#filed under; Affiliates

[magicalshopping]

♡ Sanrio x Sailor Moon Pajama Party Folder ♡

[evntualities]

5 drafts is such a reasonable number that what if i came up with a new athlete and what if his name was lane

[osarina]

ᡣ𐭩 I'D MEET THE SEA UNDER THE SUNLIGHT

FEATURING: dazai osamu

SUMMARY: dazai knows. he knows who you are. he knows what you do. and not only does he know, but in typical dazai fashion, he decides to make it fully your problem. now you're stuck between a rock and a hard place trying to figure out what to do with him—the answer should be obvious, you just can't accept it. but time is ticking and you're treading a thin rope, if you make the smallest mistake...

AUTHOR'S NOTES: part four my children. my eye procedure went well! i've been resting all day, i prob won't be active very much until monday/tuesday, so i'lll queue a few reblogs of this ... i say that, but i also don't know if ill be able to stop myself from responding to comments HAHAH i just love talking to u guys about it so much i cant help it. as always, comments and reblogs appreciated!

GENERAL WARNINGS: fem!reader, port mafia executive!reader, civilian!dazai, dazai's struggles w suicide & sh, reader partakes in mafia business, dazai isn't dazai without a bit of obsessiveness and possessiveness (the possessiveness doesn't come til later but the obsessiveness starts from day 0).

CHAPTER SPECIFIC WARNINGS: i didnt get the chance to proofread this one bc of the procedure so don't crucify me if the grammar is awful </3 i have a doctor's pass </3

SEE: WASTELAND, BABY! SERIES MASTERLIST

It takes Dazai Osamu approximately two days, seven hours and fifty-three minutes to get his hands on proof of your affiliation with the Port Mafia. He supposes it was due to luck—the timing of when he got confirmation of his suspicions—but Dazai thinks it’s also due to his ability to think quickly if he does say so himself. 

He stares at the file that Katai emailed him, a lump in his throat that he can’t seem to push away, unsure if he wants to open it and be forced with physical evidence of who you are and what you do. He doesn’t even know why he’s so hesitant, he already knows. He already knows so he shouldn’t be hesitant… but if he already knows, then why does he need to see the proof? What is this going to do for him? What is he going to do with this information? Nothing, the answer is nothing, so then why-

Katai: Can you quit holding that date from four years ago over my head now?

Dazai: no ^.^

Katai: Of course not. Whatever. Dazai, I don’t know what you’re doing but you need to stop digging into this—it’s dangerous. And I don’t want to be involved.

Dazai shuts his phone off immediately. 

He hovers the cursor over the video file on his laptop, chewing the inside of his cheek—the supposed footage from whatever happened behind Tokyo’s City Hall last night. With his heart tight in his chest and the image of your smile burned behind his eyelids, he clicks on the file.

Two days after the event, you and Chuuya are sitting in Mori’s office getting the talk down of a lifetime. Mori has been going on for thirty minutes already and you’re sick of his voice. You don’t know how it’s your fault that the Shimazaki-kai decided to try to take you out while you were in Tokyo but evidently it is.

“I don’t see how this is an issue, boss,” Chuuya finally says, voice strained. “The Sun and Steel are already on top of the situation, Noriko was livid when she realized that they tried to assassinate one of us while we were in Tokyo under the Sun and Steel’s protection.”

“You don’t see how this is an issue,” Mori repeats slowly, voice nothing short of mocking. Usually, he at least tries to mask his annoyance—you and Chuuya share a concerned look with one another. “You don’t see how it’s an issue that we’ve caused this conflict to escalate to the point of the Shimazaki-kai being willing to go to war with the Sun and Steel if it means the mere chance of getting rid of one of us?”

“Okay,” Chuuya mutters. “Well, when you say it like that…”

“And by ‘we’ I mean ‘you’, little hime,” Mori says coolly, leveling his calculating gaze onto you. You don’t flinch beneath it, meeting it head on as you raise your chin. “This all stems from your reckless decision to attack the Inagawa-kai.”

“She didn’t have a choice.” Chuuya jumps to your defense, frowning. “They attacked her at the ports. That was a declaration of war in itself.”

You almost wince at the ridiculing look Mori directs toward Chuuya, voice amused as he speaks. “Is that what she told you?”

Chuuya gives you a questioning look but you don’t give Mori anymore time to stir the pot. You don’t need Chuuya knowing that your decision was driven by Dazai of all people—he’s already angry enough about the situation with the civilian. 

“And here I thought you were going to… what was it you said? ‘Clean up my mess?’” you say snidely, drawing Mori’s attention back to you. “Perhaps the real reason the Yakuza syndicates are so willing to challenge our authority is not because of my decision but rather because of the incapability perceived in our boss.” 

Chuuya’s eyes shoot open and Mori raises his brows, entirely unperturbed by your comment. 

“To think all it would take for you to start biting back…” Mori trails off, unbearably amused and clearly referring to Dazai, making you stiffen. “How fascinating. You’ve kept up this ruse longer than I expected. I think this is the first time you’ve managed to surprise me, little hime.” 

Your expression twists as you look away, ignoring the lost look Chuuya gives you, clearly irritated because he doesn’t know what’s going on. Your phone buzzes in your pocket and you take the welcome distraction eagerly, hoping to find an excuse to get out of this wretched meeting.

Klaus: your civilian boy is at your tower

You: What?

Klaus: *one image attached*

You stare down at your phone in shock, desperately trying to ignore the curious looks Mori and Chuuya are sending your way.

What the fuck?

Dazai tilts his head to the side, giving the three boys standing in front of him a simpering smile. One of them—the emo one with black hair and white tips—bares his teeth at Dazai like a feral dog, the one in the middle—Dazai recognizes him as Klaus, the boy with you that day at the ports—gives him an irritable look, while the one standing in the back—a nervous looking boy with choppy silver hair and a black collar—lets out a pathetic noise in the back of his throat.

“She’s gonna be so fucking mad at you,” Klaus tells him, voice harsh. His Japanese is broken and accented but understandable for the most part. “She’s gonna fucking-”

He shifts into a foreign language mid-sentence—German, maybe—so Dazai doesn’t know what he’s saying but he’s sure it’s nothing good. He keeps up the overly confident facade, even if he does start to doubt himself internally.

Shit, he thinks to himself, smile fraying at the edges, what is he doing?

Dazai definitely did not think this through and it’s way too late for him to back down now. After watching the video and seeing you with the gravity manipulator, seeing the brief battle in the alley behind the Tokyo city hall, Dazai pretty much blackmailed Katai into using the CCTV cameras between both cities to follow you back to Yokohama to see what building you live in. In retrospect, maybe that’s a little creepy, but he just watched you and the gravity manipulator kill a whole crew of people so he thinks stalking you a bit isn’t too bad in comparison.

“Who do you think you are?” the black-haired one says, voice tight and pitched. His jaw is clenched tight and he takes half a step forward but pauses when he sees the sharp look of warning that Klaus gives him.

He thinks maybe he is stupid. Ango used to rattle him around and yell at him for doing stupid things back before Odasaku died but he thinks this might take the cake for the stupidest thing Dazai has ever done. Standing outside a building owned by the Mafia, antagonizing three mafiosos, waiting here to demand a conversation with someone who is likely their boss. Ango might’ve been right when he said that Dazai has no functioning brain cells.

“None of your business,” Dazai replies with a sweet smile, almost giggling at the way the boy bears his teeth again, even more livid than before.

“You-”

“Stop.”

All three boys go rigid at the sound of your voice and even Dazai stiffens at the cold tone. He forces himself to turn his head to the side, eyes falling upon you as you make your way toward the four of them. The suit you’re wearing today is different—usually he’s seen you wear black on black, but today you’re wearing a burgundy button-up under your suit jacket. You look beautiful—always do, Dazai thinks wistfully—but Dazai finds himself swallowing thickly instead, not used to the blank look you cast over him before you turn your attention over to the three boys.

Ouch, Dazai thinks, not really knowing what he expected but it still hurts to be dismissed like that.

“Klaus, go wipe the cameras around headquarters—wherever he might have passed through,” you say. “Akutagawa, Atsushi, if anyone finds out about this…”

The two boys that Dazai doesn’t recognize share a look with one another, odd expressions spreading across their faces before they nod. All three scamper off without another word, the silver-haired boy giving Dazai a short, worried look that puts Dazai on edge before leaving. You don’t look at him. Rather, you stride right past him toward the building.

Dazai swallows thickly before following after you. You don’t say a word as you lead him to the tall, black building and Dazai wants to say something but his words get caught in his throat. He doesn’t know what to say. Dazai always has something to say but he doesn’t right now and that scares him because he needs to figure out what he’s going to say to you when the two of you finally get up to your apartment.

“Hey, I know you’re a mafia executive because I had my hacker friend get me CCTV tapes from the Tokyo City Hall and I saw you and that short ginger with the tacky hat murder a bunch of guys. Plus, I had him stalk you so I could figure out where you live.”

Yeah, right.

Dazai shivers at the rush of cool air that hits him as he enters the building with you, watches the way the doorman gives him a curious look before inclining his head to you. You give the older man a pointed look before nodding your head to one of the corners of the room and the elevator—Dazai doesn’t know what you’re getting at but he obviously does from the way says:

“Of course, hime.”

You don’t say anything still, leading him toward the elevator and holding it open so he can step past and stand inside. You follow after him, clicking the button to the top floor of the building before scanning a keycard.

How awkward.

Dazai almost wants to crawl out of his own skin, toss himself right out of the glass elevator looking over the city. You don’t even look at him—you keep your gaze trained forward, lips curled down, not even sparing Dazai the briefest glance as the elevator starts to move up. 

Maybe this was a mistake, Dazai starts to think, twiddling with his fingers as he keeps sparing short glances in your direction. He still doesn’t even know what he wants to come from this—shouldn’t the proof of your affiliation with the Mafia have been enough to send him running? He should’ve taken it as reason to stop reaching out to you, gone back to life before you but-

But life before you was dark. 

His throat spasms as he swallows. Life before you was dark. Life before you was him dragging himself out of bed every day trying to convince himself that he couldn’t let himself die until he fulfilled Odasaku’s final request. Life before you was him fighting depressive episode after depressive episode with alcohol and sex, preferring pain to the emptiness he seemed to constantly be plagued with because at least that meant he could feel something. 

He doesn’t want to go back to that—you’re the first person who's actually seen him since Odasaku died. The first person to make him feel as if he’s worth something. He doesn’t give a shit about about what you do, he doesn’t want to go back to life without you.

He glances over at you again, catching the eerily blank expression on your face as you stare ahead. Three words spill from his lips before he can stop them.

“Are you mad?” His voice wavers over the question; he feels pathetic. Feels like a kid tugging at his mother’s shirt after he did something wrong.

You finally look at him though, turn your head slowly toward him as if you don’t even want to believe he actually asked that. Dazai doesn’t know if it’s progress or not because the expression on your face is nothing short of livid.

“Okay,” he says quietly, averting his gaze back to the glass of the elevator.

God, how many floors is this building? The ride to the top floor is taking an agonizingly long amount of time. He doesn’t know if it’s because the elevator itself is slow or if it’s because the building is just that tall or if it just seems longer because of Dazai’s own turmoil—either way, it leaves Dazai miserable.

He really needs to figure out what he’s going to say to you. He should have figured it out before coming here but Dazai just got too antsy with the information Katai gave him on hand and he found himself making his way over here before he could double guess himself.

He doesn’t think you’ll appreciate him using Katai to get the evidence of your position in the Mafia—plus, it could put him in danger and Dazai doesn’t want that. He thinks maybe he’ll pin the blame on his professor—you don’t seem to like him anyway, so you might take it at face value. If you don’t, he’ll have to figure something else out to protect Katai but Dazai has always been a quick thinker so he has faith that he’ll think of something. 

 If he’s lucky, you’ll lead the conversation and he’ll be able to reflect off of you after seeing where your head's at. That would be the best case scenario.

After what feels like an eternity, the elevator finally bings, signaling that it has finally reached the top floor of the building. You step out before him, hardly even looking at him as you stride into your apartment. Dazai follows after, a bit more hesitantly.

His breath catches as his gaze twists around the massive space—floor to ceiling windows line the walls looking over the city, black couches set up in front of the TV and expensive decor littering the room, there’s a kitchen off to the right and a staircase leading up to a second level. 

What types of apartments have staircases? Dazai thinks, distressed, finally looking back at you. 

You’ve crossed the room—almost like you’ve wanted to put as much distance as possible between you and him, which is a thought that kind of hurts because he’s been yearning for your presence since you left his apartment the morning you were supposed to leave for abroad. Your expression is entirely unreadable and Dazai doesn’t really know how to feel about that because he can’t figure out how to approach this now. 

“You know, originally I was interested in you because I thought you were a lot smarter than you made yourself out to be,” you say, voice dry. Dazai nearly cheers, realizing that he did, in fact, get the best case scenario—he listens intently, mind racing as he tries to figure out what route he should take with you. “I was clearly wrong.”

Dazai pouts. “My bella thinks I’m stupid,” he sighs dramatically but his lashes flutter as he averts his gaze when you don’t find any amusement in his words, readjusting his plan. His theatrical lilt falls flat when he adds, “Maybe I am.”

“I don’t think there’s a maybe,” you correct, unamused. “What do you know and what do you want?” 

Dazai is almost taken aback by your tone—cold and flat, very transactional. Maybe he should have taken the lead because he doesn’t know what you mean and he doesn’t like your tone. He watches as you fish through your pocket to find a cigarette and lighter, sticking it between your lips to light it. You look up at him, raising your eyebrows.

“What?” he asks, voice a bit weak.

“What do you know and what do you want? I think they’re pretty simple questions,” you say sardonically. “I have a general idea of what you know already—if you’re here, you have more than whatever that cunt Ui has on me—and I promise you that no amount of money the Ivory Eagle will offer you can compare to what I’ll give you. Plus, I’ll have to kill you if you go to it with them so I think that’s pretty convincing in itself. I want to know exactly what you know so I can figure out how much they’d pay you for the information. I figure you want money, that’s why you’re here.”

“I don’t…” Dazai trails off, a bit lost. He’s still not sure why he came here but he knows it’s not for money and honestly, he thinks he’s a little hurt that you assumed that, can feel the sting in his chest and the lump in his throat.

The smile you give him is cool, you tilt your head to the side and look at him. “Come on, Dazai, you don’t have to keep up with the act. You got close to me to get evidence for Ui, that’s obvious; probably realized it would be more worthwhile trying to get money from me to keep you quiet because they’ve barely got enough money to keep their shitty journalism house running. Honestly, I should probably just-”

“No,” Dazai forces out, interrupting you, lips parted and throat swollen—this is not going well. “That’s not-that’s not true. I didn’t get close to you to get evidence, I didn’t even know until the other day.”

“Do you think I’m stupid, Dazai?” you ask, expression tight. “Because I’m not. As soon as you slipped up and said his name at the event, I realized. You think we don’t know everything that goes on in this city? About that shitty journalist group trying to expose us?” 

“I didn’t slip up,” Dazai says, voice more shrill than he intended it to be. His mind falls flat at every corner as he tries to figure out how to salvage this. “I didn’t slip up because I didn’t know. I didn’t know. It wasn’t-this wasn’t some grand scheme, I like you-” (he didn’t mean to say that) “I mean-it’s just-I don’t-”

Dazai feels flustered. He feels flustered and he’s stumbling over words in a way that he hasn’t in years, unable to get out a single coherent sentence because his mind is all over the place. Shit, he thought he was going to have to defend himself from having Katai stalk you so he could figure this out and find you; he didn’t think he’d have to defend himself because you thought everything from day one was some grand scheme to expose you as a mafioso.

You clearly don’t believe him from the way you roll your eyes and it makes Dazai’s distress spike exponentially. 

“Then pray tell, Dazai, why are you here? You’re here for something, obviously, otherwise you wouldn’t have been stupid enough to show up here of all places to dangle over my head that you know who I am.”

The words slip from his lips before he can stop them.

“I wanted you to stop ignoring me,” he says, arms instinctively curling around his body as he stares at you, feeling more than a bit vulnerable at the blank look you give him in response to his words.

“You… want to make me stop ignoring you by… blackmailing me?”

“... Yes?”

The sigh you let out is long. Instead of responding, you take a drag of your cigarette, tilting your head back against the wall you’re leaning on to look up at the ceiling. Dazai stares at you, chewing the inside of his cheek as he waits for your response.

“What do you have on me?” you finally ask, taking a few steps forward to put the cigarette out on an ashtray before raising your eyebrows and tilting your head to the side. “Well? I know you must have more than the location of this building.”

Dazai hesitates before he says, “Footage from behind the Tokyo City Hall.”

Your expression doesn’t betray you as you press, “Footage of what?”

“You and the ginger with the ugly hat,” Dazai answers, trying not to smile at the way you clearly have to hide your amusement at his snide comment. 

“What are we doing in the footage?” you ask. “What makes it condemning?”

“… He splattered six guys against the wall.” 

You sigh, pressing your fingers to the bridge of your nose. “Jesus fucking Christ, Dazai. You saw that and still came here? What the fuck is wrong with you?”

Dazai gives you a weak smile “You’ll have to be a bit more specific, there are a lot of things wrong with me,” he tells you, echoing the words from your second meeting with him, hoping they make you lighten up.

They do.

He watches as you let out another breath, tense shoulders relaxing, suddenly looking a lot more tired as you look away from him.

“I missed you,” he adds quietly, fingers running along the hem of his sweater. “It’s cruel and unusual punishment to kiss a guy like you did and then ghost him.”

“It was to keep you out of this life, Dazai,” you say tiredly. “I mean-shit, Dazai. I don’t know what you want me to do, I don’t even trust you right now, you could have a fucking wire on you for all I know and-”

“I could strip for you,” Dazai offers, lips curling up in a flirtatious smile as he flutters his lashes at you. “I’ll give you a show.”

You’re not amused.

“This isn’t a fucking joke, Dazai. This is your life.”

“Well, my life has been one giant joke up until I met you so forgive me if I don’t care,” Dazai says, voice unintentionally rising in response to your words because who are you to decide on his behalf to cut him off because his life is in danger. That’s a decision for him to make. “You can’t just make those decisions for me.”

Dazai thinks he prefers the anger that crosses over your face to the tiredness and emptiness. His breath catches when he sees the way your jaw tightens and the way your eyes get fired up.

“It doesn’t just affect you, Dazai,” you hiss. “If you get pulled into this and something happens to you, that’s on me.”

Dazai’s heart jumps at the implications of your words, nails digging into his palms.

“And how does that affect you?” Dazai presses, the desperation that hangs off of his words so glaring that Dazai almost wants to curl in on himself. He wants to hear you say it, wants you to alleviate all of the thoughts threatening to consume him since you left his apartment that morning—wants to hear you say that you care, that he does mean something to you.

Your expression becomes closed off again as you realize what he wants you to say and Dazai swallows thickly, gaze searching your face for answers.

“You know how it affects me,” you finally respond as you look away. “You know, Dazai.”

It has nothing to do with what I want, you said at the event when he asked why you didn’t tell him why you didn’t want to be with him. The conflict on your face when you said things were too complicated to explain. The anger when you realized Professor Ui had purposely put him in danger trying to get evidence to condemn the Sun and Steel.

“I want you to say it,” he says hoarsely.

You don’t reply for a moment, watching him with an expression that’s impossible for him to decipher. Your brows are furrowed and your lips are pressed together tight, but the look in your eyes—there’s so much emotion in them that Dazai thinks he could get lost in them, it nearly leaves him breathless.

“You are actually the bane of my existence, Dazai Osamu,” you finally say, shoulders slumping as you look away again. Not exactly what he wanted to hear but he thinks that’s as good of an admission that he’s going to get right now.

“And the object of all of your desires?” Dazai prods with a teasing smile.

Your gaze cuts back toward him. “Did you just quote Bridgerton at me?” you ask, voice riddled with disbelief.

Embarrassed, Dazai flushes and then he hits you back with: “You watched Bridgerton?”

Instead of responding, seemingly equally embarrassed by the callout as Dazai is, you scowl at him and shake your head but your voice is lighter now when you speak—if only barely. “Honestly, Dazai, what did you think you were going to get out of this by coming here? I could have killed you. I should kill you. Coming to the headquarters of the Port Mafia to blackmail one of its executives with evidence threatening to expose them-”

“I didn’t threaten to expose you,” Dazai protests, prancing a bit more into your apartment. Now that he’s not as stressed, he can actually admire your apartment—apartment, is this even an apartment? He runs his fingers along the pristine black marble of the bar separating your kitchen from the living room, ignoring the way your eyes follow him. “I just…”

“You threatened to expose me,” you interrupt dryly. “You implied it.”

“I did not,” Dazai complains. “It’s not my fault you took it that way.”

You roll your eyes. “What were you thinking, Dazai?” you ask again.

Dazai gives you a sweet smile. “I’m thinking that you’re going to take me out on a date.”

You don’t know why you’re even entertaining him.

Three days later, you’re outside Dazai’s apartment complex waiting for him to get back from his classes. You’d have gone to the campus itself but you don’t feel like having to beg Albatross or Iceman to get into the campus cameras to wipe the footage of you being there, especially knowing that it’ll get right back to Chuuya who is still under the belief that you’re no longer talking to Dazai.

You scowl as you look down at your phone, checking the time again. He should’ve been back ten minutes ago—you told him you were here waiting. Your reservation is in thirty minutes and he still has to change, you glance over your shoulder as a group of college students make their way toward the complex. You hardly stop yourself from rolling your eyes, you’d figured that the complex would be popular with the kids attending YNU—that’s why you ended up buying it—but you really don’t want to interact with any of them. 

You can feel them looking at you too—fuck, you should have just stayed in your car. From the corner of your eye, you can see them exchange curious looks with one another. One of the boys nudges another, clearly beckoning him to go try to talk to you and you will strength from the gods-

You hear your name fall from familiar lips, quiet and unsure, and the unpleasant expression that you know must be on your face melts away. You let your head fall to the side over your shoulder, gaze focusing on Dazai—he’s dressed casually in a brown sweater and cream pants, school books tucked to his chest and backpack hanging off of his shoulders. He looks surprised at the sight of you so you raise your eyebrows.

“You’re late, I texted you,” you say simply as he approaches you, glancing at the car and then to you curiously.

“My phone died,” he replies sheepishly, a bit of light returning to his eyes as he comes closer to you. Warmth starts to spread through your chest when you see how the corners of his lips twitch up, fingers absently thrumming against his books. “Where are we going?” 

“You’re getting changed,” you reply, nodding to the suit hanging in the passenger seat of he car, “and then-”

“Yo, Dazai-kun!”

Your eye twitches at the interruption, gaze twisting to the side to fall on one of the boys from that group you’d been dreading walking over before Dazai arrived. You notice him stiffen, an uncomfortable expression crossing his face when he hears his name being called. So, you sigh, motion for him to go into the car and grab the suit as you turn your attention to the group of approaching college students.

“We’re busy,” you say with a tight smile, tone short and perfunctory but trying to be polite. 

Your eyes sweep over the one who spoke up—he’s dressed nice, slacks and a button up, tailored neatly to his body, but there’s something so distasteful about him that you can’t help the way your lip curls up in disgust. Maybe it’s because of the way Dazai looks so uncomfortable.

The man looks entirely unperturbed by your blatant dismissal, giving you a charming smile. “I’m Yoshimura Hiro—me and Daz-”

Irritated, you glance one last time at Dazai, seeing that he got the suit out of the car and shut the door. You lock the car and without another word, press your hand against Dazai’s lower back to urge him forward, walking away from the small group without another word.

Dazai can hardly muffle the snort that escapes his lips as soon as the two of you make it into the building. His eyes have regained that brightness that they’d lost when his classmates approached you, a smile curving at his lips.

“That was so rude,” he says with a grin.

“We have a reservation to make,” you tell him dryly. “I said we were busy.”

“Still, you didn’t even wait for him to finish introducing himself.”

“Would you have preferred I had?” you ask, glancing at him as he unlocks his apartment, watching as his smile falters as he shakes his head. “Why don’t you get along with them?”

Dazai shrugs but he seems a bit more awkward now as you step into his apartment. He tosses his books onto the coffee table and shrugs his backpack off onto the couch. You lean against the wall as you wait for him to respond, noting that his apartment is much cleaner than the last time you were here.

“They don’t like me,” he corrects absently, fiddling with a mug on his coffee table before bringing it over to the kitchen. “Most people don’t.”

There’s a silent question lingering at the end of the sentence—you know it, even if you couldn’t tell from the way the words hang, you can see it in the way his eyes draw over to you. Maybe he wants reassurance of some kind that you do like him, that you’re not just doing this because of the blackmail, but the words die on the tip of your tongue.

Instead, you say, “Go get changed. We’re running late already.”

Dazai looks disappointed by your words—you can see it in the way his shoulders slump and his lashes lower, the corner of his lips tightening—but he lets out a dramatic sigh, muttering something under his breath before going into his bathroom to change.

Luckily, it only takes him a few minutes to get changed into the suit. He comes out as he’s still buttoning up the waistcoat—jacket slung over his shoulder. Your eyes drop down to his slim waist, eyes lingering at how neatly the vest clings to it.

Kido really did a good job, you think, having to drag your eyes back up to his face as he finally shrugs the jacket on and looks back up at you.

“You look nice,” you compliment, watching as his cheeks flush just a shade darker. “I didn’t have time to change after my meeting. If I’d known you were going to be ten minutes late, I would’ve.” 

Dazai promptly scowls at you. “Well, maybe you shouldn’t have waited until the last second to tell me. What if I already had plans?” he complains, but then adds, “… I think you look beautiful.”

“I wear this outfit everyday,” you dismiss, ignoring the way your chest flutters.

“I know,” he admits quietly. “You look beautiful everyday.”

Oh.

“We should go!” Dazai says suddenly, a bit too loudly to be casual. “We’re running late, aren’t we?” 

You clear your throat. “Yeah,” you say. “Come on, let’s go.” 

The walk back to your car is quiet—the students you’d left there are gone, thank god. You can feel Dazai looking at you every few seconds as if he wants to say something but can’t bring himself to say it. You have half a mind to just tell him to spit it out but you still find yourself a bit flustered so you just let it be until you’re in the car.

“Where are we going anyway?” Dazai finally asks as you pull out of the complex, twisting in the passenger seat to look at you. His eyes look almost golden beneath the rays of the sun, soft and excited, you can’t help the way your gaze lingers before you force yourself to focus on the road.

“You said you wanted to go to that restaurant by your campus, didn’t you?” you ask, tilting your head to the side to raise your eyebrows before looking forward again. “Taking you there.”

“The rooftop restaurant looking over the park?” Dazai splutters, eyes widening. “You remembered that? It’s so expensive, I-”

You don’t even acknowledge the last thing he was saying. Instead, you give him a squinty look before asking, “Why wouldn’t I remember?”

Dazai’s lips part as he stares at you like he’s trying to say something but can’t bring himself to. You don’t like the way he’s looking at you, it makes your heart twist in on itself. It’s too intense, too close to lo-

You don’t even let yourself finish that sentence, focusing back on the road as you change the subject. “They import crabs from the Beagle Channel in southern Argentina—best quality in the world, much better than that canned shit you eat every day.”

“What do you have against canned crab?” Dazai complains, leaning his head against the window. “You hate me. How did you even get a reservation at this place? They’re booked out like ten months in advance, we talked three days ago.”

You give Dazai a heavy side eye that he understands instantly from how he rolls his eyes, muttering something under his breath that you don’t quite catch.

“What was that?” you ask, giving him a pointed smile.

“Nothing,” he scowls.

You smile to yourself, focusing on driving again. The restaurant isn’t far from his complex so you get there pretty quickly. Dazai is quiet for most of the rest of the ride aside from the occasional comment about his classes. He bitches about his engineering class and all of the irritating freshman boys that he’s taking it with because it’s a 101 class, tells you vaguely about how he’s on a roll for one of his projects for his poetry workshop, explains the plot of the book he’s reading for his creative writing class, and he notably does not mention anything about his journalism class—you don’t know if it’s because he’s too awkward to bring it up or what, but you’re grateful for it because the last thing you want to do is think about him working with Ui Koutarou to expose you as a mafia executive. You still don’t even entirely believe this isn’t some whole big scheme they concocted together.

You let the car roll to a stop in front of the tower the restaurant is in, leaving it running as you put it in park and nod for Dazai to get out. You get out yourself, grabbing the keys and tossing them over to the valet with a quick thanks before leading Dazai into the building.

He looks almost wonderstruck as he steps into the tower, brown eyes wide and glittering as he looks at all of the expensive decor in the lobby of the tower. You have to physically guide him forward, arm slipping around his waist to get him moving in the direction of the elevator, but as soon as you come in contact with him, he goes rigid. Your brows furrow, about to pull your arm back but before you can, he presses his palm against the back of your hand, holding your arm in place for a quick second. You can’t help the smile that twitches to your lips when his arm drops back to his side and you catch the pretty flush staining his cheeks as he pointedly looks away.

You lead him into the elevator, catching the pout that pushes at his lips when your arm leaves his waist and you’re going to tease him for it but then you catch the oddly intense look in his eyes as he gazes down at you.

“What is it?” you ask.

“Nothing,” he replies, throat bobbing as if considering what to say. “It’s just… no one has ever done this for me before.”

“It’s just dinner, Dazai,” you tell him, voice quiet as you look away, missing the way his expression drops at your words.

“Yeah,” he agrees, though he sounds strained now so you give him a concerned look that he tries to play off with a smile that’s too frayed at the edges for comfort. You’re about to call him out on it but you don’t get the chance because the elevator doors slide open to the restaurant on the top floor before you can.

A familiar face stands on the other side of the elevator, delighted at the sight of you. “Hime,” the owner of the restaurant greets as you step out of the elevator with Dazai, reaching out to clasp one of your hands with both of his. “I almost didn’t believe it when they said you called to see if we could get you a table tonight. It’s been so long.”

“Ah, Yoshida-san, you’ll have to forgive me,” you say with an easy smile. “You know how busy work can get.”

“Of course, of course,” Yoshida replies, glancing at Dazai and inclining his head to him. “This must be your date. Come, I’ll seat the two of you.”

Dazai looks a bit out of his depth, the smile on his face strained and an unsure look in his eyes so you reach out to hook your arm into his, leading him through the restaurant as you make idle talk with Yoshida. You’re pleased when he brings you to a table near the window with a view over the whole park and the distant bay. 

Yoshida bows his head down to the two of you and lets you get settled, you take a seat but then give Dazai an odd look when he just stands there with a contemplative expression. You’re about to ask him what he’s doing when he suddenly moves to grab the chair opposite you.

He drags the chair from his side of the table all the way to yours. The legs scrape the floor so loudly that it draws the attention of all of the other patrons of the restaurant. You stare at him, lips parted in disbelief, but Dazai only gives you a sweet smile in return. He’s entirely unperturbed, plopping the chair down right next to yours and taking a seat in it. He rests his elbow on the table, propping his chin on his hand and watching you with an indescribable look in his eyes.

“You’re the worst,” you tell him but there’s no heat to your words as the corners of your lips tug up.

“You love me anyway,” Dazai coos, gaze flickering down to your lips briefly before settling back on your eyes.

When a soft, pleased smile spreads across Dazai’s face as he leans in to nudge his shoulder against yours, you have to actively remind yourself that you’re only doing this because of the blackmail. 

Dazai is already lounging on your couch when you get up to your apartment. You don’t seem to notice him—you’re clearly unhappy about something, lips twisted down and brows furrowed as you talk to someone on your phone. It’s not until Dazai peeks his head up above the back of the couch to look at you do you finally catch sight of the movement, eyes flickering to the side to focus on him.

“Thanks, Tolstoy, I’ll let you know if I need him. I appreciate it,” you say before letting the phone drop from your ear and ending the call. 

For a horrifying second, your expression doesn’t change and all of those insecurities that he can’t push away—that you really are only doing this because of the video, that he’s forcing himself on you instead of giving you an excuse to actually be with him that goes above the fears that are haunting you. But then, you sigh and your shoulders slump. You toss your jacket onto the other couch before sitting with him on the one he’s sitting on, knees knocking against his.

“Hi,” Dazai says with a small smile, itching to shift closer to you but hardly refraining. “You’re late today.”

“You’re early,” you reply dryly but there’s a fond curl to the corners of your lips that makes Dazai feel nice and warm. “You know, I think you’ve been at my apartment more than yours the past week.”

Dazai’s smile becomes simpering. “Why would I stay in my small, dirty apartment when I could stay in your nice one?” he asks, watching as you roll yours. “Anyway, you love it when I’m here. Your apartment would be so lonely and boring without me.”

“It would be something alright,” you agree half-heartedly, leaning your head against the back of the couch and letting your eyes slide shut.

Dazai’s smile falters as soon as your gaze leaves him, an uncomfortable and unwelcome feeling spreading through his chest. Is he being too much? He has been spending a lot of time at your apartment but it’s because whenever he’s alone, his own thoughts threaten to consume him. They whisper too loudly about how you’d never be doing this without the blackmail, about how he’s so desperate to not be alone that he’d stoop to forcing you to hang out with him. They’re quieter when he’s here, even when you’re not, so he’s been spending as much time as possible in your apartment, doing his schoolwork and watching TV while he waits for you to come back.

“Long day?” Dazai finally asks to draw himself out of his own thoughts, watching as you look back over at him.

“Mhm,” you agree, leaning your head against the back of the couch. “Lots of meetings. All with people I don’t like.”

You’ve become a bit more open over the past week—you still don’t tell him anything of importance, of course, but you’re at least not avoiding just about every topic that edges somewhat close to your ‘business’. He still feels like he doesn’t know you as well as he should and he hasn’t tried to push that anymore since the night you showed up at his apartment. He wants to try to push again but he’s just worried that he’s going to take it too far and he’ll mess it up.

He supposes he should at least try to feel it out though.

“Can I ask something?” he asks after a moment, almost wincing when you immediately cast him a suspicious look.

“The last time you asked me that, you were trying to figure out if I was in the Mafia,” you say doubtfully and Dazai’s throat goes dry as you lean back against the arm of the couch and extend your legs outward onto his lap. Hesitantly, he drops his hand onto your ankle, grip becoming more firm when you don’t instantly pull away.

“Well, we’ve already figured that out,” Dazai says with a sweet smile but then lets the smile drop as he adds more seriously, “I just want to get to know you better.”

You sigh, watching him carefully for a moment before nodding. “Go ahead,” you say. “Ask.”

“What’s your ability?”

Instantly, you sigh and look away. Dazai’s heart drops and his lips part to say something else but he doesn’t know what.

“I can’t, Dazai,” you finally tell him and Dazai tries not to be disappointed but he can’t help the way his lashes lower. “It’s not-you shouldn’t even know I have an ability. Only a handful of people know. It’s literally the most confidential secret in the-I can’t.”

“But I already know you have one,” Dazai presses, his tone coming across as far too close to a whine considering the look you give him. “What’s the harm in telling me what it is?” 

“Dazai,” you say, voice becoming more edged. “You don’t understand what people would do to get intel on my ability—I’m not going to-”

“I just want to know you,” Dazai interrupts, words drawn out and throat tight. “I just-I want to know you.”

You stare at him for a moment and Dazai’s grip on your ankle tightens, expression dropping. Just as he’s about to drawback and give up, you sigh and look away from him.

“I can mess around with people’s minds,” you finally tell him, voice quiet. Dazai’s eyes widen, head snapping toward you as he waits for you to continue. “I can… induce different types of mental and physical states in the brain and mind.”

“Like… Emma Frost?” Dazai asks, squinting. You give him an odd look so he amends, “Like mind control?” 

“No,” you answer. “I can’t… control minds. I can like… induce short term changes in emotions and sensations. I’m not directly manipulating them but putting them into a state and letting them work with it. They can either snap themselves out of it or make it stronger.”

“... I see,” Dazai says slowly. “So, you can make someone happy but if something makes them sad after, it’ll snap them out of it?”

“Pretty much,” you hum but there’s a weird look on your face that tells Dazai that maybe you’re not saying everything. “Some emotions are easier than others. Happiness is more… fragile, harder to sustain in a target. Fear is much more… a lot like a parasite—once you put it in someone’s head, almost everyone will start to spiral. It’s much harder to break out of.”

“The mindkiller,” Dazai notes, quoting one of his favorite books, a bit of morbid curiosity spiking, wanting to know how he would fare.

You give him an amused look. “Now, you’re quoting Dune? Quite the broad taste in media.”

“You’ve read Dune, too?” Dazai gapes. “You must be my soulmate.”

“You’re ridiculous,” you say, rolling your eyes.

“Ridiculously cute,” Dazai counters immediately, smile twitching at his lips when he sees the fond expression on your face.

Then, naturally, he makes a mistake. 

“Can you use it on me?” Dazai asks, leaning forward a bit. When you give him a sharp, alarmed look, he quickly fumbles out, “Not like anything big. I just want to see what it’s like. Just something sma-”

“No.”

“But-”

“No,” you say loudly, making Dazai draw back, hand falling from your ankle to rest on the couch next to him. You pull your legs off of his lap and sit up straight, turning your body away from him. “Just no, Dazai. Don’t ask me that again.”

“I didn’t mean-” Dazai starts to apologize but he’s flustered, not having expected a response like that from you. He fucked up. Again. Just as he was making progress. Again. “I don’t-”

“I can’t turn off my ability,” you tell him quietly after a moment. “It’s… always going to some extent. Making people around me more at ease so they feel more comfortable talking to me. I don’t like using it to its full extent if I don’t have to, not on people I consider friends at least. I never know if people… I don’t know who wants to be around me for me and who’s just influenced by my ability.”

Oh.

Dazai shifts closer to you, there’s an unreadable expression on your face as you stare ahead. He hesitates for a second before reaching out and grabbing your hand, forcing you to look at him.

“I want you for you,” Dazai stresses. When you start to shake your head and look away, he repeats, “I do. I-”

“You wouldn’t know, Dazai,” you say, voice tight. “That’s the issue, you wouldn’t know.”

“I would know,” Dazai tells you, squeezing your hand. “I would know, I want you. I do.”

You don’t respond to him this time, staring ahead and Dazai doesn’t know what to do because you look sad. You look lost in your own thoughts, consumed by whatever is running through your head. It’s familiar—the same way he probably looks whenever he lets the parasites in his brain start eating away, sending him down a dangerous spiral.

He wants to draw you out of it. 

More than that, he wants to kiss you again. Desperately. 

He’s yearned for it since that night in his apartment, spent long nights alone and aching for your company when he thought you were abroad. For days, he could feel his lips tingling with the ghost of yours still brushing against them, could feel the weight of your body on his hips, grounding him when he thought he would finally be consumed by the emptiness that perpetually plagues him. He thinks maybe he can draw you out in the same way you always do for him. 

He wants to kiss you, and he’s about to lean in to do just that, breath catching in the back of his throat as his body becomes prickly with nerves.

You turn your head away before he can, rising to your feet and making your way to your bedroom, leaving him damningly alone in the living room of your apartment. 

He lets out a shaky breath, staring down at his lap, a cold and unsure feeling taking root in his chest.

Dazai has become a constant presence in your life. 

At first, it caused you nothing but stress—you constantly feared that him showing up to your apartment would lead to unwelcome eyes learning of his existence but he’s been very careful entering and leaving the building, and Klaus has been on top of the cameras. You think it’s been around a week and a half, maybe two weeks since Dazai first confronted you about everything and in that week and a half (maybe two weeks), you don’t think a single day has gone by without you coming home to find Dazai curled up on your couch or hunched over your kitchen table.

Today is no different.

Your head is pounding when you make it up to your apartment, you’d spent two hours arguing with Chuuya over how to approach the issue with Shimazaki-kai. The Sun and Steel are struggling against them in Tokyo and Mishima Michiko had come to Yokohama personally to request assistance from the Port Mafia in routing them from Shibuya-ku. You don’t want to send Chuuya there—it’s only a matter of time before the Guild shows up in Yokohama to try to take the weretiger and you’ll need Chuuya here when they do. You can’t risk sending him off now.

But Chuuya wants to go there now—says that it’s a bad look that the Port Mafia started this conflict and is now leaving the Sun and Steel to suffer the consequences. And he’s right, but the Guild is more pressing than the Shimazaki-kai.

 It’s not often that the two of you disagree on tactical decisions, but when you do, the disagreements are stressful and explosive. Both of you are bullheaded and both of you are convinced that your decision is the correct one—and Lippmann wasn’t here to force you guys to settle down so it just became more and more heated until you finally stormed off.

You pause when you enter your apartment and hear a choppy tune being played on the piano in your living room—something you vaguely recognize as the beginning of Chopin’s Raindrop Prelude even with the many mistakes being made. Your stress and frustration slips away as you catch sight of Dazai sitting at the piano bench, so focused on the sheet music in front of him that he doesn’t even notice your arrival.

A small smile tugs at your lips as you quietly make your way over to him, watching as he pauses in the song and sighs, clearly frustrated by his mistakes. You take the opportunity to slide your hand across his shoulder blades; he jumps beneath your touch, eyes widening as he twists his neck to look up at you, cheeks flushing. 

“I didn’t know you played,” you say absently. “If you want, I can have the spare room on this floor made into a music room for you.”

You don’t know why you offer it, but you enjoy the look in his eyes as his gaze focuses on you: big and imploring, full of emotion. It’s a welcome change from the livid expression Chuuya had been casting your way for the past few hours.

“I don’t really,” Dazai says awkwardly. “I was just trying it out.”

“Well, do you like it?” you ask him, taking a seat on the bench next to him, fingers lingering on his lower back.

“I think so,” he tells you after a few moments, lashes fluttering as he looks down at the keys and then back up at you. “I think my mother used to play… I don’t really remember her, but I can vaguely remember a song she used to play.”

There’s an odd look in his eyes as he averts his gaze and you squeeze his side gently before saying, “Maybe the more you play, the more it’ll come back to you.

“Yeah, maybe,” he agrees half-heartedly, looking at you again, more carefully this time. “Are you okay?” 

You pause, not having expected him to catch onto your bad mood so quickly when you were doing your best to hide it, but you finally sigh and shake your head.

“Yeah,” you tell him, motioning for him to get up so the two of you can move over to the much more comfortable couch. “Stressful day. I thought you had class on Wednesdays.”

“It was online today,” Dazai says, propping his arms up on the back of the couch as he sits up. “I thought you said you wouldn’t be back until super late tonight.”

You scoff. “Yeah, until I got into a fight with Chuuya,” you mutter, making your way over to him to sit on the couch with him, looking at the puzzle he has spread out on your coffee table. “Where’d you get this?” 

Dazai gives you a sweet smile. “You left your computer open yesterday, I ordered some things.”

Dazai inches closer to you, there’s an indecipherable expression on his face, lips parted and eyes a bit wide. You can feel his knee nudging yours and you know what he wants. He’s been trying to make subtle moves on you for days but you just… You don’t know. You’re scared.

You’re scared.

You don’t think you’ve felt this way since you were a kid, trapped in that room in the military base on Tokoyami Island desperately trying to understand what your ability was so you wouldn’t be thrown back out into a warzone. Except now, it’s not just your fate on the line—every decision you make, Dazai’s life hinges on it and you’ve been making stupid ones for weeks. Even now, letting him stay at your apartment… Even if you do own all of the cameras, even if Klaus is on top of it, even if Dazai is being careful, it’s only a matter of time before a mistake is made.

You don’t know what you’re still holding out for. Maybe a chance to make him understand what exactly is at stake, break things off with you on his own… Maybe you’re waiting for something else. Your conversation with Tolstoy echoes through your head, his offer of sending Ilya Repin to you for you to utilize as you please.

Ilya Repin. A Crucession in Oakwood. 

Someone who can wipe Dazai’s memories of you so you can send him back off to live a normal life, make him forget he ever met you. It’s not something you want to do, fiddling with people’s minds… you know better than anyone that it’s not something to take lightly. But would it be worth it to ensure he lives? That he doesn’t get drawn any further into your shitshow life? The thought makes your chest ache painfully but if it means he would be safe.

You let out a shaky breath, looking away, and you can feel the disappointment emanating off of him, you can feel his fingers brushing your arm, but before you can say anything to him, you hear your elevator bing.

Someone arriving at your floor.

Your eyes widen as you rise to your feet, you cast Dazai a panicked look. He follows after you, unsure of what he should do. Klaus is across the city—he’s the only one that can come up to your apartment without permission besides-

Besides Chuuya.

Oh shit.

“Go to the kitchen,” you say, voice tight and stressed, you push Dazai forward to get him moving. You cannot let Chuuya know that Dazai is here. “Get to the-”

“Yo.” You hear Chuuya say, voice low and distracted as he steps into your apartment. He’s looking down at a bottle of wine, so you wave your hand at Dazai frantically, shooing him into the kitchen. He shoots you a panicked look before rushing into the kitchen. “I didn’t mean to let shit get so heated before.”

“You’re good,” you tell him, careful to keep the strain from your voice as Chuuya finally looks up from the bottle and makes his way over to you. “Takes two, I shouldn’t have been so quick to snap at you.”

“Nah.” Chuuya shakes his head, plopping down on the couch next to you. “You’ve been going through shit. The Boss constantly on your ass, having to drop that kid you liked-” shit “-I should’ve let it go instead of pressing. Brought you this.”

Oh, you’re in a bad spot. Your mind is a whirlwind of thoughts as you race to figure out what to do. You have to get Chuuya out of your apartment, but the man knows you so well that it’ll be impossible to do that without raising suspicion. If this were any other day and Dazai Osamu wasn’t hiding in your kitchen, you would be trying to worm more than just a bottle of wine out of Chuuya—probably dinner and a night out to go along with it—but he’ll want to crack open the bottle before going out and your wine glasses are in your kitchen.

Shit.

“An ‘82 Rothschild,” you drawl. “You’re really trying to butter me up.”

Chuuya gives you a smile that makes you feel guilty. “‘Cause I feel like shit,” he mutters and you hardly refrain from wincing because you know he wouldn’t if he knew the truth.

You think you might be the worst person alive. 

“How about we put it in the wine fridge and head out for the night?” you hum, nudging his shoulder. “Didn’t you want to try that new bar by the ports in Naka? The one Lippmann went to with his coworkers? We’ll save the wine for us to celebrate after we wipe out the Shimazaki-kai.” 

A good move. You almost pat yourself on the back for it—Chuuya’s been talking about this bar for weeks, but hasn’t gotten a break from work to actually go check it out. He was livid the other day when he found out Albatross and Iceman went without him. Plus, you implied that you’d give in a little on the argument you were having with him earlier; maybe you won’t send him to Tokyo to help the Sun and Steel but you could probably send Klaus or Akutagawa to ease Chuuya’s stress over the situation.

Please, please, please, please-

“Nah,” Chuuya says, shaking his head. “Maybe another night. I’ll go grab some glasses, find a movie?” 

Oh, fuck me.

“I’ll get them,” you say instead, too quickly from the way Chuuya is instantly casting a suspicious look in your direction so you pivot with: “I picked the last movie. It’s your turn.”

“You hate when I pick movies,” Chuuya says with a frown, studying you carefully before letting his eyes trail over to the kitchen. He’s thinking too hard, you realize, stressed, you need to make him stop before he figures out you don’t want him to go in there because once he realizes that, there’s no shot he won’t be rushing over there. “What’s really going on?” 

“Nothing,” you say easily. “I’m in the mood to trash one of your low budget horror movies.”

Chuuya instantly gives you an offended look and you think, for a moment, that you’ve succeeded. “Well, I’m not in the mood to hear you bitch halfway through the movie, so pick a damn movie.”

Chuuya rises to his feet, putting the bottle of wine down on the coffee table and you want to rip your hair out—why is he so fucking stubborn? You reach out to grab his wrist to stop him, teeth grinding together, and when Chuuya looks back at you, you know that he knows.

“What’s in the kitchen?” Chuuya asks, voice low.

“None of your business,” you reply, jaw tight. “Sit down and let me get the glasses.”’

“I don’t fuckin’ believe you,” Chuuya snaps and rips his wrist from your grasp and storms over to the kitchen. 

You race behind him, only able to watch as everything starts to crumble. You try to grab his wrist again but he slips out from your hold. For a scary second, you genuinely debate using your ability on him just to convince him to stop, to make him leave, but you disregard the thought as soon as it passes through your head, horrified with yourself.

“Chuuya, stop,” you say desperately, a last ditch attempt to make him stop, hoping that maybe when he hears how serious you are about this that he might reconsider, but it’s Chuuya, so of course he doesn’t.

You know it’s over when he freezes in the doorframe of your kitchen, staring into the room like he’s seen a ghost. Dreadfully, you come to stand at his side, looking over his shoulder to see what exactly he’s looking at, wanting nothing more than to crawl into a hole and die.

Dazai sits on the floor, half hiding behind your counter but unable to fully because of his height; his legs are too long to fit behind the counter and his head is peeking above the marble, brown eyes wide as he looks between the two of you. He focuses his attention on Chuuya, who stares at him mutely in disbelief.

Dazai finally says, “Your hat is tackier in person.”

Oh my god.

Chuuya doesn’t even react to the snide comment which you think is testimony to how angry he really is. He drags his gaze from Dazai over to you and you can see the rage swimming in his eyes. You don’t know how to approach this—Chuuya is always unpredictable when he’s angry—so you think maybe you should wait for him to say something first, but that’s also risky because once he’s set off, he’s set off. 

“You lied to me,” Chuuya says, voice low. “I was sitting here feeling guilty and-”

“I didn’t lie to you,” you interrupt, shaking your head, but that only pisses Chuuya off more from the way he shoots a pointed look at Dazai. “I didn’t. I did cut him off, Chuuya. I-”

“He’s sitting on your kitchen floor,” Chuuya’s spits, voice raising as he works himself up. “You let me sit here feeling guilty about this when-”

Chuuya suddenly cuts himself off, eyes widening as he stares at you, and a pit forms in your stomach, realizing he must have just come to another conclusion. Distress begins to pile in your chest because you can’t figure out what to do, frustration because this wasn’t supposed to happen. You want to look over to Dazai but you know it will only serve to piss Chuuya off even more.

“‘Is that what she told you?’” Chuuya whispers Mori’s words from a few weeks ago. “Don’t even tell me that the war with the Inagawa-kai began because of him. You told me they attacked you.”

You grimace, turning your face away and Chuuya lets out a high and reedy laugh, eyes wild with disbelief. You can feel Dazai’s curious eyes on you and you just want to curl in on yourself.

“We went to war with two Yakuza syndicates because of him-”

“We went to war because of what happened with your-” you begin to say, angry at the hypocrisy.

“And she died anyway,” Chuuya shouts, a familiar, eerie red glow beginning to emanate from his hands as he starts to lose control of his ability in his anger. “You couldn’t save her then, what makes you think you can save him now?”

You draw back as if you’d been slapped—you think you might’ve been better off getting slapped than hearing Chuuya say that. You stare at him blankly, watching as he looks over at Dazai, but you can’t bring yourself to follow his gaze.

“It would be more merciful if I just killed him now,” Chuuya says coolly. “Spare him from-”

You only move when he takes a step forward, grabbing his wrist and pressing your forearm hard against his upper chest to shove him into your fridge. Chuuya doesn’t expect you to get physical so his eyes widen as his back hits the fridge, gaze darting back to focus on you. The familiar feeling of the Tainted Sorrow sweeps over your body, coating you in that destructive red glow. 

For a moment, neither of you move.

“We both know you won’t use your ability on me,” you finally say, keeping your voice low. “I’ll fuck up your brain so badly that you won’t be able to look at yourself in the mirror for weeks if you take another step toward him.”

Chuuya doesn’t budge for a second, the tension in the room rising with each passing second. After a few minutes, he finally turns off his ability, taking in a deep breath as he shakes his head and looks away. You step back and Chuuya sighs as he leans against the fridge, forcing himself to look back at you.

“I did cut him off after we talked… ish,” you tell him and Chuuya gives you a flat look. “I did. I ran into him at the ports. One of the kyodai of the Inagawa-kai showed up, saw me with him. Klaus killed him. We had to act before they found out we drew first blood.”

“Oh my god,” Chuuya complains, pressing his hands to his eyes. “You-I had to use Corruption. The entire northern ward-”

“I know, Chuuya,” you say tightly. “I didn’t mean for any of it to happen. I-”

You let out a breath, glancing once at Dazai who’s watching you with an indecipherable expression and then ask Chuuya, “Can we go into the other room?”

Dazai’s head snaps toward you, an offended expression on his face, but you ignore him. “You’re talking about me-” he starts to protest but Chuuya gives him a sharp look that makes Dazai blanch even more, looking to you for support but you look away, missing the way his expression crumbles.

As soon as the two of you are in the other room, Chuuya gives you a hard look, waiting for you to continue.

“I cut him off after what happened at the port and I ran into him again at the event a few weeks ago,” you say quietly. “His professor for one of his classes is a journalist working for the Ivory Eagle, he has three kids—including Dazai—doing his dirty work trying to find proof of the Mori Corporation being a front for the Port Mafia.”

Chuuya stares at you. “What?” he asks blankly.

“Yeah, I know,” you grimace. “Dazai found the proof. He has a video of us from behind the Tokyo City Hall.”

“You’re letting yourself be blackmailed by a college student?” Chuuya demands loudly. You give him a sharp look, but it’s too late, Dazai is already looking into the room with an indecipherable expression on his face, lashes lowering as his gaze falls to the ground. “You’re a fucking mafia executive, are you fucking with me right now?” 

Your eye twitches in frustration, casting one last look in Dazai’s direction, watching the way his brows furrow as he thinks up a storm in that head of his—nothing good, you’re sure, but you can’t do anything about it right now.

“I’m not going to kill him, Chuuya,” you hiss under your breath. “Would you have killed her if she found out?”

Chuuya lets out a heavy breath and looks away, not answering your question but that’s an answer in itself.

“Look,” you continue, glancing at where Dazai had been standing only to realize that he’d walked away. You sigh and lower your voice. “I’m working on something. I just… I need time to figure out how to go about it. I don’t want him in this life either, Chuuya. I’m not that selfish.”

Yes, you are, a distant part of you whispers. Otherwise, you would have handled this as soon as he came to your apartment that first day.

Chuuya shakes his head. “You need to be careful. You have him in our headquarters, in your apartment. Do you know how thin of a line you’re treading? The slightest slip up-”

“I know, Chuuya,” you say, strained. “I know.”

“Figure it out quickly,” Chuuya murmurs. “I’ll do what I can in the meantime to keep the heat off of you. Just… quit fucking around.”

Chuuya gives you a steady look and you know that he knows that you’re using this as an excuse to indulge in Dazai when you shouldn’t be. You can hardly hold his gaze, lashes fluttering as you look down. He reaches out to squeeze your forearm and you turn your head away, trying to figure out what the fuck you’re going to say to Dazai.

“Yeah, I will.”

Dazai pretends like everything is fine.

He’s still sitting cross-legged on your bed when you finally come looking for him, hands in his lap and back straight. You lean against the doorframe, an uncharacteristically soft expression on your face as you look at him—Dazai hates it, because he knows that he’s not going to like whatever you’re about to bring up to him so he decides he needs to evade the conversation in whatever manner possible.

“Did that pipsqueak leave?” Dazai huffs, only finding a bit of consolation in the way your lips curl up into a smile at his insult.

“He did,” you agree, pushing off the doorframe to make your way over to him. Dazai swallows thickly when you take a seat in front of him on the bed. You lean back on your hands, head falling to the side as you observe him. “I didn’t think he was coming over today. We’d just gotten into an argument so things were already tense. I’m sorry that it blew up on you like that.”

Dazai doesn’t want to talk about this, so instead, he smiles and says, “It’s fine. Do you want to watch a movie?” 

Your brow furrows at the way he dismisses your comment—god, he doesn’t want to talk about this. He knows where it’s going to lead, he knows you’re only doing this because of the blackmail and he knew from day one that it wasn’t going to work forever but he’d hoped maybe he’d be able to woo you before then, make you want him for him, want him enough to decide he’s worth the risk. He should’ve known better—he really should have—but he’s not ready to let go just yet.

So, before you can bring it back up again, Dazai forces the smile on his face to come across a little more genuine as he tilts his head and hums, “I found a good horror movie. I’m stealing your pillow to hide behind while we watch.”

Please.

He knows you can see through the sweet smile and honeyed words but he begs you to just pretend you don’t one last time. After what feels like an eternity, you finally sigh, gaze dropping to your lap for a second before you look back up at him and say, “You’re not taking my pillow.”

Dazai doesn’t have to force a smile now, lighting up as he waves your pillow in the air and sings, “Too late!” before darting off the bed and into the other room.

“Dazai!” you call after him loudly and he tosses a smile over his shoulder before disappearing into the other room. He can hear you chasing after him and though his chest does feel a bit lighter, he can’t push away the cold, empty feeling that’s slowly starting to consume him.

[mostlysignssomeportents]

How to have cancer

THIS WEEKEND (November 8-10), I'll be in TUCSON, AZ: I'm the GUEST OF HONOR at the TUSCON SCIENCE FICTION CONVENTION.

I've got cancer but it's probably (almost certainly, really) okay. Within a very short period I will no longer have cancer (at least for now). This is the best kind of cancer to have – the kind that is caught early and treated easily – but I've learned a few things on the way that I want to share with you.

Last spring, my wife put her arm around my waist and said, "Hey, what's this on your rib?" She's a lot more observant than I am, and honestly, when was the last time you palpated your back over your left floating rib? Sure enough, there was a lump there, a kind of squishy, fatty raised thing, half a centimeter wide and about four centimeters long.

I'm a 53 year old man with a family history of cancer. My father was diagnosed with lymphatic cancer at 55. So I called my doctor and asked for an appointment to have the lump checked over.

I'm signed up with Southern California Kaiser Permanente, which is as close as you come to the Canadian medicare system I grew up under and the NHS system I lived under for more than a decade. Broadly speaking, I really like KP. Its app – while terrible – isn't as terrible as the other apps, and they've taken very good care of me for both routine things like vaccinations and checkups, and serious stuff, like a double hip replacement.

Around the time of The Lump, I'd been assigned a new primary care physician – my old one retired – and so this was my first appointment with her. I used the KP app to book it, and I was offered appointments six weeks in the future. My new doc was busy! I booked the first slot.

This was my first mistake. I didn't need to wait to see my PCP to get my lump checked over. There was really only two things that my doc was gonna do, either prod it and say, "This is an extremely common whatchamacallit and you don't need to worry" or "You should go get this scanned by a radiologist." I didn't need a specific doctor to do this. I could have ridden my bike down to the KP-affiliated Urgent Care at our local Target store and gotten an immediate referral to radiology.

Six weeks go by, and my doc kind of rolls the weird lump between her fingers and says, "You'd better go see a radiologist." I called the Kaiser appointment line and booked it that day, and a couple weeks later I had a scan.

The next day, the app notified me that radiology report was available in my electronic heath record. It's mostly technical jargon ("Echogenic areas within mass suggest fatty component but atypical for a lipoma") but certain phrases leapt out at me: "malignant masses cannot be excluded. Follow up advised."

That I understood. I immediately left my doctor a note saying that I needed a biopsy referral and set back to wait. Two days went by. I left her a voice message. Another two days went by. I sent another email. Nothing, then a weekend, then more nothing.

I called Kaiser and asked to be switched to another Primary Care Physician. It was a totally painless and quick procedure and within an hour my new doc's intake staff had reviewed my chart, called me up, and referred me for a biopsy.

This was my second mistake. When my doctor didn't get back to me within a day, I should have called up KP and raised hell, demanding an immediate surgical referral.

What I did do was call Kaiser Member Services and file a grievance. I made it very clear that when I visited my doctor, I had been very happy with the care I received, but that she and her staff were clearly totally overloaded and needed some kind of administrative intervention so that their patients didn't end up in limbo.

This is a privilege. I'm a native English speaker, and although I was worried about a serious illness, I didn't have any serious symptoms. I had the ability and the stamina to force action in the system, and my doing so meant that other patients, not so well situated as I was, would not be stuck where I had been, with fewer resources to get un-stuck.

The surgeon who did the biopsy was great. He removed my mass. It was a gross lump of yellowy-red gunk in formaldehyde. He even let me photograph it before it went to pathology (warning, gross):

https://www.flickr.com/photos/doctorow/54038418981/

They told me that the pathology would take 2-5 days. I reloaded the "test results" tab in the KP website religiously after 48 hours. Nothing was updated. After five days, I called the surgical department (I had been given a direct number to reach them in case of postsurgical infections, and made a careful note of it).

It turned out that the pathology report had been in hand for three days at that point, but it was "preliminary" pending some DNA testing. Still, it was enough that the surgeon referred me to an oncologist.

This was my third mistake: I should have called after 48 hours and asked whether the pathology report was in hand, and if not, whether they could check with pathology. However, I did something very right this time: I got a phone number to reach the specialist directly, rather than going through the Kaiser main number.

My oncologist appointment was very reassuring. The oncologist explained the kind of cancer I had ("follicular lymphoma"), the initial prognosis (very positive, though it was weird that it manifested on my rib, so far from a lymph node) and what needed to happen next (a CT/PET scan). He also walked me through the best, worst and medium-cases for treatment, based on different scan outcomes. This was really good, as it helped me think through how I would manage upcoming events – book tours, a book deadline, work travel, our family Christmas vacation plans – based on these possibilities.

The oncologist gave me a number for Kaiser Nuclear Medicine. I called them from the parking lot before leaving the Kaiser hospital and left a message for the scheduler to call me back. Then I drove home.

This was my fourth mistake. The Kaiser hospital in LA is the main hub for Kaiser Southern California, and the Nuclear Medicine department was right there. I could have walked over and made an appointment in person.

Instead, I left messages daily for the next five days, waited a weekend, then called up my oncologist's staff and asked them to intervene. I also called Kaiser Member Services and filed an "urgent grievance" (just what it sounds like) and followed up by filing a complaint with the California Patient Advocate:

https://www.dmhc.ca.gov/

In both the complaint and the grievance, I made sure to note that the outgoing message at Nuclear Medicine scheduling was giving out false information (it said, "Sorry, all lines are busy," even at 2am!). Again, I was really careful to say that the action I was hoping for was both a prompt appointment for me (my oncologist had been very insistent upon this) but also that this was a very broken system that would be letting down every patient, not me, and it should be fixed.

Within a couple hours, I had a call back from KP grievances department, and an hour after that, I had an appointment for my scan. Unfortunately, that was three weeks away (so much for my oncologist's "immediate" order).

I had the scan last week, on Hallowe'en. It was really cool. The gadget was awesome, and the rad-techs were really experienced and glad to geek out with me about the way the scanner and the radioactive glucose they infused in me interacted. They even let me take pictures of the scan visualizations:

https://www.flickr.com/photos/doctorow/54108481109/

The radiology report was incredibly efficient. Within a matter of hours, I was poring over it. I had an appointment to see the doc on November 5, but I had been reading up on the scans and I was pretty sure the news was good ("No enlarged or FDG avid lymph nodes are noted within the neck, chest, abdomen, or pelvis. No findings of FDG avid splenic or bone marrow involvement").

There was just one area of concern: "Moderate FDG uptake associated with a round 1.3 cm left inguinal lymph node." The radiologist advised the oncologist to "consider correlation with tissue sampling."

Today was my oncology appointment. For entirely separate reasons, I was unable to travel to the hospital today: I wrenched my back over the weekend and yesterday morning, it was so bad that I couldn't even scratch my nose without triggering unbearable spams. After spending all day yesterday in the ER (after being lifted out of my house on a stretcher), getting MRIs and pain meds, I'm much better off, though still unable to get out of bed for more than a few minutes at a time.

So this morning at 8:30 sharp, I started calling the oncology department and appointment services to get that appointment changed over to a virtual visit. While I spent an hour trying various non-working phone numbers and unsuccessfully trying to get Kaiser appointment services to reach my oncologist, I tried to message him through the KP app. It turns out that because he is a visiting fellow and not staff, this wasn't possible.

I eventually got through to the oncology department and had the appointment switched over. The oncology nurse told me that they've been trying for months to get KP to fix the bug where fellows can't be messaged by patients. So as soon as I got off the phone with her, I called member services and filed another grievance. Why bother, if I'd gotten what I needed? Same logic as before: if you have the stamina and skills to demand a fix to a broken system, you have a duty to use them.

I got off the phone with my oncologist about an hour ago. It went fine. I'm going to get a needle biopsy on that one suss node. If it comes back positive, I'll get a few very local, very low-powered radiation therapy interventions, whose worst side effect will be "a mild sunburn over a very small area." If it's negative, we're done, but I'll get quarterly CT/PET scans to be on the safe side.

Before I got off the phone, I made sure to get the name of the department where the needle biopsy would be performed and a phone number. The order for the biopsy just posted to my health record, and now I'm redialing the department to book in that appointment (I'm not waiting around for them to call me).

While I redial, a few more lessons from my experience. First, who do you tell? I told my wife and my parents, because I didn't want to go through a multi-week period of serious anxiety all on my own. Here, too, I made a mistake: I neglected to ask them not to tell anyone else. The word spread a little before I put a lid on things. I wanted to keep the circle of people who knew this was going on small, until I knew what was what. There's no point in worrying other people, of course, and my own worry wasn't going to be helped by having to repeat, "Well, it looks pretty good, but we won't know until I've had a scan/my appointment/etc."

Next, how to manage the process: this is a complex, multi-stage process. It began with a physician appointment, then a radiologist, then a pathology report, then surgery, then another pathology report, then an oncologist, then a scan, then another radiologist, and finally, the oncologist again.

That's a lot of path-dependent, interdepartmental stuff, with a lot of ways that things can fall off the rails (when my dad had cancer at my age, there was a big gap in care when one hospital lost a fax from another hospital department and my folks assumed that if they hadn't heard back, everything was fine).

So I have been making extensive use of a suspense file, where I record what I'm waiting for, who is supposed to provide it, and when it is due. Though I had several places where my care continuity crumbled some, there would have been far more if I hadn't done this:

https://pluralistic.net/2024/10/26/one-weird-trick/#todo

The title of this piece is "how to have cancer," but what it really boils down to is, "things I learned from my own cancer." As I've noted, I'm playing this one on the easiest setting: I have no symptoms, I speak and write English fluently, I am computer literate and reasonably capable of parsing medical/technical jargon. I have excellent insurance.

If any of these advantages hadn't been there, things would have been a lot harder. I'd have needed these lessons even more.

To recap them:

See a frontline care worker as soon as possible: don't wait for an appointment with a specific MD. Practically any health worker can prod a lump and refer you for further testing;

Get a direct phone number for every specialist you are referred to (add this to your phone book); call them immediately after the referral to get scheduled (better yet, walk over to their offices and schedule the appointment in person);

Get a timeframe as to when your results are due and when you can expect to get a follow-up; call the direct number as soon as the due-date comes (use calendar reminders for this);

If you can't get a call back, an appointment, or a test result in a reasonable amount of time (use a suspense file to track this), lodge a formal complaint with your insurer/facility, and consider filing with the state regulator;

Think hard about who you're going to tell, and when, and talk over your own wishes about who they can tell, and when.

As you might imagine, I've spent some time talking to my parents today as these welcome results have come in. My mother is (mostly) retired now, and she's doing a lot of volunteer work on end-of-life care. She recommends a book called Hope for the Best, Plan for the Rest: 7 Keys for Navigating a Life-Changing Diagnosis:

https://pagetwo.com/book/hope-for-the-best-plan-for-the-rest/

I haven't read it, but it looks like it's got excellent advice, especially for people who lack the self-advocacy capabilities and circumstances I'm privileged with. According to my mom, who uses it in workshops, there's a lot of emphasis on the role that families and friends can play in helping someone whose physical, mental and/or emotional health are compromised.

So, that's it. I've got cancer. No cancer is good. This cancer is better than most. I am almost certainly fine. Every medical professional I've dealt with, and all the administrative support staff at Kaiser, have been excellent. Even the doc who dropped the ball on my biopsy was really good to deal with – she was just clearly drowning in work. The problems I had are with the system, not the people. I'm profoundly grateful to all of them for the help they gave me, the interest and compassion they showed, and the clarity and respect they demonstrated in my dealings with them.

I'm also very grateful to my wife, my parents, and my boss at EFF, all of whom got the news early and demonstrated patience, love, and support that helped in my own dark hours over the past couple of months.

I hope you're well. But you know, everyone gets something, eventually. When you find yourself mired in a broken system full of good people, work the system – for yourself and for the people who come behind you. Take records. Make calls.

Look after yourself.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/11/05/carcinoma-angels/#squeaky-nail

[halcyone-of-the-sea]

Hiya! I’m so happy your requests are open omg your writing is impeccable. So I’ve been with this concept in my head for so long since I read this prompt somewhere: what is with your weird fascination with me?

And just immediately my head started creating a story about reader having the nickname ‘Death’ because she has the highest body count known, skilled as no other and, also, imposible to know on a deeper level because she is like a wall, not letting anyone in. Until John Price needs her for a mission and is, as the prompt says, fascinated by her (and feeling other things he doesn’t want to admit), and is able to break her a little when he gets hurt in a mission after months of working together.

Glory to the Reaper

PAIRING: John Price x F!Reader

SYNOPSIS: He was strange, you admitted to yourself. Always around even when you didn't want him to be. But perhaps the Brit just might surprise you.

WORDCOUNT: 5.8k

WARNINGS: Angst, blood, death, gore, canon typical violence, avoidance tactics, fluff, pining, hurt/comfort, etc.

A/N: I switched around the codename but it's still the same plot! Enjoy, Anon!

*I do not give others permission to translate and/or re-publish my works on this or any other platform*

Your eyes slip over the file on the table, slowly caressing the parchment with easy and careful consideration of every word and comma—searching. Focusing. You hum under your breath and slide the page away to spy on the one behind it, the room quiet and the air cold. Outside the window the entire compound is asleep, only the light of the street lamps illuminating the land; inside this office, your feet barely shuffle over the tuft of the rug.

Clicking your tongue, you go to the next document in the pile. 

The still-warm body flinches and jerks below you, but you barely notice—he hadn’t put up much of a fight; wasn’t memorable. Sighing and itching over the mask along the bottom of your face, you snatch the last six papers from the desk and fold them four times, stuffing them into your vest pocket. 

Stalking with sure steps, you press into the radio on your gear as you step over the body and head to the door. Bloody bootprints follow behind you like a crimson shadow of surefire death.

“Actual, intel secured. Heading to Evac now.” Laswell was listening intently on the other end, your Op of the highest priority. 

You wouldn’t be here if it wasn’t, surely. The small click from the other end greets you as you shove open the office’s door and saunter down the hallway paved with glints of marble and pools of viscera like a Roman horror story. Eyes numbly slide past the scores of bodies; necks slit and stomachs burst from bullets fired through silencers. 

“Good job, Tomb,” Laswell utters, voice fast and serious as always. “What’s the clean-up status?”

Your lips flinch upward, “I suggest fire and a prayer, Actual. But no one knows I’m here. Main house is neutralized.” 

A small pause later and a huff of dull amusement. 

“Copy, Tomb. Your ride is waiting—best not to miss it, we need you back sooner than later.” The structure of your lungs rearranges in a small chuckle that echoes off the ceiling; molten silver from the moon slips over your darkened form. The patch upon your right shoulder is illuminated in steady intervals, the familiar image of a mausoleum and a guarding Sphinx. 

Alone, that patch is, with no other dark affiliations beyond that demonic cause. Many see it right before they meet their end, but the insignia was entirely left to ruin—no one sees it and lives besides other soldiers.

“Copy.” Your voice is easy and bland as the curtains from the single open window shake in the breeze. “Tell the boys I’m on my way.” You pass the window and slap a gloved hand to it, hearing the squeak of the frame as it hits back down before you turn the corner, slinking away to reform into a figure that evokes grim glances and sliced sentences. 

—

You stare into blue eyes with a sheen of disinterest coating your own, hands stuffed into your pockets and gear heavy on your chest. From your shoulder, the strap of your rifle sits as you speak, tilting your head, “Captain Jonathan Price of Task Force 141.” 

The man was tall, you admit, fit and formed to harsh military life. Undoublity he’d been in the service for decades. You’d seen his face before—the brunette beard and the strong jaw; small eyes with wrinkles, it’s how you had ID’d him. Plus the bucket hat. Laswell had told you he’d been inquiring about your file and you’d done your own digging off the books. 

John grunts a greeting before nodding.

“Pleasure. Tomb, was it?” On the tarmac, you glance around with stiff shoulders as the blades of the helicopter slow down behind you. Morning was just on the horizon, and you hadn’t gotten a wink of sleep on the flight back.

Lips thin, before your vision slides back into place. John’s hands are crossed casually, but his blue holds glints of intrigue. You don’t like that. “...The one and only. Excuse me.” 

Walking past, you move like a crane, legs taking long, steady, strides. A hand comes up to scratch at your cheek through your face covering. Laswell was expecting you immediately. 

And those feet at your side were not supposed to be there. Your eyes shimmer lowly at the shadow of John as he follows.

“Should tell you that Laswell’s in building two, then.” Pace halting, the Captain continues off on his own as your sharp gaze burns into his neck. He spares a glance over his expansive shoulder before adjusting his course to the East. “Told me to bring you to her. We need to have a little chat, yeah?”

You stay silent, watching John travel to the larger building where Laswell was apparently now waiting for you. After a still minute where you listen to the birds waking up and the scent of dew is in your hidden nostrils, you sigh deeply and roll your shoulders before beginning to walk behind. 

“Hm,” Garbled grunts are only heard by you as you stay well enough back from the man. Cautious as you stare at his head. 

He holds the door open for you when you finally make it, and you stand blankly from the opening as John’s calloused hand clenches over the door. When you don’t enter, the Captain shakes his head and releases a deep chuckle. 

“Alright, then,” he mutters, shuffling through the door first. You follow the strain of his back until you look away and reach for the barrier, pushing it back from you. Making your way inside, you sigh and wonder what you’re getting into. 

“Laswell said you don’t like strangers,” eyes peek back at you as the buzzing from the overhead lights echoes in your ears. Your throat releases a hum; shoulders showing a picture of wound ease. “Can’t say she’s wrong, now can you?”

Watching another soldier pass the two of you, you tilt your head to make sure the stranger’s footsteps turn the corner before you answer John’s question with a raised brow to mirror his own. 

“Did she also tell you that I don’t plan on joining One-Four-One, Captain?” His bearded smirk catches you slightly off-guard, perplexed by not even the hint of shock in his gaze. He’d done his research.

John grunts as his eyelids narrow, amused. Your muscles tense.

“Affirmative.” The meeting room door is opened and this time he allows you to ease your paranoia by slinking in first. 

In the room sits an occupied Laswell, a long table, a projector, and black-out windows. Confused but used to last-minute changes, you simply enter silently and pick a chair with your back to the wall and a good view of the room. 

“Laswell,” you utter in greeting as the woman hums a hello, shifting through numerous files. In your breast pocket, you pull out the files you’d stolen and toss them onto the wood. John stands near the entrance with crossed arms, hips shifting every so often as his feet re-situate themselves. 

He blinks down at the papers and then back to you with a careful glance at Kate.

Your Station Chief chuckles when she looks at you, tilting her head before she snatches the prize. 

“Good work as always, Tomb.” 

“Why is he here?” You get to the point, one hand going up to brush over your hair as the other sits limply on the seat’s arm. Your gear sits heavy on you, but that brutal tic of curiosity blooms. 

John’s lips twitch before he answers, “An offer. Knew I wouldn’t be able to meet if Laswell wasn’t the mediator, eh? You’re bloody difficult to track down.”

“Offer?” Small talk never mattered to you, hadn’t since you’d signed up, and probably never would. You didn’t understand why people beat around the bush—just say what you need to say and get it over with. There was only so much time in a day. 

It seemed John Price carried part of that opinion as well. 

Blunt, you admit to your opinion of the man, and sure of his strengths.

“I need your skill set.” Kate looks back and forth between you two before she focuses on her work, multitasking. John continues, pointing a hand at you in demonstration from their hold on his chest. “Mission in three days. Turkey…” He watches you closely as if gauging your abilities. “You in or out?” 

You wait in a dim silence for a minute or two before you tilt your body to Laswell, eyes still stuck in stormy blue and pale wrinkles inlaid with dirt. 

“Kate?” 

“Totally off the books,” the woman says confidently, pen sliding over paper. “Two targets in Bursa. There’s a file in your office.” Raising a brow, John hides his cheeky smile behind a bored mask.

“Take your Lieutenant,” you glare, “Ghost, was it?”

Price shakes his head, hat flinching along with it. “On assignment. I’ll need an answer today, Tomb. Time’s ticking.”

Your jaw clenches in annoyance, “Capture or kill?” 

John shrugs nonchalantly, “Either. Is this a yes or a no?”

In this game of cat and mouse, you find yourself slipping. Your obligations as a soldier call to you to take the mission immediately, but for the simple fact that this Captain was unknown to you—and apparently, you weren’t unknown to him. 

John was checking all of the boxes of people you didn’t like to be around.

Your voice grits out, eyes burning in their glare, “...When?” 

His smirk makes you want to storm out.

“Tomorrow. 1300.” The air in the room is thick, tense like a thick layer of molasses was overtop everything. Under the table, your foot taps to the steady beat of your heart, your face tensed, and the layers of your facemask suddenly too formed to your neck and chin. 

Twitching your nose you dig your eyes into John, peeling down his expansive shoulders and chest to take in the layers of packs and other miscellaneous items. His thigh holders and the way they hug his legs. You end with one last dead-on look into his eyes, trying to pinpoint intentions and flay the lines of his brain. 

Most people glance away, but John returns the look with a casual tilt of his head and a raised brow. Not at all off-put. 

Your hand steadily clenches over the chair. 

All you give him is a firm nod—nothing more than a mere jerk of your chin. Kate sighs from where she’d been watching. 

“Perfect. John,” she points her pen at the Captain as you both stare off. John grunts before his eyes flicker to the side, leisurely roving back moments later. You blink and rub your forehead. “You have your answer. Now would the both of you get the fuck out of here?”

“Copy, Kate.” John sighs, and you huff; standing as you plan out the amount of time you have to clean up and sleep before you have to leave. With an easy brush of your shoulders, your form shimmies past the Captain with dull enthusiasm. 

You weren’t happy about this, but fine. You’ve been through worse. 

As you shuffle down the hallway to the armory, your ears quirk when the footsteps ring in the drums of your ears like a hiking beacon. Already you’d memorized the walking pattern. 

The thump-bump, bump-thump, of boots and the clink-clank of metal on metal. Shoving down a growl you hiss out into the air, not turning around. 

“Problem, Price?” A gruff humph bounces. 

“Negative, Tomb.” His shadow comes to conjoin with yours, large body standing side-by-side. Eyes flash to the side of your face, hidden from all by the cloth—like a bored cat, you continue to pave your way to silence; hoping whatever thought this man had in his head would disappear. “Just curious, see.” 

“Curious?” your brow raises, the make of your muscles showing your unease. “Can’t help you with that.” 

“No, probably not, eh?” John grunts and reiterates as strange emotion spikes in the lines of his face as he glances along you. “Tomorrow. 1300. Don’t be late.” With nothing more, he halts and pivots, peeling back to leave your side as his sudden absence leaves you devoid of heat. 

Confusion breeds in your chest, but your steady legs carry you on until your tension leaves. Under your breath you utter a question as you enter the armory, shuffling your rifle off of your chest. “What the hell was that about?”

—

Price and you stand inside the safehouse with fast hearts and narrowed eyes. Blood was dripping down your hands, the black gloves flooded with gore that sure as hell doesn’t belong to you. 

“Fuck,” John growls, guttural reverberations echoing off the walls. With stiff ribs, you go and lightly peel back the fabric of the nearest window to study the street below; looking for any suspicious figures. Frowning, you see nothing and let the curtain fall, eyes wafting to the Captain. 

“We either lost them or they have surveillance on the building. Best for you to not leave either way.” The mission had gone sideways—apparently one of the targets had an ID on John as a member of One-Four-One. One thing led to another and resulted in you sticking a knife into some man’s gut to get away when he’d been spotted. You blink at his agitated expression, the black beanie on his head ruffled as he runs a hand over it.

But you don’t say anything else. Peeling off your gloves, you listen to him as a rain of blood splatters the carpet. 

“This sets us back—since when does bloody fuckin’ Metin Baydar know who I am?” John’s hands are clenched, jaw so tight you wonder if his molars will crack under the pressure. A smirk twitches your lips at the thought. “Tomb,” you slowly tilt your eyes to him. The man sets his lips and crosses his arms, the brown casual wear in his chest bunching. “I’ll need you to be my eyes on this, yeah? If I leave this position I jeopardize your safety.”

“My safety?” you huff a laugh and push your gloves into your loose pants. “Captain, I don’t need you to worry about my safety.” 

He seems to pause for a moment, and with a shake of his head his blue eyes shutter closed. A deep, tight, breath is taken and those tiny lids are forced back as you lock gazes. You send a blank look his way and he nods firmly.

“Keep low.” Is all he grunts, feet standing apart and his stare intense. “Copy?” 

A swirl of amusement dances in your gut—you tap the earpiece in your shell with a stained streak of blood on your fingers. John stares, unreadable.

“I’ll leave when the streets cool. Just keep on the line so I can relay my intel, Price.” After a moment of silence, your eyes tighten with intrigue. “How do you wonder Baydar knew your face?” Standing by the window again, you peek out and keep John in view. His form shuffles, and he scoffs before walking beside you. Over your shoulder, he also views the buildings and businesses below. You still at the sensation of his breath on the back of your head, hand twitching over the curtain. It ruffles your hair for a moment before you snap out of it, eyes blinking rapidly. “Your Task Force isn’t exactly known,” you finish your sentence, voice strained. 

Clearing his throat, as if realizing how close he’d gotten with only the intention of gazing outside, the man’s form jerks back; taking a step or two away to give you distance. Your far-gone eyes blankly continue to look outside but your chest gains some tension to it. You don’t know why.

This Brit is strange. You frown, watching a cat traverse the concrete far below. Not that I really have much to go off of. 

“Haven’t a clue.” John sighs again, one hand going to itch at his chin. “Your guess is as good as mine. One thing I do know is that we have to fix this. Now.” 

“You should tell Laswell,” you mutter, turning around and walking past him to stand around your packs—all of which hold your gear. Your knife was set into a small sheath inside your shirt, leather wrapped around your waist as you stopped near the coffee table. You pull the lip of your clothes up and grasp at it before peeling the metal out with an inquisitive eye. 

If there was any breakage to the tip, you’d be furious. 

John watches from across the room, catching glances at your bare skin riddled with scars and burns; unmarred flesh foreign. He feels his breath hitch before you drop your shirt back down and bring the blade into the light. 

Holding it parallel, you gaze along the edge and tilt your head, eyelids half-closed. 

“Kate?” Price answers you, clearing his throat. “No, it’s better not to create any more shite. She’ll be good off not knowing, yeah?” The brunette’s brow raises in question.

You hum and don’t reply. 

The rest of the mission was spent with the two of you conversing over the open line of your comms as you scoured the streets for any sign of the target, feet carrying you over the city as the chill of the late afternoon set in. Presently, you didn’t know how to feel about your situation. Working with others was a strain on your focus—on the walls you’ve built up; John had obviously noticed that you didn’t exactly play well with others. It was plainly stated in your file, after all. 

“—attitude, or lack thereof, is a detriment to the structure of any team/unit/platoon that she is placed into under all circumstances. Recommended reserved operations to limit drawbacks.” 

Having a pleasant attitude wasn’t your job. 

Stalking around the corner, your ears twitch to John’s voice. “Sitrep, Tomb. What’s it looking like out there?” 

It was strange, then, that the man over the line was so eager to speak to you. Your sigh hits on deaf ears, and you respond as you carefully walk past civilians making their way home.

“Quiet. No sign.” The silence re-settles and you gradually loosen again. Like a cat, your ears twitch to hear the muttering from the commuters; eyes sliding with watery film across faces. 

Baydar owns a restaurant as a front for funding terrorists. Anyone exiting from this direction could be part of it—

“You said you’d never join One-Four-One,” John’s voice makes you shove down a flinch, ripped out of your focus. In your pockets, your hands close into fists, and a deeply annoyed mask fits itself over your expression. “Why’s that, then?” 

“What is this?” Your voice goes cold, “interrogation time?”

“With a record like yours, you’d get pick of any Task Force or SOF in country.” The Captain seems to ignore your hiss and jab as his deep voice continues; accent low. You hear the drag of a cigar and the puff of smoke. Internally, you’re thankful for the casual yet attentive acknowledgment of your skills—how the man doesn’t seem in the slightest worried about you. “Why is it that you’re always alone out ‘ere? Couldn’t wrap my head ‘round it, truthfully.” A tobacco-slick chuckle, “Bloody hell, people would kill to get you on a mission like I did, eh? No doubt.” 

For a long time, you don’t answer, leaning against the wall across from your target’s restaurant doing recon. Frown tight and face stiff. John’s voice fizzles. 

“Ah, fuckin’ forget it Love, just a man’s curiosity speaking for ‘im. I’ll leave you to focus.” Before the line can click, you open your lips—as if the things have a mind of their own.

“People are unpredictable.” The Captain’s breath is gently puffing over the line. He listens and you know he hangs on every word; it was a strange feeling to know that. From under you, your feet shuffle. “They do things that don’t make sense. I don’t like dealing with it.”

A grunt. “Well, can get behind that…” John had a smirk on his lips, you can hear it. “You’d lose your head if you met MacTavish.” 

Your focus waning, you blink, getting sucked into this strange interaction with an even stranger man. 

“Yeah?” You wonder, head tilting to the side. “One of yours?”

“Hm,” he affirms and the chill of the night caresses your skin. John chuckles. “Sergeant. Bloody good shot, but can get into trouble faster than his fucking gun can fire.” 

Your mouth quirks. “Sounds horrible.”

“Makes my job a living hell,” John admits and you shock yourself by listening. “But no one better to keep by my six…You’d ease up to him.” 

“I’m not joining, Price,” Your voice mutters out like how a dragonfly snaps its translucent wings on still air. “This is it.”

In the safehouse, John hums under his breath, staring out the window at the blinking lights of the city as you watch the restaurant with far-off thoughts. A smile twitches his lips. For some reason there was something about you he wanted to figure out—something to unravel. You were like Ghost sometimes, but more… fascinating. Darker.

And you knew how to get the job done better than anyone.

John wanted you on his Task Force, your expertise, and the only way to get that was to take you apart like a puzzle of razor blades. Study you. Learn you as the edges cut up his flesh. The Captain had no idea what picture you’d make when everything was in its proper place, but he’d be willing to try with the very tenacity that had gotten him this far. 

But there was something else there, too. Some kind of tightness in his chest when you looked at him; he'd gotten it when he’d seen you on the tarmac back not so long ago like some schoolboy. Those blank eyes of yours…why did he want them to light up? 

Why did he want to see your laugh? 

John wasn’t immature enough to not know his own feelings or attractions, but this was an entire section of its own. Blinking, the man grunts to himself and smirks. “Well, better make it last, then.” 

You feel your eyelids carefully pull in surprise. 

“I…” Your voice starts but dies off, swallowing saliva down as your mouth clacks shut with a connection of teeth. Closing your eyes, you steady your heart, which had suddenly created a concerning skip in its beats. 

John places the cigar back to his lips and takes a long drag, leaning out of the window to watch the smoke disappear into the twinkling lights. Lips peeling his beard hairs back.

—

As it turned out, the mission in Turkey wasn’t the only time you’d have to deal with John Price, and it certainly wasn’t the last time you’d see his face in front of yours. One mission turned into two—two into three and so on. You hadn’t exactly wanted it, but you found you couldn’t turn him down either. 

At whichever base you were stationed at, all of a sudden he’d just show up; standing on the tarmac with his arms crossed and that casual set to his shoulders. The first time you’d seen him after Turkey, you had half convinced yourself he was a mirage. And then he’d smirk at you and tilt his head and you’d have no control over your words. 

It was pathetic…disgusting…it was…it was…

You shake yourself back to the present when a bullet whizzes past your head, a sharp call from across the utter warzone you’d found yourself in the middle of.

“Tomb, what in the hell’s wrong with you?!” John’s voice is harsh, and you lock onto it. “Get your gun up!” 

You sigh, unperturbed. Peaking past the large crate you use as cover, your eyes glare at the enemy soldiers across the dock, fixing your finger’s position over your M4A1. The small unit you’d been dragged into by John was mostly dead—only four of you remaining from the ten.

It wasn’t supposed to go down like this. 

Jerking back, a splintering of wood explodes in front of you as the next fast piece of metal nearly takes your nose off. With a grit of your teeth, you flick your safety off and swivel your shoulders. 

Popping from the top of the crate, your sharp eyes lock onto the first visible body before you press your finger to the trigger with practiced ease as the word shrieks all around you. Recoil is eaten into the padded kevlar of the junction of your shoulder and arm. 

When you dart back, the body has yet to hit the ground. 

“There she is!” John calls, and you look forward with a steady stare as the brunette laughs from behind his own crate a few feet away. “Keep your head in the game, Tomb.”

You frown, normal facemask back over your chin hiding it. While you loathe to admit it, John had grown on you in these…what was it…? Months? Yes, that seemed about right.

Months of joint missions. You could hardly believe that he’d dragged you out like this.

“Tell the others to flank,” Your voice whisps over the line like smoke, “Left side—there’s a gap in the crates.”

John looks you in the eyes and blinks, eyelids twitching. With his beard covered in gunpowder, the man looks across the open space between the gunbattle to the left. Sure enough, right before he’s forced to snap back down to cover, the Captain spies a very well-hidden gap in the defenses.

He smiles viciously like a dog, and barks a laugh to you, nodding, “Good eye! Boys,” the two don’t pause their assault but call their questioning voices over the line. You don’t listen, occupied with giving off bursts of gunfire and trying to avoid the eyes of your fellow dead soldiers. Your lungs are compressed inside of your ribcage like prisoners. “Flank left. We’ll cover you!” 

“Sir!” Steadying your breath, you avoid John’s confused glances and scoff to yourself, resituating your clammy hands. 

When all’s said and done the four of you are the only ones left. Letting your gun sit on your chest you use the body as an armrest, allowing it to hang off the side from the trigger-guard. Your fingers twitch, and as John speaks to the two men, you stare silently at the gushing bodies of your fellows like phantoms spring from their chests.

John’s voice slows when he sees you apart from them, glancing at the soldiers at your feet before ordering the remaining men to get to the evac point. They try to argue everyone should be going together, and on all accounts, they’re completely right, but John won’t hear it. 

“Go—that’s an order.” Reluctantly, the two glance at each other and speed off. 

You jolt at a call of your name, head turning to face stormy blue as they gaze at you with concern. Stopping a few feet away, John stands still and folds his arms, face going rigid with concern as he glances you over for wounds.

His head slightly leans in, chin down.

“...You alright?” Hand flinching, you clear your throat. 

“Why wouldn’t I be?” You ask, fixing the position of your feet and forcing away the images of dead bodies and blank eyes. 

You’d seen scores of men dead before—friend and foe—but you had thought you’d never have to see more of your own fall. It had been a long time since you’d felt the distant lull of numb horror in the back of your brain; like some ocean wave that drowns you under every time it comes back. It always comes back. 

John narrows his eyes and frowns deeply, glancing around and hiding the slight way his right arm sags. 

“Tomb?” He says it so lowly that you really have to focus, ears straining. That gravel was back, and you found yourself latching onto it. “Eh, you just focus on me, yeah? I’m right ‘ere.” 

“I know,” you snap, eyes shuttering away only to find more vacant stares. You flinch back and look up into the sky; a sudden burn in your brain that you need to quell.

The man grows even more concerned with you, taking a step forward and clenching his jaw. He studies you, your shaking tension and the clench and loosening of your fists—attention always on you but roving to the dead men all around. Something clicks with a violent inhale.

John moves to you without a word and grasps you around the shoulders quickly. You gasp at that, immediate reaction to shove away, but only gape at the warmth that he brings you instead—the steady presence and chest to lean on. As the Brit drags you, you focus instead on calming your breathing. 

The Captain lightly shimmies down your facemask and you suck down tight air as you go limp into his side. 

“C’mon, Tomb. It’s alright. I’m here. I’m right here.” He’s muttering to you, disguising his pained grunts in favor of taking care of you. 

That strange affection for you had grown in your time together…not that he’d said anything. It was more proper of him to watch out from a distance, not sure of your own feelings or the probability of you gazing back at him with the same amount of concealed longing. Many a night he’d sat on his bed and wondered. Wondered how an animal so extraordinary and remarkable took the form of a woman with a black sphinx patch and sharp eyes. 

John had heard you laugh once through your expeditions together—sniping in Greenland. Once had been enough; if he never heard it again, he could still recall the pitch and frequency to the yawning of his soul. He didn’t need to hear it again. 

It was locked into the fabric that made up your skin and speech, and every time he stared at you he could find it in your eyes. 

The Captain puts you down near a crate around the corner, letting you lean into it as he turns and captures your neck from either side. You shake under him, blurry vision stuck to his dog tags as they wink against his chest. 

“Tomb,” John says again, and with a lick of your chapped lips, you carefully turn your head up. Blue eyes crease worriedly. The thumbs on the sides of your neck caress up and down your rapid pulse steadily; calluses creating stimuli. A small smile meets you. “There we are, atta girl. Focus.”

Tears dribble down your cheeks, and you flatten your lips, whispering out brokenly, “I said I don’t like teams.”

John’s heart breaks. 

“Oh, Sweetheart,” his hand captures the back of your head and you’re brought into a deep and firm embrace—gear pinching and prodding but neither of you care. 

When was the last time you’d been held like this? The feeling makes your mouth quiver, your face stuck into the junction of the Brit’s neck and shoulder.

“John…” You whimper out and his arms around you only tighten—his tense nose shoved into your scalp as his eyes closed tightly. 

“I’m so sorry,” he whispers, heart racing, “I’m so, so, sorry.” 

You don’t know long he holds you there, the air filled with blood and death but just so soundly resting atop his vest and limp to his gentle swaying. The tears dry at some point, they always have to. Sniffling, your burning face takes in the scent of beard oil and gunpowder and you find yourself calmed by it.

Calmed by John. 

The man holding you waits a moment more before he slightly leans back, staring down at you intently; nervously. You lick at the tears drying into the line of your mouth to taste the saltiness on your tongue as fingers grasp at your chin. 

Angled up, your face is on full display. 

John sighs and the drowned keratin of your lashes flutters, embarrassment flooding you. His eyes crease before his hands come up to take away your sorrows with a soft brush of his digits. The man clears his throat tinily, voice deep with emotion.

“Better?” Your eyes dip away from his, knowing you’d been staring. 

“I…” Glancing over his right shoulder absentmindedly, you only get a word off before you see a fountain of red. Blinking away the last of your tears, John’s finger on your cheek stops moving as you freeze—stiff to the touch. 

His panic spikes again. 

“What’s going on—”

“When did you get hit?” Your voice is hard and laced with something you can’t name. Shaving back from John you frantically grab at his arm. In an instant, the Captain is whirled around and shoved back into the crate; he grunts loudly, eyes snapping wide.

“Fuckin’ hell.” He grumbles, but flinches when you peel at the bloodied layers of his compression shirt. John smirks, letting your touch rove him as your nose scrunches. He represses a shiver at the bite of your nails, whispering out, “If you wanted to throw me ‘round, Love…all you had to do was ask.” 

You blink rapidly and turn your fast gaze to his eyes as you stutter, fingers covered in blood and holding apart the fabric of his outfit to show a bullet graze to his pale upper bicep. John’s cheeky smirk grows and against all the pain and the dark corners, you feel a bubbling in your gut. 

A small chuckle snakes out, like twinkling bells. 

“Shut up,” your smile leaves him breathless, smirk falling to a small open-mouthed screen of obvious admiration. A hum marks the back of his throat, eyebrows loosely curving upon his forehead. 

You look over and find him like this—his gaze trapping you like his arms had. Like music, it takes you into its melody. Staring, your smile, gradually too, leaks out. 

“What are you doing?” Your question is breathy. "What is your fascination with me?" John’s eyes stick with you, the shining, shimmering, blue. There are tempests held there and if this man was anything, he was a storm of intentions and promises. 

“Looking,” John answers lowly. "Just looking." 

You take down a breath, “At what, John?”

He chuckles at you, face close and pleasant, “Y’know, I haven’t quite figured that one out yet, Love.” 

Blindly you wonder how the world can still turn while you both stand here—was it, even? How can life go on when such things are uttered to light? When they’re buried deep into your marrow like the dirt on top of a grave? 

How can the Reaper knock at your doorways when love exists in such quantity…in the fractures of his eyes? Only when his lips brush yours do you understand. 

It’s all here, and then it’s gone. Nothing can truly be as it was in the past, and therein lies the small, glorious, deaths. Both a blessing and a curse.

Your lips press deeply into one another and the blood of old wounds dries. 

TAGS:

@luuvbuzz, @emerald-valkyrie, @anna-banana27, @blueoorchid, @cryingnotcrying, @writeforfandoms, @homicidal-slvt, @jade-jax, @frazie99, @elmoees, @littlemisstrouble, @alpineswinter, @phoenixhalliwell, @idocarealot, @lavalleon, @facelessmemories, @h-leigh, @20forty9, @glitter-anon-asks, @emily-who-killed-a-man, @neelehksttr, @aeneanc, @escapefromrealitysm, @i-d-1-0-t, @pparcxysm, @hawkscanendme, @caramlizedtomatos, @konigsleftkidney, @sanfransolomitatm, @maelstrom007, @jemandderkeinenusernamenfindet, @pheobees, @glitterypirateduck, @uselsshuman, @fan-of-encouragement, @halfmoth-halfman, @ghostlythunderbird, @I-inkage, @pukbadger, @kopatych11, @0nceinabluem00n, @cocrorapop, @knightofsexyness, @abnormalgeil, @smallseastone, @jacegons, @330bpm-whiplash, @simon-rileys-housewife, @4-atsu, @tiredmetalenthusiast

[lowedeus]

10th LoscheDay is here!

Hello, my followers and inspired dawnloaders! I know it’s been a while. The real life kinda got in the way. Thanks for staying with me!

10 years ago I created this blog to share worldwide my projects. My purposes are to integrate elements of european culture into The Sims 2, to enchance the neighborhood decoraing with recognizable city environment, and to explore and improve the game itself. This hobby has now allowed me to start practicing as a 3D artist, and I believe I found my true passion in it.

So, today I want to tell you about life changes I’m going through, share the gifts with you, and also ask you for help - all about it under the cut:

The Life Changes

You know I’m not very active last years, and this simblr stays without any updated for a long time. There were reasons for this. In 2022 I had to leave my home and moved to another country. Don’t worry, I’m fine and well. I starts my new life, at least, in a quiet place.

Here is a photo of me and my friend @ivanautumnfield​​ in Astana, Kazakhstan:

And now it’s time to move forward! 

The Request for help

As someone who has always valued creativity and the arts, I’m reaching out to you with a sincere request. Over the years, I have been dedicated to creating and sharing TS2 content, providing advice, and fostering a supportive community. I have never sought donations or payment for my work; it has always been driven by a genuine desire to help others.

Now, as I face new challenges, I am seeking your assistance. If you meet all of the following criterias, I kindly ask for your support:

Residing in France (or any other state of the European Union): If you live in these regions, your recommendation would be appropriate.

An Active Artist: Whether you specialize in 3D graphics, animation, game development, or any other artistic field, your endorsement would mean a great deal. It doesn’t matter if you are affiliated with an official art institution; I think having a public portfolio/site/artist’s page is matters.

Writing a Letter of Support: If you are willing and able to write a Letter of Support (recommendation letter) for me  — that would be invaluable. The letter can be written in a pretty free form, should expressing that you know me and my creations, and you look forward to future cooperation. Rest assured that this won’t burden you or compromise confidentiality in any way. These letters are essential for my relocation preparations.

Please feel free to reach out to me via private messages here. If I haven’t responded to your message, it might have been caught in a filter — simply tag me in a broader context. If you know anyone who can help me or have connection to the proper art organization and\or institutions, I would be immensely grateful for networking.

Your assistance, as well as any reposts or shares, would greatly help me.

If you want to help me the other way, you can support me at Patreon or Ko-fi ☕ 

The LoscheDay Gifts

I want to thank everyone for the help and attention to my work, it really spurs me on to keep going. As a gift, I want to share with you some content that are ready to be used in the game, but haven't been published yet for one reason or another. All of the links and info avalible in my new Patreon page.

Not all of my (un)published projects are described at that page at this moment, new posts will be publishing time to time in Patreon’s feed, also a brand new cc files will be appearing in SFS folder. Please, subscribe and stay tuned!

I emphasize that everything I create for The Sims 2 will still be available for free, I am not planning on hiding behind a paywall, this is just if you would like to support me through this challenging time.

Thank you!

Enjoy!

[yukipri]

Clone File: Morbs (YukiPri OC)

Basic info:

Name: Morbs Number Designation: CC-4413 Generation: 1 (0.9) Rank/Title: Chief Mortician of the GAR, Kamino Chief Mortuary Trainer (former) GAR Affiliation: Entire GAR, primarily stationed with the 212th Attack Battalion Character status: YukiPri Original Character

Disclaimer: Morbs' story will likely make more sense if you've read The Prime Override, as he's introduced with context in this fic. He will also make more sense if you've read about the other 2 clone medics mentioned in this file, Ashe and Stabber.

Backstory beneath cut!

Overview:

Clone morticians are specialists even among medics. Every clone medic knows the basics of how to care for the deceased, but in war, priority must always go to the living. As such, it is common to find only one clone mortician per star destroyer or permanent GAR base, with greater numbers stationed in Tipoca City or various Republic medical centers.

Morbs, or CC-4413, is considered the Chief of this group of medical specialists. He is the originator of the division, and was assigned to develop both the position and the training curriculum of clone morticians in tandem with Ashe’s primary medical training.

Prior to the start of the Clone Wars and through the early war period, Morbs oversaw the Tipoca City Primary Clone Morgue, which processed all clone bodies. There, he managed biopsies, distribution of cadavers, and the care and processing of all of the bodies of his deceased brothers. He also trained other clone morticians who had completed general medical training prerequisites and were approved by Ashe, as well as future Chief Medical Officers who were required to have completed hands-on training time in the morgue to earn their certifications.

Morbs would have been content to remain in this morgue for life, but as the main body of the GAR prepared for deployment, it became clear that the number of bodies being processed on Kamino would plummet. Morbs was reassigned to the front lines, where his expertise would see more active use, leaving his morgue behind in the hands of his assistants. He primarily travels with the 212th Attack Battalion, but frequently visits medical centers and goes where he is needed.

Background:

Morbs was one of five Generation 0.9 CCs selected by Nala Se to begin the development of the clone medical track. While all subsequent medics are CTs, the Generation 0.9 CCs underwent manual age acceleration, putting them physically ahead of their Generation 1 peers in chronological age. Morbs and his fellow CCs were test subjects used to establish the start of the medical specialization path before their younger brothers were of age to begin that training.

As CCs, they are overqualified for the general medical training that Nala Se is building, and Nala Se quickly turns to using them for other experiments as well. Their unique position as the first experimental medical clones gives Nala Se more oversight over them than any other clones, with far less supervision as well. They are “her” clones to test as she pleases.

In the depths of her labs, Nala Se conducts experiments that she had been banned from conducting on standard troopers by the contract with the Prime Clone, Jango Fett. Morbs later learns that these tests would be considered “torture,” and are illegal in the Republic. He and his brothers are tested for the physical limits that clones can reach, including tolerance for exposure to various stimulants such as heat or chemicals, as well as sensory limits such as their maximum threshold for pain. She also experiments with the potential for building up tolerance and even immunity to various drugs and poisons. She takes all of the data she gains and incorporates them into the medical training for the clones—thus, ensuring that her tests still fall under the scope of “developing medical training.”

Two of the five CCs perish as a result of these experiments. Ashe is ordered to decommission the third when he fails to meet Nala Se’s standards. This leaves Morbs and Ashe as the only survivors of their initial group. They cannot speak of their experiences to anyone else, as Nala Se is the only other witness. Not even Kote knows what they experienced. Between the two of them though, they can never forget that their senior medical positions were earned with blood.

Morbs has always been a quiet but keen observer, and knew from early on that Ashe has reasons for wanting to be in the medical track, and that this is a path that he’s chosen and is motivated to push through. Morbs is brought into the Ghosts’ plans relatively early, and having had the most first-hand experience seeing just what Ashe’s position entails, he wishes he could do more to help his brother. However, Morbs is also realistic, and knows that he doesn’t have the same passion and dedication driving him. He does what he can, but he can’t see himself being the medics’ leader that Ashe is. He feels guilty for not being able to offer to take Ashe’s place, when he’s the only one in a position who could. He tries to make up for it by loyally following him, and doing what he can as a supporter.

In addition to not having the drive, Morbs also feels he is cursed with misfortune. While he excels as a medic and not even Nala Se can find anything lacking in his record, most of the patients that Morbs touches seem to end up dead for reasons unrelated to his skills as a medic.

He’s assigned to oversee a group of cadets, who end up having a fatal genetic mutation that gives them all heart attacks while he’s on observation. The wing with patients that he oversees collapses due to an architectural problem, and they all die. He’s conducting a surgery, when the power goes out, and he’s unable to save his patient with the tools he has available. He tends to some brothers, who leave his exam room fine, but are killed in a training accident a few hours later. He’s assigned to take over a simple check up, and finds his patient already dead before he enters the room.

Every additional incident makes him increasingly uncomfortable with working with living patients. He knows he has the skills, but it doesn’t seem to matter, because most of his patients end up dead anyway. Statistically, it’s not impossible, but after a certain point it’s certainly improbable, and yet it continues to happen. Clones are rarely superstitious, as they have no cultural basis for it, but Morbs feels that there’s something absurdly wrong with the amount of death that seems to follow him everywhere.

He only feels that he’s safe for his brothers when working with those already dead. He can’t kill them if they’re dead before they’re even assigned to him. When Nala Se announces that a new mortuary sub-track will be added to the primary medical track, Morbs dives for it because he can’t think of a better position for himself. If death follows him, he might as well embrace it.

As he and Ashe are given more access to resources including those from outside of Kamino to help them develop their respective training curriculums, Morbs finds himself increasingly interested in not just the practical aspects of death, but also the more cultural and spiritual elements as well. It’s sparked by his own unluckiness and wondering if others have experienced the same, but is fed by his curiosity when he realizes that most nat-born cultures have different ways of processing death and grief that are deeply engrained in how they handle their dead. Nat-born lives are for the most part extremely foreign and utterly irrelevant to anything clones will likely ever experience, but death is almost universal. Morbs finds this fascinating.

The clones are brusquely told that they “march on,” when they die, as Mandalorians do. But why? Where do they march to, with whom? What is waiting there? If that is the inevitable eventual fate of all of them, regardless of Ashe’s or Kote’s efforts, shouldn’t it perhaps be Morbs’ job as the Chief Mortician to at least consider what happens after?

While Morbs has no answers for the afterlife, he certainly has many thoughts, which he shares with the silent cadavers who he works with. It seems like they can hear him, he thinks, for all that none of his words are spoken out loud.

While sitting in on a Ghosts meeting as they develop code words for their growing underground organization, Morbs mentions off-hand that their brothers who are dead, but aren’t, are, “Marching on to join Kote.”

It’s not his fault that their overseers failed to really explain what “marching on” means, nor really instill any true understanding of “glory” either. So if they choose to define it for themselves, with “marching on” meaning to join their other brothers (who may or may not be dead), and “glory” as fighting for their brothers, something tangible that they actually understand and care for…well. They are, after all, supposed to die for the glory of the Republic anyway. No one will question the language.

While most of Morbs’ brothers are exceedingly practical, and must be, Morbs finds his niche in thinking about the not practical. If having ways of respecting and mourning the dead helps all other sentients, why shouldn’t it help them too? Morbs experiments with how he thinks their dead should be treated, and the bodies in his morgue are, as always, his silent audience.

He grows to consider the dead bodies in the morgue “his men” in “his army.” After all, those who are also marked dead, but are actually just with the Ghosts, are also allowed to “consider serving” despite being equally dead on record. And are not the bodies that he repurposes to hide the missing bodies, the dead whose organs and limbs save the lives of their living brothers, not also serving their brothers? Just because they were unlucky, like Morbs, doesn’t mean that they aren’t still being helpful, aren’t still actively saving their brothers. Because that’s all what any of them want to do: help each other.

Morbs assigns himself their Commander, as he is in charge of them, cares for them, and directs their “campaigns.” The rows of cold lockers that house their bodies are “barracks.” He talks to them, praises their missions, and grieves for them when they finally march on to their second deaths via cremation, only after which they are truly gone.

While none of Morbs’ students go to quite the same level as Morbs himself in humanizing their deceased brothers, he makes sure that all of them leave his morgue with a firm understanding that even when dead, their brothers are still their brothers. Pieces of his ideology and treatment of bodies linger in all of the medics who handle their dead.

Morbs treats the dead as his men because he wants them to be able to live on just a bit longer, but admittedly that’s not all. It’s something that also helps with his guilt over not being able to assist Ashe in his decommissionings. He can’t stop those deaths any more than Ashe can, and he can’t even share in the pain of murdering them. But he can promise them, and can promise Ashe, that once their bodies leave Ashe’s blood-stained hands, that Morbs will welcome them gently to his morgue. That they’ll be treated tenderly, with humanity, and that their existences won’t mean nothing. That if they’re capable of it, Morbs will do whatever he can to ensure that they too can serve Kote before their bodies are gone.

Morbs likes to think it offers Ashe some comfort.

General Info:

Most clones have only ever heard of Morbs, who is extremely elusive. Even after deployment, he rarely leaves the morgue wing attached to medical. Whereas Ashe feels a complicated mixture of self-loathing and knowing that he’s unwelcome in other spaces because all other clones loathe him too, Morbs is simple. He likes being with his men, they’re his favorite group of clones. The living get plenty of attention amongst each other. He just is happier with his own men, and prioritizes giving them his own attention.

He’s eccentric and more than a little creepy, but his reputation means that many of his brothers are very curious about him. He has a strict “no one alive past this line” rule at the entrance of the morgue, with very few exceptions, so not even those who try to catch a glimpse of him while visiting medical have much luck. Spotting him outside the morgue is both like an exciting cryptid sighting, but also potentially a bad luck omen. Morbs is oblivious to the excitement his presence causes, as he’s usually just in a rush to get back to the morgue.

Morbs is so mysterious that only a very limited handful of his brothers knows how truly odd his habits are. He has an assigned bunk, but ignores it and sleeps in a specially padded cold locker so that he can “sleep in the barracks with his men.” He calls it his favorite bunk, and tells the other medics he wants to rest there when he one day inevitably dies. He will sometimes forget to take care of himself, ignoring his own living needs to eat, drink, exercise, hygiene, etc. until a medic, usually Stabber, drags him out of the morgue to handle it. Stabber thinks Morbs is an example of how truly unfair their genetic enhancements are, because Morbs somehow maintains his solid CC-class physique with essentially zero effort on his part.

Unlike Ashe, who wants to be out in the field, Morbs never wants to leave his morgue for anything. Once he has been relocated into the morgue on the Negotiator, he only steps out when absolutely necessary. He doesn’t want to see the sights of the outside galaxy, doesn’t want to see the people or try the foods. He thinks all air outside of the morgue that is not optimized for the preservation of clone bodies is distasteful. He especially hates heat, sunlight, and humidity, insisting that it will “cause us to decay faster.”

The one exception to this is if there is a morgue, funeral, cemetery, or something else death-related going on. He learned about other cultures’ death practices, and he’s admittedly still curious about them too, mostly in the context of whether there’s anything else he can do to improve the experience for his men. If the ship is planetside and there’s supposed to be a famous cemetery, he might be seen quickly slinking outside, face completely veiled to avoid exposure to the elements.

Relationships:

Morbs maintains a close relationship with Ashe, though it’s one he’ll rarely show in front of others, always maintaining a professional distance if they have company. But Ashe is the only living person that Morbs will seek out for company, always while Ashe is alone. Morbs is the only one who knows the extent of what Ashe suffered during his early training, and had experienced much of it with him. He is concerned about Ashe, but doesn’t offer medical help, as he feels Stabber does that enough, and he doesn’t trust himself to think of Ashe as a patient; that never ends well. He will instead offer Ashe silent company.

Morbs claims to despise Stabber, especially since he’s the one responsible for taking him away from his morgue on Tipoca City and forcing him onto a star destroyer. Because Stabber is the CMO of the 212th, prior to Ashe joining them, Morbs is forced to interact with him the most. Morbs doesn’t like Stabber because he considers the other medic, “far too alive.” Stabber’s high energy, movement, and noise levels all grate on Morbs’ preference for stillness and darkness. Still, he reluctantly respects Ashe’s former assistant’s skills as a medic, and will follow his orders.

He also won’t admit it, but Stabber was the one who gave him his name. Stabber had a habit of announcing that Ashe’s work buddy “has the morbs,” a phrase he’d picked up from one of Ashe’s training resources that he claims means “has emo vibes.” Stabber liked the sound of the word so much that he began shouting it every time he encountered Morbs, and it ended up sticking. Morbs pretends he doesn’t care, but secretly thinks it’s fitting.

On the other hand, Morbs has a surprisingly amicable relationship with the Jedi he interacts with most frequently, Obi-Wan. He was very leery of letting Obi-Wan come anywhere near the morgue, not trusting an outsider with his delicate men who are unable to defend themselves. However, Obi-Wan found Morbs’ ruminations and philosophies fascinating, and was easily able to bait him into a conversation by expressing interest. Despite being surrounded by war, Morbs often seems strangely detached from it, preferring to speak less about the realities of war and the gears that move it, and more about why various cultures frame death and the afterlife in certain ways. While the conversations are often melancholy in nature, Obi-Wan appreciates the strange normalcy of it, knowing that Morbs would likely have these same questions regardless of whether there was a war. Morbs likewise is invested in hearing about death traditions from an outside perspective.

While the other clones aboard the Negotiator were at first both morbidly fascinated by Morbs, they were discouraged from actually interacting with him because he says things like, “You should not be in here, unless you are dead. Unless you would like to be dead, in which case I can help you,” or, “Oh, well you don’t look like you’re dying. How unfortunate.” However, they gradually realize that Morbs is not as aloof as he first appears.

He isn’t opposed to speaking, as long as it’s about his men. They realize that while Morbs refuses to let any curious bystanders or unqualified personel enter the morgue for no reason, he’s always eager to learn more about those in his care. Clones who have lost brothers can always count on him wanting to hear about the deceased, and if they’re present in his morgue, Morbs may even allow them to visit. When the first clone brings Morbs some flowers, because he saw that some nat-borns planet-side were laying flowers by the graves of their lost loved ones, Morbs is tickled by the action. Clones are not granted proper graves, and those in Morbs’ morgue are still “on duty.” But Morbs creates a little sterilized shrine in a corner of medical close to the morgue, where he collects these offerings and allows his brothers to visit. If the tablet Morbs laid there is turned a certain way, Morbs knows that one of his brothers wishes to speak to him about someone deceased, and he slinks out of the morgue to listen to them.

Because Morbs is the Chief Mortician, he not only processes the bodies that pass in front of his own hands, but he obsessively goes over the reports sent to him by all other clone morticians and standard clone medics, who are in charge of marking all final fatalities. As such, he has the most comprehensive knowledge of all deceased clones. On the rare occasions that they are able to conduct larger, collective remembrances, if Morbs is available, he will often be called to lead them.

Obi-Wan observes that Morbs is acting almost like a priest or other religious leader, but Morbs scoffs at the idea. He has no intention of leading a religion; he just cares about his men.

And all of the clones will join his army, one day.

Appearance:

Morbs wears a modified version of the clone mortician uniform, a black version of the standard softshell white medic uniform. As the Chief Mortician, Morbs wears a longer knee-length version of the uniform, along with a black kama over it to signify his CC status. He also has a rank bar, and red shoulder pieces to show his personal training from Nala Se, like Ashe and Omega. He technically has armor, but he’s never worn most of it since his fitting, and he doesn’t plan on wearing it either. His men serve without wearing armor, so why should he? If the ship is ever boarded, he intends on going down with his men in the morgue, a plan that no one will allow him to follow through on.

The one piece of armor he does occasionally wear is his helmet, which is a black version of Ashe’s. He must occasionally process bodies that have been exposed to hazardous conditions, and in these cases, he’ll don his helmet for its filtration and advanced sensors. He is so utterly uninterested in his own armor that it was left unpainted, and Ashe decided to paint it black for him, so it can match Morbs’ aesthetic preferences. While Morbs never acknowledged the gesture, he shows his appreciation by not protesting when he’s told to wear it.

After leaving Kamino, he grows his hair long and wears it loosely tied back, because as a non-combatant, he isn’t limited to practical hair styles. The exact length changes constantly as he uses his own hair to create wigs and patches for any of his men who may have had their own hair damaged. He refuses to share his hair with anyone who isn’t dead.

He also gets tattooed, two dark lines dripping down his cheeks from his eyes. He saw nat-borns with the look in some funerary documentaries he watched as a cadet. He doesn’t know that what he saw was nat-borns with running makeup, but he likes the look because it looks like a trail of permanent black tears on his face. He takes it to be a metaphor that he is always thinking of his men.

Morbs also has deep permanent bags under his eyes. This is due to a mix of him constantly forgetting that he needs sleep, along with him not wanting to sleep because he has so many thoughts to ponder.

While he usually just wears his uniform, he has a veil that he throws over his head whenever he has to step outside of the ship or Republic medical facility for any length of time. He also has an ornamental headdress he’s fashioned for special occasions, such as when he has to welcome an exceptionally large number of men to his army, is conducting a field cremation, or is leading a remembrance. The headdress is created from shards of plastoid armor he’s had to pull from his men.

Note:

Morbs’ designation, CC-4413, was chosen because the number 4 means “death” in many Asian cultures, due to how it sounds similar to “death” in many Asian languages, including but not limited to my own Japanese/Chinese cultures. Tetraphobia, or the fear of the number 4, is a thing! The number Thirteen is an unlucky number in other cultures. The number “4413” felt fitting for this character who is so immersed in death and bad luck!

~~

Related links:

Clone File on Ashe

Clone File on Stabber

OR

Read them all on AO3

~~

PLEASE DO NOT REPOST, EDIT, TRANSLATE, OR OTHERWISE USE MY ART. To share, please reblog! Reblogs and comments greatly appreciated!!!

❀ You can see the rest of my art through the Masterpost pinned to the top of my blog!

[simsi45]

The Sims 4 Amber House Pack - PUBLIC RELEASE!

CLICK HERE TO GO TO THE PATREON PAGE!

Oh...my...GOD!!! I can't believe this is actually happening....

After 3 years of hard work, I am here to welcome everyone to:

The Sims 4 Amber House Pack!

It's time to create your own mission style dream house, with this collection of 345 brand new and hella cool build/buy mode items, inspired by Dontnod's "Life is Strange: Before the Storm" game.

EARLY ACCESS: You can get the pack right now, on my PATREON on the 3-5$ tiers, or wait for the 12th of May for the public release!

Please read EVERYTHING included in the post as it contains useful information about the pack!

DISCLAIMER: Simsi45 or The Sims 4 Amber House Pack is NOT affiliated or associated with Electronic Arts, Square Enix, Deck Nine or Dontnod in ANY way. This is a purely fanmade pack made by me, a fan of both games that wanted to get the best of both worlds.

FEATURES:

 345 new items (including sofas, tables, decor, windows, doors and much much more!)

 Search for "amberhouse", "lis", "simsi45" to find most of the items in the build/buy catalog.

 Custom original names and descriptions. (the best I could come up with :P)

 Tons of custom recolors (based on original textures) to mix and match items more easily.

 Heavy modification on original meshes and textures, including english text turned into simlish.

 Everything has been playtested thoroughly.

 Included are a couple of easter egg items from The Sims 2 that I thought fit the theme well.

New lot I made showcased in the trailer and pics (found in the gallery under my tag @simsi45_mods) a recreation of Rachel Amber's house.

LOT INSTALLATION:

Included in the pack is the lot recreation of the Amber House that's featured in the pictures and videos.

You can get the lot by:

Using the gallery. Make a search under my EA id: @simsi45_mods and download the lot as usual. I've included customized pictures to identify my own lot more easily. Make sure you have the "enable custom content" tag ENABLED for the lot to show up in the results.

If you have difficulties using the gallery you can download the lot tray files from the bottom of the post, and move them inside your own tray folder. This can be found in your documents/electronic arts/the sims 4/ tray folder. This way you can install the lot without the need of the gallery.

NOTES:

~ The pack is in an EARLY-ACCESS STATE! I have dedicated a lot of time to test everything but I'm a team of just a single person. If you find any issues please let me know so I can take a look.

~ Because of the amount of items the size of the pack is quite big. I tried my best to make everything as compact as possible with the final size being 1.5 GB of required free space. 

~ The majority of the meshes and textures of these items are ripped straight from the LIS: Before the Storm game, and then each individual item (both mesh and textures) has been heavily modified and edited to fit and function properly within the Sims 4 game's engine. That's why some items will look identical to the original game, some look somewhat different, and some are brand new meshes I made using the original items.

~ Some of the original ripped meshes' poly counts were WAY too high so I had to lower the polygons so The Sims 4 wouldn't explode when filling a lot with them. I lowered the polygons and edited most of the items as much as possible without compromising their original look too much. In other words I tried to find the best balance between looks and performance and after lots of testing on my moderate PC system, I can confirm the game runs super smoothly on my end. 

BACKSTORY ABOUT THE PACK (no spoilers):

This pack started with an idea I got back in 2017 when I first played Life Is Strange Before The Storm. When visiting the Amber house, I immediately fell in love with it as I am huge fan of the craftsman architectural style, it's literally all I'd want my dream house to be. The art team has done an incredible job on it, and as I personally find the art style of the Life is Strange series and The Sims 4 to fit very well with each other, I wanted to make these assets available for The Sims 4. Of course back then this all seemed impossible, however a few years later in 2020 during quarantine I revisited the idea as it had been stuck on my wishlist ever since.

To make a long story short, this project has been in the works for about 3 years now, and after a lot of hard work, head scratching and quite a few sleepless nights I managed to overcome all the obstacles I came across (which were a lot mind you) and I'm honestly hoping you'll be as pleased with the results as I am. Seriously this exceeded my expectations as it started as a small little pack for my personal use, to what I'd consider an expansion pack's (or even more) worth of build/buy content.

INSTALLATION:

Due to the size of the pack I had to split it up into multiple parts. You will need a .RAR extractor unpack it. More specifically:

1 -> Download ALL 6 parts of the pack and put them ALL in the same folder. 2 -> Right click the 1st part .RAR file named "Simsi45 - The Sims 4 Amber House Pack.part1" and click "Extract Here"   3 -> Once that's finished a package file will appear, this is the entire pack and you can now move that into The Sims 4/Mods. Simple as that!

CREDITS & THANKS:

~Dontnod, Square Enix, Deck Nine for the original meshes & textures ripped from Life is Strange: Before the Storm that were used to create most of the items.

~EA for some meshes & textures used to convert some items from The Sims 2.

Special thank you to all the patreon members that stuck with me throughout me developing the pack. Although not many I really appreciate every single one of you for the support you've given me and for sticking around!

[noideabutsims]

Donut Co. Rainboho-tastic Throw Rugs

Simmers, Prepare for a Rainbow Explosion of Cozy Comfort! 🌈💥

Donut Co.'s Rainboho-tastic Throw Rugs are here to add a touch of playful magic to your Sims' homes!

These aren't just rugs, they're whimsical works of art, bursting with vibrant colors and free-spirited charm. Imagine your Sims sinking their toes into the soft, plush pile, feeling the joy of childhood with every step.

✨ Two enchanting designs: A shooting star soaring through a rainbow sky, and a whimsical rainbow nestled amongst fluffy clouds. It's like having a little piece of happiness right under your Sims' feet!

✨ Perfect for any space: Add a pop of personality to nurseries, playrooms, bedrooms, living areas – anywhere your Sims need a touch of cozy comfort.

So ditch those boring, beige carpets and embrace a world of color and imagination! Donut Co.'s Rainboho-tastic Throw Rugs are here to transform your Sims' homes into havens of playful charm. Download them today and let the good vibes flow! ~~~~~~~~~~~~~~ Some images have my reshade on - the blueish tint means NO reshade!*** If you are interested in my reshade, or want to see how much it changes the color - you can find it here: https://www.tumblr.com/noideabutsims/763209634729345024/remember-those-days-reshade-preset-guess-what?source=share *****RUGS IN GAME HAVE BEEN SIZED UP USING [ + ] KEYS!***** ~~~~~~~~~~~~~~ Has 2 swatches New mesh

All of our CC can be found by typing " Donut " into the search bar! Name: Donut Co. Rainboho-tastic Throw Rugs Buy Mode Description: "Simmers, get ready to inject a dose of rainbow magic into your Sims' homes with Donut Co.'s Rainboho-tastic Throw Rugs! These aren't just rugs, they're portals to a world of whimsy and wonder, where shooting stars dance across the sky and rainbows nestle amongst fluffy clouds.

Imagine your Sims sinking their toes into the soft, plush pile, feeling the joy of childhood with every step. These vibrant creations are perfect for adding a pop of personality to any room, from nurseries and playrooms to bedrooms and living areas.

So ditch those boring, beige carpets and embrace a world of color and comfort! Donut Co.'s Rainboho-tastic Throw Rugs are here to transform your Sims' homes into a haven of playful charm." Will be releasing more content soon! stay tuned! ❤️ (NOT affiliated with EA or Maxis in any way! We just make CC!) ~~~~~~~~~~~~~~~~~ DOWNLOAD: Curseforge: https://legacy.curseforge.com/sims4/build-buy/donut-co-rainboho-tastic-throw-rugs Patreon: https://www.patreon.com/posts/116722524 Google Drive: https://drive.google.com/file/d/1ihTWnoNa9pIqoTEkBqSbaiKzi3PZL7rP/view?usp=sharing ~~~~~~~~~~~~~~~~~ Due to financial issues and our promise of never paywalling our content; We have to ask that you guys download on our curseforge if you are willing and able. Just using their site to download makes us be able to have at least a small income that helps us when things get tough - however no matter where you download; we genuinely appreciate every download regardless!! If you can, you can find our curseforge here!: https://legacy.curseforge.com/members/the_lady_gaia/projects @alwaysfreecc @maxismatchccworld

[resurgentclass-stardestroyer]

Soooo I've been obsessed with the image in this post since I first saw it, and decided to hunt down the source [Star Wars Character Encyclopedia: Updated and Expanded (2016 Edition)]. Here's Mitaka's page, and a close-up of that image; unfortunately it's tiny!

Feel free to use, edit etc.

Update: here's the best digital version of that image that I can find, slightly edited [maybe I'll clean it up someday..]:

Additional notes and transcript below:

[Google lists Mitaka's actor Sebastian Armesto at 5'8" and the fact that they added 3" to him makes me giggle. Let him be a little short!]

The fact that Mitaka's homeworld is listed as 'Uknown' is interesting to me. I wonder it's something thought out by the writers, or just hand-waving [guy didn't even have a name in the movie credits, iirc]. I've long hced that Mitaka was born on a starship to Imperial parents - but it's also possible that Mitaka was taken into the FO at a very young age and simply doesn't remember his home planet.

As most Mitaka enjoyers know, Mitaka graduated at the top of his class in the Academy. Despite being appearing terrified when facing Ren, he's evidently very, very good at his job. And, I know "Ren's unforgiving command style" is being tongue in cheek, but it does implicate a contrast to Hux's command style, which is apparently not-so unforgiving.

Something I see some get wrong — Mitaka is part of the FO Navy, not the Army. He's in charge of starships rather than ground forces, and he would make the ranks of Commander, Captain, and Admiral rather than Major, Colonel, and General.

So apparently Mitaka was indeed, under Hux, the one in command of not only recapturing Dameron and Finn, but also the retrieval missions on Jakku, and giving orders — which to me seems quite a step above the responsibilities of a mere Lieutenant and why I hc Mitaka as a Lieutenant Commander, but I digress. It makes sense then why it was specifically Mitaka who was designated to tell Ren about their failure to capture both the droid and the 'fugitives' — though it's also my hc [have lots of those] that Mitaka could have put this on an underling, but chose to face Ren and take the blame personally out of a sense of duty and honor, despite being terrified.

Editing note, because I'm a graphics nerd at heart: the half-tone dots in the close-up are predictably driving me bonkers, but from what I can tell, there's not much that can be done about it other than a time-consuming paint/smudge over, or messing with PS plug-ins [as far as I know -- I'm very new to scanning print]. I tried some descaling and blurring, but of course you can't do much of that without a loss of quality and clarity, and that's something I hate to sacrifice. I'll keep messing with it. Or, if someone has any idea of another source for this picture you would be my savior ! This is the only instance I can find of this image.

Transcript:

Lieutenant Mitaka First Order Officer

Data File Affiliation: First Order Homeworld: Unknown Species: Human Height: 1.8m (5ft 11in) Appearances: VII See Also: First Order TIE pilo; Finn; General Hux; Kylo Ren

Dopheld Mitaka is an attentive young officer serving aboard the First Order flagship Finalizer. A top graduate in his Academy class, Mitaka is not prepared for Kylo Ren's unforgiving command style.

The First Order naval uniform is descended from the sharp, authoritarian styles worn by officers of the Old Empire. The charcoal gray fabric signifies naval service, while the flared breeches and stiff boots help in maintaining a rigid posture. The command cap carries the starburst symbol of the First Order.

Tough Job After failing to recapture the escaped prisoner Poe Dameron and the deserter FN-2187, Mitaka continues to oversee the progress of search teams scouring the desert wastes of Jakku. Mitaka has the unenviable task of updating Kylo Ren on the search after the fugitives flee Jakku aboard the Millennium Falcon.

[Image Caption] Mitaka issues orders on behalf of General Hux to stop the escaping TIE fighter carrying Poe Dameron and FN-2187.

[pinkslaystation]

Impressive yet Unimpressed.

König and gn!Reader

In which König overhears gossip about him, and the change in his actions affect you, physically and mentally. yALLLLL i'm back >_< here's some unedited shit for the könig girlies (me) - also why do i get this writing motivation late at night :/

Part 2 ;> Word Count: 2.3k

Everyone knew König was infatuated by his partner. By you.

His closest closest friends, included Horangi, were aware of your slightly secret relationship - considering you were all in the same team.

The way he his eyes found you during training, the way he gently held you in his arms when it came to practicing shooting, the way-

You get the point.

Sometimes when your team went out for missions, König found himself committing slight mistakes, such as being distracted by you leading to a close call of a bomb detonation.

"König are you fucking insane? Where's your mind at, man? You're fucking up the team!" One scolded at him in the aircraft post-mission, flying your team to safety.

But König attention remained at you, his eyes focusing on how you managed to still look good regardless of the numerous scars and fresh bruises littering your face. His hand held a (squished) flower that he found, hoping to decorate your hair once landed.

And his feelings were most definitely reciprocated. Your eyes would roam his large frame, muscles tensing as he gripped a fellow teammate in a headlock (me when König? me when.), and you often found yourself unconsciously leaning back into his chest as he held you protectively during practice.

Walking around the base, recruits recognised you, your hair always sporting a different single flower sitting by your right ear.

But not only as his partner, but you also appreciated him as a friend, training you when you first joined, helping you revise for tests, filing paperwork with you.

And although you both found comfort and love from each other during the long weeks of being at base, König often found wanting more from you. He wanted everyone to know he's yours and that you're his. He wanted to take the relationship to the next step, he wanted marriage, he wanted kids, he dreamed of retiring from the military and moving to cute little cottage in the Austrian countryside with you, content that you would both be no longer affiliated with a workplace that screamed violence and limited possibility of survival.

And although the military was all he knew, given he enlisted into the military freshly 17, he knew it wasn't his future, no.

His future was with you.

König found himself walking towards his senior's office, smiling under his mask as his mind frequently hovered over you. Teams for the next missions had been released during the previous meeting, and König wanted to switch to be in the same group as you - so he'd be at peace that your safety in within his arms.

But as his hand gripped at the door handle, his focus switched to the muffled voices from within the office, his ears perking up at his name being thrown into the conversation.

"...he's got soft, sir!"

"We could've died in the last mission, sir, I mean he's an insertion specialist, but the only thing I see him inserting himself into, is his girl, sir!"

König froze. Soft? He's gone soft? He's been described as a fucking battering ram, the fuck do you mean he's gone soft?!

"Like the last training session, this guy spars everyone, and lord does he beat everyone, but the moment he's paired with them, he's fucking rolling on the mat or he surrenders?! How is this fai..."

"...he lives and breathes them sir, it's putting the other soldiers at risk. Does he have to come with us for this mission?"

König zones out. His entire life is the military. In his bare room in the barracks. Not a little cute little cottage in the Austrian countryside?! His home is at the Kortac base, his mind is with his team, and he definitely doesn't live and breathe you.

The muffled voices pause, as if coming to an agreement, and König hears footsteps, quickly hiding behind the door, which opens to reveal the voices.

His teammates.

The teammates he's grown up with.

They thought he was going soft...becoming weak...

König furrowed his eyebrows in humiliation.

A mission without him? That's like asking for death. He'll show you death.

König naturally found himself coming to you, having overheard this mood upsetting gossip about him.

But little ol' you didn't know any better, when he dashed into the common room only to grab a cold beer from the fridge, without a regular smooch to your head, not even a look in your direction, it didn't register how much deeper the crack in your relationship had become...

The day of the mission had come, and although König had told you that went to talk to the higher ups, you couldn't help but be a bit upset considering they hadn't switched you to his group, finding yourself still in your own.

But you didn't mind. You just wanted this mission to be over, so you could find yourself resting in his arms rather than on this random soldier's shoulder.

The aircrafts that held your group and his, raced over the landscape, planting itself by the safe house in the darkness of the Saudi Arabian night.

As the multiple groups landed, soldiers scattering the group as they exit the aircraft, you find yourself making eye contact for the 6'10 colonel.

You send a slight smile his direction, only to be met with a hidden frown behind his mask. You're confused. Usually, his eyes would crinkle with his smile, but your thoughts are interrupted - you're on a mission.

You're huffing, your vision blurry and you find yourself back onto the aircraft? But this isn't your team, as your look around your surrounding, realising you're lying in the middle of the aisle bordered by soldiers. It's König's team.

To your right, you see König...and he's not even looking your way? And to the left is Horangi, his hand rising for a slight wave.

Why aren't you with your team? Where is your team? Where is the air craft going? Why is König not looking at you???

Your eyes shut in pain, and you wince at the slight pain by your abdomen; it's the last thing you feel as you find yourself losing consciousness, failing to see König falling to his knees to aid you as you pass out.

"...bullet grazed abdome..."

Huh?

"...ight concussi..."

Bright light shines in your face.

"...few days..."

This could be the medics, but the way the lights blind your vision, you question whether your well-being is at safe hands or not.

You open your mouth to speak. You can't.

The dryness of your throat restricts you from speaking, but thankfully, one of two medics catches the movement of your lips.

"Soldier, you're okay! Jus' a concussion and stitches on your stomach, cleaned up, not to fret. 6 to 7 days 'til you're free to go, give or take-"

You raise your hand to point towards the freshly scented bouquet of flowers.

"Oh, yeah. Someone brought them...didn't catch the name, solider. Now rest. You need it."

A week of your teammates visiting you goes by, a week of fresh sets of flowers sat by your bed everyday, and although you're happy to be back with them in training, you're dishearten that König didn't find his way to your hospital bed.

Everytime you asked, you received the same response.

"Not sure dude, haven't seen him in a while, stuck in the gym by the looks of it."

You raise your eyebrow. "So...he never visited me?" Voice quivering.

Your teammates shrug.

"Your guy's gone mad in training. Struck his elbow into my neck, and now I want to be on the bed beside you." One said.

"Missed me so badly, you guys have been sending me so many flowers, 'n this place has become a forest!" You laugh, followed by a painful cough, and your friends rush to your side.

"I'm fine, I'm fine, just wanna be back with the team. Just wanna be back with König..."

The medic ends the visitation, walking your friends out the room, leaving you to close your eyes once again as sleep evades you. Outside the room, a confused group discuss.

"We never got her flowers?"

"Forget the flowers - why is there a medal there?"

Whilst you were resting away in your bed, König was awarded for his bravery, putting himself forward to rescue his soldier, you. He felt selfish for enjoying this familiar attention, being praised by someone other than you.

He was impressive on the field..

He walked into the hospital room, when he knew you were resting, after begging and almost on the verge of bribing the medic to let him in after visitation hours.

He decorated your room with the freshest flowers, arrays of bouquets of roses and tulips, dahlias and peonies, as if it were a room full of boyfriends waiting for their girlfriends on valentines day.

There you rest, your chest heaving as you snore. König leaves a flower in your hair, by your right ear, before leaving your room.

It's been 10 days since you've been admitted into the medical room, and 0 days of being with König. Awake that is...

Your teammates are right, he's busy in the gym. Men's only gym...what a calculated move, you think.

Though you're still questioning your actions. What did you do for him to be ignoring you?

So here you are, walking into the combat room, numerous pairs sparring, including König. You aimed to talk to him, ask him why he didn't visit you during your admission to the medical room, and why a shiny gold medal rested, engraving his name, rested underneath your sweatshirt.

The medic warned you, "No physical combat yet - a few more days 'til the cut on your abdomen closes."

And you weren't here to spar, God no.

You were here for König - who's currently...on top of a recruit, fists beating against the poor opponents bloody face.

You push pass the crowd, surrounding this brutal fight - you call it a fight although, from a third party, it looks just like a murder.

"König! Stop! What the fuck are you doing?" You shout at him, trying to get his attention. But your voice is overpowered by the hollering and whistling of the surrounding crowd.

"König! Enough!" Still nothing.

"Köni-"

His eyes meet yours. But not a look of adoration, no. A murderous look. A look that could kill. His eyes, a gentle blue, now a bloodshot red. Like a madman. Like a man-hunting lion.

A shiver runs down your spine.

Another voice breaks out into a shout.

"Who's next" He looks to his left.

"- to fight -", He looks to his right.

"the big the almighty, the Austrian King, Kööööniiiiig!" He announces, elongating syllables, as if a commentator for an illegal underground boxing ring.

"Any contestaaants?" His voice annoys you, why isn't anyone helping the poor soldier? And why is König behaving this way? All macho?

Normally, a quick spar with König would consist of a few skilled moved thrown around, before continuing to the next opponent according to the rotation. Not like you would know, he usually just rolls on the mat or he surrenders, too afraid to hurt his precious lover.

You begin to scream, "Stop this figh-"

König eyes rest on yours, and this signals the commentator-wannabe to point directly at you.

"The neeeeext opponent-"

Oh no.

"isssss-"

Why is everyone looking at you?

"Youuuuu!"

Me?

In a matter of seconds, the crowd formed around König and the now unconscious soldier moves to border you and König.

König stands up, his 6' 10 self towering over you, even though he stands 7 metres from you.

He steps towards you slowly, and your eyes fall down to his boots.

His left foot moves, then his right foot.

Left.

Right.

And now he's right in front of you, red eyes cutting into you. He scoffs, looking down at you condescendingly.

"Wait-" Your mouth runs dry again.

He steps forwards once again.

"Wait, König, I can't, I was disch-"

But this doesn't stop him.

He grabs your sweatshirt at the chest, unknowingly clutching onto the tucked away medal, and with a swift move, he places his second hand onto your back, and throws you straight onto your back.

He throws you directly onto your back.

Your thankful that you didn't land onto your front, your stitches would have broken immediately, but at this point, you're not too sure, and you're clutching onto your stomach again, curling into fetal position onto the floor.

Something is definitely broken. You can tell, because when you open your eyes, you see people staring from above you, while you lay on the mat, laying in a blood of a deep red liquid.

Your ears are ringing once again, and you lay motionless on the floor, cursing internally for being so weak.

König smirks at you on the floor.

Weak? Him?

Soft?? HIM??

He chuckles as people begin to pat his back, fist bumping and side hugging the soldiers around him.

He turns to you once again.

"Shows over, liebing, get up now." He breathes heavily.

You don't move.

"Schatz...enough acting..."

Nothing.

He steps towards you, kneeling to reach your level, his eyes catching sight of the pool of blood.

"Meine Liebli-"

His fingers touch your skin and his blood runs cold, whilst yours run down the mat from your broken nose.

"Schatz?"

The crowd dissipates and the medic runs into the middle of the scene.

"I told her no physical exercise! König, why didn't you stop her!" He scolded at König.

"Now help me carry her to the medical room - again!"

König, who didn't dare to speak, looks up, eyes wide open.

"König!"

The medic looks down at him.

An unimpressed look rests on his face.

YALLLLLLLL the angst, call me mcdonalds cos i'm loving it :D Quick notes: The move König pulls at the end is written a little confusingly (MY APOLOGIES LMAO), but it's inspired by the wrestling move -> The Arm Throw. I hope this helps you visualise it better. I've decided to start a tag list! -> lemme know you're interested to be tagged in my future posts! tags -> @lilliumrorum

[arafilez]

☆ ⼂ LOVE, TAILORED ﹗one

ꔫㅤㅤ ❜[ fashion designer khj x ceo fem!reader ] ㅤ⋆ ㅤfluff, crack, e2l 𓏧 for the company assets you have to work with solo designer kim hongjoong. even if it meant him annoying you at every step. ㅤ warnings flirting ㅤ﹢ㅤ2.1k wc ꔫㅤㅤ ❜part one . two . three

Headstrong. Calm. Organised.

This is how you are described everywhere you step foot in. Wearing a Chanel dress, Louis Vuitton handbag and Balenciaga shoes you made sure you are an icon wherever you step, and that typical red-lipped smile in every camera that is ready to capture you.

You aren’t afraid to show you are made from money. And of money too. Yes, you got the company from your father. But under you the company grew bigger, made overseas branches and had more affiliations with other companies.

Your father trusted you enough to hand it over to you on your twenty-fourth birthday. And by your twenty-sixth birthday, you proved to be one of the best CEOs among all leading companies worldwide.

Known among your workers for a bright smile, kind heart and nice behaviour you are never anyone’s bad example. Your working style is organised and you are always calm, strict when only there is an absolute need to be.

So why are you now holding your secretary cum best friend Park Seonghwa by the collar against your table?

Seonghwa’s eyes bulge looking at your fuming face while he tries to explain, “Calm down, he isn’t that bad.”

Leaving his collar, you stand back as you watch Seonghwa fix his tie and shirt which was wrinkled by you. You scoff lightly and look at him saying, “Not bad? Of course, he isn’t bad, he is just simply terrible.”

“How do you even know that? You haven’t worked with him yet” Seonghwa retorts as you roll your eyes.

“Yes,” you breathe, "but I have seen him on numerous shows. And he is the most arrogant, self-absorbed bit- I mean person I have ever seen. It is clear from his attitude."

The thing is, your company is about modelling. And though you do have your own fashion designers, Kim Hongjoong has a great influence on the world. He has no company behind him though. His bold fashion statements which he made alone and his dressing sense earned numerous applause from everywhere. At the mere age of twenty-seven, he can easily be called one of the most successful solo acts in the world.

“Look you understand right? How big this will be on the market? Kim Hongjoong is a self-made fashion designer. Collaborating with him will increase your company assets. And besides you know how people’s on-screen and off-screen personalities are different,” Seonghwa explains as you keep quiet.

Maybe he is right, maybe Kim Hongjoong isn’t such a person as he has built his image to be. You sigh quietly as you take your pen and sign into the contract paper, handing it over to Seonghwa.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ————

The cool November breeze hits your face as you see a black car stop and Kim Hongjoong getting out of it.

As soon as Kim Hongjoong enters your building you can feel the aura changing. He has a confident strut, holding a coffee in one hand and a black file in another. His body is covered by a black overcoat, simple light-blue jeans and a black silk shirt.

And you can say he makes it work.

You stand quietly at the entrance of your building in a black pantsuit with a black coat hanging loosely over your shoulders. But you feel extremely underdressed as you see the man and gasp a bit visibly but gain your composure back in seconds, a professional smile etching your face.

After the initial introduction, you shake hands with him as multiple reporters take photos before you head inside the building, ignoring the cries of the reporters. Seonghwa walks behind you and Hongjoong and reaching the elevator he presses the buttons while you stand there patiently waiting for it.

It feels calm, too calm for its own good, before Hongjoong leans in slowly and whispers to your ear, “Oh Darling, the reporters might not have noticed but I clearly saw you gawking at me.”

Your breath hitches in your throat feeling his face so close to you, face heating up as he stands up straight again casually and you try to process what just happened. His warm breath lingers in your ears as you take a deep breath trying to calm yourself.

And then you scoff lightly. You were absolutely right.

And Seonghwa was wrong.

Kim Hongjoong is a total jerk and you know it right then and there.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ————

You let him enter your office as Hongjoong’s eyes scan the room in a boring manner. You feel judged and that makes you glare at him from behind until Seonghwa nudges you and you look away.

Good lord, he has two-toned hair, what is this even? Why is one part of his hair black and the other white? You want to make a snarky remark so bad about it, especially after the elevator incident but you keep quiet.

Being a jerk is not how you deal with a jerk.

Seonghwa’s voice cuts your thoughts saying, “Mr. Kim, please take a seat.” Hongjoong simply nods before sitting down on the sofa as you sit down on the opposite side.

You cleared your throat lightly before nodding your head to the file and Seonghwa walked over to bring it.

“Nice to meet you Mr. Kim,” you say politely as he finally looks up and meets your eyes. “Yeah, nice to meet you too,” he replies before looking back at the file again.

You try your best to not gasp in disbelief. Seriously, like he can’t even say a greeting properly. You jerk in shock as Seonghwa’s hand touches your shoulder as he slips the file in between your hands whispering a quick “good luck” before leaving the room.

You sigh quietly before addressing Hongjoong and say, “Mr. Kim I believe we need to start worki-“ and immediately get interrupted by him saying, “Can you loosen up a bit?”

“What?” you stare at him as he makes himself comfortable leaning back on the sofa. “I said loosen up a little, what’s with all this uptight behaviour?” Hongjoong smiles as you roll your eyes visibly.

“In case you have forgotten Mr. Kim, I am a CEO. So yes I like things organised and I am not uptight, I am professional, unlike well,” you say laughing lightly, “you.”

“Damn you really are uptight, I used to think that was all for T.V,” Hongjoong says eyes boring into yours as you bite back a snarky remark.

Be professional. Do the business for the two months collaboration and then it will be over. You can deal with him for two months. You can.

“Anyways, I think we can plan this out-“ and again you get interrupted by Hongjoong saying, “Plan? Fashion needs no planning! It is all about spontaneity and with someone as uptight as you I can’t possibly do any work, darling.”

“Do not call me that, Kim Hongjoong,” you snap as he smirks, “Oh, leaving all formalities so soon?” he teases as you purse your lips. God this man is insufferable.

“Look, we need to work together for two months, and I want to make this work, Mr Kim, so please cooperate,” you try to make him listen as he finally gives in.

“Yeah alright, we can start with your plan now, but when we start real work we will follow my work ethic,” Hongjoong says as you mouth opens wide. You tilt your head slightly before opening your own file. This is some progress and you are willing to take it. Time was ticking away.

He nods at everything and much to your dismay never takes any notes but you don’t call him out as it will result in another pointless argument. After everything is done you close the file looking up at him as he keeps his eyes trained on his hands thinking something.

After a moment of silence, he gets up suddenly and extends his hand as you look back cautiously but shake it anyway. You voice out, “Pleasure doing business with you Mr. Kim.” You see him smirking lightly and you wait for what remark he is about to make.

“Pleasure doing business with you too darling,” he replies in a honey-laced voice as you shoot daggers at his back glaring at him.

This time you were wrong.

You cannot possibly work for two months with this man.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ————

It has been a week since Hongjoong came here. He had wanted a week to design the dresses in his copy before showing them to you. You had happily granted him the week, the less you see of him, the better.

Now, Hongjoong is late- by twenty minutes. Your patience is decreasing with each passing second and you warily look at Seonghwa who just gives you a sympathetic smile. You curse Hongjoong in your mind but soon enough your door swings open as you abruptly sit up.

Hongjoong walks in and Seonghwa takes his leave as you stare at him.

“Ah yes, your eyes will be blessed if you stare like that,” Hongjoong says smirking as you look away scoffing. The audacity of this man- first, twenty minutes late, second, has no decency of mere knocking, third, thinking you are swooning over him.

“I am not swooning over you Kim,” you snap before realising what you called him and your eyes widen.

“I did not say you were swooning, did I? Darling?” he smiles in an innocent manner that just makes your blood boil. God why is he so insufferable.

You dismiss his comment and hate at the same time how your ears grow warm at the mention of the pet name that he probably calls everybody.

But then again he was free of scandals, to the point where people thought he was asexual.

You scolded your mind for thinking of unnecessary details before delving into work.

“You know what? Just show me which designs you have made. We are already behind schedule,” you sighed as you cocked his eyebrows at you.

“You and your schedule, didn’t I tell you fashion is all about spontaneity?” Hongjoong says lightly and your eyes bore into him. “Yeah well be all spontaneous as you want, I am not the fashion designer here,” you comment as Hongjoong shrugs.

He hands you the file as you flip through the pages. You awe at the designs because they have impeccable style and every one was unique in its own way. As much as you hate Hongjoong you cannot not underestimate his talent at these.

Your eyes get stuck in a drawing of a dress which has flowers as the design. It was so beautiful you almost wish he made it specifically for you.

Keyword- almost!

“Well looks like Miss Schedule is speechless now,” Hongjoong’s cocky voice makes you glare at him as you slide back the file. Goddamn, he just had to ruin the fine moment you were having with the dress.

“I will just come right out and say it- your designs are impeccable,” you smile pausing and then saying, “but you are very fucking annoying,” you smirk satisfactorily as his face changes from confident to surprise.

“Well that was some smooth-talking, wasn’t it darling?” he gains back his composure within seconds and you fume saying, “Don’t call me that.”

He smiles cheekily before getting up and walking towards the door. You groan in your hands quietly before getting up whisper-shouting, “Kim wait up, you have to meet the models.”

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ————

Meeting the models was a fairly easy process. Hongjoong asked for their proportions which Seonghwa promptly handed him over in a big copy.

You stood at the door quietly scoffing every time the models tried to flirt with him and he gave a deaf year to them. Where were people’s dignity nowadays?

After meeting with the models you are now walking with Hongjoong to show him his working area. Seonghwa leaves to get to some other work and you are now left alone with him again. The walk down the hallway was pretty quiet as Hongjoong looked around observing everything inside the building.

You quietly open the door to the lavish working room as he looks around and nods. You stand there patiently as he checks the drawers and sewing area. You now realise why he doesn’t take on any big projects, he has no workers and does all of this himself.

The tenacity he has is admirable. Only if he didn’t have such a big mouth.

He hums in satisfaction and turns towards you as you cock your eyebrows. “So do I get a schedule for this too? Maybe a binder?” he challenges as you roll your eyes.

“Just get along with your work Kim,” you replied gritting your teeth.

“Sure darling,” he grins and you turn on your heels to leave. The less time you are in the same room as him, the better.

“Did he just call you, darling?” you jump at the voice behind you as soon as you leave the room.

ꔫㅤㅤ ❜ [ ara's notes ] ㅤ⋆ ㅤidea credit to @iwishiwasrichasfuck. banner made by @/DathanHamen in wattpad. idk if i can bring the story to life. but i genuinely am trying my best ꔫㅤㅤ ❜ [ taglist ] ㅤ⋆ ㅤ@haneagerr @tunaasan @stellarlune-love @jeonghanfr @soocore @chaotic-floral @loveateezㅤmain mlistㅤ atz listㅤ navi ㅤtaglist

© arafilez on tumblr. please don't copy and repost my work as your own.

[ankle-beez]

To Our Guild Leadership and Staff: We are proud rank-and-file union and trade association members from every corner of our industry — working on screen, stage, set, and in the field — united in solidarity with the global call for a permanent ceasefire in Gaza and a just, lasting peace. As artists and storytellers, we cannot stand idly by as our industry refuses to tell the story of Palestinian humanity. Following SAG-AFTRA’s statement in sympathy with Israel regarding October 7, many SAG-AFTRA and sister guild members have watched in horror as the Israeli government wages a war of collective punishment on the civilian population of Gaza — killing over 40,000 Palestinians, injuring over 90,000 more, forcibly displacing 2 million people, and openly targeting members of the press and their families. As the IDF continues its assault on “safe zones,” schools, and hospitals, and as civilians in Gaza die from starvation, dehydration, and lack of medical supplies and fuel, major human rights groups have labeled these acts as war crimes, human rights atrocities, and even genocide. The UN has described Gaza as a “graveyard for children” — and estimate that by mid-July “half of the population — more than a million people — could face death and starvation.” As of now, there is no end in sight — only escalation, death, and destruction.

Despite these clear violations of human rights and Israel’s decades-long occupation of Palestinian land and lives, our union leadership has remained silent. Thus, they have made conditional which atrocities we choose to condemn and which innocent lives we choose to acknowledge and mourn. Moreover, SAG-AFTRA and nearly all our sister guilds have remained silent in the face of flagrant and unprecedented attacks on freedom of the press, including the deliberate targeting and murder of Palestinian journalists and their families by the IDF. The Committee to Protect Journalists has declared the war on Gaza “the deadliest period for journalists covering conflict since CPJ began tracking in 1992.” Some of those journalists were members of news organizations whose domestic affiliates are represented under SAG-AFTRA contracts. While SAG-AFTRA issued a public statement at the outset of the Ukraine war demanding that “journalists of all nations working in the war zone are kept safe,” its words now ring hollow if they only apply to some journalists of certain identities.

On December 13, 2023, Israeli forces attacked The Freedom Theatre in the Jenin refugee camp and kidnapped several of its members — fellow actors and directors, who have called for solidarity from theatre workers worldwide. Palestinian trade unions have called for international labor solidarity, reminding us that “the struggle for Palestinian justice and liberation is a lever for the liberation of all dispossessed and exploited people of the world.” Worldwide labor has heeded that call, including major Australian, British, Belgian, Indian, and American unions. On Nov 15, our British peer union, Equity UK, called for an immediate and lasting ceasefire, stating: “We send our solidarity to Palestinian artists suffering in the horrendous conditions created by Israeli bombing, occupation, and apartheid.” Since then, UAW International has called for a ceasefire and announced the formation of a Divestment and Just Transition working group; The Animation Guild (IATSE Local 839) became the first Hollywood union to call for a ceasefire in Gaza; five of the 10 largest American labor unions and federations have officially called for a ceasefire including the NEA (National Education Association), SEIU (Service Employees International Union), and the AFL-CIO; and unions collectively representing a majority of organized workers in the US formed The National Labor Network for Ceasefire. In July, 7 major unions representing over 6 million workers published a letter to President Biden demanding an arms embargo on Israel.

The global call for a ceasefire — from organized labor, artists and fellow SAG-AFTRA members, human rights groups, world leaders, and the majority of the American public — grows louder every day. And yet, our government continues to sponsor the Israeli forces’ assault on Palestinian civilians, and our industry union leadership still refuses to speak out. We reject this silence. Our calling as artists, news reporters, and storytellers is to bring truth to the world. To fight the erasure of life and culture. To unite for justice in the name of the most vulnerable among us. It’s exactly what we did during our historic strike in 2023.

We are the labor that built and sustains this business. When our leaders can’t stand up publicly for peace and justice, then we must do what we always do: organize, fight for change, and win. Our guild leadership must join the largest and most diverse peace movement in a generation — the integrity of our legacy demands nothing less. When confronted with genocide, oppression, and injustice, let us ring the bell for humanity and liberation. An injury to one is an injury to all. We, the undersigned members of SAG-AFTRA, IATSE, WGA, Teamsters, DGA, AEA, AFM, Hollywood Basic Crafts, CSA, PGA, and more, demand our leadership issue a public statement calling for a permanent ceasefire, release of all hostages — both Palestinian and Israeli, and immediate funding and delivery of desperately needed humanitarian aid; to speak out against the targeting and killing of innocent Palestinian civilians, health workers, and our journalist colleagues; to condemn our industry’s McCarthyist repression of members who acknowledge Palestinian suffering; and to eliminate any doubt of our solidarity with workers, artists, and oppressed people worldwide.

[im-totally-not-an-alien-2]

Danny thought the guy Tucker had dragged over to talk tech with was cute but there was something...off about him. He seemed nervous but not in a "a ghost is about to attack way" but in the subtle ways he checked the exits every so often or the way he made his body language purposely relaxed.

Sam would say he's just being paranoid since Tim Drake was the adopted son of a billionaire (and independently wealthy too) and Danny did not trust billionaires or wealthy people in general. Danny still felt something was off.

Seeing as Tucker and Tim were hitting it off he decided to leave them to it and continued to manage his own stall at the glorified science fair Bruce Wayne was sponsoring. Billionaire or not he really wanted that scholarship to Gotham University. He had pulled out the best designs he could make such as a fully functional portal gun, some variation of wrist rays that did different things and were disguised as normal watches, force field shield generators designed into bracelets, and even a modified version of of the fenton thermos that instead of working on ghosts it worked on physical matter such as chairs and other items...and it wasn't disguised as a soup container!

He preemptively put a note on it that it wasn't safe or designed for the containment or travel of organic beings.

He had some other things too, but these seemed to be the ones Tim were the most fascinated with. He asked a lot of questions to Tucker who happily chatted with him about the tech up until he asked a question Tucker didn't know the answer to and he turned to ask Danny.

Danny answered without looking up from the metal boots he was working on. They were going to allow the user to jump to great heights and deliver electrified high powered kicks. Tim then asked if Tucker wasn't the one who made these.

Tucker laughed and told him it was all Danny and jokingly mentioned that Dannys parents were evil mad scientists, hence his move to Gotham. Tim looked...alarmed. Danny pointed his screw driver at Tucker in warning, "What Tuck means is that I wanted to get away from the stigma of my parents being criminals, which is why telling everybody is counterproductive."

Tucker sheepishly apologized and admitted he had gotten carried away. Danny didn't think Bruce Wayne would disqualify him for having crappy parents but hes been treated pretty badly for less. Tim made an excuse to leave which Danny took as a bad sign. Crap. But he still had some confidence seeing as his inventions had caught the attention of Tim and kept it for so long. That had to mean something right?

---

Phantom knew that Gotham was "Batmans" territory and he didn't like others interfering on his turf but there was something so unnerving about Tim. He needed to find out more. He may have only been in this dimension for a few months but something smelling fishy had the same meaning in all the dimensions he's come across before.

So when he phased into Tim Drakes apartment under the cover of invisibility and found the cold case files of several murdered individuals going back the last two years alarm bells started to ring in his head. Last he checked Tim was in no way affiliated with the GPD and shouldn't have access to these. Then he noticed he had jewelry matching what one of the victims was wearing in thier photo. The same antique necklace that was noted to be missing from the victims body in the report. Upon further investigation Tim also seemed to have the murder weapons for a few of the crimes as well.

Wtf.

Tim Drake was a serial killer.

---

Tim stared at the batcomputer. He now had no doubt that "Daniel Nightengale" was some form of alias. It was a well crafted one he could give him that but after days of meticulous digging he found an inconsistency. Following that led to another and another until he finally had enough to unravel the lie.

Unfortunately it didn't give him a single clue towards the truth, at least not that he could see.

Yet.

All the same, Tucker didn't seem to realize the situation he was in. It was clear Daniel was dangerous if the gear he had at the presentation was anything to go by. Some of that stuff could give Bruce a run for his money.

Tim was sure Danny was up to something and would strike soon. Mad scientists usually have some sort of goal in mind after all.

---

This kicks off a period were Danny and Tim keep trying to stalk one another both in and out of costume. Both of them making flimsy excuses to escape one another- Tim because he's needed as Robin/Red Robin and Danny because he doesn't want to be murdered or outed as a "meta"

Jason finds out about both of thier suspensions by stalking them both as civilians and laughs until he cries. He then throws fuel on the fire by planting "evidence" that would point to Danny being evil/a serial killer such as hacking into dannys laptop while Tim is "visiting" Dannys apartment while he's away and making the screen show partial blueprints labeled "Death Ray Plans" only for the computer to crash when Tim tries to click on it, thus erasing everything.

He messes with Danny in a similar way, planting fake bloodsplatter in Tim's kitchen around the sink and watching the metas horrified face via Tims security cameras that he hacked into before later breaking in to clean it back up before his little brother got home.

Jason doesn't think he's ever had this much fun.

[life-in-the-garden]

Jar Spell: "Stay Off My Turf!"

This jar spell is a ward that will protect your residence, vehicle, or any other physical location/object. It’s a type of aggressive defense that might entail something nasty happening to any would-be intruder or curse-maker, so you should be okay with any ill-wishing intruder getting their comeuppance for attempting to break the ward, as opposed to just being scared off. This spell is for marking your territory and promising harm to anyone who dares step over the line; this is baneful magic.

This spell can potentially involve bodily fluids (not blood) + animal products, but neither of these elements are required. It definitely involves destruction of the jar (glass is preferred for its tendency to shatter under blunt force trauma; safety measures will be discussed further on).

With all of that in mind, let’s get on with the spell!

You will absolutely need:

1 small-ish vessel with a lid, preferably glass

sealing wax (preferably red) or liquid glue

a tool with which to break the vessel, such as a hammer, large wrench, or other heavy object.

A durable bag in which to encase the vessel prior to breaking

For your medley of potential ingredients to go inside the vessel, you will want things that are aggressive, fiery, and martial. You want ingredients that do the symbolic equivalent of spitting in an intruder’s eye and kicking them while they’re down to ensure they stay down. Things that align with the planet Mars, and/or are affiliated with warrior deities whom you work with, and/or are connected to territorial animal spirits whom you feel connected to… they will also do well in this capacity.

Some ingredient suggestions are:

the spiciest pepper you can find, chopped but not seeded

a large helping of cinnamon

red pepper flakes

very hot chili oil

rusty nails and/or fishhooks

iron filings

a small quantity of urine (human or otherwise)

a braided black and white cord/ribbon to represent a skunk

a drawing of a moose’s rack of antlers

a tooth from a carnivorous animal

a sigil involving the symbol or name of a warrior deity/spirit

Directions:

Once your ingredients are assembled and in the jar, put the lid on seal it with the red wax and/or glue. Carve an X onto the wax/glue on the lid and put the entire vessel into a durable bag. Seal the bag, then say something to the effect of, “Fuck off, you bad vibes bastards!”

Once that is done, smash the jar using your smashing tool. (The bag ensures that glass shards don’t go everywhere and from there present a safety hazard). Your ward is now set. Dispose of the bag and its contents without opening the bag (to avoid contact with glass shards).

[eugenedebs1920]

When a company decides they want to take their business venture forward and have it publicly traded, the Securities and Exchange commission (SEC) mandates the heads or owner of the company file a S-4 registration statement. This gives possible investors a background on the owners of the stock in questions past business dealings. Did they exceed expectations for growth in their previous companies? Was there any litigation or leans? What were the profit margins? This enables investors to make an educated and thoughtful decision before investing.

Since the 80’s it has been Trump’s priority to portray wealth. The golden decor, the foreign model wife, huge 747s with his name plastered on them, his name plastered on buildings, hotels and skyscrapers worldwide. This giving the illusion of success. What’s lesser known is often the buildings that bare his name do not belong to him nor are they financially affiliated with him. Some are. Some are just a marketing stunt that the name, Trump, brings luxury to, or used to, mind.

When the idea of making Truth Social a publicly traded company was introduced it was mandated that a S-4 registration statement be made public before the SPAC, Digital World Acquisition Corp could move forward with the merger of Truth Social and Technology Group Corp. it reads as follows.

Entities associated with President Trump have filed for bankruptcy protection. The Trump Taj Mahal, which was built and owned by President Trump, filed for chapter 11 bankruptcy in 1991. The Trump plaza, the Trump Castle, The Plaza Hotel, all owned by President Trump at the time, filed for chapter 11 bankruptcy in 1992. THCR, which was founded by President Trump in 1995, filed for chapter 11 bankruptcy in 2004. Trump Entertainment Resorts, Inc, the new name given to Trump Hotels and Casino Resort after its 2004 bankruptcy, declared bankruptcy in 2009. While all the forgoing were different businesses than TMTG, there can be no guarantee that TMTG’s performance will exceed the performance of those entities.

It continues,

Trump Shuttle, Inc, launched by president Trump in 1989, defaulted on its loans in 1990 and ceased to exist by 1992. Trump University, founded by President Trump in 2005, ceased operations in 2011 amid lawsuits and investigations regarding the company’s business practices. Trump vodka, a brand of vodka produced by Drinks Americas under license from the Trump Organization, was introduced in 2005 and discontinued in 2011. Trump Mortgage,LLC a financial services company founded by President Trump in 2006, ceased operations in 2007. GoTrump.com, a travel site founded by President Trump in 2006, ceased operations in 2007. Trump Steaks, a brand of steak and other meats founded by President Trump in 2007, discontinued sales two months after its launch. While all these businesses were in different industries than TMTG, there can be no guarantee that TMTG’s performance will exceed the performance of these entities.

I couldn’t have said it better myself. It’s all a lie. An illusion. Smoke and mirrors. The fortune Trump’s father left to him, Trump squandered quicker than he could recover, leading to a lifetime of shady deals, loans from foreign banks, failed get rich schemes and grifting.

Oh my the grift is strong in that one. From digital trading cards, NFT’s, ugly sneakers, bobble head dolls, $100k watches, madeIn china, sold from a strip mall in Wyoming, there’s ornaments, a $60 Bible, also made in china for $4, where the gold edged pages stick together, heck! He’ll even sell you a piece of the suit he was wearing when he was shot at in PA.

Another financial stronghold of Trump is to simply screw over people. Whether it’s not paying contractors who worked on his properties, not paying employees at his hotels, confiscating their tips as well, suing models who worked at his agencies for defamation, a charity, The Trump Foundation, was found guilty of fraud, stealing from those in need to line his pockets, or trying to cut out the very people who created his TMTG company in the first place. Trump doesn’t seem to care who he stiffs, as long as it benefits him.

The new and most lucrative venture is campaign donations. Whether it’s billionaire oligarchs who are buying favor, or little old Mr and Mrs MAGAdonia, Trump will happily take your money.

Lord knows he needs it. Between owning his rape victim 90 some million dollars and counting. The over half a billion dollars he scammed from New York he has to pay back. The hundreds of millions of dollars in lawyer fees. Not to mention upcoming cases and his lavish lifestyle. Things might get tight.

As you can see it’s a fake. A failed businessman who couldn’t just take the money his father left him and sit on an investment. He wanted fame. He wanted power.

After a lifetime of pursuing fame and power, a lifetime of fraud, cheating, grifting, ripping people off, and skirting the system has come back to haunt him. Accountability is knocking. Eventually it will kick in the door.