#fight sccenes

[stardust948]

How do I writeeeee

[glasswingowl]

HERE WE GO LADS FINALE TIME

EP 8 SPOILERS UNDER THE CUT

I AM IN FEAR

not the bugs noooo

WAS THAT FUCKING REBECCA???

this entire bit is great. showing what's going on from the pov of someone who doesn't gaf

oh. oh SHIT

the silence gets me every goddam time this is such a noisy show everyone's always clinking and whirring so hearing nothing is just…

"WHOOPS"

NORI SAID (wrote) A SWEAR?? SHE CAN DO THAT??

AW CMON

SPACESHIPT?? V??

ah. N. I keep getting my hopes up lmao

"I'm kinda like actually mad about what you did" BIG words coming from someone who could barely muster up a "J, you're kinda mean to me" at the start of the series. great job buddy <3

N's a great spaceship pilot he was just set up to fail the first time around

SHE CAN SWEAR?? i'm choosing to believe the solver unlocked that bc i refuse to believe she wouldn't be telling people to fuck off 24/7 otherwise

oh yeah cyn's still here

awwwww :3 three cheers for communication!

nevermind i guess-

that's my girl!

fuck you j

"i'm fine and calm and GO AWAY-"

V V V V V YESSSSSSSS MY GIRL BELEIVERS WIN BELIEVERS WIN

V'S THE GREATEST OF ALL TIME SUCK IT J

I LIVED BITCH V and Lizzy are just fantastic love these two. world's biggest haters

THE RAPTOR IS STILL STRAIGHT UP EVIL LMAO-

ahhh so J knew and decided to go along with it to save herself

HOW ABOUT YOU BITE ME AHAHHAHAHAHAHAHAHAAH YEAAAAAAAAAAAA-

WE STAY WINNING

ABSOLUTE POWER COUPLE

and here's the guest of honour herself!

oh eugh she's all bendy.

no no don't flinch now-

oh that's AWFUL i love it

OH SHIT THAT ACUTALLY HAS CONSEQUENCES

JESUS FUCKING CHRIST

SHE IS MENACING-

FUCKED UP LIZARD- OH WHAT THE HELL

this entire scene is genuinely freaky.

OH THE HOLOGRAMS OH SHI this is genuinely really good. playing off the fear from both sides to create a believeable misunderstanding. love it

the solver wants to swear SO FUCKING BADLY LMAO-

the gang's all here again

WAIT WAIT KHAN CLOSED THE FUCKIGN DOOR LMAO-

"no one traumatizes these weirdly hot robots but me" <- i'm just going to leave this here.

"glad you're not dead or whatever" GOD SO AM I

YEEEEEAAAAHHHHHHHHHH

FUCKING NIGHTCORE FIGHT SCENE USING J'S HEAD AS A PROJECTILE LMAO glitch is just flexing on us at this point

OH MY GOD UZI RECOGNIZING THE HOLOGRAM FUKCING LOVE THAT

uh oh. ah. oh what did she just do

WHHY DID IT JUST MELT BODIES DON'T DO THAT AUGH oh damn

she's…. ok? thad, lizzy and khan ok!

LMAOOO NORI- "KINDA HOT"?? YOU'RE BOTH FREAKS YOU'RE PERFECT FOR EACHOTHER

OH THE GRADIENT EYES LOOK SO COOOOL-

callback to the first sccene, teacher's alive but wishes he wasn't, EVERYONE IS HERE-

"THAT'S MY GIRLFRIEND!!" V AND LIZZY WORLD'S BIGGEST HATERS

half yellow now! so she's the new host?

J's alive, Khan and Nori reunite(!), Doll's… memorial??,

Oh yeah she's just gotta deal with that now-

In conclusion: WE GOT THE GOOD ENDING LETS GOOOO-

[bruh-anator3000]

Deadpool and Wolverine spoilers aka my thoughts

Hugh Jackman my beloved. Your shirtless sccene literally had me scream 'YES' in the theaters. Embarrassed myself but jesus it was worth it.

Stop letting big name characters play small characters. I want AJ LoCassio in his pink rock crop top as Gambit, or nothing.

Fucking disgusting Channing Tantrum. His dilect coach was a purple minion.

Laura lowkey looks like me, Marvel, hmu

STOP BRINGING THE MULTIVERSE INTO EVERYTHING ITS FUCKING BORING WRITE SOMETHING INTERESTING

I miss when actors actually had to learn fighting and dancing or something, sick of CGI jesus

What happens when two immortals fight each other? They fuck.

What the fuck was the Capital One woman doing there?

Ironically, I watched Grease the day before so it made me laugh loudly when the one that I want started playing

I will be listening to the soundtrack forever now.

Please please please Hugh Jackman as Logan, have a karaoke scene, please Hugh Jackman please sing me to sleep.

Shirtless Hugh Jackman as Logan made me scream in the theater. Keeping that in my head forever, until I can edit him.

Hugh Jackman my beloved, sexy beast

[defyxoblivionmoved]

( Moans Namor's name )

"Yes, dear, I'm here."

Lifting the partially collapsed building off Bruce, Namor throws the large segment of cement to the side. Curious that a fight breaks out and Bruce's green counterpart was still missing.

Reaching down to help Bruce up, he carefully holds the man. Lets him lean on one arm, while Namor quickly checks him for injury. It's just another petty little conflict, but his lover was endangered. He takes it personally. 

“Are you unharmed?“

@gammaragee

[superfrostydrawing]

I'm genuinely curious as to what would happen if Team RWB just agreed to go with May to Mantle or be let on the frontlines of Atlas. If the Hound would still enter the manor it would've been interesting imagining Willow and Whitley still have to deal with that on their own.

It's unlikely because Nora was injured and they wouldn't risk moving with a body to drag around while trying to not be spotted.

But Let's say the argument in Weiss' room ended with May winning and they decide to leave Nora to rest and the go. Not only would Whitley hear her sister agree to leave him once again, but also it would be out of character for them. More so than usual.

I'm going to make some speculations on how I think everything would go down.

So they leave, Nora stays unconcious, recovering, and I still feel like Whitley would call Klein for her, y'now beacause he didn't call him for Weiss' sake in the show, but for Nora's health. Whitley calls Klein and takes it upon himself to watch Nora until Klein arrives. They greet each other, they're about to go to where Nora is but then Penny comes crashing down like in the show, she passes out outside the manor.

Now we've reached chapter 8. It takes Whitley and Klein a while to get Penny in the room since she's so heavy. Now it's only Klein, Whitley, Penny and Nora in the sccene, the lights go out and Willow apears finally. Here's where things get a little complicated because Whitley had the idea of the ships and even found out through Weiss that there where people in Mantle in more danger than he knew, making him have the ships embargo idea, so I don't know if he would still have it?

I'm gonna go with probably not, or at least not for now. They would rather direct their focus on the two injured girls in bed. Regardless the lights go out and Klein needs the power to operate Penny and see what the fuck he's doing, because as much of a doctor he is, I don't think that's the same as being a mechanic.

Since Whitley doesn't need to make the ships requests he goes with Willow to turn on the power (YES WITH WILLOW. If Whitley goes alone he inmediatly DIES whe the Hound rips him out of the WINDOW and Willow wouldn't arrive in time to save him) and the Hound apears just like in the Ladybug scene. Why? Because as I said Whitley and Klein were the only ones in the manor and they had to drag Penny up the stairs, so only them have the goo on their clothes.

The Hound tries to bite at Whitley, sick fighting moves from Willow, she tells him to run, he runs back inside, the Hound goes after him, Willow is stoped from folliwing thanks to the other Grimm that fought Blake when Ruby was unconcious, yadda yadda.

Hacked Penny wakes up, so does Nora, basically the entire scene unchanged.

The Hound catches up to Whitley, he does his best to dodge and run away, maybe is thrown around like a doll and MAYBE activates his aura, mayybee. Or maybe not, but the point is that hacked Penny walks down the stairs, the same stand down between her and the Hound happens and Willow finally arives to fight it. Now, since she doesn't have the silver eyes the battle goes for a while until Whitley and Kelin drop the statue on top of it like in the show.

I bullshted my way into the ending so I am 100% sure you can come up with a better one because I lack creativity xD

But I think I summed it up well.

As for what would Team RWB do, I am SURE they would rather go to Mantle than go fight in the frontlines. Ironwood would absolutely make everyone stop fighting the Grimm to capture the girls.

But that's what I think anyway.

[susandsnell]

✨, be more chill

Sorry for getting to this so late, anon!

send me a musical and an emoji                       

✨ act one or two?

Ooh, this is a delicious one! I have to say, I really dig the ambiance of Act One; in addition to having both of the big solos for the love of my life, Christine Canigula, they really just establish the hangout vibe so well through Jeremy and Michael’s vintage geek antics and all the rehearsal sccenes, with the creeping encroachment of the sci-fi elements from The Squip Song onwards. It also sets up the hurts and conflict of each of the characters super well, from Jeremy and Rich’s depressing situations to bad communication in the friendships to love triangles to the obvious threat posed by the (mostly fun and charismatic at this point) Squip. Not to mention, in later productions, Loser Geek Whatever is an utterly heartrending soliloquy that poignantly gets to the heart of the indecision and second-guessing that’s born of a particularly deep self-loathing.

With that said, Act Two contains the emotional core of the show; Halloween is basically one extended nightmare and tearjerker in one go, but then you also have Jeremy’s fight with his father, character arcs concluding (or at least resolving somewhat), and possibly my favourite element, the sci-fi-horror aspect, overtaking the story much in the way the Squip seeks to take over the school. You have Rich and Jeremy making their heroic sacrifices, the strongest numbers in the show in both the musical and character and plot sense (Michael in the Bathroom, The Pitiful Children, and the absolute masterpiece that is Voices in My Head). You have one of the best climaxes in almost any show in the form of the deliciously bonkers (but equally terrifying) medley-reprise that is The Play, and as for the finale, well...let’s just say the message of the show, and what the characters are able to overcome, in terms of forgiving themselves and others, has saved my life in a big way more than once. This sums up why the finale is so good and important.  (Also, Jeremy and Christine are adorable together dammit, fight me.)

So....bias being what it is, gonna have to give the win to act two even if I want to kind of live in the world of Act One a little more.

[thetourguidebarbie]

Hell!o I was just thinking about the amazingness that is Klaroline and was just wondering what your opinion might be on a few things. (I'm not trying to stir up some shit or start a fight I am genuinely curious as to what you think) What do you thing, in you own personal opinion, is the most underrated KC moment ? Favourite KC moment? Most iconic? and what you believe to be KC's biggest flaw or problem ig. Like I said, I Iove KC just really wanted to know what you think. MERCI

Idk why that would stir up shit lol

Honestly though, Idk if I could answer what the most underrated one was?? I feel like everyone has different favorites, and tbh my fave KC sccene changes all the time depending on my mood. At this particular moment I am really feeling the phone call Klaus makes to her when he first got to NOLA i have such STRONG FEELINGS and I think the most iconic is “however long it takes”.

The biggest flaw/problem in that relationship is the baby that ruined everything probably how insecure they both are and how difficult it would be for them to trust each other. I feel like they’d both spend at least a few years waiting for the other shoe to drop before they got comfortable, but after that smooth sailing ;)

[artemis-pendragon]

TST is so goddamn blue: a meta

TST is just all kinds of weird. Everything feels off, and even the first third, which is supposed to be light-hearted and funny, is unsettling in many ways (for instance, why was John, a doctor, driving the car when his wife, Mary, was going into labor instead of having Sherlock drive? We know Sherlock can drive very well from THoBV, so wtf? And why would Sherlock ever say that Mary is better than John when it clearly hurt John that he’d say that? And what was the narrative point of the dog being there, apart from the fact that Sherlock likes dogs? Anyway, I digress.)

One theory that I’ve seen going around is that Sherlock is narrating this episode, and therefore, we’re dealing with an unreliable narrator. If Sherlock is in fact telling this story to his therapist, Ella, at the end of the episode, and is lying about some parts of his story, then what is he lying about? Well, one option is that he’s lying about how Mary died in order to protect someone. But he’s Sherlock… who would he bother protecting?

“It’s always you, John Watson.” Of course. It probably has to do with John. With saving and protecting John, as is Sherlock’s MO.

One theory by @the-7-percent-solution that I’m extremely fond of at the moment is that John killed Mary, and Sherlock is lying to his therapist in order to protect John (just like Watson may have lied in the original ACD story Charles Augustus Milverton to protect Holmes after Holmes presumably killed Milverton, which is what Mofftiss believe happened), and to give John an alias. Which would mean that quite a lot of the episode is either a fabrication, or changed slightly in order to make the story more convincing.

And, since I noticed that there is a LOT of blue in this episode, I decided to go through and examine the most blue-lit and blue-colored scenes, and see if I anything popped out at me. Something did. It might be nothing, but I’m gonna roll with it and see where it goes.

This is the scene where Sherlock discovers the A.G.R.A. memory stick in the Thatcher bust, and fights with Ajay. Everything in this scene is blue, or lit up with blue: the pool, the pool lights, the waves painted on the walls (real subtle with the Water Thing there, Mark), the police lights. It’s overwhelmingly blue. Which means that, if blue coloring or lighting means that Sherlock is lying (and I will explain why I think that might be the case in just a second) then Ajay’s story about why he’s actually hunting down Mary - or even the way/reason that Sherlock discovers the memory stick - might be either a lie, or a half-lie on Sherlock’s part (assuming he’s telling Ella all this after it’s happened.)

These screenshots are taken from the montage of Rosamund Mary’s escape trip. Again, there is quite a bit of blue, especially in the transitions and maps. And the dice. Again, just like the scene where Sherlock finds the A.G.R.A. memory stick, this part of the narrative has been twisted or is unreliable. We’re not seeing the full truth here. Maybe Rosamund Mary had a much more sinister reason to leave London than just escaping another assassin. (I’m not sure this part holds up as well as some of the other blue-colored scenes, but still. I thought it was very interesting how they stuck with this one-color scheme across so many scenes in this episode.)

This is the scene where Rosie begins crying, and John texts the girl from the bus stop. Again, everything in this scene is pretty damn blue; at least it stood out as being strangely blue to me. I mean, c’mon, even the bathroom tiling and towels are blue:

So maybe that means that this scene isn’t entirely true, either. The unreliable narrator - Sherlock, possibly - has embellished or left out something critical to understanding (in context) this scene. I’m not entirely sure what to make of this one, but maybe someone can help me out with figuring out how/why this scene might possibly have been a lie or a half-lie.

So I think this one is pretty self-explanatory. This whole scene is so strange and off, as many people who are much better at this whole meta thing than I am have already pointed out (I.E., John, an army doctor, not doing anything other than talk to his dying wife when he could clearly do so much more to help save her… jfc?)

Maybe Rosamund Mary didn’t really die in this sccene. Maybe, after finding out something about Mary’s past or present while confronting her about the A.G.R.A. memory stick or Morocco (again, assuming that both those scenes weren’t shown to the audience exactly how they happened) John killed her, and Sherlock’s protecting John by not telling the story how it really happened. Or maybe it’s something else… but there is an incredible amount of blue in this scene, which very clearly connects it (for me) to the previous scenes I’ve mentioned.

After Rosamund Mary’s death scene, the camera pans up and we get this shot:

A blue shark. And since sharks have repeatedly been associated with villains already on this show, that’s pretty damn suggestive. The shark is still swimming - it hasn’t stopped, and therefore it hasn’t died.

After the blue shark, we immediately get this shot a box (coffin? Ashes?) burning with blue flames:

Again, this is sticking to a common color scheme present in many other scenes that could easily have been changed or fabricated to hide a much more sinister side of Rosamund Mary, and a very different version of that aquarium scene. So maybe Rosamund Mary isn’t actually dead, or the how/why of her death is a lie, or, or, or…

And that brings me to why I think that blue might be important.  In one of the last scenes in the episode, we see that Sherlock is in therapy, and trying to figure out what to “do about John.”

Strangely, the therapist, Ella, has an office that’s painted blue: walls, ceiling, everything. (It is also shaped similarly to the tube in the aquarium, and lit in a very similar way to the room where Rosamund Mary died, but I’m not entirely sure that has any significance?) Oftentimes, when pressured to make something up or lie about something, people will look to what’s around them to help them come up with material for their lies. So if Sherlock is recounting this story from his memory, isn’t it possible that his surrounding are leaking into how he sees those memories, especially the ones that aren’t coming from his memory because they’re partially or fully falsehoods?

And then the episode ends on this shot:

More blue, with Sherlock framed in front of water, on his way to “save John Watson.” Real subtle, Mark.

((If anyone recognizes a reference to one of their metas in this post, please, please, please tell me and I’ll tag you and give credit! I really don’t want to seem like I’m stealing anyone’s theories, I just got excited by all the metas I was seeing and decided to make one, too!))

[amandabriscoe-blog]

Stanislavski sheet

1. Who am I? My name is Michelle and i am 22 years of age,I am a factory worker and currently living with my mum and younger sister.I don’t have a boyfriend or husband as I have recently split from mine.

2. Where am I? What time is it? Where is it? Where had I just come from? What do I want? Why do I want it?

Busy woman: Within this song i am in my house, cleaning and it is in the morning probable around 8 o'clock in the summer. I’ve just came from upstairs, probably not long after ive just woken up i am wanting to clean the house ready for the upcoming day because if I don’t do it no one else is going to. 

Scene 2: Within this scene i have just clocked in to work, i begin by getting a cup of tea before i then start working in the factory, although it is extremely hot. I would say that the time is roughly 9 o'clock again in the summer and I’ve just come from tidying my home so already I am extremely tired. I think at point I just want to get to work and finish soon as possible, as i think that I’m only doing it to help my family and afford the rent.      

This is what we want: I am in the factory, really annoyed, demanding things which need changing.  I would say that this song takes place at around 10am and I am still at the factory as the song carries on from the scene above, at this point I want monty to realise that he doesn’t know what we want and that things need to change because its just not fair and we shouldn’t be graded unskilled, especially in the working place we are at.

Sccene 4: Again working in the factory, sweeping, everyone stop when Monty walks in.This scene takes place at around half one, possibke after weve just been to have our lunch, i would say that weve just come from either the facory or just outside of it due the the conditions being way to hot. At this point we are still very annoyed that we have been classed as unskilled and we want Monty to understand that it isn’t fair and that the work we do actually takes a lot of skill as we had to take three tests to even get a job within the factory.

Wossname: Everyone’s stopped working, quite confused by what she is saying, sort of makes fun of what is being said.Within this song it progresses on from the scene above so we are still in the factory, however Monty and Connie has just came in, I would say the time to which this takes place is probably around 1:45pm not long after we have just got back from break. I think during this song the aim is to take the mick a little I feel like all the factory girls are finding it quite funny and amusing at just how confusing she is but at the same time realise that this is a serious matter and we have to ensure that the right person is sent to the meeting, someone who will know what to say.

Payday: In a bar, everyone’s having fun and dancing, as we are walking in we kind of show off before dancing with our partners.Within this song I have just finished work and have heard the the club so I think it would be around half six, this is still within the summer. During payday I think the girls are just wanting to go out and have fun as the have been played, I think the reason as to why they want to do this is because they work so hard everyday that they just want some time to relax plus it is coming to the end of the week so maybe they feel like they have earned it.

Scene 6: i am listening to jokes in a bar, very angry and frustrated because the jokes are about fat people, encourage beryl to say things back and make jokes about fat men. Within this scene we are still in the bar and the person is telling jokes about fat women, I think that the time would probably be around 7 o'clock and we would have still been in the club relaxing. I think the thing we want mostly from this scene is for men to realise that its not fair to be sexist and that they don’t find it funny when the shoes on the other foot and beryl is telling jokes about fat men, I think its just about women standing up to the men who think that this behaviour is alright.

Everybody out: Left work, onto the picket line, on strike, angry and frustrated.This scene is at lunch time and the girls have just came from the factory, The time to which I think this scene would have taken place is around 12:30 to 1:00. The whole point of this scene is the girls coming together and fighting for women rights and equal pay, I think the whole point of this strike is for the girls to prove to the men that equal pay should stand and that they want respect now, they’ve had enough and they want the men to realise that this is something that they’re not giving up on until they get it.

Storm Clouds: going back out on strike, emotions change throughout sad, guilt, annoyed, angry.This scene I think would have taken late afternoon so roughly around four o'clock, I think that we would have all just come from home as we have all gone on strike and we are now striking on the picket line. I feel the whole point of this scene is for the women to make a stand and for them to show the men that they aren’t messing around and that its a fight they are going to stick with until they win and both equal pay and respect is gained.

Act 2 scene 13: The TUC/ stand up: Everyone finally coming together, the start of women’s rights being changed for the better. I would say that this takes place just after lunch maybe around 1 o'clock, this is taking place because women want to fight for equal rights and women having equal point because they want respect