#fine. i'm a bad person. i admit it. is your society going to cast out everyone who doesn't - wait i've seen this on tng

[basingstokemercury]

anyway to completely digress from all-nighter fuelled semi-poetic character analysis

personal life is rapidly approaching the point of impossibility

yes thank you i know i need a job to get anywhere and it's unfair to expect parents to completely support me when i'm perfectly healthy and the things i need to go into serious theatre aren't exactly cheap

so uh

still waiting to find one single job outside the creative arts that can be performed while being:

lazy, selfish, socially nonfunctioning, irresponsible, unable to maintain focus on boring/repetitive tasks, conflict-averse to the extent of shutting down when confronted, completely irregular sleep schedule, allergic to routine that involves more than a couple scheduled events per week, unsuited to manual labour, and oh yeah absolutely terrible at interviews

"you're such a good teacher" thank you. i've been a student. not going anywhere near a room full of kids.

"you said yourself you want to work with animals" i do. i'm also nowhere near responsible enough to be in charge of caring for little squishy things that could die if my attention wanders.

"waitress -" spent years going to restaurants with the kind of person who annoys waiters. wouldn't be one if it were the only job on earth.

"cashier -" just a less intense version of waitress. and anyway i'd never be able to sit there for hours doing the same thing over and over.

it's awfully touching that people have faith in me but i do think i know my own flaws.

okay that was rough. have a fairfax.

[maxwell-grant]

Having asked your thoughts on designing Frankenstein's daemon, might I now ask your thoughts on bringing Count Dracula from the written word into illustration? (I'm definitely in favour of the 'Hairy Old Mountain Man of Horror pretending he's people' look from the original novel; one of the small tests too many Draculas fail to pass is an absolutely tragic lack of the Evil Beard and/or Wicked Moustache explicitly described by Mr Stoker).

Unlike with Frankenstein, where I think the design needs to be painstakingly thought out in order to achieve the best balance of the creature's traits for horror and tragedy alike, I think with Dracula you can actually just take an approach of "whatever works". Because as I mentioned before, I think much of the appeal and longevity of Dracula is how the character's both a layered villain as well as a shapeshifting narrative force that can be tailored to whatever you want to do with. Granted, there are bad or dissappointing Dracula designs, of course there are, but in regards to the leeway you get for reinterpretation, you get a lot more of it with Dracula than with other literary icons.

Like with Frankenstein, I'm gonna bring up how I'd tackle a less grim, more comedy-centric Dracula first, one that's less a force of horror and more of a charismatic villain, and I think to that end I definitely agree that people are sleeping a lot on the hairy old man barely-passing-off-as-humanoid of the original story. Despite very much loving these performers, I'm actually not a fan of takes that mold Dracula too closely to people who've portrayed him, like Bela Lugosi and Christopher Lee, partially because I think it's a waste of an opportunity to create your own Dracula design. Since I can't draw (yet), I'll do what I usually do and make a board of images to try and convey some of my thoughts on one way I'd design Dracula.

(Pictured: Kiwi's design for Dracula, Hotel Transylvania concept art, Nandor, Castlevania Dracula, Charles Dance in Dracula Untold, Vladislav, a Transylvanian rug)

I used the images in my other Dracula post and I’ll post it here again because I absolutely adore @kiwibyrd's designs for Dracula and it's main heroes, in particular I love the way it strikes a good balance at making sure Dracula looks distinctly separate from the humans, but not too much that he couldn't conceivably operate in society as just a harmless old man. I also adore the mustache and bushy eyebrows and pointy ears and I think these three are wonderful features to keep on any Dracula design. I'm also very partial to the Hotel Transylvania concept art, even if it makes me incredibly depressed to look at all the great designs they had for Dracula that they threw in the trash because they somehow decided making him look like Adam Sandler was the idea to go with.

I deeply adore What We Do In The Shadows, both the movie and the show, and Jemaine Clement's Vladislav is one of my favorite (maybe even my actual favorite) on-screen Draculas. But I also enjoy Nandor just as much, and I think it's really great that as a character he's completely different from Vlad while also being ostensibly a take on Dracula, and in particular I bring up his Jersey look because "Dracula in common clothing" is a criminally underrated concept for a joke.

As a character, I'm very partial to comedy takes on Dracula that play him up as a decadent aristocratic supervillain, the kind that can get away with talking in third person. I also have this idea for a version of Dracula who dresses ostentatiously in finely-broidered Romanian or Transylvanian patterns, maybe even wearing a rug as a cape, claiming that he's carrying the legacy of his people on his back. And of course he's lying, he's not Vlad Tepes and he's not even Romanian, he is just a parasite pretending to have a history to be proud of, but good luck getting him to admit that. And finally, I'd like this version to be played by Charles Dance, and I consider it a tremendous crime against humanity that he has yet to play Dracula proper even despite being in a film with the character's name on the title.

So that's kinda how I would design a take on Dracula for something more comedic or more based around him as this guest character and personality on-set. Now, if we're talking a more serious version, I think the possibilities increase, and I won't be getting into all of them because I may prefer to keep them to myself, but I'll elaborate a few ideas.

For example, the edition of Dracula I personally own comes with these really scratchy, really creepy B&W illustrations related to the story, that I can't find scanned online so I'm uploading them here so you can look at. They don't necessarily depict the scenes but rather some of the story's moments, like Van Helsing staking Lucy, Renfield in a straightjacket, Dracula as a coachman, and they are more focused on conveying the horror of the concepts at play.

Dracula never looks the same way in any of the illustrations, in fact you kinda have to piece him out of them by trying to find teeth or capes or eyes or bat-features to see where he's hiding this time. In the first, it's the half-man half-bat, in the 2nd, he's the shrieking bat silhouette next to Renfield, and in the latter, he's the gaping jaws and eerily humanoid eyes in the wolf. The effect to me almost feels like if you were to look at a bunch of tv static and then see a humanoid shape form for a split second before everything went back to normal, something like you'd get from Slender Man or other modern creepypastas, and I’ve argued before that Dracula’s form of horror is a very modern one. 

In terms of illustrations of Dracula that keep up the original traits while still pulling off horror, I definitely have to hand it to the one at the left of the image above, drawn by regourso on Deviantart (account deleted at present). Going back to Castlevania’s many takes on Dracula, two in particular that stick out to me would be Castlevania: Judgment’s armored dress Dracula, who’s got this great twisted heart/rose motif going on in his outfit, and Dracula’s final form in SOTN where he just sits in his throne and his cape twists into all these monsters, particularly how it’s depicted by witnesstheabsurd’s depiction. 

I’m not particularly a fan of how Dracula’s “final form” in these games is usually just some big demon, and part of what I like about his final form in SOTN instead is that, while it’s not a particularly challenging final boss, I do find it interesting the idea of us never actually getting to see what Dracula’s true final form looks like, only an ever-shifting pitch-black torrent of teeth and claws and bloody veins pouring out because that’s ultimately what Dracula is and brings to the world.

On the flip-side of the rotten old monster, we have the charming seductor Dracula, and while I’m really not a fan of how various adaptations have convinced people that “the point” of Dracula is that he’s a seductive force and an allegory for Victorian xenophobia and I’m reeeally even less of a fan of adaptations that make Dracula some misunderstood tragic hero (and I think I’ve made rather violently clear my feelings on interpretations that play up a romance between him and Mina), that the seductive force part exists is impossible to deny, so conversely, while on one hand we can have Dracula as the gargantuan whirlwind of predatory violence, we can also go for Dracula as the tantalizing lover.

I’ve seen a lot of opinions proclaiming Frank Langella as the best Dracula because he was the best at actually being seductive while still playing Dracula, although I haven’t yet seen his performances. If I had to point at one picture I look at and do buy for a second the idea of Dracula as a romantic character, it would be that particular still of Raul Julia in the left of the above image. And it’s strange for me to think of Raul Julia as attractive because I mainly associate him with his brilliant comedy performance of M.Bison (I know it’s far from the highlight of his career but, look, I grew up with Street Fighter, I can’t help it) but those eyes are definitely looking pretty convincing to me, if nothing else. 

And I’ve included this still of Sebastian Stan in the right because, during a conversation between me, @krinsbez and @jcogginsa about who could be a good fit for Dracula, jcog suggested Sebastian Stan, partially because he’s Romanian, and I’ve learned recently that Stan was actually interested in playing the character in Blumhouse’s upcoming remake. And you’d think I’d hate this idea  considering how much I don’t care for tragic anti-hero Draculas, but who says that’s what he’d have to play? 

Do you have any idea how much actors, who are traditionally known for heroic or supporting roles, usually LOVE it when you give them a chance to cut loose as the main villain?

I’d want Sebastian Stan to put all of his charm, all of his talent, all of his good looks and etc, into playing the absolute most vicious, bloodthirsty and irredeemable Dracula put on screen. Someone who is exceedingly, eerily good at being a lovable protagonist, who’s all smiles and charming eyes and politeness mannerisms and maybe even a funny accent, and then it isn't as funny when he's flying through your window intent on kidnapping babies to feed to his brides, except he may take a moment or two to do so because he's feeling pretty hungry himself right now.

Now, admittedly this is kind of a lot to juggle in regards to a single character, which is why my answer for questions like these inevitably has to be “depends on what I’m going for”. That being said, if I was going to try and cast someone who I think could both look the part of Dracula, as well as respectively, play “cartoon aristocrat” Dracula, “mercurial embodiment of evil” Dracula, as well as realistically be an attractive, even seductive performer who can charm viewers even as the character descends into horrible villainy, and juggle these performances even?

I think I’d have to go with Mads Mikkelsen. Not specifically because of Hannibal (I actually haven’t watched it yet), although it’s definitely a factor, the thing that actually made me pick him specifically is, other than his looks, his voice, his reputation for playing sinister characters, the fact that he loves the role and wants to play it, or how many people are deeply in love with this man, or that people already joke that he looks like a vampire, was watching him in Another Round, and specifically that glorious final scene where he’s just dancing to his heart’s content and just, moving with such spring in his step and such joyful vitality even though he’s past his mid-fifties, and that was the moment where, in regards to how much you all love this man, I went

And now I am going to add “casting Mads Mikkelsen as a dancing Dracula” to The List of Reasons Why I Became a Filmmaker.

[nemirutami]

Excuse me for being a weirdo who backreads people's blogs, but I had a small additional question regarding your answer to this ask here: /171315404167/ Do you also hate Alcor? If so, I'm incredibly curious to know why, since never harbored any ill will towards humanity and genuinely cared for the protagonist. (I realize I'm a little biased as I ship them together, but that's beside the point) I do agree most of the characters' motives and views were pretty selfish though.

I LOVE DESU ASKS.... AS EVIDENT BY THE VERY LONG REPLY... (SORRY!)

I’m glad ppl are reading them bc sometimes I feel like I’m yelling directly at a wall and my opinions are just bouncing right off, but I have an answer for that. 

I think the game did Alcor disservice in how he was represented. He would have benefited more from being impartial (but he isn’t impartial- and I’ll go more into detail about how he meddles to tip the scales) but I will admit anime!alcor was worse and just a sloppy attempt at making a NGE reference- but I won’t go into that because I could write an essay about how shitty the DESU2 anime is (I think everyone can- no one that played the game liked it and I can’t blame them).

The characters I actually can’t stand are: Yamato and Ronaldo. Because they’re actually the ones that actively go out and wipe out even ALLIES for their own benefit, not gonna lie- I might hate Ronaldo just a tiny bit more because of Makoto’s fate events, even if Yamato is just as bad if not worse. On top of that, they’re both awful hypocrites and unlike Yamato where I can kinda see the appeal, Ronaldo is completely unlikable. Even so, I can enjoy ships with Yamato in them. Tho I ship absolutely no one with Ronaldo because why would you evoke that kind of suffering in anyone. 

Everyone else is either bordering on annoying, bland, or just a mean spirited asshole. I feel more sympathy for Keita than I do for Hinako because at least Keita calls everyone a piece of shit, whereas Hinako seems to single out Daichi to shit on... on Daichi’s own route. Fumi also talks down to everyone, but in this case, Daichi’s just caught in the crossfire. Similar with Airi, she hates EVERYONE apparently, and will even punch Jungo. Hinako tho seems to specifically target Daichi on his route like... what the fuck is your problem? You called him an idiot twice in 1 battle Hinako holy shit, go chill??? I will never let this go because BOY was just BREATHING and she went “UGHHH YOU’RE SO STUPID” LIKE LET HIM BREATHE HOLY SHIT IS HE NOT EVEN ALLOWED THAT ANYMORE? 

Anyways, onto Alcor.

There’s a lot of plot holes and inconsistencies surrounding how the summoning app actually works (Alcor invented it after all, and gave it to us to use) and all these inconsistencies just make Alcor look bad from a writing standpoint (more of that below). He could have been a good character had he not been written poorly (Much like Yamato and... like 99% of the cast really. Even Daichi suffers from shit writing and I’ll never forgive them for this.) and had the plot not fucked him in the end and basically had him destined to die even on Daichi’s route (which sucks but is understandable since he is a septentrione) perhaps I’d have actually liked him. 

I tend to love characters that obsess with the protagonist, and they’re usually my absolute FAVORITE characters. I’m really surprised I didn’t jump on Alcor’s ship with the protag because it HAD the setting I absolutely adored for relationships to form? Especially the alien/human dynamic since I came into DESU2 right after exiting NGE so I was IN THE MOOD. Alcor in and of himself was just. Not satisfying to interact with (bored me to tears too) because of his cryptic messages that (more than anything) just waste time and bring the player nowhere unless they rank up to like 4 right before Yamato basically THROWS EXPOSITION AT YOU AND EXPLAINS THE ENTIRE PLOT ON THE 2ND LAST DAY (it’s even worse and comes even more out of nowhere if you haven’t interacted with Alcor at all in his fate events. More disservice. They should have made Alcor’s fate events more intimate and given Alcor more plot relevant lines within the plot itself instead of his events. Much like... Daichi really. They fucked up with Daichi by making his fate events more relevant to his character growth than the actual plot. I guess they did the same for Alcor but truth be told, I remember so little about Alcor because more than anything Alcor just bored me. Never quite pissed me off. Just bored me.) 

Ok, but onto the cake. The things that made me iffy on Alcor’s character in general.

Alcor supposedly gave humans fire and culture and blah blah. Already this is telling me to practice immense amounts of disbelief since it’s well documented how these things came about, but I suppose if no one actually knows the history then they can accept this at face value? I wasn’t tho. He acted responsible for it and it put me in disbelief and just made me think he sounded like an idiot. It also made him seem very arrogant, because it implied people NEEDED to be given culture, and that we just didn’t develop culture and diversity on our own. It implies we were all lifeless husks until he came along and granted it to us. Which is insulting.

The fact he’s a septentrione isn’t foreshadowed well and is very obvious from the second we see him floating and talking to other demons/septentriones since he clearly knows what they’re saying. Not really a character-specific issue. Just more problems of bad writing. “Who is he...” Daichi have you seen a HUMAN float in space like that god fucking damn it i love you but why u so duMB WHY YOU ALL SO DUMB IT’S CLEARLY EITHER A DEMON OR A SEPTENTRIONE, THE REAL QUESTION IS- WHY IS HE HELPING US?

Btw that’s another point. Why is he helping us? Oh, right, because he messed up.

He doesn’t want Yamato’s world, but he gave Yamato the power to reform society. Then, when Yamato tries to do what Alcor granted him the means to do, he’s like. Hm. Well. Shit? This guy’s a fucking psycho. Time to place my bets on the protagonist instead (which he does favor a lot- which doesn’t make him impartial really since he clearly favors explaining things more to Hibiki/Protag than anyone else in the game, and it puts everyone else at a disadvantage when a GOD LIKE ENTITY is behind the protag boosting him to make the “right” choice for humanity). I know Alcor was fascinated by humans and wanted them to live (which is fine), yet he didn’t bother to warn the MILLIONS that died (and remained dead in one of the endings- thanks Alcor) due to his negligence. Knowing about it and at least not issuing a warning is cruel. Sure, he gave people the demon summoning app, but the app was considered a “prank site” (nice advertisement, Alcor) as Daichi said at the start of the game (which i hate more than Yamato himself. Daichi. This. This idiot. This idiot signed his best friend up to a DEATH SITE just cus LOLS- the writing is bullshit, and I really disliked early Daichi, too. I disliked some of later canon-Daichi too because he was just rendered to a joke outside his Fate Events). The writing is really unfair on everyone, and it doesn’t help that the app doesn’t work the way it’s advertised to work anyways, seeing as Alcor can twist it to do what HE needs it to do at any time.

For example, the app is said to send death videos regarding people you’ve made a bond with, but clearly that’s all bullshit considering Alcor manually sends Hibiki a warning (and only Hibiki alone) of Otome’s death video so that NO ONE BUT HIBIKI CAN SAVE HER. This implies he can manipulate the death videos personally and exclude others from receiving videos. This. This is not kind. Not at all. I know he was testing Hibiki, but at THIS RISK? Losing Otome can FUCK YOUR PERFECT RUN and outside game mechanics, ELIMINATE ANOTHER HUMAN LIFE. If he wanted to, he could kill characters he actually doesn’t like this way by basically not sending the videos out to people, which, if you don’t go to save Otome right away- will be the end of her. He’s putting all his bets on you alone and testing you by cutting off everyone else from the app- potentially hindering backup to save Otome. Sure, you save her but you can just as easily kill her. I can’t say this wasn’t a sleazy test because he was basically playing with Otome’s LIFE and showed no signs of remorse. Some love for humans you have Alcor. Shit dude. This isn’t kind at all.

But I guess these are my main qualms about him- at least the ones I remember- but take everything I say with a grain of salt bc I tried to avoid confrontation with him completely in my 2nd and 3rd run so I have vague memories lingering. I don’t hate him? I can actually like him if he’s written well by other people, but given how he is in the game, I can’t say I ever enjoyed interacting with him. He didn’t annoy me other than the 2 times I’ve stated above, where he basically talks down to us about how we got to our culture and how he kinda lets Otome PERISH if we don’t respond quickly enough. I know it was a test to the protagonist’s will, but aren’t the septentriones a test enough of my conviction, Alcor, honestly. Unlike Airi, Hinako, Keita, and everyone else, Alcor doesn’t annoy me at all. Io annoys me more, if not only because the game wanted Daichi to be plot relevant only for Io to get all the spotlight. Io is genuinely maybe the better written character- it’s just such a shame they flipflop on her as a lead when in any other game, she could easily have been a lead. Her love triangle kills any enjoyment I get from her at all tho and just makes me bitter. More bad writing- who would have guessed.

Tho from a shipping standpoint? You can ship Alcor with Hibiki for good reasons, obviously. There’s a clear connection and fascination there that doesn’t surprise me people flock to (because I would have been there too had they just written him better). I don’t really mind the ship itself. When I say “i don’t mind it” I just mean I don’t feel anything for it and I’d probably not draw it for myself. There are really no ships I hate or really... dislike? There’s just stuff I don’t ship, but I can definitely ship Hibiki/Alcor if it was for a plotpoint of some kind in a fic or art or whatever. It depends on the idea really. 

I guess it’s too late to say something like this so far into the post, but I like to believe that ANY ship works if the construction/buildup to it is good enough. I believe you can make any character do/say anything under the right circumstances with the right motives without it being OOC or feel out of place. I’d like to think talent is wicked like that- a double edged sword of risky ideas that can either make or break your interpretation/perception depending on how you build it up. Though, that takes effort. Something DESU2 sadly lacks in a lot of ares, but it’s still a game worth playing for the experience and I wouldn’t not recommend it for the good parts that are (while few) really, really good.