#festivalof

[loudlylovingreview]

Joy Gaines-Friedler: Guest Appearance

Israel, Oct. 7, 2023 I had a small, non-speaking part, a morning call in the massacre scene.Five hours–I was made to walk in circles, pace the floor, check the clock. The scene was full color, sound, and soundless. Fields of guava, the houses burned. Children fled; A festivalof music played in the background then went blade silent.Their blood disappeared into the sand.They hired extras to do the…

[yukenjsd]

Happy Diwali 2023 JSD Engineering Products #diwalispecial #festivalof...

[muvana]

via Giphy

[jeffgarvin]

#Repost @commercelibrary with @repostapp ・・・ Commerce Loves Reading 🎉 Book Festival 2017. 🎉📚😊 #commercelibrary #bookfest #meettheauthor #authorsofinstagram #librariesofinstagram #libraryteens #teenadvisory #librarypeeps #readers #festivalof poke #commercereads #read #welovebooks #illustrators #weloveourlibrary

[enveetechbimsolutions]

"Let this festival burn all negativity and bring positivity in life celebrate with vibrant colors" .Happy Holi .............  

[craftyvoidchaos]

Durga Puja Saptami Programme 2020 I Team Rupantar I PBWA

[mellolovenlife]

#FestivalOf https://www.instagram.com/p/BnM0Q1sDZ3W/?utm_source=ig_tumblr_share&igshid=ia8l85oti9cq

[nvsrworld]

4th August, 2022:NAGALAND HARVEST FESTIVAL!

4th August, 2022:NAGALAND HARVEST FESTIVAL!

Metemneo the traditional five-day harvest festivalOf the Yimchunger tribe in Nagaland -a nice state of BharathThough a solemn festival observed after the millet cropIs harvested, normally in the second week of August sharp! Inaugurated by the village elder khiungpu five-day festivals include:Shito –  Communal cleaning of the village, repair of village roadsZhihdo –  Repair of the paths leading…

[webutopiantech]

With a gleam of diyas and the echo of the chants, May happiness and contentment fill your life, wishing you a very happy and prosperous Diwali.

#diwali2021 #festivalvibes #indianfestival #incredibleindia #Maythe #festivalof #diwali #brightenyour #comingyear #withnew #opportuninties #andnew #successstories #towrite #wishing #youandyour #lovedones #ablessed #cheerful #Diwali #festivaloflight #happy #diwali

[mattseeleypoetry]

Carnival of Absurdity

My latest poem, Carnival of Absurdity, is now available to read @ mspoetry.com #WritingCommunity #PoetryCommunity

It’s a carnivalOf absurdityA festivalOf obscenityIt’s a circusOf perversityA celebrationOf insanityOn and onIn my headFor eternity I dared to peakInside the HouseOf MirrorsWhat greeted meMade me quicklyReconsider For staring backAt me wasNo reflectionBut the incarnationOf my everyImperfection I tried to smashThose windowsTo realityBut the only thingThat shatteredWas my sanity It’s a…

[johnrothwell]

Festival Hexbombs by John Rothwell #Festivalof the Arts #Thehexbombs #Punkrockjeff

[digitalparindey]

This Holi🎨 enrich your life with colours and Thandai🍶. Feel free to show your gratitude and affection 🤗towards your loved 😍ones.Digital parindey 🦅wishes you a very 💙💛🧡💚💜Happy Holi 💜💚🧡💛💙with bright colours 🎨and brighten smile🤩 on your face.

website :  http://www.digitalparindey.com/

[toocherryblossomlover]

#AllooTikki #Brijwasi #Chaat #DiwaliTreats #Diwali #celebrations🎉 #Festive #FestivalOfEating #Food #Foodie #day1 (at Amritsar, Punjab)

[crosswised]

Animal Kingdom is a great park for adults, but it turned out that it was also a great experience for out toddler grandson!(via https://www.youtube.com/watch?v=ZO_QLH7ABms)

[yourhuge]

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[spicyconcepts]

FESTAC '77, GOLDEN JUBILEE INTROSPECTION By Olushola O. Olajobi

With the definition by the African Union that culture should be regarded as the set of distinctive linguistic, spiritual, material, intellectual and emotional features of the society or a social group, and that it encompasses, in addition to art and literature, lifestyles, ways of living together, value systems, traditions and beliefs; That all cultures emanate from the societies, communities, groups and individuals and that any African cultural policy should of necessity enable peoples to evolve for increased responsibility in its development. It shows emphatically that culture has always been a feature associated with humans. Some scholars opined that African culture is a strong one that makes any African easily identifiable among the crowd. They believe that Africans both within and outside the continent shared a common destiny apart from mere common history. Even though when you mention the black art festival today among most Nigerians they may start asking you questions or the particular festival you are talking about. But the iconography and news of the Festac ‘77 is what will forever linger in the minds of every Nigerian either young or old most especially in the creative sector of the country. Furthermore, some of the populace who are religious fanatics have contributed to the misinterpretation of this world black festival with the opinion that the hosting of the festival brought bad omen to Nigeria which only God can solve but some other scholars are questioning this view based in the fact that long before the hosting of the festival, many political issues or problems have been recorded in Nigeria such as the 1966 coup that led to the Nigerian civil war (July 1966- January 1970) among other political unrest prior to 1977 when the festival was held. History recorded that the idea to convoke a festival of black arts was first mentioned at the 1956 conference of Black Writer’s in Paris, summoned by the Paris based Pan African cultural Society to discuss the resurgence of the African culture. The idea came up again at the second African Congress in Rome in 1959 where the landmark decision to convoke the festival was agreed. However, this decision did not materialise u til nine years later by one of the participants, Leopold Sedar Senghor (9th October 1906- 20th December 2001), who was one of the leading lights of the Negritude movement and elected President of Senegal in 1960. For Senghor, accepting to host the first world festival of black arts in his countrys’ capital Dakar was an opportunity to bring to fulfilment a long time dream of a convergence of African and diaspora to enact in practical terms the theories of cultural renaissance. With the auspices of UNESCO and the participation of 45 African, Europe, carribean, north and south Africa countries. The maiden edition was held between 1st and 24th of April 1966 tagged “FESMAN”. The maiden edition of the festivalof black arts festival or what we can called the world festival of negro arts (Ler festival Mondial des arts Negres) FESMAN was aimed at bringing all blacks together from all corners of the world showcasing painting, sculpture, poetry, music, cinema, fashion, theatre, architectural designs and dance from artists and performers around the African diaspora. The Festac '77 was the second edition of the black arts festival which was also regarded as the largest cultural events ever held on the African continent with a total participants of more than 17000 from over 50 countries. The Festival of Arts and Culture was held in lagos Nigeria between 15th of January and the 12th of February 1977 under the patronage of General Olusegun Obasanjo, the then military head of state. Iconographically, the Festac '77 logo is the singular artistic work that represents the face of Nigeria rich and vibrant cultures in its majestic splendour. The mask which has a deep root in the ancient city of Benin in present day Edo state and a historical trace o the expansive conquest of Queen Idia, who during her reign extends the frontiers of ancient Benin empire to an unbelievable height. The mask is believe to illustrate the beauty of the Queen in all her royal pomp and pageantry. Even though the symbol was casted in bronze which constantly remind us of the richness of Africa’s past, the quest for excellence of the present and a strong vision about Africa future. However, it will be misleading to forget that the original mask made of ivory that inspired this Festac logo was part of the thousands of masterpiece’s that was looted and carted away by the British soldiers during the Benin invasion of 1897. “The mask remain a veritable symbol of the resilience of the human spirit and it is the template on which the creative talents of the people married to their physical courage and vision for the future is based” (NIGERIA’S GIFT TO UNESCO, 25TH MAY 2015) With 2017 making it the 50th year after the hosting of the world black arts festival in Nigeria, the festival has contributed in no small measure to the country art production, patronage and appreciation even though it is disheartening that most of the salient issues discussed fifty years ago are yet to materialise in action. In addition, the state of some of the venue’s and equipments or facilities used for the festival is not encouraging as can be seen in the national theatre at Iganmu, Lagos. Nevertheless, the positive impacts of the hosting of the festival have yielded a lot of gains to Nigerian art practice as can be found across the country today, making it a veritable job that parents and guardians are akin to allow their wards and children learn. The aftermath of the festival have also motivated many artists in thier creative abilities in creating record breaking art works that have been auctioned in top art auction houses around the globe.