I’m not sure exactly how to articulate it but—there is this bizarre base assumption i see from people discoursing about children’s media, and that’s the assumption that children are somehow unfamiliar with negative emotions. Like, maybe you’ve managed to completely forget your entire life before you turned eighteen, but kids spend a lot of time being hurt, and scared, and angry. A lot of people had terrible fucking childhoods, and a lot of kids are having terrible fucking childhoods right now. When i was a child, and i read books where bad things happened to kids, that was in no way shocking to me, i already knew bad things happened to children. It made me feel more connected to those stories, not less, and it made it more impactful when those child characters overcame it all in the end. That’s important for children. A lot of them are in desperate need of a little hope, and they aren’t going to get it from nothing stories with no conflict. They put conflict in children’s media for a reason
Also i see some of you handwringing over child protagonists going through, like, the most basic hero’s journey. Please, for the love of god, realize that you as an adult are going to understand children’s media differently than the actual kids it’s intended for. Because you’re all grown up now, you aren’t going to be able to relate to a child protagonist. You’re going to see a child in danger. The children the story is meant for are going to see a kid like them who is able to face hardship and triumph
Jiyan, leader of the Midnight Rangers, acts with swift and resolute righteousness. He possesses the formidable ability to conjure a powerful Qingloong from the winds, making him invincible on the battlefield.
I saw a post that said “Dragon Age discourse walked so that Baldurs Gate 3 discourse could run” and that’s absolutely false. Dragon Age discourse sprinted, foaming at the mouth, so that BG3 discourse could skip happily through a meadow
doodles from today cause i had a thought: water tribe dragon-blood boy who despite every attempt could not hide his true nature, and fire nation dragon-blood boy who despite every attempt could never take full dragon form
sokka maims himself in an attempt to look more human, breaking off his own horns, cutting his ears, picking at his scales, but everyone sees what he really is. the dragons were responsible for so much death and destruction and he hates being their kind, and so he runs. meanwhile, being able to embrace the dragon in him is all zuko ever wanted, his royal bloodline expecting it of him, but he fails and he fails and is humiliated, tortured, and cast out for his weakness.
love how everyone else is living in the normal historical drama/political thriller world of the show while daemon is temporarily stuck in a psychological horror story