#fete ticket

[ringsbeforebabies]

99 Days Until Trinidad Carnival - Where to Party for TT Carnival 2023

99 Days Until Trinidad Carnival – Where to Party for TT Carnival 2023

[mymusicbias]

[galleryyuhself]

                  G    A    L    L    E    R    Y    Y    U    H    S    E    L    F

               Question: How early is too early to sell carnival tickets?

                                          Answer: Never.

                   ...................................................................................

              TRINIDAD Early Bird  Tickets are now available online only!

                 Get Tickets At: www.BrunchAndSocaTNT.com 

     The Ultimate Worldwide Ultra Premium All Inclusive  Brunch Fete

                                 BRUNCH And SOCA Trinidad

                      SUN 19TH FEBRUARY 2023  2PM - 9PM

Corbin’s Estate | Santa Barbara Extension, Maracus St Joseph TRINIDAD DRINKS & FOOD INCLUSIVE  Multiple Food Stations | International - Regional - Local DJs | Exotic & Premium Drinks | Delicious Cuisine | Beautiful Ambiance and SceneryPowered by: @brunchandsoca @HovaTheBusinessMan

[ibedressin]

Fete du Fae will be here soon!

Use code CursedKaiser50 for $50 off the Faerie Revel Tickets

[eddieredmayneargentinablog]

New Video: Joel Grey and Eddie Redmayne Talk CABARET and The 'Emcee' Legacy

Last night, the company and audience of Cabaret at the Kit Kat Club celebrated Broadway legend Joel Grey’s 92nd birthday on stage at the August Wilson Theatre.

By: A.A. CristiApr. 12, 2024, Broadway World.

Last night, the company of Cabaret at the Kit Kat Club wilkommened some very special guests to their immersive nightclub home!

Eddie Redmayne currently in previews as the ‘Emcee’ in Cabaret at the Kit Kat Club celebrated Broadway legend Joel Grey’s 92nd birthday on stage at the August Wilson Theatre.

In the video Grey, who won Tony and Academy Awards for originating the role of the Emcee, reacts to the immersive new production now in previews on Broadway and its star Eddie Redmayne.

Redmayne described the feeling of performing for Grey and the show's composer, John Kander as "extraordinary, horrendously intimidating, as well, but joyful," and revealed a special moment he shared with the star during the performance.

Grey, who originated the role of the ‘Emcee’ on Broadway in 1966 and went on to star in the beloved film of Cabaret, took the stage as the entire cast, band, and creative team sang “Happy Birthday” while a custom cake, shaped like a giant pineapple, emerged from the stage.

During his speech honoring Grey, Eddie Redmayne said, “Tonight is an extraordinarily special night for us because we are in the presence of an extraordinary human being without whom none of us would be here.” After thunderous applause, Redmayne continued “Your performance in this part changed my life and it was one of the things that made me want to be an actor.”

The cast and Grey were also joined on stage by Cabaret composer John Kander.

Alongside Joel’s daughter Jennifer Grey and Kander, a star-studded crowd came out to fete the theater icon including Anderson Cooper, Candice Bergen, Jackie Hoffman, Jane Krakowski, Lin-Manuel Miranda, David Rockwell, and more. They were joined by numerous alum of Cabaret spanning the decades including Maude Apatow (Sally Bowles in London, 2023), Madeline Brewer (Sally Bowles in London, 2022), Joely Fisher (Sally Bowles on Broadway, 2000), Gina Gershon (Sally Bowles on Broadway, 2001), Mason Alexander Park (Emcee in London, 2023), Adam Pascal (Emcee on Broadway, 2003), Molly Ringwald (Sally Bowles on Broadway, 2002), Jake Shears (Emcee in London, 2023), and Brooke Shields (Sally Bowles on Broadway, 2001).

About CABARET AT THE KIT KAT CLUB

Cabaret at the Kit Kat Club is now in previews on Broadway at the August Wilson Theatre (245 West 52nd Street). The production, directed by Olivier Award winner Rebecca Frecknall and designed by Tony Award nominee and Evening Standard Award® winner Tom Scutt, will have decadent twin opening night gala celebrations starting Saturday, April 20 and continuing into the following night, with the official press opening on Sunday, April 21. Tickets are on sale now at www.kitkat.club or via Seat Geek HERE.

In addition to Redmayne, Cabaret also stars Gayle Rankin as the toast of Mayfair ‘Sally Bowles, two-time Tony Award winner Bebe Neuwirth as ‘Fraulein Schneider,’ Tony Award nominee Ato Blankson-Wood as ‘Clifford Bradshaw,’ Obie Award winner and Drama Desk Award® nominee Steven Skybell as ‘Herr Schultz,’ Henry Gottfried as ‘Ernst Ludwig,’ and three-time Helen Hayes Award winner Natascia Diaz as ‘Fritzie/Kost.’

The cast of Cabaret includes Gabi Campo as ‘Frenchie,’ Ayla Ciccone-Burton as ‘Helga,’ Colin Cunliffe as ‘Hans,’ Marty Lauter as ‘Victor,’ Loren Lester as‘Herman/Max,’ David Merino as ‘Lulu,’ Julian Ramos as ‘Bobby,’ MiMi Scardulla as ‘Texas,’ and Paige Smallwood as ‘Rosie.’ Swings include Hannah Florence, Pedro Garza, Christian Kidd, Corinne Munsch, Chloé Nadon-Enriquez, and Karl Skyler Urban.

The Prologue Company, the dancers and musicians that welcome audiences to the club, feature dancers Alaïa, Iron Bryan, Will Ervin Jr., Sun Kim, Deja McNair and swings Ida Saki and Spencer James Weidie. The musicians of the Prologue are Brian Russell Carey (piano & bass), Francesca Dawis (violin), Keiji Ishiguri (dedicated substitute), Maeve Stier (accordion), and Michael Winograd (clarinet).

For this production of Cabaret, the creative team have transformed the August Wilson Theatre into the Kit Kat Club with an in-the-round auditorium and custom spaces which guests will be invited to explore during the Prologue, the production’s pre-show entertainment. After purchasing tickets, guests will receive a “club entry time” to allow them to take in the world of the club before the show starts.

Patrons can upgrade their experience at the Kit Kat Club with exclusive dining or drinks packages that allow them to soak up the pre-show atmosphere. These various upgrades offer unparalleled service and unique experiences in the heart of the Kit Kat Club. Drinks can be enjoyed before and during the show, while food will be cleared shortly before the performance begins, ensuring uninterrupted and unmissable views of Cabaret. For a complete menu and more information on the upgrade packages, please visit www.kitkat.club/upgrade.

[jabbage]

What are the top 5 most middle class things that have ever happened to you?

Ooooooh good question... now I'm going to do the most British thing ever and preface it with a short essay providing half my life story, out of a sense of denial.

Both sides of my family are staunchly working class, as far back as I can find records. They were farm labourers and dock workers and hopped in and out of workhouses. My mum worked housekeeping and cleaning jobs, and my Dad managed to snag a white collar job in a factory out of school (because he's really clever).

But then two complications -

My Dad became a clergyman. This meant that we got to live in nice houses owned by the church he worked for, sometimes in quite affluent areas. We didn't have much money, but still.

2. I managed to get into Oxford University with a gazillion bursaries tied to my parent's low income. I then used the bursary money to fund doing a master's degree, and now I work in academia.

So, am I middle class? I'm begrudgingly realising that I might be? Except if I am I feel like middle class people shouldn't be constantly worrying that their now-retired parents can't afford to switch the heating on, or whether they'll ever live in their own home. And it's alienated me from my extended family, who have jumped to the conclusion that I think I'm better than them.

Anyway, the top 5 most middle class things that have ever happened to me.

One

Last year I got invited to an anniversary meal at my Oxford college, called a gaudy. I nearly didn't go because my time at uni was not very happy and I don't remember some of my contemporaries fondly, but then I figured that if I go, next time I read Dorthy L Sayers excellent book "Gaudy Night," I will have better brain-pictures. So, the setting, for your own brain-pictures:

Latin grace was sung before the meal, which comprised of salmon confit, followed by venison, followed by black forest gateau, followed by fruit and chocolates and port.

I was sat next to a nice middle aged man with an OBE. When he asked me "So, what do you do?" I decided not to say the job which *actually* pays my bills, but to reply with my evening job: that I make comics. I felt like this was a fun thing to say in a room full of people who Work In The City etc etc.

Except it turned out that he runs one of the UK's biggest comic arts festivals. He offered me free tickets. He offered to put me in touch with publishers. He offered to introduce me to significant people.

And I was like.... oh. Is this how it happens? Like, you're in an Oxford college and you just RUN INTO a posh bloke who Knows People and that's how you finally get a book deal???

Anyway I went to the festival. They had a panel on a yacht. And talked to people, or rather had people talk over me. So many times they'd ask me a question, and then interrupt before I'd given my answer. And I dislike schmoozing SO MUCH.

So uh, yeah, no book deal ;D YET

Two

One time I was wearing my college scarf while I was walking around Durham, and I ended up meeting a very cute elderly couple who went to the same college forty-five years earlier (well, the husband did, the wife wouldn't have been allowed.) They invited my to a dinner party at their house, which turned out to be a very cute little town-house by the river with five stories.

At the time I was doing my Master's degree, and they became kind of surrogate parents who I could call in on for a free hot meal and good conversation. But it was entirely sparked by "going to the same college at Oxford" which is very ew.

Three

Idk there was just this one time I was coming home on the train from having seen the Royal Shakespeare Company's latest production of Much Ado About Nothing and I stopped off somewhere to get sushi and I spent the whole time staring at a wall thinking "What have I become?"

Getting tickets to the ballet from a colleague slots into this catagory, I think.

Four

One time I was asked to open a village fete because the local lady of the manor couldn't make it.

Why me? Apparently "local clergyman's daughter" and "went to Oxford" and "draws silly pictures sometimes" was enough to make me a local celebrity.

I got to give a little speech and judge some cakes and everything.

Five

One time I got invited to a dinner party at CS Lewis' house, the Kilns, and I met his lovely secretary Walter Hooper. I remember being shown around and having a deep impulse to check the backs of all the wardrobes.

When I first went in it was through a door that led straight into his bedroom, and I was told that I could take my coat off and just toss it on the bed. No sooner had I done so than my guide mused, "CS Lewis died in that bed."

So I guess I own a coat that has been on the bed where CS Lewis died, is that middle class?!! Idk

[dweemeister]

November 15, 2023

By Jonathan Mahler, James B. Stewart, and Benjamin Mullin

(The New York Times Magazine) — It was April 2022, and David Zaslav had just closed the deal of a lifetime. From the helm of his relatively small and unglamorous cable company, Discovery, he had taken control of a sprawling entertainment conglomerate that included perhaps the most storied movie studio on the planet, Warner Brothers. The longtime New Yorker had always loved movies, and against the advice of several media peers, he had moved to Hollywood and taken over Jack Warner’s historic office, hauling the old mogul’s desk out of storage and topping it off with an old-time handset telephone. So far things were going great. He had met all the stars and players, was widely feted as the next in line to save the eternally struggling industry and was well into the process of renovating a landmark house in Beverly Hills. “You’re the dog that caught the bus,” the billionaire octogenarian cable pioneer John Malone, one of Discovery’s largest shareholders, told him. All he needed to do now was pay back the $56 billion in debt that he piled onto the new company to make the deal happen.

Money is never just lying around Hollywood, and the town was still reeling from the pandemic. But that was OK. Zaslav had set a “synergy target” — cost cuts, essentially — of $3 billion in the next two years, and now, with the clock ticking, he got to work. To help, he had brought along his chief financial officer from Discovery, an amateur pilot and former McKinsey consultant named Gunnar Wiedenfels. As spring turned to summer, they laid off hundreds of workers, shuttered or reorganized divisions and suspended or canceled hundreds of millions of dollars’ worth of programming. Anything we don’t think is awesome, Zaslav told executives, stop production right now. Turn the cameras off.

Cuts are the norm after a merger, but Zaslav and Wiedenfels were pushing things hard, and in sometimes unorthodox directions. By shelving several nearly completed projects — including the animated, direct-to-streaming movie “Scoob!: Holiday Haunt,” and the fourth season of the postapocalyptic TV series “Snowpiercer” — they saved millions in postproduction and marketing costs, as well as residuals down the line, and they locked in hefty tax breaks up front. Like so much of what happened in Hollywood, all this was reminiscent of a Hollywood production — in this case, the beloved 1967 Mel Brooks comedy “The Producers.” There, the producers, Max Bialystock and Leopold Bloom, realized that under the right circumstances, a producer could make more money with a flop than a hit. For Zaslav and Wiedenfels, the money would come from making sure that no one would get to see the shows in the first place.

Then they came for “Batgirl.” The big-ticket streaming project had just finished filming in Scotland when Zaslav took over, and he and Wiedenfels had immediately identified it as a target — a “free ball,” as Zaslav described it to several colleagues. The audience test scores for a very early cut were not encouraging. Still, a number of executives warned him not to shelve it. “Batgirl” was a $90 million entry in a multibillion-dollar universe of movies and television shows based on DC Comics. Michael Keaton was reprising his role as Batman, and sequels were already in the works. Plenty of movies had tested poorly but still earned millions. Killing an all-but-completed movie would alienate the people Zaslav — or at least Hollywood — needed most: the people who made the movies. It was to no avail. On Aug. 2, the word came down: “Batgirl” was dead.

As predicted, the backlash was immediate and emotional. Stunned, the film’s up-and-coming directors, Adil El Arbi and Bilall Fallah, tried to look at their footage, but their access to the production server was denied. The head of the DC unit, Walter Hamada, who was not consulted on the decision, asked to be released from his contract and would leave before the end of the year. Courtenay Valenti, one of the most respected development executives at Warner Brothers, was equally devastated and would be gone in a matter of weeks, ending a 33-year run at the studio. The news dominated the Hollywood trades for days. Under fire, Zaslav defended the decision in an earnings call with analysts, saying he shelved “Batgirl” to protect the DC brand. More quietly, Zaslav also sought cover in the authority of Bryan Lourd, the powerful co-chairman of Creative Artists Agency and a leading arbiter of Hollywood mores. As Zaslav told it to several associates, Lourd had supported the decision, observing that it wasn’t in the interest of C.A.A. clients, like the film’s star, Leslie Grace, to be associated with a bad movie. But a C.A.A. spokeswoman denied that. “Bryan Lourd was not consulted in advance of the studio’s move to cancel ‘Batgirl,’” she said.

At Discovery, producers referred to having their budgets slashed as “getting Gunnared,” and Wiedenfels maintains a hard-boiled, McKinsey-esque attitude toward the bottom line. “It’s hard work,” he says. “You don’t make friends.” Zaslav, a born salesman who would prefer to make friends, is more reflective. “You do sometimes get bloodied,” he said in a wide-ranging interview at Warner Brothers Discovery’s corporate headquarters in New York. But business is business. “We have made unpopular decisions because they were necessary.”

That joke about selling to Saudi Arabia in the end. Just... no.

[demifiendrsa]

Street Fighter 6 - Pre-Order Trailer

Japanese version

Street Fighter 6 adds returning fighter Dee Jay and newcomers Manon, Marisa, and JP.

Street Fighter 6 will launch for PlayStation 5, Xbox Series X|S, PlayStation 4, and PC via Steam on June 2, 2023.

Key visual

Screenshots

Latest details

Pre-Orders

All pre-orders will receive alternate colors for Chun-Li, Jamie, Manon, Dee Jay, Juri, and Ken’s Outfit 1, while PlayStation 5 and PlayStation 4 digital pre-orders will also receive exclusive items like 18 in-game Special Titles and 18 Stickers featuring unique art from the launch roster to personalize their profile.

Game Editions

The three editions available for pre-order starting today are:

Standard Edition ($59.99; Physical/Digital) – Includes the base game of Fighting Ground, World Tour, Battle Hub, and the 18-character launch roster

Deluxe Edition ($84.99; Physical/Digital) – Includes the base game and the Year 1 Character Pass (containing four characters), colors 3-10 for each of those Year 1 characters’ Outfit 1, and a bonus of 4,200 Drive Tickets for in-game purchases

Ultimate Edition ($104.99; Digital) – Includes the base game and the Year 1 Ultimate Pass, which contains content from the Year 1 Character Pass, two additional costumes and their alternate colors for the four Year 1 characters, two more stages, and a bonus of 7,700 Drive Tickets

World Tour Mode

Next up, we shared new details on the all-new World Tour mode. Visit exciting locations like an arena in Italy, a festival in France, a beach in Jamaica, and more as you travel around the world learning Special Moves from Masters. You can even mix and match Special Moves from different Masters meaning that your avatar can throw out a Hadoken or Sonic Boom, perform a Spinning Bird Kick, and execute a Yoga Flame, all in the same match as long as they’re using different inputs. World Tour also introduces Master Assist, allowing players to fight alongside a Master like Ryu by calling upon them in battle to help for a period of time, a useful tool for when you encounter more than one opponent. Lastly, play your heart out with minigames like karate-chopping bottles, enjoying Italian cuisine, parrying basketballs, and more. Minigames are playable in between matches in the form of part-time jobs where you can earn World Tour mode currency to purchase in-game clothing, food, and more.

New Characters

And now, we welcome to the Street Fighter 6 stage, one returning legend—Dee Jay—and three newcomers—Manon, Marisa, and JP.

Dee Jay – First appearing in Super Street Fighter II, Dee Jay is a globally popular dance music superstar with a burning love for music and fighting. As a returning character in the series, Dee Jay retains his trademark moves that will get you in the rhythm such as Air Slasher, Double Rolling Sobat, Machine Gun Upper, and Jackknife Maximum, while adding new moves like Jus Cool and Weekend Pleasure to his arsenal. Visit Bathers Beach, Dee Jay’s stage in Street Fighter 6, to find a beachside party full of life amidst a setting sun.

Manon – A supermodel and world champion judoka, Manon struts the catwalk of street fighting to become the world’s strongest model. Manon’s move set is a graceful union between judo grappling and classical ballet with moves like the Manege Dore, Renverse, Pas de Deux, and more. Find her in the Fete Foraine stage in France, a dazzling carnival amidst the French skyline.

Marisa – Marisa is an up-and-coming jewelry designer from Italy who claims ancestry to ancient Greek warriors. A powerhouse of a character, Marisa utilizes her long limbs to unleash slow yet gargantuan strikes like the devastating Gladius, defensive counter Scutum, powerful Quadriga kick, and the almighty Goddess of the Hunt. Bask in the scent of victory in Colosseo, Marisa’s stage, with battle-ready warriors in the background cheering you on.

JP – JP is the head of an international nonprofit organization responsible for many successful investment projects, and the man behind Nayshall’s present prosperity. He has a beloved cat named Cybele. JP takes control of the entire map from all angles with moves like the powerful void-creating Departure, the clone-deploying Torbalan, the Embrace grab, and the destructive Interdiction.

[obeahmix]

Guangzhou! Counting up to the 29th when we'll fete inside @threelittlebirdsgz restaurant - a Trinidadian oasis in China. All food free from 8:30-10pm + happy hour prices included in the ticket. CALLING ALL HONG KONG FRIENDS TO REPRESENT! GET YOUR VISAS, TRAIN TICKET AND HOTEL ASAP. Big thanks to @ogy_break_jam from Break Jam Sound Japan & @dancehallinchina for the invite. @djfeaturz #smallfete4goodppl #fete #soca #socachina #reggae #reggaechina #dancehall #dancehallchina #threelittlebirds #trinifood @djminou4real https://www.instagram.com/p/CrFK6P6PNPa/?igshid=NGJjMDIxMWI=

[hlupdate]

Hi! About the live Nation/ fete de la musique thing: it's not a new date but simply a promo for Louis tickets for his show already scheduled in Paris in october, the promo is only available on music day (tomorrow in France). Just thought I'd clarified 😊

Thank you so much anon ❤️

[theliverpudlianuk]

🎵 Caroline Polachek is performing at CONTENT in Liverpool City Centre's The Baltic Triangle neighbourhood on Friday the 26th of May.

🎵 Caroline’s incredible vocal range and wonderfully diverse pop songs all feature on her fourth studio album, 'Desire, I Want to Turn Into You', which has already feted as one of the iconic albums of 2023.

🎵 Read the rest of our article on the website for the full story and information: https://www.TheLiverpudlian.com/post/caroline-polachek-will-be-performing-live-at-content-in-liverpool-here-is-when-tickets-go-on-sale

👉 Get all of the latest Scouse news, culture and events happening across the Liverpool City Region on TheLiverpudlian.com!

🔔 Turn notifications on so you never miss a post, story or video.

📲 Follow us on Instagram, Facebook, and YouTube to stay up-to-date on all of our posts!

📷 Image Credit: Supplied.

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️️Trademark & Copyright 2023, The Liverpudlian, and/or its affiliated brands, unless credit is given otherwise. All Rights Reserved.

[galleryyuhself]

GALLERYYUHSELF - This is what an ‘All Inclusive Fete looks like in 2023

.................................................................

PLATINUM - CARNIVAL SATURDAY 2023

  Event Date : 02/18/2023

  Event Time : 4:00pm

  Location : Estate 101 Saddle Road Maraval

    General :

Estate 101 invites you to step into -PURE PLATINUM on Carnival Saturday - Our Annual Ultra-Premium All-Inclusive Experience! Feb 18th, 2023, at 4:00 pm If you want to experience the very best in Ambience, Entertainment, Hospitality, Cuisine and Drinks, then this is the party you cannot afford to miss Pure Platinum - Its A White Affair - with a touch of silver First Tier Tickets Available Now - Info@estate101tt.com Contact - 461-3947                                               Estate 101 – An Exceptional Place for Exceptional People

[ticketgatewaycanada]

Fete Society organizing FOG FETE 'The Ultimate Powder Experience" event by Fete Society 2024–10–11 10 PM in Canada, we are selling the tickets for FOG FETE 'The Ultimate Powder Experience" https://www.ticketgateway.com/event/view/fog-fete--the-ultimate-powder-experience-

[michellenewyork01]

Gemini Production organizing ONE FETE 2024 event by Gemini Production 2024–10–12 09 PM in United States, we are selling the tickets for ONE FETE 2024. https://www.ticketgateway.com/one-fete-2024

[kccproductions]

The Arts Garage presents Suénalo September 27 at 8 PM. Arts Garage is located at 94 NE 2nd Ave in Delray Beach.

Suénalo is a nine-piece Afro-Latin electro funk band from Miami, celebrating their 20th anniversary. Named by the Miami New Times as one of Miami’s “Best Latin Rock Bands of All Time” ”…dancing, twisting, shouting – a barrage of music that’s simultaneously Afro-Latin, electronic, salsa, hip-hop, samba, funk, & unmistakably Miami."

PERFORMER BIO:

In the neon jungle of South Florida’s nightlife, where dusky bars and moonlit beaches meet, Suénalo has the natives dancing. It’s the sounds of distant continents coming into their own distinctive, premium blend — the soundtrack of the melting-pot culture that is Miami. Created in 2002 in the vibrant neighborhood of Little Havana, Suénalo has won legions of loyal fans and Best Local Latin Rock Band honors from the Miami New Times. In 2014, New Times Readers’ Choice Awards named them Best Band and one of Miami’s Best Latin Rock Bands of All Time. Suénalo mixes Afro sounds and funk with a dose of hip-hop, reggae, rock, and jazz.

With four albums under their belt, Suénalo has shared stages with the likes of Pitbull, Ozomatli, Chaka Khan, Soulive, Spyro Gyra, Inner Circle, the late artist formerly known as Prince, Afrobeat heavyweights Antibalas, J.Cole, Bacilos, Lettuce, The Roots, Toubab Crewe, Albita, Bossacucanova, Big Head Todd and the Monsters, RJD2, Soul Rebels, Big Sam’s Funky Nation, Rebelution, George Clinton & Parliament Funk, Bright Light Social Hour, among others.

From their 2003 debut “Collages” to 2006’s self-titled studio effort, 2009’s “Live at Transit,” and 2014 “Keep It Groovin,” Suénalo consistently delivers high energy shows to local and national festivals such as Calle Ocho, Grassroots, Orange Blossom Jamboree, Tropical Heatwave, Gasparilla, Bear Creek, Hulaween, New Orleans Jazz Fest, the Latin Funk Festival, Fingerlakes Grassroots Festival, WMNF Tropical Heatwave, SXSW, Gasparilla, ArtMiami, Langerado, Carnaval on the Mile, Calle Ocho, Fingerlakes, Virgina Key and Shakori Hills Grassroots Festivals, Fete de la Musique, Hollywood Festival of Arts, The LEAF festival, Ashefest, Wahoo, SOBEWFF, and Leaf Festival.

“…Dancing, twisting, shouting – a nine-piece band and a barrage of music that’s simultaneously Afro-Latin, hip-hop, R&B, funk, and unmistakeably Miami.”

Video: https://www.youtube.com/watch?v=srM4RPyPVOw&t=464s

Ticket information at: artsgarage.org

Suénalo appears courtesy of KCC Productions.

[timesofinnovation]

Paris’ Musée des Arts Décoratifs has announced a grand ball event scheduled for July 6, 2025, celebrating an iconic moment in history while raising funds for the institution. The ball will commemorate the centenary of the International Exhibition of Modern Decorative and Industrial Arts, which originally took place in Paris from April to October 1925. This exhibition was pivotal in showcasing the groundbreaking developments in both decorative and industrial arts. For this event, unlike New York’s Met Gala—which sells tables to brands—the Musée des Arts Décoratifs will offer tickets directly to individuals and their families. This approach aims to provide a more inclusive atmosphere, broadening the accessibility to a wider audience passionate about design and fashion. The event will be divided into two segments: a small, exclusive fete reserved for notable guests, and a larger gathering that will welcome design and fashion students. This dual approach not only celebrates high fashion and artistry but also nurtures the next generation of designers. The ball's unique structure may serve as a blueprint for similar events, offering an inclusive and educational component. It promises an evening rooted in the tradition of Paris' legendary balls, reinforcing the city's status as a world hub for fashion and design.