ (ca. 1480) by Andrea Mantegna, who was a preeminent innovator of the technique. By making the subject’s feet larger and his head smaller, as well as by shortening his limbs and body, the artist created the illusion of the body receding backward. Often, the foreshortened effect is not quite true-to-life, but that’s intentional—the artist makes the difference in size less extreme, so that the nearest part of the foreshortened object does not overwhelm the composition or block the farther part.

In addition to portraits, foreshortening also appears in still lifes, landscapes (such as with a road that winds away from the viewer), and Renaissance frescoes (often used for the representation of architectural elements) by the likes of Michelangelo, Raphael, and Giambattista Tiepolo. More recently, Lucian Freud achieved virtuoso foreshortening in his Reclining Figure (1994).

Gestural

Number 1, 1949, 1949. Jackson Pollock MOCA, Los Angeles

In his seminal 1970 book The Triumph of American Painting: A History of Abstract Expressionism, art historian and critic Irving Sandler coined the terms “gesture painters” and “color field painters” to describe the two distinct branches of Abstract Expressionism. With artists like Mark Rothko and Barnett Newman in the latter contingent, Jackson Pollock epitomized gesture painting. Pollock insisted on gesture, or the action of painting, not only as process, but as the primary content of his finished work, while critics read his drips and splatters of paint as outward manifestations of his psyche.

Although it is rooted in this particular moment in art history, the term gestural has come to apply more broadly to any artwork whose dynamic and sweeping strokes, pencil marks, or sculptural modeling reveal the act of the work’s creation, often with an element of perceived informality, spontaneity, abandon, or emotional intensity. While examples of gestural artwork abound throughout art history—from Chinese ink paintings to Van Gogh’s swirling landscapes—contemporary artists whose works feature gestural elements include Basquiat,Georg Baselitz, and Gerhard Richter, among many others.

Participatory

Abramović Experiment Pt. 1, 2009. Marina Abramović Kreëmart

From Felix Gonzalez-Torres’s piles of paper or candy that visitors can take, to Rafael Lozano-Hemmer’s installations that light up in response to viewers’ fingerprints and heartbeats, to Marina Abramović’s silent staring contests, “participatory” art depends on the viewer in order to be fully realized. A descendent of Dada, which relied on an audience’s reactions to intentionally outlandish speech, costumes, and props, participatory art can also trace its roots back to Allan Kaprow’s 1960s Happenings, which involved guests in immersive, choreographed experiences.

In the same vein as interactive art, participatory art covers a wide range of practices and motivations. Some artists call attention to participants’ sensory experiences and interpersonal interactions, as with Lygia Clark’s 1968 Dialogue: Goggles—in which two volunteers look at each other through distorting lenses—or the meals that Rirkrit Tiravanija cooks for gallery visitors. Other participatory works, like Tania Bruguera’s performances, are based in social activism and community engagement. Nearly all participatory art, however, challenges the traditional artist-viewer relationship and the position of the artist as sole author, as well as the nature of an artwork as a static finished object.

Masterpiece

The Scream, 1893. Edvard Munch National Gallery, Oslo

Girl with a Pearl Earring, ca. 1665. Johannes Vermeer Mauritshuis, The Hague

Google variations of “masterpieces in art” and your search will return numerous articles that purport to list the most famous or greatest works of art across history. Artworks considered masterpieces are often undeniably impressive in their own right—virtuosic works that display both the talent and skill of their makers in terms of color, composition, inventiveness, or sheer labor. However, the pieces deemed worthy of this recognition are also intimately related to the art historical canon; for decades and even centuries, they have been written about, displayed, and fawned over, taking on a near-mythical significance.

Although it is still widely used, in recent decades, the term has been critiqued by some scholars for perpetuating a tradition that is overwhelmingly Western, white, and male. Not only did “master” necessarily refer to a man, but the word still refers almost exclusively to male artists who are recognized as having advanced the Western tradition, as in Old Master or contemporary master. Some scholars similarly take issue with the term “masterpiece” for being based in mere renown, rather than in critical evaluation.

Historically, however, a “masterpiece” was a more objective designation. Borrowed from the Dutch meesterstuk and the German Meisterstück, the word literally referred to a piece that an artisan submitted to his guild to become a master of his craft. After attaining this superlative classification, he could pursue his trade without supervision and teach others. With attention to factors like originality and authenticity, connoisseurs and art historians later helped shift the definition of the word toward its current iteration.

Biennial / Triennial

The French Pavilion at the 57th Venice Biennale, 2017. Photo by Casey Kelbaugh for Artsy.

Emerging in the early 1600s, the word “biennial” derives from the Latin words bi, meaning “twice,” and annus, meaning “year.” Not to be confused with “biannual,” which refers to twice-yearly occurrences, “biennial” applies to those events that happen every other year, and can be used as both a noun and an adjective.

In noun form, and in art world terms, a biennial is a large art exhibition that takes place once every two years and surveys recent work from the host region or country, or further afield. The Venice Biennale (biennale is “biennial” in Italian)—founded in 1895—is traditionally considered the origin of the modern biennial and still stands apart in its size, scope (last year’s edition featured 83 national pavilions), and prestige; it is often referred to simply as “The Biennale.”

Biennials have recently exploded in number and continue to spread around the globe, with Latvia’s Riga International Biennial of Contemporary Art (RIBOCA) and the Bangkok Art Biennale in Thailand having both launched this year. Triennials—which range from the New Museum Triennial in New York City to the Garage Triennial of Russian Contemporary Art in Moscow—are versions that take place every three years, from tri, meaning “three.”

Compared with art fairs, biennials and triennials (as well as quadrennials and quinquennials, which occur every four and five years, respectively) are less commercial, and generally focus instead on celebrating artistic innovation and fostering critical dialogues.

from Artsy News

[super-blondie2018-blog]

911

we've got Chippers Chalet...and St. Joseph's. They all have big asses, two black males. I lived with one of them at Char Lou Manor, board and care, 2456 E. Street, 92102, RHONDA GAMBLE HOLMES is INVOLVED. She was the manager back then. We've got BIN LADEN, CHEMICAL WARFARE THREATS, fingerprints on the computers alone. Real names; they're all illegals. She came in in a wheelchair next to me once, black female, looks just like them, eyes, on the santa monica blue line, 90401. They are now at CHIPPER'S CHALET, 25th & E. Street, 92102. SHARON is involved. Sharon is connected to Rachel's Women's Center, more bin laden bitches there. 759 8th avenue, 92101, 911. purportedly, Chipper's Chalet perps are persons of interest in Jessie Alexander Rubio's homicide. I heard the rumor. He is my brother too.REAGAN, his birthday is coming up on April 15, 2018. rumored that Gil Garcetti is involved. Leader. They are connected to the Westwood Branch library, behind CVS on westwood blvd., off of glendon and wilshire, 90024. BONO from U2 (david paul hewson) is connected to that, safe space, CHILDREN, child rape. fyi. two staff members there, via NSA,purportedly drowned their newborns. 1 female, blonde, looks like tom petty; desk near the computers in the back. the other black female raised/volunteered her info regarding the child; usually incites, gives me a hard time, indirectly. i ignore them. they try to get me off of the computer, like NOW. I'm intel. looks like they are all ambassadors; they think im lucrative, senior officer in the military, MERCENARIES. they're probably also CONVOY/ENVOY in what war? They in turn are connected to the West Los Angeles REgional Library, between Corinth and Purdue, off of Santa Monica, ca 90025. Bono and the west los angeles police station is connected to them, in the back. fyi.

911. brb

[optometrist0]

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[anshinmobilenotary]

Live scan fingerprinting

Live scan fingerprinting is a modern bio metric technology that digitally captures a person's fingerprint using a specialized scanner. The scanned images are then sent electronically for identification and background checks.

[anshinmobilenotary]

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[anshinmobilenotary]

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[anshinmobilenotary]

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Anshinotary specializes in assisting individuals with the complex process of criminal background checks for the FBI and Department of Justice in Los Angeles California. With their expertise and guidance, we ensure a smooth and efficient experience for our customers. If you need your background check, contact a Anshinotary. we will provide you with detailed information and support. For the latest information, visit our website https://www.anshinotary.com/ or contact us directly.

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Quick and Efficient Fingerprinting Live Scan Locations in Los Angeles

Receive convenient and reliable fingerprinting services at our Live Scan locations in Los Angeles. Our trained professionals ensure a seamless process for employment, licensing or background checks. With state-of-the-art equipment, accuracy, and a focus on your safety, schedule your appointment today for hassle-free fingerprinting. Secure your future with our reliable services. https://www.anshinotary.com/

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We have Hire Anshinotary Fingerprint Live Scan Service in Los Angeles

At Anshinotary we always support technology and try to provide our best. We provide Live Scan and Fingerprinting Services in Los Angeles. No matter where you live in Los Angeles, our team members will come to you and complete the necessary procedures. That's why Anshinotary is the best fingerprinting service provider. Call us today to learn more

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Mobile notaries are redefining accessibility

Mobile notaries are revolutionizing their services by bringing them directly to customers' locations. Gone are the days of busy offices and time consuming paperwork. With Mobile Notary, individuals can now conveniently complete legal documentation from the comfort of their homes or offices, making the notarization process more efficient and convenient than ever.

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Find the revolution of mobile notaries, bringing convenience right to your doorstep! Say goodbye to long commutes, endless paperwork, and wasted time. With mobile notaries, you can now get important documents notarized from the comfort of your own home or office. Whether you need a power of attorney, real estate transactions, or legal forms, they come to you, saving you precious time and energy. Embrace the future of notarization and experience the ease and efficiency firsthand. Don't miss out on this game-changing service—schedule your mobile notary appointment today!

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FBI fingerprint checks are used for high-security purposes to verify a person's identity and criminal record. Fingerprints are submitted to the FBI, who check them against their criminal record database and issue a report on the individual's criminal history, if applicable.